“
I was going to die, sooner or later, whether or not I had even spoken myself. My silences had not protected me. Your silences will not protect you.... What are the words you do not yet have? What are the tyrannies you swallow day by day and attempt to make your own, until you will sicken and die of them, still in silence? We have been socialized to respect fear more than our own need for language."
I began to ask each time: "What's the worst that could happen to me if I tell this truth?" Unlike women in other countries, our breaking silence is unlikely to have us jailed, "disappeared" or run off the road at night. Our speaking out will irritate some people, get us called bitchy or hypersensitive and disrupt some dinner parties. And then our speaking out will permit other women to speak, until laws are changed and lives are saved and the world is altered forever.
Next time, ask: What's the worst that will happen? Then push yourself a little further than you dare. Once you start to speak, people will yell at you. They will interrupt you, put you down and suggest it's personal. And the world won't end.
And the speaking will get easier and easier. And you will find you have fallen in love with your own vision, which you may never have realized you had. And you will lose some friends and lovers, and realize you don't miss them. And new ones will find you and cherish you. And you will still flirt and paint your nails, dress up and party, because, as I think Emma Goldman said, "If I can't dance, I don't want to be part of your revolution." And at last you'll know with surpassing certainty that only one thing is more frightening than speaking your truth. And that is not speaking.
”
”
Audre Lorde
“
The cat dropped the rat between its two front paws. "There are those," it said with a sigh, in tones as smooth as oiled silk, "who have suggested that the tendency of a cat to play with its prey is a merciful one - after all, it permits the occasional funny little running snack to escape, from time to time. How often does your dinner get to escape?
”
”
Neil Gaiman (Coraline)
“
Money is the barometer of a society’s virtue. When you see that trading is done, not by consent, but by compulsion–when you see that in order to produce, you need to obtain permission from men who produce nothing–when you see that money is flowing to those who deal, not in goods, but in favors–when you see that men get richer by graft and by pull than by work, and your laws don’t protect you against them, but protect them against you–when you see corruption being rewarded and honesty becoming a self-sacrifice–you may know that your society is doomed. Money is so noble a medium that does not compete with guns and it does not make terms with brutality. It will not permit a country to survive as half-property, half-loot
”
”
Ayn Rand (Atlas Shrugged)
“
You don't need treatment. The fever, inflammation, coughing, etc., constitute the healing process. Just get out of their way and permit them to complete their work. Don't try to 'aid' nature. She doesn't need your puny aid—she only asks that you cease interfering.
”
”
Herbert M. Shelton (Getting Well)
“
Being able to "go beyond the information" given to "figure things out" is one of the few untarnishable joys of life. One of the great triumphs of learning (and of teaching) is to get things organised in your head in a way that permits you to know more than you "ought" to. And this takes reflection, brooding about what it is that you know. The enemy of reflection is the breakneck pace - the thousand pictures.
”
”
Jerome Bruner (The Culture of Education)
“
What the other person says or does cannot really annoy or irritate you except you permit him to disturb you. The only way he can annoy you is through your own thought. For example, if you get angry, you have to go through four stages in your mind: You begin to think about what he said. You decide to get angry and generate an emotion of rage. Then, you decide to act. Perhaps, you talk back and react in kind. You see that the thought, emotion, reaction, and action all take place in your mind. When you become emotionally mature, you do not respond negatively to the criticism and resentment of others.
”
”
Joseph Murphy (The Power of Your Subconscious Mind)
“
They ought to make it a law that you have to get a license, or at least a learner’s permit, before you’re allowed to talk. Until you pass your Talker’s Test, you should have to be a mute.
”
”
Stephen King (Gerald's Game)
“
When you permit an outside agency to control your feelings and emotions at frequent intervals for a prolonged period, your system will soon get into the habit of submitting to the control of this outside agency, and will not respond any longer to any effort that the will may make to regain its original power of control.
”
”
Christian D. Larson
“
Jesus, sometimes I can’t believe how dumb people can be. They ought to make it a law that you have to get a license, or at least a learner’s permit, before you’re allowed to talk. Until you pass your Talker’s Test, you should have to be a mute. It would solve a lot of problems.
”
”
Stephen King (Gerald's Game)
“
Artistic style is only a means to an end, and the more styles you have, the better. To get trapped in a style is to lose all flexibility. If you have only one style, then you’re going to do the same book over and over, which is pretty dull. Lots of styles permit you to walk in and out of books. So, develop a fine style, a fat style, and fairly slim style, and a really rough style.
As an aspiring artist, you should strive for originality of vision. Have something to say and a fresh way of saying it. No story is worth the writing, no picture worth the making, if it’s not the work of the imagination.
”
”
Maurice Sendak
“
I take it you didn’t get the permits...again. (Brian)
What was your first clue? (Geary)
Oh, I don’t know. That stomping stance as you walked down the street, clenching and unclenching your fists like you’re already choking someone, or maybe it’s that way you’re looking at me like you could claw out my eyes when I haven’t done anything to piss you off. (Brian)
Yes, you have. (Geary)
And that is? (Brian)
You don’t have a gun. (Geary)
”
”
Sherrilyn Kenyon (The Dream-Hunter (Dark-Hunter, #10; Dream-Hunter, #1))
“
While they waited, Ronan decided to finally take up the task of teaching Adam how to drive a stick shift. For several minutes, it seemed to be going well, as the BMW had an easy clutch, Ronan was brief and to the point with his instruction, and Adam was a quick study with no ego to get in the way.
From a safe vantage point beside the building, Gansey and Noah huddled and watched as Adam began to make ever quicker circles around the parking lot. Every so often their hoots were audible through the open windows of the BMW.
Then—it had to happen eventually—Adam stalled the car. It was a pretty magnificent beast, as far as stalls went, with lots of noise and death spasms on the part of the car. From the passenger seat, Ronan began to swear at Adam. It was a long, involved swear, using every forbidden word possible, often in compound-word form. As Adam stared at his lap, penitent, he mused that there was something musical about Ronan when he swore, a careful and loving precision to the way he fit the words together, a black-painted poetry. It was far less hateful sounding than when he didn’t swear.
Ronan finished with, “For the love of . . . Parrish, take some care, this is not your mother’s 1971 Honda Civic.”
Adam lifted his head and said, “They didn’t start making the Civic until ’73.”
There was a flash of fangs from the passenger seat, but before Ronan truly had time to strike, they both heard Gansey call warmly, “Jane! I thought you’d never show up. Ronan is tutoring Adam in the ways of manual transmissions.”
Blue, her hair pulled every which way by the wind, stuck her head in the driver’s side window. The scent of wildflowers accompanied her presence. As Adam catalogued the scent in the mental file of things that made Blue attractive, she said brightly, “Looks like it’s going well. Is that what that smell is?”
Without replying, Ronan climbed out of the car and slammed the door.
Noah appeared beside Blue. He looked joyful and adoring, like a Labrador retriever. Noah had decided almost immediately that he would do anything for Blue, a fact that would’ve needled Adam if it had been anyone other than Noah.
Blue permitted Noah to pet the crazy tufts of her hair, something Adam would have also liked to do, but felt would mean something far different coming from him.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
You know what's wrong with scientific power?... It's a form of inherited wealth... Most kinds of power require a substantial sacrifice by whoever wants the power. There is an apprenticeship, a discipline lasting many years. Whatever kind of power you want. President of the company. Black belt in karate. Spiritual Guru. Whatever it is you seek, you have to put in the time, the practice, the effort. You must give up a lot to get it. It has to be very important to you. And once you have attained it, it is your power. It can't be given away: it resides in you. It is literally the result of your discipline. Now, what is interesting about this process is that, by the time someone has acquired the ability to his with his bare hands, he has also matured to the point where he won't use it unwisely. So that kind of power has a built-in control. The discipline of the getting the power changes you so that you won't abuse it. But scientific power is like inherited wealth: attained without discipline. You read what others have done, and you take the next step... There is no discipline... no mastery: old scientists are ignored. There is no humility before nature... A karate master does not kill people with his bare hands. He does not lose his temper and kill his wife. The person who kills is the person who has no discipline, no restraint, and who has purchased his power in the form of a Saturday night special. And that is the kind of power that science fosters, and permits.
”
”
Michael Crichton (Jurassic Park (Jurassic Park, #1))
“
I own guns. Fortunately, I have never had to use them, but, believe me, I feel a lot safer knowing that they are there. I also have a concealed-carry permit that allows me to carry a concealed weapon. I took the time and the effort to get that permit because the constitutional right to defend yourself doesn’t stop at the end of your driveway. That doesn’t apply just to me either. It applies to all our driveways or front doors.
”
”
Donald J. Trump (Great Again: How to Fix Our Crippled America)
“
It is important to understand that there is a difference between interest and commitment: When you’re interested in doing something, you do it only when circumstances permit, but when you’re committed to something, you accept no excuses, only results.
”
”
Brian P. Moran (The 12 Week Year: Get More Done in 12 Weeks than Others Do in 12 Months)
“
The absence of effective State, and, especially, national, restraint upon unfair money-getting has tended to create a small class of enormously wealthy and economically powerful men, whose chief object is to hold and increase their power. The prime need to is to change the conditions which enable these men to accumulate power which it is not for the general welfare that they should hold or exercise. We grudge no man a fortune which represents his own power and sagacity, when exercised with entire regard to the welfare of his fellows. Again, comrades over there, take the lesson from your own experience. Not only did you not grudge, but you gloried in the promotion of the great generals who gained their promotion by leading their army to victory. So it is with us. We grudge no man a fortune in civil life if it is honorably obtained and well used. It is not even enough that it should have been gained without doing damage to the community. We should permit it to be gained only so long as the gaining represents benefit to the community.
”
”
Theodore Roosevelt
“
Death represented a failure of the medical system; it would not be permitted to upset the patients or their families.
”
”
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
“
Vespers
In your extended absence, you permit me
use of earth, anticipating
some return on investment. I must report
failure in my assignment, principally
regarding the tomato plants.
I think I should not be encouraged to grow
tomatoes. Or, if I am, you should withhold
the heavy rains, the cold nights that come
so often here, while other regions get
twelve weeks of summer. All this
belongs to you: on the other hand,
I planted the seeds, I watched the first shoots
like wings tearing the soil, and it was my heart
broken by the blight, the black spot so quickly
multiplying in the rows. I doubt
you have a heart, in our understanding of
that term. You who do not discriminate
between the dead and the living, who are, in consequence,
immune to foreshadowing, you may not know
how much terror we bear, the spotted leaf,
the red leaves of the maple falling
even in August, in early darkness: I am responsible
for these vines.
”
”
Louise Glück
“
What is this place?"
"This is the afterlife of your people, only permitted to those who died before adulthood."
"Then how did you get here?"
"Have you ever tried to keep a cat out of anywhere it wanted to be?
”
”
Neil Gaiman (The Sandman: Overture)
“
The beautiful and good person neither fights with anyone nor, as much as they are able, permits others to fight . . . this is the meaning of getting an education—learning what is your own affair and what is not. If a person carries themselves so, where is there any room for fighting?” —EPICTETUS, DISCOURSES, 4.5.1; 7b–8a
”
”
Ryan Holiday (The Daily Stoic: 366 Meditations on Wisdom, Perseverance, and the Art of Living)
“
Release my horse!" I ordered, infuriated with him and wary of both the large, energetic beast and its rider.
"No," Steldor snapped. "You're coming back with me."
Gripping my reins, he permitted his stallion to move forward in the direction of the city, my mount obediently following. Unwilling to give in to him, I slid from my horse's back.
"I don't think I will return just yet, Your Majesty."
With an exasperated sigh, he dismounted and strode toward me.As he did, he took in my preposterous appearance.
"What are you doing?" he demanded, stopping in his tracks. "You're out in the middle of nowhere, by yourself, dressed like a man and riding your father's horse! Have you gone mad, woman?" He continued to scrutinize me, and his incredulity transformed itself into a frown. "And just where did you get the belt and breeches?" As realizatin struck, he sarcastically added, "Just my luck that you would decide to get into my trousers when I wasn't there yo enjoy it."
My cheeks burned at his crude comment, and had I been a little closer, I would likely have dealt him a second slap. At the same time, I knew his assessment was accurate.
"I was just going for a ride.I have the right to some fresh air," I asserted, hands upon my hips.
Steldor gave a short, scathing laugh. "Not like this you don't.Now get on your horse.
”
”
Cayla Kluver (Allegiance (Legacy, #2))
“
Ironically, Alfred Binet, one of the creators of the IQ test, intended the test to serve precisely the opposite function. In fact, he originally designed it (on commission from the French government) exclusively to identify children with special needs so they could get appropriate forms of schooling. He never intended it to identify degrees of intelligence or “mental worth.” In fact, Binet noted that the scale he created “does not permit the measure of intelligence, because intellectual qualities are not superposable, and therefore cannot be measured as linear surfaces are measured.” Nor did he ever intend it to suggest that a person could not become more intelligent over time. “Some recent thinkers,” he said, “[have affirmed] that an individual’s intelligence is a fixed quantity, a quantity that cannot be increased. We must protest and react against this brutal pessimism; we must try to demonstrate that it is founded on nothing.
”
”
Ken Robinson (The Element - How finding your passion changes everything)
“
They'll never let you do it!"
I pulled myself up straight and faced him squarely, the way I did when uttering the store pledge in the morning ritual, and I said, "No. It's not a matter of whether they permit it or not. It's what I am. For the human me, it probably is convenient to have you around, Shiraha, to keep my family and friends off my back. But the animal me, the convenience store worker, has absolutely no use for you whatsoever."
I was wasting time talking like this. I had to get myself back in shape for the sake of the store. I had to restructure my body so it would be able to move more swiftly and precisely to replenish the refrigerated drinks or clean the floor, to more perfectly comply with the store's demands.
"That's grotesque. You're not human!" he spat.
That's what I've been trying to tell you! I thought.
”
”
Sayaka Murata (コンビニ人間 [Konbini ningen])
“
One advantage to being a despised species is that you have freedom, freedom to be any crazy thing you want. If you listen to a group of housewives talk, you'll hear a lot of nonsense, some of it really crazy. This comes, I think, from being alone so much, and pursuing your own odd train of thought without impediment, which some call discipline. The result is craziness, but also brilliance. Ordinary women come out with the damnedest truth. You ignore them at your own risk. And they are permitted to go on making wild statements without being put in one kind of jail or another (some of them, anyway) because everyone knows they're crazy and powerless too. If a woman is religious or earthy, passive or wildly assertive, loving or hating, she doesn't get much more flak than if she isn't: her choices lie between being castigated as a ball and chain or as a whore.
”
”
Marilyn French (The Women's Room)
“
Impatiently I waited for evening, when I might summon you to my presence. An unusual– to me– a perfectly new character, I suspected was yours; I desired to search it deeper, and know it better. You entered the room with a look and air at once shy and independent; you were quaintly dress– much as you are now. I made you talk; ere long I found you full of strange contrasts. Your garb and manner were restricted by rule; your air was often diffident, and altogether that of one refined by nature, but absolutely unused to society, and a good deal afraid of making herself disadvantageously conspicuous by some solecism or blunder; yet, when addressed, you lifted a keen, a daring, and a glowing eye to your interlocutor’s face; there was penetration and power in each glance you gave; when plied by close questions, you found ready and round answers. Very soon you seemed to get used to me – I believe you felt the existence of sympathy between you and your grim and cross master, Jane; for it was astonishing to see how quickly a certain pleasant ease tranquilized your manner; snarl as I would, you showed no surprise, fear, annoyance, or displeasure, at my moroseness; you watched me, and now and then smiled at me with a simple yet sagacious grace I cannot describe. I was at once content and stimulated with what I saw; I liked what I had seen, and wished to see more. Yet, for a long time, I treated you distantly, and sought your company rarely, I was an intellectual epicure, and wished to prolong the gratification of making this novel and piquant acquaintance; besides, I was for a while troubled with a haunting fear that if I handled the flower freely its bloom would fade – the sweet charm of freshness would leave it. I did not then know that it was no transitory blossom, but rather the radiant resemblance of one, cut in an indestructible gem. Moreover, I wished to see whether you would seek me if I shunned you – but you did not; you kept in the school-room as still as your own desk and easel; if by chance I met you, you passed me as soon, and with as little token of recognition, as was consistent with respect. Your habitual expression in those days, Jane, was a thoughtful look; not despondent, fro you were not sickly; but not buoyant, for you had little hope, and no actual pleasure. I wondered what you thought of me– or if you ever thought of me; to find this out, I resumed my notice of you. There was something glad in your glance, and genial in your manner, when you conversed; I saw you had a social heart; it was the silent school-room– it was the tedium of your life that made you mournful. I permitted myself the delight of being kind to you; kindness stirred emotion soon; your face became soft in expression, your tones gentle; I liked my name pronounced by your lips in a grateful, happy accent. I used to enjoy a chance meeting with you, Jane, at this time; there was a curious hesitation in your manner; you glanced at me with a slight trouble– a hovering doubt; you did not know what my caprice might be– whether I was going to play the master, and be stern– or the friend, and be benignant. I was now too fond of you often to stimulate the first whim; and, when I stretched my hand out cordially, such bloom, and light, and bliss, rose to your young, wistful features, I had much ado often to avoid straining you then and there to my heart.
”
”
Charlotte Brontë (Jane Eyre)
“
I'm sorry I was short with him--but I don't like a man to approach me telling me it for my sake.
"Maybe it was," said Wylie
"It's poor technique."
"I'd all for it," said Wylie. "I'm vain as a woman. If anybody pretends to be interested in me, I'll ask for more. I like advice."
Stahr shook his head distastefully. Wylie kept on ribbing him--he was one of those to whom this privilege was permitted. "You fall for some kinds of flattery," he said. "this 'little Napoleon stuff.'"
"It makes me sick," said Stahr, "but it's not as bad as some man trying to help you."
"If you don't like advice, why do you pay me?"
"That's a question of merchandise," said Stahr. "I'm a merchant. I want to buy what's in your mind."
"You're no merchant," said Wylie. "I knew a lot of them when I was a publicity man, and I agree with Charles Francis Adams."
"What did he say?"
"He knew them all--Gould, Vanderbilt, Carnegie, Astor--and he said there wasn't one he'd care to meet again in the hereafter. Well--they haven't improved since then, and that's why I say you're no merchant."
"Adams was probably a sourbelly," said Stahr. "He wanted to be head man himself, but he didn't have the judgement or else the character."
"He had brains," said Wylie rather tartly.
"It takes more than brains. You writers and artists poop out and get all mixed up, and somebody has to come in and straighten you out." He shrugged his shoulders. "You seem to take things so personally, hating people and worshipping them--always thinking people are so important-especially yourselves. You just ask to be kicked around. I like people and I like them to like me, but I wear my heart where God put it--on the inside.
”
”
F. Scott Fitzgerald (The Last Tycoon)
“
The reason twenty-nine feet is such a common length for RVs, I presume, is that once a vehicle gets much longer, you need a special permit to drive it. That would mean forms and fees, possibly even background checks. But show up at any RV joint with your thigh stumps lashed to a skateboard, crazily waving your hooks-for-hands, screaming you want that twenty-nine-footer out back for a trip you ain't sayin' where, and all they want to know is: Credit or debit, tiny sir?
”
”
John Jeremiah Sullivan (Pulphead)
“
Do you wish to know whether that day is coming? Watch money. Money is the barometer of a society’s virtue. When you see that trading is done, not by consent, but by compulsion—when you see that in order to produce, you need to obtain permission from men who produce nothing—when you see that money is flowing to those who deal, not in goods, but in favors—when you see that men get richer by graft and by pull than by work, and your laws don’t protect you against them, but protect them against you—when you see corruption being rewarded and honesty becoming a self-sacrifice—you may know that your society is doomed. Money is so noble a medium that it does not compete with guns and it does not make terms with brutality. It will not permit a country to survive as half-property, half-loot.
”
”
Ayn Rand (Atlas Shrugged)
“
Before school, there had to be vaccination. That was the law. How it was dreaded! When the health authorities tried to explain to the poor and illiterate that vaccination was a giving of the harmless form of smallpox to work up immunity against the deadly form, the parents didn’t believe it. All they got out of the explanation was that germs would be put into a healthy child’s body. Some foreign-born parents refused to permit their children to be vaccinated. They were not allowed to enter school. Then the law got after them for keeping the children out of school. A free country? they asked. You should live so long. What’s free about it, they reasoned, when the law forces you to educate your children and then endangers their lives to get them into school? Weeping mothers brought bawling children to the health center for inoculation. They carried on as though bringing their innocents to the slaughter. The children screamed hysterically at the first sight of the needle and their mothers, waiting in the anteroom, threw their shawls over their heads and keened loudly as if wailing for the dead. Francie
”
”
Betty Smith (A Tree Grows in Brooklyn)
“
I am precisely the kind of nice upper-middle-class white girl whose relationship to substances has been treated as benign or pitiable - a cause for concern, or a shrug, rather than punishment. No one has ever called me a leper or a psychopath. No doctor has ever pointed a gun at me. No cop has ever shot me at an intersection while I was reaching for my wallet, for that matter, or even pulled me over for drunk driving, something I've done more times than I could count. My skin is the right color to permit my intoxication. When it comes to addiction, the abstraction of privilege is ultimately a question of what type of story gets told about your body: Do you need to be shielded from harm, or prevented from causing it? My body has been understood as something to be protected, rather than something to be protected from.
”
”
Leslie Jamison (The Recovering: Intoxication and Its Aftermath)
“
You know, I'm really trying to cut down on this stuff. But..." Peabody ripped into the pack of cookies. "Thing is, weird, McNab doesn't think I'm chubby. And when a guy sees you naked, he knows where the extra layers are."
"Peabody, do you have some delusion that I want to hear how McNab sees you naked?"
She crunched into a cookie. "I'm just saying. Anyway, you know we have sex, so you've probably reached the conclusion we're naked when we're having it. You being an ace detective and all."
"Peabody, in the chain of command, you may, on rare occasions and due to my astonishing good nature, respond to sarcasm with sarcasm. You are not permitted to lead with it. Give me a damn cookie."
"They're coconut crunchies. You hate coconut."
"Then why did you buy coconut?"
"To piss you off." Grinning now, Peabody pulled another pack of cookies from her bag. "Then I bought chocolate chip, just for you."
"Well, hand them over then."
"Okay, so ..." Peabody ripped open the second pack, offered Eve a cookie. "Anyway, McNab's got a little, bitty butt, and hardly any shoulders. Still -- "
"Stop. Stop right there. If I get an image of a naked McNab in my head, you're going back to traffic detail."
Peabody munched, hummed, waited.
"Damn it! There he is."
Hooting with laughter, Peabody polished off the last cookie. "Sorry. Dallas, I'm sorry. I couldn't help it. Kinda cute, isn't he?
”
”
J.D. Robb (Witness in Death (In Death, #10))
“
MURRAY (with a cynical laugh). Interesting? On a small town rag? A month of it, perhaps, when you're a kid and new to the game. But ten years. Think of it! With only a raise of a couple of dollars every blue moon or so, and a weekly spree on Saturday night to vary the monotony. (He laughs again.) Interesting, eh? Getting the dope on the Social of the Queen Esther Circle in the basement of the Methodist Episcopal Church, unable to sleep through a meeting of the Common Council on account of the noisy oratory caused by John Smith's application for a permit to build a house; making a note that a tugboat towed two barges loaded with coal up the river, that Mrs. Perkins spent a week-end with relatives in Hickville, that John Jones Oh help! Why go on? Ten years of it! I'm a broken man. God, how I used to pray that our Congressman would commit suicide, or the Mayor murder his wife just to be able to write a real story!
”
”
Eugene O'Neill (Plays by Eugene O'Neill)
“
Berryman"
I will tell you what he told me
in the years just after the war
as we then called
the second world war
don't lose your arrogance yet he said
you can do that when you're older
lose it too soon and you may
merely replace it with vanity
just one time he suggested
changing the usual order
of the same words in a line of verse
why point out a thing twice
he suggested I pray to the Muse
get down on my knees and pray
right there in the corner and he
said he meant it literally
it was in the days before the beard
and the drink but he was deep
in tides of his own through which he sailed
chin sideways and head tilted like a tacking sloop
he was far older than the dates allowed for
much older than I was he was in his thirties
he snapped down his nose with an accent
I think he had affected in England
as for publishing he advised me
to paper my wall with rejection slips
his lips and the bones of his long fingers trembled
with the vehemence of his views about poetry
he said the great presence
that permitted everything and transmuted it
in poetry was passion
passion was genius and he praised movement and invention
I had hardly begun to read
I asked how can you ever be sure
that what you write is really
any good at all and he said you can't
you can't you can never be sure
you die without knowing
whether anything you wrote was any good
if you have to be sure don't write
”
”
W.S. Merwin
“
I began to ask each time: “What’s the worst that could happen to me if I tell this truth?” Unlike women in other countries, our breaking silence is unlikely to have us jailed, “disappeared” or run off the road at night. Our speaking out will irritate some people, get us called bitchy or hypersensitive and disrupt some dinner parties. And then our speaking out will permit other women to speak, until laws are changed and lives are saved and the world is altered forever. Next time, ask: What’s the worst that will happen? Then push yourself a little further than you dare. Once you start to speak, people will yell at you. They will interrupt you, put you down and suggest it’s personal. And the world won’t end.
”
”
Maisie Hill (Period Power: Harness Your Hormones and Get Your Cycle Working For You)
“
If I may be permitted to liken America to the human body, then I think it is fair to say that California is its face, New York is its brain and Texas is its heart. If you wanna know what makes America tick, get your ten-gallon hat on, and get yourself to Texas.
”
”
Jeremy Clarkson (Motorworld)
“
Holmes smiled, and clapped Lestrade upon the shoulder. “Instead of being ruined, my good sir, you will find that your reputation has been enormously enhanced. Just make a few alterations in that report which you were writing, and they will understand how hard it is to throw dust in the eyes of Inspector Lestrade.” “And you don’t want your name to appear?” “Not at all. The work is its own reward. Perhaps I shall get the credit also at some distant day, when I permit my zealous historian to lay out his foolscap once more--eh, Watson?
”
”
Arthur Conan Doyle (The Complete Sherlock Holmes)
“
It is worth noting here how extraordinary it was for anyone to be homeless in North Korea. This was, after all, the country that had developed the most painstaking systems to keep track of its citizens. Everybody had a fixed address and a work unit and both were tied to food rations—if you left home, you couldn’t get fed. People didn’t dare visit a relative in the next town without a travel permit. Even overnight visitors were supposed to be registered with the inminban, which in turn had to report to the police the name, gender, registration number, travel permit number, and the purpose of the visit. Police conducted regular spot checks around midnight to make sure nobody had unauthorized visitors. One had to carry at all times a “citizen’s certificate,” a twelve-page passport-size booklet that contained a wealth of information about the bearer. It was modeled on the old Soviet ID. All that changed with the famine. Without food distribution, there was no reason to stay at your fixed address. If sitting still meant you starved to death, no threat the regime levied could keep people home. For the first time, North Koreans were wandering around their own country with impunity.
”
”
Barbara Demick (Nothing to Envy: Real Lives in North Korea)
“
I ask him if he tried to rape Nyla.
“Laws are silent in times of war,” Tactus drawls.
“Don’t quote Cicero to me,” I say. “You are held to a higher standard than a marauding centurion.”
“In that, you’re hitting the mark at least. I am a superior creature descended from proud stock and glorious heritage. Might makes right, Darrow. If I can take, I may take. If I do take, I deserve to have. This is what Peerless believe.”
“The measure of a man is what he does when he has power,” I say loudly.
“Just come off it, Reaper,” Tactus drawls, confident in himself as all like him are. “She’s a spoil of war. My power took her. And before the strong, bend the weak.”
“I’m stronger than you, Tactus,” I say. “So I can do with you as I wish. No?”
He’s silent, realizing he’s fallen into a trap.
“You are from a superior family to mine, Tactus. My parents are dead. I am the sole member of my family. But I am a superior creature to you.”
He smirks at that.
“Do you disagree?” I toss a knife at his feet and pull my own out. “I beg you to voice your concerns.” He does not pick his blade up. “So, by right of power, I can do with you as I like.”
I announce that rape will never be permitted, and then I ask Nyla the punishment she would give. As she told me before, she says she wants no punishment. I make sure they know this, so there are no recriminations against her. Tactus and his armed supporters stare at her in surprise. They don’t understand why she would not take vengeance, but that doesn’t stop them from smiling wolfishly at one another, thinking their chief has dodged punishment. Then I speak.
“But I say you get twenty lashes from a leather switch, Tactus. You tried to take something beyond the bounds of the game. You gave in to your pathetic animal instincts. Here that is less forgivable than murder; I hope you feel shame when you look back at this moment fifty years from now and realize your weakness. I hope you fear your sons and daughters knowing what you did to a fellow Gold. Until then, twenty lashes will serve.”
Some of the Diana soldiers step forward in anger, but Pax hefts his axe on his shoulder and they shrink back, glaring at me. They gave me a fortress and I’m going to whip their favorite warrior. I see my army dying as Mustang pulls off Tactus’s shirt. He stares at me like a snake. I know what evil thoughts he’s thinking. I thought them of my floggers too.
I whip him twenty brutal times, holding nothing back. Blood runs down his back. Pax nearly has to hack down one of the Diana soldiers to keep them from charging to stop the punishment.
Tactus barely manages to stagger to his feet, wrath burning in his eyes.
“A mistake,” he whispers to me. “Such a mistake.”
Then I surprise him. I shove the switch into his hand and bring him close by cupping my hand around the back of his head.
“You deserve to have your balls off, you selfish bastard,” I whisper to him. “This is my army,” I say more loudly. “This is my army. Its evils are mine as much as yours, as much as they are Tactus’s. Every time any of you commit a crime like this, something gratuitous and perverse, you will own it and I will own it with you, because when you do something wicked, it hurts all of us.”
Tactus stands there like a fool. He’s confused.
I shove him hard in the chest. He stumbles back. I follow him, shoving.
“What were you going to do?” I push his hand holding the leather switch back toward his chest.
“I don’t know what you mean …” he murmurs as I shove him.
“Come on, man! You were going to shove your prick inside someone in my army. Why not whip me while you’re at it? Why not hurt me too? It’ll be easier. Milia won’t even try to stab you. I promise.”
I shove him again. He looks around. No one speaks. I strip off my shirt and go to my knees. The air is cold. Knees on stone and snow. My eyes lock with Mustang’s. She winks at me and I feel like I can do anything.
”
”
Pierce Brown (Red Rising (Red Rising Saga, #1))
“
You're just going to have to accept that people are *never* ready in times like these. Page-turners and bolt-tighteners always demand more time than external forces permit. That's your job. My job is to remind you the real world and the people cutting our checks don't care. So get us as ready as you can in a week, and maybe find yourself a little helping of faith.
”
”
Patrick S. Tomlinson (Gate Crashers)
“
What it means to live spiritually is to not participate in this struggle. It means that the events that happen in the moment belong to the moment. They don’t belong to you. They have nothing to do with you. You must stop defining yourself in relationship to them, and just let them come and go. Don’t allow events to leave impressions inside of you. If you find yourself thinking about them later on, just let go. If an event happens that doesn’t fit your conceptual model, and you see yourself struggling and rationalizing to make it fit, just notice what you’re doing. An event in the universe didn’t match your model and it’s causing disturbance inside of you. If you will simply notice this, you will find that it is actually breaking up your model. You’ll get to the point where you like this because you don’t want to keep your model. You’ll define this as good because you are no longer willing to put any energy into building and solidifying your façade. Instead, you will actually permit the things that disturb your model to act as the dynamite to break it up and free you. This is what it means to live spiritually.
”
”
Michael A. Singer (The Untethered Soul: The Journey Beyond Yourself)
“
The hospital presented itself as a positive place of healing with the latest technology and attractive Hawaiian art prints on the walls. Everything—the false stretcher, the secret morgue in the basement—was artfully designed to mask death, to distance it from the public. Death represented a failure of the medical system; it would not be permitted to upset the patients or their families.
”
”
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
“
We do not (on Holmes’s reasoning) permit the free expression of ideas because some individual may have the right one. No individual alone can have the right one. We permit free expression because we need the resources of the whole group to get us the ideas we need. Thinking is a social activity. I tolerate your thought because it is part of my thought—even when my thought defines itself in opposition to yours.
”
”
Louis Menand (The Metaphysical Club : A Story of Ideas in America)
“
Confess your sins to one another” (James 5:16). Those who remain alone with their evil are left utterly alone. It is possible that Christians may remain lonely in spite of daily worship together, prayer together, and all their community through service—that the final breakthrough to community does not occur precisely because they enjoy community with one another as pious believers, but not with one another as those lacking piety, as sinners. For the pious community permits no one to be a sinner. Hence all have to conceal their sins from themselves and from the community. We are not allowed to be sinners. Many Christians would be unimaginably horrified if a real sinner were suddenly to turn up among the pious. So we remain alone with our sin, trapped in lies and hypocrisy, for we are in fact sinners.
However, the grace of the gospel, which is so hard for the pious to comprehend, confronts us with the truth. It says to us, you are a sinner, a great, unholy sinner. Now come, as the sinner that you are, to your God who loves you. For God wants you as you are, not desiring anything from you—a sacrifice, a good deed—but rather desiring you alone. “My child, give me your heart” (Prov. 23:26). God has come to you to make the sinner blessed. Rejoice! This message is liberation through truth. You cannot hide from God. The mask you wear in the presence of other people won’t get you anywhere in the presence of God. God wants to see you as you are, wants to be gracious to you. You do not have to go on lying to yourself and to other Christians as if you were without sin. You are allowed to be a sinner. Thank God for that; God loves the sinner but hates the sin.
”
”
Dietrich Bonhoeffer (Life Together and Prayerbook of the Bible (Dietrich Bonhoeffer Works, Vol 5))
“
And then that society vanishes, in a spread of ruins and slaughter. “Do you wish to know whether that day is coming? Watch money. Money is the barometer of a society’s virtue. When you see that trading is done, not by consent, but by compulsion—when you see that in order to produce, you need to obtain permission from men who produce nothing—when you see that money is flowing to those who deal, not in goods, but in favors—when you see that men get richer by graft and by pull than by work, and your laws don’t protect you against them, but protect them against you—when you see corruption being rewarded and honesty becoming a self-sacrifice—you may know that your society is doomed. Money is so noble a medium that it does not compete with guns and it does not make terms with brutality. It will not permit a country to survive as half-property, half-loot.
”
”
Ayn Rand (Atlas Shrugged)
“
At the front door I pat my trouser pocket to check for the thin outline of my passport and realize it’s not there. Always the passport, always the “dokumenti!” You can get stopped and checked for papers at any moment. It might only actually happen once or maybe even twice a year, but you still have to stand in queues and knock on doors to obtain the whole library of little stamps, regulations, permits—the legal stipulations and requirements that are themselves always changing. A little trick to keep you always on tenterhooks, always patting your pockets for your papers, always waking up worried that you might have lost them in a bar. Over time you begin to pat for the passport instinctively, your hand going down unthinkingly to check your pocket so many times a day you don’t even notice any more. That’s true power—when it starts to influence the unconscious movements of your arms.
”
”
Peter Pomerantsev (Nothing Is True and Everything Is Possible: The Surreal Heart of the New Russia)
“
Adults tend to forget – or perhaps never appreciated in the first place if lifelong non-readers themselves – what a vital part of the process rereading is for children. As adults, rereading seems like backtracking at best, self-indulgence at worst. Free time is such a scarce resource that we feel we should be using it only on new things. But for children, rereading is absolutely necessary. The act of reading is itself still new. A lot of energy is still going into (not so) simple decoding of words and the assimilation of meaning. Only then do you get to enjoy the plot – to begin to get lost in the story. And only after you are familiar with the plot are you free to enjoy, mull over, break down and digest all the rest. The beauty of a book is that it remains the same for as long as you need it. It’s like being able to ask a teacher or parent to repeat again and again some piece of information or point of fact you haven’t understood with the absolute security of knowing that he/she will do so infinitely. You can’t wear out a book’s patience. And for a child there is so much information in a book, so much work to be done within and without. You can identify with the main or peripheral character (or parts of them all). You can enjoy the vicarious satisfaction of their adventures and rewards. You also have a role to play as interested onlooker, able to observe and evaluate participants’ reactions to events and to each other with a greater detachment, and consequent clarity sometimes, than they can. You are learning about people, about relationships, about the variety of responses available to them and in many more situations and circumstances (and at a much faster clip) than one single real life permits. Each book is a world entire. You’re going to have to take more than one pass at it.
”
”
Lucy Mangan (Bookworm: A Memoir of Childhood Reading)
“
As we walk away I know they’re watching, these two men who aren’t yet permitted to touch women. They touch with their eyes instead and I move my hips a little, feeling the full red skirt sway around me. It’s like thumbing your nose from behind a fence or teasing a dog with a bone held out of reach, and I’m ashamed of myself for doing it, because none of this is the fault of these men, they’re too young. Then I find I’m not ashamed after all. I enjoy the power; power of a dog bone, passive but there. I hope they get hard at the sight of us and have to rub themselves against the painted barriers, surreptitiously. They will suffer, later, at night, in their regimented beds. They have no outlets now except themselves, and that’s a sacrilege. There are no more magazines, no more films, no more substitutes; only me and my shadow, walking away from the two men, who stand at attention, stiffly, by a roadblock, watching our retreating shapes.
”
”
Margaret Atwood (The Handmaid's Tale)
“
You know what's wrong with scientific power?... It's a form of inherited wealth... Most kinds of power require a substantial sacrifice by whoever wants the power. There is an apprenticeship, a discipline lasting many years. Whatever kind of power you want. President of the company. Black belt in karate. Spiritual Guru. Whatever it is you seek, you have to put in the time, the practice, the effort. You must give up a lot to get it. It has to be very important to you. And once you have attained it, it is your power. It can't be given away: it resides in you. It is literally the result of your discipline. Now, what is interesting about this process is that, by the time someone has acquired the ability to kill with his bare hands, he has also matured to the point where he won't use it unwisely. So that kind of power has a built-in control. The discipline of getting the power changes you so that you won't abuse it. But scientific power is like inherited wealth: attained without discipline. You read what others have done, and you take the next step... There is no discipline... no mastery: old scientists are ignored. There is no humility before nature... A karate master does not kill people with his bare hands. He does not lose his temper and kill his wife. The person who kills is the person who has no discipline, no restraint, and who has purchased his power in the form of a Saturday night special. And that is the kind of power that science fosters, and permits.
”
”
Michael Crichton (Jurassic Park (Jurassic Park, #1))
“
I have talked with many pastors whose real struggle isn’t first with the hardship of ministry, the lack of appreciation and involvement of people, or difficulties with fellow leaders. No, the real struggle they are having, one that is very hard for a pastor to admit, is with God. What is caused to ministry become hard and burdensome is disappointment and anger at God.
We have forgotten that pastoral ministry is war and that you will never live successfully in the pastorate if you live with the peacetime mentality. Permit me to explain. The fundamental battle of pastoral ministry is not with the shifting values of the surrounding culture. It is not the struggle with resistant people who don't seem to esteem the Gospel. It is not the fight for the success of ministries of the church. And is not the constant struggle of resources and personnel to accomplish the mission. No, the war of the pastor is a deeply personal war. It is far on the ground of the pastor’s heart. It is a war values, allegiances, and motivations. It's about the subtle desires and foundational dreams. This war is the greatest threat to every pastor. Yet it is a war that we often naïvely ignore or quickly forget in the busyness of local church ministry.
When you forget the Gospel, you begin to seek from the situations, locations and relationships of ministry what you already have been given in Christ. You begin to look to ministry for identity, security, hope, well-being, meeting, and purpose. These things are already yours in Christ.
In ways of which you are not always aware, your ministry is always shaped by what is in functional control of your heart.
The fact of the matter is that many pastors become awe numb or awe confused, or they get awe kidnapped. Many pastors look at glory and don't seek glory anymore. Many pastors are just cranking out because they don't know what else to do. Many pastors preach a boring, uninspiring gospel that makes you wonder why people aren't sleeping their way through it. Many pastors are better at arguing fine points of doctrine than stimulating divine wonder. Many pastors see more stimulated by the next ministry, vision of the next step in strategic planning than by the stunning glory of the grand intervention of grace into sin broken hearts. The glories of being right, successful, in control, esteemed, and secure often become more influential in the way that ministry is done than the awesome realities of the presence, sovereignty, power, and love of God.
Mediocrity is not a time, personnel, resource, or location problem. Mediocrity is a heart problem. We have lost our commitment to the highest levels of excellence because we have lost our awe.
”
”
Paul David Tripp (Dangerous Calling: Confronting the Unique Challenges of Pastoral Ministry)
“
All right. Listen to me a minute now.… I may not word this as memorably as I’d like to, but I’ll write you a letter about it in a day or two. Then you can get it all straight. But listen now, anyway.” He started concentrating again. Then he said, “This fall I think you’re riding for—it’s a special kind of fall, a horrible kind. The man falling isn’t permitted to feel or hear himself hit bottom. He just keeps falling and falling. The whole arrangement’s designed for men who, at some time or other in their lives, were looking for something their own environment couldn’t supply them with. Or they thought their own environment couldn’t supply them with. So they gave up looking. They gave it up before they ever really even got started. You follow me?” “Yes, sir.
”
”
J.D. Salinger (The Catcher in the Rye)
“
It was a glorious morning. The wind had fallen quite, and the sun was shining as if he would say, "Keep up your hearts; I am up here still. I have not forgotten you. By and by you shall see more of me." But Nature lay dead, with a great white sheet cast over face and form. Not dead?—Just as much dead as ever was man, save for the inner death with which he kills himself, and which she cannot die. It is only to the eyes of his neighbours that the just man dies: to himself, and to those on the other side, he does not die, but is born instead: "He that liveth and believeth in me shall never die." But the poor old lord felt the approaching dank and cold of the sepulchre as the end of all things to him—if indeed he would be permitted to lie there, and not have to get up and go to worse quarters still.
”
”
George MacDonald (Warlock o' Glenwarlock)
“
A quarrel had arisen between the Horse and the Stag, so the Horse came to a Hunter to ask his help to take revenge on the Stag. The Hunter agreed but said: “If you desire to conquer the Stag, you must permit me to place this piece of iron between your jaws, so that I may guide you with these reins, and allow this saddle to be placed upon your back so that I may keep steady upon you as we follow the enemy.” The Horse agreed to the conditions, and the Hunter soon saddled and bridled him. Then, with the aid of the Hunter, the Horse soon overcame the Stag and said to the Hunter: “Now get off, and remove those things from my mouth and back.” “Not so fast, friend,” said the Hunter. “I have now got you under bit and spur and prefer to keep you as you are at present.” —“The Horse, the Stag, and the Hunter,” Aesop’s Fables
”
”
Steven Levitsky (How Democracies Die)
“
Do you wish to know whether that day is coming? Watch money. Money is the barometer of a society’s virtue. When you see that trading is done, not by consent, but by compulsion—when you see that in order to produce, you need to obtain permission from men who produce nothing—when you see that money is flowing to those who deal, not in goods, but in favors—when you see that men get richer by graft and by pull than by work, and your laws don’t protect you against them, but protect them against you—when you see corruption being rewarded and honesty becoming a self-sacrifice—you may know that your society is doomed. Money is so noble a medium that it does not compete with guns and it does not make terms with brutality. It will not permit a country to survive as half-property, half-loot. “Whenever destroyers appear among men, they start by destroying money, for money is men’s protection and the base of a moral existence. Destroyers seize gold and leave to its owners a counterfeit pile of paper. This kills all objective standards and delivers men into the arbitrary power of an arbitrary setter of values. Gold was an objective value, an equivalent of wealth produced. Paper is a mortgage on wealth that does not exist, backed by a gun aimed at those who are expected to produce it. Paper is a check drawn by legal looters upon an account which is not theirs: upon the virtue of the victims. Watch for the day when it bounces, marked: ‘Account overdrawn.’ “When you have made evil the means of survival, do not expect men to remain good. Do not expect them to stay moral and lose their lives for the purpose of becoming the fodder of the immoral. Do not expect them to produce, when production is punished and looting rewarded. Do not ask, ‘Who is destroying the world?’ You are.
”
”
Ayn Rand (Atlas Shrugged)
“
The larger point is that as society and the economy go through this shift there will not only be less economic opportunity to fulfill your role as “father, protector, provider, and bread winner,” there will be less appreciation for such roles. Therefore, to make sure you have purpose and agency in life, you need to find hobbies and interests that are not dependent on economic circumstances and cannot be supplanted by government intervention. Fun – Because of the Darwinistic programming you have, many men will approach life from the angle of attaining financial security first, and THEN relaxing and enjoying life. You will get everything in order, get your degree, get your career, pay off your debts, pay off your house, and then, once financially stable, finally permit yourself to enjoy life. There is just one minor problem with that approach: Life doesn’t work that way. Not
”
”
Aaron Clarey (Bachelor Pad Economics)
“
Hello,” he said. “Who is this? . . . Who? You’re breaking up a bit there, pal. I can barely hear you . . . You’re the president of what? . . . Of the Citizen Kane fan club? Well, how about that? . . . You want to what? Sorry, the connection is still bad. You’re breaking up . . . You wish I’d just drop by already? Is that what you said? Well, thank you! That’s awfully nice of you. I will certainly do so as soon as my schedule permits. Unfortunately, I’m kinda busy at the moment, hoss . . . Ah, I can hear you much better now! . . . Eh, you’re not the president of the Citizen Kane fan club? You’re the president of the Citizen Kane is the Worst Movie of All Time fan club? . . . And you don’t wish I’d just drop by already, you wish I’d just die already? . . . Well, fuck you too, mang! I hope you and your whole fucking family get cancer and AIDS and leprosy and anthrax and catch on fire and die! Call this number again, asshole, and I’ll come whoop your ass myself!
”
”
Douglas Hackle (The Hottest Gay Man Ever Killed in a Shark Attack)
“
You can't give me this."
"Yes, I can. It's mine to do with as I choose, and I choose to give it to you. I can't vouch for its luck-delivering properties, but it can't do any harm, can it?"
"No." He looked at the gray metallic medal in his palm. The ribbon was still warm. He closed his fingers around it. "I want to say something to you. If I don't say it now, I might never say it."
She looked down as she shook her head. "Harry-"
"I am permitted to make a fool of myself because I might die tomorrow."
"Tomorrow? In Altrincham?"
"I'm not being literal."
"You are being dramatic." Edie pushed her hair behind her ears and put the beret back on. She smiled at him and widened her eyes. "You might not die tomorrow, and then what a fool would you feel?"
"Edie, please, let me be serious."
"No, because you will say something that you regret. And then I will say things that I regret."
"Will you?"
"I have to get my bus," she said. "Saint Christopher protects travelers. Now you'll always be able to find your way back to me, won't you?"
"I will. You know I always will."
"Don't really stop writing to me, will you?"
"How could I? I promise; I won't ever stop.
”
”
Caroline Scott (The Poppy Wife)
“
After a bit, I began to think more calmly. It was ridiculous. It was outrageous. It was impossible. Yet it had happened. I was in a police cell under arrest on a charge of espionage. The penalty, should I be convicted, would be perhaps four years’ imprisonment—four years in a French prison and then deportation. I could put up with prison—even a French one—but deportation! I began to feel sick and desperately frightened. If France expelled me there was nowhere left for me to go. Yugoslavia would arrest me. Hungary would not admit me. Neither would Germany or Italy. Even if a convicted spy could get into England without a passport he would not be permitted to work. To America I would be merely another undesirable alien. The South American republics would demand sums of money that I would not possess as surety for my good behavior. Soviet Russia would have no more use for a convicted spy than would England. Even the Chinese wanted your passport. There would be nowhere I could go, nowhere. And after all, what did it matter? What happened to an insignificant teacher of languages without national status was of no interest to anyone. No consul would intervene on his behalf; no Parliament, no Congress, no Chamber of Deputies would inquire into his fate. Officially he did not exist; he was an abstraction, a ghost. All he could decently and logically do was destroy himself.
”
”
Eric Ambler (Epitaph for a Spy)
“
Berryman"
I will tell you what he told me
in the years just after the war
as we then called
the second world war
don't lose your arrogance yet he said
you can do that when you're older
lose it too soon and you may
merely replace it with vanity
just one time he suggested
changing the usual order
of the same words in a line of verse
why point out a thing twice
he suggested I pray to the Muse
get down on my knees and pray
right there in the corner and he
said he meant it literally
it was in the days before the beard
and the drink but he was deep
in tides of his own through which he sailed
chin sideways and head tilted like a tacking sloop
he was far older than the dates allowed for
much older than I was he was in his thirties
he snapped down his nose with an accent
I think he had affected in England
as for publishing he advised me
to paper my wall with rejection slips
his lips and the bones of his long fingers trembled
with the vehemence of his views about poetry
he said the great presence
that permitted everything and transmuted it
in poetry was passion
passion was genius and he praised movement and invention
I had hardly begun to read
I asked how can you ever be sure
that what you write is really
any good at all and he said you can't
you can't you can never be sure
you die without knowing
whether anything you wrote was any good
if you have to be sure don't write
”
”
W.S. Merwin
“
If people have no respect for God, no love for their Maker, I would ask the question another way: Why not pillage, rape, persecute and murder? If it feels good, and they can get away with it, why not? If God is dead or does not exist, as these people believe, why are not all things permitted? Why should they restrain themselves? Because it’s just wrong? Because it’s not the way civilized people behave? Because what goes around comes around? Because they’ll end up feeling terrible inside?
Within tidy circles of properly socialized and reasonable people, such appeals can seem like they actually have the power to restrain people from doing what they otherwise feel like doing. But in the real world outside the philosophy seminar room, oppressors frankly don’t care that you think it’s just wrong. Who are you, they ask, to foist your random moral intuition on them? Who are you to tell them or the lords of the Third Reich what civilized people should and should not do? If what goes around tends to come around, then there’s no moral problem, only a practical problem of making sure it doesn’t come around to you. They think, Fine, if being brutal makes you feel terrible inside, then don’t do it. But it makes me feel powerful, alive, exhilarated and masterful, so quit whining — unless you want to try to stop me.
This description of a dark Nietzschean world of self-will — a vacuum devoid of moral authority or spiritual resources for good — used to sen excessively melodramatic to me. But then I got out more. The world is truly full of brutal oppression because humans have rejected their Maker, the source of all goodness, mercy, compassion, truth, justice, and love.
”
”
Gary A. Haugen (Good News About Injustice: A Witness of Courage in a Hurting World)
“
15 Easy Tips to Buy Verified Venmo Account Anytime
Buying a verified Venmo account might seem like a small task, but it's actually more serious than you’d think. You’re dealing with money, after all! If you don’t know what you’re doing, you could get scammed—or worse—get banned from Venmo entirely. So let’s walk through 15 simple tips to help you safely buy a verified Venmo account, anytime.
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Understand Why You Need a Verified Venmo Account
First things first—why do you even need a verified Venmo account?
A verified account removes a lot of limits. You can send and receive more money, link a bank account, and even get access to features like instant transfers. If you're running a business or need to accept payments quickly, a verified Venmo account is a total game changer.
Think of it like driving with a full license instead of a learner’s permit—it just makes everything smoother.
Choose a Trusted Seller Only
Not every seller is trustworthy. Some are just waiting to take your money and disappear. So how do you find the right one?
Look for sellers who’ve been in the game for a while. Reputable websites and marketplaces usually offer better protection. If they’re sketchy, move on. A real seller will have a professional tone, clear product descriptions, and maybe even a refund policy.
Check for User Reviews and Testimonials
Reviews can save you a headache—literally.
Before you hit “buy,” scroll through what others are saying. If a seller has lots of good reviews and happy buyers, that’s a green flag. If all you see are angry comments and refund complaints? Red flag. Run.
It’s like asking your friend about a restaurant before you eat there—you trust someone who’s already tried it.
Avoid Free Offers – They’re Usually Scams
Nothing in life is free—especially not verified Venmo accounts.
If someone claims they’ll “give” you an account for free, it’s probably a scam. They’ll either try to steal your info or get you to download shady apps. Don’t fall for it.
If it looks too good to be true, it probably is.
Compare Prices Before Buying
You wouldn’t buy a phone without checking prices at different stores, right? Same goes here.
Don’t buy from the first seller you see. Compare prices across a few platforms. If one seller is charging way less than others, be cautious. They might be cutting corners—or selling fake accounts.
Aim for the middle ground: not too cheap, not overpriced.
Make Sure the Account is Fully Verified
A “verified” Venmo account should have a verified phone number, email, and bank or debit card connected. Ask the seller directly:
“Is this account fully verified with all required info?”
If they hesitate or say, “partially verified,” walk away.
You want something ready to use without issues. Like buying a car with all parts working—not one that needs fixing the second you drive it.
Ask for Proof of Verification
A legit seller should show you proof.
Ask for screenshots of the Venmo profile showing it’s verified. Look for:
Green checkmark next to the profile
Connected phone number
Linked bank account
You don’t have to be tech-savvy to recognize a real screen from a fake one. Just trust your gut and double-check any image they send.
Ensure Secure Payment Methods
Here’s where a lot of people mess up—paying the wrong way.
Never send money via friends-and-family payments. You can’t dispute it later if something goes wrong. Use secure options like PayPal (Goods & Services), cryptocurrency with escrow, or a platform that guarantees protection.
Think of it as wearing a seatbelt while driving—better safe than sorry.
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ST221
“
A woman decides to have a facelift for her 50th birthday. She spends $15,000 and feels pretty good about the results. On her way home, she stops at a news stand to buy a newspaper. Before leaving, she says to the clerk, "I hope you don’t mind my asking, but how old do you think I am?" "About 32," is the reply. "Nope! I’m exactly 50," the woman says happily. A little while later she goes into McDonald’s and asks the counter girl the very same question. The girl replies, "I’d guess about 29." The woman replies with a big smile, "Nope, I’m 50." Now she’s feeling really good about herself. She stops in a drug store on her way down the street. She goes up to the counter to get some mints and asks the clerk this burning question. The clerk responds, "Oh, I’d say 30." Again she proudly responds, "I’m 50, but thank you!" While waiting for the bus to go home, she asks an old man waiting next to her the same question. He replies, "I’m 78 and my eyesight is going. Although, when I was young, there was a sure-fire way to tell how old a woman was. If you permit me to put my hands under your bra, then, and only then can I tell you EXACTLY how old you are." They wait in silence on the empty street until her curiosity gets the best of her. She finally blurts out, "What the hell, go ahead." He slips both of his hands under her blouse and begins to feel around very slowly and carefully. He bounces and weighs each breast and he gently pinches each nipple. He pushes her breasts together and rubs them against each other. After a couple of minutes of this, she says, "Okay, okay...How old am I?" He completes one last squeeze of her breasts, removes his hands, and says, " Ma dam, you are 50." Stunned and amazed, the woman says, "That was incredible, how could you tell?" The old man says, "Promise you won’t get mad?" "I promise I won’t," she says. "I was behind you in McDonald’s.
”
”
Adam Smith (Funny Jokes: Ultimate LoL Edition (Jokes, Dirty Jokes, Funny Anecdotes, Best jokes, Jokes for Adults) (Comedy Central Book 1))
“
The No-name Rule In purely social situations, the difficulties are even more acute. There is no universal prescription of handshakes on initial introduction – indeed, they may be regarded as too ‘businesslike’ – and the normal business practice of giving one’s name at this point is also regarded as inappropriate. You do not go up to someone at a party (or in any other social setting where conversation with strangers is permitted, such as a pub bar-counter) and say ‘Hello, I’m John Smith,’ or even ‘Hello, I’m John.’ In fact, the only correct way to introduce yourself in such settings is not to introduce yourself at all, but to find some other way of initiating a conversation – such as a remark about the weather. The ‘brash American’ approach: ‘Hi, I’m Bill, how are you?’, particularly if accompanied by an outstretched hand and beaming smile, makes the English wince and cringe. The American tourists and visitors I spoke to during my research had been both baffled and hurt by this reaction. ‘I just don’t get it,’ said one woman. ‘You say your name and they sort of wrinkle their noses, like you’ve told them something a bit too personal and embarrassing.’ ‘That’s right,’ her husband added. ‘And then they give you this tight little smile and say, “Hello” – kind of pointedly not giving their name, to let you know you’ve made this big social booboo. What the hell is so private about a person’s name, for God’s sake?’ I ended up explaining, as kindly as I could, that the English do not want to know your name, or tell you theirs, until a much greater degree of intimacy has been established – like maybe when you marry their daughter. Rather than giving your name, I suggested, you should strike up a conversation by making a vaguely interrogative comment about the weather (or the party or pub or wherever you happen to be). This must not be done too loudly, and the tone should be light
”
”
Kate Fox (Watching the English)
“
I'm unaccustomed to being cooped up all day-I really must insist that you permit me to enjoy a short walk."
"Not on your life," Fletcher growled.
From the sound, Breckenridge realized the group had moved closer to the tap.
"You don't need to think you're going to give us the slip so easily," Fletcher said again.
"My dear good man"-Heather with her nose in the air; Breckenridge could tell by her tone-"just where in this landscape of empty fields do you imagine I'm going to slip to?"
Cobbins opined that she might try to steal a horse and ride off.
"Oh,yes-in a round gown and evening slippers," Heather jeered. "But I wasn't suggesting you let me ramble on my own-Martha can come with me."
That was Martha's cue to enter the fray, but Heather stuck to her guns, refusing to back down through the ensuing, increasingly heated verbal stoush.
Until Fletcher intervened, aggravated frustration resonating in his voice. "Look you-we're under strict orders to keep you safe, not to let you wander off to fall prey to the first shiftless rake who rides past and takes a fancy to you."
Silence reigned for half a minute, then Heather audibly sniffed. "I'll have you know that shiftless rakes know better than to take a fancy to me."
Not true, Breckenridge thought, but that wasn't the startling information contained in Fletcher's outburst. "Come on, Heather-follow up."
As if she'd heard his muttered exhortation, she blithely swept on. "But if rather than standing there arguing, you instead treated me like a sensible adult and told me what your so strict orders with respect to me were, I might see my way to complying-or at least to helping you comply with them."
Breckenridge blinked as he sorted through that pronouncement; he could almost feel for Fletcher when he hissed out a sigh.
"All right," Fletcher's frustration had reached breaking point. "If you must know, we're to keep you safe from all harm. We're not to let a bloody pigeon pluck so much as a hair from your head. We're to deliver you up in prime condition, exactly as you were when he grabbed you."
From the change in Fletcher's tone, Breckenridge could visualize him moving closer to tower over Heather to intimidate her into backing down; he could have told him it wouldn't work.
"So now you see," Fletcher went on, voice low and forceful, "that it's entirely out of the question for you to go out for any ramble."
"Hmm." Heather's tone was tellingly mild.
Fletcher was about to get floored by an uppercut. For once not being on the receiving end, Breckenridge grinned and waited for it to land.
"If, as you say, your orders are to-do correct me if I'm wrong-keep me in my customary excellent health until you hand me over to your employer, then, my dear Fletcher, that will absolutely necessitate me going for a walk. Being cooped up all day in a carriage has never agreed with me-if you don't wish me to weaken or develop some unhealthy affliction, I will require fresh air and gentle exercise to recoup." She paused, then went on, her tone one of utmost reasonableness, "A short excursion along the river at the rear of the inn, and back, should restore my constitution."
Breckenridge was certain he could hear Fletcher breathing in and out through clenched teeth.
A fraught moment passed on, then, "Oh, very well! Martha-go with her. Twenty minutes, do you hear? Not a minute more."
"Thank you, Fletcher. Come, Martha-we don't want to waste the light."
Breckenridge heard Heather, with the rather slower Martha, leave the inn by the main door. He sipped his ale, waited. Eventually, Fletcher and Cobbins climbed the stairs, Cobbins grumbling, Fletcher ominously silent.
The instant they passed out of hearing, Breckenridge stood, stretched, then walked out of the tap and into the foyer. Seconds later, he slipped out of the front door.
”
”
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
“
This is ridiculous. You’re bleeding. Don’t lie to me, I can smell it. You’re hurt. You need a medmage.”
“I’m not hurt that badly.”
His lips wrinkled, showing his teeth. “How badly do you have to be hurt?”
“There is a right-to-life exemption, which permits us to leave the scene if our injuries are life threatening. We’d have to provide paperwork from a hospital, or a qualified medmage, showing that we had to get treatment or we would’ve died. My injuries are not life threatening.”
“Paperwork is not a problem.”
“Yes, but I won’t lie.”
“How do you know your injuries aren’t life threatening? You’re covered in the fluid from its guts. How do you know it’s not poisonous?”
“If it’s poisonous, we’ll deal with it when I feel sick.”
“Fine. I’ll stay here with this thing, and you will drive yourself to the hospital.”
“No.”
He hit me with an alpha stare.
I opened my eyes as wide as I could. “Why, of course, Your Majesty. What was I thinking? I will go and do this right away, just please don’t look at me.”
“Kate, get in the car.”
“Maybe you should growl dramatically. I don’t think I’m intimidated enough.”
“I will put you in the car.”
“No, you won’t. First, it took both of us to kill that thing, and if it reinvents itself again, it will take both of us again. I’m not leaving you alone with it. Second, if you try to physically carry me to the car, I will resist and bleed more. Third, you can possibly stuff me in the car against my will, but you can’t make me drive.”
He snarled. “Argh! Why don’t you ever do anything I ask you to?”
“Because you don’t ask. You tell me.”
We glared at each other.
“I’m not going to the hospital because of a shallow cut.” And possibly a strained shoulder, a few gashes to my legs, and a bruised right side. “It could be worse. I could’ve hit a brick wall instead of a nice, fragile old fence . . .”
He held up his hand. “I’m going to get a medkit out of the car.
”
”
Ilona Andrews (Magic Shifts (Kate Daniels, #8))
“
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Everywhere power has to be seen in order to give the impression that it sees. But this is not the case. It doesn't see anything. It is like a woman walled up in a 'peepshow'. It is separated from society by a two-way mirror. And it turns slowly, undresses slowly, adopting the lewdest poses, little suspecting that the other is watching and masturbating in secret.
The metro. A man gets on - by his glances, gestures and movements, he carves out a space for himself and protects it. From that space, he sets his actions to those of the neighbouring, approximate molecules. He becomes the centre of a physical pressure, sniffs out hostile vibrations and emanations, or friendly ones, on the verge of panic. He joins up with others out of fear. He innervates his whole body with a calculated indifference, wraps himself in a superficial reverie, created only to keep others at a distance. He deciphers nothing, protects himself from the crossfire of everyone's gazes and sets his own as a backhand down the line, staring at a particular face at the back of the carriage until the very lightness of his stare stirs the other in his sleep. When the train accelerates or brakes, all the bodies are thrown in the same direction, like the shoals of fish which change direction simultaneously. The marvellous underwater lethargy of the metro, the self-defence of the capillary systems, the cruel play of vague thoughts - all while waiting for the stop at Faidherbe-Chaligny.
The crucial thing is not to have sweeping views of the future, but to know where to plant your primal scene. The danger for us is that we'll keep running up against the wall of the Revolution. For this is the source of our misery: our phobias, our prohibitions, our phantasies, our utopias are imbedded in the nineteenth century, where their foundations were laid down. We have to put an end to this historical coagulation. Beyond it, all is permitted. It will perhaps be the adventure of the end of the century to dissolve the wall of the Revolution and to plunge on beyond it, towards the marvels of form and spirit.
”
”
Jean Baudrillard (Cool Memories)
“
Q. How can I be certain that what I fear will happen will never really happen?
A. Sadly, the answer is you can't be certain! If you suffer from OCD you probably want a 100 percent guarantee that you will never do anything dangerous or that no harm will ever come to you or your family members. Unfortunately, life does not work like this. If I think about it, I know that there is no guarantee that I won't be hit by a car coming home from work today - but somehow my brain automatically accepts the very small chance of this happening and so permits me to go on living my life.
More than two thousand years ago the Buddha (a great psychologist besides being a religious teacher) warned that one of the key things that makes us suffer is that we always want more than we will actually get - whether what we want is material like gold and jewels, or (my addition) in the case of OCD, more certainty than you will ever achieve. Thus the solution the Buddha might have offered you in northern India those thousands of years ago might have been something like this: "To stop suffering you must learn to accept that you will never achieve as much certainty as you want, no matter how much you pursue it; so it is up to you to choose: Either accept this truth and live your life happily, or fight against this truth and continue to suffer."
Let me say it again for emphasis: you will never be certain that you won't act on the urges you have, or that the terrible things you fear will happen will not actually happen - but I can assure you that the odds of these things actually happening are small enough that it is not worth wasting your life trying (in vain) to get 100 percent certainty. Better to trust in yourself, your religious beliefs, or in evolution having prepared us well for surviving in this world.
If evidence from brain studies better helps to convince you this is true, brain imaging studies of OCD sufferers now suggest that there really is something wrong with their "certainty system"; whatever automatically lets someone without OCD feel that things are OK does not function correctly in the OCD sufferer's brain (who then tries to convince himself that everything is OK, eventually becoming tired and frustrated when he cannot use other brain functions to achieve 100 percent certainty).
”
”
Lee Baer (Getting Control (Revised Edition)
“
Destiny. He, I mean Geralt, is linked to me by destiny, and I am to him. Our destinies are conjoined. So it would be better if I went away from here. Right away. Do you understand?” “I confess that I don’t quite.” “Destiny!” She took a sip. “A force which it’s better not to get in the way of. Which is why I think… No, no thank you, don’t serve me any more, please, I’ve eaten so much I think I’ll burst.” “You mentioned thinking.” “I think it was a mistake to lure me here. And force me to… Well, you know what I mean. I must get away from here, and hurry to help him… Because it’s my destiny—” “Destiny,” he interrupted, raising his glass. “Predestination. Something that is inevitable. A mechanism which means that a practically unlimited number of unforeseeable events must end with the same result and no other. Is that right?” “Certainly!” “Then whence and wherefore do you wish to go? Drink your wine, enjoy the moment, delight in life. What is to come will come, if it’s inevitable.” “Like hell. It’s not that easy.” “You’re contradicting yourself.” “No, I’m not.” “You’re contradicting your contradiction, and that’s a vicious circle.” “No!” She tossed her head. “You can’t just sit and do nothing! Nothing comes by itself!” “Sophistry.” “You can’t waste time unthinkingly! You might overlook the right moment… That one right, unique moment. For time never repeats itself.” “Permit me.” He stood up. “Look at that, over there.” On the wall he was pointing at was a protruding relief portraying an immense, scaly snake. The reptile, curled up in a figure of eight, was sinking its great teeth into its own tail. Ciri had once seen something like it, but couldn’t remember where. “There,” said the elf. “The ancient snake Ouroboros. Ouroboros symbolises eternity and is itself eternal. It is the eternal going away and the eternal return. It is something that has no beginning and no end. “Time is like the ancient Ouroboros. Time is fleeting moments, grains of sand passing through an hourglass. Time is the moments and events we so readily try to measure. But the ancient Ouroboros reminds us that in every moment, in every instant, in every event, is hidden the past, the present and the future. Eternity is hidden in every moment. Every departure is at once a return, every farewell is a greeting, every return is a parting. Everything is simultaneously a beginning and an end.
”
”
Andrzej Sapkowski (The Lady of the Lake (The Witcher, #5))
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Are you Hilary Westfield?” She sounded like she hoped it wasn’t the case. Hilary nodded. “Oh. Well, I’m Philomena. I have to show you to your room.” Hilary looked wildly at Miss Greyson. “I’m Miss Westfield’s governess,” Miss Greyson said, to Hilary’s relief. Maybe talking politely to people like Philomena was something you learned at Miss Pimm’s, or maybe getting past Philomena was a sort of entrance exam. “Is there any chance we could see Miss Pimm? We’re old acquaintances. I used to go to school here, you see.” Miss Greyson smiled for the second time that day—the world was getting stranger and stranger by the minute—but Philomena didn’t smile back. “I’m terribly sorry,” said Philomena, “but Miss Pimm doesn’t receive visitors. You can leave Miss Westfield with me, and the porter will collect Miss Westfield’s bags.” She raised her eyebrows as the carriage driver deposited the golden traveling trunk on the doorstep. “I hope you have another pair of stockings in there.” “I do.” Hilary met Philomena’s stare. “I have nineteen pairs, in fact. And a sword.” Miss Greyson groaned and put her hand to her forehead. “Excuse me?” said Philomena. “I’m afraid Miss Westfield is prone to fits of imagination,” Miss Greyson said quickly. Philomena’s eyebrows retreated. “I understand completely,” she said. “Well, you have nothing to worry about. Miss Pimm’s will cure her of that nasty habit soon enough. Now, Miss Westfield, please come along with me.” Hilary and Miss Greyson started to follow Philomena inside. “Only students and instructors are permitted inside the school building,” said Philomena to Miss Greyson. “With all the thefts breaking out in the kingdom these days, one really can’t be too careful. But you’re perfectly welcome to say your good-byes outside.” Miss Greyson agreed and knelt down in front of Hilary. “A sword?” she whispered. “I’m sorry, Miss Greyson.” “All I ask is that you take care not to carve up your classmates. If I were not a governess, however, I might mention that the lovely Philomena is in need of a haircut.” Hilary nearly laughed, but she suspected it might be against the rules to laugh on the grounds of Miss Pimm’s, so she gave Miss Greyson her most solemn nod instead. “Now,” said Miss Greyson, “you must promise to write. You must keep up with the news of the day and tell me all about it in your letters. And you’ll come and visit me in my bookshop at the end of the term, won’t you?” “Of course.” Hilary’s stomach was starting to feel very strange, and she didn’t trust herself to say more than a few words at a time. This couldn’t be right; pirates were hardly ever sentimental. Then again, neither was Miss Greyson. Yet here she was, leaning forward to hug Hilary, and Hilary found herself hugging Miss Greyson back. “Please don’t tell me to be a good little girl,” she said. Miss Greyson sniffed and stood up. “My dear,” she said, “I would never dream of it.” She gave Hilary’s canvas bag an affectionate pat, nodded politely to Philomena, and walked down the steps and through the gate, back to the waiting carriage. “Come along,” said Philomena, picking up the lightest of Hilary’s bags. “And please don’t dawdle. I have lessons to finish.” HILARY FOLLOWED PHILOMENA through a maze of dark stone walls and high archways. From the inside, the building seemed more like a fortress
”
”
Caroline Carlson (Magic Marks the Spot (The Very Nearly Honorable League of Pirates, #1))
“
Motion in space can proceed in any direction and back again. Motion in time only proceeds in one direction in the everyday world, whatever seems to be going on at the particle level. It’s hard to visualize the four dimensions of spacetime, each at right angles to the other, but we can leave out one dimension and imagine what this strict rule would mean if it applied to one of the three dimensions we are used to. It’s as if we were allowed to move either up or down, either forward or back, but that sideways motion was restricted to shuffling to the left, say. Movement to the right is forbidden. If we made this the central rule in a children’s game, and then told a child to find a way of reaching a prize off to the right-hand side (“backward in time”) it wouldn’t take too long for the child to find a way out of the trap. Simply turn around to face the other way, swapping left for right, and then reach the prize by moving to the left. Alternatively, lie down on the floor so that the prize is in the “up” direction with reference to your head. Now you can move both “up” to grasp the prize and “down” to your original position, before standing up again and returning your personal space orientation to that of the bystanders.* The technique for time travel allowed by relativity theory is very similar. It involves distorting the fabric of space-time so that in a local region of space-time the time axis points in a direction equivalent to one of the three space directions in the undistorted region of space-time. One of the other space directions takes on the role of time, and by swapping space for time such a device would make true time travel, there and back again, possible. American mathematician Frank Tipler has made the calculations that prove such a trick is theoretically possible. Space-time can be distorted by strong gravitational fields,and Tipler’s imaginary time machine is a very massive cylinder, containing as much matter as our sun packed into a volume 100 km long and 10 km in radius, as dense as the nucleus of an atom, rotating twice every millisecond and dragging the fabric of space-time around with it. The surface of the cylinder would be moving at half the speed of light. This isn’t the sort of thing even the maddest of mad inventors is likely to build in his backyard, but the point is that it is allowed by all the laws of physics that we know. There is even an object in the universe that has the mass of our sun, the density of an atomic nucleus, and spins once every 1.5 milliseconds, only three times slower than Tipler’s time machine. This is the so-called “millisecond pulsar,” discovered in 1982. It is highly unlikely that this object is cylindrical—such extreme rotation has surely flattened it into a pancake shape. Even so, there must be some very peculiar distortions of space-time in its vicinity. “Real” time travel may not be impossible, just extremely difficult and very, very unlikely. That thin end of what might be a very large wedge may, however, make the normality of time travel at the quantum level seem a little more acceptable. Both quantum theory and relativity theory permit time travel, of one kind or another. And anything that is acceptable to both those theories, no matter how paradoxical that something may seem, has to be taken seriously. Time travel, indeed, is an integral part of some of the stranger features of the particle world, where you can even get something for nothing, if you are quick about it.
”
”
John Gribbin (In Search of Schrodinger's Cat: Quantum Physics And Reality)
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Verified accounts are ideal for freelancers and companies for:
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Use accounts that are fully verified and operational to prevent needless delays or blocked accounts.
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Buy Verified Stash Bank Account : A Complete Guide to Safe and Quick Online Banking
Beginning :
Buy Verified Stash Bank Account Managing money online is now a must in today’s fast-paced digital world. Stash Bank is one of the best mobile banking apps, giving people and businesses easy access to all of their banking needs. Buying a verified Stash Bank account is a quick way for people and businesses to get access to banking right away. This guide goes over everything you need to know, from how to understand Stash Bank accounts to how to buy, secure, and use verified accounts safely.
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Guide to buy Verified Stash Bank Account from usabuysmm.com
Overview
Online banking is now required rather than optional in today’s fast-paced digital world. The Stash Bank Account is a popular financial solution in the United States. For easy personal financial management, people are now searching for trustworthy, validated, and operational Stash accounts.
The real problem, though, is where to look for a verified account without getting duped.
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A Stash Bank Account: What Is It?
A Stash Bank Account is a type of financial account linked to the online banking and investing platform Stash. It offers users:
A safe method for handling personal finances
Features of checking and savings accounts
Access to debit cards
Setting up a direct deposit
Combining investment options
Note that Stash is only compatible with personal accounts. Even if your name appears on a business account, it is not permitted.
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The Global Financial Crisis of 2007–08 represented the greatest financial downswing of my lifetime, and consequently it presents the best opportunity to observe, reflect and learn. The scene was set for its occurrence by a number of developments. Here’s a partial list: Government policies supported an expansion of home ownership—which by definition meant the inclusion of people who historically couldn’t afford to buy homes—at a time when home prices were soaring; The Fed pushed interest rates down, causing the demand for higher-yielding instruments such as structured/levered mortgage securities to increase; There was a rising trend among banks to make mortgage loans, package them and sell them onward (as opposed to retaining them); Decisions to lend, structure, assign credit ratings and invest were made on the basis of unquestioning extrapolation of low historic mortgage default rates; The above four points resulted in an increased eagerness to extend mortgage loans, with an accompanying decline in lending standards; Novel and untested mortgage backed securities were developed that promised high returns with low risk, something that has great appeal in non-skeptical times; Protective laws and regulations were relaxed, such as the Glass-Steagall Act (which prohibited the creation of financial conglomerates), the uptick rule (which prevented traders who had bet against stocks from forcing them down through non-stop short selling), and the rules that limited banks’ leverage, permitting it to nearly triple; Finally, the media ran articles stating that risk had been eliminated by the combination of: the adroit Fed, which could be counted on to inject stimulus whenever economic sluggishness developed, confidence that the excess liquidity flowing to China for its exports and to oil producers would never fail to be recycled back into our markets, buoying asset prices, and the new Wall Street innovations, which “sliced and diced” risk so finely, spread it so widely and placed it with those best suited to bear it.
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Howard Marks (Mastering The Market Cycle: Getting the Odds on Your Side)
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When you’re interested in doing something, you do it only when circumstances permit, but when you’re committed to something, you accept no excuses, only results.
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Brian P. Moran (The 12 Week Year: Get More Done in 12 Weeks than Others Do in 12 Months)
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Best Ideas and Tips for Career Growth and Development
In case you're thinking about how you will get where you need to be in your career, there are some basic advances you can take that will assist you in making your own professional development. Similarly, as with all endeavors, you should be clear about your course when you make your own career development plan. You don't take an excursion without knowing where you need to wind up. You additionally don't have to excessively confound this undertaking.
For profession improvement wanting to be compelling, extend your perspective on advancement and that of your representatives. An outside instructional course isn't the best way to create workers. Worker advancement is an incredible idea yet it isn't without issues. The best plans save the duty regarding finish unequivocally on the shoulders of representatives. Something else, if a worker doesn't finish their advancement openings, the individual in question may decide to put the fault on the board, which is counter-profitable for the entirety of the included gatherings.
Certain issues and articulations exist that you would need to maintain a strategic distance from as you and the workers who report to you make plans and strategies for career development.
Best Ideas for Career Growth and Development
1. Analyze your skills by yourself
Experience the expected set of responsibilities detail by detail and rate your present condition of aptitudes, training, or experience to what is recorded. Your rating framework can be as straightforward as 1-10, with 10 an ideal match and one being totally absent. As you rate, make notes about your manner of thinking for future reference.
When you have finished this activity, distinguish the entirety of the things where there is anyplace from a decent measure to a considerable measure of improvement that is required. Search for shared characteristics and cluster those all together. You will find that there will be subjects for your holes.
2. Change Job If or Whenever You Want
You may likewise need to have numerous methods of amplifying your range of abilities to add profundity to it. A model is in the event that you need to move to a venture the board position, you might need to get confirmation and furthermore request venture duties. At first, these might be little, which are fine; they will offer you a chance to develop and learn. Also, you may need to inquire about different approaches to get what it takes you have to develop in your profession.
You can't anticipate to what extent or how much work you should do so as to build up the expertise at the level you need, however, you do have command over the move you make to begin. Follow along. You have to focus on your career development plan at least two times every year. This will permit you to remain concentrated on your advance and help you to remember subsequent stages.
3. Growth Takes Time: But not for Everyone
Some portion of the explanation we presume development is such a high need when you search for an occupation is on the grounds that you weren't getting development and improvement at your last one.
You can totally change occupations at regular intervals to fulfill your longing for development. In any case, that despite everything leaves an extensive timeframe when you're not developing once you sink into work and before you move onto the following one.
Here are some of the plan and strategies for career development, if you have any doubt, let us know in the comment section.
Can also check:
Things which is Important for student to get success
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Introduction
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Relieved of this easily measured outcome, I could focus on the practice alone. I focused on the rhythm, on my posture, on the magic of the physics of casting. At some point, the professional has to bring home the fish. That’s the fuel that permits the professional to show up each day. But the catch is the side effect of the practice itself. Get the practice right, and your commitment will open the door for the market to engage with your work.
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Seth Godin (The Practice: Shipping Creative Work)
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The beautiful and good person neither fights with anyone nor, as much as they are able, permits others to fight . . . this is the meaning of getting an education—learning what is your own affair and what is not.
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Ryan Holiday (The Daily Stoic: 366 Meditations on Wisdom, Perseverance, and the Art of Living)
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join in. Exchange ideas and challenges. Meet other entrepreneurs and innovators at other Meetups. Talk with them about Customer Jobs. If you can drum up interest, ask if they’d be interested in getting together for a Meetup specifically about Customer Jobs. Contacting Me I try to help anyone I can, however I can. As time permits, I enjoy doing calls and sharing e-mails with entrepreneurs and innovators. I encourage you to contact me via my website with your questions or comments or if you want help. If I can’t help you, I’m sure I know someone who can. I also enjoy learning how others apply Customer Jobs. If you have a story or insight to share, feel free to contact me. The best ways to contact me are through my website, alanklement.com; Twitter, @alanklement; or the jtbd.info site.
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Alan Klement (When Coffee and Kale Compete: Become great at making products people will buy)
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About “Contesting Height” (一,たけくらべと云事) “Contesting height” is employed when very close and clinging to the enemy. Make yourself as tall as you can, as if contesting height. In your mind, make yourself taller than your opponent. The cadence for getting in close is the same as the others. Consider this well. (31) About the “Door” Teaching (一,扉のおしへと云事) The body of the “door”27 is used when moving in to stick to the enemy. Make the span of your body wide and straight as if to conceal the enemy’s sword and body. Fuse yourself to the enemy so that there is no space between your bodies. Then pivot to the side, making yourself slender and straight, and smash your shoulder into his chest to knock him down. Practice this. (32) The “General and His Troops” Teaching (一、将卒のおしへの事) The “general and his troops” is a teaching that means once you embody the principles of strategy, you see the enemy as your troops and yourself as their general. Do not allow the enemy any freedom whatsoever, neither permitting him to swing nor thrust with his sword. He is so completely under your sway that he is unable to think of any tactics. This is crucial. (33) About the “Stance of No-Stance” (一,うかうむかうと云事) The “stance of no-stance” refers to [the mindset] when you are holding your sword. You can adopt various stances, but if your mind is so preoccupied with the engarde position, the sword and your body will be ineffectual. Even though you always have your sword, do not become preoccupied with any particular stance. There are three varieties of upper stance (jōdan) as well as three attitudes for the middle (chūdan) and lower (gedan) stances that you can adopt. The same can be said for the left-side and right-side stances (hidari-waki and migi-waki). Seen as such, this is the mind of no-stance. Ponder this carefully.
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Alexander Bennett (The Complete Musashi: The Book of Five Rings and Other Works)
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About “Contesting Height” (一,たけくらべと云事) “Contesting height” is employed when very close and clinging to the enemy. Make yourself as tall as you can, as if contesting height. In your mind, make yourself taller than your opponent. The cadence for getting in close is the same as the others. Consider this well. (31) About the “Door” Teaching (一,扉のおしへと云事) The body of the “door”27 is used when moving in to stick to the enemy. Make the span of your body wide and straight as if to conceal the enemy’s sword and body. Fuse yourself to the enemy so that there is no space between your bodies. Then pivot to the side, making yourself slender and straight, and smash your shoulder into his chest to knock him down. Practice this. (32) The “General and His Troops” Teaching (一、将卒のおしへの事) The “general and his troops” is a teaching that means once you embody the principles of strategy, you see the enemy as your troops and yourself as their general. Do not allow the enemy any freedom whatsoever, neither permitting him to swing nor thrust with his sword. He is so completely under your sway that he is unable to think of any tactics. This is crucial. (33) About the “Stance of No-Stance” (一,うかうむかうと云事) The “stance of no-stance” refers to [the mindset] when you are holding your sword. You can adopt various stances, but if your mind is so preoccupied with the engarde position, the sword and your body will be ineffectual. Even though you always have your sword, do not become preoccupied with any particular stance. There are three varieties of upper stance (jōdan) as well as three attitudes for the middle (chūdan) and lower (gedan) stances that you can adopt. The same can be said for the left-side and right-side stances (hidari-waki and migi-waki). Seen as such, this is the mind of no-stance. Ponder this carefully. △ (39-3) About “Assessing the Location” △ (39-4) About “Dealing to Many Enemies” (Simplified versions of Article 1 in the Fire Scroll [Scroll 3] and Article 33 in the Water Scroll [Scroll 2] of Gorin-no-Sho.) (34) About “The Body of a Boulder” (一、いわをの身と云事) “The body of a boulder” is to have an unmovable mind that is strong and vast. You come to embody myriad principles through your training, to the extent that nothing can touch you. All living things will avoid you. Although devoid of consciousness, even plants will not take root on a boulder. Even the rain and wind will do nothing to a boulder. You must strive to understand what this “body” means.
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Alexander Bennett (The Complete Musashi: The Book of Five Rings and Other Works)
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As an accurate thinker, it is both your privilege and your duty to avail yourself of facts, even though you must go out of your way to get them. If you permit yourself to be swayed to and fro by all manner of information that comes to your attention, you will never become an accurate thinker; and if you do not think accurately, you cannot be sure of attaining the object of your definite chief aim in life.
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Napoleon Hill (The Prosperity Bible: The Greatest Writings of All Time on the Secrets to Wealth and Prosperity)
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The first thing I would show players at our initial day of training was how to take a little extra time putting on their shoes and socks properly. The most important part of your equipment is your shoes and socks. You play on a hard floor. So you must have shoes that fit right. And you must not permit your socks to have wrinkles around the little toe—where you generally get blisters—or around the heels. I showed my players how I wanted them to do it. Hold up the sock, work it around the little toe area and the heel area so that there are no wrinkles. Smooth it out good. Then hold the sock up while you put the shoe on. And the shoe must be spread apart—not just pulled on the top laces. You tighten it up snugly by each eyelet. Then you tie it. And then you double-tie it so it won’t come undone—because I don’t want shoes coming untied during practice, or during the game. I don’t want that to happen. That’s just a little detail that coaches must take advantage of, because it’s the little details that make the big things come about. The sentiments above are John Wooden’s, the most successful coach in the history of college basketball.
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Rick Rubin (The Creative Act: A Way of Being)
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How to look a demon in the eye It’s easy to want to run away from bad feelings. When we feel sadness or fear we greet them as problems to be instantly solved or dismissed. I can remember that when I was first in the middle of a deep depression, I wasn’t just feeling depressed. I was feeling depressed about feeling depressed. Anxious about feeling anxious. And so, inevitably, the negative feelings kept on multiplying themselves. The key to recovery lay in acceptance. This was the paradox. To escape depression I had to get to a point where I accepted it. To stop having panic attacks I had to get to a point where I almost invited them. I would feel that sudden heightened alertness symptomatic of panic, and I would say to myself I want this. This is not a strategy you should necessarily follow. And I certainly don’t mean to belittle the horror of a full-blown panic attack. I know as well as anyone how utterly terrifying it can be to feel trapped in your own mind when it is in total freefall. But after a hundred or so panic attacks I realized something about them. They were self-referential. They fueled themselves. I mean: the panic became worse because I was panicking about the panic. It is a rolling snowball of its own making. But if I stopped myself being frozen about the panic, if I melted into a state of acceptance, the panic snowball ended up running out of the ice-cold terror and couldn’t grow. Eventually it would float right through. My mind would watch the panic rather than fight it. A totally different type of engagement. Sometimes, situation permitting, rather than trying to ignore the panic or walk it off, I would just lie down on the floor and close my eyes and really focus on it. And when you really analyze fear you realize, first, that it is only a natural part of us. And second, that it is the sister of hope. Because both are born from the uncertain fabric of life. In Tibetan the word re-dok is a portmanteau of the words rewa (hope) and dokpa (fear), acknowledging they coexist and both stem from essentially the same thing—uncertainty. When we analyze rather than evade our darkest fears, we learn that even our largest demons are not as invincible as they first appear. Often, when we stare at them, deeply, they disintegrate before our eyes.
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Matt Haig (The Comfort Book)
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As there can be no causeless wealth, so there can be no causeless love or any sort of causeless emotion. An emotion is a response to a fact of reality, an estimate dictated by your standards. To love is to value. The man who tells you that it is possible to value without values, to love those whom you appraise as worthless, is the man who tells you that it is possible to grow rich by consuming without producing and that paper money is as valuable as gold. “Observe that he does not expect you to feel a causeless fear. When his kind get into power, they are expert at contriving means of terror, at giving you ample cause to feel the fear by which they desire to rule you. But when it comes to love, the highest of emotions, you permit them to shriek at you accusingly that you are a moral delinquent if you’re incapable of feeling causeless love. When a man feels fear without reason, you call him to the attention of a psychiatrist; you are not so careful to protect the meaning, the nature and the dignity of love. “Love is the expression of one’s values, the greatest reward you can earn for the moral qualities you have achieved in your character and person, the emotional price paid by one man for the joy he receives from the virtues of another. Your morality demands that you divorce your love from values and hand it down to any vagrant; not as response to his worth, but as response to his need, not as reward, but as alms, not as a payment for virtues, but as a blank check on vices. Your morality tells you that the purpose of love is to set you free of the bonds of morality, that love is superior to moral judgment; that true love transcends, forgives and survives every manner of evil in its object, and the greater the love the greater the depravity it permits to the loved. To love a man for his virtues is paltry and human, it tells you; to love him for his flaws is divine. To love those who are worthy of it is self-interest; to love the unworthy is sacrifice. You owe your love to those who don’t deserve it, and the less they deserve it, the more love you owe them—the more loathsome the object, the nobler your love—the more unfastidious your love, the greater the virtue—and if you can bring your soul to the state of a dump heap that welcomes anything on equal terms, if you can cease to value moral values, you have achieved the state of moral perfection.
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Ayn Rand (Atlas Shrugged)
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There is no honest revolt against reason—and when you accept any part of their creed, your motive is to get away with something your reason would not permit you to attempt. The freedom you seek is freedom from the fact that if you stole your wealth, you are a scoundrel, no matter how much you give to charity or how many prayers you recite—that if you sleep with sluts, you’re not a worthy husband, no matter how anxiously you feel that you love your wife next morning—that you are an entity, not a series of random pieces scattered through a universe where nothing sticks and nothing commits you to anything, the universe of a child’s nightmare where identities switch and swim, where the rotter and the hero are interchangeable parts arbitrarily assumed at will—that you are a man—that you are an entity—that you are. “No matter how eagerly you claim that the goal of your mystic wishing is a higher mode of life, the rebellion against identity is the wish for non-existence. The desire not to be anything is the desire not to be.
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Ayn Rand (Atlas Shrugged)
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You’re carrying concealed without a permit.” “It’s okay,” Lula said. “It’s like common-law marriage. After a certain amount of time, it gets to be legal, and you don’t need the paper.
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Janet Evanovich (Game On: Tempting Twenty-Eight (Stephanie Plum, #28))
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Kid, are you looking to enter the city? It’s five copper coins to get in, but since you’re young and you look hungry, we’ll give you a discount—three copper coins to get in.” The guard was the leader of the crew going off-shift. He had a little girl around Cha Ming’s age, and he had a bit of leeway with entry permits. Cha Ming fished through his belt pouch and took out his last two copper coins. It was the last of the money his parents had left him, and he didn’t know how he would be able to gain a third coin. Noticing the reluctant look in the youngster’s eyes, the guard frowned. Cha Ming’s eyes darted down as he heard the dull sound of a coin hitting the stony city road. “You dropped a coin,” the guard muttered softly. “I have a few young kids your age. Kids always do careless things like dropping coins when paying.” Seeing the gentle look in the guard’s eyes, Cha Ming quickly took the hint and picked up the coin,
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Patrick G. Laplante (Clear Sky (Painting the Mists, #1))
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Appreciating Your Work
Before you can write your Achievement Stories, you need to appreciate your achievements. You cannot take your work for granted.
Malcolm Forbes, Forbes’ magazine’s late publisher, said:
Too many people overvalue what they are not and undervalue what they are.
What usually happens is that if we do something, it seems commonplace, not special, just ordinary. However, when we see someone doing something we cannot do, we’re impressed.
What we’re not considering is whether the person who impressed you can do what you can do.
We’re also not asking ourselves:
“Why did you keep your job so long?”
“Why did you get raises?”
“Why did you get promoted?”
“Why did you receive those awards?”
“Why did you get recognized as often as you did, via awards or complementary messages from your boss and others?”
If you’re not getting raises, promotions, awards or complements, there could be a number of reasons. It might be that your company cannot afford to provide raises and promotions. It’s possible that a boss may think that if you get awards and compliments, you’ll ask for a raise, which her budget doesn’t permit.
Unfortunately, there are also times when a boss may not want to draw attention to you because she’s afraid of you, afraid you’ll outshine her, afraid you’ll get her job.
Of course, you need to be careful around someone like this.
I once gave a presentation to a group of people, including my boss and her boss. After the presentation, my boss’s boss said it was excellent. All my boss did was look at me for what seemed like a long time. As long as she worked there, she never let me give another presentation.
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Clark Finnical (Job Hunting Secrets: (from someone who's been there))
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How many refugees have fled from Britain, or from the whole of the British Empire, during the past seven years? And how many from Germany? How many people personally known to you have been beaten with rubber truncheons or forced to swallow pints of castor oil? How dangerous do you feel it to be to go into the nearest pub and express your opinion that this is a capitalist war and we ought to stop fighting? Can you point to anything in recent British or American history that compares with the June Purge, the Russian Trotskyist trials, the pogrom that followed vom Rath’s assassination? Could an article equivalent to the one I am writing be printed in any totalitarian country, red, brown or black? The Daily Worker has just been suppressed, but only after ten years of life, whereas in Rome, Moscow or Berlin it could not have survived ten days. And during the last six months of its life Great Britain was not only at war but in a more desperate predicament than at any time since Trafalgar. Moreover – and this is the essential point – even after the Daily Worker’s suppression its editors are permitted to make a public fuss, issue statements in their own defence, get questions asked in Parliament and enlist the support of well-meaning people of various political shades. The swift and final ‘liquidation’ which would be a matter of course in a dozen other countries not only does not happen, but the possibility that it may happen barely enters anyone’s mind.
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George Orwell (Fascism and Democracy (Great Orwell))
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I quite fixedly believe the Wardens of Earth sometimes unbar strange windows, that face on other worlds than ours. And some of us, I think, once in a while get a peep through these windows. But we are not permitted to get a long peep, or an unobstructed peep, nor very certainly, are we permitted to see all there is — out yonder. The fatal fault, sir, of your theorizing is that it is too complete. It aims to throw light upon the universe, and therefore is self-evidently moonshine. The Wardens of Earth do not desire that we should understand the universe, Mr. Kennaston; it is part of Their appointed task to insure that we never do; and because of Their efficiency every notion that any man, dead, living, or unborn, might form as to the universe will necessarily prove wrong.
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James Branch Cabell (The Cream of the Jest)
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Thus this ability to care for yourself emotionally permits the intimacy you seek because you have the courage to allow your partner to come close or get distant without overreacting. With less fear of losing or being hurt by your partner, you can embrace them fully and delight in their love for you.
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Richard C. Schwartz (You Are the One You've Been Waiting For: Applying Internal Family Systems to Intimate Relationships)
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You should not permit external conditions to stir outrage. It is like getting frantic at something far greater than you. It resembles an ant worrying it will be hit by a rain drop – thinking about something literally that could not care less about you. Things do not occur against us. They simply occur. Blowing up at a circumstance does not affect the circumstance. It does not transform or improve it.
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Marcus Epictetus (How to Practice Stoicism: Lead the stoic way of life to Master the Art of Living, Emotional Resilience & Perseverance - Make your everyday Modern life ... & Positive (Mastering Stoicism Book 2))
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Steve McConnell helped us understand how poorly timed thrashing sabotages every failed software project. It turns out that the problem extends far beyond software. Any project worth doing involves invention, inspiration, and at least a little bit of making stuff up. Traditionally, we start with an inkling, adding more and more detail as we approach the ship date. And the closer we get to shipping, the more thrashing occurs. Thrashing is the apparently productive brainstorming and tweaking we do for a project as it develops. Thrashing might mean changing the user interface or rewriting an introductory paragraph. Sometimes thrashing is merely a tweak; other times it involves major surgery. Thrashing is essential. The question is: when to thrash? In the typical amateur project, all the thrashing is near the end. The closer we get to shipping, the more people get involved, the more meetings we have, the more likely the CEO wants to be involved. And why not? What’s the point of getting involved early when you can’t see what’s already done and your work will probably be redone anyway? The point of getting everyone involved early is simple: thrash late and you won’t ship. Thrash late and you introduce bugs. Professional creators thrash early. The closer the project gets to completion, the fewer people see it and the fewer changes are permitted. Every software project that has missed its target date (every single one) is a victim of late thrashing. The creators didn’t have the discipline to force all the thrashing to the beginning. They fell victim to the resistance.
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Seth Godin (Linchpin: Are You Indispensable?)
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Bengaluru, Karnataka 560018
Call – +91 7022122121
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Veeraloka Book House is something other than a book shop; it is an image of Karnataka's rich scholarly legacy. With its wide assortment, support for arising essayists, and profound commitment with the local area, the shop keeps on being a treasured spot for anybody energetic about Kannada writing. Whether you visit face to face or peruse its broad web-based assortment, Veeraloka Book House offers an advancing encounter for all book sweethearts.
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207, 2nd Floor, 3rd Main Rd, Chamrajpet,
Bengaluru, Karnataka 560018
Call – +91 7022122121
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To permit your mind to dwell upon the inferior is to become inferior and to surround yourself with inferior things. On the other hand, to fix your attention on the best is to surround yourself with the best, and to become the best.
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Wallace D. Wattles (The Science of Getting Rich)