Invocation Inspirational Quotes

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Wanderess, Wanderess, weave us a story of seduction and ruse. Heroic be the Wanderess, the world be her muse.' ...I jot this phrase of invocation in my old leather-bound notebook on a bright, cold morning at the Café **** in Paris, and with it I’m inspired to take the reader back to the time I first met and became acquainted with the girl I call The Wanderess—as well as a famous adventurer named Saul, the Son of Solarus.
Roman Payne (The Wanderess)
You invoke a new future when you envision your past in the light of your present.
Eric Micha'el Leventhal
I felt that blank incapability of invention which is the greatest misery of authorship, when dull Nothing replies to our anxious invocations. "Have you thought of a story?" I was asked every morning, and each morning I was forced to reply with a mortifying negative
Mary Wollstonecraft Shelley (Frankenstein: or, the Modern Prometheus (iBoo Classics Book 60))
Oh! Dione of Opalescent Skin Ethereal. Your oospheric containment disperses argentous streams of velvety rays that cradle recesses of soul in gossamer of beatific visions.La Luna! Your enigmatic smile. Your watery countenance stirs the imagination and bestows inspiration on those receptive to Your Sacred Gifts.
Lady Svetlana
Elric: We are dreamers, shapers, singers, and makers. We study the mysteries of laser and circuit, crystal and scanner, holographic demons and invocation of equations. These are the tools we employ, and we know many things. John Sheridan: Such as? Elric: The true secrets, the important things. Fourteen words to make someone fall in love with you forever. Seven words to make them go without pain. How to say good-bye to a friend who is dying. How to be poor. How to be rich. How to rediscover dreams when the world has stolen them. That is why we are going away—to preserve that knowledge. Sheridan: From what? Elric: There is a storm coming, a black and terrible storm. We would not have our knowledge lost or used to ill purpose. From this place we will launch ourselves into the stars. With luck, you will never see our kind again in your lifetime. I know you have your orders, Captain. Detain us if you wish. But I cannot tell you where we are going. I can only ask you to trust us.
J. Michael Straczynski
Like Wheeler and Feynman, Cramer proposed that the wavefunction of a particle moving forward in time is just one of two relevant waves determining its behavior. The retarded wave in Cramer’s theory is complemented by a response wave that travels specifically from the particle’s destination, in temporal retrograde. In his theory, a measurement, or an interaction, amounts to a kind of “handshake agreement” between the forward-in-time and backward-in-time influences.13 This handshake can extend across enormous lengths of time, if we consider what happens when we view the sky at night. As Cramer writes: When we stand in the dark and look at a star a hundred light years away, not only have the retarded waves from the star been traveling for a hundred years to reach our eyes, but the advanced waves generated by absorption processes within our eyes have reached a hundred years into the past, completing the transaction that permitted the star to shine in our direction.14 Cramer may not have been aware of it, but his poetic invocation of the spacetime greeting of the eye and a distant star, and the transactional process that would be involved in seeing, was actually a staple of medieval and early Renaissance optics. Before the ray theory of light emerged in the 1600s, it was believed that a visual image was formed when rays projecting out from the eye interacted with those coming into it. It goes to show that everything, even old physics, comes back in style if you wait long enough—and it is another reason not to laugh too hard, or with too much self-assurance, at hand-waving that seems absurd from one’s own limited historical or scientific standpoint. In short: Cramer’s and Aharonov’s theories both imply a backward causal influence from the photon’s destination. The destination of the photon “already knows” it is going to receive the photon, and this is what enables it to behave with the appropriate politeness. Note that neither of these theories have anything to do with billiard balls moving in reverse, a mirror of causation in which particles somehow fly through spacetime and interact in temporal retrograde. That had been the idea at the basis of Gerald Feinberg’s hypothesized tachyons, particles that travel faster than light and thus backward in time. It inspired a lot of creative thinking about the possibilities of precognition and other forms of ESP in the early 1970s (and especially inspired the science-fiction writer Philip K. Dick), but we can now safely set aside that clunky and unworkable line of thinking as “vulgar retrocausation.” No trace of tachyons has turned up in any particle accelerator, and they don’t make sense anyway. What we are talking about here instead is an inflection of ordinary particles’ observable behavior by something ordinarily unobservable: measurements—that is, interactions—that lie ahead in those particles’ future histories. Nothing is “moving” backwards in time—and really, nothing is “moving” forwards in time either. A particle’s twists and turns as it stretches across time simply contain information about both its past and its future.
Eric Wargo (Time Loops: Precognition, Retrocausation, and the Unconscious)
What distinguishes us above all from Muslim-born or converted individuals—“psychologically”, one could say—is that our mind is a priori centered on universal metaphysics (Advaita Vedānta, Shahādah, Risālat al-Ahadiyah) and the universal path of the divine Name (japa-yoga, nembutsu, dhikr, prayer of the heart); it is because of these two factors that we are in a traditional form, which in fact—though not in principle—is Islam. The universal orthodoxy emanating from these two sources of authority determines our interpretation of the sharī'ah and Islam in general, somewhat as the moon influences the oceans without being located on the terrestrial globe; in the absence of the moon, the motions of the sea would be inconceivable and “illegitimate”, so to speak. What universal metaphysics says has decisive authority for us, as does the “onomatological” science connected to it, a fact that once earned us the reproach of “de-Islamicizing Islam”; it is not so much a matter of the conscious application of principles formulated outside of Islamism by metaphysical traditions from Asia as of inspirations in conformity with these principles; in a situation such as ours, the spiritual authority—or the soul that is its vehicle—becomes like a point of intersection for all the rays of truth, whatever their origin. One must always take account of the following: in principle the universal authority of the metaphysical and initiatic traditions of Asia, whose point of view reflects the nature of things more or less directly, takes precedence—when such an alternative exists—over the generally more “theological” authority of the monotheistic religions; I say “when such an alternative exists”, for obviously it sometimes happens, in esoterism as in essential symbolism, that there is no such alternative; no one can deny, however, that in Semitic doctrines the formulations and rules are usually determined by considerations of dogmatic, moral, and social opportuneness. But this cannot apply to pure Islam, that is, to the authority of its essential doctrine and fundamental symbolism; the Shahādah cannot but mean that “the world is false and Brahma is true” and that “you are That” (tat tvam asi), or that “I am Brahma” (aham Brahmāsmi); it is a pure expression of both the unreality of the world and the supreme identity; in the same way, the other “pillars of Islam” (arqān al-Dīn), as well as such fundamental rules as dietary and artistic prohibitions, obviously constitute supports of intellection and realization, which universal metaphysics—or the “Unanimous Tradition”—can illuminate but not abolish, as far as we are concerned. When universal wisdom states that the invocation contains and replaces all other rites, this is of decisive authority against those who would make the sharī'ah or sunnah into a kind of exclusive karma-yoga, and it even allows us to draw conclusions by analogy (qiyās, ijtihād) that most Shariites would find illicit; or again, should a given Muslim master require us to introduce every dhikr with an ablution and two raka'āt, the universal—and “antiformalist”—authority of japa-yoga would take precedence over the authority of this master, at least in our case. On the other hand, should a Hindu or Buddhist master give the order to practice japa before an image, it goes without saying that it is the authority of Islamic symbolism that would take precedence for us quite apart from any question of universality, because forms are forms, and some of them are essential and thereby rejoin the universality of the spirit. (28 January 1956)
Frithjof Schuon
hymns about Jesus; (2) prayer "through" and "in the name" of Jesus, and even to Jesus; (3) "calling upon the name" of Jesus, apparently a ritual invocation of him; (4) the use of Jesus' name in baptism; (5) the corporate "confessing" of Jesus, typically as "Lord"; (6) the common meal as "the Lord's supper"; and (7) prophecy uttered as inspired by Jesus. This constellation of devotional actions is prime evidence of what I have termed a "binitarian devotional pattern" characteristic of earliest Christianity, in which Jesus features prominently and uniquely along with God as the cause, content, and even co-recipient of devotion, including corporate worship.
Larry W. Hurtado (God in New Testament Theology (Library of Biblical Theology))
In his classic study Elegant Nightmares: The English Ghost Story from LeFanu to Blackwood, the American scholar Jack Sullivan divides traditional tales of the supernatural into two camps: the antiquarian and the visionary. The former is typified by a certain emotional detachment, coupled with subtle irony and a dry, precise evocation of a world that is recognizably our own, inhabited by sensible characters—male Edwardian antiquaries whose stolidity borders on dullness, and whose invocation of horrors is as inadvertent as it is irrevocable. The antiquarian ghost story is typified by the work of the English don M. R. (Montague Rhodes) James, himself inspired by the more open-ended horror of his Irish predecessor, Sheridan LeFanu. As Sullivan puts it, “For LeFanu’s characters, reality is inherently dark and deadly; for James’ antiquaries, darkness must be sought out through research and discovery.” The visionary ghost story, in contract, has more in common with the robust stream of American transcendentalism that emerged in the late 19th century, as well as with the hermetic and decadent artistic movements popular in fin de siècle Europe. Little surprise, then, that one of the most successful visionary writers, the British-born Algernon Blackwood, based his most rapturous and terrifying tales on his experiences in the Canadian wilderness, or that the other great supernatural visionary, the Welsh Arthur Machen, was a friend of Arthur Edward Waite, a member of the Order of the Golden Dawn, and drew upon Celtic myth in his short fiction. Sullivan identified a later, third stream in supernatural writing in Lost Souls, the companion volume to Elegant Nightmares: he simply calls it the contemporary ghost story, a capacious portmanteau term that makes room for writers such as Robert Aickman, Walter de la Mare, Elizabeth Bowen and Ramsey Campbell. To this list I’d add Peter Straub, Kelly Link, Glen Hirshberg, and now, with the publication of Mr. Gaunt and Other Uneasy Encounters, John Langan.
John Langan (Mr. Gaunt and Other Uneasy Encounters)
Most important of all—man’s creative vocation to prepare, consciously, the ultimate triumph of Divine Wisdom. Man, the microcosm, the heart of the universe, is the one who is called to bring about the fusion of cosmic and historic process in the final invocation of God’s wisdom and love. In the name of Christ and by His power man has a work to accomplish: to offer the cosmos to the Father, by the power of the Spirit, in the Glory of the Word. Our life is a powerful Pentecost in which the Holy Spirit, ever active in us, seeks to reach through our inspired hands and tongues into the very heart of the material world created to be spiritualized through the work of the Church, the Mystical Body of the Incarnate Word of God.
Thomas Merton (The Intimate Merton: His Life from His Journals)
The name of Batariel translates ‘Rain of El” as well as originating from the Babylonian word making bathar-el, “Valley of El”. Batariel like the other Dekadarchs taught charms and enchantments to not only their human wives, also those humans who sought the arcane knowledge of the forbidden path of gods. Batariel can be considered an Angel of Rain. Batariel possesses the power and knowledge of rain and earthly fertility. Associated with the elements of Water and Air, Batariel inspires the cycles of renewal and growth in nature and within living beings. As holding the power of rain, the symbolism is the needed invigorating and life-giving watergiver, a fertility of earth, sustainer of life and the imagination and new ideas. When performing invocations of Batariel, using the epithet of Ombrios is a useful adaptation. An example of this is “Batariel Ombrios” and would be uttered and a visualization of a hard rain should be focused on along with the Sigil.
Michael W. Ford (Fallen Angels: Watchers and the Witches Sabbat)
Eshmun means “Eight”. In Neo-Platonist lore, Eshmun was the 8th Son born of Sadyk (an ancient Phoenician god of justice), this healing god is recognized as the Greek Asclepius. Semyaza taught spells and the cutting of roots. The name of Semyaza is another aspect of Azazel, the Deific Mask reveals different energies and power than Azazel within our context of magickial lore. As the leader of the Watchers, the knowledge of that which grows from the green earth and the uses of herbs in sorcery is what Semyaza inspires. The Watcher Amezarak is thought to be an inner-Ethiopic corruption of Semyaza. In Jewish legend, Semyaza is an alternate name to Samael and Mastema as Abezi Thibod ("father devoid of counsel"). Semyaza is described as a Seraph who was tempted by the maiden Ishtahar to reveal to her the Name of Power (of El) which allowed her to ascend to the skies. In the Hebrew myths, Semyaza is said to hang upside down between heaven and earth as the constellation Orion (the Hunter). Semyaza had among others two Nephilim sons, Hiwa and Hiya. Semyaza is the patron Watcher of magicians and sorcerers, an inspiring spirit to the Witch or Warlock who seeks the Elphame path of hidden light of which to cast shadow. Visualize Semyaza, Shemyaza or Amezarak in your invocations and meditations. For further healing meditations and spells, Eshmun may also be invoked with incense and libation offerings. His inspiration of healing comes from both plants, herbs and pharmacological inventions of modern times. Semyaza is presented here in two forms. The first is the Watcher united and partially composed of the earthly green and fertile vines and the witch-cult knowledge of our sorceries. The second is Semyaza, crowned in radiance of divine power, instructing cultists of the Hellenistic Pan and Dionysos with the rites of health, lust and renewal much like the temple-cults associated with Mt Hermon.
Michael W. Ford (Fallen Angels: Watchers and the Witches Sabbat)
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