Girl Guides Quotes

We've searched our database for all the quotes and captions related to Girl Guides. Here they are! All 100 of them:

Real men wear floral when trespassing
Holly Jackson (A Good Girl's Guide to Murder (A Good Girl's Guide to Murder, #1))
The people you love weren’t algebra: to be calculated, subtracted, or held at arm’s length across a decimal point.
Holly Jackson (A Good Girl's Guide to Murder (A Good Girl's Guide to Murder, #1))
But sometimes remembering isn’t for yourself, sometimes you do it just to make someone else smile. Those lies were allowed.
Holly Jackson (A Good Girl's Guide to Murder (A Good Girl's Guide to Murder, #1))
Unfortunately, some family members are so psychotic that no matter how hard you try to forge a healthy relationship, nothing will help. Now that you're an adult, take refuge in the fact that some things are beyond your control. You owe it to yourself to steer clear of people who are harmful to your health.
Andrea Lavinthal (Your So-Called Life: A Guide to Boys, Body Issues, and Other Big-Girl Drama You Thought You Would Have Figured Out by Now)
I'm not sure I'm the good girl i once thought i was . I've lost her along the way
Holly Jackson (A Good Girl's Guide to Murder (A Good Girl's Guide to Murder, #1))
Hey Sarge, remember me?
Holly Jackson (As Good As Dead (A Good Girl's Guide to Murder, #3))
When you see what some girls marry, you realize how they must hate to work for a living.
Helen Rowland (A Guide To Men: Being Encore Reflections Of A Bachelor Girl)
Pip wished she was strong enough, but she’d learned that she wasn’t invincible; she too could break.
Holly Jackson (A Good Girl's Guide to Murder (A Good Girl's Guide to Murder, #1))
Yes, boys are a little like shoes. Why? Well...They can be useful. But mainly...They are nice to look at. Getting the right one can be a lovely accessory to an outfit. There are times when you couldn't do without them. And there are times when you'd rather do without them. Get the wrong ones and they can hurt. There are many types and often the ones that look the nicest are completely unpractical.
Rachel Hill (A Girl's Guide to Guys: Meeting Them, Managing Them and All That Love Stuff)
But sometimes my mouth starts saying words without checking with my brain first.
Holly Jackson (Good Girl, Bad Blood (A Good Girl's Guide to Murder, #2))
That young girl is one of the least benightedly unintelligent organic life forms it has been my profound lack of pleasure not to be able to avoid meeting.
Douglas Adams (Life, the Universe and Everything (The Hitchhiker's Guide to the Galaxy, #3))
women can be just as dangerous as men.
Holly Jackson (A Good Girl's Guide to Murder (A Good Girl's Guide to Murder #1))
I’m irrationally serious.” Pip smiled, holding the Tupperware out to him. “And I made muffins.” “Like bribery muffins?” “That’s what the recipe said, yeah.
Holly Jackson (A Good Girl's Guide to Murder (A Good Girl's Guide to Murder #1))
We spend too much time teaching girls to worry about what boys think of them. But the reverse is not the case. We don’t teach boys to care about being likable. We spend too much time telling girls that they cannot be angry or aggressive or tough, which is bad enough, but then we turn around and either praise or excuse men for the same reasons. All over the world, there are so many magazine articles and books telling women what to do, how to be and not to be, in order to attract or please men. There are far fewer guides for men about pleasing women.
Chimamanda Ngozi Adichie (We Should All Be Feminists)
And then, one Thursday, nearly two thousand years after one man had been nailed to a tree for saying how great it would be to be nice to people for a change, a girl sitting on her own in a small café in Rickmansworth suddenly realized what it was that had been going wrong all this time, and she finally knew how the world could be made a good and happy place. This time it was right, it would work, and no one would have to get nailed to anything.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
He smiled, put his hands on the back of her neck, fingers in her hair, and leaned in to press his forehead against hers. He’d told her before that he did it to take away half her sadness, half her headache, half her nerves before her Columbia interview. Because half less of a bad thing meant there was room for half good.
Holly Jackson (A Good Girl's Guide to Murder (A Good Girl's Guide to Murder #1))
The nice girl makes the mistake of being available all the time.
Sherry Argov (Why Men Love Bitches: From Doormat to Dreamgirl―A Woman's Guide to Holding Her Own in a Relationship)
Will Thisbee gave me The Beginner's Cook-Book for Girl Guides. It was just the thing; the writer assumes you know nothing about cookery and writes useful hints - "When adding eggs, break the shells first.
Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
I’ve already learned my lesson here: when you catch someone lying about a murdered girl, you go ask them why.
Holly Jackson (A Good Girl's Guide to Murder (A Good Girl's Guide to Murder #1))
They were each other’s crutch to lean on when life got too much to carry alone.
Holly Jackson (A Good Girl's Guide to Murder (A Good Girl's Guide to Murder, #1))
I am done slowing down, giving people their time and space, letting them explore their options.
Marla Miniano (Every Girl's Guide to Heartache)
Your efficiency offends me.
Holly Jackson (A Good Girl's Guide to Murder (A Good Girl's Guide to Murder #1))
And, finally, to all the girls who’ve ever been doubted or not believed. I know how that feels. These books are for all of you.
Holly Jackson (Good Girl, Bad Blood (A Good Girl's Guide to Murder, #2))
But sometimes remembering isn’t for yourself, sometimes you do it just to make someone else smile.
Holly Jackson (A Good Girl's Guide to Murder (A Good Girl's Guide to Murder, #1))
I don't know how to dress girls, I know how to dress women
Beth Fantaskey (Jessica's Guide to Dating on the Dark Side (Jessica, #1))
Some people are pretty good at hiding who they really are.
Holly Jackson (Good Girl, Bad Blood (A Good Girl's Guide to Murder, #2))
I felt I couldn't lose anything else, but just then I realized I already had: I'd lost the hope that I would ever be loved in just that way again.
Melissa Bank (The Girls' Guide to Hunting and Fishing)
He kissed her, and she glowed with that feeling. The one with wings. “You bring the rain down on them, Pip.” “I will.
Holly Jackson (A Good Girl's Guide to Murder (A Good Girl's Guide to Murder #1))
Relationship Principle 9 Every guy knows he can find a girl who is simply satisfied with satisfying him. They are much more turned on by a woman who cares about her own pleasure as well.
Sherry Argov (Why Men Marry Bitches: A Woman's Guide to Winning Her Man's Heart)
First, Lord: No tattoos. May neither Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches. May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty. When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer. Guide her, protect her When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age. Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit. May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers. Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For childhood is short – a Tiger Flower blooming Magenta for one day – And adulthood is long and dry-humping in cars will wait. O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed. And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it. And should she choose to be a Mother one day, be my eyes, Lord, that I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. “My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes.
Tina Fey (Bossypants)
She wanted to go back. SHe wanted to run to him, fall into him, be Team Ravi and Pip and nothing more. Tell him she loved him in all the secret ways they had, hear him speak all those names he had for her in his butter-soft voice.
Holly Jackson (As Good As Dead (A Good Girl's Guide to Murder, #3))
As if they think I don’t already know. I came out of the womb knowing how to do academic references.
Holly Jackson (A Good Girl's Guide to Murder (A Good Girl's Guide to Murder, #1))
What do you do when the things that are supposed to protect you, fail you like that
Holly Jackson (Good Girl, Bad Blood (A Good Girl's Guide to Murder, #2))
Everyone has heard stories of women like us—cautionary tales, morality plays, warnings of what will befall you if you are a girl too wild for the world, a girl who asks too many questions or wants too much. If you set off into the world alone. Everyone has heard stories of women like us, and now we will make more of them.
Mackenzi Lee (The Lady's Guide to Petticoats and Piracy (Montague Siblings, #2))
I think we all get to decide what good and bad and right and wrong mean to us, not what we’re told to accept.
Holly Jackson (Good Girl, Bad Blood (A Good Girl's Guide to Murder, #2))
Are we squad goals?” Ravi whispered to Pip. Cara heard and snorted.
Holly Jackson (Good Girl, Bad Blood (A Good Girl's Guide to Murder, #2))
Who will look for you when you’re the one who disappears?
Holly Jackson (As Good As Dead (A Good Girl's Guide to Murder, #3))
I am your sire. I am to guide you through your first days as a vampire. Your first feeding is a rite of passage, a sacrament. It will not be wasted on some hormone-driven frenzy. This is why I wanted you to feed from me.” “I will not drink it in a house, I will not drink it with a mouse. I will not drink it here or there, I will not drink it anywhere,” I wheezed, hoping I was able to communicate adequate sarcasm through the crippling belly cramps. “Did you just quote Green Eggs and Ham?
Molly Harper (Nice Girls Don't Have Fangs (Jane Jameson, #1))
We are all children until our fathers die.
Melissa Bank (The Girls' Guide to Hunting and Fishing)
But justice doesn’t exist, and the truth doesn’t matter, not in the real world.
Holly Jackson (Good Girl, Bad Blood (A Good Girl's Guide to Murder, #2))
We’re a team, remember. You and me.
Holly Jackson (A Good Girl's Guide to Murder (A Good Girl's Guide to Murder, #1))
No one calls a girl spirited or opinionated or intimidating or any of those words you can pretend are complimentary and means it to be. They’re all just different ways of calling her a bitch.
Mackenzi Lee (The Lady's Guide to Petticoats and Piracy (Montague Siblings, #2))
The bitch does not stop moving to her own rhythm. This, in and of itself, prevents her from becoming off-balance like a nice girl who abandons her routine.
Sherry Argov (Why Men Love Bitches: From Doormat to Dreamgirl―A Woman's Guide to Holding Her Own in a Relationship)
And in the dead silence of the night, Pip whispered, “Who’s taking the picture?
Holly Jackson (A Good Girl's Guide to Murder (A Good Girl's Guide to Murder #1))
Only when self moves out of the way can His spectacular glory come cascading through your life. When Jesus is in His rightful place, all insecurity will fade away and His lasting loveliness will become the mark of your life.
Leslie Ludy (The Lost Art of True Beauty: The Set-Apart Girl's Guide to Feminine Grace)
Sometimes you’re loved because of your weaknesses. What you can’t do is sometimes more compelling than what you can.
Melissa Bank (The Girls' Guide to Hunting and Fishing)
So many words get lost. They leave the mouth and lose their courage, wandering aimlessly until they are swept into the gutter like dead leaves. On rainy days, you can hear their chorus rushing past: IwasabeautifulgirlPleasedon’tgoItoobelievemybodyismadeofglass-I’veneverlovedanyoneIthinkofmyselfasfunnyForgiveme…. There was a time when it wasn’t uncommon to use a piece of string to guide words that otherwise might falter on the way to their destinations. Shy people carried a little bunch of string in their pockets, but people considered loudmouths had no less need for it, since those used to being overheard by everyone were often at a loss for how to make themselves heard by someone. The physical distance between two people using a string was often small; sometimes the smaller the distance, the greater the need for the string. The practice of attaching cups to the ends of string came much later. Some say it is related to the irrepressible urge to press shells to our ears, to hear the still-surviving echo of the world’s first expression. Others say it was started by a man who held the end of a string that was unraveled across the ocean by a girl who left for America. When the world grew bigger, and there wasn’t enough string to keep the things people wanted to say from disappearing into the vastness, the telephone was invented. Sometimes no length of string is long enough to say the thing that needs to be said. In such cases all the string can do, in whatever its form, is conduct a person’s silence.
Nicole Krauss (The History of Love)
The only relationships I haven't wrecked right away were the ones that wrecked me later.
Melissa Bank (The Girls' Guide to Hunting and Fishing)
if it's a choice between me and you, i choose you
Holly Jackson (As Good As Dead (A Good Girl's Guide to Murder, #3))
He's innocent
Holly Jackson (A Good Girl's Guide to Murder (A Good Girl's Guide to Murder, #1))
Maybe laughter was one of the very first things you lost after something like that.
Holly Jackson (A Good Girl's Guide to Murder (A Good Girl's Guide to Murder, #1))
Never worry for fear you have broken a man's heart; at the worst it is only sprained and a week's rest will put it in perfect working condition again.
Helen Rowland (A Guide To Men: Being Encore Reflections Of A Bachelor Girl)
Sleeping with another girl does not always mean you are a lesbian, sometimes it just means the central heating needs fixing
Amy Mah (Fangs Rule: A Girls Guide to Being a Vampire)
Pip knew a great many things; she knew that hippopotomonstrosesquipedaliophobia was the technical term for the fear of long words, she knew that babies were born without kneecaps,
Holly Jackson (A Good Girl's Guide to Murder (A Good Girl's Guide to Murder, #1))
What's wrong with me? ... I might seem like the ideal student: homework always in early, every extra credit and extra curricular I can get my hands on, the good girl and the high achiever. But I realized something just now: it's not ambition, not entirely. It's fear. Because I don't know who I am when I'm not working, when I'm not focused on or totally consumed by a task. Who am I between the projects and the assignments, when there's nothing to do? I haven't found her yet and it scares me. Maybe that's why, for my senior capstone project this year, I decided to solve a murder.
Holly Jackson (A Good Girl's Guide to Murder (A Good Girl's Guide to Murder, #1))
Just remember, girls: The young male vampire is a predator by nature. Some boys may look at you not only as a romantic interest, but as prey...
Beth Fantaskey (Jessica's Guide to Dating on the Dark Side (Jessica, #1))
She still spoke to Ravi every day. Not the real one, the one who lived in her head. She spoke to him when she was scared or unsure, asked him what he would do if he were there. He sat beside her when she was lonely, and she was always lonely, looking at old photos on her phone. He told her goodnight and kept her company in the dark while she learned how to sleep again.
Holly Jackson (As Good As Dead (A Good Girl's Guide to Murder, #3))
The first rule of Bi Club is that you can talk about Bi Club all you want, because most people won't believe it's real anyway.
Lindsay King-Miller (Ask a Queer Chick: A Guide to Sex, Love, and Life for Girls Who Dig Girls)
Microwave him.
Holly Jackson (As Good as Dead (A Good Girl's Guide to Murder #3))
It was in nightmares, and crashing pans, and heavy breaths, and dropped pencils, and thunderstorms, and closing doors, and too loud, and too quiet, and alone and not, and the ruffle of pages, and the tapping of keys and every click and every creak. The gun was always there. It lived inside her now.
Holly Jackson (Good Girl, Bad Blood (A Good Girl's Guide to Murder, #2))
Shewasgoingtodieshewasgoingtodieshewasdeadshewasdeadshewasgoingtodie
Holly Jackson (As Good As Dead (A Good Girl's Guide to Murder, #3))
Sometimes, people just stop wanting to be with you, plain and simple. It happens. And it's always best to just leave it at that. It's always best to just let it all go.
Marla Miniano (Every Girl's Guide to Heartache)
Because half less of a bad thing meant there was room for half good.
Holly Jackson (A Good Girl's Guide to Murder (A Good Girl's Guide to Murder, #1))
I would have done anything for him. But these days, I don't want to do anything. I don't want to get drunk or go to a wild party or make out with random boys-not that I've ever wanted to. I don't want to watch chick flicks or eat ice cream or get a haircut or buy out half of the mall. I don't want cold, cruel revenge. I don't want to see him suffer when karma catches up with him and kick his ass. I don't even want to talk to him right now, simply because it would be awkward and pathetic and I wouldn't know what to say to him. Yes, there is self-control, preventing me from being stupid and acting like a desperate doofus in the manner most heartbroken people do. But there is also a weary numbness threatening to consume every inch of me: Isn't there a way for me to skip straight to the part where I'm fine again?
Marla Miniano (Every Girl's Guide to Heartache)
Matter occupies space, and you can only have space for what really matters.
Marla Miniano (Every Girl's Guide to Heartache)
Mrs. Charlotte Phelan's Guide to Husband-Hunting, Rule Number One: a pretty, petite girl should accentuate with makeup and good posture. A tall plain one, with a trust fund.
Kathryn Stockett (The Help)
You know, most boys would enjoy being trapped in close quarters with a girl.” I roll my eyes. “Not claustrophobic people, Tris!” He sounds desperate now. “Okay, okay.” I set my hand on top of his and guide it to my chest, so it’s right over my heart. “Feel my heartbeat. Can you feel it?” “Yes.” “Feel how steady it is?” “It’s fast.” “Yes, well, that has nothing to do with the box.” I wince as soon as I’m done speaking. I just admitted to something. Hopefully he doesn’t realize that.
Veronica Roth (Divergent (Divergent, #1))
A compliment would be the last thing out of my mouth to a man who was so pigheaded that he could be served at a luau.
Katie MacAlister (A Girl's Guide to Vampires (Dark Ones #1))
When a nice girl overcompensates, her behavior says, “What I have to offer isn’t enough, and who I am isn’t enough.
Sherry Argov (Why Men Love Bitches: From Doormat to Dreamgirl―A Woman's Guide to Holding Her Own in a Relationship)
You can feel that he wants to own you - not like an object but like a good dream he wants to keep having. He lets you know that you already own him.
Melissa Bank (The Girls' Guide to Hunting and Fishing)
Young men do not respect girls they can take advantage of - and they do not as easily take advantage of girls they respect.
Sarah Mally (Before You Meet Prince Charming: A Guide to Radiant Purity)
Perhaps you have a lumpy ass because you are perserving your fat cells with diet soda
Rory Freedman (Skinny Bitch: A No-Nonsense, Tough-Love Guide for Savvy Girls Who Want to Stop Eating Crap and Start Looking Fabulous!)
I still think this is reckless and I’m crapping myself, but –’ he paused, flashing her a small smile – ‘we’re partners in crime after all. That means partners no matter what.
Holly Jackson (A Good Girl's Guide to Murder (A Good Girl's Guide to Murder, #1))
Pip looked back, over her shoulder, through the trees. Ravi was on his knees in the leaves, face hidden, bawling into his hands. It hurt more than anything, to see him that way, and her chest opened up, reaching out to him, trying to drive her back. Hold him, take the hurt away and let him take hers.
Holly Jackson (As Good As Dead (A Good Girl's Guide to Murder, #3))
Fuck likeable. You know who's likeable? People like Max Hastings who walk into a courtroom with fake glasses and charm their way out. I don't want to be like that.
Holly Jackson (Good Girl, Bad Blood (A Good Girl's Guide to Murder, #2))
You're my person. My little one. My Sarge. And I'm supposed to protect you.
Holly Jackson (As Good as Dead (A Good Girl's Guide to Murder #3))
You will say good-bye for all the right reasons. You're tired of living in wait for his apocalypse. You have your own fight on your hands, and though it's no bigger or more noble than his, it will require all of your energy. It's you who has to hold on to earth. You have to tighten your grip -- which means letting go of him.
Melissa Bank (The Girls' Guide to Hunting and Fishing)
You sense that he's dangerous but don't now why - and wonder if it's because he makes you feel safer than you've ever felt.
Melissa Bank (The Girls' Guide to Hunting and Fishing)
She was far too busy living out a passionate romance with Jesus Christ to be pining after an earthly prince.
Leslie Ludy (The Lost Art of True Beauty: The Set-Apart Girl's Guide to Feminine Grace)
...it’s hard to climb back out of the hole once you’ve dug in your heels.
Holly Jackson (Good Girl, Bad Blood (A Good Girl's Guide to Murder, #2))
She was on a high cliff edge somewhere between laughing and crying and screaming.
Holly Jackson (A Good Girl's Guide to Murder (A Good Girl's Guide to Murder, #1))
When you encounter unpleasantness from the human population, try to keep in mind that you will be able to dance on their graves long after they're dead. It's a cheering thought. - from The Guide for the Newly Undead.
Molly Harper (Nice Girls Don't Have Fangs (Jane Jameson, #1))
First of all, let's get one thing straight. Your Italy and our Italia are not the same thing. Italy is a soft drug peddled in predictable packages, such as hills in the sunset, olive groves, lemon trees, white wine, and raven-haired girls. Italia, on the other hand, is a maze. It's alluring, but complicated. It's the kind of place that can have you fuming and then purring in the space of a hundred meters, or in the course of ten minutes. Italy is the only workshop in the world that can turn out both Botticellis and Berlusconis.
Beppe Severgnini (La Bella Figura: A Field Guide to the Italian Mind)
When people say they don't want to get into a relationship, it should never be taken into face value because it is never really the whole truth. It is usually a vast collection of issues and fears and complications, forced to conceal one tiny hope lurking underneath it all: that someday, somebody will come along to discover, accept and understand and strengthen that feeble hope.
Marla Miniano (Every Girl's Guide to Flings)
Did you ... touch me right after you called me brat?" He shakes his head. "Why not?" I ask. "You were too intoxicated to give your consent." "And?" He frowns. "If, while you were drugged, I had touched you like I wanted to, I wouldn't be able to call myself a real man.
Mya Robarts (The V Girl: a Coming of Age Story)
Stay here til I come to fetch you." I no longer recognize you in the Republic of Joy," I loftily informed him. "Our diplomatic ties are severed." Unsever them," he growled, "or the Country of Raphael will be forced to declare your republic a protectorate." Dictator," I muttered. For life," he agreed.
Katie MacAlister (A Girl's Guide to Vampires (Dark Ones #1))
Tessa exploded "I am not asking you to maul me in the Whispering Gallery! By the Angel, Will, would you stop being so polite?!" He looked at her in amazement. "But wouldn't you rather-" "I would not rather. I don't want you to be polite! I want you to be Will! I don't want you to indicate points of architectural interest to me as if you were a Baedecker guide! I want you to say dreadfully mad, funny things, and make up songs and be-" The Will I fell in love with, she almost said. "And be Will," she finished instead. "Or I shall strike you with my umbrella." "I am trying to court you," Will said in exasperation. "Court you properly. That's what all this has been about. You know that, don't you?" "Mr. Rochester never courted Jane Eyre," Tessa pointed out. "No, he dressed up as a woman and terrified the poor girl out of her wits. Is that what you want?" "You would make a very ugly woman." "I would not. I would be stunning." Tessa laughed. "There," she said. "There is Will. Isn't that better? Don't you think so?" "I don't know," Will said, eyeing her. I'm afraid to answer that. I've heard that when I speak, it makes American women wish to strike me with umbrellas." Tessa laughed again, and then they were both laughing, their smothered giggles bouncing off the walls of the Whispering Gallery. After that, things were decidedly easier between them, and Will's smile when he helped her down from the carriage on their return home, was bright and real.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Thinking, not for the first time, that life should come with a trapdoor. Just a little exit hatch you could disappear through when you´d utterly and completely mortified yourself. Or when you had spontaneous zit eruptions. “Good book?” he asked, taking it from her and reading the subtitle, “A Guide for Good Girls Who (Sometimes) Want to Be Bad,” out loud. But life did not come with a trapdoor.
Michele Jaffe (Prom Nights from Hell)
Slender Youth. A tour companion who may be either a lost prince or a girl/princess in disguise. In the latter case it is tactful to pretend you think she is a boy. She/he will be ignorant, hasty and shy, and will need hauling out of trouble quite a lot. But she/he will grow up in the course of the Tour. In fact she/he will be the only Companion who will change in any way. Quite often, she/he will soon exhibit a very useful talent for magic and end up by hauling everyone else out of trouble. But this will not be until midway through your second brochure.
Diana Wynne Jones (The Tough Guide to Fantasyland)
Oh, justice exists," Charlie said, looking up at the rain. "Maybe not the kind that happens in police stations and courtrooms, but it does exist. And when you really think about it, those words – good and bad, right and wrong – they don’t really matter in the real world. Who gets to decide what they mean: those people who just got it wrong and let Max walk free? No," he shook his head. "I think we all get to decide what good and bad and right and wrong mean to us, not what we’re told to accept. You did nothing wrong. Don’t beat yourself up for other people’s mistakes.
Holly Jackson (Good Girl, Bad Blood (A Good Girl's Guide to Murder, #2))
What struck me—with her and with many other female American friends I have—is how invested they are in being “liked.” How they have been raised to believe that their being likable is very important and that this “likable” trait is a specific thing. And that specific thing does not include showing anger or being aggressive or disagreeing too loudly. We spend too much time teaching girls to worry about what boys think of them. But the reverse is not the case. We don’t teach boys to care about being likable. We spend too much time telling girls that they cannot be angry or aggressive or tough, which is bad enough, but then we turn around and either praise or excuse men for the same reasons. All over the world, there are so many magazine articles and books telling women what to do, how to be and not to be, in order to attract or please men. There are far fewer guides for men about pleasing women.
Chimamanda Ngozi Adichie (We Should All Be Feminists)
The nice girl loses an important protective mechanism when she assumes that life is fair, or that Prince Charming will always protect her. The smart fox is not governed by wishful thinking or the hope of a fantasy outcome, like Cinderella. Despite appearances, she trusts herself to watch her OWN back instead of giving a man the responsibility of doing it for her.
Sherry Argov (Why Men Love Bitches: From Doormat to Dreamgirl―A Woman's Guide to Holding Her Own in a Relationship)
Every time you rolled your eyes and every little smart remark you made about how silly it was for girls to care about their looks. You refused to let me--or anyone!--like books and silks. Outdoors and cosmetics. You stopped taking me seriously when I stopped being the kind of woman you thought I had to be to be considered intelligent and strong. All those things you say make men take women less seriously--I don't think it's men; it's you. You're not better than any other woman because you like philosophy better than parties and don't give a fig about the company of gentlemen, or because you wear boots instead of heels and don't set your hair in curls.
Mackenzi Lee (The Lady's Guide to Petticoats and Piracy (Montague Siblings, #2))
It’s just...’ he drew off, his voice guttering out. ‘It’s scary, to know that someone might want to hurt you, or make you scared. You’re my person. My little one. My Sarge. And I’m supposed to protect you.’ ‘You do protect me,’ she said, holding his eyes. ‘Even when you’re not here.’ He was her life raft, her cornerstone for what good truly meant. Didn’t he know that?
Holly Jackson (As Good As Dead (A Good Girl's Guide to Murder, #3))
High School: Oh, man. This is where boys and girls go from tweens to teens and become complicated and cruel. Girls play sick mind games; boys try to pull each other's penises off and throw them in the bushes. If you can, buy the most expensive jeans in a two-hundred-mile radius of your town and wear them on your first day. If anyone asks how you could afford them say that your father is the president of Ashton Kutcher. When they are like, 'Ashton Kutcher has a president?' answer, 'Yes.' Everyone will be in awe of you and you won't have to go through a lot of pain and cat fights.
Eugene Mirman (The Will to Whatevs: A Guide to Modern Life)
A lot is being said today about the influence that the myths and images of women have on all of us who are products of culture. I think it has been a peculiar confusion to the girl or woman who tries to write because she is peculiarly susceptible to language. She goes to poetry or fiction looking for her way of being in the world, since she too has been putting words and images together; she is looking eagerly for guides, maps, possibilities; and over and over in the ‘words’ masculine persuasive force’ of literature she comes up against something that negates everything she is about: she meets the image of Woman in books written by men.
Adrienne Rich (On Lies, Secrets, and Silence. Selected Prose 1966-1978)
Far out in the uncharted backwaters of the unfashionable end of the Western spiral arm of the galaxy lies a small unregarded yellow sun. Orbiting this, at a distance of roughly ninety million miles is an utterly insignificant little blue-green planet, whose ape descended life forms are so amazingly primitive that they still think digital watches are a pretty neat idea. This planet has, or had, a problem, which was this. Most of the people living on it were unhappy for pretty much of the time. Many solutions were suggested for this problem, but most of these were largely concerned with the movements of small, green pieces of paper, which is odd, because on the whole, it wasn't the small, green pieces of paper which were unhappy. And so the problem remained, and lots of the people were mean, and most of them were miserable, even the ones with digital watches. Many were increasingly of the opinion that they'd all made a big mistake coming down from the trees in the first place, and some said that even the trees had been a bad move, and that no-one should ever have left the oceans. And then one day, nearly two thousand years after one man had been nailed to a tree for saying how great it would be to be nice to people for a change, a girl, sitting on her own in a small cafe in Rickmansworth suddenly realised what it was that had been going wrong all this time and she finally knew how the world could be made a good and happy place. This time it was right, it would work, and no-one would have to get nalied to anything. Sadly, however, before she could get to a phone to tell anyone, the Earth was unexpectedly demolished to make way for a new hyperspace bypass and so the idea was lost forever.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
He picked up the letter Q and hurled it into a distant privet bush where it hit a young rabbit. The rabbit hurtled off in terror and didn’t stop till it was set upon and eaten by a fox which choked on one of its bones and died on the bank of a stream which subsequently washed it away. During the following weeks Ford Perfect swallowed his pride and struck up a relationship with a girl who had been a personnel officer on Golgafrincham, and he was terribly upset when she suddenly passed away as a result of drinking water from a pool that had been polluted by the body of a dead fox.
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
First came bright Spirits, not the Spirits of men, who danced and scattered flowers. Then, on the left and right, at each side of the forest avenue, came youthful shapes, boys upon one hand, and girls upon the other. If I could remember their singing and write down the notes, no man who read that score would ever grow sick or old. Between them went musicians: and after these a lady in whose honour all this was being done. I cannot now remember whether she was naked or clothed. If she were naked, then it must have been the almost visible penumbra of her courtesy and joy which produces in my memory the illusion of a great and shining train that followed her across the happy grass. If she were clothed, then the illusion of nakedness is doubtless due to the clarity with which her inmost spirit shone through the clothes. For clothes in that country are not a disguise: the spiritual body lives along each thread and turns them into living organs. A robe or a crown is there as much one of the wearer's features as a lip or an eye. But I have forgotten. And only partly do I remember the unbearable beauty of her face. “Is it?...is it?” I whispered to my guide. “Not at all,” said he. “It's someone ye'll never have heard of. Her name on earth was Sarah Smith and she lived at Golders Green.” “She seems to be...well, a person of particular importance?” “Aye. She is one of the great ones. Ye have heard that fame in this country and fame on Earth are two quite different things.” “And who are these gigantic people...look! They're like emeralds...who are dancing and throwing flowers before here?” “Haven't ye read your Milton? A thousand liveried angels lackey her.” “And who are all these young men and women on each side?” “They are her sons and daughters.” “She must have had a very large family, Sir.” “Every young man or boy that met her became her son – even if it was only the boy that brought the meat to her back door. Every girl that met her was her daughter.” “Isn't that a bit hard on their own parents?” “No. There are those that steal other people's children. But her motherhood was of a different kind. Those on whom it fell went back to their natural parents loving them more. Few men looked on her without becoming, in a certain fashion, her lovers. But it was the kind of love that made them not less true, but truer, to their own wives.” “And how...but hullo! What are all these animals? A cat-two cats-dozens of cats. And all those dogs...why, I can't count them. And the birds. And the horses.” “They are her beasts.” “Did she keep a sort of zoo? I mean, this is a bit too much.” “Every beast and bird that came near her had its place in her love. In her they became themselves. And now the abundance of life she has in Christ from the Father flows over into them.” I looked at my Teacher in amazement. “Yes,” he said. “It is like when you throw a stone into a pool, and the concentric waves spread out further and further. Who knows where it will end? Redeemed humanity is still young, it has hardly come to its full strength. But already there is joy enough int the little finger of a great saint such as yonder lady to waken all the dead things of the universe into life.
C.S. Lewis (The Great Divorce)
Only a man can see in the face of a woman the girl she was. It is a secret which can be revealed only to a particular man, and, then, only at his insistence. But men have no secrets, except from women, and never grow up in the way women do. It is very much harder, and it takes much longer, for a man to grow up, and he could never do it at all without women. This is a mystery which can terrify and immobilize a woman, and it is always the key to her deepest distress. She must watch and guide, but he must lead, and he will always appear to be giving far more of his real attention to his comrades than he is giving to her. But that noisy, outward openness of men with each other enables them to deal with the silence and secrecy of women, that silence and secrecy which contains the truth of a man, and releases it. I suppose that the root of the resentment—a resentment which hides a bottomless terror—has to do with the fact that a woman is tremendously controlled by what the man’s imagination makes of her—literally, hour by hour, day by day; so she becomes a woman. But a man exists in his own imagination, and can never be at the mercy of a woman’s.—Anyway, in this fucked up time and place, the whole thing becomes ridiculous when you realize that women are supposed to be more imaginative than men. This is an idea dreamed up by men, and it proves exactly the contrary. The truth is that dealing with the reality of men leaves a woman very little time, or need, for imagination. And you can get very fucked up, here, once you take seriously the notion that a man who is not afraid to trust his imagination (which is all that men have ever trusted) if effeminate. It says a lot about this country, because, of course, if all you want to do is make money, the very last thing you need is imagination. Or women, for that matter: or men.
James Baldwin (If Beale Street Could Talk)