Giza Quotes

As I grew up, I knew that as a building (Fenway Park) was on the level of Mount Olympus, the Pyramid at Giza, the nation's capitol, the czar's Winter Palace, and the Louvre — except, of course, that is better than all those inconsequential places

Maombi yako yasipojibiwa usikate tamaa, Mungu alishakusikia na tayari alishaandaa malaika wa kukuletea jibu. Jibu wakati mwingine huchelewa kufika kwa sababu ya nguvu za giza. Usiwe na haraka, muda wako ukifika utajibiwa.

Words are our slaves: they may be used to fetch a pair of slippers, or to build the great pyramid of Giza: they depend on syntax to make the order of the world manifest, to raise stones into arches and arches into aqueducts.

Kufanikiwa katika maisha lazima usimamiwe na nguvu za nuru au nguvu za giza. Kama ni nuru lazima ubobee katika nuru. Kama ni giza lazima ubobee katika giza.

There’s a very loud noise in my ear, not unlike a cat sneezing, if the cat is the size of the Great Sphinx of Giza and it’s just inhaled three tons of snuff.

Donald Trump was building a pyramid in the Nevada desert to house his eventual remains. When done, it will be ten meters taller than the Great Pyramid at Giza.

most cherished desires of present-day Westerners are shaped by romantic, nationalist, capitalist and humanist myths that have been around for centuries. Friends giving advice often tell each other, ‘Follow your heart.’ But the heart is a double agent that usually takes its instructions from the dominant myths of the day, and the very recommendation to ‘follow your heart’ was implanted in our minds by a combination of nineteenth-century Romantic myths and twentieth-century consumerist myths. The Coca-Cola Company, for example, has marketed Diet Coke around the world under the slogan ‘Diet Coke. Do what feels good.’ Even what people take to be their most personal desires are usually programmed by the imagined order. Let’s consider, for example, the popular desire to take a holiday abroad. There is nothing natural or obvious about this. A chimpanzee alpha male would never think of using his power in order to go on holiday into the territory of a neighbouring chimpanzee band. The elite of ancient Egypt spent their fortunes building pyramids and having their corpses mummified, but none of them thought of going shopping in Babylon or taking a skiing holiday in Phoenicia. People today spend a great deal of money on holidays abroad because they are true believers in the myths of romantic consumerism. Romanticism tells us that in order to make the most of our human potential we must have as many different experiences as we can. We must open ourselves to a wide spectrum of emotions; we must sample various kinds of relationships; we must try different cuisines; we must learn to appreciate different styles of music. One of the best ways to do all that is to break free from our daily routine, leave behind our familiar setting, and go travelling in distant lands, where we can ‘experience’ the culture, the smells, the tastes and the norms of other people. We hear again and again the romantic myths about ‘how a new experience opened my eyes and changed my life’. Consumerism tells us that in order to be happy we must consume as many products and services as possible. If we feel that something is missing or not quite right, then we probably need to buy a product (a car, new clothes, organic food) or a service (housekeeping, relationship therapy, yoga classes). Every television commercial is another little legend about how consuming some product or service will make life better. 18. The Great Pyramid of Giza. The kind of thing rich people in ancient Egypt did with their money. Romanticism, which encourages variety, meshes perfectly with consumerism. Their marriage has given birth to the infinite ‘market of experiences’, on which the modern tourism industry is founded. The tourism industry does not sell flight tickets and hotel bedrooms. It sells experiences. Paris is not a city, nor India a country – they are both experiences, the consumption of which is supposed to widen our horizons, fulfil our human potential, and make us happier. Consequently, when the relationship between a millionaire and his wife is going through a rocky patch, he takes her on an expensive trip to Paris. The trip is not a reflection of some independent desire, but rather of an ardent belief in the myths of romantic consumerism. A wealthy man in ancient Egypt would never have dreamed of solving a relationship crisis by taking his wife on holiday to Babylon. Instead, he might have built for her the sumptuous tomb she had always wanted. Like the elite of ancient Egypt, most people in most cultures dedicate their lives to building pyramids. Only the names, shapes and sizes of these pyramids change from one culture to the other. They may take the form, for example, of a suburban cottage with a swimming pool and an evergreen lawn, or a gleaming penthouse with an enviable view. Few question the myths that cause us to desire the pyramid in the first place.

We cannot fathom technology that is unknown to us, and we seldom consider things that seem impossible to us.

WHO AM I? I have seven heavenly panels Leading up to a pointed sphere I’m multidimensional like a crystal And my center is never clear. I’m an inventor and pioneer. A mentor to my peers. But I'm not as sound as my shell reveals, Because I’m tormented by my fears - That may appear to be grounded But my insides are filled with tears. And the sadness is well-founded, From years and years Of traumatic experiences Compounded In the most demented Atmospheres. I talk but feel like nobody hears. Has reason disappeared? And, God, are you near? This is Giza’s 7th light force And I'm asking you to interfere. I can no longer walk amongst the blind and dead With open eyes and ears. I’m trying to maintain my sanity And to straighten up my veneer As I roll amongst the growing calamities Flowing on Earth’s severely trashed Frontier. Suzy Kassem, Rise Up and Salute the Sun (2010)

As if that was how they built the Colosseum and the pyramids of Giza. Christ, they’d managed to build the Eiffel Tower in 1889, but nowadays one couldn’t come up with the bloody drawings for a one-story house without taking a break for someone to run off and recharge their cell phone.

For those who may still believe in the "official" chronology of the historical development of metals, identifying copper as the metal the ancient Egyptians used for cutting granite is like saying that aluminum could be cut using a chisel fashioned out of butter.

By day, contrary to common wisdom, you probably won’t see the Great Pyramids at Giza, and you certainly won’t see the Great Wall of China. Their obscurity is partly the result of having been made from the soil and stone of the surrounding landscape. And although the Great Wall is thousands of miles long, it’s only about twenty feet wide—much narrower than the U.S. interstate highways you can barely see from a transcontinental jet. From orbit, with the unaided eye, you would have seen smoke plumes rising from the oil-field fires in Kuwait at the end of the first Persian Gulf War in 1991 and smoke from the burning World Trade Center towers in New York City on September 11, 2001. You will also notice the green–brown boundaries between swaths of irrigated and arid land. Beyond that shortlist, there’s not much else made by humans that’s identifiable from hundreds of miles up in the sky. You can see plenty of natural scenery, though, including hurricanes in the Gulf of Mexico, ice floes in the North Atlantic, and volcanic eruptions wherever they occur.

The dimensions of the Great Pyramid of Giza are coupled with the dimensions of the King's Chamber inside of it through the constant of 100 PI.

The significance of King's Chamber of the Great Pyramid of Giza is not only demonstrated through its positioning inside the pyramid structure, but also through its size.

In ancient Egypt, PI was the Giza Plateau Constant (GPC) that was defined using the two equinoxes. It originally was a temporal invariant, and not a spatial one.

Pharaoh Chephren (circa 2600 B.C., Fourth Dynasty), who built the second Giza pyramid.

John West is very good at reaching the heart of an issue using simple analogies. In summarizing the evidence of precision at Giza, he said, 'It's like finding a Porsche where only a wheelbarrow should be.

Bauval found that the Pyramids/Orion’s Belt correlation was general and obvious in all epochs, but specific and exact in only one: At 10,450 BC – and at that date only – we find that the pattern of the pyramids on the ground provides a perfect reflection of the pattern of the stars in the sky. I mean it’s a perfect match – faultless – and it cannot be an accident because the entire arrangement correctly depicts two very unusual celestial events that occurred only at that time. First, and purely by chance, the Milky Way, as visible from Giza in 10,450 BC, exactly duplicated the meridional course of the Nile Valley; secondly, to the west of the Milky Way, the three stars of Orion’s Belt were at the lowest altitude in their precessional cycle, with Al Nitak, the star represented by the Great Pyramid, crossing the meridien at 11° 08ʹ.8

The famous Babylonian “Code of Hammurabi” states that tavern owners must always pour a sufficient amount of beer or face the death penalty. Trade and travel then brought beer to Egypt, where it was again associated with the work of the gods. Workers at the Giza Pyramids were given beer rations several times a day and over a hundred medicines recipes included the beverage. The Egyptians believed beer to be healthier than water and shared it with their fellow men of all ages, young and old.

The Orion constellation was very significant to the ancient Egyptians. Years earlier, a construction engineer, Robert Bauval, had noticed that the three pyramids at Giza, including the great pyramid, were aligned in a fashion that looked similar to the way that the three stars of Orion’s belt were aligned.

The ancient Egyptian calendar is Precessionally Sexagesimal (Besides being theologically/decanally decimal). That means that the toggling between its "enhanced" Civil Calendar (i.e., 365 days yearly) and the geometrical Original Calendar (i.e., 360 days yearly) is based on the precession of the equinoxes (rather than being solely anchored in the solar system); where 148 squared over 365 equals to 60; and 148 multiples of 360 over 365 equals to the height of the Great Pyramid.

The first cities and states arose 5,000 years ago. One of these archaic states, the Old Kingdom of Egypt (2650–2150 BCE), the one that built the Great Pyramid of Giza, had a population of between one and two million, which is beginning to approach the social scale of the most complex social insects, ants and termites. The

Great Pyramid's magic square (since it is associated with Jupiter) over that of Menkaure Pyramid's (which is associated with Mars) equals to the Royal Cubit.

The ecliptic is shifted clockwise away from falling into the Akheru portal, which means the setting n the zodiac is that of the Winter Solstice's; this is Christmas time.

At present there are only two land-based cranes in the world that could lift weights of this magnitude. At the very frontiers of construction technology, these are both vast, industrialized machines, with booms reaching more than 220 feet into the air, which require on-board counterweights of 160 tons to prevent them from tipping over. The preparation-time for a single lift is around six weeks and calls for the skills of specialized teams of up to 20 men.13 In other words, modern builders with all the advantages of high-tech engineering at their disposal, can barely hoist weights of 200 tons. Was it not, therefore, somewhat surprising that the builders at Giza had hoisted such weights on an almost routine basis?

Pharaohs It took Khufu twenty-three years to build his Great Pyramid at Giza, where some eleven hundred stone blocks, each weighing about two and a half tons, had to be quarried, moved, and set in place every day during the annual building season, roughly four months long. Few commentators on these facts can resist noting that this achievement is an amazing testimonial to the pharaoh’s iron control over the workers of Egypt. I submit, on the contrary, that pharaoh Khufu needed to exercise no more control over his workers at Giza than pharaoh Bill Gates exercises over his workers at Microsoft. I submit that Egyptian workers, relatively speaking, got as much out of building Khufu’s pyramid as Microsoft workers will get out of building Bill Gates’s pyramid (which will surely dwarf Khufu’s a hundred times over, though it will not, of course, be built of stone). No special control is needed to make people into pyramid builders—if they see themselves as having no choice but to build pyramids. They’ll build whatever they’re told to build, whether it’s pyramids, parking garages, or computer programs. Karl Marx recognized that workers without a choice are workers in chains. But his idea of breaking chains was for us to depose the pharaohs and then build the pyramids for ourselves, as if building pyramids is something we just can’t stop doing, we love it so much.

I went to Cairo, to the Giza plateau, and stood beside desert nomads and their silk-draped camels at the foot of the Great Sphinx, all of us squinting up into its eternally open eyes. The sun hammered down on my head, the same sun that hammered down on the thousands of men who built these pyramids, and the millions of visitors who came after. Not one of them was remembered, I thought. All is vanity, says the Bible. All is now, says Zen. All is dust, says the desert.

The view of Professor Robert Schoch Schoch is a renowned figure, indeed notorious, for the case he’s made, based on strict geological evidence, that the Great Sphinx of Giza bears the unmistakable erosion patterns of thousands of years of heavy rainfall.6 This means it has to be much older than 2500 BC (the orthodox date, when Egypt received no more rain than it does today) and must originally have been carved around the end of the Ice Age when the Nile valley was subjected to a long period of intense precipitation.

The golden ratio, as well as the Great Pyramid as an expression of it, is an important key to our universe containing the Earth and the Moon. ... The ratio between the Earth and the Moon is in fact the basis for the mathematical concept of 'squaring the circle' ...

Sometimes, she said, she could recognize a place just by the quality of the light. In Lisbon, the light at the end of spring leans madly over the houses, white and humid, and just a little bit salty. In Rio de Janeiro, in the season that the locals instinctively call ‘autumn’, and that the Europeans insist disdainfully is just a figment of their imagination, the light becomes gentler, like a shimmer of silk, sometimes accompanied by a humid grayness, which hangs over the streets, and then sinks down gently into the squares and gardens. In the drenched land of the Pantanal in Mato Grosso, really early in the morning, the blue parrots cross the sky and they shake a clear, slow light from their wings, a light that little by little settles on the waters, grows and spreads and seems to sing. In the forests of Taman Negara in Malaysia, the light is like a liquid, which sticks to your skin, and has a taste and a smell. It’s noisy in Goa, and harsh. In Berlin the sun is always laughing, at least during those moments when it manages to break through the clouds, like in those ecological stickers against nuclear power. Even in the most unlikely skies, Ângela Lúcia is able to discern shines that mustn’t be forgotten; until she visited Scandinavia she’d believed that in that part of the world during the winter months light was nothing but the figment of people’s imagination. But no, the clouds would occasionally light up with great flashes of hope. She said this, and stood up, adopting a dramatic pose: ‘And Egypt? In Cairo? Have you ever been to Cairo?… To the pyramids of Giza?…’ She lifted her hands and declaimed: ‘The light, majestic, falls; so potent, so alive, that it seems to settle on everything like a sort of luminous mist.

He looked like a circus acrobat who had been reassigned to bedpans and taken to them like a duck to water. He didn't miss a beat while they talked and his military bed-making was hypnotic to watch (...) He stripped beds, bundled dirty sheets, shook out fresh ones and then wound mattresses in them as neat and as tight as if he ws working in the gift-wrap department of the Great Pyramid at Giza. M. wondered how the hell the old folk managed to fight their way between the top and bottoms sheets every night, and had a mental image of residents spending years shivering above the covers, too frail to gain entry to their won beds.

As electrical energy can create mechanical vibrations (perceived as sound by the human ear), so in turn can mechanical vibrations create electrical energy, such as the previously mentioned ball lightning. It could be theorized, therefore, that with the Earth being a source for mechanical vibration, or sound, and the vibrations being of a usable amplitude and frequency, then the Earth's vibrations could be a source of energy that we could tap into. Moreover, if we were to discover that a structure with a certain shape, such as a pyramid, was able to effectively act as a resonator for the vibrations coming from within the Earth, then we would have a reliable and inexpensive source of energy.

Zara slowly reaches forward, touches the Tetragrammaton with her index and middle finger, nothing at first, then an odd sensation, a feeling of divine power and knowledge. “It’s beautiful,” a surge of information overwhelms her senses—she turns her palms face up, as she does they turn transparent to reveal the constellations, “I am that which is not, born from the imperishable stars.” With that said her skin transforms a dark blue, filled with a star-blue sky, photons of rainbow-light encircle her body; she stops dead, lifeless, in a suspended state of animation. Just then she finds herself above, looking down at the pyramid, at herself, the entire universe all stopped dead in single frozen moment of time. And then it is all gone, she awakes in another place, another time-line. Ancient Egypt. The Pyramids of Giza.

The unique platform at Baalbek has been there from bygone days, and it is still there intact in its enigmatic immensity; Mount St. Katherine is still there, rising as the highest peak of the Sinai peninsula, hallowed since ancient days, enveloped (together with its twin-peaked neighbor, Mount Mussa) in legends of gods and angels; Fig. 124 The Great Pyramid of Giza, with its two companions and the unique Sphinx, is situated precisely on the extended Ararat-Baalbek line; and The distance from Baalbek to Mount St. Katherine and to the Great Pyramid of Giza is exactly the same. This, let us add at once, is only part of the amazing grid which—as we shall show—was laid out by the Anunnaki in connection with their post-Diluvial Spaceport. Therefore, whether or not the conversation had taken place aboard a shuttlecraft, we are pretty certain that that is how the pyramids came to be in Egypt.

There is only one universal language, which is the language of numbers and proportions that are so striking and stunningly built into the Great Pyramid and to which our current science has no appropriate response. We can no longer ignore that this ancient civilization was aware of our units used in modern mathematics and physics and were even aware of our metric system. Our metric system originating in the eighteenth century, designed and implemented by a committee of mathematicians and physicists commissioned by the French revolutionary government.

By his early-twenties, John F. Kennedy was living one of the most extraordinary young American lives of the twentieth century. He traveled in an orbit of unprecedented wealth, influence, global mobility, and power. As a student and as diplomatic assistant to his father, who served as U.S. ambassador to the United Kingdom from 1938 to 1940, Kennedy journeyed to England, Ireland, France, Moscow, Berlin, Beirut, Damascus, Athens, and Turkey, pausing briefly from a vacation on the French Riviera to sleep with the actress Marlene Dietrich. He met with top White House officials and traveled to Cuba, Rio de Janeiro, Buenos Aires, Santiago, Peru, and Ecuador. He gambled in a casino in Monte Carlo; visited Naples, Capri, Milan, Florence, Venice, and Rome; rode a camel at the Great Pyramid at Giza; attended the coronation of Pope Pius XII; and witnessed a rally for Italian dictator Benito Mussolini. He recalled of these momentous years, 'It was a great opportunity to see a period of history which was one of the most significant.' In a visit to British-occupied Palestine, Kennedy recalled, 'I saw the rock where our Lord ascended into heaven in a cloud, and [in] the same area, I saw the place where Mohammed was carried up to heaven on a white horse.

If we impose on a map of the earth a 'world grid' with Giza (not Greenwich) as its prime meridian, then hidden relationships become immediately apparent between sites that previously seemed to be on a random, unrelated longitudes. On such a grid, as we've just seen, Tiruvannamalai stands on longitude 48 degrees east, Angkor stands on longitude 72 degrees east and Sao Pa stands out like a sore thumb on longitude 90 degrees east -- all numbers that are significant in ancient myths, significant in astronomy (through the study of precession), and closely interrelated through the base-3 system. So the 'outrageous hypothesis' which is being proposed here is that the world was mapped repeatedly over a long period at the end of the Ice Age -- to the standards of accuracy that would not again be achieved until the end of the eighteenth century. It is proposed that the same people who made the maps also established their grid materially, on the ground, by consecrating a physical network of sites around the world on longitudes that were significant to them. And it is proposed that this happened a very long time ago, before history began, but that later cultures put new monuments on top of the ancient sites which they continued to venerate as sacred, perhaps also inheriting some of the knowledge and religious ideas of the original navigators and builders.

Taabini hii ni ngumu sana kwangu kuandika pamoja na kwamba ni miaka mitatu kamili toka giza liingie. Mwaka 2014, Novemba 4, nilimpoteza bibi yangu mpendwa, Martha Maregesi, aliyefariki dunia kutokana na ukongo wa kiharusi, na tutamkumbuka daima. Alikuwa na roho ya kipekee; na kifo chake kiliwagusa wengi, pamoja na kwamba aliishi maisha kamili, zaidi ya siku 25550, siku 5110 zaidi, ambazo ndizo tulizopangiwa na Mungu. Mapenzi ya mtu kwa bibi yake ni mapenzi ya kipekee. Nadhani Mungu aliwapa mabibi wote uwezo maalumu wa kuwapenda wajukuu zao, na kufanya maisha yao yatimie, kuwafanya wawe binadamu wazuri na wenye maadili mema. Alichangia pakubwa katika malezi yangu ya utotoni; na aghalabu naweza kukumbuka nikiwa naye jikoni akipika, huku mimi nikifanya kazi nyingine, lakini wakati huohuo akinifundisha mambo kadha wa kadha ya kunikomaza kimaisha. Bibi hakuwa tu bibi. Alikuwa mlezi, rafiki na mtu aliyenihamasisha sana katika maisha. Kifo kinaleta huzuni lakini kinaleta tumaini. Naamini bibi yangu atakwenda mbinguni, kwa sababu naamini alitubu dhambi zake akisaidiwa na wachungaji. Wachungaji hao walimtembelea kila siku, nyumbani au hospitalini, akiwa kitandani kwake akiugua. Bibi yangu alitimiza wajibu wake. Alizaliwa, aliishi, na alikufa katika toba. Siku nitakapokufa ningependa kuzikwa jirani na alipozikwa bibi yangu, ili Yesu atakaporudi tufufuke pamoja.

Subsequent experiments conducted by Tom Danley in the King's Chamber of the Great Pyramid and in Chambers above the King's Chamber suggest that the pyramid was constructed with a sonic purpose. Danley identifies four resident frequencies, or notes, that are enhanced by the structure of the pyramid, and by the materials used in its construction. The notes form an F Sharp chord, which according to ancient Egyptian texts were the harmonic of our planet. Moreover, Danley's tests show that these frequencies are present in the King's Chamber even when no sounds are being produced. They are there in frequencies that range from 16 Hertz down to 1/2 Hertz, well below the range of human hearing. According to Danley, these vibrations are caused by the wind blowing across the ends of the so-called shafts—in the same way as sounds are created when one blows across the top of a bottle.

So it’s not the sight of stromatolites that makes them exciting. It’s the idea of them – and in this respect they are peerless. Well, imagine it. You are looking at living rocks – quietly functioning replicas of the very first organic structures ever to appear on earth. You are experiencing the world as it was 3.5 billion years ago – more than three-quarters of the way back to the moment of terrestrial creation. Now if that is not an exciting thought, I don’t know what is. As the aforementioned palaeontologist Richard Fortey has put it: ‘This is truly time travelling, and if the world were attuned to its real wonders this sight would be as well-known as the pyramids of Giza.’ Quite right. Stromatolites are rather like corals in that all of their life is on the surface, and that most of what you are looking at is the dead mass of earlier generations. If you peer, you can sometimes see tiny bubbles of oxygen rising in streams from the formations. This is the stromatolite’s only trick and it isn’t much, but it is what made life as we know it possible. The bubbles are produced by primitive algae-like micro-organisms called cyanobacteria, which live on the surface of the rocks – about three billion of them to the square yard, to save you counting – each of them capturing a molecule of carbon dioxide and a tiny beat of energy from the sun and combining them to fuel its unimaginably modest ambitions to exist, to live. The byproduct of this very simple process is the faintest puff of oxygen. But get enough stromatolites respiring away over a long enough period and you can change the world. For two billion years this is all the life there was on earth, but in that time the stromatolites raised the oxygen level in the atmosphere to 20 per cent – enough to allow the development of other, more complex life forms: me, for instance. My gratitude was real. The

I was hoping to be able to get into the Queen's Chamber while I was in Egypt in 1986 to get a sample of the salt for analysis. I had speculated that the salt on the walls of the chamber was an unwanted, though significant, residual substance caused by a chemical reaction where hot hydrogen reacted with the limestone. Unfortunately, I was unable to get into the chamber because a French team was already inside the Horizontal Passage, boring holes into what they hoped were additional chambers. (It was discovered, after I left Egypt, that the spaces contained only sand.) As it turned out, my research would have been redundant. Noone reported in his book that another individual had already had the same idea and done the work. In 1978, Dr. Patrick Flanagan asked the Arizona Bureau of Geology and Mineral Technology to analyze a sample of this salt. They found it to be a mixture of calcium carbonate (limestone), sodium chloride (halite or salt), and calcium sulfate (gypsum, also known as plaster of paris). These are precisely the minerals that would be produced by the reaction of hot, hydrogen-bearing gas with the limestone walls and ceiling of the Queen's Chamber. [...] The interior chambers of the Great Pyramid have the appearance of being subjected to extreme temperatures; and [...] the broken corner on the granite box shows signs of being melted, rather than simply being chipped away.

While infrasonic vibrations at around 6 hertz may influence the brain and produce various effects in humans, it seems that there must be other types of energy, or other frequencies, to explain phenomena that were noted to have occurred at the Great Pyramid more than one hundred years ago. Sir William Siemens, an Anglo-German engineer, metallurgist, and inventor, experienced a strange energy phenomenon at the Great Pyramid when an Arab guide called his attention to the fact that, while standing on the summit of the pyramid with hands outstretched, he could hear a sharp ringing noise. Raising his index finger, Siemens felt a prickling sensation. Later on, while drinking out of a wine bottle he had brought along, he experienced a slight electric shock. Feeling that some further observations were in order, Siemens then wrapped a moistened newspaper around the bottle, converting it into a Leyden jar. After he held it above his head for a while, this improvised Leyden jar became charged with electricity to such an extent that sparks began to fly. Reportedly, Siemens' Arab guides were not too happy with their tourist's experiment and accused him of practicing witchcraft. Peter Tompkins wrote, "One of the guides tried to seize Siemens' companion, but Siemens lowered the bottle towards him and gave the Arab such a jolt that he was knocked senseless to the ground. Recovering, the guide scrambled to his feet and took off down the Pyramid, crying loudly.

Modern electrical power distribution technology is largely the fruit of the labors of two men—Thomas Edison and Nikola Tesla. Compared with Edison, Tesla is relatively unknown, yet he invented the alternating electric current generation and distribution system that supplanted Edison's direct current technology and that is the system currently in use today. Tesla also had a vision of delivering electricity to the world that was revolutionary and unique. If his research had come to fruition, the technological landscape would be entirely different than it is today. Power lines and the insulated towers that carry them over thousands of country and city miles would not distract our view. Tesla believed that by using the electrical potential of the Earth, it would be possible to transmit electricity through the Earth and the atmosphere without using wires. With suitable receiving devices, the electricity could be used in remote parts of the planet. Along with the transmission of electricity, Tesla proposed a system of global communication, following an inspired realization that, to electricity, the Earth was nothing more than a small, round metal ball. [...] With $150,000 in financial support from J. Pierpont Morgan and other backers, Tesla built a radio transmission tower at Wardenclyffe, Long Island, that promised—along with other less widely popular benefits—to provide communication to people in the far corners of the world who needed no more than a handheld receiver to utilize it. In 1900, Italian scientist Guglielmo Marconi successfully transmitted the letter "S" from Cornwall, England, to Newfoundland and precluded Tesla's dream of commercial success for transatlantic communication. Because Marconi's equipment was less costly than Tesla's Wardenclyffe tower facility, J. P. Morgan withdrew his support. Moreover, Morgan was not impressed with Tesla's pleas for continuing the research on the wireless transmission of electrical power. Perhaps he and other investors withdrew their support because they were already reaping financial returns from those power systems both in place and under development. After all, it would not have been possible to put a meter on Tesla's technology—so any investor could not charge for the electricity!

The granite complex inside the Great Pyramid, therefore, is poised ready to convert vibrations from the Earth into electricity. What is lacking is a sufficient amount of energy to drive the beams and activate the piezoelectric properties within them. The ancients, though, had anticipated the need for more energy than what would be collected only within the King's Chamber. They had determined that they needed to tap into the vibrations of the Earth over a larger area inside the pyramid and deliver that energy to the power center—the King's Chamber —thereby substantially increasing the amplitude of the oscillations of the granite. Modern concert halls are designed and built to interact with the instruments performing within. They are huge musical instruments in themselves. The Great Pyramid can be seen as a huge musical instrument with each element designed to enhance the performance of the other. While modern research into architectural acoustics might focus predominantly upon minimizing the reverberation effects of sound in enclosed spaces, there is reason to believe that the ancient pyramid builders were attempting to achieve the opposite. The Grand Gallery, which is considered to be an architectural masterpiece, is an enclosed space in which resonators were installed in the slots along the ledge that runs the length of the gallery. As the Earth's vibration flowed through the Great Pyramid, the resonators converted the vibrational energy to airborne sound. By design, the angles and surfaces of the Grand Gallery walls and ceiling caused reflection of the sound, and its focus into the King's Chamber. Although the King's Chamber also was responding to the energy flowing through the pyramid, much of the energy would flow past it. The specific design and utility of the Grand Gallery was to transfer the energy flowing through a large area of the pyramid into the resonant King's Chamber. This sound was then focused into the granite resonating cavity at sufficient amplitude to drive the granite ceiling beams to oscillation. These beams, in turn, compelled the beams above them to resonate in harmonic sympathy. Thus, with the input of sound and the maximization of resonance, the entire granite complex, in effect, became a vibrating mass of energy.

Energy is the basis of creating electricity that we can utilize, so how can we harness the power of an earthquake? Obviously, today, if that much energy were being drawn from the Earth through the Great Pyramid, tourists would not be parading through it every day. In order for the system to work, the pyramid would need to be mechanically coupled with the Earth and vibrating in sympathy with it. To do this, the system would need to be "primed"—we would need to initiate oscillation of the pyramid before we could tap into the Earth's oscillations. After the initial priming pulse, though, the pyramid would be coupled with the Earth and could draw off its energy. In effect, the Great Pyramid would feed into the Earth a little energy and receive an enormous amount out of it in return. How do we cause a mass of stone that weighs 5,273,834 tons to oscillate? It would seem an impossible task. Yet there was a man in recent history who claimed he could do just that! Nikola Tesla, a physicist and inventor with more than six hundred patents to his credit—one of them being the AC generator—created a device he called an "earthquake machine." By applying vibration at the resonant frequency of a building, he claimed he could shake the building apart. In fact, it is reported that he had to turn his machine off before the building he was testing it in came down around him. [...] The New York World-Telegram reported Tesla's comments from a news briefing at the hotel New Yorker on July 11, 1935: 'I was experimenting with vibrations. I had one of my machines going and I wanted to see if I could get it in tune with the vibration of the building. I put it up notch after notch. There was a peculiar cracking sound. I asked my assistants where did the sound come from. They did not know. I put the machine up a few more notches. There was a louder cracking sound. I knew I was approaching the vibration of the steel building. I pushed the machine a little higher. Suddenly, all the heavy machinery in the place was flying around. I grabbed a hammer and broke the machine. The building would have been about our ears in another few minutes. Outside in the street there was pandemonium. The police and ambulances arrived. I told my assistants to say nothing. We told the police it must have been an earthquake. That's all they ever knew about it.

William Fix, in Pyramid Odyssey, said, "Making sense of the Great Pyramid and the information encoded in it requires a fundamental re-visioning of history and the nature of man."2

a standard

It goes without saying that if we were to build a Great Pyramid today, we would need a lot of patience. In preparation for his book 5/5/2000 Ice: The Ultimate Disaster, Richard Noone asked Merle Booker, technical director of the Indiana Limestone Institute of America, to prepare a time study of what it would take to quarry, fabricate, and ship enough limestone to duplicate the Great Pyramid. Using the most modern quarrying equipment available for cutting, lifting, and transporting the stone, Booker estimated that the present-day Indiana limestone industry would need to triple its output, and it would take the entire industry, which as I have said includes thirty-three quarries, twenty-seven years to fill the order for 131,467,940 cubic feet of stone.5 These estimates were based on the assumption that production would proceed without problems. Then we would be faced with the task of putting the limestone blocks in place.

The Great Barrier Reef extends, discontinuously, for more than fifteen hundred miles, and in some places it is five hundred feet thick. By the scale of reefs, the pyramids at Giza are kiddie blocks. The way corals

Wengine hatuishi kama wafalme kwa sababu ya nguvu za giza – zilizopo kati ya Mungu na wanadamu. Nyota zetu zimefunikwa. Una kila kitu unachotafuta, ndani ya moyo wako. Usitafute furaha, utajiri au amani nje ya moyo wako. Tafuta furaha, utajiri au amani ndani ya moyo wako.

Among all the feats of construction in which the megamachine excelled, the pyramid stands forth as an archetypal model. In its elemental geometric form, in the exquisite accuracy of its measurements, in the organization of the entire working force, in the sheer mass of construction involved, the final pyramids demonstrate to perfection the unique properties of this new technical complex. To exhibit the properties of this system, I shall concentrate upon the pyramid alone, the Great Pyramid at Giza.

The Celestial Sphere which the Great Pyramid of Giza projects through its height is bigger in size than the volume of the King's Chamber by a multiple (of this same volume of the KC) which equals to the area covered by 360th of the height multiplied with the diagonal. As above, so below on the Giza Plateau!

Another proof for Khafre's pyramid resembling the Lower Heavens' authority on the Giza Plateau can be seen in the pharaoh's statue where Horus (contrary to the conventional claim) is not protecting his backside head with his wings nor is serving as another reference to the united Egypt, but rather is showing and pointing to the Pharaoh his domain of authority by directing his head to the same horizon at which the Sphinx is gazing right in front of that same pyramid. Remember that the Book of the Dead, Spell 83, serves as a transformation ritual into a Phoenix. And on the Metternich Stele, Horus is praised as this great Bennu Bird which as I have validly asserted and shown earlier to have the function of a courier of the upper-heavenly proclaimed tidings/news and the carrier thereof. Therefore, it is a straightforward observation now to acknowledge this second role which the Phoenix was fulfilling in ancient Egypt!

Kwa vile hatasamehewa, Shetani hatawasamehe wanadamu. Atahakikisha anauwa kila mtu duniani na kumpeleka kuzimu; ambako anaishi yeye, majini, malaika waovu, wana wa Mungu waliotumwa na Mungu kuja duniani kufundisha watu utukufu lakini wakaasi na Mungu akawalaani (au Wanefili) pamoja na nguva. Nguva ni uzao wa Wanefili na samaki wa baharini na malaika wauvu na wanapatikana zaidi katika Bahari ya Atlantiki, ambako mkuu wake ni Malkia wa Pwani, na katika Bahari ya Hindi ambako mkuu wake ni Malkia wa Bahari ya Hindi. Chini ya Bahari ya Hindi ndipo yalipo makao makuu ya ufalme wa giza hapa duniani.

Time has scratched its mark all over the Giza Plateau!

The apex of the Great Pyramid of Giza has a solid angle that is smaller than the pyramid's base area by a ratio of x; this is the same amount of length which the Cube - inside the new pyramidal model - has for its side (based on the Coupling Equation between the dimensions of the GPG and its KC).

Did a few poor souls die because of the Big Dig? Son, a hundred men died building the Hoover Dam. A thousand men died building the Erie Canal. Four hundred Chinamen died building the transcontinental railroad. How about the Panama Canal? One of the greatest engineering feats in history? Thirty thousand men died building it. Ambitious projects always cost lives, son. That’s the truth. Have you ever visited the great pyramids of Giza?

The majority of the Great Pyramid of Giza’s limestone casing stones are removed by Bahri Sultan An-Nasir Nasir-ad-Din al-Hasan to build fortresses and mosques in Cairo. 1358 

I am now convinced that the Great Pyramid of Giza was built to also celebrate the Spring equinox -in its own way- as the Mayan main pyramid at Chichen Itza, Mexico.

Giza clocked on 24 paces daily.

The pyramidal design parameter (i.e., 33 PI) on the Giza Plateau transcends from the terrestrial plane into that of the celestial by the exponential process of raising it to the power of four. As magnified above, so diminished exponentially by four below. And yet, reducing it exponentially furthermore by four, makes it recede into trigonometry and geometry.

The least we can say about the Great Pyramid of Giza is that it certainly was an observatory of the heavens.

I've never seen the 103 figure show up in units of degrees before, once Gary Osborn discovered its existence and location in the Great Pyramid of Giza, I started looking up at the heavens!

One of the functions that the Great Pyramid of Giza had served is to resonate across its dimensions at a certain frequency; however the type and application of that physical vibration are yet to be discovered.

The location of Giza and more specifically that of the Great Pyramid is not random in reference to the three only holy sites of Islam. The lunar year's quantity itself was encoded therein.

The Great Pyramid of Giza were meant to express the Vernal Equinox through its dimensions, not the whole calendar.

Celestial view according to terrestial angular acceleration were embedded in the structure of the Great Pyramid of Giza.

Khafre and Menkaure were built in reference to Khufu and they served its main function on the Giza Plateau as a whole rather than being intrinsically of a greater value each on its own.

The Great Pyramid of Giza served as a temporal anchor onto the Vernal Equinox day and hence it was given the name Khufu (aka, Chnoubos) which literally refers to the word 'beetle' for whatever symbolic reasons the ancient Egyptians found fit. Kheper, is however the direct reference which had been attached with the 'beetle' and yet has per se the literal linguistic meaning of 'tidings'. Therefore I cannot help but validly assert that the Vernal Equinox event was so important to celebrate for the ancient Egyptians -as obviously it was for many other cultures- for the fact that it brings good news along with it. It is important to also identify the Sphinx for what it had been called as Re-horakhty, which literally means 'The Watcher/Guardian of the Movement/Motion'. Although the Sphinx by its location refers to a Parallel Mark on the Giza Plateau, yet it serves exactly that task of administration (i.e., guardianship) -which it had been named after- that transfers the heavenly perpendicular cycle of authority (i.e., mechanics) that is acquired by the Great Pyramid (As I have demonstrated) spatially onto the local Solar System anchoring it thereby (As Graham Hancock and Robert Bauval have demonstrated). This adds up as another proof that the Sphinx had been inherited from an earlier civilization since the Sun itself cannot be looked at as 'Horakhty' after I have just revealed the meaning of this word; most evidence even points to the fact that Heliocentrism was not known in ancient Egypt and therefore ascribing movement to the Sun was a later on introduced heresy.

If 32.5 were just a number rather than a complete System, I wouldn't have received thereby the keys for unlocking some of the mysteries of the Great Pyramid of Giza.

The units of measurement which were used in the construction of the Great Pyramid of Giza were those of the Calendar. It was not the meter which they knew about and utilized, but rather the abstract units of time which were in turn expressed and projected as units of length.

The number of seconds in half-a-day oscillates with a frequency of one million Hertz by a repeating scheme which equals to the natural logarithm constant (i.e., e) raised to the literal power of PI itself; the latter is nothing but a projection from a daily numerical phenomenon exhibiting its influence throughout the whole solar year using a binary temporal balance in two halves of a single day (i.e., a half equals to 43200 seconds) and of a single year (i.e., Equinoxes on March and September). That exact mathematical pattern was encoded into the structure of the Great Pyramid of Giza and was demonstrated through its height while being silent about its lunar foundation which is found in its base rather than its apex.

As 15 degrees project a full revolution of one hour (15*24=360) onto Earth's Geodesy, so do the 11.5 (more precise, 11.459) degrees in projecting one tenth of that figure onto Giza Plateau's clock; the accumulated amount thereof in ten days, is what ancient Egyptians called: a week. The former representing a full rotation of Earth in 24 hours, and the latter mimicking a full rotation of the Giza Plateau about the heavens in ten days (10*PI*11.459); which is another proof for PI representing a measure of one single day.

Giza Plateau is a platform which was anchored in time rather than in space!

Eleven days ago I coined the expression [Solar Normalized Resonant Frequency of the GPG's Height] after I have demonstrated mathematically the valid link between time and space on the Giza Plateau. But now, the revelation is even more glorious after I have shown the physical link between time and space on that area; in addition to confirming the existence of the normalizing factor.

Giza clocked six times before signaling the arrival of an Equinox.

The pyramids of Giza were White, Red and Black. White because that's the color of light coming from the stars (symbolizing the perpendicular authority); Red because that's the color of light coming from the Sun when it's on the horizon (symbolizing the parallel authority); and Black because that is the color of the absence of light referring to Earth itself and its angular rotation.

I gaze at you (Great Pyramid of Giza), and I see time!

Even the positioning of the King's Chamber inside the the Great Pyramid of Giza was temporally allocated!

The difference in inclination between the two upper shafts in the Great Pyramid of Giza was coherently engineered with its dimensions and not separately therefrom. In other words, the engineering application of the shafts is an indivisible element from the whole geometrical shape of the pyramid itself.

Lo and Behold!, this is [T]he equation that stabilizes the calculations of the Great Pyramid of Giza and diminishes all unnecessary measures of precision.

The angles of the upper two shafts in the Great Pyramid of Giza act together as one

Mathematically speaking, the base side length of the Great Pyramid of Giza acts as a normalizing constant to the hypotenuse value constructed by the northern upper shaft's angle of 32.47 degrees.

The base sides of the Great Pyramid of Giza referred to the solar calendar while the backbone of the structure itself (manifested in the whole design emanating from the base diagonal figure) was modeled according to the measure of the lunar year.

Either I am going nuts, or I am seriously cracking the heck out of the Great Pyramid of Giza! .. I do certainly brag about the former and yet pray fearing The Lord from any accompanying arrogance with the latter!

The Great Pyramid of Giza celebrated the Vernal Equinox.

After two full revolutions of the heavens around the Giza Plateau, the anchoring of the Vernal equinox is fulfilled by the measure of the Royal cubit.

What I am asking myself now: Why did the Great Pyramid of Giza express the Vernal Equinox through its dimensions to the viewer, while remaining silent about its lunar structure? After all, an observer can easily look at its height, but she/he cannot fly above it to appreciate its base.

The angular drift of Menkaure (away from the axis passing through the other two pyramids) corresponds to the temporal mechanics of Earth itself in the solar system in reference to the stars instead of the Sun. That drift's angle articulates an accumulation of Earth's own sidereal drift from the axis of the Sun in the exact amount of 11.5 degrees. Menkaure does not stop from emphasizing its function as Earth itself on the Giza Plateau however I gaze at it!

Each ten days (i.e., one ancient Egyptian week) the heavens complete a full revolution in reference to the Giza Plateau dimensions. Menkaure's angular drift served as an observational tool for tracing the temporal positions of the stars on the heavenly map.

The Giza Plateau forged and utilized a magnification lens of 1,000.

The Giza Plateau was the ancient Egyptian's calendar.

The reason why the Great Pyramid of Giza has Earth's circumference figure embedded in it is not because ancient Egyptians knew that number, but because they were observing the horizon and the lunar movement.

Leo ni siku ya kumbukumbu ya giza lililoingia katika familia ya Enock Maregesi. Tarehe 4/11/14 ni siku nuru ya mwanga wa maisha ya nyanya yangu mpenzi Bi Martha Maregesi ilipozimika huko Musoma. Leo ni miaka miwili ametimiza akiwa kimya kabisa! Sikisikii tena kicheko chake wala siisikii tena hekima yake! Familia yake inamkumbuka sana. Palipokuwa kwake ni nyumbani kwetu. Hatuwezi kusahau upendo wake na umuhimu wake kwetu. Tulimpenda sana, lakini Mungu wa mbinguni alimpenda zaidi.

Designed in the neoclassical style by Marcel Dourgnon, the dusky-rose-colored Egyptian Museum of Antiquities, at Tahrir Square, was the first purpose-built museum edifice in the world. In 1902, the thousands of artifact treasures, spanning five thousand years of Egyptian dynastic history, were transferred there from the palace of Ismail Pasha in Giza, where they had been displayed for more than a decade. Bourne

If we are still able to write down proper vivid verbs to link the different ex-animate nouns together, then a narrative of some kind is indeed being sculptured and awaiting to be fully uncloaked one day

Today's vivid demonstration of that which ancient Egypt had is not of a technology, it is rather that of a Theology.

YHWH is The Mistress of Dendera: Hathor/Sothis.

The circular zodiac of Dendera is the Mill of Oath because the biblical Beersheba (i.e., Well of Seven) is a reference to Egyptian theology manifested on the zodiac as the Well of the Sun where the region of the 7 days extends. Beersheba also means the Well of Oath which renders the whole circular zodiac as its region; the proof lies in the existence of the foreleg (including the Thigh) in the middle of the Well since the Thigh biblically marks an oath and a swearer's obligation to obedience.

The Jew identity stems from its Osirian predecessors who -after losing their Pharaoh and his army to the sea- sought salvation by plagiarizing the Semitic victorious faith whose God triumphed over their own.