Sting Lover Quotes

We've searched our database for all the quotes and captions related to Sting Lover. Here they are! All 40 of them:

A gumble bee is half gum ball, half bumble bee, and it’s so chewy it stings. Makes me want to be a better lover and tractor salesman.
Jarod Kintz (This Book is Not for Sale)
A cold blast hit him and he laughed at the sting as he stepped outside, surveyed the night sky, and drank deeply. Such a good liar he was. Such a good one. Everyone thought he was fine because he'd camo'd his little problems. He wore a Sox hat to hide the eye twitch. Set his wristwatch to go off every half hour to beat back the dream. Ate though he wasn't angry. Laughed though he found nothing funny. And he'd always smoked like a chimney.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
Or, God, maybe this was just life. For everyone on the planet. Maybe the Survivor's Club wasn't something you "earned," but simply what you were born into when you came out of your mother's womb. Your heartbeat put you on the roster and then the rest of it was just a question of vocabulary: the nouns and verbs used to describe the events that rocked your foundation and sent you flailing were not always the same as other people's, but the random cruelties of disease and accident, and the malicious focus of evil men and nasty deeds, and the heartbreak of loss with all its stinging whips and rattling chains... At the core, it was all the same.
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
Oh!--and I speak out of later knowledge--Heaven forefend me from the most of the average run of male humans who are not good fellows, the ones cold of heart and cold of head who don't smoke, drink, or swear, or do much of anything else that is brase, and resentful, and stinging, because in their feeble fibres there has never been the stir and prod of life to well over its boundaries and be devilish and daring. One doesn't meet these in saloons, nor rallying to lost causes, nor flaming on the adventure-paths, nor loving as God's own mad lovers. They are too busy keeping their feet dry, conserving their heart-beats, and making unlovely life-successes of their spirit-mediocrity.
Jack London (John Barleycorn: Alcoholic Memoirs)
Up ahead about two blocks, a massive figure stepped out into her path. She halted. Took a deep breath. Felt a prickling in her eyes. On the breeze drifting down to her, John's unmistakable bonding scent was a dark spice that wiped out the stink of the city and the wretched sting of her unhappiness. She started walking toward him. Fast. Faster... Now she was running. He met her halfway, falling into a jog as soon as he saw her pick up the pace, and they slammed into each other. Hard to know whose mouth found whose, or whose arms were cinched tighter, or who was the desperate one. But then, in this they were equals.
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
These violent delights have violent ends," Juliette whispered to herself. She titled her head up to the clouds, to the light sea breeze blowing in from the Bund and stinging her nose with salt. "You have always known this.
Chloe Gong (Our Violent Ends (These Violent Delights, #2))
They are beautiful, heart-rendingly beautiful, those wilds, with a quality of wide-eyed, unsung, innocent surrender that my lacquered, toy-bright Swiss villages and exhaustively lauded Alps no longer possess. Innumerable lovers have clipped and kissed on the trim turf of old-world mountainsides, on the innerspring moss, by a handy, hygienic rill, on rustic benches under the initialed oaks, and in so many cabanes in so so many beech forests. But in the Wilds of America the open-air lover will not find it easy to indulge in the most ancient of all crimes and pastimes. Poisonous plants burn his sweetheart's buttocks, nameless insects sting his; sharp items of the forest floor prick his knees, insects hers; and all around there abides a sustained rustle of potential snakes--que dis-je,of semi-extinct dragons!--while the crablike seeds of ferocious flowers cling, in a hideous green crust, to gartered black sock and sloppy white sock alike.
Vladimir Nabokov (Lolita)
We've lost mothers, fathers, sisters, brothers," Rodney Barrett is saying. "We've lost wives and husbands, lovers and friends. But nothing stings as much as the children you've taken from us. How dare you ask a child to look at you?
Josh Malerman (Bird Box (Bird Box, #1))
In thee hath neither sting, knot, nor confine, For thou art all, and all things else are thine.
William Shakespeare (A Lover's Complaint)
I guess he was right; I’m just a scorpion without wings, God created me this way, no wings, just a poisonous sting, The one I loved knew my true nature She knew I could sting her heart, and poisoned her soul, My lover knew me well, she knew my truth, She could see my poisonous soul, My ego bowed to her beauty, always ready to strike She knew my true nature, she saw the scorpion, She saw the venom in heart, she loved me still, I struck her heart multiple times, I poisoned her soul with my sting, I guess he was right; I’m just a scorpion without wings She knew me well; she saw the lethal sting, She saw her wounded heart, she loved me still She you loved the scorpion to the end, She fell in love, and now she’s dead, The scorpion cries, in agony, He wishes he wasn’t a venomous beast, The scorpion suffers; he misses his loved one, The one he killed, the one he stung, The one who loved him to the end
Quetzal
She does not collapse on the stage. She darts onto it, and says the most stunning thing, and then darts off. It is not the weight of her disclosures that stuns the audience, but the lightness of attention as it hovers between there and not there, between her enticing proximity and her blunt distance. Joan Didion is not a penitent in confession, or a lover ready for embrace. She is not even a burlesque dancer. God no. She is a boxer. She floats like a butterfly and stings like a bee.
Steffie Nelson (Slouching Towards Los Angeles: Living and Writing by Joan Didion’s Light)
This must be what it feels like to be dying, he thinks; the world remains around you, like a lover who does not want to hurt you by leaving, but in spirit it’s already gone, taking with it the meaning of everything you shared. In truth it is already transforming into a future you will never be part of; and you realize only then that it has been transforming all of this time, throughout your whole life, and you with it; and that, in fact, is life, though you never knew, and now it is over.
Paul Murray (The Bee Sting)
Heartbreak is very hard to live with. In the morning, it made me wish that I could just snooze my alarm and hide from the sunlight. In the afternoon, I cried at work silently, then I ran to the washroom so that nobody noticed. In the late afternoon, my brain would unsuccessfully try to take control for an hour after which I would be exhausted from the emotional roller coaster led by my heart. At night, I would squeeze my pillow, howling inside and yet not being able to scream, wishing that I could stop feeling the stinging pain.
Namrata Gupta (Lost Love Late Love)
While altering the saga of Odysseus’s Return to make my Elyman suitors serve as Penelope’s lovers, I had to protect myself against scandal. What if someone recognized the story and supposed that I, Nausicaa the irreproachable, had played the promiscuous harlot in my father’s absence? So, according to my poem, Penelope must have remained faithful to Odysseus throughout those twenty years. And because this change meant that Aphrodite had failed to take her traditional revenge, I must make Poseidon, not her, the enemy who delayed him on his homeward voyage after the Fall of Troy. I should therefore have to omit the stories of Penelope’s banishment and the oar mistaken for a flail, and Odysseus’s death from Telemachus’s sting-ray spear. When I told Phemius of these decisions, he pointed out, rather nastily, that since Poseidon had fought for the Greeks against the Trojans, and since Odysseus had never failed to honour him, I must justify this enmity by some anecdote. “Very well,” I answered. “Odysseus blinded a Cyclops who, happening to be Poseidon’s son, prayed to him for vengeance.” “My dear Princess, every Cyclops in the smithies of Etna was born to Uranus, Poseidon’s grandfather, by Mother Earth.” “Mine was an exceptional Cyclops,” I snapped. “He claimed Poseidon as his father and kept sheep in a Sican cave, like Conturanus. I shall call him Polyphemus—that is, ‘famous’—to make my hearers think him a more important character than he really was.” “Such deceptions tangle the web of poetry.” “But if I offer Penelope as a shining example for wives to follow when their husbands are absent on long journeys, that will excuse the deception.
Robert Graves (Homer's Daughter)
YOU THINK YOU are the only person in this world who is waiting?” said Sister Mary Inconnu. She was pacing. I wished she would stop, because the light was bright at the window and it is hard sometimes to keep up with a pacing nun. I kept losing her. She said, “The world is full of people like you, waiting for change. Waiting for a job. A lover. Waiting for a bite to eat. A drink of water. Waiting for the winning lottery ticket. So don’t think about the end. Picture those people instead. Picture their waiting.” I have to admit I sighed. I shook my head. How does this help? I said with my eye. She sat. At least there was that. Then she said, “Because if you picture other people like you, you will no longer be alone. And when you share, you see that your own sorrow is not so big or special. You are only another person feeling sad, and soon it will pass and you will be another person, feeling happy. It takes the sting out of life, I find, when you realize you are not alone.
Rachel Joyce (The Love Song of Miss Queenie Hennessy (Harold Fry, #2))
I wished upon the moon one night, bewitched by how it shone so white. While staring up with some excite my eyes beheld a wondrous sight!  The moon so lustrous and white transformed into an armored knight who caused me just a moments fright when he jumped down from such a height.  No more a soft, celestial light, he was my lover, day and night.   This caused the world a serious plight.  How harsh a sting and deep the bite inflicted on the world, alright, to lose their blackest-hour light.   And so I've come to set things right, to offer up without a fight my lover wished for one clear night.  I hold him close.  He hugs me tight, then climbs again to heaven's height to glow a bluer shade of bright.  I stare at my beloved knight, not wanting to be impolite, and in my heart with all my might I wish a wish that isn't right.   Now and then the world still spites a shadowless and moonless night when we steal softly out of sight to hold each other 'til daylight and share in lovers true delight.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
Even though this duel has broken no rules, it’s not ben clean,” she said. “You began a brawl. Society will murmur its disapproval even before Ronan and Jess destroy your reputation.” “Society will disapprove of me?” Irex sneered. “Your reputation is not so lily white. Slave-lover.” Kestrel wobbled on her feet. It took her a moment to speak, and when she did, she wasn’t sure that what she said was true. “Whatever people say about me, my father will be your enemy.” Irex’s face was still sharp with hate, but he said, “Very well. You can live.” His voice became hesitant. “Did you tell the general about Faris?” Kestrel thought of her letter to her father. It had been simple. I have challenged Lord Irex to a duel, it had said. It will take place on his grounds today, two hours before sunset. Please come. “No. That would have defeated my purpose.” Irex gave Kestrel a look, one that she had seen before on the faces of her opponents in Bite and Sting. “Purpose?” he said warily. Kestrel felt triumph surge through her, stronger even than the pain in her knee. “I want my father to believe that I’ve legitimately won this duel. You are about to lose. You’ll throw the match, and give me a clear victory.” She smiled. “I want first blood, Irex. My father is watching. Make this look good.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Jackson. Wait.” He didn’t turn to face me when I finally reached him. Staring at his back, I scrambled for something to say. Why hadn’t I thought this through? In the end, watching him not even turn to face me, anger won out. “What the fuck, Jackson?” “Go back to your fiancée.” With a growl, I gripped his shoulder, forcing him to turn and then shoving him back into the wall. His eyes looked like they were holding back their own storm, daring me to push one more time. I was about to push a whole lot harder if it meant getting something out of him. “Talk to me.” I wanted it to be a command, but it came out as more of a plea. He took a deep breath, closing his eyes. When he opened them, I almost stepped back from how angry they were. “What do you want me to say? You’re not gay,” he sneered, beginning to back me up with each word. “You would never. Which I found pretty damn shocking since you loved being deep inside me, spilling your cum. Fucking me—a man—like a desperate fucking freight train.” He threw my words I’d stupidly sputtered to his brother back in my face. “I’m sorry,” I whispered. “Fuck you,” Jackson growled before bumping my shoulder to walk past me. Digging my hands in my hair, frustration rose inside me, pulling me under, drowning me. I was losing control and I couldn’t breathe because of it. “I’M SORRY, OKAY?” I shouted. “I fucked up. I panicked. This is all new to me—liking a guy. Fooling around with you when I’m engaged. I can’t just talk about it. I fucking panicked and I’m sorry. So fucking sorry.” He let my apology linger, and I held my breath waiting. “Okay.” Okay? Okay? Was he fucking kidding me? I spilled my guts and it was okay? “No. It’s not fucking okay. This isn’t okay.” A fiery burn built behind my eyes, stinging my nose, but I wasn’t going to stop because he finally turned back to me. “I miss you. You won’t touch me, or kiss me, or sit with me, or hold me. Nothing. And I fucking miss you.” I choked on the last few words praying he wouldn’t turn away. It was the most honest I’d been with him—with myself—about my feelings for him. My heart thundered, and hands trembled from how nervous I was. Nervous that the words felt so right coming from my lips. Nervous about what it really meant, that I left Carina behind, so I could chase Jackson down and plead with him to not leave me. “Can we please go back? Can you please forgive me?” It wasn’t just about sex and exploring. Right there in the stairwell, getting lost in him, begging him to stay and care, it hit me. I was falling in love with him. With a man. I was falling in love with Jackson. While my fiancée sat upstairs, I realized I was falling in love with my best friend.
Fiona Cole (Lovers (Voyeur, #2))
Ronan was waiting for her beyond the estate’s guarded gate. From the looks of things, he had been waiting for some time. His horse was nosing brown grass as Ronan sat on a nearby boulder, throwing pebbles at the general’s stone wall. When he saw Kestrel ride through the gate on Javelin, he flung his handful of rocks to the path. He remained sitting, elbows propped on his bended knees as he stared at her, his face pinched and white. He said, “I have half a mind to tear you down from your horse.” “You got my message, then.” “And rode instantly here, where guards told me that the lady of the house gave strict orders not to let anyone--even me--inside.” His eyes raked over her, taking in the black fighting clothes. “I didn’t believe it. I still don’t believe it. After you vanished last night, everyone at the party was talking about the challenge, yet I was sure it was just a rumor started by Irex because of whatever has caused that ill will between you. Kestrel, how could you expose yourself like this?” Her hands tightened around the reins. She thought about how, when she let go, her palms would smell like leather and sweat. She concentrated on imagining that scent. This was easier than paying heed to the sick feeling swimming inside her. She knew what Ronan was going to say. She tried to deflect it. She tried to talk about the duel itself, which seemed straightforward next to her reasons for it. Lightly, she said, “No one seems to believe that I might win.” Ronan vaulted off the rock and strode toward her horse. He seized the saddle’s pommel. “You’ll get what you want. But what do you want? Whom do you want?” “Ronan.” Kestrel swallowed. “Think about what you are saying.” “Only what everyone has been saying. That Lady Kestrel has a lover.” “That’s not true.” “He is her shadow, skulking behind her, listening, watching.” “He isn’t,” Kestrel tried to say, and was horrified to hear her voice falter. She felt a stinging in her eyes. “He has a girl.” “Why do you even know that? So what if he does? It doesn’t matter. Not in the eyes of society.” Kestrel’s feelings were like banners in a storm, snapping at their ties. They tangled and wound around her. She focused, and when she spoke, she made her words disdainful. “He is a slave.” “He is a man, as I am.” Kestrel slipped from her saddle, stood face-to-face with Ronan, and lied. “He is nothing to me.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Once upon a time I'd left Los Angeles and been swallowed down the throat of a life in which my sole loyalty was to my tongue. My belly. Myself. My mother called me selfish and so selfish I became. From nineteen to twenty-five I was a mouth, sating. For myself I made three-day braises and chose the most marbled meats, I played loose with butter and cream. My arteries were young, my life pooling before me, and I lapped, luxurious, from it. I drank, smoked, flew cheap red-eyes around Europe, I lived in thrilling shitholes, I found pills that made nights pass in a blink or expanded time to a soap bubble, floating, luminous, warm. Time seemed infinite, then. I begged famous chefs for the chance to learn from them. I entered competitions and placed in a few. I volunteered to work brunch, turn artichokes, clean the grease trap. I flung my body at all of it: the smoke and singe of the grill station, a duck's breast split open like a geode, two hundred oysters shucked in the walk-in, sex in the walk-in, drunken rides around Paris on a rickety motorcycle and no helmet, a white truffle I stole and shaved in secret over a bowl of Kraft mac n' cheese for me, just me, as my body strummed the high taut selfish song of youth. On my twenty-fifth birthday I served black-market fugu to my guests, the neurotoxin stinging sweetly on my lips as I waited to see if I would, by eating, die. At that age I believed I knew what death was: a thrill, like brushing by a friend who might become a lover.
C Pam Zhang (Land of Milk and Honey)
So why was tonight not so good?” he asked, desperate to shut himself the fuck up. “My father. And then…well, I got stood up.” Rehv frowned so hard he actually felt a slight sting between his eyes. “For a date?” “Yeah.” He hated the idea of her out with another male. And yet envied the motherfucker, whoever he was. “What an ass. I’m sorry, but what an ass.” Ehlena laughed, and he loved everything about the sound, especially the way his body warmed a little more in response. Man, to hell with a hot shower. That soft, quiet chuckle was what he needed. “Are you smiling,” he said softly. “Yeah. I mean, I guess. How did you know?” “Was just hoping you were.” “Well, you can be kind of charming.” Quickly, as if to cover up the compliment, she said, “The date wasn’t a big deal or anything. I didn’t know him that well. It was just coffee.” “But you ended the night on the phone with me. Which is so much better.” She laughed again. “Well, I won’t ever know what it’s like to go out with him.” “You won’t?” “I just…well, I thought about it, and I don’t think dating is a good idea for me right now.” His surge of triumph was sacked when she tacked on, “With anyone.” “Hm.” “Hm? What does hm mean?” “It means I have your phone number.” “Ah, yes, you do—” Her voice caught as he shifted around. “Wait, are you…in bed?” “Yeah. And before you go any farther, you don’t want to know.” “I don’t want to know what?” “How much I’m not wearing.” “Er…” As she hesitated, he knew she was smiling again. And probably blushing. “I so won’t ask.” “Wise of you. It’s just me and the sheets—oops, did I just spill that?” “Yes. Yes, you did.” -Rehv & Ehlena
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
A dark-haired young woman was waiting in the atrium by the fountain. When she saw Arin, her face filled with light and tears. He almost ran across the short space between them to gather her in his arms. “Sister or lover?” Kestrel said. The woman looked up from their embrace. Her expression hardened. She stepped away from Arin. “What?” “Are you his sister or lover?” She walked up to Kestrel and slapped her across the face. “Sarsine!” Arin hauled her back. “His sister is dead,” Sarsine said, “and I hope you suffer as much as she did.” Kestrel’s fingers went to her cheek to press against the sting--and cover a smile with the heels of her tied hands. She remembered the bruises on Arin when she had bought him. His surly defiance. She had always wondered why slaves brought punishment upon themselves. But it had been sweet to feel a tipping of power, however slight, when that hand had cracked across her face. To know, despite the pain, that for a moment Kestrel had been the one in control. “Sarsine is my cousin,” Arin said. “I haven’t seen her in years. After the war, she was sold as a house slave. I was a laborer, so--” “I don’t care,” Kestrel said. His shadowed eyes met hers. They were the color of the winter sea--the water far below Kestrel’s feet when she had looked down and imagined what it would be like to drown. He broke the gaze between them. To his cousin he said, “I need you to be her keeper. Escort her to the east wing, let her have the run of the suite--” “Arin! Have you lost your mind?” “Remove anything that could be a weapon. Keep the outermost door locked at all times. See that she wants for nothing, but remember that she is a prisoner.” “In the east wing.” Sarsine’s voice was thick with disgust. “She’s the general’s daughter.” “Oh, I know.” “A political prisoner,” Arin said. “We must be better than the Valorians. We are more than savages.” “Do you truly think that keeping your clipped bird in a luxurious cage will change how the Valorians see us?” “It will change how we see ourselves.” “No, Arin. It will change how everyone sees you.” He shook his head. “She’s mine to do with as I see fit.” There was an uneasy rustle among the Herrani. Kestrel’s heart sickened. She kept trying to forget this: the question of what it meant to belong to Arin. He reached for her, pulling her firmly toward him as her boots dragged and squeaked against the tiles. With the flick of a knife, he cut the bonds at her wrists, and the sound of leather hitting the floor was loud in the atrium’s acoustics--almost as loud as Sarsine’s choked protest. Arin let Kestrel go. “Please, Sarsine. Take her.” His cousin stared at him. Eventually, she nodded, but her expression made clear that she thought he was indulging in something disastrous.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Without thinking, she delivered a stinging slap, all her hurt and disappointment behind the impact. The imprint of her hand on his cheek shocked her. And though she immediately regretted her childish action, pride forbade her to own up to it. "Mind your manners, next time, Sinclair!" Across the yard, Luter Hicks halted and burst into guffaws. "Guess she told you, lapdog! Hey, honey," he called to Willow, "if he ain't satisfying you, how 'bout lettin' me warm your bed tonight?" An angry growl rolled out of Rider's throat. He pulled Willow up on her tiptoes, mashing her breasts against his hard chest. His fingers plowed through her thick tresses, knocking her bonnet off and scattering her hair pins. Then clasping her chin between his thumb and fingers, he tipped her head back and took fierce possession of her mouth. When he finally released her lips, he set her down a little harder than necessary. "I'll kill the first man who even blinks at you," he ground out loud enough for Hicks to hear. Then in a low, no-nonsense voice,meant for her ears alone, he ordered, "Kiss me and make it look good!" Willow glanced over at Hick's eager face and cringed. Her pride be damned! Sinclair was by far the lesser evil. She swept her arms around his neck. "Whatever you say...lover," she hissed in his ear. Standing on tiptoe again, she slowly brought his head down and pasted her lips to his. But he would have none of her stiff-lipped kiss and increased the pressure on her mouth until she opened to his brazen tongue. As the kiss deepened, he spread one big hand at the base of her spine and molded her stomach against his hard, hot need. Willow's blood sang, her anger instantly gone in the heat of the moment. "Mr. Sinclair!" Miriam interrupted in a berating tone. "You degrade this young lady with your public display. Unhand her at once!" Without his supporting arms, Willow's weak knees barely held her upright. She stumbled backwards, thoroughly stunned by her backfiring emotions. A loud crash snapped her to her senses when Luther threw his plate against the house and stomped off to the bunkouse. Rider collected himself and stooped to pick up Willow's discarded bonnet. Carefully brushing the dust off, he handed it to her without a word. Willow took her hat, gave him a perfunctory nod, and ground her heel into his toe as she pivoted to enter the house. Unaware of the young man's pained expression, Miriam followed on the girl's heels. "Talk about circuses!" she exclaimed, closing the door behind them. "It was just an act for Hick's benefit," Willow defended. Feeling the need to escape Miriam's all-too-knowing glance,she headed down the hall to her room. A heavy boot kicked at the door. Miriam opened it and Rider limped in. "Where do you want these?" he growled testily from behind a tower of packages. "Put them on the settee for now, thank you," Miriam said. "I'd have you carry them back to Willow's room but it isn't a healthy place for you right now." Rider only grunted,dumped the bundles, and returned to the wagon for another armload.
Charlotte McPherren (Song of the Willow)
Maybe the Survivors’ Club wasn’t something you “earned,” but simply what you were born into when you came out of your mother’s womb. Your heartbeat put you on the roster and then the rest of it was just a question of vocabulary: The nouns and verbs used to describe the events that rocked your foundation and sent you flailing were not always the same as other people’s, but the random cruelties of disease and accident, and the malicious focus of evil men and nasty deeds, and the heartbreak of loss with all its stinging whips and rattling chains . . . at the core, it was all the same. And there was no opt-out clause in the club’s bylaws—unless you offed yourself. The essential truth of life, he was coming to realize, wasn’t romantic and took only two words to label: Shit. Happens.
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
Fresh tears sting my eyes. He just barely smiles. “I honestly think you’re perfect,
Emily Henry (Book Lovers)
I wasn’t going to let his bluntness sting me again. “I see. Well, I wasn’t about to run up and down the hall screaming that I was a lost princess in need of saving, don’t worry.” I could save myself, thank you very fucking much.
Briar Boleyn (Court of Claws (Blood of a Fae, #2))
There’s a name for attention at its most intense and generous: love. Attention is love. Love is attention. They are one and the same. “Those who are unhappy have no need for anything in this world but people capable of giving them their attention,” writes Weil. Only when we give someone our attention, fully and with no expectation of reward, are we engaged in this “rarest and purest form of generosity.” This is why the attention denied by a parent or lover stings the most. We recognize the withdrawal of attention for what it is: a withdrawal of love.
Eric Weiner (The Socrates Express: In Search of Life Lessons from Dead Philosophers)
Maybe the Survivors’ Club wasn’t something you “earned,” but simply what you were born into when you came out of your mother’s womb. Your heartbeat put you on the roster and then the rest of it was just a question of vocabulary: The nouns and verbs used to describe the events that rocked your foundation and sent you flailing were not always the same as other people’s, but the random cruelties of disease and accident, and the malicious focus of evil men and nasty deeds, and the heartbreak of loss with all its stinging whips and rattling chains . . . at the core, it was all the same.
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
The next poem that lacks clear links to its companions, though it is relevant enough as a withdrawal from the particular to the general in a love sequence, is Sonnet 116, `Let me not to the marriage of true minds', an eloquent tribute to the power of love which nevertheless has a sting in its tail: `If this be error and upon me proved, I I never writ, nor no man ever loved' (U. 13-4). Does this mean that it is not an error, or that it is an illusion to which all lovers are susceptible? And, for that matter, do the last words stand independently as `no man ever loved' or refer back to `I' to mean `I never loved any man'? And is the poem a tribute to the power of love in general, or of love of man to woman (as generally supposed) or of man for man, as the context might suggest?
Paul Edmondson (Shakespeare's Sonnets (Oxford Shakespeare Topics))
I just feel so guilty.” Her stinging eyes burned with fresh tears. “I don't know why I can't ... I can't...” “Make love to him?” She nodded. “Let him see you?” She nodded again, tears sliding down her face. She mopped them up with the wet tissue she'd wadded in her fist. “Are you scared he won't love you anymore, after he's seen how you look now?” her dad asked gently. “No.” “Are you scared he won't be attracted to you anymore? That he won't want to be your lover?” “No.” “What are you scared of, Vanka?” “I don't feel the same way about myself, now. I don't even know how to explain it. I'm not ashamed. I don't feel ugly. But the way I was, who I was when we ... when we fell in love, I'm not that person, now.” “You're not in love with him anymore?” “I am,” her voice broke on a sob. “So in love. Like I never knew it could be. I thought I loved David. I thought I loved Mark. But, god, Dad, the way I love Galen...
Varian Krylov (Hurt)
Skinners guts were in turmoil from the beer and curry at the weekend and a viscous, silent eye-stinging killer of a fart slipped out of him, as poignantly weeping as a lover's last farewell, just as the lift stopped at the next floor to let in two men wearing overalls. Everybody suffered in silence. As the workmen got off at the following level, Skinner seized the opportunity, announcing, - That is minging, looking towards the departing workers. He knew that when it came to farting everybody turned into Old Etonian High Court Judges. Men would always be suspected before women and men in working clothes would always be blamed before men in suits. Those were the rules.
Irvine Welsh (The Bedroom Secrets of the Master Chefs)
My heart has gone from feeling like an over-caffeinated hummingbird to an anvil, each beat a heavy, aching thud. “I already emailed Libby about the apartment,” he goes on. “It’s hers if she wants it. It was always going to be.” My eyes sting. My heart feels like a phone book whose pages have all come loose, and I’m trying to stuff them into an order that makes sense, that fixes this.
Emily Henry (Book Lovers)
Eris went on, “Always mix truth and lies, General. Didn’t those warrior-brutes teach you about how to withstand an enemy’s torture?” Cassian knew. He’d been tortured and interrogated and never once broken. “Beron tortured you?” Eris rose, tucking his book under an arm. “Who cares what my father does to me? He believed my story about the shadowsinger’s spies informing him that a valuable asset had been kidnapped by Briallyn, and that you lot were disgusted to arrive and find it was me, rather than someone from the Summer or Winter Courts or whoever stoops to associate with you.” Cassian unpacked each word. Beron had tortured his own son for information, rather than thanking the Mother for returning him. But Eris had held out. Fed Beron another lie. And then there was the way Eris had spoken about the other courts. Something had been off in his words, his tight expression. Was the male jealous? Cassian opened his mouth, more than ready to launch that question at him and bestow a stinging blow. Yet he hesitated. Looked into Eris’s eyes. The male had been raised with every luxury and privilege—on paper. But who knew what terrors Beron had inflicted upon him? Cassian knew Beron had murdered Lucien’s lover. If the High Lord of Autumn had been willing to do that, what wouldn’t he do?
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
War and ceasefire There was a war followed by a ceasefire, Land covered in ash, dead men and women, Beside the dead were unfulfilled dreams and many a desire, This is how it is now and this is how it was then, Because a country defeated in war, Enters into the state of passive spirit, To the victor, spirited men and women of the defeated country appear too few and too far, So, they rush to assume this is it, the end of it! To be followed by two immediate actions, Repatriation by the winning side, And reparation by the losing side while dealing with endless sanctions, Behind which their broken spirits hide, But as years pass by and time grows older, The defeated side realises the losses it suffered, The men it lost, and the women who fought in ways bolder, And the living ones, the paying ones, look at their spirits battered, And they hear echoes from the past, Few calling a mother, few a father, many a brother, a sister and someone a lost lover, And then the ship of agony and pain hoists its broad mast, And the left one, the still and forever paying one, is forced to become an avenger, Because he/she misses the person to whom these echoes belong, He/she struggles to deal with the past that haunts him/her in the present, And to deal with this belligerent self, he/she hums the firebird’s song, And finally with hatred and lament he/she is pregnant, Finally when the feeling is born, The defeated spirit rises from the ashes, And begins to sew together the feelings that lie scattered on the ground, mutilated and torn, With these feelings of hatred and vengeance now his/her spirit gushes, The silent ground that had been the graveyard of dreams and desires, Suddenly turns into a war zone once again, So, those who say peace can be brokered are cynical liars, Because one who is dead can never be brought back again, And thus the battle between revenge and avenging deaths enters a new phase, Where the defeated side now fearlessly marches forth, Because it has nothing to lose and it has no more ghosts to chase, And thus is born the one who loves romancing the sun, the killer moth, It stings all, and it flies freely everywhere, Until both sides accept defeat, Then they begin to dig graves to bury a hope here, a wish there, and someone’s desire somewhere, And somewhere lies the lover who his/her beloved could not meet, And then is born the curse of unfulfilled wishes, desires, hopes and life’s darling affairs, Now both sides lie in ruin because there is no ground left to bury the dead, And the sound of echoes keeps getting louder and the ground turns wet with tears, It is then the spirit forsakes them all, because genuine valour does not reside in places where courage on death is fed, And as time grows older there are no more bold men and women left, Because it is a diabolic ground where only echoes from the past haunt all, Where all are victims of a different kind of theft, That of humanity’s innocence that actually was the cause of great fall!
Javid Ahmad Tak (They Loved in 2075!)
Joan laughs and asks for more, but the mockery stings. Arslan had been her lover. She had been the one to help him defect.
Maggie Shipstead (Astonish Me)
And now let me collect my strength and my thoughts and focus with everything I have on the horror of our earthly existence, on the imperfection of the world, on the myriad lives torn asunder, on the beasts that devour one another, on the snake that bites a stag as it grazes in the shade, on the wolves that slaughter sheep, on the mantises that consume their males, on the bees that die once they sting, on the mothers who labor to bring us into the world, on the blind kittens children toss into rivers, on the terror of the fish in the whale's entrails and the terror of the beaching whale, on the sadness of an elephant dying of old age, on the butterfly's fleeting joy, on the deceptive beauty of the flower, on the fleeting illusion of a lover's embrace, on the horror of spilt seed, on the impotence of the aging tiger, on the rotting of teeth in the mouth, on the myriad dead leaves lining the forest floor, on the fear of the fledgling when its mother pushes it out of the nest, on the infernal torture of the worm baking in the sun as if roasting in living fire, on the anguish of a lover's parting, on the horror known by lepers, on the hideous metamorphoses of women's breasts, on wounds, on the pain of the blind...
Danilo Kiš (The Encyclopedia of the Dead)
War and ceasefire There was a war followed by a ceasefire, Swaths of land lay covered in ashes and dead men and women, Beside them lay still unfilled dreams and many a desire, Wherever one looked there appeared no end to them then, Because a country defeated in war, Enters into the state of passive spirit, Where to the victor, spirited men and women of the defeated country appear too few and too far, And they rush to assume this is it, their end, and the end of it! Followed by two immediate actions, Repatriation by the winning side, And reparation by the losing side while dealing with endless sanctions, And behind them their lost spirits hide, But as years pass by and time grows older, The defeated side realises the losses it suffered, The men it lost, and the women who fought in ways bolder, And the living ones, the paying ones, look at their spirits battered, And they hear echoes from the past, Few calling a mother, few a father, many a brother, a sister and a lost lover, And then the ship of agony and pain hoists its broad mast, And the left one, the still and forever paying one, is forced to become an avenger, Because he/she misses the person to whom these echoes belong, He/she struggles to deal with the past that haunts him/her in the present, And to deal with this belligerent self, he/she hums the firebird’s song, And finally with hatred and lament he/she is pregnant, And when the feeling is born, The defeated spirit rises from the ashes, And begins to sew together the feelings that lie scattered on the ground, mutilated and torn, With these feelings of hatred and vengeance now his/her spirit gushes, The silent ground that had been the graveyard of dreams and desires, Suddenly turns into a war zone once again, So those who say peace can be brokered are cynical liars, Because one who is dead can never be brought back again, And thus the battle between revenge and avenging deaths enters a new phase, Where the defeated side now fearlessly marches forth, Because it has nothing to lose now it has no more ghosts to chase, And thus is born the one who loves romancing the sun, the killer moth, And it stings all alike, and it flies freely everywhere, Until both sides accept defeat, Then they begin to dig graves to bury a hope here, a wish there, and someone’s desire somewhere, And somewhere lies the lover who his/her beloved could not meet, And then is born the curse of unfulfilled wishes, desires, hopes and life’s darling affairs, Now both sides lie in ruin because there is no ground left to bury the dead, And the sound of echoes keeps growing and the ground turns wet with tears, It is then the spirit forsakes them all, because genuine valour does not reside in places where courage on death is fed, And as time grows older there are no more bold men and women left, Because it is a diabolic ground where only echoes from the past haunt all, Where all are victims of a different kind of theft, That of humanity’s actual fall!
Javid Ahmad Tak (They Loved in 2075!)
While Nero had become inured to the sight of traders getting rich (and trying too hard to become sophisticated by turning into wine collectors and opera lovers), his wife had rarely encountered repressed new wealth—the type of people who have felt the sting of indigence at some point in their lives and want to get even by exhibiting their wares. The only dark side of being a trader, Nero often says, is the sight of money being showered on unprepared people who are suddenly taught that Vivaldi’s Four Seasons is “refined” music.
Nassim Nicholas Taleb (Fooled by Randomness: The Hidden Role of Chance in Life and in the Markets)
God, maybe this was just life. For everyone on the planet. Maybe the Survivors’ Club wasn’t something you “earned,” but simply what you were born into when you came out of your mother’s womb. Your heartbeat put you on the roster and then the rest of it was just a question of vocabulary: The nouns and verbs used to describe the events that rocked your foundation and sent you flailing were not always the same as other people’s, but the random cruelties of disease and accident, and the malicious focus of evil men and nasty deeds, and the heartbreak of loss with all its stinging whips and rattling chains . . . at the core, it was all the same.
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
There was more to what happened to him, more to what crushed him, than a girlfriend running away. Yes, they were lovers and all that and who knows what they might have been. But Ray was also first and foremost a photojournalist. He’d been independent and sarcastic and smart. A lover running out on him would hurt, sting, break his heart. But it wouldn’t do this. Her
Harlan Coben (Stay Close)