Ghetto Relationship Quotes

Ghetto Haikus Friendship needs just two. Hot relationships needs three. But bitches can't count. Nigga don't need no cherry blossoms to haiku. Dis niggaz got skillz. Any of yoos seen Moesha or Latesha? Bitches owe me cash. Obama's whiter than Spring laundry day at Duke's house in Baton Rouge.

Today, the War on Drugs has given birth to a system of mass incarceration that governs not just a small fraction of a racial or ethnic minority but entire communities of color. In ghetto communities, nearly everyone is either directly or indirectly subject to the new caste system. The system serves to redefine the terms of the relationship of poor people of color and their communities to mainstream, white society, ensuring their subordinate and marginal status. The criminal and civil sanctions that were once reserved for a tiny minority are now used to control and oppress a racially defined majority in many communities, and the systematic manner in which the control is achieved reflects not just a difference in scale. The nature of the criminal justice system has changed. It is no longer concerned primarily with the prevention and punishment of crime, but rather with the management and control of the dispossessed. Prior drug wars were ancillary to the prevailing caste system. This time the drug war is the system of control.

For black youth, the experience of being “made black” often begins with the first police stop, interrogation, search, or arrest. The experience carries social meaning—this is what it means to be black. The story of one’s “first time” may be repeated to family or friends, but for ghetto youth, almost no one imagines that the first time will be the last. The experience is understood to define the terms of one’s relationship not only to the state but to society at large. This reality can be frustrating for those who strive to help ghetto youth “turn their lives around.” James Forman Jr., the cofounder of the See Forever charter school for juvenile offenders in Washington, D.C., made this point when describing how random and degrading stops and searches of ghetto youth “tell kids that they are pariahs, that no matter how hard they study, they will remain potential suspects.” One student complained to him, “We can be perfect, perfect, doing everything right and still they treat us like dogs. No, worse than dogs, because criminals are treated worse than dogs.” Another student asked him pointedly, “How can you tell us we can be anything when they treat us like we’re nothing?”56 The process of marking black youth as black criminals is essential to the functioning of mass incarceration as a racial caste system. For the system to succeed—that is, for it to achieve the political goals described in chapter 1—black people must be labeled criminals before they are formally subject to control. The criminal label is essential, for forms of explicit racial exclusion are not only prohibited but widely condemned. Thus black youth must be made—labeled—criminals. This process of being made a criminal is, to a large extent, the process of “becoming” black. As Wideman explains, when “to be a man of color of a certain economic class and milieu is equivalent in the public eye to being a criminal,” being processed by the criminal justice system is tantamount to being made black, and “doing time” behind bars is at the same time “marking race.”57 At its core, then, mass incarceration, like Jim Crow, is a “race-making institution.” It serves to define the meaning and significance of race in America.

During the second half of the sixties, the center of the crisis shifted to the sprawling ghettos of the North. Here black experience was radically different from that in the South. The stability of institutional relationships was largely absent in Northern ghettos, especially among the poor. Over twenty years ago, the black sociologist E. Franklin Frazier was able to see the brutalizing effect of urbanization upon lower class blacks : ". . . The bonds of sympathy and community of interests that held their parents together in the rural environment have been unable to withstand the disintegrating forces in the city." Southern blacks migrated North in search of work, seeking to become transformed from a peasantry into a working class. But instead of jobs they found only misery, and far from becoming a proletariat, they came to constitute a lumpenproletariat, an underclass of rejected people. Frazier's prophetic words resound today with terrifying precision: ". . . As long as the bankrupt system of Southern agriculture exists, Negro families will continue to seek a living in the towns and cities of the country. They will crowd the slum areas of Southern cities or make their way to Northern cities, where their family life will become disrupted and their poverty will force them to depend upon charity." Out of such conditions, social protest was to emerge in a form peculiar to the ghetto, a form which could never have taken root in the South except in such large cities as Atlanta or Houston. The evils in the North are not easy to understand and fight against, or at least not as easy as Jim Crow, and this has given the protest from the ghetto a special edge of frustration. There are few specific injustices, such as a segregated lunch counter, that offer both a clear object of protest and a good chance of victory. Indeed, the problem in the North is not one of social injustice so much as the results of institutional pathology. Each of the various institutions touching the lives of urban blacks—those relating to education, health, employment, housing, and crime—is in need of drastic reform. One might say that the Northern race problem has in good part become simply the problem of the American city—which is gradually becoming a reservation for the unwanted, most of whom are black.

FACT 4 – There is more to the creation of the Manson Family and their direction than has yet been exposed. There is more to the making of the movie Gimme Shelter than has been explained. This saga has interlocking links to all the beautiful people Robert Hall knew. The Manson Family and the Hell’s Angels were instruments to turn on enemy forces. They attacked and discredited politically active American youth who had dropped out of the establishment. The violence came down from neo-Nazis, adorned with Swastikas both in L.A. and in the Bay Area at Altamont. The blame was placed on persons not even associated with the violence. When it was all over, the Beatles and the Rolling Stones were the icing on this cake, famed musicians associated with a racist, neo-Nazi murder. By rearranging the facts, cutting here and there, distorting evidence, neighbors and family feared their own youth. Charles Manson made the cover of Life with those wide eyes, like Rasputin. Charles Watson didn’t make the cover. Why not? He participated in all the killings. Manson wasn’t inside the house. Manson played a guitar and made records. Watson didn’t. He was too busy taking care of matters at the lawyer’s office prior to the killings, or with officials of Young Republicans. Who were Watson’s sponsors in Texas, where he remained until his trial, separate from the Manson Family’s to psychologically distance him from the linking of Watson to the murders he actually committed. “Pigs” was scrawled in Sharon Tate’s house in blood. Was this to make blacks the suspects? Credit cards of the La Bianca family were dropped intentionally in the ghetto after the massacre. The purpose was to stir racial fears and hatred. Who wrote the article, “Did Hate Kill Tate?”—blaming Black Panthers for the murders? Lee Harvey Oswald was passed off as a Marxist. Another deception. A pair of glasses was left on the floor of Sharon Tate’s home the day of the murder. They were never identified. Who moved the bodies after the killers left, before the police arrived? The Spahn ranch wasn’t a hippie commune. It bordered the Krupp ranch, and has been incorporated into a German Bavarian beer garden. Howard Hughes knew George Spahn. He visited this ranch daily while filming The Outlaw. Howard Hughes bought the 516 acres of Krupp property in Nevada after he moved into that territory. What about Altamont? What distortions and untruths are displayed in that movie? Why did Mick Jagger insist, “the concert must go on?” There was a demand that filmmakers be allowed to catch this concert. It couldn’t have happened the same in any other state. The Hell’s Angels had a long working relationship with law enforcement, particularly in the Oakland area. They were considered heroes by the San Francisco Chronicle and other newspapers when they physically assaulted the dirty anti-war hippies protesting the shipment of arms to Vietnam. The laboratory for choice LSD, the kind sent to England for the Stones, came from the Bay Area and would be consumed readily by this crowd. Attendees of the concert said there was “a compulsiveness to the event.” It had to take place. Melvin Belli, Jack Ruby’s lawyer, made the legal arrangements. Ruby had complained that Belli prohibited him from telling the full story of Lee Harvey Oswald’s murder (another media event). There were many layers of cover-up, and many names have reappeared in subsequent scripts. Sen. Philip Hart, a member of the committee investigating illegal intelligence operations inside the US, confessed that his own children told him these things were happening. He had refused to believe them. On November 18, 1975, Sen. Hart realized matters were not only out of hand, but crimes of the past had to be exposed to prevent future outrages. How shall we ensure that it will never happen again? It will happen repeatedly unless we can bring ourselves to understand and accept that it did go on.

up. I didn't like this shit, wasn't no reason in the world for them to be hanging out, but what could I say. I trusted Kaliah enough to believe that she wouldn't do shit to jeopardize my relationship with Cherish.

One of the signs of this [screen] promiscuity is the compulsion of confinement which we see flourishing everywhere - whether it is like the confinement seen in Loft Story or that of an island, a gated community, a luxury ghetto, or any space where people recreate in an experimental nest or privileged zone - some sort of equivalent space of initiation where the laws of open society are abolished. It is no longer about protecting a symbolic territory but of closing oneself off with one’s own self-image, to live promiscuously with it as in a nest, in an incestuous complicity with it and with all the effects of transparency and feedback images which are those of a total screen, no longer having anything to do with others but via the relationship of image-to-image.

At its extreme, the Trust Survival Style develops when a person grows up in an atmosphere of abuse and horror. Children who witness or experience abuse are helpless and powerless. The horror they witness may involve family violence, such as observing father beating up mother, or witnessing violence in the community, as in ghetto situations.

While I'm sitting home dealing with depression and second guessing myself, you were out building an emotional relationship with someone else. I understand that shit with us has become difficult, which is why I came up to your office to apologize and thank you for sticking with me. Before

There is a misperception about black women in society. When a black woman presents expectations to a man, she is seen as needy, bossy and a gold digger. When a woman who is not of African American descent expresses the same thing from a man, she is seen as a trophy wife. When a woman of European descent presents the same thing, she is viewed as a classy woman with standards. When a woman of European descent presents the same standards as a black woman, the Caucasian woman is credited for implementing rules of dating when she expects a man to pay for dinner or when she tells a man what she desires out of a relationship. The value of African American women is reduced not only by dominant culture and society, but by men, particularly African American men. The media, radio, music, television, newspapers and movies have devalued African American women when in reality African American women are honorable, respectable, classy, elegant, beautiful, educated and hardworking women. Dark skin women are viewed as angry, unattractive and uneducated within modern society. African American women are seen as loud, irate, insensitive and angry women as a result of labels from some African American men, media, movies and music. Television, magazines, social media, internet, videos and some music present Hispanic, Latino, White and Armenian women as trophy wives, idols and models while presenting African American women as mistresses, one night stands, casual sex, gold diggers and “baby mamas.” Latino and Dominican women are viewed as physically beautiful while Caucasian women are viewed as ideal and classy within media, music, music videos and movies. Media presents black women as bitter, scorned, ghetto, ratchet and promiscuous as if women of other races do not exhibit those characteristics. Women of other races are on television and the internet using profanity, fighting, engaging in sexual acts and cheating, however, there is an emphasis on African American women who exhibit those behaviors” (McEachern 85).

68. In A Covenant with Color: Race and Social Power in Brooklyn (New York: Columbia University Press, 2000), Wilder writes, "The ghetto is not so much a place as it is a relationship - the physical manifestation of a perverse imbalance in social power. The ghetto is not the cause of social pathology, it is its destination. It is not the set of ever-changing, ever-negotiated disparities that dominate it but the financial, physical, and legal coercion that give rise to them. It cannot be defined by the people who occupy it but by the struggles that place them there. It is not social inequality but the attempt to predetermine the burden of social inequality. Thus, ghettos are different sizes, have different demographics, and suffer different conditions. They have in common only the lack of power that allows their residents to be physically concentrated and socially targeted" (p. 234).

They were both comparative mirrors of each other. It was clear to her now more than he had used her and she was outraged that she had someone allowed it if not instigated it. Kitty retreated; she bit her lips to hold back the tears. She was a strong woman. The car purred to life and the tall shadowy figure of the boy she had the most earthshaking sex with a few nights ago gaped at her with contempt from behind the glass. She raced into traffic and a push cart man swung his arms at her motor car belting out expletives, scolding Kitty for her reckless driving. She wanted to go home but first she wanted to be at one with the wind. She listened to the sound of the cars whooshing by and the bubbly nature of the people heading into the Chinese owned supermarkets and knew she was finally home. It always found her. It found her in the men she fell in love with. Tom was a good man but he was safe and Kitty never liked safe, she was reckless and risqué like the malefactor blood that ran in her veins. She could not run from it. The Ghetto was not just a place; it was a state of mind. She always thought she was running from the Ghetto but the Ghetto was with her even to the deepest corners of the earth for the Ghetto was her. You could not run away from yourself.

He feels he has to accept their bond isn't as exalted as he believed. Just another ordinary relationship with niggling unspoken grudges, mistimed or inappropriate interventions, gross failures in code breaking, secret yearnings for escape, a growing litany of treasons and resentments.

In Max's experience whenever a person ceases to be a stranger reality either expands or constricts.

Relationships bring out the best in one, but they also bring out the worst. I'm not sure I want to subject anyone to the worst in me. Neither do I want to experience it myself. My insufficiencies, my immaturities, my insecurities. Alone, I avoid the worst of myself.

The exploitative sexual caste system could not be perpetuated without the consent of the victims as well as of the dominant sex, and such consent if obtained through sex role socialization - a conditioning process which beings to operate the moment we are born, and which is enforced by most institutions. Parents, friends, teachers, textbook authors and illustrators, advertisers, those who control the mass media, toy and clothes manufacturers, professionals such a doctors and psychologists - all contribute to the socialization process. This happens through dynamics that are largely uncalculated and unconscious, yet which reinforce the assumptions, attitudes, stereotypes, customs, and arrangements of sexually hierarchical society. The fact of womne's low caste status has been - and is - disguised. It is masked, first of all, by sex role segregation, as in a ghetto, for it makes possible the delusion that women should be "equal but different". Sexual caste is hidden also by the fact that women have various forms of *derivative status* as a consequence of relationships with men. That is, women have duality of status, and the derivative aspect of this status - for example, as daughters and wives - divides us against each other and encourages identification with patriarchal institutions which serve the interests of men at the expense of women. Finally sexual caste is hidden by ideologies that bestow false identities upon women and men. Patriarchal religion has served to perpetuate all of these dynamics of delusion, naming them "natural" and bestowing its supernatural blessings upon them. The system has been advertised as "according to the divine plan".