Getting Heavier Quotes

We've searched our database for all the quotes and captions related to Getting Heavier. Here they are! All 100 of them:

No sympathy for the devil; keep that in mind. Buy the ticket, take the ride...and if it occasionally gets a little heavier than what you had in mind, well...maybe chalk it up to forced consciousness expansion: Tune in, freak out, get beaten.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
Like magic, she felt him getting nearer, felt it like a pull in the pit of her stomach. It felt like hunger but deeper, heavier. Like the best kind of expectation. Ice cream expectation. Chocolate expectation.
Sarah Addison Allen (The Sugar Queen)
Living is hard. And every day our feet get heavier and we pick up more baggage. So, we stop and take a breath, close our eyes, reset our minds. It's natural. As lond as you open your eyes and keep going.
Cora Carmack (Faking It (Losing It, #2))
She was tired of hugging pillows, counting on blankets for warmth, and reliving romantic moments only in her dreams. She was tired of hoping that every day would hurry so she could get on to the next. Hoping that it would be a better day, an easier day. But it never was. Worked, paid the bills, and went to bed but never slept. Each morning the weight on her shoulders got heavier and heavier and each morning she wished for night to fall quickly so she could return to her bed to hug her pillows and wrap herself in the warmth of her blankets.
Cecelia Ahern
Bad news has no limits. We often feel it should, like a rainstorm that can't possibly get any heavier. But a storm can always worsen, & the burdens of life can too.
Mitch Albom (The First Phone Call from Heaven)
He thinks writing is also a kind of war, one you fight with yourself. The story is what you carry and every time you add to it, it gets heavier.
Stephen King (Billy Summers)
-BDB on the board- VAMPIRES WITH ONE EYEBROW ARE SEXY May 8, 2006 Vishous (Back in the Pit, posting in Rhage's room on the board) Hi! My name is Rhage.....:) I'm starting a new trend in facial hair. Having one eyebrow is COOL. Having one eyebrow is SEXY. Having one eyebrow is very INTELLECTUAL. Come. Join me. Rhage: (In his bedroom) 1. He immobilized me, the motherfucker. Or I woud have gone to work on the goatee. AND IF HE WERE SO TOUGH HE WOULDN'T HAVE HAD TO PUT A WHAMMY ON MY ASS TO GET AT ME. 2. My hair grows back VERY fast. I should be BACK TO NORMAL in a couple of days. 3. Even if it takes me the rest of this month...he has SO got it coming for him. Vishous: Rhage! What happened to your eyebrow? Why...it's gone. Did you slip while you were shaving? Hey....lemme ask you something...Does your head feel off-kilter? You know, heavier on one side?
J.R. Ward (The Black Dagger Brotherhood: An Insider's Guide (Black Dagger Brotherhood))
But loneliness is a thing that has weight, and it gets heavier over time.
Michelle Falkoff (Playlist for the Dead)
I think everyone does. Even happy people. They may not admit it to anyone, but I think they feel it. I think they close their eyes, or go for a run, or take a long shower, so that hey can forget just for a second who they are and what they have to do day in and day out. Living is hard. And every day our feet get heavier and we pick up more baggage. So, we stop and take a breath, close our eyes, reset our minds. It's natural. As long as you open your eyes and keep going. (Cade)
Cora Carmack (Faking It (Losing It, #2))
People can bury so many of their loved ones during a lifetime and still get up the morning after, but something inside gets a bit heavier each time;
Fredrik Backman (The Winners (Beartown, #3))
Young people, Lord. Do they still call it infatuation? That magic ax that chops away the world in one blow, leaving only the couple standing there trembling? Whatever they call it, it leaps over anything, takes the biggest chair, the largest slice, rules the ground wherever it walks, from a mansion to a swamp, and its selfishness is its beauty. Before I was reduced to singsong, I saw all kinds of mating. Most are two-night stands trying to last a season. Some, the riptide ones, claim exclusive right to the real name, even though everybody drowns in its wake. People with no imagination feed it with sex—the clown of love. They don’t know the real kinds, the better kinds, where losses are cut and everybody benefits. It takes a certain intelligence to love like that—softly, without props. But the world is such a showpiece, maybe that’s why folks try to outdo it, put everything they feel onstage just to prove they can think up things too: handsome scary things like fights to the death, adultery, setting sheets afire. They fail, of course. The world outdoes them every time. While they are busy showing off, digging other people’s graves, hanging themselves on a cross, running wild in the streets, cherries are quietly turning from greed to red, oysters are suffering pearls, and children are catching rain in their mouths expecting the drops to be cold but they’re not; they are warm and smell like pineapple before they get heavier and heavier, so heavy and fast they can’t be caught one at a time. Poor swimmers head for shore while strong ones wait for lightning’s silver veins. Bottle-green clouds sweep in, pushing the rain inland where palm trees pretend to be shocked by the wind. Women scatter shielding their hair and men bend low holding the women’s shoulders against their chests. I run too, finally. I say finally because I do like a good storm. I would be one of those people in the weather channel leaning into the wind while lawmen shout in megaphones: ‘Get moving!
Toni Morrison (Love)
I wonder if maybe all you do is meet people & lose them & your smile fades the further you go because you have to carry the space they leave. Maybe it all turns to old pictures on a bookshelf, engaged rings, memories of sticking stars to a ceiling & maybe the space gets bigger & heavier every year.
Allison Larkin (The People We Keep)
I’d always admired The Beatles for starting out as a bubblegum pop group and then getting heavier and heavier as their albums went on, and here was me going in the opposite direction.
Ozzy Osbourne (I Am Ozzy)
All I know is that the closer I get to God, the deeper I get into the Bible, and the heavier the burden seems on my shoulders.
Tim LaHaye (Tribulation Force (Left Behind, #2))
Gone are the summer days and my mind along with them. No longer will I indulge in hopes of getting you back. It is hope that makes these chains heavier and autumnal nights longer. I will merely serve as a memory to you: the lover that recited love poems. I must go now and I urge you not to look back.
Kamand Kojouri
MY MOTHER GETS DRESSED It is impossible for my mother to do even the simplest things for herself anymore so we do it together, get her dressed. I choose the clothes without zippers or buckles or straps, clothes that are simple but elegant, and easy to get into. Otherwise, it's just like every other day. After bathing, getting dressed. The stockings go on first. This time, it's the new ones, the special ones with opaque black triangles that she's never worn before, bought just two weeks ago at her favorite department store. We start with the heavy, careful stuff of the right toes into the stocking tip then a smooth yank past the knob of her ankle and over her cool, smooth calf then the other toe cool ankle, smooth calf up the legs and the pantyhose is coaxed to her waist. You're doing great, Mom, I tell her as we ease her body against mine, rest her whole weight against me to slide her black dress with the black empire collar over her head struggle her fingers through the dark tunnel of the sleeve. I reach from the outside deep into the dark for her hand, grasp where I can't see for her touch. You've got to help me a little here, Mom I tell her then her fingertips touch mine and we work her fingers through the sleeve's mouth together, then we rest, her weight against me before threading the other fingers, wrist, forearm, elbow, bicep and now over the head. I gentle the black dress over her breasts, thighs, bring her makeup to her, put some color on her skin. Green for her eyes. Coral for her lips. I get her black hat. She's ready for her company. I tell the two women in simple, elegant suits waiting outside the bedroom, come in. They tell me, She's beautiful. Yes, she is, I tell them. I leave as they carefully zip her into the black body bag. Three days later, I dream a large, green suitcase arrives. When I unzip it, my mother is inside. Her dress matches her eyeshadow, which matches the suitcase perfectly. She's wearing coral lipstick. "I'm here," she says, smiling delightedly, waving and I wake up. Four days later, she comes home in a plastic black box that is heavier than it looks. In the middle of a meadow, I learn a naked more than naked. I learn a new way to hug as I tighten my fist around her body, my hand filled with her ashes and the small stones of bones. I squeeze her tight then open my hand and release her into the smallest, hottest sun, a dandelion screaming yellow at the sky.
Daphne Gottlieb (Final Girl)
What was I thinking?" Chiron cried. " I can't let you get away without this." He pulled a pen from his coat pocket. It was an ordinary disposable ballpoint, black ink, removable cap. Probably thirty cents. Gee," I said. "Thanks." Percy, that's a gift from your father. I've kept it for years, not knowing you were who I was waiting for. But the profecy is clear to me now. You are the one. I remembered the feild trip to the Metropolitan Museum of Art, when I'd vaporized Mrs. Dodds. Chiron had thrown me a pen that turned into a sword. Could this be...? I took off the cap, and the pen grew longer and heavier in my hand. In half a second, I held a shimmering bronze sword with a double-edged blade, a leather=wrapped grip, and a flat hilt riveted with gold studs. It was the first weapon that actually felt balanced in my hands. The sword has a long and tragic history that we need not go into," Chiron told me. "It's name is Anaklusmos." Riptide," I translated, surprised the Ancient Greek came so easily. Use it only for emergencies" Chiron said, "and only against monsters No hero should harm mortals unless absolutely, of course, but this sword wouldn't harm them in any case.
Rick Riordan
Regrets get heavier as you get older.
Josie Silver (One Night on the Island)
Do you realize the illicit sensuous delight I get from picking my nose? I always have, ever since I was a child. There are so many subtle variations of sensation. A delicate, pointed-nailed fifth finger can catch under dry scabs and flakes of mucous in the nostril and draw them out to be looked at, crumbled between fingers, and flicked to the floor in minute crusts. Or a heavier, determined forefinger can reach up and smear down-and-out the soft, resilient, elastic greenish-yellow smallish blobs of mucous, roll them round and jellylike between thumb and forefinger, and spread them on the undersurface of a desk or chair where they will harden into organic crusts. How many desks and chairs have I thus secretively befouled since childhood? Or sometimes there will be blood mingled with the mucous: in dry brown scabs, or bright sudden wet red on the finger that scraped too rudely the nasal membranes. God, what sexual satisfaction!
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
A secret is like a bag you have to lug around all the time - each day you add another lie, and it just gets heavier and harder to carry on your own.
Dave Cousins (Fifteen Days Without a Head)
Watson,” says Frank, “experiment time. Could you go into the kitchen and get one balloon, two packets of salt, three packets of pepper, and one plastic spoon?” “That sounds about as scientific as . . . my peashooter,” says Watson, heading for the kitchen as Frank and the robots finish cleaning up the lab. Watson returns with the experiment supplies. “I can’t wait to see what you make with this.” Frank rips open the salt and pepper packets and dumps everything into one pile on the table. He blows up the balloon. “Rub this on your head, Watson.” Watson rubs the balloon on his head. “Oh, this is much more scientific.” “Just watch,” says Frank. “Now put the balloon over the salt and pepper.” Watson moves the balloon. The positively charged, lighter pieces of pepper separate from the heavier pieces of salt and stick to the balloon. “Wireless,” says Frank. “And cheap. Now watch this.” Frank rubs the plastic spoon on Watson’s sweater. He turns the water on in the lab sink so that a small, steady stream flows out. “Observe.” Frank puts the spoon near the water column. “No way!” says Watson. “The water is bending toward the spoon!” Klink beeps, “In both cases, extra negative charge caused by gathering electrons . . . attracts positively charged pepper pieces and water stream.
Jon Scieszka (Frank Einstein and the Electro-Finger (Frank Einstein series #2): Book Two (Frank Einstein and the Antimatter Motor))
There was no room for dust devils in the laws of physics, as least in the rigid form in which they were usually taught. There is a kind of unspoken collusion going on in mainstream science education: you get your competent but bored, insecure and hence stodgy teacher talking to an audience divided between engineering students, who are going to be responsible for making bridges that won’t fall down or airplanes that won’t suddenly plunge vertically into the ground at six hundred miles an hour, and who by definition get sweaty palms and vindictive attitudes when their teacher suddenly veers off track and begins raving about wild and completely nonintuitive phenomena; and physics students, who derive much of their self-esteem from knowing that they are smarter and morally purer than the engineering students, and who by definition don’t want to hear about anything that makes no fucking sense. This collusion results in the professor saying: (something along the lines of) dust is heavier than air, therefore it falls until it hits the ground. That’s all there is to know about dust. The engineers love it because they like their issues dead and crucified like butterflies under glass. The physicists love it because they want to think they understand everything. No one asks difficult questions. And outside the windows, the dust devils continue to gambol across the campus.
Neal Stephenson (Cryptonomicon)
Brian came in heavy at that moment on his guitar, the rapid, high-pitched squeal ranging back and forth as his fingers flew along the frets. As the intro's tempo grew more rapid, Bekka heard Derek's subtle bass line as it worked its way in. After another few seconds Will came in, slow at first, but racing along to match the others' pace. When their combined efforts seemed unable to get any heavier, David jumped into the mix. As the sound got nice and heavy, Bekka began to rock back-and-forth onstage. In front of her, hundreds of metal-lovers began to jump and gyrate to their music. She matched their movements for a moment, enjoying the connection that was being made, before stepping over to the keyboard that had been set up behind her. Sliding her microphone into an attached cradle, she assumed her position and got ready. Right on cue, all the others stopped playing, throwing the auditorium into an abrupt silence. Before the crowd could react, however, Bekka's fingers began to work the keys, issuing a rhythm that was much softer and slower than what had been built up. The audience's violent thrash-dance calmed at that moment and they began to sway in response. Bekka smiled to herself. This is what she lived for.
Nathan Squiers (Death Metal)
Let’s get on with it. Pick a position. Trust me, no matter how acrobatic, we can do it.” “No wall sex though, please,” Griffin requested … “Nora’s a lot heavier than she looks.
Tiffany Reisz (The Angel (The Original Sinners, #2))
...Reality is a two-ton weight strapped to your balls. And they just keep getting heavier.
Richard Kadrey (Butcher Bird)
It’s a shame publishers send rejection slips. Writers should get something more substantial than a slip that amounts to a pile of confetti. Publishers should send something heavier. Editors should send out rejection bricks, so at the end of a lot of years, you would have something to show besides a wheelbarrow of rejection slips. Instead you could have enough bricks to build a house.
Jerry Spinelli
Today feels heavier than most and tomorrow might too. There is uncertainty lingering in the air. But I have hope. I have strength. Those are two things I can control. I will get past all of this unknown.
Jennae Cecelia (The Sun Will Rise and So Will We)
While they are busy showing off, digging other people’s graves, hanging themselves on a cross, running wild in the streets, cherries are quietly turning from green to red, oysters are suffering pearls, and children are catching rain in their mouths expecting the drops to be cold but they’re not; they are warm and smell like pineapple before they get heavier and heavier, so heavy and fast they can’t be caught one at a time. Poor swimmers head for shore while strong ones wait for lightning’s silver veins. Bottle-green clouds sweep in, pushing the rain inland where palm trees pretend to be shocked by the wind.
Toni Morrison (Love)
No sympathy for the devil; keep that in mind. Buy the ticket, take the ride … and if it occasionally gets a little heavier than what you had in mind, well … maybe chalk it off to forced consciousness expansion:
Hunter S. Thompson (Fear and Loathing in Las Vegas: The captivating memoir of countercultural journalism and social commentary (Harper Perennial Modern Classics))
Bury it with me. Time was I thought it was a blessing and a curse. But it’s only a curse, and I ain’t about to curse some other poor bastard with it. Time was I thought it was reward and punishment both. But this is the only reward for men like us.’ And Whirrun nodded down towards the bloody spear-shaft. ‘This or … just living long enough to become nothing worth talking of. Put it in the mud, Craw.’ And he winced as he heaved the grip into Craw’s limp hand and pressed his dirty fingers around it. ‘I will.’ ‘Least I won’t have to carry it no more. You see how bloody heavy it is?’ ‘Every sword’s a weight to carry. Men don’t see that when they pick ’em up. But they get heavier with time.
Joe Abercrombie (The Heroes)
Some People Some people flee some other people. In some country under a sun and some clouds. They abandon something close to all they’ve got, sown fields, some chickens, dogs, mirrors in which fire now preens. Their shoulders bear pitchers and bundles. The emptier they get, the heavier they grow. What happens quietly: someone’s dropping from exhaustion. What happens loudly: someone’s bread is ripped away, someone tries to shake a limp child back to life. Always another wrong road ahead of them, always another wrong bridge across an oddly reddish river. Around them, some gunshots, now nearer, now farther away, above them a plane seems to circle. Some invisibility would come in handy, some grayish stoniness, or, better yet, some nonexistence for a shorter or a longer while. Something else will happen, only where and what. Someone will come at them, only when and who, in how many shapes, with what intentions. If he has a choice, maybe he won’t be the enemy and will leave them to some sort of life.
Wisława Szymborska (Monologue of a Dog: New Poems)
Do I get a kiss before my massage?” “Since you asked so nice.” His lips were smiling when they touched hers, and she’d never guessed until this moment what it was to kiss a man you could laugh with. They smiled through the entire kiss, as he sipped at her, before slicking his tongue over her lips. She danced her own tongue playfully over his, flirting but never delivering. He nipped at her in sensual punishment before taking her mouth with a dominance that was as natural to him as breathing. And through it all, he kept her pinned to the door, his heavier body a delicious source of pressure.
Nalini Singh (Blaze of Memory (Psy-Changeling, #7))
We also tend to get mired in what we call gravity problems. “I’ve got this big problem and I don’t know what to do about it.” “Oh, wow, Jane, what’s the problem?” “It’s gravity.” “Gravity?” “Yeah—it’s making me crazy! I’m feeling heavier and heavier. I can’t get my bike up hills easily. It never leaves me. I don’t know what to do about it. Can you help me?” This
Bill Burnett (Designing Your Life: How to Build a Well-Lived, Joyful Life)
Listen, baby, life is a series of things we choose and things we carry. The things we choose, well, those are ours. But we don't get a vote on the things we carry. Some are heavier than others, some we can put down eventually, and some are ours to keep. We don't have a choice in the burdens we're given to bear, but we do have a choice in how we hold them. We can strap them to our backs and walk through the world hunched over under the weight like someone who should spend his or her days in a bell tower. Or we can stand tall and straight like one of those African queens carrying a woven basket on her head.
Mia Sheridan (Midnight Lily)
Getting rid of most of my personal library comported nicely with my longheld fantasy of traveling light, existing with minimal encumbrances, living simply. A fantasy it has always been, for the longr I have lived, the heavier has my equipage grown.
Joseph Epstein (With My Trousers Rolled: Familiar Essays)
half-blood of the eldest gods . . . shall reach sixteen against all odds . . .” I hesitated, staring at the next lines. A cold feeling started in my fingers as if the paper was freezing. “And see the world in endless sleep, The hero’s soul, cursed blade shall reap.” Suddenly Riptide seemed heavier in my pocket. A cursed blade? Chiron once told me Riptide had brought many people sorrow. Was it possible my own sword could get me killed? And how could the world to fall into endless sleep, unless that meant death? “Percy,” Chiron urged. “Read the rest.” My mouth felt like it was full of sand, but I spoke the last two lines. “A single choice shall . . . shall end his days. Olympus to per—pursue—” “Preserve,” Annabeth said gently. “It means to save.” “I know what it means,” I grumbled. “Olympus to preserve or raze.” The room was silent. Finally Connor Stoll said, “Raise is good, isn’t it?” “Not raise,” Silena said. Her voice was hollow, but I was startled to hear her speak at all. “R-a-z-e means destroy.” “Obliterate,” Annabeth said. “Annihilate. Turn to rubble.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
The stars will go dark and the universe will end before I get this year back. That is the weight chained to my ankle, and it is far heavier than any anchor. That is the overwhelming never that I must face. And I still don't know if I'll disappear into it, or find a way to push beyond.
Neal Shusterman (Challenger Deep)
I have no idea who dreamed up the idiotic notion that summer vacations require "light" reading. Just the opposite, since the "light" books get read—if any reading's done at all—before bedtime, after the office work and house work, when we lack the concentration required for heavier fare.
Wisława Szymborska (Nonrequired Reading)
Which is the real Grandma? The Grandma who used to pick me up from nursery school? The Grandma who made me her special veggie meatballs? Breakfast-time Grandma when she dipped her bread in coffee before eating it? Gentle Grandma who, whenever Mum scolded me and pushed me away would sit next to me and let me talk? When Grandma goes away from this earth, where will she go? It's not happened yet, but I'm thinking about it now because I know that one day it's definitely, for sure, going to happen, And when I think about it, the air inside my chest gets heavier and heavier and it feels as if there's no escape.
Mieko Kawakami (Ms Ice Sandwich)
She may have discovered how to solve the problem of aviation in music. What makes an aviator what he is? An aviator is a person who deals with getting heavier-than-air objects off the ground. She could do that, musically and emotionally. She could take a feeling and actually lift it off the ground, and it would stay there.
Alan Light (What Happened, Miss Simone?: A Biography)
People´s biggest problem, I realized, is that they project their own sorrow onto other people. Try to share them. They imagine that, because we share the same of sort of DNA, we will automatically feel sad about the same situations. Sorrow doesn't get easier to deal with simply because you share it. Quite the contrary, it gets heavier.
Camilla Läckberg (Golden Cage)
This is what’s known as a saturation point—the point where the losses of a conflict finally seem heavier than the gains.
Amanda Ripley (High Conflict: Why We Get Trapped and How We Get Out)
Hope she’s not getting Gloria.” “Why?” “She kinda looks like a white version of me,” Jake said. “Only with a heavier beard.
Harlan Coben (Drop Shot (Myron Bolitar, #2))
But loneliness is a thing that has weight, and it gets heavier over time,
Michelle Falkoff (Playlist for the Dead)
Watch the Film You Paid to See" In my bedroom my weight is three times more than what I’d weigh on Jupiter. If your kitchen was on Mercury I’d be heavier by half of you while sitting at your table. On Uranus, a quarter of my weight is meat, or an awareness of myself as flesh. On Venus the light would produce a real volume around me that would make me look happy in photographs. This is how it is with quantity in any life. It’s a fact that on certain planets I’d actually be able to mount the stairs four at a time. Think of the most beautiful horse in the world: a ridiculously beautiful golden horse, with a shimmering coat; it would weigh no more than an empty handbag on Mars. You need to get real about these things.
Todd Colby
I like to work in watercolor, with as little under-drawing as I can get away with. I like the unpredictability of a medium which is affected as much by humidity, gravity, the way that heavier particles in the wash settle into the undulations of the paper surface, as by whatever I wish to do with it. In other mediums you have more control, you are responsible for every mark on the page — but with watercolor you are in a dialogue with the paint, it responds to you and you respond to it in turn. Printmaking is also like this, it has an unpredictable element. This encourages an intuitive response, a spontaneity which allows magic to happen on the page. When I begin an illustration, I usually work up from small sketches — which indicate in a simple way something of the atmosphere or dynamics of an illustration; then I do drawings on a larger scale supported by studies from models — usually friends — if figures play a large part in the picture. When I've reached a stage where the drawing looks good enough I'll transfer it to watercolor paper, but I like to leave as much unresolved as possible before starting to put on washes. This allows for an interaction with the medium itself, a dialogue between me and the paint. Otherwise it is too much like painting by number, or a one-sided conversation.
Alan Lee
Every time I left our apartment to go searching for the lock, I became a little lighter, because I was getting closer to Dad. But I also became a little heavier, because I was getting farther from Mom.
Jonathan Safran Foer (Extremely Loud and Incredibly Close)
A people believe in a god' - she completes the circle -' and the god tells them what to believe. It's a cycle, like water flowing into the ocean, then up to the skies, and into rain, which falls and flows into the ocean. But it is different in that ideas have weight. They have momentum. Once an idea starts, it spreads and grows and gets heavier and heavier until it can't be resisted, even by the Divine.
Robert Jackson Bennett (City of Stairs (The Divine Cities, #1))
The logical questions become: Why are you storing all this stuff inside you? And if you’re going to store stuff inside, why not make it nice stuff? People collect all sorts of things as hobbies. Some collect spoons, teacups, stamps, or coins from all over the world. But you had a brilliant idea for a hobby—let’s collect bad experiences. That’s what you did: “I’m going to collect every bad experience I ever had and keep it inside me so it can bother me for the rest of my life.” How can that work out well? If you keep doing it, you’re going to collect more and more bad experiences, and your life will get heavier and heavier.
Michael A. Singer (Living Untethered: Beyond the Human Predicament)
Trouble in a marriage is like monsoon water accumulating on a flat roof. You don't realize it's up there, but it gets heavier and heavier, until one day, with a great crash, the whole roof falls in on your head.
Salman Rushdie (Shame)
Everyone was always hungry. The poorer you were, the hungrier you were, and with the hunger came weakness and irritability. It became difficult to think clearly and you needed to think clearly to work out how to survive the next day, how to get food. You were sure you could still work if you could find work, and you could look for it if only you could eat. But how were you going to get food, for yourself, for your children, for your wife or husband, for your parents? There were simply too many people within those walls for the calories that were let in. How were you to get food when there just wasn't enough of it? What were you going to have to do? With hunger of this severity came fatigue, a weakness that transcended tiredness and permeated your sinews and bones. As your limbs got ever lighter, they felt progressively heavier with each new day.
Elliot Perlman (The Street Sweeper)
Bliss?” I called. “Yeah?” “Check the drawers of the nightstand! She was playing with it in the middle of the night, and I think I remember taking it away and sticking it in there.” “Okay!” Through the open door, I watched her circle around the edge of the bed. I walked in place for a few seconds, letting my feet drop a little heavier than necessary, then opened and closed the door like I’d gone back inside the bathroom. Then I hid in the space between the back of the bedroom door and the wall where I could just see through the crack between the hinges. She pulled open the top drawer, and my heartbeat was like a bass drum. I don’t know when it had started beating so hard, but now it was all that I could hear. It wasn’t like I was asking her to marry me now. I just knew Bliss, and knew she tended to panic. I was giving her a very big, very obvious hint so that she’d have time to adjust before I actually asked her. Then in a few months, when I thought she’d gotten used to the idea, I’d ask her for real. That was the plan anyway. It was supposed to be simple, but this felt… complicated. Suddenly, I thought of all the thousands of ways this could go wrong. What if she freaked out? What if she ran like she did our first night together? If she ran, would she go back to Texas? Or would she go to Cade who lived in North Philly? He’d let her stay until she figured things out, and then what if something developed between them? What if she just flat out told me no? Everything was good right now. Perfect, actually. What if I was ruining it by pulling this stunt? I was so caught up in my doomsday predictions that I didn’t even see the moment that she found the box. I heard her open it though, and I heard her exhale and say, “Oh my God.” Where before my mouth had been dry, now I couldn’t swallow fast enough. My hands were shaking against the door. She was just standing there with her back to me. I couldn’t see her face. All I could see was her tense, straight spine. She swayed slightly. What if she passed out? What if I’d scared her so much that she actually lost consciousness? I started to think of ways to explain it away. I was keeping it for a friend? It was a prop for a show? It was… It was… shit, I didn’t know. I could just apologize. Tell her I knew it was too fast. I waited for her to do something—scream, run, cry, faint. Anything would be better than her stillness. I should have just been honest with her. I wasn’t good at things like this. I said what I was thinking—no plans, no manipulation. Finally, when I thought my body would crumble under the stress alone, she turned. She faced the bed, and I only got her profile, but she was biting her lip. What did that mean? Was she just thinking? Thinking of a way to get out of it? Then, slowly, like the sunrise peeking over the horizon, she smiled. She snapped the box closed. She didn’t scream. She didn’t run. She didn’t faint. There might have been a little crying. But mostly… she danced. She swayed and jumped and smiled the same way she had when the cast list was posted for Phaedra. She lost herself the same way she did after opening night, right before we made love for the first time. Maybe I didn’t have to wait a few months after all. She said she wanted my best line tomorrow after the show, and now I knew what it was going to be.
Cora Carmack (Losing It (Losing It, #1))
Water was not my element. It dragged at my clothes as I swam. A little farther, I told myself. I could hear him coming, his arms stronger than mine from a lifetime of lifting marble. I felt the water shiver near my foot where he had grabbed and almost caught me. I looked back, and saw how close he was and how far the shore behind. Then his hand seized my ankle and yanked, pulling me to him like a rope, hand over hand, and then he had me up and by the throat, his face pressed to mine. I think he expected me to fight and claw. I didn’t fight. I seized him close around the ribs, holding my wrists so he could not get free. The sudden weight pulled us both under. He kicked and flailed back to the surface, but I was heavier than he had thought, and the waves slopped at our mouths. Let it be now, I prayed. At first I thought it was just the cold of the water. It crept up my fingers and my arms, which stiffed around him. He struggled and fought, but my hands were fused together and nothing he tried could break them. Then it was in my legs too, and my belly and my chest, and no matter how he kicked, he could not haul us back up to the air. He hit at me, but it was watery and weak and I felt nothing, just the solid circle of my arms, and the inexorable drag of my body. He had no chance, really. He was only flesh. We fell through the darkness, and the coolness slid up my neck and bled the color from my lips and cheeks. I thought of Paphos and how clever she was. I thought of her stone sister, peaceful on her couch. We fell through the currents and I thought of how the crabs would come for him, climbing over my pale shoulders. The ocean floor was sandy and soft as pillows. I settled into it and slept.
Madeline Miller (Galatea)
For instance, the mass of an object changes when it moves, because of the conservation of energy. Because of the relation of mass and energy the energy associated with the motion appears as an extra mass, so things get heavier when they move. Newton
Richard P. Feynman (The Character of Physical Law (Penguin Press Science))
Taking both of my hands, he pulls me into the tide. Salt water deepens the lavender satin of my gown to almost black. The waves push into it, making it heavier and heavier. “Tell me when,” he says. I nod. When Galen is neck deep and I’m clinging to him to keep my head above water. When my saturated prom dress feels like an anchor grasping at my limbs. When the moon is directly overhead and makes the silver flecks in his eyes shimmer like gems. That’s when I’m ready. “Now,” I breathe. He brushes his lips against mine. Once Twice. So soft it barely feels like anything. But it also feels like everything. He pulls me under. One day, when Galen and I are mated, I’ll be a princess. But I’ll never feel more like a princess than right now, in his arms, dancing on the ocean floor. He pulls my from my trance with his lips against me ear. “Emma.” It’s silly how my own name can send tingles shooting everywhere. “Hmm?” “I’ve been thinking. About us.” He pulls away from me. “I think…I think I need a distraction.” “Um. A distraction? From me?” The words taste vinegary in my mouth. They turn sweet again when Galen throws his head back and laughs. “Emma,” he says, brushing his thumb across my bottom lip. “You are the one thing I’m sure of. Completely. Without thinking twice. But I want to get away from here for a little while. And I want you to come with me. I know you’re set on going to college in the fall. I’m only asking for the summer. Let’s go somewhere. Do something.” I float up until I’m eye level with him. “Let’s. Where will we go?” He shrugs. “I don’t care, as long as it’s away from any ocean.” “So…the desert?” He grimaces. “The mountains?” I laugh. “Deal. We’ll go to the mountains.” “You’re sure?” I pull him by the neck until our noses touch. “Completely. Without thinking twice.
Anna Banks (Of Triton (The Syrena Legacy, #2))
A more appropriate statement would be that, if you store more calories than you expend you'll gain weight. Store being the operative word there and a rather obvious observation to make about someone that is getting heavier. This more appropriate statement allows us to ask the question, why are you storing more body fat than you're losing? Is it because of the total calories you consumed, or is it because of a biochemical stimulus that makes your fat tissue grow created from the quality and quantity of foods and drinks that you consume.
Sam Feltham (Slimology: The Relatively Simple Science Of Slimming)
Cormac heard that glorious word for the first time in the1850s, and it came to epitomize for him all of New York's rough skepticism. It had much greater weight than the word 'horseshit.' Horseshit was flaky and without substance; it dried in the sun and was blown away in a high wind. Preachers were the master of horseshit. But bullshit was heavier, filled with crude truth, a kind of black cement. The voters knew the difference and they appreciated bullshit when practiced by a master. Any politician who used God in a speech was practicing horseshit. When he talked about building schools, getting water into Chatham Square, or lighting the darkest streets, Bill Tweed was practicing bullshit. If a third of the bullshit actually came into existence, their lives were made better. Tweed, as he moved up in the system, was a master of bullshit.
Pete Hamill (Forever)
No sympathy for the devil; keep that in mind. Buy the ticket, take the ride … and if it occasionally gets a little heavier than what you had in mind, well … maybe chalk it off to forced consciousness expansion: Tune in, freak out, get beaten. It’s all in Kesey’s Bible.… The Far Side of Reality.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
At first Alexander could not believe it was his Tania. He blinked and tried to refocus his eyes. She was walking around the table, gesturing, showing, leaning forward, bending over. At one point she straightened out and wiped her forehead. She was wearing a short-sleeved yellow peasant dress. She was barefoot, and her slender legs were exposed above her knee. Her bare arms were lightly tanned. Her blonde hair looked bleached by the sun and was parted into two shoulder-length braids tucked behind her ears. Even from a distance he could see the summer freckles on her nose. She was achingly beautiful. And alive. Alexander closed his eyes, then opened them again. She was still there, bending over the boy’s work. She said something, everyone laughed loudly, and Alexander watched as the boy’s arm touched Tatiana’s back. Tatiana smiled. Her white teeth sparkled like the rest of her. Alexander didn’t know what to do. She was alive, that was obvious. Then why hadn’t she written him? And where was Dasha? Alexander couldn’t very well continue to stand under a lilac tree. He went back out onto the main road, took a deep breath, stubbed out his cigarette, and walked toward the square, never taking his eyes off her braids. His heart was thundering in his chest, as if he were going into battle. Tatiana looked up, saw him, and covered her face with her hands. Alexander watched everyone get up and rush to her, the old ladies showing unexpected agility and speed. She pushed them all away, pushed the table away, pushed the bench away, and ran to him. Alexander was paralyzed by his emotion. He wanted to smile, but he thought any second he was going to fall to his knees and cry. He dropped all his gear, including his rifle. God, he thought, in a second I’m going to feel her. And that’s when he smiled. Tatiana sprang into his open arms, and Alexander, lifting her off her feet with the force of his embrace, couldn’t hug her tight enough, couldn’t breathe in enough of her. She flung her arms around his neck, burying her face in his bearded cheek. Dry sobs racked her entire body. She was heavier than the last time he felt her in all her clothes as he lifted her into the Lake Ladoga truck. She, with her boots, her clothes, coats, and coverings, had not weighed what she weighed now. She smelled incredible. She smelled of soap and sunshine and caramelized sugar. She felt incredible. Holding her to him, Alexander rubbed his face into her braids, murmuring a few pointless words. “Shh, shh…come on, now, shh, Tatia. Please…” His voice broke. “Oh, Alexander,” Tatiana said softly into his neck. She was clutching the back of his head. “You’re alive. Thank God.” “Oh, Tatiana,” Alexander said, hugging her tighter, if that were possible, his arms swaddling her summer body. “You’re alive. Thank God.” His hands ran up to her neck and down to the small of her back. Her dress was made of very thin cotton. He could almost feel her skin through it. She felt very soft. Finally he let her feet touch the ground. Tatiana looked up at him. His hands remained around her little waist. He wasn’t letting go of her. Was she always this tiny, standing barefoot in front of him? “I like your beard,” Tatiana said, smiling shyly and touching his face. “I love your hair,” Alexander said, pulling on a braid and smiling back. “You’re messy…” He looked her over. “And you’re stunning.” He could not take his eyes off her glorious, eager, vivid lips. They were the color of July tomatoes— He bent to her—
Paullina Simons
One study found that women with blond hair earn 7 percent more than brunettes. Women who wear makeup get better jobs and quicker promotions. Thin women outearn heavier women; white women who are overweight pay a financial penalty of a 12 percent drop in their wealth....... The average woman spends $15,000 on cosmetics alone during her lifetime.
Joanne Lipman (That's What She Said: What Men Need to Know (and Women Need to Tell Them) about Working Together)
Do you realize the illicit sensuous delight I get from picking my nose? I always have, ever since I was a child. There are so many subtle variations of sensation. A delicate, pointed-nailed fifth finger can catch under dry scabs and flakes of mucus in the nostril and draw them out to be looked at, crumbled between fingers, and flicked to the floor in minute crusts. Or a heavier, determined forefinger can reach up and smear down-and-out the soft, resilient, elastic greenish-yellow smallish blobs of mucus, roll them round and jellylike between thumb and forefinger, and spread them on the under-surface of a desk or chair where they will harden into organic crusts. How many desks and chairs have I thus secretively befouled since childhood? Or sometimes there will be blood mingled with the mucus: in dry brown scabs, or bright sudden wet red on the finger that scraped too rudely the nasal membranes. God, what a sexual satisfaction! It is absorbing to look with new sudden eyes on the old worn habits: to see a sudden luxurious and pestilential “snot-green sea,” and shiver with the shock of recognition.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
You’ve had plenty of seeds today, and if you get any heavier, I won’t be able to hold you on my shoulder anymore. Personally, I would love to see a Blockway play one day. But they’re so expensive to get tickets to.” “You can’t act,” Penny pointed out. “Because terrible liar.” “I said see a Blockway play, not be in one. Anyway, how about checking out the Minepire State Building?
Write Blocked (Timmy The Traveler - Minecraft Adventurer: Nefarious in New York (Unofficial Minecraft Mystery and Adventure Series))
She’s beautiful, too, did I mention that? She lives the life I didn’t live. I feel middle-age and middle-class around her. Nothing wrong with that, you’ll say, but her adrenaline is contagious. She really hits a nerve in me, and she excites me. I’ve developed this amazing crush on her. You know how I’ve been talking about this feeling of deadness, my energy dropping, my body getting heavier? It’s like when I settled down, I shut down. Well, her energy has woken me up. I want to kiss her. I’m scared to do it and scared not to. I feel like a fool, guilty, but I can’t stop thinking about her. You know, I meant it when I made my vows. I’m in love with my wife; this has nothing to do with her. It’s about something I’ve lost that I’m afraid I’ll never get back.
Esther Perel (Mating in Captivity: Unlocking Erotic Intelligence)
I only know there is no point in wishing to know more of the collective unconscious than one gets through dreams and intuition. The more you know of it, the greater and heavier becomes your moral burden, because the unconscious contents transform themselves into your individual tasks and duties as soon as they begin to become conscious. Do you want to find more and more complications and increasing responsibilities?
C.G. Jung
You know people, they will always find something or the other to talk about. Don't take it seriously. But remember that you are going through some of the most decisive moments of your life. You are bearing a burden that is much heavier than a woman as young as you should be bearing. But if you get through these days, you win. Do what feels infinitely right. There will be thousand naysayers. Don't be tempted. Be steadfast...
Benyamin (Jasmine Days)
My four things I care about are truth, meaning, fitness and grace. [...] Sam [Harris] would like to make an argument that the better and more rational our thinking is, the more it can do everything that religion once did. [...] I think about my personal physics hero, Dirac – who was the guy who came up with the equation for the electron, less well-known than the Einstein equations but arguably even more beautiful...in order to predict that, he needed a positively-charged and a negatively-charged particle, and the only two known at the time were the electron and the proton to make up, let's say, a hydrogen atom. Well, the proton is quite a bit heavier than the electron and so he told the story that wasn't really true, where the proton was the anti-particle of the electron, and Heisenberg pointed out that that couldn't be because the masses are too far off and they have to be equal. Well, a short time later, the anti-electron -- the positron, that is -- was found, I guess by Anderson at Caltech in the early 30s and then an anti-proton was created some time later. So it turned out that the story had more meaning than the exact version of the story...so the story was sort of more true than the version of the story that was originally told. And I could tell you a similar story with Einstein, I could tell it to you with Darwin, who, you know, didn't fully understand the implications of his theory, as is evidenced by his screwing up a particular kind of orchid in his later work...not understanding that his theory completely explained that orchid! So there's all sorts of ways in which we get the...the truth wrong the first several times we try it, but the meaning of the story that we tell somehow remains intact. And I think that that's a very difficult lesson for people who just want to say, 'Look, I want to'...you know, Feynman would say, "If an experiment disagrees with you, then you're wrong' and it's a very appealing story to tell to people – but it's also worth noting that Feynman never got a physical law of nature and it may be that he was too wedded to this kind of rude judgment of the unforgiving. Imagine you were innovating in Brazilian jiu-jitsu. The first few times might not actually work. But if you told yourself the story, 'No, no, no – this is actually genius and it's working; no, you just lost three consecutive bouts' -- well, that may give you the ability to eventually perfect the move, perfect the technique, even though you were lying to yourself during the period in which it was being set up. It's a little bit like the difference between scaffolding and a building. And too often, people who are crazy about truth reject scaffolding, which is an intermediate stage in getting to the final truth.
Eric R. Weinstein
People with no imagination feed it with sex—the clown of love. They don’t know the real kinds, the better kinds, where losses are cut and everybody benefits. It takes a certain intelligence to love like that—softly, without props. But the world is such a showpiece, maybe that’s why folks try to outdo it, put everything they feel onstage just to prove they can think up things too: handsome scary things like fights to the death, adultery, setting sheets afire. They fail, of course. The world outdoes them every time. While they are busy showing off, digging other people’s graves, hanging themselves on a cross, running wild in the streets, cherries are quietly turning from green to red, oysters are suffering pearls, and children are catching rain in their mouths expecting the drops to be cold but they’re not; they are warm and smell like pineapple before they get heavier and heavier, so heavy and fast they can’t be caught one at a time. Poor swimmers head for shore while strong ones wait for lightning’s silver veins. Bottle-green clouds sweep in, pushing the rain inland where palm trees pretend to be shocked by the wind. Women scatter shielding their hair and men bend low holding the women’s shoulders against their chests. I run too, finally. I say finally because I do like a good storm. I would be one of those people on the weather channel leaning into the wind while lawmen shout in megaphones: “Get moving!
Toni Morrison (Love)
The death notice was still hanging on the wall in the bar, between match jerseys and scarves from Holger’s beloved, hated, worthless, wonderful Beartown Hockey when the fire took the building. It almost took Ramona too, and sometimes she wishes it had. People can bury so many of their loved ones during a lifetime and still get up the morning after, but something inside gets a bit heavier each time. She’s had more than a few mornings when she’s woken up and wondered if she can be bothered to get up once more.
Fredrik Backman (The Winners (Beartown, #3))
Digital information is all ones and zeroes, which means memory cells are either charged or not charged. And charge is energy, so if one believes Einstein’s e=mc2, where e is energy, and m is mass, and c is the speed of light, then one must also believe that m equals e divided by c2, which is the same equation expressed differently, and which would imply that charge has detectable mass. The more songs and the more photos you put on your phone, the heavier it gets. Only by a trillion-billionth of the tiniest fraction of an ounce, but still.
Lee Child (Make Me (Jack Reacher, #20))
Describing the process of making her decision to leave, Patricia said: “It is as if there is a shelf where all your doubts and misgivings are placed while you are in that group. Over the months or years you observe so many things that may conflict with your original beliefs and values, or you see things done by the group or leader that are just not right. Because of the indoctrination and not being allowed to ask questions, you just put it on the shelf. Eventually, the shelf gets heavier and heavier and finally just breaks, and you are ready to leave" (p. 55).
Madeleine Landau Tobias (Captive Hearts, Captive Minds : Freedom and Recovery from Cults and Other Abusive Relationships)
It’s because he’s ashamed of himself. He carries this pile of guilt around, caused by nothing but his own choices. And every day he doesn’t parent you, doesn’t treat you the way he should, that guilt gets heavier, and when he sees you, is reminded of you, it becomes unbearable. What he doesn’t realize is the difference between short-term and long-term pain. If he put up with his discomfort years ago in order to do right by you—if he had taken responsibility for his actions and tried to make it up to you—that guilt of his might have gone away. Instead, he’s doomed himself to slowly die beneath it.
Talia Hibbert (Highly Suspicious and Unfairly Cute)
This is good work, he feels sure of it, but what felt light when he started now feels heavy, because he has a responsibility to make the rest just as good, and he’s not sure he can do it. He goes to the periscope window and looks out at more nothing, wondering if he’s just discovered why so many would-be writers are unable to finish what they have started. He thinks of “The Things They Carried”, surely one of the best books about war ever written, maybe the best. He thinks writing is also a kind of war, one you fight with yourself. The story is what you carry and every time you add to it, it gets heavier.
Stephen King (Billy Summers)
Fly with those who lift you up and thrust you forward A pilot friend of mine told me there are four main principles to master when flying airplanes: lift, thrust, weight, and drag. You have to take all these into account to make sure the plane will fly. It struck me that these same principles apply to specific types of people. There are some who lift you, brighten your day, cheer you up, and make you feel better about yourself. You meet them and you have a spring in your step. They’re a lift. Then there are people who thrust you. They inspire you, motivate you, challenge you to move forward and pursue your dreams. The third group are weights. They pull you down, dump their problems on you, so that you leave feeling heavier, negative, discouraged, and worse than you did before. Finally, there are those who are a drag. They’ve always got a sad song. The dishwasher broke. The goldfish died. They didn’t get invited to a party. They’re stuck in a pit. They expect you to cheer them up, fix their problems, and carry their loads. We all encounter people from each of these four groups. You have to make sure you’re spending the majority of your time with lifters and thrusters. If you’re only hanging out with weights and drags, it will keep you from becoming everything you were created to be.
Joel Osteen (You Can You Will: 8 Undeniable Qualities of a Winner)
THEY WALKED UP TO the front door, rang the bell. Del scratched his neck and looked at the yellow bug light and said, “I feel like a bug.” “You look like a bug. You fall down out there?” “About four times. We weren’t running so much as staggering around. Potholes full of water . . . I see you kept your French shoes nice and dry.” “English. English shoes . . . French shirts. Italian suits. Try to remember that.” “Makes my nose bleed,” Del said. The door opened, and Green looked out: she was still fully dressed, including the jacket that covered her gun and the fashionable shoes that she could run in. She took a long look at Del, and asked, “Where’re Dannon and Carver?” “Dead,” Lucas said. “Where’s Grant?” “In the living room.” “You want to invite us in?” She opened the door, and they stepped inside, and followed her to the living room. Grant was there, still dressed as she had been on the stage; she was curled in an easy chair, with a drink in her hand, high heels on the floor beside her. Schiffer was lying on a couch, barefoot; a couple of Taryn’s staff people, a young woman and a young man, were sitting on the floor, making a circle. Another man, heavier and older, was sitting in a leather chair facing Grant. Lucas didn’t recognize him, but recognized the type: a guy who knew where all the notional bodies were buried, a guy who could get the vice president on the telephone.
John Sandford (Silken Prey (Lucas Davenport #23))
Still, the limitations of what we can know, no matter how obsessed we are, have, inevitably, become clear to me. She walks ahead of me and I don't get to see her face. Was her hair brown or pale? Was she slim? Did she get heavier as she bore her children? Or was she petite, like a bird? What did her voice sound like? Did she argue with her husband? Did she like to cook? Was she as ambitious as I think she was? Would she have approved of my writing about her? But the closer I have drawn, the more she has receded, her figure diminishing, no matter how I strain to catch up. Those shores of early America are irretrievable, as is Anne. I have tried to retrieve her here, but some of the most important things are bound to be left unknown.
Charlotte Gordon (Mistress Bradstreet: The Untold Life of America's First Poet)
And complaining about Paul is what the rest of us do. That’s his role in our lives. We prosecute Paul for the flaws we despise in ourselves. In real life I’ve always been attracted to Paul types because they don’t sit around and talk about the shit they’re going to do—they get it done. They’re quick to say “good enough” and move on. Paul was a closer, not a tinker-forever artist like Brian Wilson, who set out to top Sgt. Pepper with Smile but failed because he couldn’t tell himself “pencils down” and let go. He couldn’t stop doing retakes of tracks he’d already finished. The musicians’ joke at the Smile sessions: “Perfect, just one more.” Brian had the melodies, but lacked the killer instinct. So people decided Brian was a heavier artist. There’s something uncool about closers. It’s hard to trust them.
Rob Sheffield (Dreaming the Beatles: The Love Story of One Band and the Whole World)
You need some help, Rosie?” His footsteps quicken behind me, and before I can respond, I feel his calloused hands on my waist. I accidently slide back against his chest and inhale the scent that has always clung to his whole family—something like forests, damp leaves, and sunshine. I suppose when your father is a woodsman you’re bound to carry the scent of oak in your veins. One breath is all I get the chance for, though; he kicks the door open and sets me down on the front stoop, then takes a step back. I turn to face him, hoping to thank him for the help and in the same sentence admonish him for carrying me like a little girl. Instead, I smile. He’s still Silas—Silas who left a year ago, the boy just a little older than my sister. His eyes are still sparkling and expressive, hair still the brown-black color of pine bark, body broad-shouldered and a little too willowy for his features. He’s still there, but it’s as if someone new has been layered on top of him. Someone older and stronger who isn’t looking a me as if I’m Scarlett’s kid sister . . . someone who makes me feel dizzy and quivery. How did this happen? Calm down. It’s just Silas. Sort of. “You’re staring,” he says cautiously, looking worried. “Oh. Um, sorry,” I say, shaking my head. Silas shoves his hands into his pockets with a familiar sway. “It’s just been a while, that’s all.” “Yeah, no kidding. You’re heavier than I remember.” I frown, mortified. “Oh, no, wait. I didn’t mean it like that, just that you’ve gotten older. Wait, that doesn’t sound much better . . .” Silas runs a hand through his hair and curses under his breath. “No, I get it.” I let him off the hook, grinning. Something about seeing him nervous thaws some of my shyness.
Jackson Pearce (Sisters Red (Fairytale Retellings, #1))
One of the first problems to be faced at Niagara was how to get a wire over the gorge and its violent river. Ellet solved that nicely by offering five dollars to the first American boy to fly a kite over to the Canadian side. The prize was won by young Homer Walsh, who would tell the story for the rest of his days. Once the kite string was across, a succession of heavier cords and ropes was pulled over, and in a short time the first length of wire went on its way. After that, when the initial cable had been completed, Ellet decided to demonstrate his faith in it in a fashion people would not forget. He had an iron basket made up big enough to hold him and attached it to the cable with pulleys. Then stepping inside, on a morning in March 1848, he pulled himself over the gorge and back again, all in no more than fifteen minutes’ time, and to the great excitement of crowds gathered along both rims.
David McCullough (The Great Bridge: The Epic Story of the Building of the Brooklyn Bridge)
Like most laymen he thought of things in physical terms. As if the internet was a swimming pool, chock-full of floating tennis balls. The tennis balls representing individual web sites, naturally. Which is wrong, of course. Web sites are not physical things. The internet has no physical reality. It has no dimensions, and no boundaries. No up or down, no near or far. Although one might argue it has mass. Digital information is all ones and zeroes, which means memory cells are either charged or not charged. And charge is energy, so if one believes Einstein’s e=mc2, where e is energy, and m is mass, and c is the speed of light, then one must also believe that m equals e divided by c2, which is the same equation expressed differently, and which would imply that charge has detectable mass. The more songs and the more photos you put on your phone, the heavier it gets. Only by a trillion-billionth of the tiniest fraction of an ounce, but still.
Lee Child (Make Me (Jack Reacher, #20))
There were aspects he wanted to understand. Like most laymen he thought of things in physical terms. As if the internet was a swimming pool, chock-full of floating tennis balls. The tennis balls representing individual web sites, naturally. Which is wrong, of course. Web sites are not physical things. The internet has no physical reality. It has no dimensions, and no boundaries. No up or down, no near or far. Although one might argue it has mass. Digital information is all ones and zeroes, which means memory cells are either charged or not charged. And charge is energy, so if one believes Einstein’s e=mc2, where e is energy, and m is mass, and c is the speed of light, then one must also believe that m equals e divided by c2, which is the same equation expressed differently, and which would imply that charge has detectable mass. The more songs and the more photos you put on your phone, the heavier it gets. Only by a trillion-billionth of the tiniest fraction of an ounce, but still.
Lee Child (Make Me (Jack Reacher, #20))
Insecure leaders are dangerous - to themselves, their followers, and the organizations they lead. That's because a leadership position becomes an amplifier of personal flaws. Whatever negative baggage you have in life only gets heavier when you're trying to lead others. Unsure leaders have several common traits: 1. They don't provide security for others - To become an effective leader, you need to make your followers feel good about themselves. 2. They take more from people than they give - Insecure people are on a continual quest for validation, acknowledgment, and love. Because of that, their focus is on finding security, not instilling it in others. 3. They continually limit their best people - Show me an insecure leader, and I'll show you someone who cannot genuinely celebrate victories. The leader might even take credit personally for the best work of the team. 4. They continually limit their organization - When followers are undermined and receive no recognition, they become discouraged and eventually stop performing at their potential. And when that happens, the entire organization suffers.
John C. Maxwell
Do you read books?” Dr. Weiss asked her in one of her session with him. She nodded in acceptance. Her lips were stitched with the thread of agony and isolation. She spoke less and when she was asked for anything. She used to nod. “They are escape, aren’t they? When I was a kid, I used to believe that the cover of the book is a door. You open it and go inside. I still believe that and the kid in me is still alive.” Dr. Weiss walked to the bookshelf and pulled out a book. Her eyelashes were heavier. The lower part was much more lighter than upper one. It had the comfort to leak down all its pain to the cheeks. The pain that could be evaporated. “You are reading this book,” He put a book on the glass table. It came in range of her eyesight. The book was titled “Depression.” He continued, “Or, perhaps, you and I, we both are in a book and someone is reading it on its couch, bed, in mobile or in train. Maybe after 15 pages the reader who has glued his eyes to this book may find that you are out of your depression completely. Look at the reader out of the page, look how curious he is. I would keep my mouth shut now, else it would get to know the whole story.
Himanshu Chhabra
There is a kind of unspoken collusion going on in mainstream science education: you get your competent but bored, insecure and hence stodgy teacher talking to an audience divided between engineering students, who are going to be responsible for making bridges that won’t fall down or airplanes that won’t suddenly plunge vertically into the ground at six hundred miles an hour, and who by definition get sweaty palms and vindictive attitudes when their teacher suddenly veers off track and begins raving about wild and completely nonintuitive phenomena; and physics students, who derive much of their self-esteem from knowing that they are smarter and morally purer than the engineering students, and who by definition don’t want to hear about anything that makes no fucking sense. This collusion results in the professor saying: (something along the lines of) dust is heavier than air, therefore it falls until it hits the ground. That’s all there is to know about dust. The engineers love it because they like their issues dead and crucified like butterflies under glass. The physicists love it because they want to think they understand everything. No one asks difficult questions. And outside the windows, the dust devils continue to gambol across the campus.
Neal Stephenson (Cryptonomicon)
Let us pause for a moment and consider the structure of the atom as we know it now. Every atom is made from three kinds of elementary particles: protons, which have a positive electrical charge; electrons, which have a negative electrical charge; and neutrons, which have no charge. Protons and neutrons are packed into the nucleus, while electrons spin around outside. The number of protons is what gives an atom its chemical identity. An atom with one proton is an atom of hydrogen, one with two protons is helium, with three protons is lithium, and so on up the scale. Each time you add a proton you get a new element. (Because the number of protons in an atom is always balanced by an equal number of electrons, you will sometimes see it written that it is the number of electrons that defines an element; it comes to the same thing. The way it was explained to me is that protons give an atom its identity, electrons its personality.) Neutrons don't influence an atom's identity, but they do add to its mass. The number of neutrons is generally about the same as the number of protons, but they can vary up and down slightly. Add a neutron or two and you get an isotope. The terms you hear in reference to dating techniques in archeology refer to isotopes—carbon-14, for instance, which is an atom of carbon with six protons and eight neutrons (the fourteen being the sum of the two). Neutrons and protons occupy the atom's nucleus. The nucleus of an atom is tiny—only one millionth of a billionth of the full volume of the atom—but fantastically dense, since it contains virtually all the atom's mass. As Cropper has put it, if an atom were expanded to the size of a cathedral, the nucleus would be only about the size of a fly—but a fly many thousands of times heavier than the cathedral. It was this spaciousness—this resounding, unexpected roominess—that had Rutherford scratching his head in 1910. It is still a fairly astounding notion to consider that atoms are mostly empty space, and that the solidity we experience all around us is an illusion. When two objects come together in the real world—billiard balls are most often used for illustration—they don't actually strike each other. “Rather,” as Timothy Ferris explains, “the negatively charged fields of the two balls repel each other . . . were it not for their electrical charges they could, like galaxies, pass right through each other unscathed.” When you sit in a chair, you are not actually sitting there, but levitating above it at a height of one angstrom (a hundred millionth of a centimeter), your electrons and its electrons implacably opposed to any closer intimacy.
Bill Bryson (A Short History of Nearly Everything)
Emotions, in my experience, aren't covered by single words. I don't believe in "sadness," "joy," or "regret." Maybe the best proof that the language is patriarchal is that it oversimplifies feeling. I'd like to have at my disposal complicated hybrid emotions, Germanic train car constructions like, say, "the happiness that attends disaster." Or: "the disappointment of sleeping with one's fantasy." I'd like to show how "intimations of mortality brought on by aging family members" connects with "the hatred of mirrors that begins in middle age." I'd like to have a word for "the sadness inspired by failing restaurants" as well as for "the excitement of getting a room with a minibar." I've never had the right words to describe my life, and now that I've entered my story, I need them more than ever. I can't just sit back and watch from a distance anymore. From here on in, everything I'll tell you is colored by the subjective experience of being part of events. Here's where my story splits, divides, undergoes meiosis. Already the world feels heavier, now I'm a part of it. I'm talking about bandages and sopped cotton, the smell of mildew in movie theaters, and of all the lousy cats and their stinking litter boxes, of rain on city streets when the dust comes up and the old Italian men take their folding chairs inside. Up until now it hasn't been my word. Not my America. But here we are, at last.
Jeffrey Eugenides (Middlesex)
Emotions, in my experience, aren't covered by single words. I don't believe in "sadness," "joy," or "regret." Maybe the best proof that the language is patriarchal is that it oversimplifies feeling. I'd like to have at my disposal complicated hybrid emotions, Germanic train car constructions like, say, "the happiness that attends disaster." Or: "the disappointment of sleeping with one's fantasy." I'd like to show how "intimations of mortality brought on by aging family members" connects with "the hatred of mirrors that begins in middle age." I'd like to have a word for "the sadness inspired by failing restaurants" as well as for "the excitement of getting a room with a minibar." I've never had the right words to describe my life, and now that I've entered my story, I need them more than ever. I can't just sit back and watch from a distance anymore. From here on in, everything I'll tell you is colored by the subjective experience of being part of events. Here's where my story splits, divides, undergoes meiosis. Already the world feels heavier, now I'm a part of it. I'm talking about bandages and sopped cotton, the smell of mildew in movie theaters, and of all the lousy cats and their stinking litter boxes, of rain on city streets when the dust comes up and the old Italian men take their folding chairs inside. Up until now it hasn't been my world. Not my America. But here we are, at last.
Jeffrey Eugenides (Middlesex)
And, in truth, while our friend smiled at these wild fables, he sighed in the same breath to think how the once genial earth produces, in every successive generation, fewer flowers than used to gladden the preceding ones. Not that the modes and seeming possibilities of human enjoyment are rarer in our refined and softened era,—on the contrary, they never before were nearly so abundant,—but that mankind are getting so far beyond the childhood of their race that they scorn to be happy any longer. A simple and joyous character can find no place for itself among the sage and sombre figures that would put his unsophisticated cheerfulness to shame. The entire system of man's affairs, as at present established, is built up purposely to exclude the careless and happy soul. The very children would upbraid the wretched individual who should endeavor to take life and the world as w what we might naturally suppose them meant for—a place and opportunity for enjoyment. It is the iron rule in our day to require an object and a purpose in life. It makes us all parts of a complicated scheme of progress, which can only result in our arrival at a colder and drearier region than we were born in. It insists upon everybody's adding somewhat—a mite, perhaps, but earned by incessant effort—to an accumulated pile of usefulness, of which the only use will be, to burden our posterity with even heavier thoughts and more inordinate labor than our own. No life now wanders like an unfettered stream; there is a mill-wheel for the tiniest rivulet to turn. We go all wrong, by too strenuous a resolution to go all right.
Nathaniel Hawthorne (The Marble Faun)
This was the first time that Buck had failed, in itself a sufficient reason to drive Hal into a rage. He exchanged the whip for the customary club. Buck refused to move under the rain of heavier blows which now fell upon him. Like his mates, he was barely able to get up, but, unlike them, he had made up his mind not to get up. He had a vague feeling of impending doom. This had been strong upon him when he pulled into the bank, and it had not departed from him. What of the thin and rotten ice he had felt under his feet all day, it seemed that he sensed disaster close at hand, out there ahead on the ice where his master was trying to drive him. He refused to stir. So greatly had he suffered, and so far gone was he, that the blows did not hurt much. And as they continued to fall upon him, the spark of life within flickered and went down. It was nearly out. He felt strangely numb. As though from a great distance, he was aware that he was being beaten. The last sensations of pain left him. He no longer felt anything, though very faintly he could hear the impact of the club upon his body. But it was no longer his body, it seemed so far away. And then, suddenly, without warning, uttering a cry that was inarticulate and more like the cry of an animal, John Thornton sprang upon the man who wielded the club. Hal was hurled backward, as though struck by a falling tree. Mercedes screamed. Charles looked on wistfully, wiped his watery eyes, but did not get up because of his stiffness. John Thornton stood over Buck, struggling to control himself, too convulsed with rage to speak. "If you strike that dog again, I'll kill you," he at last managed to say in a choking voice. p63
Jack London (The Call of the Wild)
Violet’s not getting out of our sight,” Arion adds. There’s a moment of just staring…like everyone is trying to silently argue. “No one naked in my car,” Mom states when I just stand in my spot, waiting on them to hurry through the push and pull. You really can tell how thick the air is when too many alphas are in the room at one time, but weirdly it never feels this way when it’s just the four of them. Unless punches are thrown. Then it gets a little heavier than normal. Arion pulls on his clothes, and threads whir in the air as I quickly fashion Emit a lopsided toga that lands on his body. Everyone’s gaze swings to him like it’s weird for him and normal for me to be in a toga. Awesome. Damien muffles a sound, Emit arches an eyebrow at me, and Arion remains rigid, staying close to me but never touching me. All of us squeezing into a car together while most of them hate each other…should be fun. The storm finally stops before we board the elevator, and it’s one of those super awkward elevator moments where no one is looking at anyone or saying anything, and everyone is trying to stay in-the-moment serious. We stop on the floor just under us, after the longest thirty-five seconds ever. The doors open, and two men glance around at Emit and I in our matching togas, even though his is the fitted sheet and riding up in some funny places. He looks like a caveman who accidentally bleached and shrank his wardrobe. I palm my face, embarrassed for him. The next couple of floors are super awkward with the addition of the two new, notably uncomfortable men. Worst seventy-nine seconds ever. Math doesn’t add up? Yeah. I’m upset about those extra nine seconds as well. Poor Emit has to duck out of the unusually small elevator, and the bottom of his ass cheek plays peek-a-boo on one side. Damien finally snorts, and even Mom struggles to keep a straight face. That really pisses her off. “You’re seeing him on an off day,” I tell the two guys, who stare at my red boots for a second. I feel the need to defend Emit a little, especially since I now know he overheard all that gibberish Tiara was saying… I can’t remember all I said, and it’s worrying me now that my mind has gone off on this stupid tangent. I trip over the hem of my toga, and Arion snags me before I hit the floor, righting me and showing his hands to my mother with a quick grin. “Can’t just let her fall,” he says unapologetically. “You’re going to have to learn to deal with that,” she bites out. She has a very good point. I don’t trip very often, but things and people usually knock me around a good bit of my life. The two guys look like they want to run, so I hurry to fix this. “Really, it’s a long story, but I swear Emit—the tallest one in the fitted-sheet-toga—generally wears pants…er…I guess you guys call them trousers over here. Anyway, we had some plane problems,” I carry on, and then realize I have to account for the fact we’re both missing clothing. “Then there was a fire that miraculously only burned our clothes, because Emit put all my flames out by smothering me with his body,” I state like that’s exactly what happened. Why do they look so scared? I’m not telling a scary lie. At this point, I’ve just made it worse, and fortunately Damien takes mercy, clamping his hand over my mouth as he starts steering me toward the door before I can make it…whatever comes after worse but before the worst. “Thank you,” sounds more like “Mmdi ooooo,” against his hand, but he gets the gist, as he grins. Mom makes a frustrated sound. “Another minute, and she’d be bragging about his penis size in quest to save his dignity. Did you really want to hear that?” Damien asks her, forcing me to groan against his hand.
Kristy Cunning (Gypsy Moon (All The Pretty Monsters, #4))
The Mouse was not much heavier than a very large cat. Eustace had him off the rail in a trice and very silly he looked (thought Eustace) with his little limbs all splayed out and his mouth open. But unfortunately Reepicheep, who had fought for his life many a time, never lost his head even for a moment. Nor his skill. It is not very easy to draw one’s sword when one is swinging round in the air by one’s tail, but he did. And the next thing Eustace knew was two agonizing jabs in his hand which made him let go of the tail; and the next thing after that was that the Mouse had picked itself up again as if it were a ball bouncing off the deck, and there it was facing him, and a horrid long, bright, sharp thing like a skewer was waving to and fro within an inch of his stomach. (This doesn’t count as below the belt for mice in Narnia because they can hardly be expected to reach higher.) “Stop it,” spluttered Eustace, “go away. Put that thing away. It’s not safe. Stop it, I say. I’ll tell Caspian. I’ll have you muzzled and tied up.” “Why do you not draw your own sword, poltroon!” cheeped the Mouse. “Draw and fight or I’ll beat you black and blue with the flat.” “I haven’t got one,” said Eustace. “I’m a pacifist. I don’t believe in fighting.” “Do I understand,” said Reepicheep, withdrawing his sword for a moment and speaking very sternly, “that you do not intend to give me satisfaction?” “I don’t know what you mean,” said Eustace, nursing his hand. “If you don’t know how to take a joke I shan’t bother my head about you.” “Then take that,” said Reepicheep, “and that--to teach you manners--and the respect due to a knight--and a Mouse--and a Mouse’s tail--” and at each word he gave Eustace a blow with the side of his rapier, which was thin, fine, dwarf-tempered steel and as supple and effective as a birch rod. Eustace (of course) was at a school where they didn’t have corporal punishment, so the sensation was quite new to him. That was why, in spite of having no sea-legs, it took him less than a minute to get off that forecastle and cover the whole length of the deck and burst in at the cabin door--still hotly pursued by Reepicheep. Indeed it seemed to Eustace that the rapier as well as the pursuit was hot. It might have been red-hot by the feel.
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
I made no difficulty in communicating to him what had interested me most in this affair. It seemed as though he had a right to know: hadn’t he spent thirty hours on board the Patna — had he not taken the succession, so to speak, had he not done “his possible”? He listened to me, looking more priest-like than ever, and with what — probably on account of his downcast eyes — had the appearance of devout concentration. Once or twice he elevated his eyebrows (but without raising his eyelids), as one would say “The devil!” Once he calmly exclaimed, “Ah, bah!” under his breath, and when I had finished he pursed his lips in a deliberate way and emitted a sort of sorrowful whistle. ‘In any one else it might have been an evidence of boredom, a sign of indifference; but he, in his occult way, managed to make his immobility appear profoundly responsive, and as full of valuable thoughts as an egg is of meat. What he said at last was nothing more than a “Very interesting,” pronounced politely, and not much above a whisper. Before I got over my disappointment he added, but as if speaking to himself, “That’s it. That is it.” His chin seemed to sink lower on his breast, his body to weigh heavier on his seat. I was about to ask him what he meant, when a sort of preparatory tremor passed over his whole person, as a faint ripple may be seen upon stagnant water even before the wind is felt. “And so that poor young man ran away along with the others,” he said, with grave tranquillity. ‘I don’t know what made me smile: it is the only genuine smile of mine I can remember in connection with Jim’s affair. But somehow this simple statement of the matter sounded funny in French... “S’est enfui avec les autres,” had said the lieutenant. And suddenly I began to admire the discrimination of the man. He had made out the point at once: he did get hold of the only thing I cared about. I felt as though I were taking professional opinion on the case. His imperturbable and mature calmness was that of an expert in possession of the facts, and to whom one’s perplexities are mere child’s-play. “Ah! The young, the young,” he said indulgently. “And after all, one does not die of it.” “Die of what?” I asked swiftly. “Of being afraid.” He elucidated his meaning and sipped his drink.
Joseph Conrad (Joseph Conrad: The Complete Novels)
In the future that globalists and feminists have imagined, for most of us there will only be more clerkdom and masturbation. There will only be more apologizing, more submission, more asking for permission to be men. There will only be more examinations, more certifications, mandatory prerequisites, screening processes, background checks, personality tests, and politicized diagnoses. There will only be more medication. There will be more presenting the secretary with a cup of your own warm urine. There will be mandatory morning stretches and video safety presentations and sign-off sheets for your file. There will be more helmets and goggles and harnesses and bright orange vests with reflective tape. There can only be more counseling and sensitivity training. There will be more administrative hoops to jump through to start your own business and keep it running. There will be more mandatory insurance policies. There will definitely be more taxes. There will probably be more Byzantine sexual harassment laws and corporate policies and more ways for women and protected identity groups to accuse you of misconduct. There will be more micro-managed living, pettier regulations, heavier fines, and harsher penalties. There will be more ways to run afoul of the law and more ways for society to maintain its pleasant illusions by sweeping you under the rug. In 2009 there were almost five times more men either on parole or serving prison terms in the United States than were actively serving in all of the armed forces.[64] If you’re a good boy and you follow the rules, if you learn how to speak passively and inoffensively, if you can convince some other poor sleepwalking sap that you are possessed with an almost unhealthy desire to provide outstanding customer service or increase operational efficiency through the improvement of internal processes and effective organizational communication, if you can say stupid shit like that without laughing, if your record checks out and your pee smells right—you can get yourself a J-O-B. Maybe you can be the guy who administers the test or authorizes the insurance policy. Maybe you can be the guy who helps make some soulless global corporation a little more money. Maybe you can get a pat on the head for coming up with the bright idea to put a bunch of other guys out of work and outsource their boring jobs to guys in some other place who are willing to work longer hours for less money. Whatever you do, no matter what people say, no matter how many team-building activities you attend or how many birthday cards you get from someone’s secretary, you will know that you are a completely replaceable unit of labor in the big scheme of things.
Jack Donovan (The Way of Men)
Wrath…” “What,” he murmured against her, working her with his nose. “You don’t like?” “Shut up and get back to doing—” His tongue slipping under the panties cut her off…and made him have to slow himself down. She was so slick and wet and soft and willing, it was all he could do to keep himself from hauling her on the rug and going at her deep and hard. And then they’d both miss out on the fun of anticipation. Moving the cotton aside with his hand, he kissed her pink flesh, then delved in. She was oh, so ready for him, and he knew it because of the honey that he swallowed as he dragged upward in a long, slow lick. But it wasn’t enough, and holding the panties to the side was distracting. With his fang, he punctured them, then split them apart right up the middle, leaving the two halves to hang off her hips. His palms went up to her ass and squeezed hard as he quit fooling around and got busy working out his female with his mouth. He knew exactly what she liked best, the sucking and the licking and the going in with his tongue. Closing his eyes, he took it all in, the scent and the taste and the feel of her shuddering against him as she peaked and came apart. Behind the fly of his leathers, his cock was screaming for attention, the rasp of the buttons not nearly sufficient to satisfy what it was demanding, but tough shit. His erection was going to have to chill for a while, because this was too sweet to stop anytime soon. When Beth’s knees wobbled, he took her down to the floor and stretched one of her legs up, keeping to his pace while shoving her fleece to her neck and putting his hand under her bra. As she orgasmed again, she grabbed onto one of the desk legs, pulling hard and bracing her free foot into the rug. His pursuit pushed them both farther and farther beneath where he discharged his kingly duties until he had to crouch down to fit his shoulders. Eventually her head was out the other side and she was gripping the pansy-ass chair he sat in and dragging it with her. As she cried out his name once more, he prowled up her body and glared at the stupid, nancy chair. “I need something heavier to sit in.” Last coherent thing he said. His body found the entrance to hers with an ease that spoke of all the practice they’d had and…Oh, yeah, still as good as the first time. Wrapping his arms around her, he rode her hard, and she was right there with him as the storm rolling through his body gathered in his balls until they stung. Together, he and his shellan moved as one, giving, receiving, going faster and faster until he came and kept going and came again and kept going until something hit his face. In full animal mode, he growled and swiped at it with his fangs. It was the drapes. He’d managed to fuck them out from under the desk, past the chair, and over to the wall. Beth burst out laughing and so did he, and then they were cradling each other.
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
Don’t provoke Cheat,” Arin said as they stepped out of the carriage and onto the dusky path that led to the governor’s palace, which looked eerie to Kestrel because its impressive façade was the same as the night before, but the lights burning in the windows were now few. “Kestrel, do you hear me? You can’t toy with him.” “He started it.” “That’s not the point.” Gravel crunched under Arin’s heavy boots as he stalked up the path. “Don’t you understand that he wants you dead? He’d leap at the chance,” Arin said, hands in pockets, head down, almost talking to himself. He strode ahead, his long legs quicker than hers. “I can’t--Kestrel, you must understand that I would never claim you. Calling you a prize--my prize--it was only words. But it worked. Cheat won’t harm you, I swear that he won’t, but you must…hide yourself a little. Help a little. Just tell us how much time we have before the battle. Give him a reason to decide you’re not better off dead. Swallow your pride.” “Maybe that’s not as easy for me as it is for you.” He wheeled on her. “It’s not easy for me,” he said through his teeth. “You know that it’s not. What do you think I have had to swallow, these past ten years? What do you think I have had to do to survive?” They stood before the palace door. “Truly,” she said, “I haven’t the faintest interest. You may tell your sad story to someone else.” He flinched as if slapped. His voice came low: “You can make people feel so small.” Kestrel went hot with shame--then was ashamed of her own shame. Who was he, that she should apologize? He had used her. He had lied. Nothing he said meant anything. If she was to feel shame, it should be for having been so easily fooled. He ran fingers through his cropped hair, but slowly, anger gone, replaced by something heavier. He didn’t look at her. His breath smoked the chill air. “Do what you want to me. Say anything. But it frightens me how you refuse to see the danger you risk with others. Maybe now you’ll see.” He opened the door to the governor’s home. The smell struck her first. Blood and decaying flesh. It pushed at Kestrel’s gut. She fought not to gag. Bodies were piled in the reception hall. Lady Neril was lying facedown, almost in the same place where she had stood the night of the ball, greeting guests. Kestrel recognized her by the scarf in her fist, fabric bright in the guttering torchlight. There were hundreds of dead. She saw Captain Wensan, Lady Faris, Senator Nicon’s whole family, Benix… Kestrel knelt next to him. His large hand felt like cold clay. She could hear her tears drip to his clothes. They beaded on his skin. Quietly, Arin said, “He’ll be buried today, with the others.” “He should be burned. We burn our dead.” She couldn’t look at Benix anymore, but neither could she get to her feet. Arin helped her, his touch gentle. “I’ll make certain it’s done right.” Kestrel forced her legs to move, to walk past bodies heaped like rubble. She thought that she must have fallen asleep after all, and that this was an evil dream. She paused at the sight of Irex. His mouth was the stained purple of the poisoned, but he had sticky gashes in his side, and one final cut to the neck. Even poisoned, he had fought. Tears came again. Arin’s hold tightened. He pushed her past Irex. “Don’t you dare weep for him. If he weren’t dead, I would kill him myself.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
A professor raised his glass of water in front of the students. “How heavy is this glass of water, you think?” he asked with a smile. The students’ answers ranged from 10 oz to 20 oz. “Okay. Now, could one of you come here and help me hold the glass?” A girl walked to her table and held the glass. After a few minutes, the girl said, “Sir, I am tired, is it ok to leave the glass on the table now?” The professor smiled, nodded yes and said to the students, “Imagine if you have to hold this glass for an hour or even a day! Would you think now that 10 or 20 oz weight too little? “No,” all students answered. “Exactly! Hold it too long and you will only hurt yourself. Always remember to put the glass down several times a day,” said the teacher. “The weight of a glass filled with water does not change, but the longer you hold it, the heavier it becomes. Our worries and stresses are like this glass of water. Think about them for a moment and nothing happens. Think about them longer and they begin to hurt. Think about them all day long and you will only feel panic making you unable to do anything else.” “Do not carry your burdens all day long, from morning to night. Remember to put your burdens down as often as you can. Remember to put the glass down!
Barry Powell (99 Inspiring Stories for Presentations: Inspire your Audience & Get your Message Through)
Sometimes when I couldn't sleep, I'd pull my blanket above my head, the air getting warmer and heavier until my lungs burned with recycled breath. It was a pleasant pain, precisely because of the relief I felt after: ripping the blanket down, gasping, gasping again, mercifully cool air pouring down my throat.
Kayla Whaley
Equipped with the right amount of dark matter, computer simulations reveal the formation of large regions of filamentary web-like networks of dark matter and hydrogen gas. At the nodes of these filaments, hydrogen gas coalesces, similar to water droplets on a spiderweb after a rainfall. It is in these regions, called protogalaxies, where hydrogen gas gets gravitationally concentrated into the first stars. Through nuclear fusion, the immense gravitational pressure in the star converts hydrogen into heavier elements. These first-generation stars can be up to one million times more massive than our sun. The first generation of stars lives on the order of one hundred million years and eventually dies through supernova explosions.
Stephon Alexander (The Jazz of Physics: The Secret Link Between Music and the Structure of the Universe)
There are many lies of all shapes and sizes. No one can hide behind a lie, especially the big ones. The bigger they are, the heavier they get until a person is weighed down so much, they can’t get up again.
Jacqueline Edgington (Happy Jack)
The things we choose, well, those are ours. But we don't get a vote on the things we carry. Some are heavier than others, some we can put down eventually, and some are ours to keep. We don't have a choice in the burdens we're given to bear, but we do have a choice in how we hold them. We can strap them to our backs and walk through the world hunched over under the weight like someone who should spend his or her days in a bell tower. Or we can stand tall and straight like one of those African queens carrying a woven basket on her head.
Mia Sheridan (Midnight Lily)
Where carbon comes from in the universe is also a deep function of quantum physics. Like all the heavier elements, it us produced via nucleosynthesis (from nuclear fusion) in stars. But the high abundance of carbon (it comes in fourth in the count of atoms in today's universe, after hydrogen, helium, and oxygen) relies on several key properties of the cosmos. Most carbon forms through the triple-alpha process: the fusion of two helium nuclei into a beryllium-8 nucleus, followed by the fusion of the beryllium nucleus and another helium nucleus into carbon. This would be a horribly inefficient way to make carbon, except for some subtle coincidences. These coincidences are pretty technical, and may only be truly relished by nuclear physicists, but they're worth knowing about because they can help you grasp the connections between fundamental physics and us. The first coincidence is that in a star's interior, the combined energy of a beryllium-8 nucleus and a helium nucleus can closely match that of an energized carbon-12 atomic nucleus. This "resonance" in energies is key; it greatly enhances the rate of the next fusion step-making carbon-12. The second coincidence is that the nuclei of beryllium-8 just happen to be stable for long enough for them to have a good chance of catching one of those helium nuclei as they buzz around. And finally, the new carbon-12 nucleus is not efficient about immediately fusing with any spare helium nuclei to make a heavier oxygen nucleus-the carbon doesn't get gobbled up into oxygen, and lives to build your DNA a few billion years later.
Caleb Scharf (The Zoomable Universe: An Epic Tour Through Cosmic Scale, from Almost Everything to Nearly Nothing)