Gill Edwards Quotes

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He had handed his daughter to Caroline Gill and that act had led him here, years later, to this girl in motion of her own, this girl who had decided yes, a brief moment of release in the back of a car, in the room of a silent house, this girl who had stood up later, adjusting her clothes, with now knowledge of how that moment was already shaping her life.
Kim Edwards (The Memory Keeper's Daughter)
You have no idea how hard it is to live out a great romance. -Wallace Simpson
Gill Paul (Royal Love Stories: The tales behind the real-life romances of Europe's kings and queens)
in many ways, Eric Gill’s typeface, a follower of Edward Johnston’s type for the London Underground, is an awkward mix of Geometric and Humanist ideas — from its circular “o” to its dynamic, calligraphic “a.” Uppercase widths vary wildly. The long-legged “R” causes spacing issues, especially in the lighter weights. And the “g” is an odd concoction that even Gill himself fittingly called a “pair of spectacles.” Still, there is lasting charm in this face, and it has become synonymous with British culture ever since it
Stephen Coles (The Anatomy of Type: A Graphic Guide to 100 Typefaces)
St. Leonard’s Police Station DS Siobhan Clarke (pronounced “Shiv-awn”) DI Derek Linford no friend to Rebus, disliked by Siobhan DCS Gill Templer officer in charge of St. Leonard’s DC David Hynds a new recruit DS George “Hi-Ho” Silvers officer with both eyes on approaching pension DC Grant Hood young and unpredictable officer with a crush on Siobhan DC Phyllida Hawes tough female officer, usually based at Gayfield Square DCI Bill Pryde second in command to DCS Gill Templer The Edward Marber Murder Case Edward Marber murdered Edinburgh art dealer Cynthia Bessant friend of the
Ian Rankin (Resurrection Men (Inspector Rebus, #13))
Documentaries     All My Loved Ones, directed by Matej Minac, 1999.     As If It Were Yesterday, directed by Myriam Abramowicz and Esther Hoffenberg, 1980.     The Flat, directed by Arnon Goldfinger, 2012.     Four Seasons Lodge, directed by Andrew Jacobs, 2008.     Generation War (Our Mothers, Our Fathers in the original German), directed by Philipp Kadelbach, 2013.     Hidden Children, directed by John Walker, 1994.     Hitler’s Children, directed by Chanoch Ze’evi, 2011.     Image Before My Eyes, directed by Josh Waletzky, 1981.     Imaginary Witness, directed by Daniel Anker, 2004.     Inheritance, directed by James Moll, 2006.     A Life Apart: Hasidism in America, directed by Menachem Daum and Oren Rudavsky, 1997.     The Nazi Officer’s Wife, directed by Liz Garbus, 2003.     Torn, directed by Ronit Krown Kertsner, 2011.     Triumph of the Will, directed by Leni Riefenstahl, 1935. Features     Defiance, directed by Edward Zwick, 2008.     In Darkness, directed by Agnieszka Holland, 2011.     Inside Hana’s Suitcase, directed by Larry Weinstein, 2002.     The Pianist, directed by Roman Polanski, 2002.     Sarah’s Key, directed by Gilles Paquet-Brenner, 2010.     Schindler’s List, directed by Steven Spielberg, 1993.     A Year of the Quiet Sun, directed by Krzysztof Zanussi, 1984.
R.D. Rosen (Such Good Girls: The Journey of the Holocaust's Hidden Child Survivors)
She considered that for a moment. “There’s Professor Stephen Leacock. He’s a lecturer at McGill and he’s published some
Edward D. Hoch (The Sherlock Holmes Stories of Edward D. Hoch)