Georgian Architecture Quotes

It was in the library that he and May had always discussed the future of the children: the studies of Dallas and his young brother Bill, Mary's incurable indifference to "accomplishments," and passion for sport and philanthropy, and the vague leanings toward "art" which had finally landed the restless and curious Dallas in the office of a rising New York architect. The young men nowadays were emancipating themselves from the law and business and taking up all sorts of new things. If they were not absorbed in state politics or municipal reform, the chances were that they were going in for Central American archaeology, for architecture or landscape-engineering; taking a keen and learned interest in the prerevolutionary buildings of their own country, studying and adapting Georgian types, and protesting at the meaningless use of the word "Colonial." Nobody nowadays had "Colonial" houses except the millionaire grocers of the suburbs.

What matters is the need to move from the rigidity of national stereotypes towards something more truly human; what matters is to discover the riches of human hearts and souls; what matters is the human content of poetry and science, the universal charm and beauty of architecture; what matters is the magnanimity of a nation's leaders and historical figures. only by exalting what is truly human, only by fusing the national with what is universally human, can try dignity - and true freedom - be achieved. It is the struggle for freedom of thought and expression, the struggle for a peasant's freedom to sow what he wants to sow, for everyone's freedom to enjoy the fruits of their own work - this is the true struggle for national dignity. The only real triumph of national freedom is one that brings about the triumph of all human freedom. For small nations and large nations alike, this is the only way forward. And it goes without saying that the Russians too - as well as Armenians, Georgians, Kazakhs, Kalmyks and Uzbeks - must understand that it is precisely through renouncing the idea of their own national superiority that they can truly affirm the grandeur and dignity of their own people, of their own literature and science.

He [John Summerson] wrote that Georgian buildings, in particular, did not rely on an 'irrecoverable sense of craftsmanship for the pleasure they give. Personally I find great enhancement in reconstructed classical architecture. I like the new, sharp-cut masonry of Peckwater quadrangle at Christ Church, and wish that much more of Oxford's scrofulous architecture could be "touched for the King's evil" in the same way'. 59 ... Part of his objection to their restoration rested on the fact that although the fabric could be rebuilt their furnishings were irreplaceable: 'You can re-build the structure of a building of the Wren type without losing much - expect in the way of sentiment. But once you start faking craftsmanship - Grinling Gibbons screens and wrought iron rails - you are doing a poor service to art and a positive disservice to archaeology'. 61 61. RIBA SUJ 10/3 Typescript 'Answering You' BBC Home Service 25 Jan. 1941 - 'Ariel in Wartime'.

Hypnotised by the grandeur of the two-hundred-year-old city with buildings that epitomised Georgian, Neoclassical, and Federation style architecture, most Indians harboured aspirations of working in the oldest Australian city’s CBD. The Victorian sandstone buildings and Seidler style international architecture lining both the sides of its streets mesmerized the city’s populations. Its hustle, bustle, and its assimilated cosmopolitan staff rushing back to their offices with disposable coffee cups and take away food paper bags in their hands appealed to its visitors.