β
You can hide memories, but you can't erase the history that produced them.
β
β
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
β
There is a pleasure in the pathless woods,
There is a rapture on the lonely shore,
There is society, where none intrudes,
By the deep Sea, and music in its roar:
I love not Man the less, but Nature more,
From these our interviews, in which I steal
From all I may be, or have been before,
To mingle with the Universe, and feel
What I can neβer express, yet cannot all conceal.
β
β
Lord Byron (Childe Harold's Pilgrimage)
β
As we go through life we gradually discover who we are, but the more we discover, the more we lose ourselves.
β
β
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
β
Some things in life are too complicated to explain in any language.
β
β
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
β
We must never stop dreaming. Dreams provide nourishment for the soul, just as a meal does for the body.
β
β
Paulo Coelho (The Pilgrimage)
β
Still, being able to feel pain was good, he thought. It's when you can't even feel pain anymore that you're in real trouble.
β
β
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
β
One heart is not connected to another through harmony alone. They are, instead, linked deeply through their wounds. Pain linked to pain, fragility to fragility. There is no silence without a cry of grief, no forgiveness without bloodshed, no acceptance without a passage through acute loss. That is what lies at the root of true harmony.
β
β
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
β
No matter how honestly you open up to someone, there are still things you cannot reveal.
β
β
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
β
Then stirs the feeling infinite, so felt
In solitude, where we are least alone.
β
β
Lord Byron (Childe Harold's Pilgrimage)
β
Faith is not the clinging to a shrine but an endless pilgrimage of the heart.
β
β
Abraham Joshua Heschel
β
Never let fear and stupid pride make you lose someone who's precious to you.
β
β
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
β
We survived. You and I. And those who survive have a duty. Our duty is to do our best to keep on living. Even if our lives are not perfect.
β
β
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
β
We always have a tendency to see those things that do not exist and to be blind to the great lessons that are right there before our eyes.
β
β
Paulo Coelho (The Pilgrimage)
β
I live not in myself, but I become
Portion of that around me: and to me
High mountains are a feeling, but the hum
of human cities torture.
β
β
Lord Byron (Childe Harold's Pilgrimage)
β
The world was made up of people putting one foot in front of the other; and a life might appear ordinary simply because the person living it had been doing so for a long time.
β
β
Rachel Joyce (The Unlikely Pilgrimage of Harold Fry (Harold Fry, #1))
β
People whose freedom is taken away always end up hating somebody.
β
β
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
β
Dreams are the bright creatures of poem and legend, who sport on earth in the night season, and melt away in the first beam of the sun, which lights grim care and stern reality on their daily pilgrimage through the world.
β
β
Charles Dickens (Nicholas Nickleby)
β
Two years he walks the earth. No phone, no pool, no pets, no cigarettes. Ultimate freedom. An extremist. An aesthetic voyager whose home is the road. Escaped from Atlanta. Thou shalt not return, 'cause "the West is the best." And now after two rambling years comes the final and greatest adventure. The climactic battle to kill the false being within and victoriously conclude the spiritual pilgrimage. Ten days and nights of freight trains and hitchhiking bring him to the Great White North. No longer to be poisoned by civilization he flees, and walks alone upon the land to become lost in the wild.
--Alexander Supertramp, May 1992
β
β
Christopher McCandless
β
she wanted to dance with someone who would embrace her in the way she dreamed of since adolescence.
β
β
Paulo Coelho (The Pilgrimage)
β
You can't make anyone love you. You just have to reveal who you are and take your chances. (105)
β
β
Sheldon B. Kopp (If You Meet the Buddha on the Road, Kill Him! The Pilgrimage of Psychotherapy Patients)
β
I miss her all the time. I know in my head that she has gone. The only difference is that I am getting used to the pain. It's like discovering a great hole in the ground. To begin with, you forget it's there and keep falling in. After a while, it's still there, but you learn to walk round it.
β
β
Rachel Joyce (The Unlikely Pilgrimage of Harold Fry (Harold Fry, #1))
β
No matter how quiet and conformist a personβs life seems, thereβs always a time in the past when they reached an impasse. A time when they went a little crazy. I guess people need that sort of stage in their lives.
β
β
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
β
I would give the greatest sunset in the world for one sight of New York's skyline. Particularly when one can't see the details. Just the shapes. The shapes and the thought that made them. The sky over New York and the will of man made visible. What other religion do we need? And then people tell me about pilgrimages to some dank pesthole in a jungle where they go to do homage to a crumbling temple, to a leering stone monster with a pot belly, created by some leprous savage. Is it beauty and genius they want to see? Do they seek a sense of the sublime? Let them come to New York, stand on the shore of the Hudson, look and kneel. When I see the city from my window - no, I don't feel how small I am - but I feel that if a war came to threaten this, I would throw myself into space, over the city, and protect these buildings with my body.
β
β
Ayn Rand (The Fountainhead)
β
People were buying milk, or filling their cars with petrol, or even posting letters. And what no one else knew was the appalling weight of the thing they were carrying inside. The superhuman effort it took sometimes to be normal, and a part of things that appeared both easy and everyday. The loneliness of that.
β
β
Rachel Joyce (The Unlikely Pilgrimage of Harold Fry (Harold Fry, #1))
β
Aren't you afraid of dying?
Not really. I've watched lots of good-for-nothing, worthless people die, and if people like that can do it, then I should be able to handle it.
β
β
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
β
The right words always seemed to come too late.
β
β
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
β
Harold could no longer pass a stranger without acknowledging the truth that everyone was the same, and also unique; and that this was the dilemma of being human.
β
β
Rachel Joyce (The Unlikely Pilgrimage of Harold Fry (Harold Fry, #1))
β
It's a good idea always to do something relaxing prior to making an important decision in your life.
β
β
Paulo Coelho (The Pilgrimage)
β
The human heart is like a night bird. Silently waiting for something, and when the time comes, it flies straight toward it.
β
β
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
β
Everything has boundaries. The same holds true with thought. You shouldn't fear boundaries, but you should not be afraid of destroying them. That's what is most important if you want to be free: respect for and exasperation with boundaries.
β
β
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
β
A day of silence can be a pilgrimage in itself.
β
β
I Heard God Laughing: Poems of Hope and Joy
β
We truly believed in something back then, and we knew we were the kind of people capable of believing in something - with all our hearts. And that kind of hope will never simply vanish.
β
β
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
β
Teaching is only demonstrating that it is possible. Learning is making it possible for yourself.
β
β
Paulo Coelho (The Pilgrimage)
β
Life is long, and sometimes cruel. Sometimes victims are needed. Someone has to take on that role. And human bodies are fragile, easily damaged. Cut them, and they bleed.
β
β
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
β
The boat is safer anchored at the port; but thatβs not the aim of boats.
β
β
Paulo Coelho (The Pilgrimage)
β
The fresh smell of coffee soon wafted through the apartment, the smell that separates night from day.
β
β
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
β
If we don't go mad once in a while, there's no hope.
β
β
Rachel Joyce (The Unlikely Pilgrimage of Harold Fry (Harold Fry, #1))
β
On with the dance! let joy be unconfin'd
β
β
Lord Byron (Childe Harold's Pilgrimage)
β
You got up, and you did something. And if trying to find a way when you don't even know you can get there isn't a small miracle; then I don't know what is.
β
β
Rachel Joyce (The Unlikely Pilgrimage of Harold Fry (Harold Fry, #1))
β
We thought of life by analogy with a journey, a pilgrimage, which had a serious purpose at the end, and the thing was to get to that end, success or whatever it is, maybe heaven after youβre dead. But we missed the point the whole way along. It was a musical thing and you were supposed to sing or to dance while the music was being played.
β
β
Alan W. Watts
β
But maybe it's what the world needs. A little less sense, and a little more faith.
β
β
Rachel Joyce (The Unlikely Pilgrimage of Harold Fry (Harold Fry, #1))
β
Death is our constant companion, and it is death that gives each person's life its true meaning.
β
β
Paulo Coelho (The Pilgrimage)
β
Maybe I am fated to always be alone, Tsukuru found himself thinking. People came to him, but in the end they always left. They came, seeking something, but either they couldnβt find it, or were unhappy with what they found (or else they were disappointed or angry), and then they left. One day, without warning, they vanished, with no explanation, no word of farewell. Like a silent hatchet had sliced the ties between them, ties through which warm blood still flowed, along with a quiet pulse.
β
β
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
β
Cell phones are so convenient that they're an inconvenience.
β
β
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
β
We always know which is the best road to follow, but we follow only the road that we have become accustomed to.
β
β
Paulo Coelho (The Pilgrimage)
β
Beginnings could happen more than once, or in different ways.
β
β
Rachel Joyce (The Unlikely Pilgrimage of Harold Fry (Harold Fry, #1))
β
To let friendship die away by negligence and silence is certainly not wise. It is voluntarily to throw away one of the greatest comforts of this weary pilgrimage." ~Samuel Johnson
β
β
Edward M. Hallowell (Dare to Forgive: The Power of Letting Go and Moving On)
β
One of the great tragedies of life is that men seldom bridge the gulf between practice and profession, between doing and saying. A persistent schizophrenia leaves so many of us tragically divided against ourselves. On the one hand, we proudly profess certain sublime and noble principles, but on the other hand, we sadly practise the very antithesis of these principles. How often are our lives characterised by a high blood pressure of creeds and an anaemia of deeds! We talk eloquently about our commitment to the principles of Christianity, and yet our lives are saturated with the practices of paganism. We proclaim our devotion to democracy, but we sadly practise the very opposite of the democratic creed. We talk passionately about peace, and at the same time we assiduously prepare for war. We make our fervent pleas for the high road of justice, and then we tread unflinchingly the low road of injustice. This strange dichotomy, this agonising gulf between the ought and the is, represents the tragic theme of man's earthly pilgrimage.
β
β
Martin Luther King Jr. (Strength to Love)
β
The world isnβt that easily turned upside down, Haida replied. Itβs people who are turned upside down.
β
β
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
β
I don't like either the word [hike] or the thing. People ought to saunter in the mountains - not 'hike!' Do you know the origin of that word saunter? It's a beautiful word. Away back in the middle ages people used to go on pilgrimages to the Holy Land, and when people in the villages through which they passed asked where they were going they would reply, 'A la sainte terre', 'To the Holy Land.' And so they became known as sainte-terre-ers or saunterers. Now these mountains are our Holy Land, and we ought to saunter through them reverently, not 'hike' through them.
β
β
John Muir
β
Have pity on those who are fearful of taking up a pen, or a paintbrush, or an instrument, or a tool because they are afraid that someone has already done so better than they couldβ¦
β
β
Paulo Coelho (The Pilgrimage)
β
The heart apparently doesnβt stop that easily.
β
β
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
β
Once a problem is solved, its simplicity is amazing.
β
β
Paulo Coelho (The Pilgrimage)
β
You know that the antidote to exhaustion is not necessarily rest? β¦ The antidote to exhaustion is wholeheartedness.
β
β
David Whyte (Crossing the Unknown Sea: Work as a Pilgrimage of Identity)
β
And youβll return to real life. You need to live it to the fullest. No matter how shallow and dull things might get, this life is worth living. I guarantee it.
β
β
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
β
The busiest people I have known in my life always have time enough to do everything. Those who do nothing are always tired and pay no attention to the little amount of work they are required to do. They complain constantly that the day is too short. The truth is, they are afraid to fight the good fight.
β
β
Paulo Coelho (The Pilgrimage)
β
I wept because I was re-experiencing the enthusiasm of my childhood; I was once again a child, and nothing in the world could cause me harm.
β
β
Paulo Coelho (The Pilgrimage)
β
The truth sometimes reminds me of a city buried in sand. As time passes, the sand piles up even thicker, and occasionally it's blown away and what's below is revealed.
β
β
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
β
On with the dance! let joy be unconfin'd;
No sleep till morn, when Youth and Pleasure meet
To chase the Glowing Hours with Flying feet.
β
β
Lord Byron (Childe Harold's Pilgrimage)
β
If faith never encounters doubt, if truth never struggles with error, if good never battles evil, how can faith know its own power? In my own pilgrimage, if I had to choose between a faith that has stared doubt in the eye and made it blink, or a naive faith that has never known the firing line of doubt, I will choose the former every time.
β
β
Gary Parker
β
We live in a pretty apathetic age, yet weβre surrounded by an enormous amount of information about other people. If you feel like it, you can easily gather that information about them. Having said that, we still hardly know anything about people.
β
β
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
β
It was not a life, if lived without love.
β
β
Rachel Joyce (The Unlikely Pilgrimage of Harold Fry (Harold Fry, #1))
β
He prefers the security of known misery to the misery of unfamiliar insecurity.
β
β
Sheldon B. Kopp (If You Meet the Buddha on the Road, Kill Him! The Pilgrimage of Psychotherapy Patients)
β
Letβs say you are an empty vessel. So what? Whatβs wrong with that?β Eri said. βYouβre still a wonderful, attractive vessel. And really, does anybody know who they are? So why not be a completely beautiful vessel? The kind people feel good about, the kind people want to entrust with precious belongings.
β
β
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
β
People claim that we recapture for a moment the self that we were long ago when we enter some house or garden in which we used to live in our youth. But these are most hazardous pilgrimages, which end as often in disappointment as in success. It is in ourselves that we should rather seek to find those fixed places, contemporaneous with different years.
β
β
Marcel Proust (In Search of Lost Time)
β
I've been clinging to this world like a discarded shell of an insect stuck to a branch, about to be blown off forever by a gust of wind.
β
β
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
β
Everything good is costly, and the development of the personality is one of the most costly of all things. It will cost you your innocence, your illusions, your certainty. (10)
β
β
Sheldon B. Kopp (If You Meet the Buddha on the Road, Kill Him! The Pilgrimage of Psychotherapy Patients)
β
Love is more than simply being open to experiencing the anguish of another person's suffering. It is the willingness to live with the helpless knowing that we can do nothing to save the other from his pain. (23)
β
β
Sheldon B. Kopp (If You Meet the Buddha on the Road, Kill Him! The Pilgrimage of Psychotherapy Patients)
β
Jealousyβat least as far as he understood it from his dreamβwas the most hopeless prison in the world. Jealousy was not a place he was forced into by someone else, but a jail in which the inmate entered voluntarily, locked the door, and threw away the key. And not another soul in the world knew he was locked inside. Of course if he wanted to escape he could do so. The prison, was after all, his own heart. But he couldn't make that decision. His heart was as hard as a stone wall. This was the very essence of jealousy.
β
β
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
β
Most of the time it's not the Europeans who belittle us. What happens when we look at them is that we belittle ourselves. When we undertake the pilgrimage, it's not just to escape the tyranny at home but also to reach to the depths of our souls. The day arrives when the guilty must return to save those who could not find the courage to leave.
β
β
Orhan Pamuk (Snow)
β
We are always trying to convert people to a belief in our own explanation of the universe. We think that the more people there are who believe as we do, the more certain it will be that what we believe is the truth. But it doesn't work that way at all.
β
β
Paulo Coelho (The Pilgrimage)
β
My objection to supernatural beliefs is precisely that they miserably fail to do justice to the sublime grandeur of the real world. They represent a narrowing-down from reality, an impoverishment of what the real world has to offer.
β
β
Richard Dawkins (The Ancestor's Tale: A Pilgrimage to the Dawn of Evolution)
β
It has been said that there is no such thing as coincidence in this world.
β
β
Paulo Coelho (The Pilgrimage)
β
All of the truly important battles are waged within the self. (7)
β
β
Sheldon B. Kopp (If You Meet the Buddha on the Road, Kill Him! The Pilgrimage of Psychotherapy Patients)
β
If I just keep putting one foot in front of the other, it stands to reason that I'm going to get there. I've begun to think we sit far more than we're supposed to." He smiled. "Why else would we have feet?
β
β
Rachel Joyce (The Unlikely Pilgrimage of Harold Fry (Harold Fry, #1))
β
What people regard as vanityβleaving great works, having children, acting in such a way as to prevent one's name from being forgottenβI regard as the highest expression of human dignity.
β
β
Paulo Coelho (The Pilgrimage)
β
Our lives are like a complex musical score. Filled with all sorts of cryptic writing, sixteenth and thirty-second notes and other strange signs. It's next to impossible to correctly interpret these, and even if you could, and could then transpose them into the correct sounds, there's no guarantee that people would correctly understand, or appreciate, the meaning therein. No guarantee it would make people happy. Why must the workings of people's lives be so convoluted?
β
β
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
β
As a general rule of biology, migratory species are less 'aggressive' than sedentary ones.
There is one obvious reason why this should be so. The migration itself, like the pilgrimage, is the hard journey: a 'leveller' on which the 'fit' survive and stragglers fall by the wayside.
The journey thus pre-empts the need for hierarchies and shows of dominance. The 'dictators' of the animal kingdom are those who live in an ambience of plenty. The anarchists, as always, are the 'gentlemen of the road'.
β
β
Bruce Chatwin (The Songlines)
β
It is not possible to know how much is just enough, until we have experienced how much is more than enough. (64)
β
β
Sheldon B. Kopp (If You Meet the Buddha on the Road, Kill Him! The Pilgrimage of Psychotherapy Patients)
β
There appear to be many people who chose to go crazy (or become alcoholics, addicts, criminals, suicides) rather than have to bear the pain and ambiguity of a life situation that they have decided that they cannot stand. (98)
β
β
Sheldon B. Kopp (If You Meet the Buddha on the Road, Kill Him! The Pilgrimage of Psychotherapy Patients)
β
London
The Institute
Year of Our Lord 1878
βMother, Father, my chwaer fach,
Itβs my seventeenth birthday today. I know that to write to you is to break the law, I know that I will likely tear this letter into pieces when it is finished. As I have done on all my birthdays past since I was twelve. But I write anyway, to commemorate the occasion - the way some make yearly pilgrimages to a grave, to remember the death of a loved one. For are we not dead to each other?
I wonder if when you woke this morning you remembered that today, seventeen years ago, you had a son? I wonder if you think of me and imagine my life here in the Institute in London? I doubt you could imagine it. It is so very different from our house surrounded by mountains, and the great clear blue sky and the endless green. Here, everything is black and gray and brown, and the sunsets are painted in smoke and blood. I wonder if you worry that I am lonely or, as Mother always used to, that I am cold, that I have gone out into the rain again without a hat? No one here worries about those details. There are so many things that could kill us at any moment; catching a chill hardly seems important.
I wonder if you knew that I could hear you that day you came for me, when I was twelve. I crawled under the bed to block out the sound of you crying my name, but I heard you. I heard mother call for her fach, her little one. I bit my hands until they bled but I did not come down. And, eventually, Charlotte convinced you to go away. I thought you might come again but you never did. Herondales are stubborn like that.
I remember the great sighs of relief you would both give each time the Council came to ask me if I wished to join the Nephilim and leave my family, and each time I said no and I send them away. I wonder if you knew I was tempted by the idea of a life of glory, of fighting, of killing to protect as a man should. It is in our blood - the call to the seraph and the stele, to marks and to monsters.
I wonder why you left the Nephilim, Father? I wonder why Mother chose not to Ascend and to become a Shadowhunter? Is it because you found them cruel or cold? I have no fathom side. Charlotte, especially, is kind to me, little knowing how much I do not deserve it. Henry is mad as a brush, but a good man. He would have made Ella laugh. There is little good to be said about Jessamine, but she is harmless. As little as there is good to say about her, there is as much good to say about Jem: He is the brother Father always thought I should have. Blood of my blood - though we are no relation. Though I might have lost everything else, at least I have gained one thing in his friendship.
And we have a new addition to our household too. Her name is Tessa. A pretty name, is it not? When the clouds used to roll over the mountains from the ocean? That gray is the color of her eyes.
And now I will tell you a terrible truth, since I never intend to send this letter. I came here to the Institute because I had nowhere else to go. I did not expect it to ever be home, but in the time I have been here I have discovered that I am a true Shadowhunter. In some way my blood tells me that this is what I was born to do.If only I had known before and gone with the Clave the first time they asked me, perhaps I could have saved Ellaβs life. Perhaps I could have saved my own.
Your Son,
Will
β
β
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
β
You can hide memories, but you canβt erase the history that produced them.β Sara looked directly into his eyes. βIf nothing else, you need to remember that. You canβt erase history, or change it. It would be like destroying yourself.
β
β
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
β
Then said he, βI am going to my Fatherβs; and though with great difficulty I am got hither, yet now I do not repent me of all the trouble I have been at to arrive where I am. My sword I give to him that shall succeed me in my pilgrimage, and my courage and skill to him that can get it. My marks and scars I carry with me, to be a witness for me that I have fought His battles who now will be my rewarder.β.... So he passed over, and all the trumpets sounded for him on the other side.
β
β
John Bunyan (Pilgrim's Progress, Part 2: Christiana)
β
A disciple...can never imitate his guide's steps. You have your own way of living your life, of dealing with problems, and of winning. Teaching is only demonstrating that it is possible. Learning is making it possible for yourself.
β
β
Paulo Coelho (The Pilgrimage)
β
He must have driven this way countless times, and yet he had no memory of the scenery. He must have been so caught up in the day's agenda, and arriving punctually at their destination, that the land beyond the car had been no more than a wash of one green, and a backdrop of one hill. Life was very different when you walked through it.
β
β
Rachel Joyce (The Unlikely Pilgrimage of Harold Fry (Harold Fry, #1))
β
None of your knowledge, your reading, your connections will be of any use here: two legs suffice, and big eyes to see with. Walk alone, across mountains or through forests. You are nobody to the hills or the thick boughs heavy with greenery. You are no longer a role, or a status, not even an individual, but a body, a body that feels sharp stones on the paths, the caress of long grass and the freshness of the wind. When you walk, the world has neither present nor future: nothing but the cycle of mornings and evenings. Always the same thing to do all day: walk. But the walker who marvels while walking (the blue of the rocks in a July evening light, the silvery green of olive leaves at noon, the violet morning hills) has no past, no plans, no experience. He has within him the eternal child. While walking I am but a simple gaze.
β
β
FrΓ©dΓ©ric Gros (A Philosophy of Walking)
β
The problem of unmet expectations in marriage is primarily a problem of stereotyping. Each and every human being on this planet is a unique person. Since marriage is inevitably a relationship between two unique people, no one marriage is going to be exactly like any other. Yet we tend to wed with explicit visions of what a βgoodβ marriage ought to be like. Then we suffer enormously from trying to force the relationship to fit the stereotype and from the neurotic guilt and anger we experience when we fail to pull it off.
β
β
M. Scott Peck (In Search of Stones : A Pilgrimage of Faith, Reason and Discovery)
β
We must never stop dreaming. Dreams provide nourishment for the soul, just as a meal does for the body. Many times in our lives we see our dreams shattered and our desires frustrated, but we have to continue dreaming. If we don't, our soul dies, and agape cannot reach it.
β
β
Paulo Coelho (The Pilgrimage)
β
When we both experienced the love that consumes, we shared in the Absolute. The Absolute shows each of us who we really are; it is an enormous web of cause and effect, where every small gesture made by one person affects the life of someone else. This morning, that slice of the Absolute was still very much alive in my soul. I was seeing not only you but everything there is in the world, unlimited by space or time.
β
β
Paulo Coelho (The Pilgrimage)
β
Beginnings could happen more than once or in different ways. You could think you were starting something afresh, when actually what you were doing was carrying on as before. He had faced his shortcomings and overcome them and so the real business of walking was happening only now.
β
β
Rachel Joyce (The Unlikely Pilgrimage of Harold Fry (Harold Fry, #1))
β
And then Serafina understood something for which the witches had no word: it was the idea of pilgrimage. She understood why these beings would wait for thousands of years and travel vast distances in order to be close to something important, and how they would feel differently for the rest of time, having been briefly in its presence. That was how these creatures looked now, these beautiful pilgrims of rarefied light, standing around the girl with the dirty-face and the tartan skirt and the boy with the wounded hand who was frowning in his sleep.
β
β
Philip Pullman (The Golden Compass (His Dark Materials, #1))
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If you could do it, I suppose, it would be a good idea to live your life in a straight line - starting, say, in the Dark Wood of Error, and proceeding by logical steps through Hell and Purgatory and into Heaven. Or you could take the King's Highway past the appropriately named dangers, toils, and snares, and finally cross the River of Death and enter the Celestial City. But that is not the way I have done it, so far. I am a pilgrim, but my pilgrimage has been wandering and unmarked. Often what has looked like a straight line to me has been a circling or a doubling back. I have been in the Dark Wood of Error any number of times. I have known something of Hell, Purgatory, and Heaven, but not always in that order. The names of many snares and dangers have been made known to me, but I have seen them only in looking back. Often I have not known where I was going until I was already there. I have had my share of desires and goals, but my life has come to me or I have gone to it mainly by way of mistakes and surprises. Often I have received better than I deserved. Often my fairest hopes have rested on bad mistakes. I am an ignorant pilgrim, crossing a dark valley. And yet for a long time, looking back, I have been unable to shake off the feeling that I have been led - make of that what you will.
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Wendell Berry (Jayber Crow)
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Song
Go, and catch a falling star,
Get with child a mandrake root,
Tell me, where all past years are,
Or who cleft the Devilβs foot,
Teach me to hear mermaids singing,
Or to keep off envyβs stinging,
And find
What wind
Serves to advance an honest mind.
If thou beβest born to strange sights,
Things invisible to see,
Ride ten thousand days and nights,
Till age snow white hairs on thee,
Thou, when thou returnβst, wilt tell me
All strange wonders that befell thee,
And swear
Nowhere
Lives a woman true, and fair.
If thou findβst one, let me know,
Such a pilgrimage were sweet,
Yet do not, I would not go,
Though at next door we might meet,
Though she were true when you met her,
And last, till you write your letter,
Yet she
Will be
False, ere I come, to two, or three.
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John Donne
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He had learned that it was the smallness of people that filled him with wonder and tenderness, and the loneliness of that too. The world was made up of people putting one foot in front of the other; and a life might appear ordinary simply because the person living it had been doing it for a long time. Harold could no longer pass a stranger without acknowledging the truth that everyone was the same, and also unique; and that this was the dilemma of being human.
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Rachel Joyce (The Unlikely Pilgrimage of Harold Fry (Harold Fry, #1))
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Who indeed knows the secret of the earthly pilgrimage? Who indeed knows why there can be comfort in a world of desolation? Now God be thanked that there is a beloved one who can lift up the heart in suffering, that one can play with a child in the face of such misery. Now God be thanked that the name of a hill is such music, that the name of a river can heal. Aye, even the name of a river that runs no more.
Who indeed knows the secret of the earthly pilgrimage? Who knows for what we live, and struggle and die? Who knows what keeps us living and struggling, while all things break about us? Who knows why the warm flesh of a child is such comfort, when one's own child is lost and cannot be recovered? Wise men write many books, in words too hard to understand. But this, the purpose of our lives, the end of all our struggle, is beyond all human wisdom.
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Alan Paton (Cry, the Beloved Country)
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-You know how to call me
although such a noise now
would only confuse the air
Neither of us can forget
the steps we danced
the words you stretched
to call me out of dust
Yes I long for you
not just as a leaf for weather
or vase for hands
but with a narrow human longing
that makes a man refuse
any fields but his own
I wait for you at an
unexpected place in your journey
like the rusted key
or the feather you do not pick up.-
-I WILL NEVER FIND THE FACES
FOR ALL GOODBYES I'VE MADE.-
For Anyone Dressed in Marble
The miracle we all are waiting for
is waiting till the Parthenon falls down
and House of Birthdays is a house no more
and fathers are unpoisoned by renown.
The medals and the records of abuse
can't help us on our pilgrimage to lust,
but like whips certain perverts never use,
compel our flesh in paralysing trust.
I see an orphan, lawless and serene,
standing in a corner of the sky,
body something like bodies that have been,
but not the scar of naming in his eye.
Bred close to the ovens, he's burnt inside.
Light, wind, cold, dark -- they use him like a bride.
I Had It for a Moment
I had it for a moment
I knew why I must thank you
I saw powerful governing men in black suits
I saw them undressed
in the arms of young mistresses
the men more naked than the naked women
the men crying quietly
No that is not it
I'm losing why I must thank you
which means I'm left with pure longing
How old are you
Do you like your thighs
I had it for a moment
I had a reason for letting the picture
of your mouth destroy my conversation
Something on the radio
the end of a Mexican song
I saw the musicians getting paid
they are not even surprised
they knew it was only a job
Now I've lost it completely
A lot of people think you are beautiful
How do I feel about that
I have no feeling about that
I had a wonderful reason for not merely
courting you
It was tied up with the newspapers
I saw secret arrangements in high offices
I saw men who loved their worldliness
even though they had looked through
big electric telescopes
they still thought their worldliness was serious
not just a hobby a taste a harmless affectation
they thought the cosmos listened
I was suddenly fearful
one of their obscure regulations
could separate us
I was ready to beg for mercy
Now I'm getting into humiliation
I've lost why I began this
I wanted to talk about your eyes
I know nothing about your eyes
and you've noticed how little I know
I want you somewhere safe
far from high offices
I'll study you later
So many people want to cry quietly beside you
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Leonard Cohen (Flowers for Hitler)
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It's no different from building stations. If something is important enough, a little mistake isn't going to ruin it all, or make it vanish. It might not be perfect, but the first step is actually building the station. Right? Otherwise trains won't stop there. And you can't meet the person who means so much to you. If you find some defect, you can adjust it later, as needed. First things first. Build the station. A special station just for her. The kind of station where trains want to stop, even if they have no reason to do so. Imagine that kind of station, and give it actual color and shape. Write your name on the foundation with a nail, and breathe life into it.
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Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
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The time of a man's life is as a point; the substance of it ever flowing, the sense obscure; and the whole composition of the body tending to corruption. His soul is restless, fortune uncertain, and fame doubtful; to be brief, as a stream so are all things belonging to the body; as a dream, or as a smoke, so are all that belong unto the soul. Our life is a warfare, and a mere pilgrimage. Fame after life is no better than oblivion. What is it then that will adhere and follow? Only one thing, philosophy. And philosophy doth consist in this, for a man to preserve that spirit which is within him, from all manner of contumelies and injuries, and above all pains or pleasures; never to do anything either rashly, or feignedly, or hypocritically: only to depend from himself, and his own proper actions: all things that happen unto him to embrace contentendly, as coming from Him from whom he himself also came; and above all things, with all meekness and a calm cheerfulness, to expect death, as being nothing else but the resolution of those elements, of which every creature is composed. And if the elements themselves suffer nothing by their perpetual conversion of one into another, that dissolution, and alteration, which is so common unto all, why should it be feared by any? Is not this according to nature? But nothing that is according to nature can be evil.
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Marcus Aurelius (Meditations)
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Itβs the first thing I always say at our new employee training seminars. I gaze around the room, pick one person, and have him stand up. And this is what I say: I have some good news for you, and some bad news. The bad news first. Weβre going to have to rip off either your fingernails or your toenails with pliers. Iβm sorry, but itβs already decided. It canβt be changed. I pull out a huge, scary pair of pliers from my briefcase and show them to everybody. Slowly, making sure everybody gets a good look. And then I say: Hereβs the good news. You have the freedom to choose which itβs going to beβyour fingernails, or your toenails. So, which will it be? You have ten seconds to make up your mind. If youβre unable to decide, weβll rip off both your fingernails and your toenails. I start the count. At about eight seconds most people say, βThe toes.β Okay, I say, toenails it is. Iβll use these pliers to rip them off. But before I do, Iβd like you to tell me something. Why did you choose your toes and not your fingers? The person usually says, βI donβt know. I think they probably hurt the same. But since I had to choose one, I went with the toes.β I turn to him and warmly applaud him. And I say, Welcome to the real world.
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Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
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There is the image of the man who imagines himself to be a prisoner in a cell. He stands at one end of this small, dark, barren room, on his toes, with arms stretched upward, hands grasping for support onto a small, barred window, the room's only apparent source of light. If he holds on tight, straining toward the window, turning his head just so, he can see a bit of bright sunlight barely visible between the uppermost bars. This light is his only hope. He will not risk losing it. And so he continues to staring toward that bit of light, holding tightly to the bars. So committed is his effort not to lose sight of that glimmer of life-giving light, that it never occurs to him to let go and explore the darkness of the rest of the cell. So it is that he never discovers that the door at the other end of the cell is open, that he is free. He has always been free to walk out into the brightness of the day, if only he would let go. (192)
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Sheldon B. Kopp (If You Meet the Buddha on the Road, Kill Him! The Pilgrimage of Psychotherapy Patients)