Tribute To A Good Man Quotes

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I'll let you in on a secret, honey. The knight who has serious chinks in his armor but never falls is the true hero. That means he's won battles and doesn't waste time polishing his armor so he can look good while he rides in parades that are tributes to his glory. He just drags himself back on his steed and keeps right on battling. And if he's the right kind of knight, he never rides alone. The best heroes inspire loyalty. The best heroes keep fighting the good fight, tirelessly, quietly. The best heroes always have scars. If they didn't, the heroine would have nothing to do. It's her job to help the hero let all that stuff go in order that her man can be strong enough to fight on but when he's with her he's free to just 'breathe'.
Kristen Ashley (Breathe (Colorado Mountain, #4))
Never be too angry beyond repairs. Anger is nothing good to be part of your tributes. Are you angry with someone? The sun is sinking, just drop it now.
Israelmore Ayivor
This is the underside of my world. Of course you don’t want me to be stupid, bless you! you only want to make sure you’re intelligent. You don’t want me to commit suicide; you only want me to be gratefully aware of my dependency. You don’t want me to despise myself; you only want the flattering deference to you that you consider a spontaneous tribute to your natural qualities. You don’t want me to lose my soul; you only want what everybody wants, things to go your way; you want a devoted helpmeet, a self-sacrificing mother, a hot chick, a darling daughter, women to look at, women to laugh at, women to come for comfort, women to wash your floors and buy your groceries and cook your food and keep your children out of your hair, to work when you need the money and stay home when you don’t, women to be enemies when you want a good fight, women who are sexy when you want a good lay, women who don’t complain, women who don’t nag or push, women who don’t hate you really, women who know their job and above all—women who lose. On top of it all, you sincerely require me to be happy; you are naively puzzled that I should be wretched and so full of venom in this the best of all possible worlds. Whatever can be the matter with me? But the mode is more than a little outworn. As my mother once said: the boys throw stones at the frogs in jest. But the frogs die in earnest.
Joanna Russ (The Female Man)
Robert G. Ingersoll was a great man. a wonderful intellect, a great soul of matchless courage, one of the great men of the earth -- and yet we have no right to bow down to his memory simply because he was great. Great orators, great soldiers, great lawyers, often use their gifts for a most unholy cause. We meet to pay a tribute of love and respect to Robert G. Ingersoll because he used his matchless power for the good of man. {Darrow's eulogy for Ingersoll at his funeral}
Clarence Darrow
They want more, they learn to make claims, the tribute of respect is at last felt to be well-nigh galling; rivalry for rights, indeed actual strife itself, would be preferred: in a word, woman is losing modesty. And let us immediately add that she is also losing taste. She is unlearning to fear man: but the woman who "unlearns to fear" sacrifices her most womanly instincts.
Friedrich Nietzsche (Beyond Good and Evil [with Biographical Introduction])
For the man in the street, the philosophies of opposites, particularly Good and Evil, have served as a torture chamber, a crucifix made from metaphor. Thrust into a world which views him as the property of Gods and States and overwhelmed by an unrepayable debt, the metaphysics of slavery and the facts of pain, pleasure and death; bolstered by science, whose theorists have become the whores of the state, man is now informed that he is ill. The proof of this is his refusal to submit completely. The world debt is due to his saying 'no' to total slavery. He will not obey. We are at War, and man is the enemy. The question is: Who is on the other side?
Christopher S. Hyatt (Rebels & Devils; A Tribute to Christopher S. Hyatt)
Roots cannot grow into trees if there are no supernatural elements in the soil. Man cannot grow wealthy and famous if he doesn't contribute to either, the good or evil.
Michael Bassey Johnson
To look upon religion as the ultimate source of morality, and hence of a good society and a sound policy, is not demeaning to religion. On the contrary, it pays religion—and God—the great tribute of being essential to the welfare of mankind. And it does credit to man as well, who is deemed capable of subordinating his lower nature to his higher, of venerating and giving obeisance to something above himself.
Gertrude Himmelfarb (The Roads to Modernity: The British, French, and American Enlightenments)
The typical capitalists are lovers of power rather than sensual indulgence, but they have the same tendency to crush and to take tribute that the cruder types of sensualism possess. The discipline of the capitalist is the same as that of the frugalist. He differs from the latter in that he has no regard for the objects through which productive power is acquired. HE does not hesitate to exploit natural resources, lands, dumb animals and even his fellowman. Capital to such a man is an abstract fund, made up of perishable elements which are quickly replaced… The frugalist…stands in marked contrast to the attitude of the capitalist. The frugalist takes a vital interest in his tools, in his land, and in the goods he produces. He has a definite attachment to each. He dislikes to see an old coat wear out, an old wagon break down, or an old horse go lame. He always thinks of concrete things, wants them and nothing else. He desires not land, but a given farm, not horses or cattle and machines, but particular breeds and implements; not shelter, but a home…. He rejects as unworthy what is below standard and despises as luxurious what is above or outside of it. Dominated by activities, he thinks of capital as a means to an end.
Ellen Ruppel Shell (Cheap: The High Cost of Discount Culture)
Many readers are familiar with the spirit and the letter of the definition of “prayer”, as given by Ambrose Bierce in his Devil’s Dictionary. It runs like this, and is extremely easy to comprehend: Prayer: A petition that the laws of nature be suspended in favor of the petitioner; himself confessedly unworthy. Everybody can see the joke that is lodged within this entry: The man who prays is the one who thinks that god has arranged matters all wrong, but who also thinks that he can instruct god how to put them right. Half–buried in the contradiction is the distressing idea that nobody is in charge, or nobody with any moral authority. The call to prayer is self–cancelling. Those of us who don’t take part in it will justify our abstention on the grounds that we do not need, or care, to undergo the futile process of continuous reinforcement. Either our convictions are enough in themselves or they are not: At any rate they do require standing in a crowd and uttering constant and uniform incantations. This is ordered by one religion to take place five times a day, and by other monotheists for almost that number, while all of them set aside at least one whole day for the exclusive praise of the Lord, and Judaism seems to consist in its original constitution of a huge list of prohibitions that must be followed before all else. The tone of the prayers replicates the silliness of the mandate, in that god is enjoined or thanked to do what he was going to do anyway. Thus the Jewish male begins each day by thanking god for not making him into a woman (or a Gentile), while the Jewish woman contents herself with thanking the almighty for creating her “as she is.” Presumably the almighty is pleased to receive this tribute to his power and the approval of those he created. It’s just that, if he is truly almighty, the achievement would seem rather a slight one. Much the same applies to the idea that prayer, instead of making Christianity look foolish, makes it appear convincing. Now, it can be asserted with some confidence, first, that its deity is all–wise and all–powerful and, second, that its congregants stand in desperate need of that deity’s infinite wisdom and power. Just to give some elementary quotations, it is stated in the book of Philippians, 4:6, “Be careful for nothing; but in everything by prayer and supplication and thanksgiving, let your requests be known to God.” Deuteronomy 32:4 proclaims that “he is the rock, his work is perfect,” and Isaiah 64:8 tells us, “Now O Lord, thou art our father; we art clay and thou our potter; and we are all the work of thy hand.” Note, then, that Christianity insists on the absolute dependence of its flock, and then only on the offering of undiluted praise and thanks. A person using prayer time to ask for the world to be set to rights, or to beseech god to bestow a favor upon himself, would in effect be guilty of a profound blasphemy or, at the very least, a pathetic misunderstanding. It is not for the mere human to be presuming that he or she can advise the divine. And this, sad to say, opens religion to the additional charge of corruption. The leaders of the church know perfectly well that prayer is not intended to gratify the devout. So that, every time they accept a donation in return for some petition, they are accepting a gross negation of their faith: a faith that depends on the passive acceptance of the devout and not on their making demands for betterment. Eventually, and after a bitter and schismatic quarrel, practices like the notorious “sale of indulgences” were abandoned. But many a fine basilica or chantry would not be standing today if this awful violation had not turned such a spectacularly good profit. And today it is easy enough to see, at the revival meetings of Protestant fundamentalists, the counting of the checks and bills before the laying on of hands by the preacher has even been completed. Again, the spectacle is a shameless one.
Christopher Hitchens (Mortality)
Layer upon layer it comes, dense and rich within the texts, echo upon echo, allusion and resonance tumbling over one another, so that for those with ears to hear it becomes un-missable, a crescendo of questions to which in the end there can be only one answer. Why are you speaking like this? Are you the one who is to come? Can anything good come out of Nazareth? What sign can you show us? Why does he eat with tax-collectors and sinners? Where did this man get all this wisdom? How can this man give us his flesh to eat? Who are you? Why do you not follow the traditions? Do the authorities think he’s the Messiah? Can the Messiah come from Galilee? Why are you behaving unlawfully? Who then is this? Aren’t we right to say that you’re a Samaritan and have a demon? What do you say about him? By what right are you doing these things? Who is this Son of Man? Should we pay tribute to Caesar? And climactically: Are you the king of the Jews? What is truth? Where are you from? Are you the Messiah, the son of the Blessed One? Then finally, too late for answers, but not too late for irony: Aren’t you the Messiah? Save yourself and us! If you’re the Messiah, why don’t you come down from that cross? … And Jesus had his own questions. Who do you say I am? Do you believe in the Son of Man? Can you drink the cup I’m going to drink? How do the scribes say that the Messiah is David’s son? Couldn’t you keep watch with me for a single hour? And finally and horribly: My God, my God, why did you abandon me? … The reason there were so many questions, in both directions, was that–as historians have concluded for many years now–Jesus fitted no ready-made categories
N.T. Wright (Simply Jesus: A New Vision of Who He Was, What He Did, and Why He Matters)
Elizabeth Barrett Browning, paid in Aurora Leigh (1857) her well-known tribute to Keats in lines that are neither good as poetry nor accurate as fact, but in their chaotic way none the less passionately felt and haunting: — By Keats’ soul, the man who never stepped In gradual progress like another man, But, turning grandly on his central self, Ensphered himself in twenty perfect years And died, not young, (the life of a long life Distilled to a mere drop, falling like a tear Upon the world’s cold cheek to make it burn For ever;) by that strong accepted soul, I count it strange and hard to understand That nearly all young poets should write old.
John Keats (Complete Works of John Keats)
The weaker sex has in no previous age been treated with so much respect by men as at present — this belongs to the tendency and fundamental taste of democracy, in the same way as disrespectfulness to old age — what wonder is it that abuse should be immediately made of this respect? They want more, they learn to make claims, the tribute of respect is at last felt to be well-nigh galling; rivalry for rights, indeed actual strife itself, would be preferred: in a word, woman is losing modesty. And let us immediately add that she is also losing taste. She is unlearning to fear man: but the woman who 'unlearns to fear' sacrifices her most womanly instincts. That woman should venture forward when the fear-inspiring quality in man — or more definitely, the man in man — is no longer either desired or fully developed, is reasonable enough and also intelligible enough; what is more difficult to understand is that precisely thereby — woman deteriorates. This is what is happening nowadays: let us not deceive ourselves about it! Wherever the industrial spirit has triumphed over the military and aristocratic spirit, woman strives for the economic and legal independence of a clerk: ''woman as clerkess' is inscribed on the portal of the modern society which is in course of formation. While she thus appropriates new rights, aspires to be 'master,' and inscribes 'progress' of woman on her flags and banners, the very opposite realises itself with terrible obviousness: woman retrogrades.
Friedrich Nietzsche (Beyond Good and Evil)
The Bible tells us, “the young woman was lovely and beautiful….” Not just lovely, not just beautiful, but lovely AND beautiful — that’s Esther. In the King James translation, she is described as “fair and beautiful”. The word “fair” comes from the word “to’ar”. This word, when literally translated, means lovely on the outside. Esther’s outward appearance was very pleasing.2 The word “beautiful” comes from the word “tobe”. This word, literally translated, goes far beyond external beauty. It means “good in the widest sense, used as a noun…. also as an adverb: beautiful, cheerful, at ease, fair, in favor, glad, good….. gracious, joyful, kindly…. loving, merry, most pleasant, precious, prosperity, ready, sweet, well.”3 These words give us a much more accurate view of Esther: she is more than beautiful! Please take note that Esther’s circumstance did not dictate her attitude. Esther’s life does not sound easy by any means. First, she is living in a city that has not been entirely friendly to Jewish people, even though the captivity is over. On top of that, she has lost her parents and any other family other than Mordecai. In spite of these hardships, she is described as lovely and beautiful — inside and out! Esther has not allowed herself to become bitter over circumstances that were out of her control. This is a wonderful example for us to follow: as we are faithful to God, He is faithful to us. Rather than allowing situations to make us disagreeable, we need to keep our focus on the Lord. Allow Him to move through everything that comes to you, both good and bad. In the end, you are a child of the true King! Though great times and hard times, God is working out a perfect plan for you! These inner strengths and qualities in Esther are about to become necessary for her very survival. If the hardships of life in Persia could not make Esther bitter, another test of her character is about to come: Ahasuerus’ servants are out collecting young women as potential candidates to be queen. At first, such an opportunity may seem exciting, but consider that these young women are being given no choice in the matter. Possibly afraid, definitely alone, each were taken from their homes and families by force. So it was, when the king’s command and decree were heard, and when many young women were gathered at Shushan the citadel, under the custody of Hegai, that Esther also was taken to the king’s palace, into the care of Hegai the custodian of the women. Esther 2:8 NJKV After the virgins in the kingdom are gathered, they are taken to Hegai “the custodian of the women”. Hegai is going to “weed out” any women whom he thinks will not be suitable for the king. He will look them over and if they are pretty enough to keep around, he orders their beauty preparations. What will Hegai think when he meets Esther? Now the young woman pleased him, and she obtained his favor; so he readily gave beauty preparations to her, besides her allowance. Then seven choice maidservants were provided for her from the king’s palace, and he moved her and her maidservants to the best place in the house of the women. Esther 2:9 Esther impressed Hegai from the first, and he immediately agreed to begin her beauty preparations as well as her diet (“her allowance”). Esther is going on to “round two” in this “pageant”! Initially this may sound glamorous, but this is truly a “fish out of water” situation for Esther. Remember the description of the palace in chapter 1? Esther has never seen anything like the excess in Ahasuerus’ palace and, considering her background, is probably very uncomfortable. She has been raised to have a simple faith in God, and this palace may feel to her like one huge tribute to a man: Ahasuerus (and knowing him, it probably is!). Add this to her already isolated and lonely feeling that must have
Jennifer Spivey (Esther: Reflections From An Unexpected Life)
the horses to the oak freight wagon, and McCloskey helped him load, distributing the weight evenly in the wagon. When they were done, Johnny got a tarpaulin, and as he'd done many times, he threw it over the load and tucked it in carefully to keep out any rain he might encounter. Finally he'd strapped it all down tight with ropes. McCloskey had looked over the load and said, "Good job, Johnny. You sure you can do this run by yourself?" He said, "I'm sure I'll be fine, Fleet. It's just 19 miles over there and mostly flat. I won't have to use the brakes at all."   "Be sure though and set the brake when you stop." Johnny nodded, and Fleet asked, "You got your book?" Nodding and smiling, Johnny said, "Yessir, got it," as he drove the wagon out of the warehouse yard, headed west to Forest City, which was often referred to as "Irish City" because it had been settled by Irishmen. The folks there were still mostly Irish, which was evident from the heavy Irish lilt to the speech of many of the folks living there. McCloskey's face showed tiny creases of worry as he watched Johnny drive off. He was a good boy, but he was still a boy being asked to do a man's job. In his year on the job, Johnny had grown to be a fine young man. He was only a few inches short of six feet, and he'd added a lot of muscle. He could lift as much as most of the teamsters. Even so, McCloskey worried about sending the boy out alone, but he'd had no choice in the matter. He'd promised the load would reach Forest City by tomorrow morning. Johnny had a brand-new Spencer repeating rifle leaning against his leg. Peter Sarpy, the owner, had used his contacts back east and gotten a shipment of the new rifles. Now, with his four drivers armed with repeating rifles, Sarpy worried a little less about being robbed. But the rifle made Johnny worry more because if outlaws did hit a wagon, they'd kill the driver if he lifted a rifle. Johnny had helped take a load to Forest City with old Monk Beeson two weeks before, and they hadn't had any problems, and he didn't expect any problems with today's load. But during that trip, Beeson had told Johnny about an outlaw gang living a few miles north of Forest City led by a man the Irish called Ranger Jones who collected tribute from prospective
R.O. Lane (Johnny Hayes)
For a moment, he wondered what the human race really was. What was its true nature once you boiled off all the triumphant bullshit. And what he saw wasn’t creators or even murderers but slavers. For all of human history, one segment of the population kept another pressed into service. All the great empires were built on forced labor and tribute collected on pain of annihilation. The Romans conquered half the world because maintaining their life-style required a quarter million new slaves each year. The Portuguese and the British started the African slave trade and plundered the New World, killing millions of Africans and Indians. And what did they do it for? Sugar. Rum. Tobacco. Luxury goods. Now the species had opened up a new frontier for itself: harvesting each other. The truth about the human race had always been obvious. Karl was staring right at it. There was nothing people wouldn’t seize, nothing they wouldn’t suck into their veins, to grow their own power and peace of mind. This is hell, and we are its demons.
Scott Reardon (The Prometheus Man (The Dark Continent #1))
He hit his knees, pressing his forehead to her fingers as if paying tribute to a goddess. “I am a man stripped of pride and wit. Of everything that gave me power. This is what I offer you. A new start. I’m asking—I’m begging—not for your forgiveness. Not for your mercy. But for you. Mercy.
Kerrigan Byrne (Dancing With Danger (Goode Girls, #3))
I can’t explain it, after only knowing you such a short time,” he said with the earnestness of a youth shining on the face of a brutal man who’d never been blessed with a childhood. “But I know I’ve always been some sort of empty vessel, and I think I understand why my entire life I’ve never felt whole.” He pressed his hand to her heart, the palm warm as he seemed to savor what he found there. “I am not me. I am we. Us. That feels complete. My heart only seems to beat when you are near. I stand before you. No. I kneel at your feet.” He hit his knees, pressing his forehead to her fingers as if paying tribute to a goddess. “I am a man stripped of pride and wit. Of everything that gave me power. This is what I offer you. A new start. I’m asking—I’m begging—not for your forgiveness. Not for your mercy. But for you. Mercy. For you. Will you be mine? Will you let me call myself yours?
Kerrigan Byrne (Dancing With Danger (Goode Girls, #3))
intricate patterns on the pavement. Her enormous brown eyes glittered with happiness at the attention she had attracted. Sarah wasn’t the only passerby who had stopped to watch, entranced. Then the song ended, and the gathered crowd applauded. The girl bobbed a curtsey and looked around expectantly. In a moment, coins appeared, fished from pockets and purses and offered in tribute. The coins disappeared again as if by magic, spirited away by little fingers as nimble as the little feet had been and deposited into the pocket of her dress. While the crowd disbursed, the girl turned and hurried back to the man who had produced the music. That was when Sarah recalled her purpose in being here. The child was emptying her pocket and giving the coins to a handsome youth who sat on a small stool with his back against the building. He held the organ between his knees, resting on a small stand. He wore a dark shirt and trousers and had a red bandanna tied rakishly at his throat. He looked so perfect that Sarah almost didn’t notice the wooden crutches tucked discreetly between his stool and the wall. Finally, she saw the pant leg pinned up at the ankle. She’d never expected Georgio to have a child, which was why she’d been so slow to realize she’d found him. Taking advantage of this lull, she stepped over to where the man and the girl were conversing in Italian. There seemed to be some question about whether she’d given him all the coins she’d collected. “Georgio?” Sarah tried. He looked up from beneath the bill of his small cap. His eyes were dark and liquid, his smile big and bright and charming. “Si, Signorina, do you want to see the little one dance?” His English was very good, probably honed from conversing with his customers. “No, although she dances very well,” Sarah added, giving the child an approving smile, in case she didn’t understand the compliment. “I wanted to ask you about your sister Emilia.” His charming smile vanished, and the dark eyes grew wary. “She is dead,” he said very carefully. “I know. I’m very sorry.” “Who are you and what do you want?” he asked suspiciously. When he frowned, Sarah realized how much he looked like his mother. “My name is Sarah Brandt, and I met Emilia at the Prodigal Son Mission.” His expression hardened from wariness into anger. Plainly, none of the Donato family had any love for the mission. “She was such a lovely girl, and she was trying very hard to become a respectable young woman,” Sarah hurried on, wishing she had some idea how Georgio felt about his sister. Seeing that the grown-ups were going to talk a bit, the little girl sank down onto the pavement with a weary sigh and leaned back against the wall. Sarah wondered vaguely how many times she
Victoria Thompson (Murder on Mulberry Bend (Gaslight Mystery, #5))
We may think of John Greenleaf Whittier’s glorious tribute to the free ways of a good and healthy boy: Blessings on thee, little man, Barefoot boy, with cheek of tan! With thy turned-up pantaloons, And thy merry whistled tunes; With thy red lip, redder still Kissed by strawberries on the hill; With the sunshine on thy face, Through thy torn brim’s jaunty grace; From my heart I give thee joy,— I was once a barefoot boy! Prince thou art,—the grown-up man Only is republican.
Anthony Esolen (Defending Boyhood: How Building Forts, Reading Stories, Playing Ball, and Praying to God Can Change the World)
Again, Love is accompanied with trouble, when it misseth a suitable return of affection. Love is the most valuable thing we can bestow, and by giving it, we do, in effect, give all that we have; and therefore it must needs be afflicting to find so great a gift despised, that the present which one hath made of his whole heart, cannot prevail to obtain any return. Perfect love is a kind of self-dereliction, a wandering out of ourselves; it is a kind of voluntary death, wherein the lover dies to himself, and all his own interests, nor thinking of them, nor caring for them any more, and minding nothing but how he may please and gratify the party whom he loves. Thus he is quite undone, unless he meets with reciprocal affection; he neglects himself, and the other hath no regard to him: but if he be beloved, he is revived, as it were, and liveth in the soul and care of the person whom he loves; and now he begins to mind his own concernments, not so much because they are his, as because the beloved is pleased to own an interest in them: he becomes dear unto himself, because he is so unto the other. But why should I enlarge in so known a matter? Nothing can be more clear than that the happiness of love depends on the return it meets with: and herein the divine lover hath unspeakably the advantage, having placed his affection on him whose nature is love, whose goodness is as infinite as his being, whose mercy prevented us when we were his enemies, therefore cannot choose but embrace us when we are become his friends. It is utterly impossible that God should deny his love to a soul wholly devoted to him, and which desires nothing so much as to serve and please him; he cannot disdain his own image, nor the heart in which it is engraven. Love is all the tribute which we can pay him, and it is the sacrifice which he will not despise.
Henry Scougal (The Life of God in the Soul of Man)
A Tribute to my Daughter well well well....twenty nine years have come and gone and oh so too quickly.... I tearfully remember my very first child and the dramatic night you came into our lives...you changed us forever Xio...you Blessed our lives....I remember also the first day you looked me straight in my eyes.. you were being held in my right hand after a bath..you turned your head towards me and stared at me like you had never done before...the instant that happened I knew you were acknowledging the fact that I was yours...that's how that look felt... you placed the stamp of your soul in my hands... I knew in that moment that my role as a Father had truly begun... that look told me so... you made it very clear.....no person on this planet ever touched my very soul the way my baby girl did with that first stare..the beautiful brown eyes.. the inquisitive little look that quickly turned in to a very meaningful stare... I actually had to take a sharp breath....I was hooked...hooked for life... now you have grown from the baby we so loved and took care of... the little girl we watched grow...the smart little teenager you became.. I remember our lovely trip to England and Paris.. somehow that trip was meant to be...just the two of us...my little girl and me....you were so very young....I remember the flight...the landing...the excitement in your face...the look in your eyes...and somehow on that trip as we walked along the Champs-Elysees in Paris....I caught a glimpses of the young lady that was in you... I saw the big heart, the loving smiles. the kindness you so openly show... and here we are now.. many years later....you have matured into a very fine young woman.. a bright future... a work of art. At 58 I have met many souls, thousands I think... people of so many types and personalities...so many differences, in so many different places.. yet every time I look at you and especially when I see that beautiful smile...I think to myself... God is real...and man oh man He's really...really....good. I wish you a wonderful Birthday Xio and many many more to come....God Bless you Xio... God Bless you. Love you this much, Dad
Chris Robertson Trinidad
Brad, I first saw you about twenty-five years ago at a Frontrunner's run around Silver Lake reservoir. I thought you were drop-dead gorgeous! Then I saw that you were the best runner in the club to boot. Later, I learned that you had already run two marathons. I decided you were going to train me for my first marathon. And you did. You did a good job because I finished that 26.2 mile run. Since then, we've been running the marathon of life together for the last 21 years. In those years, we've come to know each others' strengths, shortcomings, and where we complement each other. Brad, you are an organized, detail obsessed, punctuality driven control freak. I'm easy-going with details. So we're a perfect fit. We've worked together, achieved together, and enjoyed the fruits of our achievements together. When my mother became ill and no longer could take care of herself, we moved her in with us. And you helped me care for her with the devotion and affection of a true son. So my vow to you is also a tribute to you. As we bind our love with this wedding ceremony, in this forum of democracy, in this September of my life, I vow to care for you as you've cared for me, cherish you with all my heart, and love you as my husband and the only man in my life. I love you very much.
George Takei
I'll let you in on a secret, honey. The knight who has serious chinks in his armor but never falls is the true hero. That means he's won battles and doesn't waste time polishing his armor so he can look good while he rides in parades that are tributes to his glory. He just drags himself back on his steed and keeps right on battling. And if he's the right kind of knight, he never rides alone. The best heroes inspire loyalty. The best heroes keep fighting the good fight, tirelessly, quietly. The best heroes always have scars. If they didn't, the heroine would have nothing to do. It's her job to help the hero let all that stuff go in order that her man can be strong enough to fight on but when he's with her he's free to just 'breathe'.
Kristen Ashley (Breathe (Colorado Mountain, #4))
The death provoked a vast outpouring of grief, and Senator George Spencer of Alabama said, “I have never known a man more universally mourned.” “Poor Rawlins has gone to a happier office!” sighed Adolph Borie. “A noble fellow, truly, he was so pure zealous and earnest.” On the day of the funeral, the route from the War Department to the Congressional Cemetery was crowded with mourners tipping their hats or bowing in homage as the cortege rolled by. It was a remarkable tribute to a man never elected to office who had thrived in Grant’s shadow. No organization chart could evoke the influence he had wielded as Grant’s trusted counselor. A month later, James Wilson sent an appreciation of him to Orville Babcock: The death of Rawlins is more deeply regretted by the thinking and knowing men of the country than it otherwise would have been, on account of the fact that it had come to be recognized by them, that he was the President’s best friend & most useful counsellor when engaged in renouncing rascality, which the President’s unsuspicious nature has not dreamed of being near. You and I know how necessary, the bold, uncompromising, & honest character of our dead friend, was to our living one—and how impossible it is for any stranger to exercise as good an influence over him, as one who has known him from the time of his obscurity till the day he became the foremost man of the nation. The long and short of it is that Rawlins, was his Mentor—or if I may say it, his conscience keeper.
Ron Chernow (Grant)
Why are you speaking like this? Are you the one who is to come? Can anything good come out of Nazareth? What sign can you show us? Why does he eat with tax-collectors and sinners? Where did this man get all this wisdom? How can this man give us his flesh to eat? Who are you? Why do you not follow the traditions? Do the authorities think he’s the Messiah? Can the Messiah come from Galilee? Why are you behaving unlawfully? Who then is this? Aren’t we right to say that you’re a Samaritan and have a demon? What do you say about him? By what right are you doing these things? Who is this Son of Man? Should we pay tribute to Caesar? And climactically: Are you the king of the Jews? What is truth? Where are you from? Are you the Messiah, the son of the Blessed One? Then finally, too late for answers, but not too late for irony: Aren’t you the Messiah? Save yourself and us! If you’re the Messiah, why don’t you come down from that cross?
N.T. Wright (Simply Jesus: A New Vision of Who He Was, What He Did, and Why He Matters)
some people since the mid-nineteenth century have argued that William Shakespeare could not have written the plays that bear his name. These persons have put forward some dozen names as more likely authors, among them Queen Elizabeth, Sir Francis Bacon, Edward de Vere (earl of Oxford), and Christopher Marlowe. Such attempts to find what for these people is a more believable author of the plays is a tribute to the regard in which the plays are held. Unfortunately for their claims, the documents that exist that provide evidence for the facts of Shakespeare’s life tie him inextricably to the body of plays and poems that bear his name. Unlikely as it seems to those who want the works to have been written by an aristocrat, a university graduate, or an “important” person, the plays and poems seem clearly to have been produced by a man from Stratford-upon-Avon with a very good “grammar-school” education and a life of experience in London and in the world of the London theater. (Folger Shakespeare)
Barbara A. Mowat William Shakespeare (Hamlet)