Ghost Rider Quotes

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Who in the world has not yearned for a loved one, has never said, If only he or she could come back just once, just one more time...? Despite the fact that it can never happen, never ever. Surely this is the saddest thing about our mortal world, and its sadness will go on shrouding human life like a blanket of fog until its final extinction.
Ismail Kadare (The Ghost Rider)
I’ve never ridden bareback, but with her, it’s the only way we’ll ever be. I don’t care how many times I get her pregnant, I want nothing between us.
Alexa Riley (Beauty and the Biker (Ghost Riders MC, #2))
The proper function of man is to live, not to exist. I shall not waste my days in trying to prolong them. I shall use my time.
Neil Peart (Ghost Rider: Travels on the Healing Road)
You’re safe now,” Rider said. “I here. You’re safe, Mouse. And I know you might not believe it, but I’m going to keep you safe forever.” He swallowed and swiped at his lip. “That’s a promise.” Forever. He’s promised he’d be there for me forever. But I was of the mind that there were two types of forever. The good kind. The bad kind. I’d learned early on that the good kind of forever was,well, it was a lie. That kind of forever literally and figuratively ended in flames, because no matter how tightly you tried to hold on, that kind of forever slipped between the fingers. The bad kind of forever lingered like a shadow or ghost. No matter what. It stayed, always in the background.
Jennifer L. Armentrout (The Problem with Forever)
Without knowing it, I had identified a subtle but important part of the healing process. There would be no peace for me, no life for me, until I learned to forgive life for what it had done to me, forgive others for still being alive, and eventually, forgive myself for being alive.
Neil Peart (Ghost Rider: Travels on the Healing Road)
There are a few people standing close to me, mostly sweet butts and boot chasers, but I don’t fuck with either. I am, after all, still a married man, not that I would even if I wasn't. If I couldn't have her, I wouldn't have anybody.
Alexa Riley (Beauty and the Biker (Ghost Riders MC, #2))
Truly the universe is full of ghosts, not sheeted churchyard spectres, but the inextinguishable elements of individual life, which having once been, can never die, though they blend and change, and change again for ever.
H. Rider Haggard (King Solomon's Mines (Allan Quatermain, #1))
Yet man dies not whilst the world, at once his mother and his monument, remains. His name is lost, indeed, but the breath he breathed still stirs the pine-tops on the mountains, the sound of the words he spoke yet echoes on through space; the thoughts his brain gave birth to we have inherited to-day; his passions are our cause of life; the joys and sorrows that he knew are our familiar friends--the end from which he fled aghast will surely overtake us also! Truly the universe is full of ghosts, not sheeted churchyard spectres, but the inextinguishable elements of individual life, which having once been, can never die, though they blend and change, and change again for ever.
H. Rider Haggard (King Solomon's Mines (Allan Quatermain, #1))
You ever think about running again, it better be in my motherfucking direction. I’m the one you run to when shit goes down
Alexa Riley (Pulling Her Trigger (Ghost Riders MC, #1))
your soul is stained with the blood of the innocent, feel their pain
Neil Peart (Ghost Rider: Travels on the Healing Road)
When you love someone, their struggles become yours, and their hurt is your hurt.
Alexa Riley (Beauty and the Biker (Ghost Riders MC, #2))
He leans up, and I kiss him, smiling against his lips. This is definitely better than bacon.
Alexa Riley (Beauty and the Biker (Ghost Riders MC, #2))
I love you, Mackenzie. This may be crazy, but I don’t give a fuck. I’m obsessed with you, and I can’t shake it.
Alexa Riley (Pulling Her Trigger (Ghost Riders MC, #1))
Homecomer, hitcher, phantom rider, White lady wants what’s been denied her, Gather-grim knows what you fear the most, But best keep away from the crossroads ghost. Talk to the poltergeist, talk to the haunt, Talk to the routewitch if it’s what you want. Reaper’s in the parlor, seizer’s in a host, But you’d best keep away from the crossroads ghost. - common clapping rhyme among the ever-lasters of the twilight
Seanan McGuire (The Girl in the Green Silk Gown (Ghost Roads, #2))
I lay on your bed, and smelled your pillow,” I say, and rush to tell her the rest. “I may have also had a beer, touched your underwear, smelled your shampoo, and used some of your lotion. Look, don’t judge, I just wanted to get as close to you as I could.
Alexa Riley (Pulling Her Trigger (Ghost Riders MC, #1))
I learned he knows how to play my body. I cum when he wants me to, be it in seconds, minutes, or even hours.
Alexa Riley (Pulling Her Trigger (Ghost Riders MC, #1))
Dedicated to the future, with honor to the past.
Neil Peart (Ghost Rider: Travels on the Healing Road)
Plumes of smoke rose hundreds of feet into the air, elegant fountains and twisting snow devils, shapes of veiled Arab women and ghost riders dissolving in white fume.
Annie Proulx (Close Range: Wyoming Stories)
puts her little finger in my face. “I don’t speak Behemoth, so I’ll talk slow. You should learn some manners before the villagers chase you with fiery torches. You shouldn’t go around putting your hands on people, no matter how hot you are.
Alexa Riley (Beauty and the Biker (Ghost Riders MC, #2))
Just follow your front wheel.
Neil Peart (Ghost Rider: Travels on the Healing Road)
I shall not waste my days in trying to prolong them.
Neil Peart (Ghost Rider: Travels on the Healing Road)
Thoreau, “At death, our friends and relatives either draw nearer to us, and are found out, or depart farther from us, and are forgotten.
Neil Peart (Ghost Rider: Travels on the Healing Road)
Perils of solitude #1: People talk to you. I’d rather listen.
Neil Peart (Ghost Rider: Travels on the Healing Road)
Success is not the result of spontaneous combustion; you must set yourself on fire.
Neil Peart (Ghost Rider: Travels on the Healing Road)
Any man that's got the guts to sell his soul for love has got the power to change the world. You didn't do it for greed, you did it for the right reason. Maybe that puts God on your side. To them that makes you dangerous, makes you unpredictable. That's the best thing you can be right now.
Carter Slade Ghost Rider
There have been those who have actually said they envy me, though mostly strangers, and I doubt you’d be that short-sighted or self-absorbed. This is way more freedom than anyone should ever desire, and carries way more baggage than “freedom” can ever sustain. This is more like “desperate flight,” and another name I have for myself is “The Ghost Rider.” I’m a ghost, I carry a few ghosts with me, and I’m riding through a world that isn’t quite real. But I’m okay as long as I keep moving . . .
Neil Peart (Ghost Rider: Travels on the Healing Road)
I had come to appreciate the long open stretches of two-lane highway across the sagey sea and mountain-studded plateau of the Great Basin, but the towns and cities were another thing. I liked the natural face of Nevada, but was not as impressed by the human face.
Neil Peart (Ghost Rider: Travels on the Healing Road)
Everything that we were, everything we based our lives upon, everything that we believed is gone. In my journal one time, I expressed the feeling of hurt that I carry around, so similar to the feeling of being betrayed, and I concluded that I had been betrayed, by Life itself, and that’s pretty deep. So, the betrayed ones, like you and me, have to start all over again, from Absolute Zero, and construct some new version of “Life,” one that we can “live with.” No way we can hold onto what we used to believe, and no way we can forget what has actually happened in our lives, and in our worlds. We will never trust Life again.
Neil Peart (Ghost Rider: Travels on the Healing Road)
Big ring around moon, three or four days from full. Rain coming? Big wave every 10 seconds, sometimes like distant explosion, booming sub-bass.
Neil Peart (Ghost Rider: Travels on the Healing Road)
I watched a storm pass to the north, trailing veils of dark rain.
Neil Peart (Ghost Rider: Travels on the Healing Road)
Most hot guys are lazy because they just rely on their looks. I have to do all the work to get what I want, so I’ll take that bet.
Alexa Riley (Pulling Her Trigger (Ghost Riders MC, #1))
He’s too muscled, he’s too tattooed, and his beard is too…too beardy. I
Alexa Riley (Riding Him (Ghost Riders MC, #5))
I saw that it was plain wrong to evaluate people according to race, for it was clear that culture was the real divider among peoples.
Neil Peart (Ghost Rider: Travels on the Healing Road)
We used our imagination to create a world of wolves and vampires, ghosts and Cossack warriors—and we chased each other right through the middle of them.
Anthony Horowitz (Russian Roulette (Alex Rider, #10))
The only reason I am alive is because I could not die.
Neil Peart (Ghost Rider: Travels on the Healing Road)
What a fool I used to be (The truest words I ever wrote, and they get truer every day. )
Neil Peart (Ghost Rider: Travels on the Healing Road)
We are all god's vomit."- Ghost Rider, Avengers Vol.1 The Final Host
Jason Aaron
Shot the man! Shed human blood! Hid in a pool!" ejaculated Mr. Dove, overcome. "Really, Rachel, you are a most trying daughter. Why should you go out before daybreak and do such things?
H. Rider Haggard (The Ghost Kings)
And FYI, I don’t kiss on the mouth. So if you want to taste me you’ll have to do it somewhere else,” I add, flashing a wicked grin. “Call it a test. You make me cum with your mouth and I’ll let you take me to the hotel next door. If you can’t make me cum, then I go back out to the bar and find someone who can.
Alexa Riley (Pulling Her Trigger (Ghost Riders MC, #1))
To try to give our infatuation a higher place than Truth is a sign of inherent slavishness. Where our minds are free we find ourselves lost. Our moribund vitality must have for its rider either some fantasy, or someone in authority, or a sanction from the pundits, in order to make it move. So long as we are impervious to truth and have to be moved by some hypnotic stimulus, we must know that we lack the capacity for self- government. Whatever may be our condition, we shall either need some imaginary ghost or some actual medicine-man to terrorize over us.
Rabindranath Tagore (The Home and the World)
When the two of them are paired up for a job out of town, they’ll be left on their own in the middle of nowhere. Being stuck inside a tiny tent, with no one to hear them… I wonder what could possibly happen? *cue dirty 70s music*
Alexa Riley (Riding Him (Ghost Riders MC, #5))
Grim faced and forbidding Their faces closed tight An angular mass of New Yorkers Pacing in rhythm Race the oncoming night They chase through the streets of Manhattan Head first humanity Pause at a light Then flow through the streets of the city They seem oblivious To a soft spring rain Like an English rain So light, yet endless From a leaden sky
Neil Peart (Ghost Rider: Travels on the Healing Road)
My parents come from old money in Kansas City. They
Alexa Riley (Riding Him (Ghost Riders MC, #5))
...I decided I didn't want to give offense to any believers by trumpeting my "non-belief", even though they might not show me the same courtesy.
Neil Peart (Ghost Rider: Travels on the Healing Road)
It is said that pearls, being organic, become imbued with the essence of their wearer, and thus are the most personal of jewels,
Neil Peart (Ghost Rider: Travels on the Healing Road)
Man, you have to admit, your future’s so bright, we don’t have to wear shades. Just rainsuits . . .
Neil Peart (Ghost Rider: Travels on the Healing Road)
setting off,” when the world both contracts and expands at the same time.
Neil Peart (Ghost Rider: Travels on the Healing Road)
Getting through Lake Tahoe was already like L.A., with construction all over the place,
Neil Peart (Ghost Rider: Travels on the Healing Road)
fell into their open arms.
Neil Peart (Ghost Rider: Travels on the Healing Road)
You know, I used to think, ‘Life is great, but people suck,’ but now I’ve had to learn the opposite, ‘Life sucks, but people are great.
Neil Peart (Ghost Rider: Travels on the Healing Road)
That’s not hunting,” I wrote, “that’s just shooting.
Neil Peart (Ghost Rider: Travels on the Healing Road)
And me, I’ve got to start all over. Not only build a new life, but construct a new person. I call my old self “that other guy,” for I share nothing but his memories, and everything he ever liked I’ve had to discover all over again, one by one, so that I’ve held on to, for example, reading, motorcycling, and birdwatching, but I’m not yet sure about art or music (I can look at it or listen to it, but not with the same “engagement” I used to), and I have no interest in work, charity, world events, or anybody I don’t know. In my present gypsy life, I encounter a lot of people every day, and some of them I instinctively like and respond to in a brief encounter at a gas station or small-town diner, but for the most part I look around at ugly and mean-spirited people and think, “Why are you alive?
Neil Peart (Ghost Rider: Travels on the Healing Road)
I know Mother and Father were so happy for me today at the church—St Andrew’s Church here in Charlbury. Though why they should be, I don’t understand. I had met Sir Giles Lacey only a few times before today at our wedding. One of those times was at our betrothal. The time before that was when he’d proposed and then when we’d stay at Lacey Hall in the days preceding our marriage. I’d implored Mother not to allow the wedding to proceed, told her that I loathed the man.
Ellen Read (The Ghost Rider)
Arioch!” swore Elric, suddenly recognizing the riders. “These are the Lords of Dharzi—dead these ten centuries. We’re fighting dead men, Moonglum, and the too-tangible ghosts of their dogs. Unless I can think of a sorcerous means to defeat them, we’re doomed!
Michael Moorcock (Elric: The Stealer of Souls (Chronicles of the Last Emperor of Melniboné, #1))
I remember thinking, “How does anyone survive something like this? And if they do, what kind of person comes out the other end?” I didn’t know, but throughout that dark time of grief, sorrow, desolation, and complete despair, something in me seemed determined to carry on. Something would come up.
Neil Peart (Ghost Rider: Travels on the Healing Road)
If there's anything that teaching teaches teachers, it's recognition of one's limits in reaching others. Call it the reach of the teach. For every writer, most of the world is deaf. Lucy once said, "Face it -it's a busy world out there." The bus travelers made clear the reader I hoped for was not just anyone but rather someone I'd like to travel with: tolerant, curious, sense of humored, lover of language, generous of spirit; in short, somebody I could learn from. In the Ghost, maybe that someone was the blue-roads rider -or was it a writer? Whoever it was, I had to address the reader as if a rider, for in the end, the final power in any story lies not in the mind of the teller but in the imagination of the listener.
William Least Heat-Moon (Writing BLUE HIGHWAYS: The Story of How a Book Happened)
Behind the abandoned house, two faerie horses chew on dandelions as they wait for their riders. Slight as deer, with a soft halo of light surrounding their bodies, they glide between the trees like ghosts. Oak goes to the first. Her coat a soft grey, her mane braided into something that looks like netting, and which is hung with gold beads. Tooled leather saddlebags rest against her flanks. She nuzzles into his hand.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
With Nancy in the lead, the riders cut across the big meadow at a gallop and started up the mountain trail. Nancy followed Aunt Bet’s map, and after a long, hot climb, the girls sighted a group of weather-beaten frame buildings clinging to the slope above. As they rode into the streets of the ghost town they were struck by the silence and the bleached look of the sagging buildings. In front of a dilapidated hotel they dismounted and tied their horses to an old hitching rail.
Carolyn Keene (The Secret of Shadow Ranch (Nancy Drew, #5))
In two days they began to come upon bones and cast-off apparel. They saw halfburied skeletons of mules with the bones so white and polished they seemed incandescent even in that blazing heat and they saw panniers and packsaddles and the bones of men and they saw a mule entire, the dried and blackened carcass hard as iron. They rode on. The white noon saw them through the waste like a ghost army, so pale they were with dust, like shades of figures erased upon a board. The wolves loped paler yet and grouped and skittered and lifted their lean snouts on the air. At night the horses were fed by hand from sacks of meal and watered from buckets. There was no more sickness. The survivors lay quietly in that cratered void and watched the whitehot stars go rifling down the dark. Or slept with their alien hearts beating in the sand like pilgrims exhausted upon the face of the planet Anareta, clutched to a namelessness wheeling in the night. They moved on and the iron of the wagontires grew polished bright as chrome in the pumice. To the south the blue cordilleras stood footed in their paler image on the sand like reflections in a lake and there were no wolves now. They took to riding by night, silent jornadas save for the trundling of the wagons and the wheeze of the animals. Under the moonlight a strange party of elders with the white dust thick on their moustaches and their eyebrows. They moved on and the stars jostled and arced across the firmament and died beyond the inkblack mountains. They came to know the nightskies well. Western eyes that read more geometric constructions than those names given by the ancients. Tethered to the polestar they rode the Dipper round while Orion rose in the southwest like a great electric kite. The sand lay blue in the moonlight and the iron tires of the wagons rolled among the shapes of the riders in gleaming hoops that veered and wheeled woundedly and vaguely navigational like slender astrolabes and the polished shoes of the horses kept hasping up like a myriad of eyes winking across the desert floor. They watched storms out there so distant they could not be heard, the silent lightning flaring sheetwise and the thin black spine of the mountain chain fluttering and sucked away again in the dark. They saw wild horses racing on the plain, pounding their shadows down the night and leaving in the moonlight a vaporous dust like the palest stain of their passing.
Cormac McCarthy (Blood Meridian: Or the Evening Redness in the West)
The valley of Minas Morgul passed into evil very long ago, and it was a menace and a dread while the banished Enemy dwelt yet far away, and Ithilien was still for the most part in our keeping. As you know, that city was once a strong place, proud and fair, Minas Ithil, the twin sister of our own city. But it was taken by fell men whom the Enemy in his first strength had dominated, and who wandered homeless and masterless after his fall. It is said that their lords were men of Númenor who had fallen into dark wickedness; to them the Enemy had given rings of power, and he had devoured them: living ghosts they were become, terrible and evil. After his going they took Minas Ithil and dwelt there, and they filled it, and all the valley about, with decay: it seemed empty and was not so, for a shapeless fear lived within the ruined walls. Nine Lords there were, and after the return of their Master, which they aided and prepared in secret, they grew strong again. Then the Nine Riders issued forth from the gates of horror, and we could not withstand them. Do not approach their citadel. You will be espied. It is a place of sleepless malice, full of lidless eyes. Do not go that way!
J.R.R. Tolkien (The Lord of the Rings)
How many of these do you suppose will be alive at this time to-morrow?" asked Sir Henry. I shook my head and looked again at the sleeping men, and to my tired and yet excited imagination it seemed as though Death had already touched them. My mind's eye singled out those who were sealed to slaughter, and there rushed in upon my heart a great sense of the mystery of human life, and an overwhelming sorrow at its futility and sadness. To-night these thousands slept their healthy sleep, to-morrow they, and many others with them, ourselves perhaps among them, would be stiffening in the cold; their wives would be widows, their children fatherless, and their place know them no more for ever. Only the old moon would shine on serenely, the night wind would stir the grasses, and the wide earth would take its rest, even as it did æons before we were, and will do æons after we have been forgotten. Yet man dies not whilst the world, at once his mother and his monument, remains. His name is lost, indeed, but the breath he breathed still stirs the pine-tops on the mountains, the sound of the words he spoke yet echoes on through space; the thoughts his brain gave birth to we have inherited to-day; his passions are our cause of life; the joys and sorrows that he knew are our familiar friends—the end from which he fled aghast will surely overtake us also! Truly the universe is full of ghosts, not sheeted churchyard spectres, but the inextinguishable elements of individual life, which having once been, can never die, though they blend and change, and change again for ever.
H. Rider Haggard (King Solomon's Mines (Allan Quatermain, #1))
In the evening he saddled his horse and rode out west from the house. The wind was much abated and it was very cold and the sun sat blood red and elliptic under the reefs of bloodred cloud before him. He rode where he would always choose to ride, out where the western fork of the old Comanche road coming down out of the Kiowa country to the north passed through the westernmost section of the ranch and you could see the faint trace of it bearing south over the low prairie that lay between the north and middle forks of the Concho River. At the hour he'd always choose when the shadows were long and the ancient road was shaped before him in the rose and canted light like a dream of the past where the painted ponies and the riders of that lost nation came down out of the north with their faces chalked and their long hair plaited and each armed for war which was their life and the women and children and women with children at their breasts all of them pledged in blood and redeemable in blood only. When the wind was in the north you could hear them, the horses and the breath of the horses and the horses' hooves that were shod in rawhide and the rattle of lances and the constant drag of the travois poles in the sand like the passing of some enormous serpent and the young boys naked on wild horses jaunty as circus riders and hazing wild horses before them and the dogs trotting with their tongues aloll and footslaves following half naked and sorely burdened an above all the low chant of their traveling song which the riders sang as they rode, nation and ghost of nation passing in a soft chorale across that mineral waste to darkness bearing lost to all history and all remembrance like a grail the sum of their secular and transitory and violent lives.
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
2/ KICK YOUR OWN ASS, GENTLY. I’ve been trying to set a few modest goals, both daily and weekly. In the course of a day, it’s good to get some stupid things accomplished, and off your “list.” I guess because it leaves you feeling that you and the “rest of the world” still have something to do with each other! Like today, for example, I can think back on sending a fax to my brother on his birthday, leaving a phone message for Brutus at his “hotel” on his birthday, phoning my Dad on his birthday (yep, all on the same day), then driving to Morin Heights to the ATM machine, to St. Sauveur for grocery shopping, and planning all that so I’d still have enough daylight left to go snowshoeing in the woods. And then I could drink. Not a high-pressure day, and hardly earth-shaking activities, but I laid them out for myself and did them (even though tempted to “not bother” with each of them at one point or another). I gave myself a gentle kick in the ass when necessary, or cursed myself out for a lazy fool, and because of all that, I consider today a satisfactory day. Everything that needed to be done got done. And by “needs” I certainly include taking my little baby soul out for a ride. And drinking. And there are little side benefits from such activities, like when the cashier in the grocery store wished me a genuinely-pleasant “Bonjour,” and I forced myself to look at her and return the greeting. The world still seems unreal to me, but I try not to purposely avoid contact with pleasant strangers. It wouldn’t be polite! Another “little goal” for me right now is spending an hour or two at the desk every morning, writing a letter or a fax to someone like you, or Brutus, or Danny, who I want to reach out to, or conversely, to someone I’ve been out of touch with for a long while, maybe for a year-and-a-half or two years. These are friends that I’ve decided I still value, and that I want as part of my “new life,” whatever it may be. It doesn’t really matter what, but just so you can say that you changed something in the course of your day: a neglected friend is no longer neglected; an errand that ought to be dealt with has been dealt with.
Neil Peart (Ghost Rider: Travels on the Healing Road)
Someone—Tony or Warner Bros.?—had decided that the grueling schedule and the added tension in the band might be alleviated somewhat by the relative comfort of bus touring versus Old Blue. It was a nice idea. It might have even been a gambit to see if the camaraderie of sharing a luxurious living situation might heal the band’s broken bonds. So we loaded all of our gear into the parking lot behind our apartment and waited for our new accommodations to arrive. Everyone, I think even Jay, was excited about the prospect of spending at least some small part of our lives seeing what it was like to tour in style. That was until he laid eyes on the Ghost Rider. What we were picturing was sleek and non-ostentatious like the buses we had seen parked in front of theaters at sold-out shows by the likes of R.E.M. or the Replacements. Instead, what we got was one of Kiss’s old touring coaches—a seventies-era Silver Eagle decked out with an airbrushed mural in a style I can only describe as “black-light poster–esque,” depicting a pirate ship buffeted by a stormy sea with a screaming skeleton standing in the crow’s nest holding a Gibson Les Paul aloft and being struck by lightning. The look on Jay’s face was tragic. I felt bad for him. This was not a serious vehicle. I’m not sure how we talked him into climbing aboard, and once we did, I have no idea how we got him to stay, because the interior was even worse. White leather, mirrored ceilings, and a purple neon sign in the back lounge informing everyone, in cursive, that they were aboard the “Ghost Rider” lest they forget. So we embarked upon Uncle Tupelo’s last tour learning how to sleep while being shot at eighty miles per hour down the highway inside a metal box that looked like the VIP room at a strip club and made us all feel like we were living inside a cocaine straw. Ghost Rider indeed.
Jeff Tweedy (Let's Go (So We Can Get Back): A Memoir of Recording and Discording with Wilco, Etc.)
The world’s full of details, have you noticed? And since no detail is ever repeated in exactly the same shape and always sets off other details, there’s no end to it.
Fred Vargas (The Ghost Riders of Ordebec (Commissaire Adamsberg, #9))
The ghostroads love him like they’ve never loved me—like they’ve never loved any hitcher. All that, and his car, too. Phantom riders get all the luck.
Seanan McGuire (Sparrow Hill Road (Ghost Roads, #1))
And we can watch Ghost Rider after dinner, then you can tell me whether it’s fact or fiction.
Avina St. Graves (Death's Obsession)
Conflict is a form of intimacy, and he did not want to be close to anyone.
Sharyn McCrumb (Ghost Riders (Ballad, #7))
Maybe heaven is getting to live forever in one really wonderful moment....I've made a point of collecting happy moments, ones I might like to live in for all time.
Sharyn McCrumb (Ghost Riders (Ballad, #7))
There was also a term for bikers called “target fixation.” When a rider looked at something for too long and focused on a passing object, or any small distraction to the left or right of him, he had an increased chance of colliding with that object. It was extremely dangerous to fixate. Any concentration expended that was not ahead of the rider oftentimes resulted in severe injury or death. A biker who wanted to live must not be thrown off course. And after miles and miles of riding, of looking ahead, of sixty mile per hour winds piercing his neck, the gloss of his eyes hardening, he naturally never target fixated on things or people either.
Kristian Ventura (A Happy Ghost)
Then he considered other possibilities. Of course, he said to himself, he didn’t believe in ghosts or spirits, although during his childhood in the south of Chile people talked about the mechona who waited for riders on a tree branch, dropping onto horses’ haunches, clinging to the back of the cowboy or smuggler without letting go, like a lover whose embrace maddened the horse as well as the rider, both of them dying of fright or ending up at the bottom of a ravine, or the colocolo, or the chonchones, or the candelillas, or so many other little creatures, lost souls, incubi and succubi, lesser demons that roamed between the Cordillera de la Costa and the Andes, but in which he didn’t believe, not exactly because of his training in philosophy (Schopenhauer, after
Roberto Bolaño (2666)
In the Atlas of Swiss Ethnology, Elisabeth Liebl provides a synthesis of the relationships between the Wild Hunt and the weather.2 The passage of souls in perdition heralded bad weather. The apparition of the Türschtegjeg was accompanied by the roar of thunder and bolts of lightning, and when a strong autumn gale blows or a heavy winter storm rages, people in Switzerland still say “the Türscht is on the hunt.” People also say “it is as if the Türscht was hunting.”3 In the Thun region, the passage of the riders of the Furious Army is accompanied by rumblings. When the Waldhooli blows his horn, the weather is going to turn foul. On stormy nights, the grand duke (der wilde Geissler) leads the Wild Hunt.
Claude Lecouteux (Phantom Armies of the Night: The Wild Hunt and the Ghostly Processions of the Undead)
was the deep, cold distinction between fantasy and reality: No consequences.
Neil Peart (Ghost Rider: Travels on the Healing Road)
On December 29, 1890, Big Foot and two hundred or more unarmed Minnecojou men, women, and children, with a few fugitives from Sitting Bull's Hunkpapa band, were slaughtered by the Seventh Cavalry at Wounded Knee. Custer's former regiment, decimated by Indians at the battle of The Greasy Grass (Little Big Horn), was avenged. For this barbarous and cowardly act, 20 soldiers received Congressional Medals of Honor.
Antoinette Nora Claypoole (Ghost Rider Roads: Inside the American Indian Movement: 1971-2012)
You can't live in fear
Ghost Rider
hay farms, scrub forest, and some bald-looking areas of
Neil Peart (Ghost Rider: Travels on the Healing Road)
You’re safe now,” Rider said. “I here. You’re safe, Mouse. And I know you might not believe it, but I’m going to keep you safe forever.” He swallowed and swiped at his lip. “That’s a promise.” Forever. He’s promised he’d be there for me forever. But I was of the mind that there were two types of forever. The good kind. The bad kind. I’d learned early on that the good kind of forever was,well, it was a lie. That kind of forever literally and figuratively ended in flames, because no matter how tightly you tried to hold on, that kind of forever slipped between the fingers. The bad kind of forever lingered like a shadow or ghost. No matter what. It stayed, always in the background.
Jennifer L. Armentrout (The Problem with Forever)
Her eyes meet mine. “What exactly do you want, Rider?” My throat feels tight. I take a breath. For some crazy reason, I feel like I’m trying to throw for a touchdown. “Just… I need us to be friends again. I miss you, Gabby, and I regret how I treated you. And with everything with Poppy, I’m being reminded of how amazing you are.” I shrug. “I miss our friendship. Don’t you?” My heart feels like it’s gonna beat out of my chest with that confession. “And that’s all you want?” she asks warily. “Friendship?” Yes. No. Fuck, I don’t know. “That’s all I have time for right now.” Do I miss our friendship? Absolutely. Do I want to fuck her until I can’t walk anymore? Definitely. Can I handle anything beyond sex right now while I juggle all the other shit in my life? Probably not. So yeah, I guess I’d better keep my damn hands to myself. “And you’re not going to ghost me again?” she asks. The vulnerability in her voice kills me, and I reach for her hand again. “Because it sucked to open up to you about being in foster care only for you to disappear on me.” I close my eyes. Christ. No wonder she thinks I’m a douchebag. “I promise I won’t disappear again. You’re officially stuck with me now.
Lex Martin (The Varsity Dad Dilemma (Varsity Dads #1))
the
Neil Peart (Ghost Rider: Travels on the Healing Road)
Arrange mutually agreeable times to call, discuss everything even if it seems insignificant because in reality something a couple in the free world will not think to discuss can become the source of a major disagreement between a couple doing a bid together. I say a couple doing the bid together because let us be real, the man may be the one locked up but women also do the time with them. Women suffer just as much as they do and have lost just as much as they have. Yes, of course, women have their freedom but they don’t have the man they love living with them, eating with them, sleeping next to them, there to support their family, and to enjoy the milestones. He will inevitably become someone for whom you are unable to rely on, because how can you rely on someone that seems almost ghost-like throughout this entire time.
B Smith (Rider: The truth behind prison relationships)
... when the shadows were long and the ancient road was shaped before him in the rose and canted light like a dream of the past where the painted ponies and the riders of that lost nation came down out of the north with their faces chalked and their long hair plaited and each armed for war which was their life and the women and children and women with children at their breasts all of them pledged in blood and redeemable in blood only. When the wind was in the north you could hear them, the horses and the breath of the horses and the horses' hooves that were shod in rawhide and the rattle of lances and the constant drag of the travois poles in the sand like the passing of some enormous serpent and the young boys naked on wild horses jaunty as circus riders and hazing wild horses before them and the dogs trotting with their tongues aloll and footslaves following half naked and sorely burdened and above all the low chant of their traveling song which the riders sang as they rode, nation and ghost of nation passing in a soft chorale across that mineral waste to darkness bearing lost to all history and all remembrance like a grail the sum of their secular and transitory and violent lives.
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
No mortal lights illuminated the scene: not even a few candles flickering dimly in the windows of the White Tower. There was only the ethereal moonlit glow surrounding the court of the Daoine Sidhe, who waited on fair steeds like so many ghostly riders on a procession out of Hell.
Elizabeth Bear (Hell and Earth (Promethean Age, #4))
One more scary story, especially if you’re lucky enough to hear it on Halloween night, or late around a dying campfire, is about the innocent man who picks up a young hitchhiker who turns out to be a ghost. The man saw a thin figure hitchhiking at a dark corner near the local cemetery on his way home late one night. He stopped to give the person a ride, and the figure got in quietly beside him. It was raining hard, and despite his attempts at conversation, the hitchhiker only said, “10 Capen Street, please,” in a soft, sad voice. When the man stopped at a traffic light, he could see the soft features of a 12-year-old girl, he guessed, staring straight ahead. She might have been crying, the man thought, or her face was wet from the rain. After he dropped her off at 10 Capen Street at a house surrounded by spooky-looking pine trees that swayed in the wind, he went home, only to find that his rider had left her hooded sweatshirt in the car. The next night after work, the man swung by the unlit house at 10 Capen Street. He waited a good long while at the front door after ringing the doorbell. Finally, a frowning older woman answered, and the man offered the sweatshirt that the girl had mistakenly left in his car. The woman looked suddenly shocked, and said, “This belongs to my granddaughter who was hit by a car a year ago while walking near the cemetery!
Nathan Snyder (Scary Stories for Kids: Spine-Tingling Tales for Brave Kids Who Like Spooky Stories)
That day the explosion took Abe and left Savage in his place. Gone is the laid back man who would talk for hours about the woman he left behind. He always said he’d marry her when he was back stateside. Now we can’t say her name without him getting up and leaving the room.
Alexa Riley (Pulling Her Trigger (Ghost Riders MC, #1))
People say times have changed. That just means they’ve got more discreet.
Fred Vargas (The Ghost Riders of Ordebec (Commissaire Adamsberg #9))
principle of serendipitous confluence.
Neil Peart (Ghost Rider: Travels on the Healing Road)
insta-love so hard it will dent your kindle. *not responsible for dented kindles*
Alexa Riley (Ghost Riders (Ghost Riders MC #1-5))
It was stressful having you two so close to each other. My past and present lovers. It was like the Dickens Scrooge story, but with penises instead of ghosts." A laugh burst out of him. "Sometimes I have no idea what holds us together, and then there are times when you say something utterly batshit like that and I truly understand why I fell for you, sugar cookie.
C.P. Rider (Sabotaged (Sundance, #3))
Ghost Riders in the Sky” meets Vince Guaraldi!
John Densmore (Riders on the Storm: My Life with Jim Morrison and the Doors)
New Jersey
Neil Peart (Ghost Rider: Travels on the Healing Road)
I love her so goddamn much, Lucias, I just want what’s best for her.” “Then be what’s best for her.
Alexa Riley (Beauty and the Biker (Ghost Riders MC, #2))
When we walk in, everybody turns to look at us. Pres looks down at our joined hands and then looks to Knox. I open my mouth to say something, but he beats me to it. Of course he does. “Yo. Little announcement here. Violent Violet and I are together. She’s my old lady and I’m her old man. Yada yada yada, we’re getting married. So there’s that.” I look at him, and I feel my jaw pop open. “Did you just yada yada your proposal to me?” Knox shrugs like it’s no big deal. “Wasn’t going to let you tell me no.” The big scarred-up guy comes over and gives him a high five. “Best way to do it,” he says and pats Knox on the back. “About time you made an honest man out of him,” Pres says, walking over and giving me a hug. I feel Knox’s hand tighten, and he doesn’t let it go while I awkwardly try to hug the guy back. “We’re all a family here now, and it’s going to stay that way. We agreed that you’re patched in, regardless if you marry this nerd or not.” I lean into Knox and laugh. “Thank you.” “Welcome to the Ghost Riders,” Pres says, and suddenly I hear a champagne cork pop and we’re all being sprayed with suds. I try to turn into Knox’s chest, but he holds me in front of him so I get covered. As more champagne is popped and more bottles get poured, Knox spins me in his arms and raises me up so we are at eye level. “I love you, baby,” he says, kissing me on the lips. ‘Love you, too,” I mumble as I wrap myself around him. I’m finally at peace with myself and my life, and I’ve got someone to always make me feel safe. It was a long time coming, but it was worth the wait. And now we’ve got the rest of our lives to do this thing we call love.
Alexa Riley (Riding Him (Ghost Riders MC, #5))