Ghost Quartet Quotes

We've searched our database for all the quotes and captions related to Ghost Quartet. Here they are! All 9 of them:

She walked with a ghost of herself, one full of potential and possibility. One who was fearless. Where had that girl gone?
Nora Roberts (Vision in White (Bride Quartet, #1))
Scholars don't have blood flowing in their veins," said Hamlet. "When they're wounded, they bleed logic, and when all of it is gone, their brains die, and they become ... soldiers.
Orson Scott Card (The Ghost Quartet)
It’s the problem in seeing too much of the world. In loving too much of it. You can only live in one place at a time. And eventually, you pick your spot, and the memories of all the others just become ghosts.
Daniel Abraham (A Betrayal in Winter (Long Price Quartet, #2))
But while our parting was mutually acceptable and even expedient, still it was painful. And I would like to think it hurt both of us, for I certainly felt it: a wrenching inside, like some small but improbably necessary organ was no longer in there, that it was missing, torn or fallen out. And at the time I'd thought that was the end of it; what was missing was gone forever
Brian Lumley (The Ghost Quartet)
Now that he’s up on his feet he is hungry. Can you be hungry and dead? Course you can, all those hungry ghosts eating people’s hearts and minds.
Ali Smith (Autumn (Seasonal Quartet, #1))
What are you reading?" Polonius asked. "Words, words, words," said Hamlet. "And what's the subject?" "Lesser than the king, but still not nothing." It took Polonius a moment to realize he had answered another meaning of 'subject.' "I mean what do you read about?" "All in a line, back and forth." said Hamlet. "I go from left to right with my mind full, and then must drop it there and head back empty-headed to the left side again, and take up another load to carry forward. It's a most tedious job, and when I'm done, there are all the letters where I found them, unchanged despite my having carried them all into my head.
Orson Scott Card (The Ghost Quartet)
And how true it is that the turnings on the path are often so subtle, so unsuspected at the time, that we pass them by with a wave and a smile and a near arrogant ease. Yet when we look back in life the reasons for our choices seem unbearably flimsy and silly, which is confusing and even frightening. A totally different life which could have worked just as well as the one we have? That’s something none of us likes to think about. Instead, we try mightily to forget our other worlds that might have been, and with good reason. But all the same those rare and beautiful moments from the past live on within us, no farther away than the smell of an olive wood fire or the sound of rain beating softly on a garden, time’s unquiet ghosts, haunting our memories with secret whispers of what if? …
Edward Whittemore (Jericho Mosaic (The Jerusalem Quartet, #4))
She bears a fleeting ghost of a resemblance to that girl dancing with the phonebox in the film back then; the girl-ghost is a technicolor shimmer somewhere still about her person. Her older self is warm, bright like an apple still high up in a tree after all the others have been picked.
Ali Smith (Autumn (Seasonal Quartet, #1))
DANIELLE AND GRACIE were in Yellowstone and it was spooky. The roads were fine—no snow—but it was oppressively dark and it seemed like someone had flipped a switch and turned out all the lights. The sky was clear and it had stopped raining but the only illumination came from a thin sliver of moon and the gauzy, ghostly wash of a million stars that seemed close, as if tamped down by an unseen hand from above. The road was banked with walls of thick black pines that occasionally opened up to reveal grassy meadows. Although the tires hummed on the pavement, Gracie got a sense of immense quiet all around them. They’d encountered no oncoming cars since they’d entered the park out of Silver Gate, a tiny and sleepy town where the only human activity existed around a couple of bars.
C.J. Box (The Highway (Highway Quartet #2))