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What is better: uncomfortable truth or comfortable lies? Every truth is a kindness, even if it makes others uncomfortable. Every untruth is an unkindness, even if it makes others comfortable.
—Liz Gilbert
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Glennon Doyle (Untamed)
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Yes, red-to give warmth to that milk-white skin and those shining gray-green eyes of yours. Golden hair wouldn't suit you at all Queen Anne-My Queen Anne-queen of my heart and life and home.
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L.M. Montgomery (Anne's House of Dreams (Anne of Green Gables, #5))
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The Forgotten Dialect of the Heart
How astonishing it is that language can almost mean,
and frightening that it does not quite. Love, we say,
God, we say, Rome and Michiko, we write, and the words
get it all wrong. We say bread and it means according
to which nation. French has no word for home,
and we have no word for strict pleasure. A people
in northern India is dying out because their ancient
tongue has no words for endearment. I dream of lost
vocabularies that might express some of what
we no longer can. Maybe the Etruscan texts would
finally explain why the couples on their tombs
are smiling. And maybe not. When the thousands
of mysterious Sumerian tablets were translated,
they seemed to be business records. But what if they
are poems or psalms? My joy is the same as twelve
Ethiopian goats standing silent in the morning light.
O Lord, thou art slabs of salt and ingots of copper,
as grand as ripe barley lithe under the wind's labor.
Her breasts are six white oxen loaded with bolts
of long-fibered Egyptian cotton. My love is a hundred
pitchers of honey. Shiploads of thuya are what
my body wants to say to your body. Giraffes are this
desire in the dark. Perhaps the spiral Minoan script
is not language but a map. What we feel most has
no name but amber, archers, cinnamon, horses, and birds.
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Jack Gilbert (The Great Fires)
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Gilbert White,’ said Merlyn, ‘remarks, or will remark, however you like to put it, that ‘the language of birds is very ancient, and, like other ancient modes of speech, little is said, but much is intended.’ He also says somewhere that ‘the rooks, in the breeding season, attempt sometimes, in the gaiety of their hearts, to sing – but with no great success.
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T.H. White (The Once and Future King)
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Life cannot be possessed. You cannot have it in your fist. If you want to have it, you have to keep your hands open.
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Osofsky Gilbert (The Burden of Race: A Documentary History of Negro-White Relations in America)
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Floods are an act of God; flood
damages result from the acts of men.
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Gilbert White
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In short, if we adhere to the standard of perfection in all our endeavors, we are left with nothing but mathematics and the White Album.
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Daniel Todd Gilbert (Stumbling on Happiness)
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Michiko Nogami (1946—1982)”
Is she more apparent because she is not
anymore forever? Is her whiteness more white
because she was the color of pale honey?
A smokestack making the sky more visible.
A dead woman filling the whole world. Michiko
said, “The roses you gave me kept me awake
with the sound of their petals falling.
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Jack Gilbert (The Great Fires)
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In March 1987, Gilbert White, a hematologist, conducted the first clinical trial of the hamster-cell-derived recombinant factor VIII at the Center for Thrombosis in North Carolina. The first patient to be treated was G.M., a forty-three-year-old man with hemophilia. As the initial drops of intravenous liquid dripped into his veins, White hovered anxiously around G.M.’s bed, trying to anticipate reactions to the drug. A few minutes into the transfusion, G.M. stopped speaking. His eyes were closed; his chin rested on his chest. “Talk to me,” White urged. There was no response. White was about to issue a medical alert when G.M. turned around, made the sound of a hamster, and burst into laughter.
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Siddhartha Mukherjee (The Gene: An Intimate History)
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Anne had wandered down the the Dryard's Bubble and was curled up among the ferns at the root of the n=big white birch where sher and Gilbert had so often sat ion summers gone by. Hew had gone into the newspaper office again when college was closed, and Avonlea seemed very dull without him. He never wrote to her, and Anne missed the letters that neer came. To be sure, Roy wrote twice a week; his letters were exquisite compositions which would have read beautifully in a memoir or biography. Anne felt herself more deeply in love with him that ever when she read the; but her heart never game that queer, quick, painful bound at sight of his letters which had given one day when Mrs. Hiram Sloane had handed her out an envelope addressed in Gilbert's black, upright handwriting. Anne had hurried home to the east gable and opened it eagrly--to find a typewritten copy of some college society report--"only that and nothing more." Anne flung the harmless screed across her room and sat down to write and especially nice epistle to Roy
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L.M. Montgomery (Anne of the Island (Anne of Green Gables, #3))
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You can't stop someone from making their own choices, you know. It doesn't work that way. And even if it did, it damages you. You can't let yourself keep giving and giving and giving to someone who stopped caring. I've always worried about you making that mistake, but I thought--well, I thought I'd set an example for you. Because if I wanted one thing for you it was that you'd always know how much you're worth. The world will tell you otherwise because you're a girl and you're not white and you're softhearted, but you're allowed to keep things for yourself and to say something isn't good enough for you. You're allowed to want more. You're allowed to be angry.
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Kelly Loy Gilbert (When We Were Infinite)
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Franklin Delano Roosevelt, for his part, was less than enthralled with his wife’s alliance with the NAACP, and the White House attempted to maintain a distance between the president and Eleanor’s activism on behalf of blacks. Marshall himself had felt the president’s chill when Attorney General Francis Biddle phoned FDR to discuss the NAACP’s involvement in a race case in Virginia. At Biddle’s instruction, Marshall picked up an extension phone to listen in, only to hear FDR exclaim, “I warned you not to call me again about any of Eleanor’s niggers. Call me one more time and you are fired.” Marshall later recalled, “The President only said ‘nigger’ once, but once was enough for me.
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Gilbert King (Devil in the Grove: Thurgood Marshall, the Groveland Boys, and the Dawn of a New America)
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You know,” Marshall said to him, “sometimes I get awfully tired of trying to save the white man’s soul.
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Gilbert King (Devil in the Grove: Thurgood Marshall, the Groveland Boys, and the Dawn of a New America)
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They tried to make me say that I had been with the group of fellows that raped a white woman,” Shepherd said. “It was terrible the way I was whipped, there was just knots all over me. They said they were not going to stop whipping me until I said that I was the one. I kept telling them I was in Orlando where I was. Finally, when I couldn’t take it anymore, I said yes.” Shepherd said yes, he raped Norma Padgett, and the men dropped their hoses. Yates told Shepherd he could have “saved all the beating” if he had just said yes the first time they asked.
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Gilbert King (Devil in the Grove: Thurgood Marshall, the Groveland Boys, and the Dawn of a New America)
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There's something about a white gown - setting aside the obnoxious question of virginity - that signals to a man that this day is not like any other day. It shows him that he's been chosen. It means a lot to men, I have learned over the years, to see their brides walking toward them in white. Helps to quiet their insecurities. And you'd be surprised how insecure the men can be.
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Elizabeth Gilbert (City of Girls)
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To make it tougher, on the eve of the election 250 hooded Klansman formed a motorcade that snaked its way through Lake County, “warning blacks not to vote if they valued their lives.” Trailing behind the motorcade in a big Oldsmobile, his trademark white Stetson visible to all, was the incumbent sheriff himself, “making no attempt to interfere” when the Klansmen stopped to burn a cross in front of a black juke joint in Leesburg.
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Gilbert King (Devil in the Grove: Thurgood Marshall, the Groveland Boys, and the Dawn of a New America)
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I like teaching, too," said Gilbert. "It's good training, for one thing. Why, Anne, I've learned more in the weeks I've been teaching the young ideas of White Sands than I learned in all the years I went to school myself.
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L.M. Montgomery (The Anne Stories (Anne of Green Gables, #1-3, 5, 7-8) (Story Girl, #1-2))
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Sept.17 (1780). When we call loudly thro' the speaking-trumpet to Timothy ( the tortoise), he does not seem to regard the noise. Sept.18. Timothy eats heartily. Oct.3. No ring-ouzels seen this autumn yet. Timothy very dull.
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Sylvia Townsend Warner (The Portrait of a Tortoise: Extracted from the Journals & Letters of Gilbert White)
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Culturally, though not theologically, I’m a Christian. I was born a Protestant of the white Anglo-Saxon persuasion. And while I do love that great teacher of peace who was called Jesus, and while I do reserve the right to ask myself in certain trying situations what indeed He would do, I can’t swallow that one fixed rule of Christianity insisting that Christ is the only path to God. Strictly speaking, then, I cannot call myself a Christian. Most of the Christians I know accept my feelings on this with grace and open-mindedness. Then again, most of the Christians I know don’t speak very strictly. To those who do speak (and think) strictly, all I can do here is offer my regrets for any hurt feelings and now excuse myself from their business.
“Traditionally, I have responded to the transcendent mystics of all religions. I have always responded with breathless excitement to anyone who has ever said that God does not live in a dogmatic scripture or in a distant throne in the sky, but instead abides very close to us indeed—much closer than we can imagine, breathing right through our own hearts. I respond with gratitude to anyone who has ever voyaged to the center of that heart, and who has then returned to the world with a report for the rest of us that God is an experience of supreme love. In every religious tradition on earth, there have always been mystical saints and transcendents who report exactly this experience. Unfortunately many of them have ended up arrested and killed. Still, I think very highly of them.
“In the end, what I have come to believe about God is simple. It’s like this—I used to have this really great dog. She came from the pound. She was a mixture of about ten different breeds, but seemed to have inherited the finest features of them all. She was brown. When people asked me, “What kind of dog is that?” I would always give the same answer: “She’s a brown dog.” Similarly, when the question is raised, “What kind of God do you believe in?” my answer is easy: “I believe in a magnificent God
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Elizabeth Gilbert (Eat, Pray, Love)
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By 1927, Coolidge worked no more than about four and a half hours a day—“a far lighter schedule than most other presidents, indeed most other people, have followed,” as the political scientist Robert E. Gilbert once observed—and napped much of the rest of the time. “No other President in my time,” recalled the White House usher, “ever slept so much.” When not napping, he often sat with his feet in an open desk drawer (a lifelong habit) and counted cars passing on Pennsylvania Avenue.
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Bill Bryson (One Summer: America, 1927)
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Naturally she knew of him. She had her own copies of these works in the White Acre library. She had read Boehme, though she never admired him. Jacob Boehme was a sixteenth-century cobbler from Germany who had mystical visions about plants. Many people considered him an early botanist. Alma’s mother, on the other hand, had considered him a cesspool of residual medieval superstition. So there was considerable conflict of opinion surrounding Jacob Boehme. The old cobbler had believed in something he called “the signature of all things”—namely, that God had hidden clues for humanity’s betterment inside the design of every flower, leaf, fruit, and tree on earth. All the natural world was a divine code, Boehme claimed, containing proof of our Creator’s love.
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Elizabeth Gilbert (The Signature of All Things)
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Gilbert sucked on his teeth to return this man’s scorn. “You know what your trouble is, man?” he said. “Your white skin. You think it makes you better than me. You think it give you the right to lord it over a black man. But you know what it make you? You wan’ know what your white skin make you, man? It make you white. That is all, man. White. […] listen to me, man, we both just finish fighting a war—a bloody war—for the better world we wan’ see. And on the same side—you and me. […] But still, after all that we suffer together, you wan’ tell me I am worthless and you are not.
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Andrea Levy (Small Island)
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in towns and villages throughout the Ukraine, several thousand Jews were being murdered by anti-Bolshevik Whites, whose historic anti-Semitism, combining with a new hatred of the noted Jewish presence among the Bolshevik leadership, renewed the violent pogroms of a decade and a half earlier.
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Martin Gilbert (The First World War: A Complete History)
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Grace commanded the second pew, her whole family jammed together, the six of them sour yet insistent, like the richest people flying coach, while behind her sat Charles Jr., never Charlie or Chuck, with his two girls, the ever blonde and blonder copies of his wife, who was six months pregnant with what I could only imagine was a blinding ball of blazing white light.
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David Gilbert
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The death of Willie James Howard was effectively shelved in 1945. Beyond the Justice Department, Moore and Marshall had nowhere to go. The process of the case, frustrating in the extreme from its deplorable beginning to its unjust end, was a repulsive reminder to Moore and Marshall of the ruthless measures men took to protect the flower that was “Southern white womanhood.
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Gilbert King (Devil in the Grove: Thurgood Marshall, the Groveland Boys, and the Dawn of a New America)
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Light flooded their senses; for a split second Olivia, blinking in its brilliance, thought the light was actually yellow. Then she blinked again, and the room itself was yellow: yellow roses climbing the walls, a white and yellow canopy- of course, a canopy- matching the wadded silk bedspread, braided yellow rugs strewn across the bare wooden floorboards. Abby gave a little cry and ran to the curved windows opposite, where a riot of yellow and pink throw pillows lined the window seat.
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Susan Gilbert-Collins (Starting from Scratch)
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Not the Happiness but the Consequence of Happiness
He wakes up in the silence of the winter woods,
the silence of birds not singing, knowing he will
not hear his voice all day. He remembers what
the brown owl sounded like while he was sleeping.
The man wakes in the frigid morning thinking
about women. Not with desire so much as with a sense
of what is not. The January silence is the sound
of his feet in the snow, a squirrel scolding,
or the scraping calls of a single blue jay.
Something of him dances there, apart and gravely mute.
Many days in the woods he wonders what it is
that he has for so long hunted down. We go hand
in hand, he thinks, into the dark pleasure,
but we are rewarded alone, just as we are married
into aloneness. He walks the paths doing the strange
mathematics of the brain, multiplying the spirit.
He thinks of caressing her feet as she kept dying.
For the last four hours, watching her gradually stop
as the hospital slept. Remembers the stunning
coldness of her head when he kissed her just after.
There is light or more light, darkness and less darkness.
It is, he decides, a quality without definition.
How strange to discover that one lives with the heart
as one lives with a wife. Even after many years,
nobody knows what she is like. The heart has
a life of its own. It gets free of us, escapes,
is ambitiously unfaithful. Dies out unaccountably
after eight years, blooms unnecessarily and too late.
Like the arbitrary silence in the white woods,
leaving tracks in the snow he cannot recognize.
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Jack Gilbert (Refusing Heaven: Poems)
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It was the virtually angelic faces of the white children, all of them dressed in their Sunday clothes, as they posed, grinning and smiling, in a semicircle around Rubin Stacy’s dangling corpse. In that horrid indifference to human suffering lay the legacy of yet another generation of white children, who, in turn, would without conscience prolong the agony of an entire other race. “I could see my dead body lying in some place where they let white kids out of Sunday School to come and look at me, and rejoice,” Marshall said of the dream.
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Gilbert King (Devil in the Grove: Thurgood Marshall, the Groveland Boys, and the Dawn of a New America)
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Across the street at the New Orleans headquarters of the Lighthouse for the Blind—a two-story building attached to a four-story stucco lighthouse—another Christmas party was under way, and Wright watched as the sightless guests arrived. Then, before his eyes, a curious scene unfolded. As they were greeted by their hosts, the blind whites were escorted to a large room at the front of the house, whereas the blind Negroes were taken to the rear, where they stayed. Separated. Transfixed, Wright had to look twice before it dawned on him: 'They couldn’t see to segregate themselves
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Gilbert King (The Execution of Willie Francis: Race, Murder, and the Search for Justice in the American South)
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A stranger came out to White Acre one day to sell Henry a pony, for Alma to learn to ride. The pony's name was Soames, and he was the color of sugar icing, and Alma loved him immediately. A price was negotiated. The two men settled on three dollars. Alma, who was only six years old, asked, "Excuse me, sir, but does that price also include the bridle and saddle which the pony is currently wearing?"
The stranger balked at the question, but Henry roared with laughter. "She's got you there, man!" he bellowed, and for the rest of that day, he ruffled Alma's hair whenever she came nearer, saying, "What a good little auctioneer I've got as a daughter!
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Elizabeth Gilbert (The Signature of All Things)
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two Florida Highway Patrol cars and a third, black car pulled up in front of the house, and several white men emerged, among them the deputies Campbell and Yates. “Where is the guy that was with you last night?” Yates asked Shepherd, and what began with that question led to the beatings he and Irvin endured on the deserted clay road outside of Groveland. “They must have beat us about a half hour,” Shepherd told the lawyers, who were at once riveted and appalled by his testimony. After the beating, he and Irvin were shoved back into the patrol car. Irvin’s shirt was drenched in blood, and when he reached his hand up to his head he felt “a big chunk knocked out of it.” A patrolman told them to scoot up to the edge of the seat so their blood wouldn’t drip onto the upholstery.
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Gilbert King (Devil in the Grove: Thurgood Marshall, the Groveland Boys, and the Dawn of a New America)
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Writing in 1932, on the hundred-year anniversary of Lewis Carroll’s birth, Gilbert K. Chesterton voiced his “dreadful fear” that Alice’s story had already fallen under the heavy hands of the scholars and was becoming “cold and monumental like a classic tomb.” “Poor, poor, little Alice!” bemoaned G.K. “She has not only been caught and made to do lessons; she has been forced to inflict lessons on others. Alice is now not only a schoolgirl but a schoolmistress. The holiday is over and Dodgson is again a don. There will be lots and lots of examination papers, with questions like: (1) What do you know of the following; mimsy, gimble, haddocks’ eyes, treacle-wells, beautiful soup? (2) Record all the moves in the chess game in Through the Looking-Glass, and give diagram. (3) Outline the practical policy of the White Knight for dealing with the social problem of green whiskers. (4) Distinguish between Tweedledum and Tweedledee.
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Lewis Carroll (The Annotated Alice: The Definitive Edition (The Annotated Books))
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Pardon me, sir," Prudence said, directing her words and her placid gaze precisely at Professor Peck, "if I understand you correctly, it seems you have identified the different textures of human hair as evidence that Negroes, Indians, Orientals, and the white man are all members of different species. But I cannot help but wonder at your supposition. On this very estate, sir, we raise several varieties of sheep. Perhaps you noticed them as you came up the drive earlier this evening? Some of our sheep have silken hair, some have coarse hair, and some have dense woolen curls. Surely, sir, you would not doubt that- despite their differences in coats- they are all sheep. And if you'll excuse me, I believe that all these varieties of sheep can also be interbred successfully with one another. Is it not the same with man? Could one not, then, the argument that Negroes, Indians, Orientals, and the white man are also all one species?
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Elizabeth Gilbert (The Signature of All Things)
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When I was nineteen years old, I discovered a collection of books in the Harvard library written by Jacob Boehme. Do you know of him?"
Naturally she knew of him. She had her own copies of these works in the White Acre library. She had read Boehme, though she never admired him. Jacob Boehme was a sixteenth-century cobbler from Germany who had mystical visions about plants. Many people considered him an early botanist. Alma's mother, on the other hand, had considered him a cesspool of residual medieval superstition. So there was considerable conflict of opinion surrounding Jacob Boehme.
The old cobbler had believed in something he called "the signature of all things"- namely, that God had hidden clues for humanity's betterment inside the design of every flower, leaf, fruit, and tree on earth. All the natural world was a divine code, Boehme claimed, containing proof of our Creator's love. That is why so many medicinal plants resembled the diseases they were meant to cure, or the organs they were able to treat. Basil, with its liver-shaped leaves, is the obvious ministration for ailments of the liver. The celandine herb, which produces a yellow sap, can be used to treat the yellow discoloration brought on by jaundice. Walnuts, shaped like brains, are helpful for headaches. Coltsfoot, which grows near cold streams, can cure the coughs and chills brought on by immersion in ice water. 'Polygonum,' with its spattering of blood-red markings on the leaves, cures bleeding wounds of the flesh.
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Elizabeth Gilbert (The Signature of All Things)
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If we consider the possibility that all women–from the infant suckling her mother’s breast, to the grown woman experiencing orgasmic sensations while suckling her own child, perhaps recalling her mother’s milk-smell in her own; to two women, like Virginia Woolf’s Chloe and Olivia, who share a laboratory; to the woman dying at ninety, touched and handled by women–exist on a lesbian continuum, we can see ourselves as moving in and out of this continuum, whether we identify ourselves as lesbian or not. It allows us to connect aspects of woman-identification as diverse as the impudent, intimate girl-friendships of eight- or nine-year-olds and the banding together of those women of the twelfth and fifteenth centuries known as Beguines who “shared houses, rented to one another, bequeathed houses to their room-mates … in cheap subdivided houses in the artisans’ area of town,” who “practiced Christian virtue on their own, dressing and living simply and not associating with men,” who earned their livings as spinners, bakers, nurses, or ran schools for young girls, and who managed–until the Church forced them to disperse–to live independent both of marriage and of conventual restrictions. It allows us to connect these women with the more celebrated “Lesbians” of the women’s school around Sappho of the seventh century B.C.; with the secret sororities and economic networks reported among African women; and with the Chinese marriage resistance sisterhoods–communities of women who refused marriage, or who if married often refused to consummate their marriages and soon left their husbands–the only women in China who were not footbound and who, Agnes Smedley tells us, welcomed the births of daughters and organized successful women’s strikes in the silk mills. It allows us to connect and compare disparate individual instances of marriage resistance: for example, the type of autonomy claimed by Emily Dickinson, a nineteenth-century white woman genius, with the strategies available to Zora Neale Hurston, a twentieth-century black woman genius. Dickinson never married, had tenuous intellectual friendships with men, lived self-convented in her genteel father’s house, and wrote a lifetime of passionate letters to her sister-in-law Sue Gilbert and a smaller group of such letters to her friend Kate Scott Anthon. Hurston married twice but soon left each husband, scrambled her way from Florida to Harlem to Columbia University to Haiti and finally back to Florida, moved in and out of white patronage and poverty, professional success and failure; her survival relationships were all with women, beginning with her mother. Both of these women in their vastly different circumstances were marriage resisters, committed to their own work and selfhood, and were later characterized as “apolitical ”. Both were drawn to men of intellectual quality; for both of them women provided the ongoing fascination and sustenance of life.
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Adrienne Rich (Compulsory Heterosexuality and Lesbian Existence)
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Z ipes’s concerns overlap with those of feminists such as Marcia Lieberman, Karen Rowe, Sandra Gilbert, Susan Gubar, and, to a lesser extent, Ruth B. Bottigheimer, who diagnose fairy tales as symptoms of their cultures’ misogynistic traditions.11 For feminists, the fairy tales favored by a given society reflect its gender biases. Accordingly, Amer- icans’ Disney-abetted passion for “Cinderella,” “Sleeping Beauty,” “Snow White,” and “Beauty and the Beast” testifies to our culture’s expediently sexist projection of women as passively compliant, self- sacrificing, beauty-obsessed creatures devoid of agency.12 The inclu- sion of Russian fairy tales in Western feminists’ sphere of reference would necessitate a modification of their critique, for, Russian society’s notorious ageless sexism notwithstanding, some of Russia’s favorite tales (“The Feather of Finist the Bright Falcon,” “The Maiden Tsar,” and “The Frog Princess”) reverse the gender roles in the hackneyed paradigm that feminists deem generically quintessential.
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Anonymous
“
Gilbert sighed, and woke up. There was another white poppy on the pillow next to his head.
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Chris Philbrook (The Adrian's Undead Diary Omnibus: Volume Two)
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Anne rose from her knees and crept downstairs. The freshness of the rain-wind blew against her white face as she went out into the yard, and cooled her dry, burning eyes. A merry rollicking whistle was lilting up the lane. A moment later Pacifique Buote came in sight. Anne’s physical strength suddenly failed her. If she had not clutched at a low willow bough she would have fallen. Pacifique was George Fletcher’s hired man, and George Fletcher lived next door to the Blythes. Mrs. Fletcher was Gilbert’s aunt. Pacifique would know if—if—Pacifique would know what there was to be known. Pacifique strode sturdily on along the red lane, whistling. He did not see Anne. She made three futile attempts to call him. He was almost past before she succeeded in making her quivering lips call, “Pacifique!” Pacifique turned with a grin and a cheerful good morning.
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L.M. Montgomery (Anne of the Island (Anne of Green Gables, #3))
“
This soup, which is great for really cold winter days, would have been a very easy one to prepare out on the prairie. In the winter, I will make a big pot of this soup in the late morning and just leave it on the stove until late afternoon. That way, anyone can grab a mugful at any time. Serves 4 to 6 2 bunches (about 10) spring onions, trimmed ¼ cup (60 ml) sunflower or vegetable oil 1 yellow onion, coarsely chopped 3 russet potatoes (about 1½ pounds/680 g), peeled and quartered 1 quart (960 ml) chicken broth Salt and freshly ground black pepper • Cut the spring onions in half crosswise, dividing the white and green parts. Coarsely chop the white parts and set aside. Finely chop the green parts and set them aside separately. • Heat the oil in a medium pot over medium heat. Add the yellow onion and chopped white parts of the spring onions and cook, stirring often with a wooden spoon, until soft, 8 to 10 minutes. Add the potatoes and broth and season to taste with salt and pepper. Increase the heat to medium-high and bring just to a boil. Reduce the heat to medium-low and simmer, stirring occasionally, until the potatoes are soft, 30 to 35 minutes. • Allow the soup to cool slightly. Working in batches, puree the soup in a blender or a food processor until very smooth. Return the pureed soup to the pot and cook over medium heat until hot. Adjust the seasonings to taste. Garnish individual servings with the reserved spring onion greens.
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Melissa Gilbert (My Prairie Cookbook: Memories and Frontier Food from My Little House to Yours)
“
5. After a discouraging series of disasters attending the endeavours of the English to swarm into Florida, and the rest of the continent unto the northward of it, called Virginia, because the first white born in those regions was a daughter, then born to one Ananias Dare, in the year 1585, the courage of one Bartholomew Gosnold, and one captain Bartholomew Gilbert, and several other gentlemen, served them to make yet more essays upon the like designs. This captain Gosnold in a small bark, on May 11, 1602, made land op this coast in the latitude of forty-three; where, though he liked the welcome he had from the Salvages that came aboard him, yet he disliked the weather, so that he thought it necessary to stand more southward into the sea. Next morning he found himself embayed within a mighty head of land; which promontory, in remembrance of the Cod fish in great quantity by him taken there, he called Cape-Cod, a name which I suppose it will never lose,
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Cotton Mather (COTTON MATHER: Magnalia Christi Americana (1702), Volume 1 (of 2))
“
You’re the complete package. Like something out of a black and white film. Something rare and special that shouldn’t exist outside the silver screen. Yet somehow, here you are.
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Brooke Gilbert (The Paris Soulmate (International Soulmates))
“
Groceries, baby, listen to your friend Richard. You go set your lily-white ass down in that meditation cave every day for the next three months and I promise you this--you're gonna start seeing some stuff that's so damn beautiful it'll make you wanna throw rocks at the Taj Mahal.
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Elizabeth Gilbert (Eat, Pray, Love)
“
White Acre was not, in fact, a very large place.
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Elizabeth Gilbert (The Signature of All Things)
“
Ovid in Tears"
Love is like a garden in the heart, he said.
They asked him what he meant by garden.
He explained about gardens. “In the cities,”
he said, “there are places walled off where color
and decorum are magnified into a civilization.
Like a beautiful woman,” he said. How like
a woman, they asked. He remembered their wives
and said garden was just a figure of speech,
then called for drinks all around. Two rounds
later he was crying. Talking about how Charlemagne
couldn’t read but still made a world. About Hagia
Sophia and putting a round dome on a square
base after nine hundred years of failure.
The hand holding him slipped and he fell.
“White stone in the white sunlight,” he said
as they picked him up. “Not the great fires
built on the edge of the world.” His voice grew
fainter as they carried him away. “Both the melody
and the symphony. The imperfect dancing
in the beautiful dance. The dance most of all.
”
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Jack Gilbert (The Dance Most of All: Poems)
“
Below him he saw the Israelite camp surrounding the tabernacle, which was itself surrounded by a wall of cloth held up by many pillars. The brazen altar was sending up a column of white smoke, almost like a pillar in the windless air, and between the altar and the tabernacle was the brass laver in which the priests washed their hands and bodies to purify themselves. Joshua’s eyes shifted then to the surrounding tents, and a smile of satisfaction spread across his face. They were camped exactly as God had instructed them from the very beginning. The twelve tribes were each divided into three smaller tribes, and within those divisions they were further separated. God had chosen to keep the identity of the tribes pure.
”
”
Gilbert Morris (Daughter of Deliverance (Lions of Judah Book #6))
“
suddenly he lowered his trunk,
”
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Gilbert Morris (The White Hunter (House of Winslow Book #22))
“
Culturally, though not theologically, I'm a Christian. I was born a Protestant of the white Anglo-Saxon persuasion. And while I do love that great teacher of peace who was called Jesus, and while I do reserve the right to ask myself in certain trying situations what indeed He would do, I can't swallow that one fixed rule of Christianity insisting that Christ is the only path to God. Strictly speaking, then, I cannot call myself a Christian. Most of the Christians I know accept my feelings on this with grace and open-mindedness. Then again, most of the Christians I know don't speak very strictly. To those who do speak (and think) strictly, all I can do here is offer my regrets for any hurt feelings and now excuse myself from their business.
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
She was standing with her thin arms lifted in a pose of crucifixion as the white satin gown with its myriad pearl buttons, tucks and pleats and ingenious lace trim, was fitted onto her like an exquisite straitjacket. Mrs. Littrell had insisted upon the corset, Ariah could scarcely breathe. I take thee Gilbert. My lawfully wedded husband. A sneeze would have shattered the corset, and the wedding. At police headquarters, the bride of the “fallen” man was clearly to blame. Ariah
”
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Joyce Carol Oates (The Falls (P.S.))
“
Poorer families could not even afford tallow candles, but might make rushlights, which were not taxed. Writing at Selborne in 1775, where he was curate, Gilbert White explained that after obtaining rushes for the wicks, their outer coating was peeled off except for one strip supporting the inner pith. After drying, the rushes were drawn through waste cooking grease and fat:
”
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Roy A. Adkins (Jane Austen's England: Daily Life in the Georgian and Regency Periods)
“
The night was cool; soon the sharper, cooler nights of autumn would come; then the deep snow... the deep white snow... the deep cold snow of winter... nights wild with wind and storm. But who would care? There would be the magic of firelight in gracious rooms... hadn’t Gilbert spoken not long ago of apple logs he was getting to burn in the fireplace? They would glorify the grey days that were bound to come. What would matter drifted snow and biting wind when love burned clear and bright, with spring beyond? And all the little sweetnesses of life sprinkling the road.
”
”
L.M. Montgomery (Anne of Green Gables Collection)
“
A man in Black and White"
Some years ago, a child was asked
whether he liked radio or television best. The boy
said radio, because the pictures were better.
”
”
Jack Gilbert (Collected Poems)
“
Have you forgotten yet? Look down, and swear by the slain of the War that you’ll never forget. Do you remember the dark months you held the sector at Mametz— The nights you watched and wired and dug and piled sandbags on parapets? Do you remember the rats; and the stench Of corpses rotting in front of the front-line trench— And dawn coming, dirty-white, and chill with a hopeless rain? Do you ever stop and ask, ‘Is it all going to happen again?’ Do you remember that hour of din before the attack— And the anger, the blind compassion that seized and shook you then As you peered at the doomed and haggard faces of your men? Do you remember the stretcher-cases lurching back With dying eyes and lolling heads—those ashen-grey Masks of the lads who once were keen and kind and gay?
”
”
Martin Gilbert (The First World War: A Complete History)
“
It was the virtually angelic faces of the white children, all of them dressed in their Sunday clothes, as they posed, grinning and smiling, in a semicircle around Rubin Stacy’s dangling corpse. In that horrid indifference to human suffering lay the legacy of yet another generation of white children, who, in turn, would without conscience prolong the agony of an entire other race.
”
”
Gilbert King (Devil in the Grove: Thurgood Marshall, the Groveland Boys, and the Dawn of a New America)
“
Merlyn held up his hand. “Give him the humble earth-worm,” he said majestically. So the animals recited in unison: “The naturalist Darwin has pointed out that there are about 25,000 earth-worms in every field acre, that they turn over in England alone 320,000,000 tons of soil a year, and that they are to be found in almost every region of the world. In thirty years they will alter the whole earth’s surface to the depth of seven inches. ‘The earth without worms,’ says the immortal Gilbert White, ‘would soon become cold, hard-bound, void of fermentation, and consequently sterile.’
”
”
T.H. White (The Book of Merlyn: The Conclusion to the Once and Future King)
“
summer of 1951 Thurgood Marshall had decided that he himself would represent the Groveland defendants, and with him to Lake County he would bring the swagger and confidence of the man who, just after Brown, would tell one newspaper publisher, “You can say all you want, but those white crackers are going to get tired of having Negro lawyers beating them every day in court.
”
”
Gilbert King (Devil in the Grove: Thurgood Marshall, the Groveland Boys, and the Dawn of a New America)
“
Half the Truth"
The birds do not sing in these mornings. The skies
are white all day. The Canadian geese fly over
high up in the moonlight with the lonely sound
of their discontent. Going south. Now the rains
and soon the snow. The black trees are leafless,
the flowers gone. Only cabbages are left
in the bedraggled garden. Truth becomes visible,
the architecture of the soul begins to show through.
God has put off his panoply and is at home with us.
We are returned to what lay beneath the beauty.
We have resumed our lives. There is no hurry now.
We make love without rushing and find ourselves
afterward with someone we know well. Time to be
what we are getting ready to be next. This loving,
this relishing, our gladness, this being puts down
roots and comes back again year after year.
”
”
Jack Gilbert (Collected Poems)
“
But let me explain my culture of origin to you, Angela, in case you have never been around White Anglo-Saxon Protestants. You need to understand that we have only one central rule of engagement, and here it is: This matter must never be spoken of again.
We WASPS can apply this rule to anything -- from a moment of awkwardness at the dinner table to a relative's suicide. Asking no further questions is the song of my people.
”
”
Elizabeth Gilbert (City of Girls)
“
I never thought Michiko would come back
after she died. But if she did, I knew
it would be as a lady in a long white dress.
It is strange that she has returned
as somebody's dalmation. I meet
the man walking her on a leash
almost every week. He says good morning
and I stoop down to calm her. He said
once that she was never like that with
other people. Sometimes she is tethered
on their lawn when I go by. If nobody
is around, I sit on the grass. When she
finally quiets, she puts her head in my lap
and we watch each other's eyes as I whisper
in her soft ears. She cares nothing about
the mystery. She likes it best when
I touch her head and tell her small
things about my days and our friends.
That makes her happy the way it always did.
”
”
Jack Gilbert
“
In the last book of J. R. R. Tolkien’s magnificent epic The Lord of the Rings, the heroes of the story come to the darkest part of their journey. They’ve traveled a thousand miles and come finally to the evil land that has been their goal, but for several different reasons, everything seems lost now. Yet in that darkest moment, one of the heroes, Sam, looks into the black sky. Here’s what Tolkien writes: Far above the mountains in the west, the night-sky was still dim and pale. There, peeping among the cloud-wrack above a dark tor high up in the mountains, Sam saw a white star twinkle for a while. The beauty of it smote his heart, as he looked up out of the forsaken land, and hope returned to him. For like a shaft, clear and cold, the thought pierced him that in the end the Shadow was a small and passing thing: there was light and high beauty forever beyond its reach. That is one of my favorite moments in the story, because it is right there that Tolkien, who himself professed faith in Christ, points us to where we find the courage to press on through darkness. It comes from hope. It comes from knowing that our present sufferings are indeed a small and passing thing, and that, as Paul said, they truly are not worth comparing to the glory that will be revealed in us when our King returns.
”
”
Greg Gilbert (What Is the Gospel? (Ixmarks))
“
Betrothed"
You hear yourself walking on the snow.
You hear the absence of birds.
A stillness so complete, you hear
the whispering inside of you. Alone
morning after morning, and even more
at night. They say we are born alone,
to live and die alone. But they are wrong.
We get to be alone by time, by luck,
or by misadventure. When I hit the log
frozen in the woodpile to break it free,
it makes a sound of perfect inhumanity,
which goes pure all through the valley,
like a crow calling unexpectedly
at the darker end of twilight that awakens
me in the middle of a life. The black
and white of me mated with this indifferent
winter landscape. I think of the moon
coming in a little while to find the white
among these colorless pines.
”
”
Jack Gilbert (The Great Fires)
“
elaborately-simple beautifully conceived clothes. The face itself was sufficient to place her within ten square miles of the world’s surface. Only one capital city could produce that deepest of dark brown hair, with high-lights of black, that white neck solidly angled to the shoulders, yet too well-proportioned to seem thick: Siamese cat’s eyes of very light blue, which were so rarely
”
”
Michael Gilbert (Death Has Deep Roots: A Second World War Mystery)
“
Black weather,
Cucumber fruit swells,
Rooks sit.
- 11th March, 1768
”
”
Gilbert White (The Natural History of Selborne)
“
Of all the lynching photos Marshall had seen, though, it was the image of Rubin Stacy strung up by his neck on a Florida pine tree that haunted him most when he traveled at night into the South. It wasn’t the indentation of the rope that had cut into the flesh below the dead man’s chin, or even the bullet holes riddling his body, that caused Marshall, drenched now in sweat, to stir in his sleep. It was the virtually angelic faces of the white children, all of them dressed in their Sunday clothes, as they posed, grinning and smiling, in a semicircle around Rubin Stacy’s dangling corpse. In that horrid indifference to human suffering lay the legacy of yet another generation of white children, who, in turn, would without conscience prolong the agony of an entire other race.
”
”
Gilbert King (Devil in the Grove: Thurgood Marshall, the Groveland Boys, and the Dawn of a New America)
“
If one is to accept that the universe is expanding at a constant rate, then it follows that it has been doing so since its beginning. Since its beginning, Mr. Gilbert." She stood very still, her head capped neatly by her white hair. "A beginning. Not Adam and Eve, I don't mean that. I mean a moment, some sort of action or event that started it all off. Space and time, matter and energy. A single atom that somehow"- she flexed open the fingers of one hand- "exploded. Good God." Her bright, quick eyes melt his. "We might be on the verge of understanding the very birth of the stars, Mr. Gilbert- the stars."
The only natural light in the room came from the small front window of the house, and it graced the surface of her face, which was a study in wonder. It was beautiful and engaged, and Leonard could see in it the young girl she must once have been.
”
”
Kate Morton (The Clockmaker's Daughter)
“
Until the beginning of 2003, Italians smoked everywhere and considered it quite normal; they lit up inside stores, including those which sell fabric or paper goods, in the airport, ignoring repeated loudspeaker announcements that no smoking was allowed, at the greengrocers where cigarette ash dangled perilously over the zucchini and the cherry tomatoes, and even in hospitals, although from time to time crack Italian Carabinieri units called the NAS, set up to enforce health standards, would appear, unannounced, and hand out hefty fines to all the doctors and nurses they found in flagrante. Once I even had blood taken by two white-coated doctors who took my vital fluid with cigarettes dangling from their lips, an open window their only concession to my passive smoke concerns.
”
”
Sari Gilbert (My Home Sweet Rome: Living (and loving) in Italy's Eternal City)
“
No, I can't," exclaimed Anne desperately. "I never, never can love you—in that way—Gilbert. You must never speak of this to me again." There was another pause—so long and so dreadful that Anne was driven at last to look up. Gilbert's face was white to the lips. And his eyes—but Anne shuddered and looked away. There was nothing romantic about this. Must proposals be either
”
”
L.M. Montgomery (Anne of the Island [with Biographical Introduction] (Anne of Green Gables Book 3))