Giza Pyramids Quotes

As I grew up, I knew that as a building (Fenway Park) was on the level of Mount Olympus, the Pyramid at Giza, the nation's capitol, the czar's Winter Palace, and the Louvre — except, of course, that is better than all those inconsequential places

Words are our slaves: they may be used to fetch a pair of slippers, or to build the great pyramid of Giza: they depend on syntax to make the order of the world manifest, to raise stones into arches and arches into aqueducts.

most cherished desires of present-day Westerners are shaped by romantic, nationalist, capitalist and humanist myths that have been around for centuries. Friends giving advice often tell each other, ‘Follow your heart.’ But the heart is a double agent that usually takes its instructions from the dominant myths of the day, and the very recommendation to ‘follow your heart’ was implanted in our minds by a combination of nineteenth-century Romantic myths and twentieth-century consumerist myths. The Coca-Cola Company, for example, has marketed Diet Coke around the world under the slogan ‘Diet Coke. Do what feels good.’ Even what people take to be their most personal desires are usually programmed by the imagined order. Let’s consider, for example, the popular desire to take a holiday abroad. There is nothing natural or obvious about this. A chimpanzee alpha male would never think of using his power in order to go on holiday into the territory of a neighbouring chimpanzee band. The elite of ancient Egypt spent their fortunes building pyramids and having their corpses mummified, but none of them thought of going shopping in Babylon or taking a skiing holiday in Phoenicia. People today spend a great deal of money on holidays abroad because they are true believers in the myths of romantic consumerism. Romanticism tells us that in order to make the most of our human potential we must have as many different experiences as we can. We must open ourselves to a wide spectrum of emotions; we must sample various kinds of relationships; we must try different cuisines; we must learn to appreciate different styles of music. One of the best ways to do all that is to break free from our daily routine, leave behind our familiar setting, and go travelling in distant lands, where we can ‘experience’ the culture, the smells, the tastes and the norms of other people. We hear again and again the romantic myths about ‘how a new experience opened my eyes and changed my life’. Consumerism tells us that in order to be happy we must consume as many products and services as possible. If we feel that something is missing or not quite right, then we probably need to buy a product (a car, new clothes, organic food) or a service (housekeeping, relationship therapy, yoga classes). Every television commercial is another little legend about how consuming some product or service will make life better. 18. The Great Pyramid of Giza. The kind of thing rich people in ancient Egypt did with their money. Romanticism, which encourages variety, meshes perfectly with consumerism. Their marriage has given birth to the infinite ‘market of experiences’, on which the modern tourism industry is founded. The tourism industry does not sell flight tickets and hotel bedrooms. It sells experiences. Paris is not a city, nor India a country – they are both experiences, the consumption of which is supposed to widen our horizons, fulfil our human potential, and make us happier. Consequently, when the relationship between a millionaire and his wife is going through a rocky patch, he takes her on an expensive trip to Paris. The trip is not a reflection of some independent desire, but rather of an ardent belief in the myths of romantic consumerism. A wealthy man in ancient Egypt would never have dreamed of solving a relationship crisis by taking his wife on holiday to Babylon. Instead, he might have built for her the sumptuous tomb she had always wanted. Like the elite of ancient Egypt, most people in most cultures dedicate their lives to building pyramids. Only the names, shapes and sizes of these pyramids change from one culture to the other. They may take the form, for example, of a suburban cottage with a swimming pool and an evergreen lawn, or a gleaming penthouse with an enviable view. Few question the myths that cause us to desire the pyramid in the first place.

Donald Trump was building a pyramid in the Nevada desert to house his eventual remains. When done, it will be ten meters taller than the Great Pyramid at Giza.

Pharaoh Chephren (circa 2600 B.C., Fourth Dynasty), who built the second Giza pyramid.

The famous Babylonian “Code of Hammurabi” states that tavern owners must always pour a sufficient amount of beer or face the death penalty. Trade and travel then brought beer to Egypt, where it was again associated with the work of the gods. Workers at the Giza Pyramids were given beer rations several times a day and over a hundred medicines recipes included the beverage. The Egyptians believed beer to be healthier than water and shared it with their fellow men of all ages, young and old.

As if that was how they built the Colosseum and the pyramids of Giza. Christ, they’d managed to build the Eiffel Tower in 1889, but nowadays one couldn’t come up with the bloody drawings for a one-story house without taking a break for someone to run off and recharge their cell phone.

The ancient Egyptian calendar is Precessionally Sexagesimal (Besides being theologically/decanally decimal). That means that the toggling between its "enhanced" Civil Calendar (i.e., 365 days yearly) and the geometrical Original Calendar (i.e., 360 days yearly) is based on the precession of the equinoxes (rather than being solely anchored in the solar system); where 148 squared over 365 equals to 60; and 148 multiples of 360 over 365 equals to the height of the Great Pyramid.

By day, contrary to common wisdom, you probably won’t see the Great Pyramids at Giza, and you certainly won’t see the Great Wall of China. Their obscurity is partly the result of having been made from the soil and stone of the surrounding landscape. And although the Great Wall is thousands of miles long, it’s only about twenty feet wide—much narrower than the U.S. interstate highways you can barely see from a transcontinental jet. From orbit, with the unaided eye, you would have seen smoke plumes rising from the oil-field fires in Kuwait at the end of the first Persian Gulf War in 1991 and smoke from the burning World Trade Center towers in New York City on September 11, 2001. You will also notice the green–brown boundaries between swaths of irrigated and arid land. Beyond that shortlist, there’s not much else made by humans that’s identifiable from hundreds of miles up in the sky. You can see plenty of natural scenery, though, including hurricanes in the Gulf of Mexico, ice floes in the North Atlantic, and volcanic eruptions wherever they occur.

Great Pyramid's magic square (since it is associated with Jupiter) over that of Menkaure Pyramid's (which is associated with Mars) equals to the Royal Cubit.

The dimensions of the Great Pyramid of Giza are coupled with the dimensions of the King's Chamber inside of it through the constant of 100 PI.

The significance of King's Chamber of the Great Pyramid of Giza is not only demonstrated through its positioning inside the pyramid structure, but also through its size.

Bauval found that the Pyramids/Orion’s Belt correlation was general and obvious in all epochs, but specific and exact in only one: At 10,450 BC – and at that date only – we find that the pattern of the pyramids on the ground provides a perfect reflection of the pattern of the stars in the sky. I mean it’s a perfect match – faultless – and it cannot be an accident because the entire arrangement correctly depicts two very unusual celestial events that occurred only at that time. First, and purely by chance, the Milky Way, as visible from Giza in 10,450 BC, exactly duplicated the meridional course of the Nile Valley; secondly, to the west of the Milky Way, the three stars of Orion’s Belt were at the lowest altitude in their precessional cycle, with Al Nitak, the star represented by the Great Pyramid, crossing the meridien at 11° 08ʹ.8

The golden ratio, as well as the Great Pyramid as an expression of it, is an important key to our universe containing the Earth and the Moon. ... The ratio between the Earth and the Moon is in fact the basis for the mathematical concept of 'squaring the circle' ...

The Orion constellation was very significant to the ancient Egyptians. Years earlier, a construction engineer, Robert Bauval, had noticed that the three pyramids at Giza, including the great pyramid, were aligned in a fashion that looked similar to the way that the three stars of Orion’s belt were aligned.

The first cities and states arose 5,000 years ago. One of these archaic states, the Old Kingdom of Egypt (2650–2150 BCE), the one that built the Great Pyramid of Giza, had a population of between one and two million, which is beginning to approach the social scale of the most complex social insects, ants and termites. The

Pharaohs It took Khufu twenty-three years to build his Great Pyramid at Giza, where some eleven hundred stone blocks, each weighing about two and a half tons, had to be quarried, moved, and set in place every day during the annual building season, roughly four months long. Few commentators on these facts can resist noting that this achievement is an amazing testimonial to the pharaoh’s iron control over the workers of Egypt. I submit, on the contrary, that pharaoh Khufu needed to exercise no more control over his workers at Giza than pharaoh Bill Gates exercises over his workers at Microsoft. I submit that Egyptian workers, relatively speaking, got as much out of building Khufu’s pyramid as Microsoft workers will get out of building Bill Gates’s pyramid (which will surely dwarf Khufu’s a hundred times over, though it will not, of course, be built of stone). No special control is needed to make people into pyramid builders—if they see themselves as having no choice but to build pyramids. They’ll build whatever they’re told to build, whether it’s pyramids, parking garages, or computer programs. Karl Marx recognized that workers without a choice are workers in chains. But his idea of breaking chains was for us to depose the pharaohs and then build the pyramids for ourselves, as if building pyramids is something we just can’t stop doing, we love it so much.

As electrical energy can create mechanical vibrations (perceived as sound by the human ear), so in turn can mechanical vibrations create electrical energy, such as the previously mentioned ball lightning. It could be theorized, therefore, that with the Earth being a source for mechanical vibration, or sound, and the vibrations being of a usable amplitude and frequency, then the Earth's vibrations could be a source of energy that we could tap into. Moreover, if we were to discover that a structure with a certain shape, such as a pyramid, was able to effectively act as a resonator for the vibrations coming from within the Earth, then we would have a reliable and inexpensive source of energy.

I went to Cairo, to the Giza plateau, and stood beside desert nomads and their silk-draped camels at the foot of the Great Sphinx, all of us squinting up into its eternally open eyes. The sun hammered down on my head, the same sun that hammered down on the thousands of men who built these pyramids, and the millions of visitors who came after. Not one of them was remembered, I thought. All is vanity, says the Bible. All is now, says Zen. All is dust, says the desert.

There is only one universal language, which is the language of numbers and proportions that are so striking and stunningly built into the Great Pyramid and to which our current science has no appropriate response. We can no longer ignore that this ancient civilization was aware of our units used in modern mathematics and physics and were even aware of our metric system. Our metric system originating in the eighteenth century, designed and implemented by a committee of mathematicians and physicists commissioned by the French revolutionary government.

Sometimes, she said, she could recognize a place just by the quality of the light. In Lisbon, the light at the end of spring leans madly over the houses, white and humid, and just a little bit salty. In Rio de Janeiro, in the season that the locals instinctively call ‘autumn’, and that the Europeans insist disdainfully is just a figment of their imagination, the light becomes gentler, like a shimmer of silk, sometimes accompanied by a humid grayness, which hangs over the streets, and then sinks down gently into the squares and gardens. In the drenched land of the Pantanal in Mato Grosso, really early in the morning, the blue parrots cross the sky and they shake a clear, slow light from their wings, a light that little by little settles on the waters, grows and spreads and seems to sing. In the forests of Taman Negara in Malaysia, the light is like a liquid, which sticks to your skin, and has a taste and a smell. It’s noisy in Goa, and harsh. In Berlin the sun is always laughing, at least during those moments when it manages to break through the clouds, like in those ecological stickers against nuclear power. Even in the most unlikely skies, Ângela Lúcia is able to discern shines that mustn’t be forgotten; until she visited Scandinavia she’d believed that in that part of the world during the winter months light was nothing but the figment of people’s imagination. But no, the clouds would occasionally light up with great flashes of hope. She said this, and stood up, adopting a dramatic pose: ‘And Egypt? In Cairo? Have you ever been to Cairo?… To the pyramids of Giza?…’ She lifted her hands and declaimed: ‘The light, majestic, falls; so potent, so alive, that it seems to settle on everything like a sort of luminous mist.

He looked like a circus acrobat who had been reassigned to bedpans and taken to them like a duck to water. He didn't miss a beat while they talked and his military bed-making was hypnotic to watch (...) He stripped beds, bundled dirty sheets, shook out fresh ones and then wound mattresses in them as neat and as tight as if he ws working in the gift-wrap department of the Great Pyramid at Giza. M. wondered how the hell the old folk managed to fight their way between the top and bottoms sheets every night, and had a mental image of residents spending years shivering above the covers, too frail to gain entry to their won beds.

Zara slowly reaches forward, touches the Tetragrammaton with her index and middle finger, nothing at first, then an odd sensation, a feeling of divine power and knowledge. “It’s beautiful,” a surge of information overwhelms her senses—she turns her palms face up, as she does they turn transparent to reveal the constellations, “I am that which is not, born from the imperishable stars.” With that said her skin transforms a dark blue, filled with a star-blue sky, photons of rainbow-light encircle her body; she stops dead, lifeless, in a suspended state of animation. Just then she finds herself above, looking down at the pyramid, at herself, the entire universe all stopped dead in single frozen moment of time. And then it is all gone, she awakes in another place, another time-line. Ancient Egypt. The Pyramids of Giza.

Subsequent experiments conducted by Tom Danley in the King's Chamber of the Great Pyramid and in Chambers above the King's Chamber suggest that the pyramid was constructed with a sonic purpose. Danley identifies four resident frequencies, or notes, that are enhanced by the structure of the pyramid, and by the materials used in its construction. The notes form an F Sharp chord, which according to ancient Egyptian texts were the harmonic of our planet. Moreover, Danley's tests show that these frequencies are present in the King's Chamber even when no sounds are being produced. They are there in frequencies that range from 16 Hertz down to 1/2 Hertz, well below the range of human hearing. According to Danley, these vibrations are caused by the wind blowing across the ends of the so-called shafts—in the same way as sounds are created when one blows across the top of a bottle.

The unique platform at Baalbek has been there from bygone days, and it is still there intact in its enigmatic immensity; Mount St. Katherine is still there, rising as the highest peak of the Sinai peninsula, hallowed since ancient days, enveloped (together with its twin-peaked neighbor, Mount Mussa) in legends of gods and angels; Fig. 124 The Great Pyramid of Giza, with its two companions and the unique Sphinx, is situated precisely on the extended Ararat-Baalbek line; and The distance from Baalbek to Mount St. Katherine and to the Great Pyramid of Giza is exactly the same. This, let us add at once, is only part of the amazing grid which—as we shall show—was laid out by the Anunnaki in connection with their post-Diluvial Spaceport. Therefore, whether or not the conversation had taken place aboard a shuttlecraft, we are pretty certain that that is how the pyramids came to be in Egypt.

By his early-twenties, John F. Kennedy was living one of the most extraordinary young American lives of the twentieth century. He traveled in an orbit of unprecedented wealth, influence, global mobility, and power. As a student and as diplomatic assistant to his father, who served as U.S. ambassador to the United Kingdom from 1938 to 1940, Kennedy journeyed to England, Ireland, France, Moscow, Berlin, Beirut, Damascus, Athens, and Turkey, pausing briefly from a vacation on the French Riviera to sleep with the actress Marlene Dietrich. He met with top White House officials and traveled to Cuba, Rio de Janeiro, Buenos Aires, Santiago, Peru, and Ecuador. He gambled in a casino in Monte Carlo; visited Naples, Capri, Milan, Florence, Venice, and Rome; rode a camel at the Great Pyramid at Giza; attended the coronation of Pope Pius XII; and witnessed a rally for Italian dictator Benito Mussolini. He recalled of these momentous years, 'It was a great opportunity to see a period of history which was one of the most significant.' In a visit to British-occupied Palestine, Kennedy recalled, 'I saw the rock where our Lord ascended into heaven in a cloud, and [in] the same area, I saw the place where Mohammed was carried up to heaven on a white horse.

I was hoping to be able to get into the Queen's Chamber while I was in Egypt in 1986 to get a sample of the salt for analysis. I had speculated that the salt on the walls of the chamber was an unwanted, though significant, residual substance caused by a chemical reaction where hot hydrogen reacted with the limestone. Unfortunately, I was unable to get into the chamber because a French team was already inside the Horizontal Passage, boring holes into what they hoped were additional chambers. (It was discovered, after I left Egypt, that the spaces contained only sand.) As it turned out, my research would have been redundant. Noone reported in his book that another individual had already had the same idea and done the work. In 1978, Dr. Patrick Flanagan asked the Arizona Bureau of Geology and Mineral Technology to analyze a sample of this salt. They found it to be a mixture of calcium carbonate (limestone), sodium chloride (halite or salt), and calcium sulfate (gypsum, also known as plaster of paris). These are precisely the minerals that would be produced by the reaction of hot, hydrogen-bearing gas with the limestone walls and ceiling of the Queen's Chamber. [...] The interior chambers of the Great Pyramid have the appearance of being subjected to extreme temperatures; and [...] the broken corner on the granite box shows signs of being melted, rather than simply being chipped away.

While infrasonic vibrations at around 6 hertz may influence the brain and produce various effects in humans, it seems that there must be other types of energy, or other frequencies, to explain phenomena that were noted to have occurred at the Great Pyramid more than one hundred years ago. Sir William Siemens, an Anglo-German engineer, metallurgist, and inventor, experienced a strange energy phenomenon at the Great Pyramid when an Arab guide called his attention to the fact that, while standing on the summit of the pyramid with hands outstretched, he could hear a sharp ringing noise. Raising his index finger, Siemens felt a prickling sensation. Later on, while drinking out of a wine bottle he had brought along, he experienced a slight electric shock. Feeling that some further observations were in order, Siemens then wrapped a moistened newspaper around the bottle, converting it into a Leyden jar. After he held it above his head for a while, this improvised Leyden jar became charged with electricity to such an extent that sparks began to fly. Reportedly, Siemens' Arab guides were not too happy with their tourist's experiment and accused him of practicing witchcraft. Peter Tompkins wrote, "One of the guides tried to seize Siemens' companion, but Siemens lowered the bottle towards him and gave the Arab such a jolt that he was knocked senseless to the ground. Recovering, the guide scrambled to his feet and took off down the Pyramid, crying loudly.

So it’s not the sight of stromatolites that makes them exciting. It’s the idea of them – and in this respect they are peerless. Well, imagine it. You are looking at living rocks – quietly functioning replicas of the very first organic structures ever to appear on earth. You are experiencing the world as it was 3.5 billion years ago – more than three-quarters of the way back to the moment of terrestrial creation. Now if that is not an exciting thought, I don’t know what is. As the aforementioned palaeontologist Richard Fortey has put it: ‘This is truly time travelling, and if the world were attuned to its real wonders this sight would be as well-known as the pyramids of Giza.’ Quite right. Stromatolites are rather like corals in that all of their life is on the surface, and that most of what you are looking at is the dead mass of earlier generations. If you peer, you can sometimes see tiny bubbles of oxygen rising in streams from the formations. This is the stromatolite’s only trick and it isn’t much, but it is what made life as we know it possible. The bubbles are produced by primitive algae-like micro-organisms called cyanobacteria, which live on the surface of the rocks – about three billion of them to the square yard, to save you counting – each of them capturing a molecule of carbon dioxide and a tiny beat of energy from the sun and combining them to fuel its unimaginably modest ambitions to exist, to live. The byproduct of this very simple process is the faintest puff of oxygen. But get enough stromatolites respiring away over a long enough period and you can change the world. For two billion years this is all the life there was on earth, but in that time the stromatolites raised the oxygen level in the atmosphere to 20 per cent – enough to allow the development of other, more complex life forms: me, for instance. My gratitude was real. The

The granite complex inside the Great Pyramid, therefore, is poised ready to convert vibrations from the Earth into electricity. What is lacking is a sufficient amount of energy to drive the beams and activate the piezoelectric properties within them. The ancients, though, had anticipated the need for more energy than what would be collected only within the King's Chamber. They had determined that they needed to tap into the vibrations of the Earth over a larger area inside the pyramid and deliver that energy to the power center—the King's Chamber —thereby substantially increasing the amplitude of the oscillations of the granite. Modern concert halls are designed and built to interact with the instruments performing within. They are huge musical instruments in themselves. The Great Pyramid can be seen as a huge musical instrument with each element designed to enhance the performance of the other. While modern research into architectural acoustics might focus predominantly upon minimizing the reverberation effects of sound in enclosed spaces, there is reason to believe that the ancient pyramid builders were attempting to achieve the opposite. The Grand Gallery, which is considered to be an architectural masterpiece, is an enclosed space in which resonators were installed in the slots along the ledge that runs the length of the gallery. As the Earth's vibration flowed through the Great Pyramid, the resonators converted the vibrational energy to airborne sound. By design, the angles and surfaces of the Grand Gallery walls and ceiling caused reflection of the sound, and its focus into the King's Chamber. Although the King's Chamber also was responding to the energy flowing through the pyramid, much of the energy would flow past it. The specific design and utility of the Grand Gallery was to transfer the energy flowing through a large area of the pyramid into the resonant King's Chamber. This sound was then focused into the granite resonating cavity at sufficient amplitude to drive the granite ceiling beams to oscillation. These beams, in turn, compelled the beams above them to resonate in harmonic sympathy. Thus, with the input of sound and the maximization of resonance, the entire granite complex, in effect, became a vibrating mass of energy.

Energy is the basis of creating electricity that we can utilize, so how can we harness the power of an earthquake? Obviously, today, if that much energy were being drawn from the Earth through the Great Pyramid, tourists would not be parading through it every day. In order for the system to work, the pyramid would need to be mechanically coupled with the Earth and vibrating in sympathy with it. To do this, the system would need to be "primed"—we would need to initiate oscillation of the pyramid before we could tap into the Earth's oscillations. After the initial priming pulse, though, the pyramid would be coupled with the Earth and could draw off its energy. In effect, the Great Pyramid would feed into the Earth a little energy and receive an enormous amount out of it in return. How do we cause a mass of stone that weighs 5,273,834 tons to oscillate? It would seem an impossible task. Yet there was a man in recent history who claimed he could do just that! Nikola Tesla, a physicist and inventor with more than six hundred patents to his credit—one of them being the AC generator—created a device he called an "earthquake machine." By applying vibration at the resonant frequency of a building, he claimed he could shake the building apart. In fact, it is reported that he had to turn his machine off before the building he was testing it in came down around him. [...] The New York World-Telegram reported Tesla's comments from a news briefing at the hotel New Yorker on July 11, 1935: 'I was experimenting with vibrations. I had one of my machines going and I wanted to see if I could get it in tune with the vibration of the building. I put it up notch after notch. There was a peculiar cracking sound. I asked my assistants where did the sound come from. They did not know. I put the machine up a few more notches. There was a louder cracking sound. I knew I was approaching the vibration of the steel building. I pushed the machine a little higher. Suddenly, all the heavy machinery in the place was flying around. I grabbed a hammer and broke the machine. The building would have been about our ears in another few minutes. Outside in the street there was pandemonium. The police and ambulances arrived. I told my assistants to say nothing. We told the police it must have been an earthquake. That's all they ever knew about it.

The Maori mythology of the Haka is ancient Egyptian in origin for that it refers to the Sun god having two wives; the Summer and the Winter maids who obviously act as embodiments of the Solstices. And since the pivotal point in front of the Balance of Giza (i.e. The eastern alignment of Khafre's Pyramid) resembles this dance of war, the crucial movement of the Sun is from the Winter Solstice event upwards to that of the Summer's exactly as the chant's lyrics state and as the circular zodiac of Dendera shows.

The long-perplexing mystery of the height-to-base Squaring of the Circle whose layout is present in the Great Pyramid of Giza has been solved (on Slide 173).

The characteristic equation of the Giza Plateau's Solid Angle reveals to us the Giza Plateau's Wavenumber where its Wave Length equals to the Great Pyramid's Normalized Base Diagonal and the Normalization Factor being used maps the Great Pyramid's Base Diagonal onto a circle's circumference with a radius which extends to an amount that equals to the GP's slope angle.

The Giza Plateau Normalization Factor equals to one tenth of the number of years needed for Earth to pass through 360 degrees of the zodiac and complete that one full cycle.

The pyramidal design parameter (i.e., 33 PI) on the Giza Plateau transcends from the terrestrial plane into that of the celestial by the exponential process of raising it to the power of four. As magnified above, so diminished exponentially by four below. And yet, reducing it exponentially furthermore by four, makes it recede into trigonometry and geometry.

The location of Giza and more specifically that of the Great Pyramid is not random in reference to the three only holy sites of Islam. The lunar year's quantity itself was encoded therein.

The sun had set when we left the museum that day, and the holidaymakers had long since departed. The wind had dropped; already a nighttime chill had begun to creep into the air. In the brief desert twilight the pyramids stood out in all their ruined majesty, dark hulks that loomed against the last apricot-coloured g l ow in the western sky. At night the Giza plateau is a lonely place, cold and forbidding, inhabited only by a few guards, wrapped like mummies against the night wind, and the yapping, threatening pi-dogs of Egypt. From a time long before King Cheops this plateau had been a sacred burying ground, and even today there is about it a sense of holiness and mystery, especially in the empty silences of the night. The ancient people who built these monuments, and apparently buried their kings within, are in a way as mysterious to us as the pyramids themselves.

The Golden Ratio defines the squaring of a circle. Stated in mathematical terms, this says: Given a square of known perimeter, create a circle of equal circumference. According to some, in ancient Egypt, this mathematical mystery was encoded in the measurements of the Great Pyramid of Giza.

In North America the evidence is that hunter-gatherers bounced back quite successfully within less than a millennium of the onset of the Younger Dryas, and thereafter there is a thin but fairly continuous archaeological record. What is mysterious is not so much the early appearance of mound-building in this new age--perhaps as early as 8,000 years ago, as we've seen--or the sophistication of sites such as Watson Brake 5,500 years ago, nor even their obvious astronomical and geometrical connections to later vast earthworks such as Moundville and Cahokia, but that in this early monumental architecture of the New World memes of geometry, astronomy, and solar alignments consistently appear that are also found in the early monumental architecture of the Old World at iconic sites such as Stonehenge and the Great Pyramid of Giza. A tremendous leap forward in agricultural know-how, coupled with the sudden uptake of eerily distinctive spiritual ideas concerning the afterlife journey of the soul, also often accompanies the architectural memes. It's therefore hard to avoid the impression that some kind of 'package' is involved here.

Not-withstanding the fact that cutting granite with copper chisels is an impossibility, Egyptologists have asserted that the pyramid builders predated the Bronze Age, and, therefore, were limited in their choice of metals with which to make their tools. Therefore, they say that copper was the only metal that the ancient Egyptians used to fashion the stones with which they built the Great Pyramid. They say this while evidence of prehistoric iron—proving that the ancient Egyptians had developed and used it when building the Great Pyramid—is in the keeping of the British Museum. The discoverers of this piece of iron go to great lengths to argue for and document its authenticity, as John and Morton Edgar point out in their book Great Pyramid Passages. […] Despite the [...] testimonials, because the chronology for the development of metals did not include wrought iron in the age of the pyramids, the specialists at the British Museum concluded that this wrought-iron artifact could not be genuine and must have been introduced in modern times. […] The profession as a whole has been unable to cope with the idea of a piece of wrought iron being contemporary with the Great Pyramid. Such a notion goes completely against the grain of every preconception that Egyptologists internalize throughout their careers concerning the ways in which civilizations evolve and develop. […] Egyptologists have a vested interest in continuing their teachings as they have taught them for the past century. To do otherwise would be to admit that they have been wrong. The iron plate is just a small, though significant, item in a large collection of anomalies that have been ignored or misinterpreted by many academics because they contradict their orthodox beliefs.

Egyptologists claim that Khufu began construction of his pyramid so it would be completed in time to accept his corpse. I should imagine that while he was considering what style of pyramid he wanted, he would have been consulting his architects and engineers to see what was feasible. He also might have been interested in knowing how long it would take to build and how much it would cost. Using today's technology, modern stonecutters have estimated that it would take at least twenty-seven years just to quarry and deliver the stone. I wonder how long it would have taken Khufu's men using simple, primitive methods?

There are, however, explicit engineering qualities associated with the pyramids that do not support the theory that it was a temple, a tomb, or a mausoleum. The redundancy of masonry in these structures is only one good argument against the tomb theory. More persuasive is the fact that Egyptologists woefully lack the material evidence to support it—there are no bodies! It is a widely held popular belief that Egyptian pyramids contained mummies, and that these mummies were actually discovered inside the pyramids. This is simply not true. These beliefs are only inferences that are reinforced by inaccurate documentaries that link the pyramids closely with the Valley of the Kings, where there are no pyramids, but where the mummies actually were found. In reality, the Giza Plateau and the Valley of the Kings are two vastly different sites, separated by hundreds of miles of desert. It is now becoming widely recognized by people who research the pyramid issue that of all the pyramids excavated in Egypt, there was not one that contained an original burial. Considering that more than eighty pyramids have been discovered in Egypt, this fact alone practically negates the tomb theory.

Current theories regarding the function and construction of the pyramid fall short. A credible theory would have to explain the following conditions found inside the Great Pyramid: -The selection of granite as the building material for the King's Chamber. It is evident that in choosing granite, the builders took upon themselves an extremely difficult task. -The presence of four superfluous chambers above the King's Chamber. -The characteristics of the giant granite monoliths that were used to separate these so-called "construction chambers." -The presence of exuviae, or the cast-off shells of insects, that coated the chamber above the King's Chamber, turning those who entered black. -The violent disturbance in the King's Chamber that expanded its walls and cracked the beams in its ceiling but left the rest of the Great Pyramid seemingly undisturbed. -The fact that the guardians were able to detect the disturbance inside the King's Chamber, when there was little or no exterior evidence of it. -The reason the guardians thought it necessary to smear the cracks in the ceiling of the King's Chamber with cement. -The fact that two shafts connect the King's Chamber to the outside. -The design logic for these two shafts—their function, dimensions, features, and so forth.

I looked more closely at what I considered to be the most significant information regarding the Great Pyramid, which was the accuracy with which it was built. It soon became obvious to me that the researchers on both sides of the issue were sympathetic to the craftspeople involved in building the pyramids. But the researchers were not craftspeople themselves, and they did not have the perspective gained through years of experience working with their hands and with machinery. Having that experience myself, I have some very strong opinions regarding the level of manufacturing expertise practiced by the ancient Egyptians. They were not primitive by any means, and their craftsmanship and precision would be an extreme challenge to duplicate today.

if we were to build a Great Pyramid today, we would need a lot of patience. In preparation for his book "5/5/2000 Ice: The Ultimate Disaster", Richard Noone asked Merle Booker, technical director of the Indiana Limestone Institute of America, to prepare a time study of what it would take to quarry, fabricate, and ship enough limestone to duplicate the Great Pyramid. Using the most modern quarrying equipment available for cutting, lifting, and transporting the stone, Booker estimated that the present-day Indiana limestone industry would need to triple its output, and it would take the entire industry, which as I have said includes thirty-three quarries, twenty-seven years to fill the order for 131,467,940 cubic feet of stone. These estimates were based on the assumption that production would proceed without problems. Then we would be faced with the task of putting the limestone blocks in place. The level of accuracy in the base of the Great Pyramid is astounding, and is not demanded, or even expected, by building codes today. Civil engineer Roland Dove, of Roland P. Dove & Associates, explained that .02 inch per foot variance was acceptable in modern building foundations. When I informed him of the minute variation in the foundation of the Great Pyramid, he expressed disbelief and agreed with me that in this particular phase of construction, the builders of the pyramid exhibited a state of the art that would be considered advanced by modern standards.

It now remains for those who are absolutely convinced that the ancient Egyptians constructed the pyramids using primitive techniques to build a pyramid themselves, using those same techniques that they propose the Egyptians used. As part of such an attempt, it would help if they cut out just one seventy-ton block of granite from the Aswan quarry, which is located five hundred miles away, using their hardened copper chisels or dolerite balls and then transported the block to the Giza Plateau with their barges, ropes, and manpower. If the proponents of traditional theories of constructing the pyramids are able to accomplish this feat, then we should give serious consideration to their proposals about pyramid construction.

The most compelling evidence for the likelihood that the Great Pyramid was constructed by craftspeople with specialized knowledge and advanced techniques is the precision with which it was built. This precision reveals more about the true nature of its builders than any inscription or cartouche. There is no way to ignore the accuracy of this stonecutting, despite Egyptologists' interpretations of the inscriptions found in pyramids or temples in Egypt. After all, hieroglyphics, like any language, has the potential to be misunderstood. After discussing much of the preceding information with the artisans at today's building sites, machine shops, and quarry mills, I became aware of the reason why we are still influenced by ideas that are not compatible with practical application. The artisans of today are too busy making a living to give serious thought to scholarly theories, and even when gross inequities are presented to them, they respond with a cynical shrug. When told that giant limestone casing stones, which were cut to within 1/100 of an inch, were cut with hammer and chisel, a typical response was a shake of the head.

In 1983 Donald Rahn of Rahn Granite Surface Plate Co. told me that diamond drills, rotating at nine hundred revolutions per minute, penetrate granite at the rate of one inch in five minutes. In 1996, Eric Leither of Tru-Stone Corp. told me that these parameters have not changed since then. The feedrate of modern drills, therefore, calculates to be .0002 inch per revolution, indicating that the ancient Egyptians drilled into granite with a feedrate that was five hundred times greater or deeper per revolution of the drill than modern drills! The other characteristics of the artifacts also pose a problem for modern drills. Somehow the Egyptians made a tapered hole with a spiral groove that was cut deeper through the harder constituent of the granite. If conventional machining methods cannot answer just one of these questions, how do we answer all three?

The precision in these artifacts is irrefutable. Even if we ignore the question of how they were produced, we are still faced with the question of why such precision was needed. Revelation of new data invariably raises new questions. In this case it is understandable for skeptics to ask, "Where are the machines?" But machines are tools, and the question should be applied universally and can be asked of anyone who believes other methods may have been used. The truth is that no tools have been found to explain any theory on how the pyramids were built or the granite boxes were cut. More than eighty pyramids have been discovered in Egypt, and the tools that built them have never been found. Even if we accepted the notion that copper tools are capable of producing these incredible artifacts, the few copper implements that have been uncovered do not represent the number of such tools that would have been used if every stonemason who is supposed to have worked on the pyramids at just the Giza site owned one or two. In the Great Pyramid alone there are an estimated 2,300,000 blocks of stone, both limestone and granite, weighing between two-and-one-half tons and seventy tons each. That is a mountain of evidence, and there are no tools surviving to explain even this one pyramid's creation.

With such a convincing collection of artifacts that prove the existence of precision machinery in ancient Egypt, the idea that the Great Pyramid was built by an advanced civilization that inhabited the Earth thousands of years ago becomes more admissible. I am not proposing that this civilization was more advanced technologically than ours on all levels, but it does appear that as far as masonry work and construction are concerned they were exceeding current capabilities and specifications.

In order to draw mechanical vibrations and relieve the stresses that build up within the Earth, we would need an object that would respond sympathetically with the Earth's fundamental frequency. This object would need to be designed in such a way that its own resonant frequency was the same as, or a harmonic of, the Earth's. In this manner, energy transfer from the source would be at maximum load. In harmony with the Earth's vibrations, this object would have the potential to become a coupled oscillator. (A coupled oscillator is an object that is in harmonic resonance with another, usually larger, vibrating object. When set into motion, the coupled oscillator will draw energy from the source and vibrate in sympathy as long as the source continues to vibrate.) Because the Earth constantly generates a broad spectrum of vibration, we could utilize vibration as a source of energy if we developed suitable technology. Naturally, any device that attracted greater amounts of this energy than is normally being radiated from the Earth would greatly improve the efficiency of the equipment. Because energy will inherently follow the path of least resistance, it follows that any device offering less resistance to this energy than the surrounding medium through which it passes would have a greater amount of energy channeled through it. Keeping all of this in mind and knowing that the Great Pyramid is a mathematical integer of the Earth, it may not be so outlandish to propose that the pyramid is capable of vibrating at a harmonic frequency of the Earth's fundamental frequency.

Here is the product of an ancient civilization empowered with the knowledge that as long as the moon continued to orbit the Earth, the special relationship that existed between the two assured the Egyptians of vast amounts of energy. The source of the energy is the Earth itself, in the form of seismic energy. The ancient Egyptians saw tremendous value in this form of energy and expended a considerable amount of effort to tap into it. The benefits they received may have been twofold: energy to fuel their civilization, and the ability to stabilize the Earth's crust by drawing off seismic energy over a period of time rather than allowing it to build up to destructive levels.

Smyth is credited for noting another anomaly in the Queen's Chamber—there were flakes of white mortar exuding from stone joints inside the shaft. Analysis of the mortar found it to be plaster of paris—gypsum (calcium sulfate). Smyth also described this chamber as having a foul odor, which caused early visitors to the chamber to beat a hasty retreat, and it was assumed that tourists were relieving themselves, though the way Smyth described this chamber, few people stayed long enough to do so. However, as I will make clear, this odor may not have been the result of unhygienic conditions but of the chemical process that once occurred in the Queen's Chamber. One of the greatest mysteries of this chamber has been the salt encrustation on the walls. It was up to one-half-inch thick in places, and Petrie took it into account when he made measurements of the chamber. The salt also was found along the Horizontal Passage and in the lower portion of the Grand Gallery. How did salt come to build up on the walls?

The evidence presented in this book, for the most part, was recorded many years ago by men of integrity who worked in the fields of archaeology and Egyptology. That much of this evidence was misunderstood only reveals the pressing need for an interdisciplinary approach to fields that have until recently been closed to nonacademics and others outside the fold of formal archaeology and Egyptology. Much of our ignorance of ancient cultures can be placed at the feet of closed-minded theorists who ignore evidence that does not fit their theories or fall within the province of their expertise. Sometimes it takes a machinist to recognize machined parts or machines! As a result, much of the evidence that supports a purpose for the Great Pyramid as anything other than a tomb has been ignored, discounted without serious consideration, or simply explained away as purely coincidental. Is it coincidence that the Great Pyramid is so huge and so precise? That the King's Chamber contains so many indications that tremendous forces disturbed it or were created within it at one time? Are the exuviae, the chocolate-colored granite, the resonating chambers with their giant granite monoliths placed above, and the unique properties of the quartz crystal present in vast quantities in the granite complex all coincidental? Can the design and physical tests of the movement of sound inside the Grand Gallery be just a happy accident?

Rudolph Gantenbrink's important discovery [of a door with metallic handles found with a robot inside a shaft in the Great Pyramid] has forced many Egyptologists to finally accept that their theories are flawed. This is an interesting development. Academic mores normally dictate that when a theory contains flaws, or unsubstantiated data that supports critical elements on which the theory is built, the entire theory must either be thrown out or revised. Instead of the tomb theory being dismissed, however, Gantenbrink himself was dismissed from the project. He discovered the "door" on March 22, 1993. A week later, he was told to pack up his robot and leave Egypt. Gantenbrink has the technology to go beyond the so-called door but, presumably because of political reasons, has been refused permission to resume his research in Egypt. Gantenbrink, with an engineer's typical pragmatism, stated, 'I take an absolute neutral position. It is a scientific process, and there is no need whatsoever to answer questions with speculation when these questions could be answered much more easily by continuing the research. Yet because of a stupid feud between what I call believers and non-believers, I am condemned as someone who is speculating. But I am not. I am just stating the facts. We have a device [ultrasonic] that would discover if there is a cavity behind the slab. It is nonsensical to make theories when we have the tools to discover the facts.

This chamber held a mystery for the early explorers who entered its confines, a mystery that has baffled people for decades. The chamber was coated with a layer of black dust, which, upon analysis, turned out to be exuviae, or the cast-off shells and skins of insects. There were no living insects found in the Great Pyramid, which made this discovery even more mysterious. What prompted hordes of insects to single out this one sealed chamber and shed their skins? It is a mystery that has never been satisfactorily explained. In fact, there has not been any attempt to explain it, and because there is no logical answer that fits in with any previously proposed theory, no one has given it much attention.

The quantity of stone that had to be quarried, hauled, and hoisted into place in the Great Pyramid becomes even more impressive when it is compared with other civil engineering feats, whether real or imagined. It has been stated that it contains more stone than that used in all the churches, cathedrals, and chapels built in England since the time of Christ. Thirty Empire State Buildings could be built with the estimated 2,300,000 stones. A wall three-feet high and one-foot thick could be built across the United States and back using the amount of masonry contained in the Great Pyramid.

Did it matter if Lego would never biodegrade, would outlast Notre Dame, the pyramids at Giza, the pigment daubed on the walls at Lascaux?

It was a lesson in finding the right words for things. The process can be counted upon to go badly awry. We feel something, and reach out for the nearest phrase or hum with the need to communicate, but which fails to do justice to what has induced us to do so. We hear Beethoven's Ninth, and hum poum, poum, poum; we see the pyramids at Giza and go, "That's nice." These sounds are asked to account for an experience, but their poverty prevents either ourselves or our interlocutors from really understanding what we have lived through.

Among all the feats of construction in which the megamachine excelled, the pyramid stands forth as an archetypal model. In its elemental geometric form, in the exquisite accuracy of its measurements, in the organization of the entire working force, in the sheer mass of construction involved, the final pyramids demonstrate to perfection the unique properties of this new technical complex. To exhibit the properties of this system, I shall concentrate upon the pyramid alone, the Great Pyramid at Giza.

The base of the giant pentagon is over a mile by 1.6 of a mile wide. The Martian Pentagon is 7 times wider than the Great Pyramid of Giza, (751 feet at its base).[808]

The Seven Wonders of the Ancient World. Largely credited to Philo of Byzantium. But since it was compiled in the third century BC, I’m guessing he called it the Seven Wonders of the Modern World. And even back then it pissed people off.” “Why?” “Because Philo did his research at the largest library of the time in Alexandria. And some people got the notion that the fix was in. At the top of the list, the Great Pyramid of Giza in Egypt—no argument there—and at the bottom, the lighthouse at Alexandria. The early Persians are like, ‘I thought we outgrew this hometown bullshit in the Neolithic. I mean, you can’t be serious. That lighthouse? When we’ve got the Apadana Palace of Persepolis? What are we, fucking Mesopotamians over here?

The fabulous beasts of the world’s various myths are not fables, although we concede that the facts of their existence were composed in a fabulous manner. But that is a matter of style and artistic licence. Regardless of dramatic embellishment, the fundamental facts are discernable. It is not the mythic tropes and motifs that are improper or at fault, but our understanding. After we finally erect a stone pyramid to rival that at Giza, we might have the right to be condescending toward the physical and intellectual creations of our ancestors.

The Great Pyramid of Giza. The kind of thing rich people in ancient Egypt did with their money.

The Dogon Kanaga mask -which is worn in rituals that transport the souls of the deceased- resembles the Ka in ancient Egypt. Interestingly enough it does look like the crab zodiac sign in the form of a double-barred cross with short vertical elements projecting from the tips of each horizontal bar. And this is where the Great Pyramid is located on the circular zodiac of Dendera.

The Great Pyramid of Giza does not only utter the numerical number of the speed of light through its latitudinal positioning, it even explicitly expresses the physical velocity per seas I have demonstrated.

The Great Pyramid of Giza was designed in agreement with the Theory of General Relativity.

If the Aztecs saw Giza, they would have called Menkaure - the Pyramid of the Moon.

The Celestial Sphere which the Great Pyramid of Giza projects through its height is bigger in size than the volume of the King's Chamber by a multiple (of this same volume of the KC) which equals to the area covered by 360th of the height multiplied with the diagonal. As above, so below on the Giza Plateau!

The Great Pyramid of Giza were meant to express the Vernal Equinox through its dimensions, not the whole calendar.

Celestial view according to terrestial angular acceleration were embedded in the structure of the Great Pyramid of Giza.

One of the functions that the Great Pyramid of Giza had served is to resonate across its dimensions at a certain frequency; however the type and application of that physical vibration are yet to be discovered.

The Great Pyramid of Giza served as a temporal anchor onto the Vernal Equinox day and hence it was given the name Khufu (aka, Chnoubos) which literally refers to the word 'beetle' for whatever symbolic reasons the ancient Egyptians found fit. Kheper, is however the direct reference which had been attached with the 'beetle' and yet has per se the literal linguistic meaning of 'tidings'. Therefore I cannot help but validly assert that the Vernal Equinox event was so important to celebrate for the ancient Egyptians -as obviously it was for many other cultures- for the fact that it brings good news along with it. It is important to also identify the Sphinx for what it had been called as Re-horakhty, which literally means 'The Watcher/Guardian of the Movement/Motion'. Although the Sphinx by its location refers to a Parallel Mark on the Giza Plateau, yet it serves exactly that task of administration (i.e., guardianship) -which it had been named after- that transfers the heavenly perpendicular cycle of authority (i.e., mechanics) that is acquired by the Great Pyramid (As I have demonstrated) spatially onto the local Solar System anchoring it thereby (As Graham Hancock and Robert Bauval have demonstrated). This adds up as another proof that the Sphinx had been inherited from an earlier civilization since the Sun itself cannot be looked at as 'Horakhty' after I have just revealed the meaning of this word; most evidence even points to the fact that Heliocentrism was not known in ancient Egypt and therefore ascribing movement to the Sun was a later on introduced heresy.

The majority of the Great Pyramid of Giza’s limestone casing stones are removed by Bahri Sultan An-Nasir Nasir-ad-Din al-Hasan to build fortresses and mosques in Cairo. 1358 

The reason why the Great Pyramid of Giza has Earth's circumference figure embedded in it is not because ancient Egyptians knew that number, but because they were observing the horizon and the lunar movement.

If we are still able to write down proper vivid verbs to link the different ex-animate nouns together, then a narrative of some kind is indeed being sculptured and awaiting to be fully uncloaked one day

The Sabians were allowed to build a new Temple of the Moon God, and to continue their religious rites, after the Arab General Ibn Ghanam conquered Harran in the seventh century AD. This in itself is a sign of most unusual favor, since Islamic armies normally offered "pagans" the choice of either conversion or death. Even more interesting, however, is the Sabians' encounter with the Abbasid Caliph Abu Jafar Abdullah al-Ma'mun, who passed through their city in AD 830 and reportedly quizzed them intensively on their religion. Remembering the Sabian pilgrimages to Giza, it is reasonable to wonder whether there is any connection with the fact that in AD 820, a decade before he visited Harran, it was Ma'mun who tunnelled into the Great Pyramid and opened its previously hidden passageways and chambers. Indeed, it is through "Ma'mun's Hole" that visitors still enter the monument today. Described by Gibbon as "a prince of rare learning," it seems Ma'mun's investigation was prompted by information he'd received about the Great Pyramid, specifically that it contained: 'a secret chamber with maps and tables of the celestial and terrestrial spheres. Although they were said to have been made in the remote past, they were suppposed to be of great accuracy.

Just last week, gunmen on a motorcycle shot and killed two tourism police officers near the gate of the complex that contains the pyramids of Giza and the Sphinx, across the Nile from Cairo and about 400 miles north of Luxor.

I am now convinced that the Great Pyramid of Giza was built to also celebrate the Spring equinox -in its own way- as the Mayan main pyramid at Chichen Itza, Mexico.

The Great Pyramid of Giza celebrated the Vernal Equinox.

The base sides of the Great Pyramid of Giza referred to the solar calendar while the backbone of the structure itself (manifested in the whole design emanating from the base diagonal figure) was modeled according to the measure of the lunar year.

Either I am going nuts, or I am seriously cracking the heck out of the Great Pyramid of Giza! .. I do certainly brag about the former and yet pray fearing The Lord from any accompanying arrogance with the latter!

What I am asking myself now: Why did the Great Pyramid of Giza express the Vernal Equinox through its dimensions to the viewer, while remaining silent about its lunar structure? After all, an observer can easily look at its height, but she/he cannot fly above it to appreciate its base.

The number of seconds in half-a-day oscillates with a frequency of one million Hertz by a repeating scheme which equals to the natural logarithm constant (i.e., e) raised to the literal power of PI itself; the latter is nothing but a projection from a daily numerical phenomenon exhibiting its influence throughout the whole solar year using a binary temporal balance in two halves of a single day (i.e., a half equals to 43200 seconds) and of a single year (i.e., Equinoxes on March and September). That exact mathematical pattern was encoded into the structure of the Great Pyramid of Giza and was demonstrated through its height while being silent about its lunar foundation which is found in its base rather than its apex.

The difference in inclination between the two upper shafts in the Great Pyramid of Giza was coherently engineered with its dimensions and not separately therefrom. In other words, the engineering application of the shafts is an indivisible element from the whole geometrical shape of the pyramid itself.

Lo and Behold!, this is [T]he equation that stabilizes the calculations of the Great Pyramid of Giza and diminishes all unnecessary measures of precision.

Another proof for Khafre's pyramid resembling the Lower Heavens' authority on the Giza Plateau can be seen in the pharaoh's statue where Horus (contrary to the conventional claim) is not protecting his backside head with his wings nor is serving as another reference to the united Egypt, but rather is showing and pointing to the Pharaoh his domain of authority by directing his head to the same horizon at which the Sphinx is gazing right in front of that same pyramid. Remember that the Book of the Dead, Spell 83, serves as a transformation ritual into a Phoenix. And on the Metternich Stele, Horus is praised as this great Bennu Bird which as I have validly asserted and shown earlier to have the function of a courier of the upper-heavenly proclaimed tidings/news and the carrier thereof. Therefore, it is a straightforward observation now to acknowledge this second role which the Phoenix was fulfilling in ancient Egypt!

The apex of the Great Pyramid of Giza has a solid angle that is smaller than the pyramid's base area by a ratio of x; this is the same amount of length which the Cube - inside the new pyramidal model - has for its side (based on the Coupling Equation between the dimensions of the GPG and its KC).

I've never seen the 103 figure show up in units of degrees before, once Gary Osborn discovered its existence and location in the Great Pyramid of Giza, I started looking up at the heavens!

The least we can say about the Great Pyramid of Giza is that it certainly was an observatory of the heavens.

If 32.5 were just a number rather than a complete System, I wouldn't have received thereby the keys for unlocking some of the mysteries of the Great Pyramid of Giza.

Mathematically speaking, the base side length of the Great Pyramid of Giza acts as a normalizing constant to the hypotenuse value constructed by the northern upper shaft's angle of 32.47 degrees.

Even the positioning of the King's Chamber inside the the Great Pyramid of Giza was temporally allocated!

The angular drift of Menkaure (away from the axis passing through the other two pyramids) corresponds to the temporal mechanics of Earth itself in the solar system in reference to the stars instead of the Sun. That drift's angle articulates an accumulation of Earth's own sidereal drift from the axis of the Sun in the exact amount of 11.5 degrees. Menkaure does not stop from emphasizing its function as Earth itself on the Giza Plateau however I gaze at it!

I gaze at you (Great Pyramid of Giza), and I see time!

The units of measurement which were used in the construction of the Great Pyramid of Giza were those of the Calendar. It was not the meter which they knew about and utilized, but rather the abstract units of time which were in turn expressed and projected as units of length.

The angles of the upper two shafts in the Great Pyramid of Giza act together as one

The pyramids of Giza were White, Red and Black. White because that's the color of light coming from the stars (symbolizing the perpendicular authority); Red because that's the color of light coming from the Sun when it's on the horizon (symbolizing the parallel authority); and Black because that is the color of the absence of light referring to Earth itself and its angular rotation.

It goes without saying that if we were to build a Great Pyramid today, we would need a lot of patience. In preparation for his book 5/5/2000 Ice: The Ultimate Disaster, Richard Noone asked Merle Booker, technical director of the Indiana Limestone Institute of America, to prepare a time study of what it would take to quarry, fabricate, and ship enough limestone to duplicate the Great Pyramid. Using the most modern quarrying equipment available for cutting, lifting, and transporting the stone, Booker estimated that the present-day Indiana limestone industry would need to triple its output, and it would take the entire industry, which as I have said includes thirty-three quarries, twenty-seven years to fill the order for 131,467,940 cubic feet of stone.5 These estimates were based on the assumption that production would proceed without problems. Then we would be faced with the task of putting the limestone blocks in place.