Ghosts Funny Quotes

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Jesper knocked his head against the hull and cast his eyes heavenward. “Fine. But if Pekka Rollins kills us all, I’m going to get Wylan’s ghost to teach my ghost how to play the flute just so that I can annoy the hell out of your ghost.” Brekker’s lips quirked. “I’ll just hire Matthias’ ghost to kick your ghost’s ass.” “My ghost won’t associate with your ghost,” Matthias said primly, and then wondered if the sea air was rotting his brain.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
A ghostly smile flickered across his face. "If you weren't so psychotic, you'd be fun to hang around." "Funny, I feel that way about you too." He didn't say anything else, but the smile grew, and he walked away.
Richelle Mead (Vampire Academy (Vampire Academy, #1))
I'm worried he's going to...do something crazy." "He lives in a hole in the ground, dresses funny and occasionally eats his assistants," Eve said. "Define crazy." Claire closed her eyes. "Okay. I think he wants to put my brain in a jar and wire it into the machine." Dead silence.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
I sometimes give myself excellent advice. Occasionally, I even listen to it.
Jim Butcher (Ghost Story (The Dresden Files, #13))
I'm a happy person. If you want to be around me, you can either choose to be happy too, or follow the signs to the nearest exit!
Sharon Swan
She can go with us to the lab and keep Myrnin pinned down while we pull the plug, if he's not... you know, better." "Define BETTER with that guy." "Not all fangs and raaaaar.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
Myrnin turned away to pick up his Ben Franklin spectacles, balanced them on his nose, and looked over them to say, "Don't do drugs. I feel I ought to say that.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
Promise me, Amelie, that you’ll crucify me with silver before you allow me to fall in love.” “I hardly think there’s any chance of that,” Amelie said. "I doubt you have the capacity.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
You humans, always eating. I'll make you soup. You can eat it while you keep working." Myrnin set aside his book and walked into the back of the lab. "Don't use the same beaker you used for poisons!" Claire yelled after him. He waved a pale hand. "I mean it!
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
How'd you get to be so good at this?" "I had a good teacher." "Better not have been Myrnin or I'll have to kick his predatory ass." "I mean you, dummy." "Oh.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
Oliver laughed - actually laughed."I like this new Claire," he said. "You should work her this hard all the time, Myrnin. She's interesting when she's forthright." Claire, possessed by the spirit of Eve, shot him the finger. Which made him laugh again, shake his head, and walk up the steps.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
I thrust the picture at his chest. He takes it and squints at it in the softening light. Then his eyes widen. "Holy shit," he breathes. "Is this the girl that ate you?" "Ha, no. You're funny." I snatch my picture back. "So I was super fat. It's my father's fault. He never hugged me." "So, what, you ate him?
Nicole Christie (Falling for the Ghost of You)
He's not doing anything he shouldn't be doing, right?" "Like what?" "Like hitting on you." "Ew. No, of course not. He doesn't see me that way." Michael shook his head and went back to his coffee. "What? You think he does?" "Sometimes he looks at you a little... oddly, that's all. Maybe you're right. Maybe he just wants you for your blood." "Again, Ew! What's with you this morning?" "Not enough coffee.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
Bite me, Goth princess,” Shane called from the back. “Not literally or anything.” “Maybe you should say that to Michael.” “Not funny, Eve,” Michael said. Eve raised her eyebrows and held her fingers up, measuring off about an inch. “Little bit,” she said.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
You okay?" "Fine." "Your heart's beating really fast." "Gee, thanks. That's very comforting that you can hear it." He smiled, and it was the old Michael, the one she'd first met before all the vamp stuff. "Yeah, I know it is. Sorry. Just stay behind me if there's trouble." "You sound like Shane." "Well, he did say he'd kill me if I got you hurt. I'm just looking after my own neck." "Liar.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
Here," Myrnin said, his voice still gentle and low. "Amelie said you had to work. No one said you had to work alone." He picked up the next part and slotted it in, took the screwdriver from Claire's numbed fingers, and fastened it with a couple of deft, fast movements. "I'll be your hands." She wanted to cry, because it was so sweet, but it wouldn't do any good.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
This was sharing office space with wacko and bordering on ludicrous.
Kelly Moran (Give Up the Ghost (Phantoms #2))
I think so,” she [Claire] said. “Just watch your back, okay?” “Nah, Michael’s got mine.” He [Shane] looked straight into her eyes. “I’ve got yours.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
Sammy: "How do you comb your hair so the horns don't show?" Cain: "Don't mind her. A house just fell on her sister.
Kelly Moran (Ghost of You (Phantoms #3))
I'm worried he's going to ... do something crazy." "He lives in a hole in the ground, dresses funny, and occasionally eats his assistants," Eve said. "Define crazy.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
She came awake, stomach rumbling, and opened her eyes to see a plate being held right under her nose. When she reached for it, Shane snatched it back. 'Nuh-uh. Mine.' 'Share!' she demanded. 'Man, you are one grabby girlfriend.' She grinned. It always made her feel so fiercly warm inside to hear him say that- the girlfriend part, not the grabby part. 'If you love me, you'll give me a taco.' 'Seriously? That's all you got? What about you'll do sexy, illegal things to me for a taco?' 'Not for a taco,' she said. 'I'm not cheap.' 'They're brisket tacos.' 'Now you're talking.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
I'm apologizing. For whatever I did. For whatever the guy who hurt you did. For the JFK assassination or the botched moon landing. Take your pick." ~Cain, Ghost of You
Kelly Moran (Ghost of You (Phantoms #3))
He started to touch the mechanism under the keyboard, then pulled his hand back with a snap. "Ah," he said. "Must deactivate the security....Turn around, please." "What?" "Turn around, Claire. It's a secure password!" "You have GOT to be kidding." "Why ever would I joke about that? Please turn.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
Myrnin, who hadn't said much, suddenly reached out and wrapped his arms around her. She stiffened, shocked, and for a panicked second wondered whether he'd suddenly decided to snack on her neck... but it was just a hug. His body felt cold against hers, and way too close, but then he let go and stepped back. "You've done very well. I'm extremely proud of you," he said. There was a touch of color high in his pale cheeks. "Do go home now. And shower. You reek like the dead." Which, coming from a vampire, was pretty rich.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
He looked longingly out the window at the towering skyline of New York City and thought about jumping. It would hurt less than following orders.
Kelly Moran (Ghost of You (Phantoms #3))
Aaron: Dude, one thing the guy said is you don’t taunt voodoo. Zak: Am I taunting? Aaron: Dude, you’re taunting the crap out of it! Zak: I am sorry, I am not taunting you I am just talking...Talking loudly.
Zak Bagans
She had yet to actually call him by his real name. The psychologist in him had all kinds of theories as to why. The man in him wanted to hear her say it. Just once.
Kelly Moran (Ghost of You (Phantoms #3))
Theatres are curious places, magician's trick-boxes where the golden memories of dramtic triumphs linger like nostalgic ghosts, and where the unexplainable, the fantastic, the tragic, the comic and the absurd are routine occurences on and off the stage. Murders, mayhem, politcal intrigue, lucrative business, secret assignations, and of course, dinner.
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
The trouble is the kind of guy I want to go out with doesn't even exist... Like a rugged, chain-smoking, intellectual, adventurer guy who's really serious, but also really funny and mean...
Daniel Clowes (Ghost World)
Way I figure it, if I'm forced to have a partner, might as well have one with benefits. If you're annoying me, fucking you will be more satisfying than punching you." Prophet grinned, then added slyly, "And I could punch you afterwards.
S.E. Jakes (Catch a Ghost (Hell or High Water, #1))
Claire said. “I might be able to get him to stop.” “Who, crazy dude? Maybe. Or he might pull your head off,” Shane said. “I kind of worry.” She couldn’t help but smile. “Yeah?” “A little bit.” “That’s …nice.” He studied her, and returned the smile. “Yeah,” he said. “Kind of is, actually.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
all those nights with the phone warming the side of my face like the sun. you made jokes and sure, i may have even laughed a little but mostly you were not funny. mostly you were beautiful. mostly you were unremarkable, even your mediocrity was unremarkable. when friends would ask ‘what do you like about him?” i would think of you holding a bouquet against the denim of your shirt. i mean, you had my face as your screensaver for gods sake, do you know what that does for the self-esteem of girl with an apparition for a father? hey, do you remember the quiet between us in all those restaurants? all the other couples engrossed in deep conversation and us, as quiet as a closed mouth. that one afternoon when i asked ‘why do you love me?’ and you replied as quick as a toin coss ‘because you’re mad, because you’re crazy’ and i said ‘why else?’ and you said ‘that mouth, i love that mouth’ and i collapsed into myself like a sheet right out of the dryer. you clean, beautiful, unremarkable boy, raised by a pleasant mother, was i just a riot you loved to watch up close? there were times i picked arguments just so that we could have something to talk about. last week, i walked through the part of the city i loved when i still loved you, our old haunts. you know, even the ghosts have moved on.
Warsan Shire
Shane, in case we don’t … don’t come out of this, I wanted to say…” He glanced over at her, and she felt her whole body warm from it. She remembered that look. It made her feel naked inside and out, but not in a creepy kind of way. In a way that felt…. Free. “If what you say is true, and I guess it has to be, I think I know why we’re … together,” he said. “I think I’d fall for you no matter what, Claire. You’re kind of awesome.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
Everybody just lets the media do their thinking for them... that's why you'll never hear any reggae on the radio!
Daniel Clowes (Ghost World)
I never meant it," he was saying. "Never meant it to happen. Can't stand it, seeing her suffer. Must do something, do something... What do I do? What can I do...?
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
Funny, now that I’m dying, my ghosts decide to leave. I wish they would come back. I wish I didn’t have to die alone.
Victoria Aveyard (Glass Sword (Red Queen, #2))
He is funny,” a nymph ventured. “And cute, in a scrawny way,” another said. “Scrawny?” Leo asked. “Baby, I invented scrawny. Scrawny is the new sizzling hot . And I GOT the scrawny. Narcissus? He’s such a loser even the Underworld didn’t want him. He couldn’t get the ghost girls to date him.” “Eww,” said a nymph. “Eww!” Echo agreed.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
I’m faster than the rest of you, if .. Because I’m a vampire,” Michael said, and it was some kind of breakthrough for him to say that. “If you get in trouble, I’ll be there.” “Nice,” Shane said. “I’m warming up to this bloodsucking thing, Mikey.” “No, you’re not.” “Okay, no, I’m not, but right now let’s pretend I am.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
Bob, would you be willing to take on Evil Bob?" Bob's eyes darted nervously. "I'd . . . prefer not to. I'd really, really prefer not to. You have no idea. That me was crazy. And buff. He worked out.
Jim Butcher (Ghost Story (The Dresden Files, #13))
Amelie said, “I won’t be your servant in Morganville. Nor should you be mine. Equals.” She offered her hand to him, and he looked down at it, clearly taken aback. But he took it. “Now defend what is ours, my partner.” He grinned … grinned! … and whirled to meet Myrnin in midleap as Myrnin attacked.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
Well, friend, I don’t know about your tastes, but I tend to like it very bloody,” Myrnin said. He shifted position, dragging Claire along like a rag doll without any effort at all. “Have we been introduced?” “Probably not. Why, are you asking me out, sweetheart?” “You’re not my type, darling. Is this one yours?” “No,” Frank said, and looked at Shane, just in a quick flicker. “Let’s say she’s a friend of the family.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
There was a profound silence, abruptly broken by an enormously loud rumble from George's stomach. Plaster didn't actually fall from the ceiling, but it was close.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
You’re not doing well and finally I don’t have to pretend to be so interested in your on going tragedy, but I’ll rob the bank that gave you the impression that money is more fruitful than words, and I’ll cut holes in the ozone if it means you have one less day of rain. I’ll walk you to the hospital, I’ll wait in a white room that reeks of hand sanitizer and latex for the results from the MRI scan that tries to locate the malady that keeps your mind guessing, and I want to write you a poem every day until my hand breaks and assure you that you’ll find your place, it’s just the world has a funny way of hiding spots fertile enough for bodies like yours to grow roots. and I miss you like a dart hits the iris of a bullseye, or a train ticket screams 4:30 at 4:47, I wanted to tell you that it’s my birthday on Thursday and I would have wanted you to give me the gift of your guts on the floor, one last time, to see if you still had it in you. I hope our ghosts aren’t eating you alive. If I’m to speak for myself, I’ll tell you that the universe is twice as big as we think it is and you’re the only one that made that idea less devastating.
Lucas Regazzi
I heard the car door shut and then Fabian's voice. "You won't believe what I found around the edge of your property," the ghost announced. "A cave with prehistoric painting inside it!" I rolled my eyes. That was the best tactic Fabian could come up with? This was a vampire he was trying to stall, not a paleontologist.
Jeaniene Frost (The Bite Before Christmas (Argeneau, #15.5; Night Huntress, #6.5))
He had on a funny T-shirt, as usual. Today's featured acartoon figure running from a giant T. rex, and it read EXERCISE: SOME MOTIVATIONREQUIRED.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
He lives in a hole in the ground, dresses funny, and occasionally eats his assistants," Eve said. "Define crazy.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
Yes," he said. "I am sure. I double-checked everything after you went home yesterday. I even made a few improvements, just in case." The first part of that reassured her. The second part... not so much. "What kind of improvements?" "Oh, nothing, really. Mostly just streamlining. You really did very well; I certainly don't want you to think that I am one of those people who has to be in control all the- Oh, well, I suppose that's actually true- I do have to be in control all the time. But only because I am in charge, of course.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
He sat down on the edge of Lucie’s bed—and immediately leaped back up, blushing. Lucie took her hands off her hips, amused. “A ghost with a sense of propriety. That is funny.” He looked at her darkly. He really did have a most arresting face, she thought. His black hair and green eyes made a wintry contrast against his pale skin. As a writer, one had to pay attention to these things. Descriptions were very important.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
What we’ve got here is a lunatic genius ghost-in-the-computer monorail that likes riddles and goes faster than the speed of sound. Welcome to the fantasy version of One Flew Over the Cuckoo’s Nest.
Stephen King (The Waste Lands (The Dark Tower, #3))
Dear Josh, we stopped by to fuck you but you didn't answer the door. Therefore you are gay. Sincerely, Tiffany and Amber.
Daniel Clowes (Ghost World)
Ms. Fang is the nicest, sweetest teacher at Scary School. She only ate twelve kids last year.
Derek The Ghost (Scary School (Scary School, 1))
Jesse, we can’t do this.” “Sure we can, honey. It’s the perfect night for it. You’re a woman, I’m a man. Those little twinkling things overhead are stars. I believe it’s referred to as romance.
Christine Feehan (Predatory Game (GhostWalkers, #6))
Funny how addiction was socially acceptable—even a status symbol—when it made people extroverts rather than introverts
Stacia Kane (City of Ghosts (Downside Ghosts, #3))
Never in any Jane Austen novel did the love interest pretend to be a fortune-teller," Helen said, "Why would someone do that?
Cynthia Hand (My Plain Jane (The Lady Janies, #2))
And she looks at me with her eyes open wide and a face that says: Oh my God, I'm muckin' around in my sexy Jesus-boots, in my crazy dreamworld, and I've opened the door and let you in on my crazy dreamworld and that's so embarrassing but, actually, who cares? because it's funny.
Jaclyn Moriarty (The Ghosts of Ashbury High (Ashbury/Brookfield, #4))
Christopher throws dandelion head after dandelion head into his bag. It's getting heavy now and his fingers are stained from the work but there are still so many left to kill. His biggest mistake is giving them names.
Brian Martinez (Kissing You is Like Trying to Punch a Ghost)
The thing is… I was a very proud girl. I never wanted to take the chance I might get hurt. Isn’t that funny? I was game for any exciting adventure that came my way, but when it came to risking my heart, I was a coward.
Nicole Christie (Falling for the Ghost of You)
It would be a really bad idea to let this person loose.” “How bad of an idea?” “Kicking-Hitler-out-of-art-school bad.
Rin Chupeco (The Suffering (The Girl from the Well, #2))
funny thing, talking to ghosts," he said. "You can't tell if you're making up their answers or if they are really talking to you.
John Green (Looking for Alaska)
I have never wanted to punch a highway in the face as badly as I do right now.
Seanan McGuire (Sparrow Hill Road (Ghost Roads, #1))
Grace Poole shrugged. "If you're sure. I can whip something up in the cauldron." "Do not eat anything she whips up in a cauldron," Helen whispered.
Cynthia Hand (My Plain Jane (The Lady Janies, #2))
Yeah, I get it; you're a vampire," she said. "Creepy. And okay, a little hot, I admit." "You don't mean that." "Come on. I still like you, you know, even if you... crave plasma." Michael blinked and looked at her as if he had never seen her before. "You what?" "Like. You." Eve enunciated slowly, as if Michael might not know the words. "Idiot. I always have. What, you didn't know?" Eve sounded cool and grown-up about it, but Claire saw the hectic color in her cheeks, under the makeup. "How clueless are you? Does it come with the fangs?" "I guess I... I just thought... Hell. I just didn't think... You're kind of intimidating, you know." "I'm intimidating? Me? I run like a rabbit from trouble, mostly," Eve said. "It's all show and makeup. You're the one who's intimidating. I mean, come on. All that talent, and you look... Well, you know how you look." " How do I look?" He sounded fascinated now, and he'd actually moved a little closer to Eve on the couch. She laughed. "Oh come on. You're a total model-babe." "You're kidding." "You don't think you are?" He shook his head. "Then you're kind of an idiot, Glass. Smart, but and idiot." Eve crossed her arms. “So? What exactly do you think about me, except that I’m intimidating?” “I think you’re…you’re…ah, interesting?” Michael was amazingly bad at this, Claire thought, but then he saved it by looking away and continuing. “I think you’re beautiful. And really, really strange.” Eve smiled and looked down, and that looked like a real blush, under the rice powder. “Thanks for that, “ she said, “I never thought you knew I existed, or if you did, that you thought I was anything but Shane’s bratty freak friend.” “Well, to be fair, you are Shane’s bratty freak friend.” “Hey!” “You can be bratty and beautiful,” Michael said. “I think it’s interesting.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
I'm worried he's going to . . . do something crazy." "He lives in a hole in the ground, dresses funny, and occasionally eats his assistants," Evesaid. "Define crazy." Claire closed her eyes. "Okay. I think he wants to put my brain in a jar and wire it intothe machine.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
Dont talk to the crazy kids. I longed to shout back that we weren't crazy. I'd mistaken her kid for a ghost, that's all.
Kelley Armstrong
Jim said he believed it was spirits, but I says: no, spirits wouldn't say "dern the dern fog".
Mark Twain (The Adventures of Huckleberry Finn)
Think of what it must have been like in the Scholomance for all those years it was closed,” said Dru, her eyes gleaming with horror-movie delight. “All the way up in the mountains, totally abandoned and dark, full of spiders and ghosts and shadows . . .” "If you want to think about somewhere scary, think about the Bone City,” said Livvy. The City of Bones was where the Silent Brothers lived: It was an underground place of networked tunnels built out of the ashes of dead Shadowhunters. “I’d like to go to the Scholomance,” interrupted Ty. “I wouldn’t,” said Livvy. “Centurions aren’t allowed to have parabatai.” “I’d like to go anyway,” said Ty. “You could come too if you wanted.” “I don’t want to go to the Scholomance,” said Livvy. “It’s in the middle of the Carpathian Mountains. It’s freezing there, and there are bears.” Ty’s face lit up as it often did at the mention of animals. “There are bears?” “Enough chatter,” said Diana.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
You know,” he said, “P.S.S. Piss Camp.” “Yeah, I get it,” I said, “It’s just not funny.
Ripley Patton (Ghost Hand (The PSS Chronicles, #1))
I'm going away anyway. I am. Do you hear me? I may be ugly and clumsy, but one thing I am not, I'm not retarded. I may be ugly and clumsy, but one thing I am not, I'm not retarded. There's nothing wrong with my brain. Do you know what the Teacher Ghosts say about me? They tell me I'm smart, and I can win scholarships. I can get into colleges. I've already applied. I'm smart. I can do all sorts of things. I know how to get A's, and they say I could be a scientist or a mathematician if I want. I can make a living and take care of myself. So you don't have to find me a keeper who's too dumb to know a bad bargain. I'm so smart, if they say write ten pages, I can write fifteen. I can do ghost things even better than ghosts can. Not everyone thinks I'm nothing. I am not going to be a slave or a wife. Even if I am stupid and talk funny amd get sick, I won't let you turn me into a slave or a wife. I'm getting out of here. I can't stand living here anyore. It's your fault I talk weird.
Maxine Hong Kingston (The Woman Warrior)
His rapier was at his belt, glittering as he swung. He reached down, ripped the sword clear. I jumped over a slashing frond of plasm, spun round with the water bottle in my hand. I hurled it across to Lockwood. George threw his rapier to me. Watch this now. Sword and bottle, sailing through the air, twin trajectories, arching beautifully through the mass of swirling tendrils towards Lockwood and me. Lockwood held out his hand. I held out mine. Remember I said there was that moment of sweet precision when we gelled perfectly as a team? Yeah, well. This wasn't it. The rapier shot past, missing me by miles. It skidded halfway across the floor. The bottle struck Lockwood plumb in the centre of his forehead, knocking him through the window. There was a moment's pause. 'Is he dead?' the skulls voice said 'Yay! Oh. No, he's hanging onto the shutters. Shame. Still, this is defiantly the funniest thing I've ever seen. You three really are incompetence on a stick
Jonathan Stroud (The Hollow Boy (Lockwood & Co., #3))
Actually, I wouldn't mind a Malibu and coke." "You're having a fucking pint." "Is my choice of drink too gay for you?" "Malibu and coke is a pussy drink. Last I heard you were strictly anti-pussy.
L.A. Gilbert (The Ghost on My Couch)
It took a long time, but my heart now feels full when I think of him. When you fall in love again—which I have—it's funny the other things that come back in with that open-ness. You have this ghost chorus of the lovers who came before, but they're benign now, they're good spirits.
Emma Forrest (Your Voice in My Head)
Funny. The woman was funny. Add that up with cute as a button, smart as a tack, and surprisingly tough underneath that cupcake exterior, and Frank understood why Ghost went all Cro-Magnon around her.
Julie Ann Walker (Hell on Wheels (Black Knights Inc., #1))
You can find something funny in anything! I'm sick as a dog and falling to bits, but I'll give up joking only after I give up the ghost! my last gasp! The proof, here, with only an eighth of a glimmer of light, things oozing out of my asshole, my armpits, and the elbows, too, blood coming out of the eyes, from the soupy mess of my grave, me whistling a tune, that's what you'll hear! A regular blackbird!
Louis-Ferdinand Céline (Fable for Another Time)
Normally ghosts didn't scare him. (Assuming, of course, Gaea hadn't encased them in shells of stone and turned them into killing machines. That had been a new one for him.)
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
Mr. Jackaby, really! Jenny isn't some scientific oddity--she's your friend!" Jackaby raised an eyebrow. "In point of fact, Miss Rook, she's both, and that's nothing to be ashamed of. All exceptional people are, by definition, exceptions to the norm. If we insist on being ordinary, we can never be truly extraordinary." "That is a very well-rehearsed and eloquent excuse for being an absolute brute to a sad, sweet woman.
William Ritter (Beastly Bones (Jackaby, #2))
If you’re going to talk to him,” she said, “you should at least have me tag along.” “Hmm. In this case, I think it might be better if I didn’t have a cop with me.” She sighed. “Fine. Just promise me you’re not going to get yourself killed, okay?” “Cross my heart and hope to die,” I said. “Not funny. Seriously, this guy isn’t like the low-level whack jobs we usually deal with. He’s smart, he’s ruthless, and he’s very, very powerful.” “Okay, okay.
Scott William Carter (Ghost Detective (Myron Vale Investigations, #1))
Scully-' 'I screwed up.' Her hands again. 'Damnit, I screwed up.' 'Nope' [Mulder] said... 'If I was dead, then you would have screwed up.' She saw the grin. 'Then I'd have to haunt you.' 'Mulder that's not funny.' 'But you don't believe in ghosts and goblins...
Charles Grant (The X-Files: Goblins)
Jacks reclined in a throne of ice as he glared down at a fox that looked more corporeal than ghost- all fluffy white fur, save for a circle of tawny surrounding one of its coal-dark eyes. He appeared horrified by the animal, as if it's adorableness might somehow soften some of his nasty edges. Evangeline wished it would as she stood back a little to watch, enjoying that for once, Jacks was the one in the uncomfortable position. He flinched when the creature nuzzled his scuffed boots. She laughed, finally drawing his attention. 'I think it likes you.' 'I don't know why,' Jacks scowled at the beast. It responded by affectionately licking the buckle at his ankle. Evangeline continued to smile. 'You should name it.' 'If I do that, it will think it's a pet.' Jacks words dripped with disgust, which only further convinced Evangeline this fox might be the best thing that had ever happened to this Fate. 'How about I name her for you? What do you think of Princess of the Fluffikins?' 'Don't ever say that again.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
Setne laughed. “Nice try, dol. You guys sit tight. If you make it through the big shake-up, I’ll come back and get you. Maybe you can be my jesters or something. You two crack me up! But in the meantime, I’m afraid we’re done here. No miracle’s gonna drop from the sky and save you.” A rectangle of darkness appeared in the air just above the ghost’s head. Sadie dropped out of it. I’ll say this for my sister: she has great timing, and she’s quick on the draw. She crashed into the ghost and sent him sprawling.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
Lee, I’m not good enough for him.” “Now, what do you mean by that?” “I’m not being funny. He doesn’t think about me. He’s made someone up, and it’s like he put my skin on her. I’m not like that—not like the made-up one.” “What’s she like?” “Pure!” said Abra. “Just absolutely pure. Nothing but pure—never a bad thing. I’m not like that.” “Nobody is,” said Lee. “He doesn’t know me. He doesn’t even want to know me. He wants that—white—ghost.
John Steinbeck (East of Eden)
Funny isn't it, that such a large percentage of people believe in the possibility of ghosts yet scoff at stories about then; whereas less than a fifth of one percent think there actually may be vampires, yet glamorize and romanticize them into millions of dollar of sales. Perhaps the real irony is that the thought of ghosts is just a little too close to people’s comfort level.
D.L. Koontz (Crossing Into The Mystic (The Crossings Trilogy, #1))
And everywhere I turned: Riley and Amelia. I suppose this could have been because I was always following them around.
Jaclyn Moriarty (The Ghosts of Ashbury High (Ashbury/Brookfield, #4))
What your mind sees when you close your eyes marks the entrance to an endless universe: your imagination.
Stephen Helmes (From 12 to 6 (More Nightly Visits) (Nightly Visits Series #2))
You should have seen her this morning,' he said, smiling. 'She's got into the pantry and tipped a box of Cheerios all over the kitchen floor. I walk in and she's crawling around eating them as fast as she can. Mum's standing there, watching her - she got this embarrassed look when she saw me - she does, 'I know, I know, but I can't bring myself to stop her. She thinks she's hit the jackpot.
Jaclyn Moriarty (The Ghosts of Ashbury High (Ashbury/Brookfield, #4))
It’s funny, grief, isn’t it? How you die with them. Whoever you were before has gone. Your ghost walks the earth. You look the same, sound the same, but are not the same. You don’t breathe oxygen the way you did before. You negotiate life under an ocean. Drowning as you do your shopping, drowning as you ride the bus, drowning as you go to work. You can’t live with this, you think. No one could live with this. It’s unliveable. Then there are moments when your head rises above the water. You find something funny, laugh. A glimpse of your previous self. Until you are submerged once again. Guilty for your brief ability to breathe. Over time the water levels drop. First you tread water; then you swim; then you wade; then you are paddling; until finally you are walking alongside a stream. It flows next to you. Wherever you are, whatever you do, however happy you’re feeling, it’s there.
Charlotte Levin (If I Can't Have You)
It’s funny, really: the older you get, the more you know about the world. The synapses in your brain fire at a higher level and quicker function, your knowledge expands. But you lose part of yourself, that part able to imagine great armies that wait for nothing more than your command; the dragon that hides under your bed that only you can see, its long emerald tail flashing in the darkness; the ghost that lives in your attic that only moans at 3:23 in the morning. When you lose that innocence, the world’s hues become dark and muted, and you know that dragons aren’t real. There is no army. There is no ghost in the attic. But when you’re nine? When you’re nine, it’s all probable, it’s all realistic, and even more so, it’s all true.
T.J. Klune (Burn (Elementally Evolved, #1))
She stopped pushing but declared; "Prentice, I know how this works. Sure, she seems fine now. But in fifteen years when she's standing on top of a clocktower with an automatic rifle mowing down innocent bystanders, dont't call ME asking what went wrong.
Kristen Ashley (Fairytale Come Alive (Ghosts and Reincarnation #4))
The past is a funny thing, Ruby. It is nature’s most underestimated ghost. It is still very much alive. Its heart still beats, it haunts. And it is always impacting, always dictating the future, which eventually becomes the past. You see, it multiplies, this enigma. It grows larger and larger until at the end, it swallows your entire life. Every day, every moment becomes the past.
Amy Gail Hansen (The Butterfly Sister)
Memories are weird. They never really leave you alone, no matter how much you try, and the funny part is--the more you try, the more they haunt you. The more you want to run away, the faster they seem to catch up, and then there comes a time when you are convinced that you have finally managed to leave them behind and move on. You rejoice. You celebrate. You have exorcised the ghosts of the past--you feel liberated, UNTIL one fine day, some old memory creeps up slowly from behind and taps you on your shoulder just to say "Hi. How’s it going so far?". That is when everything comes rushing in, and you realize that maybe, just maybe, it had never really gone away.
Priyanka Naik (Twists Of Fate)
They say you fly when you die. Basically, when you die, your spirit leaves your body. Actually, at first you can see all your life, like, reflected in a magic mirror. Then you start floating like a ghost. You can see anything happening around you, you can hear everything, but you can’t communicate with the world of the living. Then you see these lights, all these different lights, of all different colors. These lights are the doors that pull you into other planes of existence, but most people actually like this world so much that they don’t want to be taken away… So the whole thing turns into a bad trip and the only way out is to get reincarnated. It’s funny you know, DMT only lasts for six minutes but it really seems like eternity. It’s the same chemical that your brain receives when you die. It’s a little bit like, dying would be the ultimate trip.
Gaspar Noé
Nothing is a masterpiece - a real masterpiece - till it's about two hundred years old. A picture is like a tree or a church, you've got to let it grow into a masterpiece. Same with a poem or a new religion. They begin as a lot of funny words. Nobody knows whether they're all nonsense or a gift from heaven. And the only people who think anything of 'em are a lot of cranks or crackpots, or poor devils who don't know enough to know anything. Look at Christianity. Just a lot of floating seeds to start with, all sorts of seeds. It was a long time before one of them grew into a tree big enough to kill the rest and keep the rain off. And it's only when the tree has been cut into planks and built into a house and the house has got pretty old and about fifty generations of ordinary lumpheads who don't know a work of art from a public convenience, have been knocking nails in the kitchen beams to hang hams on, and screwing hooks in the walls for whips and guns and photographs and calendars and measuring the children on the window frames and chopping out a new cupboard under the stairs to keep the cheese and murdering their wives in the back room and burying them under the cellar flags, that it begins even to feel like a religion. And when the whole place is full of dry rot and ghosts and old bones and the shelves are breaking down with old wormy books that no one could read if they tried, and the attic floors are bulging through the servants' ceilings with old trunks and top-boots and gasoliers and dressmaker's dummies and ball frocks and dolls-houses and pony saddles and blunderbusses and parrot cages and uniforms and love letters and jugs without handles and bridal pots decorated with forget-me-nots and a piece out at the bottom, that it grows into a real old faith, a masterpiece which people can really get something out of, each for himself. And then, of course, everybody keeps on saying that it ought to be pulled down at once, because it's an insanitary nuisance.
Joyce Cary (The Horse's Mouth)
My friends tell me I am strong, decisive, and wise. What a joke. Where is my strength tonight? Where is my wisdom? Ironically, they tell me I am ‘so open’. Me, who has so many secrets that I have never shared. The irony would be funny if it wasn't so sad. Their blindness to my true self makes me feel invisible. Not in the way that a spirit or ghost is invisible, for I am most definitely flesh, blood, sinew, and bone. I even have a mind that works nimble and fast, and a mouth that speaks reasonably eloquently, when I feel I have something worthwhile to say. No, I’m invisible because the people who populate my life either do not, or cannot, see the real me. Of course, that is but another irony. I know much of my invisibility is of my own doing, and that is the last joke on myself: that which I seek is also that which I fear.
Lily Velden
My friend has never been to a picture show, nor does she intend to: "I'd rather hear you tell the story, Buddy. That way I can imagine it more. Besides, a person my age shouldn't squander their eyes. When the Lord comes, let me see him clear." In addition to never having seen a movie, she has never: eaten in a restaurant, traveled more than five miles from home, received or sent a telegram, read anything except funny papers and the Bible, worn cosmetics, cursed, wished someone harm, told a lie on purpose, let a hungry dog go hungry. Here are a few things she has done, does do: killed with a hoe the biggest rattlesnake ever seen in this county (sixteen rattles), dip snuff (secretly), tame hummingbirds (just try it) till they balance on her finger, tell ghost stories (we both believe in ghosts) so tingling they chill you in July, talk to herself, take walks in the rain, grow the prettiest japonicas in town, know the recipe for every sort of oldtime Indian cure, including a magical wart remover.
Truman Capote (A Christmas Memory)
Mary had the same face as ma used to have sitting staring into the ashes it was funny that face it slowly grew over the other one until one day you looked and the person you knew was gone. And instead there was a half-ghost sitting there who had only one thing to say: All the beautiful things of this world are lies. They count for nothing in the end.
Patrick McCabe (The Butcher Boy)
Lee Strunk made a funny ghost sound, a kind of moaning, yet very happy, and right then, when Strunk made that high happy moaning sound, when he went Ahhooooo, right then Ted Lavender was shot in the head on his way back from peeing. He lay with his mouth open. The teeth were broken. There was a swollen black bruise under his left eye. The cheekbone was gone. Oh shit, Rat Kiley said, the guy's dead. The guy's dead, he kept saying, which seemed profound - the guy's dead. I mean really.
Tim O'Brien (The Things They Carried)
Gator, go wake that woman of yours. I need some answers. We need her to run the computers for us.” “Tonight, Boss?” Gator complained. “I had other ideas.” He wiggled his eyebrows suggestively. “We all did. Hop to it.” “What about Sam?” Tucker asked. “His woman is the one who got us into this.” “I’m wounded.” Sam clutched his abdomen dramatically and staggered with quick, long strides so that he made it to the doorway in three quick steps. Jonas coughed, sounding suspiciously like he’d muttered “bullshit” under his breath. Kyle threw a peanut at him and Jeff surfed across the table in his bare socks to try to catch him before he bolted. “He’s in love, boys, let him go. He’ll probably just get laughed at,” Tucker said. “Do you really think Azami’s brothers are going to allow her to hook up with Sam? She’s fine and he’s . . . well . . . klutzy.” “That hurt,” Sam said, turning back. “Did you get a good look at those boys? I thought Japanese men were supposed to be on the short side, but Daiki was tall and all muscle. His brother moves like a fucking fighter,” Tucker added. “They might just decide to give you a good beating for having the audacity to even think you could date their sister, let alone marry her.” “Fat help you are,” Sam accused. “I could use a little confidence here.” Kyle snorted. “You don’t have a chance, buddy.” “Goin’ to meet your maker,” Gator added solemnly. Jeff crossed himself as he hung five toes off the edge of the table. “Sorry, old son, you don’t have a prayer. You’re about to meet up with a couple of hungry sharks.” “Have you ever actually used a sword before?” Kadan asked, all innocent. Jonas drew his knife and began to sharpen it. “Funny thing about blade men, they always like to go for the throat.” He grinned up at Sam. “Just a little tip. Keep your chin down.” “You’re all a big help,” Sam said and stepped out into the hall. This was the biggest moment of his life. If they turned him down, he was lost.
Christine Feehan (Samurai Game (GhostWalkers, #10))
Jenn,” I said very loudly, sidestepping Jackson and inserting myself between the two of them. “There you are. I’ve been looking for you.” “Have you?” she asked, her sweet face tipped back and her impossibly pretty eyes arresting mine. “Yes. I have,” I said, then promptly forgot what I was going to say next. I sensed a hovering presence behind me so I glanced over my shoulder at Jackson—the hoverer—and frowned impatiently. “Do you mind? Give a man some space.” “That’s real funny, Cletus,” he said, not sounding amused. “Because I was just—” “Do you have any—uh—taffy?” I asked Jennifer, not wanting to hear Jackson’s complaining. If he was going to complain, I decided it was best to pretend he was a ghost. Taffy was the first thing to pop into my mind. “Taffy?” Her dark eyebrows drew together; I wondered if her real hair color would be the same dark shade as her eyebrows. I hoped so. “Yes. Taffy,” I said gently, and smiled when she smiled and shrugged. “I like to live dangerously.” She opened her mouth, just about to ask me something and I couldn’t wait to find out what, when Jackson cut in impatiently. “By eating taffy?” “Yep,” I turned just my head and gave him my profile. “It puts my dental fillings in grave peril.
Penny Reid (Beard Science (Winston Brothers, #3))
You can have mad thoughts in here. Like ... tell me, when I die, do they bring my corpse back to my cell to serve out the full term of my second sentence plus those seven years? Perhaps I've already been brought back and have just forgotten it? Maybe I'm already a corpse? A breathing cadaver? But no, no. A cadaver couldn't smile at himself this way. Somewhere, somehow, there's got to be something funny about all of this. Something horrendously funny. A wild cosmic joke on me, a real knee-slapper in some demonic heaven or hell. A while back someone was crying out eerily down the corridor in the echoing half-darkness. "Slur the buds!" he cried out dementedly, repeating those meaningless words over and over again in a ghostly voice, softly hissing and hollow. "Slur the buds! Slur the buds!" That's all I could make out. He must have called it out in that soft hollow hiss a dozen times in the course of fifteen minutes. Still other voices picked it up, and for a short while there was an impromptu ghostly chorus of "Slur the buds!" echoing down these unholy corridors. I never learned what the words meant. I never learned who it was who called out. Maybe I dreamed it. Maybe that was just me myself calling out in the demented darkness of my own imagination. Doing time does this thing to you. But, of course, you don't do time. You do without it. Or rather, time does you. Time is a cannibal that devours the flesh of your years day by day, bite by bite. And as he finishes the last morsel, with the juices of your life running down his bloody chin, he smiles wickedly, belches with satisfaction, and hisses out in ghostly tones, "Slur the buds!"
Leonard Peltier (Prison Writings: My Life Is My Sun Dance)
I said, "I want to wear something funny and cool. Marjorie, could I wear your sparkly baseball hat?" The three of us looked at Marjorie. Now I remember thinking that her answer could change everything back to the way it was; Dad could find a job and stop praying all the time and Mom could be happy and call Marjorie shellfish again and show us funny videos she found on YouTube, and we all could eat more than just spaghetti at dinner and, most important, Marjorie could be normal again. Everything would be okay if Marjorie would only say yes to me wearing the sparkly sequined baseball hat, the one she'd made in art class a few years ago. The longer we watched Marjorie and waited for her response, the more the temperature in the room dropped and I knew that nothing would ever be the same again. She stopped twisting her spaghetti around her fingers. She opened her mouth, and vomit slowly oozed out onto her spaghetti plate. Dad: "Jesus!" Mom: "Honey, are you okay?" She jumped out of her seat and went over to Marjorie, stood behind her, and held her hair up. Marjorie didn't react to either parent, and she didn't make any sounds. She wasn't retching or convulsing involuntarily like one normally does when throwing up. It just poured out of her as though her mouth was an opened faucet. The vomit was as green as spring grass, and the masticated pasta looked weirdly dry, with a consistency of mashed-up dog food. She watched Dad the whole time as the vomit filled her plate, some of it slopping over the edges and onto the table. When she finished she wiped her mouth on her sleeve. "No, Merry. You can't wear my hat." She didn't sound like herself. Her voice was lower, adult, and growly. "You might get something on it. I don't want you to mess it up." She laughed. Dad: "Marjorie..." Marjorie coughed and vomited more onto her too-full plate. "You can't wear the hat because you're going to die someday." She found a new voice, this one treacly baby-talk. "I don't want dead things wearing my very special hat.
Paul Tremblay (A Head Full of Ghosts)
When it begins it is like a light in a tunnel, a rush of steel and steam across a torn up life. It is a low rumble, an earthquake in the back of the mind. My spine is a track with cold black steel racing on it, a trail of steam and dust following behind, ghost like. It feels like my whole life is holding its breath. By the time she leaves the room I am surprised that she can’t see the train. It has jumped the track of my spine and landed in my mothers’ living room. A cold dark thing, black steel and redwood paneling. It is the old type, from the western movies I loved as a kid. He throws open the doors to the outside world, to the dark ocean. I feel a breeze tugging at me, a slender finger of wind that catches at my shirt. Pulling. Grabbing. I can feel the panic build in me, the need to scream or cry rising in my throat. And then I am out the door, running, tumbling down the steps falling out into the darkened world, falling out into the lifeless ocean. Out into the blackness. Out among the stars and shadows. And underneath my skin, in the back of my head and down the back of my spine I can feel the desperation and I can feel the noise. I can feel the deep and ancient ache of loudness that litters across my bones. It’s like an old lover, comfortable and well known, but unwelcome and inappropriate with her stories of our frolicking. And then she’s gone and the Conductor is closing the door. The darkness swells around us, enveloping us in a cocoon, pressing flat against the train like a storm. I wonder, what is this place? Those had been heady days, full and intense. It’s funny. I remember the problems, the confusions and the fears of life we all dealt with. But, that all seems to fade. It all seems to be replaced by images of the days when it was all just okay. We all had plans back then, patterns in which we expected the world to fit, how it was to be deciphered. Eventually you just can’t carry yourself any longer, can’t keep your eyelids open, and can’t focus on anything but the flickering light of the stars. Hours pass, at first slowly like a river and then all in a rush, a climax and I am home in the dorm, waking up to the ringing of the telephone. When she is gone the apartment is silent, empty, almost like a person sleeping, waiting to wake up. When she is gone, and I am alone, I curl up on the bed, wait for the house to eject me from its dying corpse. Crazy thoughts cross through my head, like slants of light in an attic. The Boston 395 rocks a bit, a creaking noise spilling in from the undercarriage. I have decided that whatever this place is, all these noises, sensations - all the train-ness of this place - is a fabrication. It lulls you into a sense of security, allows you to feel as if it’s a familiar place. But whatever it is, it’s not a train, or at least not just a train. The air, heightened, tense against the glass. I can hear the squeak of shoes on linoleum, I can hear the soft rattle of a dying man’s breathing. Men in white uniforms, sharp pressed lines, run past, rolling gurneys down florescent hallways.
Jason Derr (The Boston 395)