β
A library is a place where you can lose your innocence without losing your virginity.
β
β
Germaine Greer
β
You're only young once, but you can be immature forever
β
β
Germaine Greer
β
Every woman knows that, regardless of all her other achievements, she is a failure if she is not beautiful.
β
β
Germaine Greer (The Whole Woman)
β
Libraries are reservoirs of strength, grace and wit, reminders of order, calm and continuity, lakes of mental energy, neither warm nor cold, light nor dark ... In any library in the world, I am at home, unselfconscious, still and absorbed."
[Still in Melbourne January 1987]
β
β
Germaine Greer (Daddy, We Hardly Knew You)
β
Sadness is the matrix from which wit and irony spring; sadness is uncomfortable and creative, which is why consumer society cannot tolerate it.
β
β
Germaine Greer
β
It takes a great deal of courage and independence to decide to design your own image instead of the one that society rewards, but it gets easier as you go along.
β
β
Germaine Greer (The Female Eunuch)
β
Security is the denial of life
β
β
Germaine Greer (The Female Eunuch)
β
Reading was my first solitary vice (and led to all others). I read while I ate, I read in the loo, I read in the bath. When I was supposed to be sleeping, I was reading.
β
β
Germaine Greer
β
I find that those men who are personally most polite to women, who call them angels and all that, cherish in secret the greatest contempt for them.
β
β
Germaine Greer (The Female Eunuch)
β
Yet if a woman never lets herself go, how will she ever know how far she might have got? If she never takes off her high-heeled shoes, how will she ever know how far she could walk or how fast she could run?
β
β
Germaine Greer
β
Human beings have an inalienable right to invent themselves.
β
β
Germaine Greer
β
Is it too much to ask that women be spared the daily struggle for superhuman beauty in order to offer it to the caresses of a subhumanly ugly mate?
β
β
Germaine Greer
β
Many a housewife staring at the back of her husband's newspaper, or listening to his breathing in bed is lonelier than any spinster in a rented room.
β
β
Germaine Greer
β
Libraries are reservoirs of strength, grace and wit, reminders of order, calm and continuity, lakes of mental energy, neither warm nor cold, light nor dark.... In any library in the world, I am at home, unselfconscious, still and absorbed. ~Germaine Greer
β
β
Andrew Carnegie
β
Status ought not to be measured by a woman's ability to attract and snare a man.
β
β
Germaine Greer (The Female Eunuch)
β
Those miserable women who blame the men who let them down for their misery and isolation enact every day the initial mistake of sacrificing their personal responsibility for themselves.
β
β
Germaine Greer (The Female Eunuch)
β
Maybe I couldnβt make it. Maybe I donβt have a pretty smile, good teeth, nice tits, long legs, a cheeky arse, a sexy voice. Maybe I donβt know how to handle men and increase my market value, so that the rewards due to the feminine will accrue to me. Then again, maybe Iβm sick of the masquerade. Iβm sick of pretending eternal youth. Iβm sick of belying my own intelligence, my own will, my own sex. Iβm sick of peering at the world through false eyelashes, so everything I see is mixed with a shadow of bought hairs; Iβm sick of weighting my head with a dead mane, unable to move my neck freely, terrified of rain, of wind, of dancing too vigorously in case I sweat into my lacquered curls. Iβm sick of the Powder Room. Iβm sick of pretending that some fatuous maleβs self-important pronouncements are the objects of my undivided attention, Iβm sick of going to films and plays when someone else wants to, and sick of having no opinions of my own about either. Iβm sick of being a transvestite. I refuse to be a female impersonator. I am a woman, not a castrate.
β
β
Germaine Greer (The Female Eunuch)
β
...the consequences of militancy do not disappear when the need for militancy is over. Freedom is fragile and must be protected. To sacrifice it, even as a temporary measure, is to betray it.
β
β
Germaine Greer (The Female Eunuch)
β
If you think you are emancipated, you might consider the idea of tasting your own menstrual blood - if it makes you sick, you've got a long way to go, baby.
β
β
Germaine Greer (The Female Eunuch)
β
Every human body has its optimum weight and contour, which only health and efficiency can establish. Whenever we treat women's bodies as aesthetic objects without function we deform them.
β
β
Germaine Greer (The Female Eunuch)
β
Now as before, women must refuse to be meek and guileful, for truth cannot be served by dissimulation. Women who fancy that they manipulate the world by pussy power and gentle cajolery are fools. It is slavery to have to adopt such tactics.
β
β
Germaine Greer (The Female Eunuch)
β
Loneliness is never more cruel than when it is felt in close propinquity with someone who has ceased to communicate. Many a housewife staring at the back of her husband's newspaper, or listening to his breathing in bed is lonelier than any spinster in a rented room.
β
β
Germaine Greer (The Female Eunuch)
β
Freud is the father of psychoanalysis. It has no mother.
β
β
Germaine Greer
β
Female is real, and itβs sex, and femininity is unreal, and itβs gender.
β
β
Germaine Greer
β
We still make love to organs and not people; that so far from realising that people are never more idiosyncratic, never more totally there when they make love, we re never more incommunicative, never more alone.
β
β
Germaine Greer (The Female Eunuch)
β
I didn't fight to get women out from behind vacuum cleaners to get them onto the board of Hoover.
β
β
Germaine Greer (The Whole Woman)
β
The housewife is an unpaid worker in her husband's house in return for the security of being a permanent employee: hers is the reductio ad absurdum of the employee who accepts a lower wage in return for permanence of his employment. But the lowest paid employees can be and are laid off, and so are wives. They have no savings, no skills which they can bargain with elsewhere, and they must bear the stigma of having been sacked.
β
β
Germaine Greer (The Female Eunuch)
β
Lovers who are free to go when they are restless always come back; lovers who are free to change remain interesting. The bitter animosity and obscenity of divorce is unknown where individuals have not become Siamese twins.
β
β
Germaine Greer (The Female Eunuch)
β
I do think that women could make politics irrelevant; by a kind of spontaneous cooperative action the like of which we have never seen; which is so far from peopleβs ideas of state structure or viable social structure that it seems to them like total anarchy β when what it really is, is very subtle forms of interrelation that do not follow some heirarchal pattern which is fundamentally patriarchal. The opposite to patriarchy is not matriarchy but fraternity, yet I think itβs women who are going to have to break this spiral of power and find the trick of cooperation.
β
β
Germaine Greer
β
Guilt is one side of a nasty triangle; the other two are shame and stigma. This grim coalition combines to inculpate women themselves of the crimes committed against them.
β
β
Germaine Greer
β
It is agreed that 'girls take more bringing up' than boys: what that really means is that girls must be more relentlessly supervised and repressed if the desired result is to ensue.
β
β
Germaine Greer (The Female Eunuch)
β
The essence of pleasure is spontaneity.
β
β
Germaine Greer
β
Abandonment of slavery is also the banishment of the chimera of security. The world will not change overnight, and liberation will not happen unless individual women agree to be outcasts, eccentrics, perverts, and whatever the powers-that-be choose to call them.
β
β
Germaine Greer (The Female Eunuch)
β
Cunt-lapping, mother-fucking, and cock-sucking are words to provoke a sense of outrage. Being forced to play the role of a woman in sexual intercourse is the deepest imaginable humiliation, which is only worsened if the victim finds to his horror that he enjoys it.
β
β
Germaine Greer (The Female Eunuch)
β
The vagina is obliterated from the imagery of femininity in the same way that the signs of independence and vigor in the rest of her body are suppressed.
β
β
Germaine Greer (The Female Eunuch)
β
The most cursory examination of even the most progressive organs of information reveals a curious inability to recognize women as newsmakers, unless they are young or married to a head of state or naked or pregnant by some triumph of technology or perpetrators or victims of some hideous crime or any combiniation of the above. Women's issues are often disguised as people issues, unless they are relegated to the women's pages which amazingly still suvive. Senior figures are all male; even the few women who are deemed worthy of obituaries are shown in images from their youth, as if the last fourty years of their lives have been without achievement of any kind. If you analyse the by-lines in your morning paper, you will see that the senior editorial staff are all older men, supported by a rabble of junior females, the infinitely replacesable 'hackettes'.
β
β
Germaine Greer (The Whole Woman)
β
Gillard is as likeable as Rudd is charmless. She is self-deprecating; he is ludicrously vainglorious. She is a mistress of understatement; he is a ranter.
β
β
Germaine Greer
β
It is often falsely assumed, even by feminists, that sexuality is the enemy of the female who really wants to develop these aspects of her personality, and this is perhaps the most misleading aspect of movements like the National Organization of Women. It was not the insistence upon her sex that weakened the American woman student's desire to make something of her education, but the insistence upon a passive sexual role
β
β
Germaine Greer (The Female Eunuch)
β
Love, love, love β all the wretched cant of it, masking egotism, lust, masochism, fantasy under a mythology of sentimental postures, a welter of self-induced miseries and joys, blinding and masking the essential personalities in the frozen gestures of courtship, in the kissing and the dating and the desire, the compliments and the quarrels which vivify its barrenness.
β
β
Germaine Greer
β
If women understand by emancipation the adoption of the masculine role then we are lost indeed. If women can supply no counterbalance to the blindness of male drive the aggressive society will run to its lunatic extremes at ever-escalating speed. Who will safeguard the despised animal faculties of compassion, empathy, innocence and sensuality?
β
β
Germaine Greer (The Female Eunuch)
β
If she is efficient and capable or ambitious, it is assumed that she has failed to find satisfaction as a normal woman, even to the extent of implying a glandular abnormality or sexual perversion.
β
β
Germaine Greer (The Female Eunuch)
β
I've seen this idea put forward a hundred times - that a proper feminist would do her own hoovering, Germaine Greer cleans her own lavvy, and Emily Wilding Davison threw herself under that horse, hands still pine-y fresh from Mr Muscle Oven Cleaner. On this basis alone, how many women have had to conclude, sighingly, as they hire a cleaner, that they can't, then, be a feminist?
But, of course, the hiring of domestic help isn't a case of women oppressing other women, because WOMEN DID NOT INVENT DUST. THE STICKY RESIDUE THAT COLLECTS ON THE KETTLE DOES NOT COME OUT OF WOMEN'S VAGINAS. IT IS NOT OESTROGEN THAT COVERS THE DINNER PLATES IN TOMATO SAUCE, FISHFINGER CRUMBS AND BITS OF MASH. MY UTERUS DID NOT RUN UPSTAIRS AND THROW ALL OF THE KIDS' CLOTHES ON THE FLOOR AND PUT JAM ON THE BANISTER. AND IT IS NOT MY TITS THAT HAVE SKEWED THE GLOBAL ECONOMY TOWARDS DOMESTIC WORK FOR WOMEN.
β
β
Caitlin Moran (How to Be a Woman)
β
A housewife's work has no results: it simply has to be done again. Bringing up children is not a real occupation, because children come up just the same, brought up or not.
β
β
Germaine Greer (The Female Eunuch)
β
As Germaine Greer puts it in The Whole Woman, βto become a mother without wanting it is to live like a slave, or domestic animal.
β
β
Caitlin Moran (How To Be A Woman)
β
It is agreed that little girls should have a different physical education than little boys, but it is not admitted how much of the difference is counseled by the conviction that little girls should not look like little boys.
β
β
Germaine Greer (The Female Eunuch)
β
Above all, for his merciless, contemptuous treatment of Clifford Chatterley, blown to bits in Flanders in 1918, Lawrence can be damned to hell. Damned but not banned.
β
β
Germaine Greer
β
The occupational hazard of being a Playboy Bunny is the aching facial muscles brought on by obligatory smiles.
β
β
Germaine Greer (The Female Eunuch)
β
Thirty years on, femininity is still compulsory for womenβand has become an option for menβwhile genuine femaleness remains grotesque to the point of obscenity. Meanwhile, the price of the small advances we have made towards sexual equality has been the denial of femaleness as any kind of a distinguishing character.
β
β
Germaine Greer (The Whole Woman)
β
When abandoned women follow their fleeing males with tear-stained faces, screaming you can't do this to me, they reveal that all that they have offered in the name of generosity and altruism has been part of an assumed transaction, in which they were entitled to a certain payoff.
β
β
Germaine Greer (The Female Eunuch)
β
Men are the enemy in much the same way that some crazed boy in uniform was the enemy of another like him in most respects except the uniform. One possible tactic is to try to get the uniforms off.
β
β
Germaine Greer (The Female Eunuch)
β
In the struggle to remain a complete person and to love from her fullness instead of her inadequacy a woman may appear hard. She may feel her early conditioning tugging her in the direction of surrender, but she ought to remember that she was originally loved for herself; she ought to hang on to herself and not find herself nagging, helpless, irritable and trapped. Perhaps I am not old enough yet to promise that the self-reliant woman is always loved, but she cannot be lonely as long as there are people in the world who need her joy and her strength, but certainly in my experience it has always been so. Lovers who are free to go when they are restless always come back; lovers who are free to change remain interesting. The bitter animosity and obscenity of divorce is unknown where individuals have not become Siamese twins. A lover who comes to your bed of his own accord is more likely to sleep with his arms around you all night than a lover who has nowhere else to sleep.
β
β
Germaine Greer (The Female Eunuch)
β
It is commonplace observation that women are forever trying to straighten their hair if it is curly and curl it if it is straight, bind their breasts if they are large and pad them if they are small, darken their hair if it is light and lighten it if it is dark. Not all these measures are dictated by the fantom of fashion. They all reflect dissatisfaction with the body as it is, and an insistent desire that it be otherwise, not natural but controlled, fabricated. Many of the devices adopted by women are not cosmetic or ornamental, but disguise of the actual, arising from fear and distaste.
β
β
Germaine Greer (The Female Eunuch)
β
Until woman as she is can drive this plastic spectre out of her own and her man's imagination she will continue to apologize and disguise herself, while accepting her male's pot-belly, wattles, bad breath, farting, stubble, baldness and other ugliness without complaint.
β
β
Germaine Greer (The Female Eunuch)
β
It was not until much later when, after a deep and satisfying orgasm, I suddenly realised the true meaning of the fairy tale and the nature of the magic kiss of which it speaks.
β
β
Germaine Greer (The Female Eunuch)
β
If women understand by emancipation the adoption of the masculine role then we are lost indeed.
β
β
Germaine Greer (The Female Eunuch)
β
The problem of the survival of humanity is not a matter of ensuring the birth of future generations but of limiting it. The immediate danger to humanity is that of total annihilation within a generation or two, not the failure of mankind to breed. A woman seeking alternative modes of life is no longer morally bound to pay her debt to nature.
β
β
Germaine Greer (The Female Eunuch)
β
As far as cosmetics are used for adornment in a conscious and creative way, they are not emblems of inauthenticity: it is when they are presented as the real thing, covering unsightly blemishes, disguising a repulsive thing so that it is acceptable to the world that their function is deeply suspect. The women who dare not go out without their false eyelashes are in serious psychic trouble.
β
β
Germaine Greer (The Female Eunuch)
β
The love object occupies the thoughts of the person diagnosed as 'in love' all the time despite the probability that very little is actually known about it. To it are ascribed all qualities considered by the obsessed as good, regardless of whether the object in question possesses those qualities in any degree. Expectations are set up which no human being could fulfill. Thus the object chosen plays a special role in relation to the go of the obsessed, who decided that he or she is the right or the only person for him. In the case of a male this notion may sanction a degree of directly aggressive behavior either in pursuing the object or driving off competition.
β
β
Germaine Greer (The Female Eunuch)
β
Properly speaking, altruism is an absurdity. Women are self-sacrificing in direct proportion to their incapacity to offer anything but this sacrifice. They sacrifice what they never had: a self. The cry of the deserted woman, 'What have I done to deserve this?' reveals at once the false emotional economy that she has been following.
β
β
Germaine Greer (The Female Eunuch)
β
Womenβs liberation did not see the femaleβs potential in terms of the maleβs actual; the visionary feminists of the late sixties and early seventies knew that women could never find freedom by agreeing to live the lives of unfree men.
β
β
Germaine Greer (The Whole Woman)
β
In the popular imagination hairiness is like furriness, an index of bestiality, and as such an indication of aggressive sexuality. Men cultivate it, just as they are encouraged to develop competitive and aggressive instincts, women suppress it, just as they suppress all the aspects of their vigour and libido.
β
β
Germaine Greer (The Female Eunuch)
β
It [childbearing] was never intended to be as time-consuming and self-conscious a process as it is. One of the deepest evils in our society is tyrannical nurturance.
β
β
Germaine Greer (The Female Eunuch)
β
The patterns of gratification are simple, and seem to fall into two patterns, the Great Bitch and the Poison Maiden.
β
β
Germaine Greer (The Female Eunuch)
β
Psychologists cannot fix the world so they fix women.
β
β
Germaine Greer (The Female Eunuch)
β
Liberty is terrifying but it is also exhilarating.
β
β
Germaine Greer (The Female Eunuch)
β
Every wife who slaves to keep herself pretty, to cook her husband's favourite meals, to build up his pride and confidence in himself at the expense of his sense of reality, to be his closest and effectively his only friend, to encourage him to rejectthe consensus of opinionand find reassurance only in her arms is binding her mate to her with hoops of steel that will strangle them both.
β
β
Germaine Greer (The Female Eunuch)
β
I got him' is nonsense in terms of love relationships, and so is 'I lost him'. If we could stop thinking in terms of capture, we would not have to fear the loosening of the captives' bonds and our failing beauty, and he would not have ulcers about being outsrtipped or belittled.
β
β
Germaine Greer (The Female Eunuch)
β
A child must have care and attention, but that care and attention need not emanate from a single, permanently present individual. Children are more disturbed by changes of place than by changes in personnel around them, and more distressed by friction and ill-feeling between the adults in their environment than by unfamiliarity.
β
β
Germaine Greer (The Female Eunuch)
β
The wedding is the chief ceremony of the middle-class mythology, and it functions as the official entrΓ©e of the spouses to their middle-class status. This is the real meaning of saving up to get married. The young couple struggles to set up an image of comfortable life which they will be forced to live up to in the years that follow.
β
β
Germaine Greer (The Female Eunuch)
β
You can be young only once, but you can be immature forever.
β
β
Ogden Nash
β
The woman who realizes that she is bound by a million Lilliputian threads in an attitude of impotence and hatred masquerading as tranquility and love has no option but to run away, if she is not to be corrupted and extinguished utterly.
β
β
Germaine Greer (The Female Eunuch)
β
The Great Bitch is the deadly female, a worthy opponent for the omnipotent hero to exercise his powers upon and through. She is desirous, greedy, clever, dishonest, and two jumps ahead all the time. The hero may either have her on his side and like a lion-tamer sool her on to his enemies, or he may have to battle for his life at her hands.
β
β
Germaine Greer (The Female Eunuch)
β
Probably the only place where a man can feel really secure is in a maximum security prison, except for the imminent threat of release. The problem of recidivism ought to have shown young men like John Greenaway just what sort of a notion security is, but there is no indication that he would understand it. Security is when everything is settled, when nothing can happen to you; security is the denial of life. Human beings are better equipped to cope with disaster and hardship than they are with unvarying security, but as long as security is the highest value in a community they can have little opportunity to decide this for themselves.
β
β
Germaine Greer (The Female Eunuch)
β
The point of an organi family is to release the children from the disadvantages of being extensions of their parents so that they can belong primarily to themselves. They may accept the services that adults perform for them naturally without establishing dependencies.
β
β
Germaine Greer (The Female Eunuch)
β
If women could regard childbearing not as a duty or an inescapable destiny but as a privilege to be worked for, the ay a man might work for the right to have a family, children might grow up without the burden of gratitude for the gift of life which they never asked for.
β
β
Germaine Greer (The Female Eunuch)
β
The stereotype is the Eternal Feminine. She is the Sexual Object sought by all men, and by all woman. She is of neither sex, for she has herself no sex at all. Her value is solely attested by the demand she excites in others.
β
β
Germaine Greer
β
In order to approximate those shapes and attitudes which are considered normal and desirable, both sexes deform themselves, justifying the process by referring to the primary, genetic difference between the sexes. But of forty-eight chromosomes only one is different: on this difference we base a complete separation of male and female, pretending as it were that all forty-eight were different.
β
β
Germaine Greer (The Female Eunuch)
β
Where did you get the idea that the most wonderful thing I could be in life was obedient?
β
β
Germaine Greer
β
Sorrow is not itself evidence of maladjustment but of the adjustment process itself.
β
β
Germaine Greer (The Change: Women, Ageing, and the Menopause)
β
Human beings love, despite their compulsions to limit it and exploit it chaotically. Their love persuades them to make vows, build houses and turn their passion ultimately to duty.
β
β
Germaine Greer (The Female Eunuch)
β
Rather than seek to be squired and dated by their rivals why should it not be possible for women to find relaxation and pleasure in the company of their 'inferiors'? They would need to shed their desperate need to admire a man, and accept the gentler role of loving him. A learned woman cannot castrate a truck-driver like she can her intellectual rival, because he has no exaggerated respect for her bookish capacities. The alternative to conventional education is not stupidity, and many a clever girl needs the corrective of a humbler soul's genuine wisdom.
β
β
Germaine Greer (The Female Eunuch)
β
If a man punches you in the eye, you are not expected to have pleaded with him not to for the crime to be accepted as assault. If you are sitting at your cash register and someone demands the cash in it, you will not be accused of consent if you simply hand it over. Only in the prosecution of rape is evidence of resistance an issue.
β
β
Germaine Greer (On Rape)
β
We can only afford two children' really means, 'We only like clean, well-disciplined middle-class children who go to good schools and grow up to be professionals', for children manage to use up all the capital that is made available for the purpose, whatever proportion it may be of the family's whole income, just as housework expands to fill the time available.
β
β
Germaine Greer (The Female Eunuch)
β
What is certain is that he [the baby] has too much attention from the one person who is entirely at his disposal. The intimacy between mother and child is not sustaining and healthy. The child learns to exploit his mother's accessibility, badgering her with questions and demands which are not of any real consequence to him, embarrassing her in public, blackmailing her into buying sweets and carrying him.
β
β
Germaine Greer (The Female Eunuch)
β
When David Susskind and Germaine Greer were guests on the same historic television talk show, for instance, Susskind used general, pseudoscientific statements about womenβs monthly emotional changes as a way of excusing the injustices cited by this very intelligent woman. Finally, Greer turned politely to Susskind and said, βTell me, David. Can you tell if Iβm menstruating right nowβor not?β She not only eliminated any doubts raised by Susskindβs statements, but subdued his pugnacious style for the rest of the show.
β
β
Gloria Steinem (Outrageous Acts and Everyday Rebellions)
β
Female castration results in concentration of her feelings upon her male companion, and her impotence in confrontations with her own kind. Because all her love is guided by the search for security, if not for her offspring then for her crippled and fearful self, she cannot expect to find it in her own kind, whom she knows to be weak and unsuitable.
β
β
Germaine Greer (The Female Eunuch)
β
We can only afford two children' is a squalid argument, but more acceptable in our society than 'we don't like children'.
β
β
Germaine Greer (The Female Eunuch)
β
We still make love to organs and not people.
β
β
Germaine Greer
β
Lies are vile things, with a horrible life of their own. They contaminate the truth that surrounds them.
β
β
Germaine Greer (Daddy, We Hardly Knew You)
β
On ladies' nights they watch frozen-faced while their men embrace and fool about commenting to each other that they are all overgrown boys. Of the love of fellows they know nothing. They cannot love each other in this easy, innocent, spontaneous way because they cannot love themselves.
β
β
Germaine Greer (The Female Eunuch)
β
Woman cannot be content with health and agility: she must make exorbitant efforts to appea something that never could exist without a diligent perversion of nature. Is it too much to ask that women be spared the daily struggle for superhuman beauty in order to offer it to the caresses of a subhumanly ugly mate? Women are reputed never to be disgusted. The sad fact is that they often are, but not with men; following the lead of men, they are most often disgusted with themselves.
β
β
Germaine Greer (The Female Eunuch)
β
The chief means of liberating women is replacing of compulsiveness and compulsion by the pleasure principle. Cooking, clothes, beauty, and housekeeping are all compulsive activities in which the anxiety quotient has long since replaced the pleasure or achievement quotient. It is possible to use even cooking, clothes, cosmetics and housekeeping for fun. The essence of pleasure is spontaneity. In these cases spontaneity means rejecting the norm, the standard that one must live up to, and establishing a self-regulating principle.
β
β
Germaine Greer (The Female Eunuch)
β
Every human body has its optimum weight and contour, which only health and efficiency can establish. Whenever we treat womenβs bodies as aesthetic objects without function we deform them and their owners. Whether the curves imposed are the ebullient arabesques of the tit-queen or the attenuated coils of art nouveau, they are deformations of the dynamic, individual body, and limitations of the possibilities of being female.
β
β
Germaine Greer (The Female Eunuch)
β
If female liberation is to happen, if the reservoir of real female love is to be tapped, this sterile self-deception must be counteracted. The only literary form which could outsell romantic trash on the female market is hard-core pornography.
β
β
Germaine Greer (The Female Eunuch)
β
Until our own time, history focussed on man the achiever; the higher the achiever the more likely it was that the woman who slept in his bed would be judged unworthy of his company. Her husband's fans recoiled from the notion that she might have made a significant contribution towards his achievement of greatness. The possibility that a wife might have been closer to their idol than they could ever be, understood him better than they ever could, could not be entertained.
β
β
Germaine Greer (Shakespeare's Wife)
β
Sylvia Plath's greatest poetry was sometimes conceived while she was baking bread, she was such a perfectionist and ultimately such a fool. The trouble is, of course, that the role of the goddess, the role of the glory and the grandeur of the female in the universe exists in the fantasy of the male artist and no woman can ever draw it to her heart for comfort, but the role of menial, unfortunately, is real and that she knows because she tastes it everyday. So the barbaric yawp of utter adoration for the power and the glory and the grandeur of the female in the universe is uttered at the expense of the particular living woman every time. And because we can be neither one nor the other with any piece of mind, because we are unfortunately improper goddesses and unwilling menials, there is a battle waged between us. And after all, in the description of this battle, maybe I find the justification of my idea that the achievement of the male artistic ego is at my expense for I find that the battle is dearer to him than the peace would ever be. The eternal battle with women, he boasts, sharpens our resistance, develops our strength, enlarges the scope of our cultural achievements. So is the scope after all worth it? Again, the same question, just as if we were talking of the income of a thousand families for a whole year. You see, I strongly suspect that when this revolution takes place, art will no longer be distinguished by its rarity, or its expense, or its inaccessibility, or the extraordinary way which in it is marketed, it will be the prerogative of all of us and we will do it as those artists did whom Freud understood not at all, the artists who made the Cathedral of Chartres or the mosaics of Byzantine, the artist who had no ego and no name.
β
β
Germaine Greer
β
The surest guide to the correctness of the path that women take is joy in the struggle. Revolution is the festival of the oppressed. For a long time there may be no perceptible reward for women other than their new sense of purpose and integrity. Joy does not mean riotous glee, but it does mean the purposive employment of energy in a self-chosen enterprise. It does mean pride and confidence. It does mean communication and cooperation with others based on delight in their company and your own. To be emancipated from helplessness and need and walk freely upon the earth that is your birthright. To refuse hobbles and deformity and take possession of your body and glory in its power, accepting its own laws of loveliness. To have something to desire, something to make, something to achieve, and at last something genuine to give. To be freed from guilt and shame and the tireless self-discipline of women. To stop pretending and dissembling, cajoling and manipulating, and begin to control and sympathize. To claim the masculine virtues of magnanimity and generosity and courage. It goes much further than equal pay for equal work, for it ought to revolutionise the conditions of work completely. It does not understand the phrase 'equality of opportunity', for it seems that the opportunities will have to be utterly changed and women's souls changed so that they desire opportunity instead of shrinking from it.
β
β
Germaine Greer (The Female Eunuch)
β
The Poison Maiden has conceived by him, and is plumb ready to enter the divine category of mother, only one last fiend clubs her to death. The final clinch of male romanticism is that each man kills the thing he loves; whether she be Catharine in A Farewell to Arms, or the Grecian Urn, the 'tension that she be perfect' means that she must die, leavinf the hero's status as a great lover unchallenged. The pattern is still commonplace: the hero cannot marry. The sexual exploit must be conquest, not cohabitation and mutual tolerance.
β
β
Germaine Greer (The Female Eunuch)
β
TRASTORNO DE DISMORFIA CORPORAL Explica Germaine Greer en su mencionado libro, La mujer completa, cΓ³mo funciona esa perversa relaciΓ³n entre belleza, salud, autoestima y codicia capitalista en lo que se refiere a las mujeres. AsΓ, expone que toda mujer sabe que por muchos que sean sus demΓ‘s mΓ©ritos, no vale nada si no es guapa o atractiva o aparenta serlo. TambiΓ©n sabe que cada dΓa que pasa va perdiendo implacablemente la belleza, poca o mucha, que posee. Aunque sea extraordinariamente hermosa, jamΓ‘s serΓ‘ suficientemente bella. Siempre habrΓ‘ alguna parte de su cuerpo que no darΓ‘ la talla. Ejemplo: Β«Cualquiera que sea la cantidad de vello que tenga, siempre serΓ‘ excesiva. Si su cuerpo es lo bastante delgado, sus senos son esmirriados. Si tiene un pecho abundante, seguro que el culo es demasiado gordo. DescubrΓ muy pronto que una mujer hermosa no se considera en absoluto bella. A menudo vive atenazada por la inseguridad. Toda mujer tiene algo que no le gusta de su aspecto.Β»331 Pero ningΓΊn ejemplo mejor que la explicaciΓ³n sobre el Trastorno de dismorfia corporal (TDC), definido por los cientΓficos como la preocupaciΓ³n anormal por algΓΊn supuesto defecto del propio cuerpo. Cita Greer la reuniΓ³n anual del Real Colegio de PsiquiatrΓa estadounidense que ya en 1996 explicΓ³ que los individuos que sufren este trastorno tienen muchas dificultades en su vida social, presentan una fuerte incidencia de depresiones y un 25 %
β
β
Nuria Varela (Feminismo para principiantes)
β
One version of the Austen scenario holds that it is all about stalking and bringing down your man, but Jane Austen is not the editor of Cosmopolitan. The point is not to achieve the man at any cost. He is not the prey or the prize but the symbol of merit. The possibility that there may be no such man is always present. Part of our gratified surprise at the Austen happy ending is that there was a man around with the good sense to see that a woman without rich and powerful connections might be a pearl beyond price, a woman whose company was reward in itself. We know that she is good company because we have been seeing the world through her disabused eyes. We go on reading and watching Jane Austen because she is good for us.
β
β
Germaine Greer