Getaways Quotes

We've searched our database for all the quotes and captions related to Getaways. Here they are! All 100 of them:

My father was incredibly indecisive. As an example, take his wedding day. He couldn't decide where to sit in the getaway car, decide the fact he was supposed to be driving.
John Bennardo (Just a Typo: The Cancellation of Celebrity Mo Riverlake)
I can't promise we'll ever use you for a hasty getaway," Cole said, "but with a little work, you might be able to race my grandmother-while she's on her scooter.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
When tragedy hits close to home, like your neighbor’s house, it really makes you stop and think. And while you’re thinking, I’ll be speeding off in the getaway car.
Jarod Kintz (This Book is Not for Sale)
If there were no risk of a punishment, a getaway would lose the pleasure.
Kōbō Abe (The Woman in the Dunes)
did you think i was a city big enough for a weekend getaway i am the town surrounding it the one you've never heard of but always pass through there are no neon lights here no skyscapers or statues but there is thunder for i make bridges tremble i am not street meat i am homemade jam thick enough to cut the sweetest thing you lips will touch i am not police sirens i am the crackle of a fireplace i'd burn you and you still couldn't take your eyes off of me cause i'd look so beautiful doing it you'd blush i am not a hotel room i am home i am not the whiskey you want i am the water you need don't come here with expectations and try to make a vacation out of me
Rupi Kaur (milk and honey)
Stridey-Man: " Want 2 vaca w/me?" William: "Romantic getaway for 2? UR not my type" Stridey-Man: "I'm everyone's type. So U in or out? 'Cause I'm thinking about hooking up w/P, wherever he is. U'd just B extra baggage." William: "In" Stridey: "Knew you couldn't resist me. B ready in 5." William: "Right on. Make it 10. I want 2 style my hair for U. U know, just how U like it." Stridey: "Now U only have 8 minutes 2 do UR hair.
Gena Showalter (The Darkest Secret (Lords of the Underworld, #7))
God she hated the dance. A blow to the cheek one minute and discussing a romantic getaway the next. It was the one step forward, two steps back waltz. She wanted to scream. Sitting on the side of the bed, Claire allowed herself tears and swallowed
Aleatha Romig (Consequences (Consequences, #1))
The Audi tires squealed as the vehicle tracked the same path. Jake hammered down the avenue, hunting for a getaway. Traffic thickened at the juncture ahead. A green light flickered into amber. He ramped up over the limit, punching over the white lines on a red signal. Tires screeched and a horn beeped. The needle sat on one hundred kilometers per hour. He fishtailed at a laneway. The GPS showed a right angle, car slid into a slot in an overhang. Jake got out and crept toward the opening, hugged the brick wall. He pulled the SIG and flicked off the safety. The Audi braked at the mouth. Door slammed. A shadow fell over the concrete. The swish of clothing indicated a possible weapon draw.
Simon W. Clark
A book acts as the getaway car when you need to escape. Even when you're the one writing it.
Julie Wright
Is it true? You had a clean getaway and risked it all for me?" I Swallowed. "It wouldn't have been a clean getaway without you.
Richelle Mead (Succubus Revealed (Georgina Kincaid, #6))
I can’t promise we’ll ever use you for a hasty getaway,” Cole said, “but with a little work, you might be able to race my grandmother—while she’s on her scooter.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
The Babar the Elephant book is sitting in front of me. I pick it up and start reading it. I remember reading it as a small Boy and enjoying it and imagining that I was friends with Babar, his constant Companion during all of his adventures. He went to the moon, I went with him. He fought Tomb Raiders in Egypt, I fought alongside him. He rescued his elephant girlfriend from Ivory Hunters on the Savanna, I coordinated the getaway. I loved that goddamn Elephant and I loved being his friend. In a childhood full of unhappiness and rage, Babar is one of the few pleasant memories that I have. Me and Babar, kicking some motherfucking ass.
James Frey
Stridey-Man' asked, Want 2 vacay w/me? William snorted as he typed. Romantic getaway for 2? UR not my type, dickwad. Fuck U. i'm everybody's types. So U in or out?Last chance in or out? In Knew U couldn't resist me. B ready in 5. Right on. Make it 10. I want 2 style my hair for U. U know, just how U like it. ASSHOLE.
Gena Showalter (The Darkest Secret (Lords of the Underworld, #7))
How do you explain to a nonreader that books aren't just things but treasured friends? Companions?
Laura Jensen Walker (Daring Chloe (Getaway Girls, #1))
The more we are willing to separate from distraction and step into the open arms of boredom, the more writing will get on the page.
Ann Patchett (The Getaway Car: A Practical Memoir About Writing and Life)
Dwarves sat on stoops, clapping and cheering as we ran by. A few of them recorded videos of us on uniquely crafted smartphones. I figured our attempted getaway would go viral on the Dwarven Internet, famous among Internets.
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
I'll teach you later, but for now I just need someone to watch the signs for me. Come on up to the copilot chair." I jerked a thumb in the direction of Chubs. Liam only shook his head. "Are you kidding me? Yesterday he thought a mailbox was a clown." I unbuckle my seat belt with a sigh. As I climbed over Chubs's outstretched legs to the front, I glanced over my shoulder, my eyes going to his too-small glasses. " Is his eyesight really that bad?" "Worse," Liam said. "So, right after we got the hell out of Caledonia, we broke into this house to spend the night, right? I woke up in the middle of the night hearing the most awful noise, like a cow dying or something. I followed the wailing, clutching some kid's baseball bat, thinking I was going to have to beat someone's head in for us to make a clean getaway. then I saw what was sitting at the bottom of a drained pool." "No way," I said. "Way," he confirmed. "Hawkeye had gone out to relieve himself and had somehow missed the giant gaping hole in the ground. Twisted his ankle and couldn't climb out of the deep end. I tried so hard not to laugh, but it was impossible. The mental image was just too damn good.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
Art stands on the shoulders of craft, which means that to get to the art, you must master the craft. If you want to write, practice writing.
Ann Patchett (The Getaway Car: A Practical Memoir About Writing and Life)
Then he laughed and she laughed. And quivering with the movement of the train, the dead man seemed to laugh too.
Jim Thompson (The Getaway)
Up there we see everything, Oakland to the left, El Cerrito and Richmond to the right, Marin forward, over the Bay, Berkeley below, all red rooftops and trees of cauliflower and columbine, shaped like rockets and explosions, all those people below us, with humbler views; we see the Bay Bridge, clunkety, the Richmond Bridge, straight, low, the Golden Gate, red toothpicks and string, the blue between, the blue above, the gleaming white Land of the Lost/Superman's North Pole Getaway magic crystals that are San Francisco.
Dave Eggers (A Heartbreaking Work of Staggering Genius)
A memory can be a marvelous getaway but you must never make a home there.
Beau Taplin (Worlds of You: Poetry & Prose)
Why are you driving?!” I shout at her. “How are you driving?!” “Because you can’t have a fast getaway if you’re doing the speed limit!” she snaps. “And I have ghost powers, eejit!
Kristy Cunning (Gypsy Rising (All the Pretty Monsters, #5))
All these scars. The road map of my life. My armor.
Richard Kadrey (The Getaway God (Sandman Slim, #6))
In a way, being an addict is very proactive. A good addiction takes the guesswork out of death. There is such a thing as planning your getaway.
Chuck Palahniuk (Choke)
Here was a man who'd learned to write before he could think, a man who threw out logical fallacies like tacks behind a getaway car, and he always always always got away.
Helen DeWitt (The Last Samurai)
Maybe everyone does have a novel in them, perhaps even a great one. I don't believe it, but for the purposes of this argument, let's say it's so. Only a few of us are going to be willing to break our own hearts by trading in the living beauty of imagination for the stark disappointment of words.
Ann Patchett (The Getaway Car: A Practical Memoir About Writing and Life)
We all have ideas, sometimes good ones, not to mention the gift of emotional turmoil that every childhood provides.
Ann Patchett (The Getaway Car: A Practical Memoir About Writing and Life)
they were looking for housekeepers and cooks, and I was dying to get out of Australia and see the rest of the world. It's a Sagittarius thing, you know. We just move on and on, like tumbleweeds.
Roxanne St. Claire (Tropical Getaway)
It turns out that the distance from head to hand, from wafting butterfly to entomological specimen, is achieved through regular, disciplined practice. What begins as something like a dream will in fact stay a dream forever unless you have the tools and the discipline to bring it out.
Ann Patchett (The Getaway Car: A Practical Memoir About Writing and Life)
You can't drive them around in the getaway van.' 'How about we don't call it the getaway van? People might get suspicious.' 'So what should we call it?' 'How about the van?' 'It doesn't change what it is and that it's a shitty thing to do. Someone might see them in it.
Cath Crowley (Graffiti Moon)
He could be breaking apart inside and you'd never know it from the way he acted. He'd be just as pleasant and polite as if he didn't have a care in the world. You had to be careful with someone like that. You could never know what he was thinking.
Jim Thompson (The Getaway)
He kept his back turned and his eyes closed, feeling no shame or anger but only an increasing sickness of soul.
Jim Thompson (The Getaway)
The journey from the head to the hand is perilous and lined with bodies. It is the road on which nearly everyone who wants to write—and many of the people who do write—get lost.
Ann Patchett (The Getaway Car: A Practical Memoir About Writing and Life)
To the dead. Let’s think of them always, but not join them too soon.
Richard Kadrey (The Getaway God (Sandman Slim, #6))
This wasn’t a romantic getaway at the Ritz, unless running for your lives counted as foreplay.
Jennifer L. Armentrout (Origin (Lux, #4))
My point is, you were a part of the machine: an arm, a leg. You drove the getaway car. You threw bricks through the window and someone else grabbed the jewelry. You distracted the feds while the spies got away. You held her down while someone else beat her. You shot the deer and wounded it. When the second hunter came along, the deer could no longer run.
Rebecca Makkai (I Have Some Questions for You)
It’s a wonderful thing to find a great teacher, but you also have to find him or her at a time in life when you’re able to listen to, trust, and implement the lessons you receive.
Ann Patchett (The Getaway Car: A Practical Memoir About Writing and Life)
Mostly I read at this hour, perusing the pile of books that live by my favourite chair, waiting to offer up fragments of learning, rather than inviting cover-to-cover pursuits. I browse a chapter here, a segment there, or hunt through an index for a matter that’s on my mind. I love such loose, exploratory reading. For once, I am not reading to escape; instead, having already made my getaway, I am able to roam through the extra space I’ve found, as restless and impatient as I like, revelling in the play of my own absorption. They say that we should dance like no one is watching. I think that applies to reading, too.
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
So I separated all my books into stacks: best friends, old friends, classic friends, new friends, and casual acquaintances.
Laura Jensen Walker (Daring Chloe (Getaway Girls, #1))
The things we do to stay alive for another year. Another day. Another hour. The deals we make with the universe and ourselves. You start to feel dirty.
Richard Kadrey (The Getaway God (Sandman Slim, #6))
Why is it that we understand that playing the cello will require work but we relegate writing to the magic of inspiration?
Ann Patchett (The Getaway Car: A Practical Memoir About Writing and Life)
I found the bank robbery getaway car but was scolded over the FBI radio. Why?" ~ From Walking the Corporate Beat: Police School for Business People.
Michael Tabman
When tragedy hits close to home, like your neighbor’s house, it really makes you stop and think. And while you’re thinking, I’ll be speeding off in the getaway car. 

Jarod Kintz (99 Cents For Some Nonsense)
Be in the World, Not of the World—Kind of like Lucky Charms cereal: there are lots of pretty marshmallows in with the cereal, but they’re not the same. So live with the cereal, but remember: you’re a pretty marshmallow.
Laura Jensen Walker (Becca by the Book (Getaway Girls, #3))
There is never a right time to break someone's heart. And anyone with even a microgram of sensitivity in his or her body will agonise for an age over that timing. Only problem is there is always some reason not to make someone unhappy. The day a relationship end, if that relationship was at all important to the suckers involved, becomes as important an anniversary as a wedding day or birthday. Obviously, the average person doesn't want to kick someone they once loved while that person is down.   It's not just hard times when someone is down that become obstacles to making your getaway. After times of bereavement, unemployment and general unhappiness, those events that should be happy ones also make some times off limits for the eager would- be dumper. Christmas, birthdays, Easter  all impossible. A clever person with a sensitive lover that they sense is not quite as into them as he or she used to be, could starve off the inevitable for years by carefully spacing out this crucial dates.
Chris Manby (Getting Personal (Red Dress Ink))
I think that what influences us in literature comes less from what we love and more from what we happen to pick up in moments when we are especially open.
Ann Patchett (The Getaway Car: A Practical Memoir About Writing and Life)
Unlock the door or I’ll call a locksmith. You’re going to be comfortable in my home, goddammit.” Her mouth wobbles and she breaks into a laugh. “What is this? Aggressive southerning?
Tessa Bailey (Getaway Girl (Girl, #1))
There are in life a few miraculous moments when the right person is there to tell you what you need to hear and you are still open enough, impressionable enough, to take it in.
Ann Patchett (The Getaway Car: A Practical Memoir About Writing and Life)
There're three reasons people get away from here: gone good, gone bad or gone dead.
Emma Cameron (Cinnamon Rain)
I mean, there’s doomed. There’s screwed. And there’s monsoons-in-Hell fucked. And we’re at fucked o’clock.
Richard Kadrey (The Getaway God (Sandman Slim, #6))
Fame is an island, and right before the castaway, the getaway of being known without being known.
Criss Jami (Healology)
Wouldn’t hear of it. Long as you don’t need me to drive a getaway car for your bank robbery I’ll happily take you wherever you need to go. Think of it as the town welcome wagon.
Neil Gaiman (American Gods)
I never rode on the back of an old Chopper down the highway Holdin' on tight just him and I Makin' our getaway I've always been the good girl Walked the straight and narrow path all my life, I like a man with a tan and a twisted chrome kickstand Leanin' on a big old bike The low rollin' sound that'll shake the ground Comin' out of long pipes I like a tattoo or two Or even more if they're cool On the big old arms of a long-haired dude Inside of me, there's an all I wanna be Biker chick
Jo Dee Messina
Forgiveness, therefore, is key. I can’t write the book I want to write, but I can and will write the book I am capable of writing. Again and again throughout the course of my life I will forgive myself.
Ann Patchett (The Getaway Car: A Practical Memoir About Writing and Life)
He had never before realized the blessedness of silence - the freedom to be silent, rather, if one chose. He had never realized, somehow, that such blessedness might be his privilege. He was Doc Mc Coy, and Doc Mc Coy was born to the obligation of being one hell of a guy.
Jim Thompson (The Getaway)
They had no hope of anything more, no comprehension that there might be anything more. In a sense they were an autonomous body, functioning within a society which was organized to grind them down. The law did not protect them; for them it was merely an instrument of harassment, a means of moving them on when it was against their interest to move, or detaining them where it was to their disadvantage to stay.
Jim Thompson (The Getaway)
I’ve got plenty on my plate. Till then, Ishii can piss his sorrows in a teapot and brew himself a hot cup of fuck off.
Richard Kadrey (The Getaway God (Sandman Slim, #6))
I believe that, more than anything else, this grief of constantly having to face down our own inadequacies is what keeps people from being writers. Forgiveness,
Ann Patchett (The Getaway Car: A Practical Memoir About Writing and Life)
An essential element of being a writer is learning whom to listen to and whom to ignore where your work is concerned. Every
Ann Patchett (The Getaway Car: A Practical Memoir About Writing and Life)
You’re a philosopher.” “No. Just drunk.
Richard Kadrey (The Getaway God (Sandman Slim, #6))
I was the least easygoing and carefree person on the planet. I was a storm cloud that ruined picnics, not something full of warmth and light. “I
Jay Crownover (Retreat (Getaway, #1))
Death, like birth, is a secret of nature.” Only with birth you get a blanket and a bottle. You get a blanket with death too, but they call it a shroud and everyone else gets the bottle.
Richard Kadrey (The Getaway God (Sandman Slim, #6))
Flight is many things. Something clean and swift, like a bird skimming across the sky. Or something filthy and crawling; a series of crablike movements through figurative and literal slime, a process of creeping ahead, jumping sideways, running backward. It is sleeping in fields and river bottoms. It is bellying for miles along an irrigation ditch. It is back roads, spur railroad lines, the tailgate of a wildcat truck, a stolen car and a dead couple in lovers' lane. It is food pilfered from freight cars, garments taken from clotheslines; robbery and murder, sweat and blood. The complex made simple by the alchemy of necessity
Jim Thompson (The Getaway)
It’s like with every passing mile, I am farther and farther away from safety—and farther from myself. From being human. I’m turning into this other type of being, one who jerks off criminals in crappy motel rooms. One who wants to be kissed in a getaway car.
Annika Martin (Prisoner (Criminals & Captives, #1))
A six-week island getaway and a book deal any way I looked at it. I glanced over at Jeannie and she was giving me a death glare. Islands or Boss from Hell. Coconut Hell or Editorial Hell. Sand in my swimsuit crack every day for two months, or jeannie up my ass for the rest of my life.
Jessica Clare (Wicked Games (Games, #1))
Clinton sighed, and gave up. All his life he had given up. He didn't know why it was like that; why a man who wanted nothing but to live honestly and industriously and usefully - who, briefly, asked only the privileges of giving and helping - had had to compromise and surrender at every turn. But that was the way it had been, and that apparently was the way it was to be.
Jim Thompson (The Getaway)
In 1973, Jan Erik Olsson walked into a small bank in Stockholm, Sweden, brandishing a gun, wounding a police officer, and taking three women and one man hostage. During negotiations, Olsson demanded money, a getaway vehicle, and that his friend Clark Olofsson, a man with a long criminal history, be brought to the bank. The police allowed Olofsson to join his friend and together they held the four hostages captive in a bank vault for six days. During their captivity, the hostages at times were attached to snare traps around their necks, likely to kill them in the event that the police attempted to storm the bank. The hostages grew increasingly afraid and hostile toward the authorities trying to win their release and even actively resisted various rescue attempts. Afterward they refused to testify against their captors, and several continued to stay in contact with the hostage takers, who were sent to prison. Their resistance to outside help and their loyalty toward their captors was puzzling, and psychologists began to study the phenomenon in this and other hostage situations. The expression of positive feelings toward the captor and negative feelings toward those on the outside trying to win their release became known as Stockholm syndrome.
Rachel Lloyd
Is his eyesight really that bad?" "Worse," Liam said. "So right after we got the hell out of Caledonia, we broke into this house to spend, right? I woke up in the middle of the night hearing the most awful noise, like a cow dying or something. I followed the wailing, clutching some kid's baseball bat, thinking I was going to have to bad someone's head in for us to make a clean getaway. Then I saw what was sitting at the bottom of the drained pool." "No way," I said. "Way," he confirmed. "Hawkeye had gone out to relieve himself and had somehow missed the giant gaping hole in the ground. Twisted his ankle and couldn't climb out of the deep end.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
What I like about the job of being a novelist, and at the same time what I find so exhausting about it, is that it's the closest thing to being God you're ever going to get. All the decisions are yours. You decide when the sun comes up. You decide who gets to fall in love and who gets hit by a car. You have to make all the trees and all the leaves and then sew the leaves onto the trees. You make the entire world.
Ann Patchett (The Getaway Car: A Practical Memoir About Writing and Life)
Art stands on the shoulders of craft,
Ann Patchett (The Getaway Car: A Practical Memoir About Writing and Life)
The thing that makes ethics interesting is that no two individuals see things the same. We all have our own internal barometer of what’s right and wrong.
Sally Hepworth (Uncharted Waters (Getaway, #1))
You don’t need stars, Riley. You are one. You have your own gravity and I cannot fucking wait to see what you do with it.
Emma Lord (The Getaway List)
I always love the way everyone else seems to know what God is thinking. To me, it's more of a mystery.
Laura Jensen Walker (Daring Chloe (Getaway Girls, #1))
Had I given equal weight to everyone who had something to say, every story would have turned into a terrible game of Twister (left
Ann Patchett (The Getaway Car: A Practical Memoir About Writing and Life)
You can learn more, and more quickly, from other people’s missteps than from their successes. If
Ann Patchett (The Getaway Car: A Practical Memoir About Writing and Life)
If I were taking notes, they would read: I see something. A shape? I have no idea. It’s not exactly the stuff that literary archives are made of.
Ann Patchett (The Getaway Car: A Practical Memoir About Writing and Life)
as far as I’m concerned, writer’s block is a myth.
Ann Patchett (The Getaway Car: A Practical Memoir About Writing and Life)
Time applied equaled work completed. I
Ann Patchett (The Getaway Car: A Practical Memoir About Writing and Life)
What are you looking at?” “Just checking to see if your milkshake brought all the boys to the yard.
Tessa Bailey (Getaway Girl (Girl, #1))
You have to admit, you’re a little clumsy.” I gasp. “Only when scary politicians leap out of the shadows.
Tessa Bailey (Getaway Girl (Girl, #1))
two or three million years ago our ancestors began a great escape from the here and now, and their getaway vehicle was a highly specialized mass of grey tissue, fragile, wrinkled and appended. This frontal lobe–the last part of the human brain to evolve, the slowest to mature and the first to deteriorate in old age–is a time machine that allows each of us to vacate the present and experience the future before it happens. No other animal has a frontal lobe quite like ours, which is why we are the only animal that thinks about the future as we do. But
Daniel Todd Gilbert (Stumbling on Happiness)
Do you know what you’re saying?” This time I looked out to the sea and, with a vague and weary tone that was my last diversion, my last cover, my last getaway, said, “Yes, I know what I’m saying and you’re not mistaking any of it. I’m just not very good at speaking. But you’re welcome never to speak to me again.” “Wait. Are you saying what I think you’re saying?” “Ye-es.
André Aciman (Call Me by Your Name (Call Me by Your Name, #1))
We are, however, entirely responsible for procrastination, and in the best of all possible worlds, we should also be responsible for being honest with ourselves about what is really going on. I
Ann Patchett (The Getaway Car: A Practical Memoir About Writing and Life)
I remember complaining one night on the phone to my mother that we spent too much of our time worrying about love and money. “Think of it as research,” she said. “That’s what everybody writes about.
Ann Patchett (The Getaway Car: A Practical Memoir About Writing and Life)
As I exited the car, I glanced over at Henry. "Should I call Asher and tell him we won't be needing that getaway distraction?" Before Henry could reply, pop music reverberated off the building. Asher jogged into the middle of a large crowd and struck a dramatic pose. "You say distraction," Henry deadpanned, "Asher hears 'flash mob'." Five seconds later, Vivvie danced wildly past and gave me a questioning look. I nodded. "The possum has fallen on the nun!" Vivvie called to Asher. Asher didn't miss a beat of choreography. He shimmied and punched a fist into the air. "Long live the possum!
Jennifer Lynn Barnes (The Long Game (The Fixer, #2))
This is going to sound so cheesy," says Tom. "But that makes me so happy. The idea that we know all the same stars. That we'll always have that in common even when we're far away." It doesn't sound cheesy. It sounds heartbreaking. Fuck stars I want to tell him. Every single one of them. I'd rather have you.
Emma Lord (The Getaway List)
Do you know a way out of here?” I ask Ben. Sammy’s more trusting than I am, but the idea’s worth exploring. Finding the escape pods—if they even exist—has always been the weakest part of my getaway plan. He nods. “Do you?” “I know a way—I just don’t know the way to the way.” “The way to the way? Okay.” He grins. He looks like hell, but the smile hasn’t changed a bit. It lights up the tunnel like a thousand-watt bulb. “I know the way and the way to the way.
Rick Yancey (The 5th Wave (The 5th Wave, #1))
She told the woman to go to one of the online agent sites that list agents who are looking for new clients, and then follow their submission guidelines to the letter. If they ask for a twenty-page writing sample, do not send in twenty-two pages.
Ann Patchett (The Getaway Car: A Practical Memoir About Writing and Life)
Her mind moved around and around the subject, moving with a kind of fuzzy firmness. With no coherent thought process, she arrived at a conviction - a habit with the basically insecure; an insecurity whose seeds are invariably planted earlier, in under or over-protectiveness, in a distrust in parental authority which becomes all authority. It can later, with maturity - a flexible concept - be laughed away, dispelled by determined clear thinking. Or it can be encouraged by self-abusive resentment and brooding self-pity. It can grow ever greater until the original authority becomes intolerable, and a change becomes imperative. Not to a radical one in thinking; that would be too troublesome, too painful. The change is simply to authority in another guise which, in time, and under any great stress, must be distrusted and resented even more than the first.
Jim Thompson (The Getaway)
a woman raised her hand and said that her minister had told the congregation that they should never read novels with omniscient narrators, because the writer was trying to imitate God. “Really?” I said. “No Tolstoy? No Dickens?” The woman shook her head. I have to say it thrilled me to think that narrative structure was dangerous enough to rate its own Sunday sermon.) 
Ann Patchett (The Getaway Car: A Practical Memoir About Writing and Life)
We must sober up and admit that too many of the Republicans and the Democrats have played us, lied to us and stolen from us, while the getaway car was driven by the media. A media that can no longer claim with a straight face the role of journalist. Journalists print the things the powerful don’t want printed. What they do is public relations. Those PR firms will not print the truth about the average American who finds himself concerned with the direction of our country today. So we must. We are not violent. We are not racist. We are not anti immigrant. We are not anti-government. And we will not be silent anymore.
Glenn Beck
if I wanted to be a better writer, I was the only person who could push myself to do it. It was up to me to challenge myself, to be vigilant about finding the places in my own work where I was just getting by. “You have to ask yourself,” he said to me, “if you want to write great literature or great television.
Ann Patchett (The Getaway Car: A Practical Memoir About Writing and Life)
People like to ask me if writing can be taught, and I say yes. I can teach you how to write a better sentence, how to write dialogue, maybe even how to construct a plot. But I can’t teach you how to have something to say. I would not begin to know how to teach another person how to have character, which was what Grace Paley did.
Ann Patchett (The Getaway Car: A Practical Memoir About Writing and Life)
This is a time in which very few activities seem right. Mostly I read at this hour, perusing the pile of books that live by my favourite chair, waiting to offer up fragments of learning, rather than inviting cover-to-cover pursuits. I browse a chapter here, a segment there, or hunt through an index for a matter that’s on my mind. I love such loose, exploratory reading. For once, I am not reading to escape; instead, having already made my getaway, I am able to roam through the extra space I’ve found, as restless and impatient as I like, revelling in the play of my own absorption. They say that we should dance like no one is watching. I think that applies to reading, too.
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
Besides,” continued Gottfried, “you’re coming now to the time when the difference between a bourgeois and a cavalier begins to show. A bourgeois always gets less attentive the longer he knows a woman. A cavalier, always more attentive.” He made an extended gesture. “With all this you can become an absolutely staggering cavalier.” I laughed. “That is all fine, Gottfried,” said I. “But what happens when you get caught? There’s not much of a getaway, and pious people might easily consider it as desecration of a holy place.” “My dear boy,” replied Lenz, “do you see anybody here? Since the war people go to political meetings, not to church.” That was true. “But what about the parsons?” I asked.
Erich Maria Remarque (Three Comrades)
I don’t know if you’ve spent time in the Catskills. From a distance, say, the parking lot of the old Caldor’s (which became an Ames that became a Stop ‘N’ Shop) in Huguenot, they’ve always made me think of a herd of giant animals, all standing grazing on the horizon. Up close, when you’re driving among them with the early morning light breaking over their round peaks, they seem incredibly present, more real than real, these huge solid heaps of rock that wear their trees like mile-long scarves. You glance at them, trying to keep your eyes on the road, which is already pretty busy with people driving up for a weekend getaway, and somehow you wouldn’t be surprised if the mountain closest to you were to cast off its trees in one titanic shrug and start to lumber away, a vast, unimaginable beast. When you turn off onto whatever secondary road you need to take, and you’re following its twists and turns back into the mountains, and the ground is steep to either side of you, opening every now and then on a meadow, or an old house, you think, Here, there are secret places. Well,
John Langan (The Fisherman)
A Day Away We often think that our affairs, great or small, must be tended continuously and in detail, or our world will disintegrate, and we will lose our places in the universe. That is not true, or if it is true, then our situations were so temporary that they would have collapsed anyway. Once a year or so I give myself a day away. On the eve of my day of absence, I begin to unwrap the bonds which hold me in harness. I inform housemates, my family and close friends that I will not be reachable for twenty-four hours; then I disengage the telephone. I turn the radio dial to an all-music station, preferably one which plays the soothing golden oldies. I sit for at least an hour in a very hot tub; then I lay out my clothes in preparation for my morning escape, and knowing that nothing will disturb me, I sleep the sleep of the just. On the morning I wake naturally, for I will have set no clock, nor informed my body timepiece when it should alarm. I dress in comfortable shoes and casual clothes and leave my house going no place. If I am living in a city, I wander streets, window-shop, or gaze at buildings. I enter and leave public parks, libraries, the lobbies of skyscrapers, and movie houses. I stay in no place for very long. On the getaway day I try for amnesia. I do not want to know my name, where I live, or how many dire responsibilities rest on my shoulders. I detest encountering even the closest friend, for then I am reminded of who I am, and the circumstances of my life, which I want to forget for a while. Every person needs to take one day away. A day in which one consciously separates the past from the future. Jobs, lovers, family, employers, and friends can exist one day without any one of us, and if our egos permit us to confess, they could exist eternally in our absence. Each person deserves a day away in which no problems are confronted, no solutions searched for. Each of us needs to withdraw from the cares which will not withdraw from us. We need hours of aimless wandering or spates of time sitting on park benches, observing the mysterious world of ants and the canopy of treetops. If we step away for a time, we are not, as many may think and some will accuse, being irresponsible, but rather we are preparing ourselves to more ably perform our duties and discharge our obligations. When I return home, I am always surprised to find some questions I sought to evade had been answered and some entanglements I had hoped to flee had become unraveled in my absence. A day away acts as a spring tonic. It can dispel rancor, transform indecision, and renew the spirit.
Maya Angelou (Wouldn't Take Nothing for My Journey Now)
She’d practically ripped his clothes off before they got into her apartment, had him inside her before the sound of the door closing had stopped vibrating through the apartment. He’d pressed her to the door and pounded into her until he couldn’t stand up. He’d carried her to the bedroom, where she took over, riding him until he curled his body up to embrace her, so that his breath was on her lips when they reached their climax together.
Emma Jay (Her Perfect Getaway (Bridesmaids in Paradise #1))
Vaguely she was aware of her moans floating across the backyard as her entire body tightened around him, then released, sending bits of her consciousness flying in all directions like the stars in the sky above. Her nails dug into his shoulder through his shirt as she anchored herself to him, as the orgasm pulsed through her. She felt the ripples of his own climax inside her, and then he collapsed over her, bringing both legs into the hammock and pulling her against his side. “Perfect,” he murmured, and in a few minutes, his breathing evened out.
Emma Jay (Her Perfect Getaway (Bridesmaids in Paradise #1))
That's the beauty of discipline. It trumps everything. A lot of us are born with minimal talent, unhappy in our own skin and with the genetic makeup with which we were born. We have fucked-up parents, grow up bullied and abused, or are diagnosed with learning disabilities. We hate our hometown, our teachers, our families, and damn near everything about ourselves. We wish we could be born again as some other motherfucker in some other time and place. Well, I am proof that rebirth is possible through discipline, which is the only thing capable of altering your DNA. It is the skeleton key that can get you past all the gatekeepers and into each and every room you wish to enter. Even the ones built to keep you the fuck out! ... Discipline builds mental endurance because when effort is your main priority, you stop looking for everything to be enjoyable. Our phones and social media have turned too many of us inside out with envy and greed as we get inundated with other people's success, their new cars and houses, big contracts, resort vacations, and romantic getaways. We see how much fun everyone else is having and feel like the world is passing us by, so we bitch about it and then wonder why we are not where we want to be. When you become disciplined, you don't have time for that bullshit. p140
David Goggins (Never Finished: Unshackle Your Mind and Win the War Within)