Gibby Quotes

We've searched our database for all the quotes and captions related to Gibby. Here they are! All 48 of them:

Now Gibbie had been honoured with the acquaintance of many dogs, and the friendship of most of them, for a lover of humanity can hardly fail to be a lover of caninity.
George MacDonald (Sir Gibbie (Sir Gibbie, #1))
No man can order his life, for it comes flowing over him from behind. But if it lay before us, and we could watch its current approaching from a long distance, what could we do with it before it had reached the now? In like wise a man thinks foolishly who imagines he could have done this and that with his own character and development, if he had but known this and that in time.
George MacDonald (Sir Gibbie (Sir Gibbie, #1))
Of all teachings that which presents a far distant God is the nearest to absurdity. Either there is none, or he is nearer to every one of us than our nearest consciousness of self. An unapproachable divinity is the veriest of monsters, the most horrible of human imaginations.
George MacDonald (Sir Gibbie)
For the bliss of the animals lies in this, that, on their lower level, they shadow the bliss of those -- few at any moment on the earth -- who do not "look before and after, and pine for what is not," but live in the holy carelessness of the eternal now. Gibbie by no means belonged to the higher order, was as yet, indeed, not much better than a very blessed little animal.
George MacDonald (Sir Gibbie (Sir Gibbie, #1))
May had now set in, but up here among the hills, she was May by curtesy only; or if she was May, she would never be might. She was, indeed, only April with her showers and sunshine, her tearful, childish laughter, and again the frown, and the dispair irremediable. Nay, as if she still kept up a secret correspondence with her cousin March, banished for his rudeness, she would not very seldom shake from her skirts a snow storm, and oftener the dancing hail. Then out would come the sun behind her, and laugh, and say-- "I could not help THAT; but here I am all the same, coming to you as fast as I can!
George MacDonald (Sir Gibbie (Sir Gibbie, #1))
Mankind had disappointed him, but here was a dog!
George MacDonald (Sir Gibbie (Sir Gibbie, #1))
She was a mother. One who is mother only to her own children is not a mother; she is only a woman who has borne children. But here was one of God's mothers.
George MacDonald (Sir Gibbie (Sir Gibbie, #1))
. . . he would perhaps have known that to try too hard to make people good, is one way to make them worse; that the only way to make them good is to be good -- remembering well the beam and the mote; that the time for speaking comes rarely, the time for being never departs.
George MacDonald (Sir Gibbie (Sir Gibbie, #1))
There is no forgetting of ourselves but in the finding of our deeper, our true self—God's idea of us when he devised us—the Christ in us. Nothing but that self can displace the false, greedy, whining self, of which, most of us are so fond and proud. And that self no man can find for himself; seeing of himself he does not even know what to search for. "But as many as received him, to them gave he power to become the sons of God.
George MacDonald (Sir Gibbie)
He managed to get the loan of a copy of Burns—better meat for a strong spirit than the poetry of Byron or even Scott.
George MacDonald (Sir Gibbie)
In truth, they were not given to quarrelling. Many couples who love each other more, quarrel more, and with less politeness.
George MacDonald (Sir Gibbie (Sir Gibbie, #1))
I can see the outline of your testicles, and it reminded me why I'm a lesbian," "Gibby!" "Don't yell at me. I'm not the one who brought them out." It's not my fault they're so big!
T.J. Klune (Heat Wave (The Extraordinaries, #3))
But I withhold my pen; for vain were the fancy, by treatise or sermon or poem or tale, to persuade a man to forget himself. He cannot if he would. Sooner will he forget the presence of a raging tooth. There is no forgetting of ourselves but in the finding of our deeper, our true self -- God's idea of us when he devised us -- the Christ in us. Nothing but that self can displace the false, greedy, whining self, of which, most of us are so fond and proud. And that self no man can find for himself; seeing of himself he does not even know what to search for.
George MacDonald (Sir Gibbie (Sir Gibbie, #1))
Man was the one sacred thing. Gibbie's unconscious creed was a powerful leveller, but it was a leveller up, not down. The heart that revered the beggar could afford to be incapable of homage to position.
George MacDonald (Sir Gibbie)
Even in the matter of stealing we must think of our own beam before our neighbour's mote. It is not easy to be honest. There is many a thief who is less of a thief than many a respectable member of society.
George MacDonald (Sir Gibbie (Sir Gibbie, #1))
What is this?” Nick whispered, a tear trickling down his cheek. “The future,” Seth said. “For you. For me. For all of us. You’re a hero, Nicky. An Extraordinary. It’s about time you had a costume to show that.” “Oh my god,” Nick breathed. “Do you realize what this means?” “What?” Gibby asked, her voice crystal clear. “We have a ship name!” Nick cried. “Holy shit, we’re PyroGuard! Wait, no. That sounds like medicine for a foot rash. GuardStorm! StormGuard? GuardPyro!” “Nicky, no,” they all groaned. “Nicky, yes!” “Nicky, yes,” another voice said, and Nick startled. He removed the helmet and smiled at Dad, who was standing in the entryway to the kitchen. His eyes were wet, but he was smiling. Nick set the helmet on the table before flinging himself at his father. Dad caught him. He always did. “Guardian,” Dad whispered into his hair. “My guardian.
T.J. Klune (Flash Fire (The Extraordinaries #2))
May had now set in, but up here among the hills, she was May by curtesy only; or if she was May, she would never be might. She was, indeed, only April with her showers and sunshine, her tearful, childish laughter, and again the frown, and the despair irremediable. Nay, as if she still kept up a secret correspondence with her cousin March, banished for his rudeness, she would not very seldom shake from her skirts a snow storm, and oftener the dancing hail. Then out would come the sun behind her, and laugh, and say-- "I could not help THAT; but here I am all the same, coming to you as fast as I can!
George MacDonald (Sir Gibbie (Sir Gibbie, #1))
So, teaching him only that which she loved, not that which she had been taught, Janet read to Gibbie of Jesus, and talked to him of Jesus, until at length his whole soul was full of the Man, of His doings, of His words, of His thoughts, of His life. Almost before he knew, he was trying to fashion his life after that of the Master. Janet had no inclination to trouble her own head, or Gibbie's heart, with what men call the plan of salvation. It was enough to her to find that he followed her Master.
George MacDonald (The Baronet's Song & The Shepherd's Castle)
she had now no inclination to trouble Gibbie's heart with what men call the plan of salvation. It was enough to her to find that he followed her Master. Being in the light she understood the light, and had no need of system, either true or false, to explain it to her.
George MacDonald (Sir Gibbie (Sir Gibbie, #1))
GGibbie never thought about himself, therefore was there wide room for the entrance of the spirit. Does the questioning thought arise to any reader: How could a man be conscious of bliss without the thought of himself? I answer the doubt: When a man turns to look at himself, that moment the glow of the loftiest bliss begins to fade; the pulsing fire-flies throb paler in the passionate night; an unseen vapour steams up from the marsh and dims the star-crowded sky and the azure sea; and the next moment the very bliss itself looks as if it had never been more than a phosphorescent gleam -- the summer lightning of the brain. For then the man sees himself but in his own dim mirror, whereas ere he turned to look in that, he knew himself in the absolute clarity of God's present thought out-bodying him.
George MacDonald (Sir Gibbie (Sir Gibbie, #1))
What Gibbie made of Mr. Sclater's prayers, either in congregational or family devotion, I am at some loss to imagine. Beside his memories of the direct fervid outpouring and appeal of Janet, in which she seemed to talk face to face with God, they must have seemed to him like the utterances of some curiously constructed wooden automaton, doing its best to pray, without any soul to be saved, any weakness to be made strong, any doubt to be cleared, any hunger to be filled. What can be less like religion than the prayers of a man whose religion is his profession, and who, if he were not "in the church," would probably never pray at all?
George MacDonald (Sir Gibbie (Sir Gibbie, #1))
Well?" Dad asked. "How do I look?" "Like you want us to follow you into an alley so you can flash us," Nick said. "Like you own sixteen birds with complicated backstories for each," Seth said. "Like you're the bass player in a Christian punk band called Please Us, Jesus," Jazz said, leaning her head out of Matilda. "Like you have red satin sheets on your bed and mirrors on the ceiling," Gibby said, her head just above Jazz's. "Like you know how to show a guy a good time," Burrito Jerry said. 'they've got a point, man," Trey said as Bob nodded. "I feel like you want to give me a body-cavity search with gloves you brouqht from home.
T.J. Klune (Heat Wave (The Extraordinaries, #3))
Not for years and years had Janet been to church; she had long been unable to walk so far; and having no book but the best, and no help to understand it but the highest, her faith was simple, strong, real, all-pervading. Day by day she pored over the great gospel -- I mean just the good news according to Matthew and Mark and Luke and John -- until she had grown to be one of the noble ladies of the kingdom of heaven -- one of those who inherit the earth, and are ripening to see God. For the Master, and his mind in hers, was her teacher. She had little or no theology save what he taught her, or rather, what he is. And of any other than that, the less the better; for no theology, except the Theou logos, is worth the learning, no other being true. To know him is to know God. And he only who obeys him, does or can know him; he who obeys him cannot fail to know him. To Janet, Jesus Christ was no object of so-called theological speculation, but a living man, who somehow or other heard her when she called to him, and sent her the help she needed.
George MacDonald (Sir Gibbie (Sir Gibbie, #1))
The man, I repeat, who loves God with his very life, and his neighbour as Christ loves him, is the man who alone is capable of grand, perfect, glorious love to any woman.
George MacDonald (Sir Gibbie)
The direst foe of courage is the fear itself, not the object of it; and the man who can overcome his own terror is a hero and more.
George MacDonald (Sir Gibbie)
There can be no better auxiliary against our own sins than to help our neighbour in the encounter with his.
George MacDonald (Sir Gibbie)
but he had a great respect for money, and much overrated its value as a means of doing even what he called good: religious people generally do -- with a most unchristian dulness. We are not told that the Master made the smallest use of money for his end. When he paid the temple-rate, he did it to avoid giving offence; and he defended the woman who divinely wasted it.
George MacDonald (Sir Gibbie (Sir Gibbie, #1))
Then, with a horror of pitiful amazement, she saw a great cross marked in two cruel stripes on his back; and the thoughts that thereupon went coursing through her loving imagination, it would be hard to set forth. Could it be that the Lord was still, child and man, suffering for his race, to deliver his brothers and sisters from their sins? -- wandering, enduring, beaten, blessing still? accepting the evil, slaying it, and returning none? his patience the one rock where the evil word finds no echo; his heart the one gulf into which the dead-sea wave rushes with no recoil -- from which ever flows back only purest water, sweet and cool; the one abyss of destroying love, into which all wrong tumbles, and finding no reaction, is lost, ceases for evermore?
George MacDonald (Sir Gibbie (Sir Gibbie, #1))
He was but a married old bachelor, and fancied he must keep up his dignity in the eyes of his wife, not having yet learned that, if a man be true, his friends and lovers will see to his dignity.
George MacDonald (Sir Gibbie)
entrance of the Rev. Clement Sclater -- the minister of her parish, recently appointed. He was a man between young and middle-aged, an honest fellow, zealous to perform the duties of his office, but with notions of religion very beggarly. How could it be otherwise when he knew far more of what he called the Divine decrees than he did of his own heart, or the needs and miseries of human nature?
George MacDonald (Sir Gibbie (Sir Gibbie, #1))
The air was still; when a breath awoke, it but touched his cheek like the down of a feather, and the stillness was there again. The stillness grew great, and slowly descended upon him. It deepened and deepened. Surely it would deepen to a voice! -- it was about to speak! It was as if a great single thought was the substance of the silence, and was all over and around him, and closer to him than his clothes, than his body, than his hands. I am describing the indescribable, and compelled to make it too definite for belief. In colder speech, an experience had come to the child; a link in the chain of his development glided over the windlass of his uplifting; a change passed upon him. In after years, when Gibbie had the idea of God, when he had learned to think about him, to desire his presence, to believe that a will of love enveloped his will, as the brooding hen spreads her wings over her eggs -- as often as the thought of God came to him, it came in the shape of the silence on the top of Glashgar.
George MacDonald (Sir Gibbie (Sir Gibbie, #1))
It was not, she said, confessing to her husband her sleeplessness, that she was afraid. She was only "keepin' them company, an' haudin' the yett open," she said. The latter phrase was her picture-periphrase for praying. She never said she prayed; she held the gate open.
George MacDonald (Sir Gibbie (Sir Gibbie, #1))
If any one judge it hard that men should be made with ambitions to whose objects they can never attain, I answer, ambition is but the evil shadow of aspiration; and no man ever followed the truth, which is the one path of aspiration, and in the end complained that he had been made this way or that.
George MacDonald (Sir Gibbie)
The Presence, indeed, was with him, and he felt it, but he knew it only as the wind and shadow, the sky and closed daisies: in all these things and the rest it took shape that it might come near him. Yea, the Presence was in his very soul, else he could never have rejoiced in friend, or desired ghost to mother him: still he knew not the Presence. But it was drawing nearer and nearer to his knowledge -- even in sun and air and night and cloud, in beast and flower and herd-boy, until at last it would reveal itself to him, in him, as Life Himself. Then the man would know that in which the child had rejoiced.
George MacDonald (Sir Gibbie (Sir Gibbie, #1))
Under Janet, Gibbie was saved the thousand agonies that befall the conscientious disciple, from the forcing upon him, as the thoughts and will of the eternal Father of our spirits, of the ill expressed and worse understood experiences, the crude conjectures, the vulgar imaginations of would-be teachers of the multitude. Containing truth enough to save those of sufficiently low development to receive such teaching without disgust, it contains falsehood enough, but for the Spirit of God, to ruin all nobler—I mean all childlike natures, utterly; and many such it has gone far to ruin, driving them even to a madness in which they have died. Jesus alone knows the Father, and can reveal him. Janet studied only Jesus, and as a man knows his friend, so she, only infinitely better, knew her more than friend—her Lord and her God. Do
George MacDonald (Sir Gibbie)
Could it be that the Lord was still, child and man, suffering for his race, to deliver his brothers and sisters from their sins?—wandering, enduring, beaten, blessing still? accepting the evil, slaying it, and returning none? his patience the one rock where the evil word finds no echo; his heart the one gulf into which the dead-sea wave rushes with no recoil—from which ever flows back only purest water, sweet and cool; the one abyss of destroying love, into which all wrong tumbles, and finding no reaction, is lost, ceases for evermore? there,
George MacDonald (Sir Gibbie)
Whatever Janet, then, might, perhaps—I do not know—have imagined it her duty to say to Gibbie had she surmised his ignorance, having long ceased to trouble her own head, she had now no inclination to trouble Gibbie's heart with what men call the plan of salvation. It was enough to her to find that he followed her Master. Being in the light she understood the light, and had no need of system, either true or false, to explain it to her. She lived by the word proceeding out of the mouth of God. When life begins to speculate upon itself, I suspect it has begun to die. And seldom has there been a fitter soul, one clearer from evil, from folly, from human device—a purer cistern for such water of life as rose in the heart of Janet Grant to pour itself into, than the soul of Sir Gibbie. But I must not call any true soul a cistern: wherever the water of life is received, it sinks and softens and hollows, until it reaches, far down, the springs of life there also, that come straight from the eternal hills, and thenceforth there is in that soul a well of water springing up into everlasting life.
George MacDonald (Sir Gibbie)
If any one thinks I am unfaithful to human fact, and overcharge the description of this child, I on my side doubt the extent of the experience of that man or woman. I admit the child a rarity, but a rarity in the right direction, and therefore a being with whom humanity has the greater need to be made acquainted. I admit that the best things are the commonest, but the highest types and the best combinations of them are the rarest. There is more love in the world than anything else, for instance; but the best love and the individual in whom love is supreme are the rarest of all things.
George MacDonald (Sir Gibbie (Sir Gibbie, #1))
I would remind my reader that Donal was a Celt, with a nature open to every fancy of love or awe -- one of the same breed with the foolish Galatians, and like them ready to be bewitched; but bearing a heart that welcomed the light with glad rebound -- loved the lovely, nor loved it only, but turned towards it with desire to become like it. Fergus too was a Celt in the main, but was spoiled by the paltry ambition of being distinguished. He was not in love with loveliness, but in love with praise. He saw not a little of what was good and noble, and would fain be such, but mainly that men might regard him for his goodness and nobility; hence his practical notion of the good was weak, and of the noble, paltry. His one desire in doing anything, was to be approved of or admired in the same -- approved of in the opinions he held, in the plans he pursued, in the doctrines he taught . . .
George MacDonald (Sir Gibbie (Sir Gibbie, #1))
He would dream waking dreams about Jesus, gloriously childlike. He fancied he came down every now and then to see how things were going in the lower part of his kingdom; and that when he did so, he made use of Glashgar and its rocks for his stair, coming down its granite scale in the morning, and again, when he had ended his visit, going up in the evening by the same steps. Then high and fast would his heart beat at the thought that some day he might come upon his path just when he had passed, see the heather lifting its head from the trail of his garment, or more slowly out of the prints left by his feet, as he walked up the stairs of heaven, going back to his Father. Sometimes, when a sheep stopped feeding and looked up suddenly, he would fancy that Jesus had laid his hand on its head, and was now telling it that it must not mind being killed; for he had been killed, and it was all right.
George MacDonald (Sir Gibbie)
Humans do good after they do
Gibby
Humans will do the right thing... just a decade late
Gibby
En un sens, le titre d’ancien, utilisé à son adresse par l’homme des bois, le ravit. C’est la reconnaissance implicite du peuple des bois à son égard, l’offre respectueuse de partager une existence en ces terres. Opinant du chef, Gibbie soutient : - J’ai les paumes pleines de farine. - Mes doigts sont percés d’échardes, agrée simplement Kardys. Les bruits reprennent dans le moulin, chacun revenant à ce qu’il faisait. Le grand forestier poursuit : - Alors, c’en était bien un… - Un Pâle-de-la-Nuit, réaffirme lugubrement le meunier. Et d’ajouter à la cantonade, avant de se replonger dans sa chope : - Je l’ai vu et entendu comme je vous vois.
Cyrille Mendes (Les Épieurs d'Ombre)
one way to find out. I drew my Colt and spurred my horse forward, my guiding Cisco and the mare between the wagons, buckboards and riders blocking my path to the saloon. Bryce didn’t see me coming. He took a long pull on the cigar and then contentedly exhaled the smoke through pursed lips. I was close now and could have shot him easily. But I knew that wouldn’t satisfy me. I wanted to look into his eyes, to see the shock and the pain in them as he felt my slug rip through him, so I held my fire.  It was a costly mistake. For in the next moment Bryce must have heard my horse coming and turned toward me. He instantly recognized me and in one continuous move whirled around and dived through the saloon swing-doors. I didn’t bother to dismount. Dropping the mare’s reins, so I wasn’t hampered by her, I spurred my horse onto the red-brick sidewalk and without stopping, ducked my head and rode into the saloon. A dozen shots greeted me. I heard Cisco grunt and knew he’d been hit. By then I had spotted the Guthrie brothers firing around the sides of upturned tables, and opened fire on them. I saw the oldest brother, Doke, grab his arm up by his shoulder and spin around, while my other shots forced Gibby and Bryce to pull back behind their tables. By now the panicked customers had scattered in different directions and both barkeeps had ducked below the bar. But they weren’t safe there. A wild shot smashed the mirror above the back-bar and shards of glass showered over them.
Steve Hayes (Shootout in Canyon Diablo (A Steve Hayes Western))
The detective had a kidnapping, he had a knife and he had blood. He had an insane old man. He was going in.
Darin Gibby (The Vintage Club)
To the pure blood of the grape!
Darin Gibby (The Vintage Club)
The 1850s proved to be the decade of the most prolific patent litigation in America’s history. Lincoln himself was involved, as well as his most three prolific cabinet members: Chase, Seward and Stanton.
Darin Gibby (Why Has America Stopped Inventing)
A very tall bearded guy was standing in a doorway, smoking a cigarette. “Hey”, he said. “Hi,” I said. “Excuse me, do you rehearse here?” “Yeah,” he said, extending his hand and saying, almost formally, “Gibby Haynes. I’m in the Butthole Surfers.” I shook his hand. “Moby,” I said. “I just moved upstairs.” “Are you an artist?” “No, a musician.” “Oh, cool. Welcome to the building.” “Do you know who else has spaces here?” I asked. “Well, there’s us and Iggy and Sonic Youth and Helmet and Sean Lennon and the Beastie Boys and some other people,” he said as someone behind him started making a wall of feedback.
Moby (Porcelain: A Memoir)