Genuinely Funny Quotes

I take a longer look at the words on her headstone. Brave, kind, loyal, sweet, loving, graceful, strong, thoughtful, funny, genuine, hopeful, playful, insightful, and on and on… Was she, though? Was she any of those things? The words make me angry. I can’t look at them any longer. Why do we romanticize the dead? Why can’t we be honest about them?

... nothing broke my heart like the slow death of a shared joke that had once seemed genuinely funny.

No matter how kind you are, always expect a few imbeciles.

Flattery does not encourage the perfect flow of love in the vein of your relationship. Be genuine and speak out what you feel for each other without hiding the painful truth.

Your insult has offended me. If we were at the Peaks, we would have to duel in traditional alil'tiki'i fashion." "Which is what?" Teft asked. "With spears?" Rock laughed. "No, no. We upon the Peaks are not barbarians like you down here." "How then?" Kaladin asked, genuinely curious. "Well," Rock said, "is involving much mudbeer and singing." “How's that a duel?” "He who can still sing after the most drinks is winner. Plus, soon' everyone is so drunk that they forget what argument was about." Teft laughed. "Beats knives at dawn, I suppose.

I shouldn't have lost my temper that way. It just pricks his pride, makes him dig in his heels." "So why did you?" I asked, genuinely curious. It was rare for Nikolai's emotions to get the best of him. "I don't know," he said, shredding the leaf. "You got angry. I got angry. The room was too damn hot." "I don't think that's it." "Indigestion?" he offered. "It's because you actually care about what happens to this country," I said. "The throne is just a prize to Vasily, something he wants to squabble over like a favorite toy, You're not like that. You'll make a good king." Nikolai froze. "I…" For once, words seemed to have deserted him. Then a crooked, embarrassed smile crept across his face. It was a far cry from his usual self-assured grin. "Thank you," he said. I sighed as we resumed our pace. "You're going to be insufferable now, aren't you?" Nikolai laughed. "I'm already insufferable.

The cord pulled taut and she rebounded, flying back up before falling again. As her velocity slowed, she opened her eyes and found herself dangling at the end of the cord, about five feet above Jace. He was grinning. "Nice," he said. "As graceful as a falling snowflake." "Was I screaming?" She asked, genuinely curious. "You know, on the way down." He nodded. "Thankfully no one's home, or they would have assumed I was murdering you." "Ha. You can't even reach me." She kicked out a leg and spun lazily in midair. Jace's eyes glinted. "Want to bet?" Clary knew that expression. "No," she said quickly. "Whatever you're going to do-" But he'd already done it. When Jace moved fast, his individual movements were almost invisible. She saw his hand go to his belt, and then something flashed in the air. She heard the sound of parting fabric as the cord above her head was sheared through. Released, she fell freely, too surprised to scream- directly into Jace's arms. The force knocked him backward, and they sprawled together onto one of the padded floor mats, Clary on top of him. He grinned up at her. "Now," he said, "that was much better. You didn't scream at all." "I didn't get the chance." She was breathless, and not just from the impact of the fall. Being sprawled on top of Jace, feeling his body against hers, made her hands shake and her heart beat faster.

Most sane human beings who are over the age of six usually act or react not as per what they genuinely feel or really think but in accordance with the expectations of those around them.

Bragging about your compassion is the first step towards feeling a genuine emotion.

They’re dead words—a human chain reaching back ten thousand years,” said the corpse. “How did they feel?” “Genuinely sad, bordering on very funny,” said God.

I'm glad you came here and got the help you needed," Neil says, and he shakes my hand in that way that people do in here to remind themselves that you're the patient and they're the doctor/volunteer/ employee. They like you, and they genuinely want you to do better, but when they shake your hand you feel that distance, that slight disconnect because they know that you're still broken somewhere, that you might snap at any moment.

Marla said, "This isn't like when guys sit backward on the toilet and pretend it's a motorcycle. This is a genuine accident.

Christopher felt a smile -his first genuine smile in a long time- pulling at his lips. "Does Miss Hathaway have many suitors?" "Oh, yes. But none of them want to marry her." "Why is that, do you imagine?" "They don't want to get shot," the child said, shrugging. "Pardon?" Christopher's brows lifted. "Before you marry, you have to get shot by an arrow and fall in love," the boy explained.

I can't wait for him to visit me again. He's just so handsome, don't you think?" she asked. I paused. "Yeah, he's cute." "Come on, America! You have to have noticed those eyes and his voice..." "Except when he laughs!" Just remembering Maxon's laugh had me grinning. It was cute but awkward. He pushed his breaths out, and then made a jagged noise when he inhaled, almost like another laugh in itself. "Yes, okay, he does have a funny laugh, but it's cute." "Sure, if you like the lovable sound of an asthma attack in your ear every time you tell a joke." Marlee lost it and doubled over in laughter. "All right, all right," she said, coming up for air. "You have to think there's something attractive about him." I opened my mouth and shut it two or three times. I was tempted to take another jab at Maxon, but I didn't want Marlee to see him in a negative light. So I thought about it. What was attractive about Maxon? "Well, when he lets his guard down, he's okay. Like when he just talks without checking his words or you catch him just looking at something like...like he's really looking for the beauty in it." Marlee smiled, and I knew she'd seen that in him, too. "And I like that he seems genuinely involved when he's there, you know? Like even though he's got a country to run and a thousand things to do, it's like he forgets it all when he's with you. He just dedicates himself to what's right in front of him. I like that. "And...well, don't tell anyone this, but his arms. I like his arms." I blushed at the end. Stupid...why hadn't I just stuck to the general good things about his personality? Luckily, Marlee was happy to pick up the conversation. "Yes! You can really feel them under those thick suits, can't you? He must be incredibly strong." Marlee gushed. "I wonder why. I mean, what's the point of him being that strong? He does deskwork. It's weird." "Maybe he likes to flex in front of the mirror," Marlee said, making a face and flexing her own tiny arms. "Ha, ha! I bet that's it. I dare you to ask him!" "No way!

If you describe yourself as "Atheist," some people will say, "Don't you mean 'Agnostic'?" I have to reply that I really do mean Atheist. I really do not believe that there is a god - in fact I am convinced that there is not a god (a subtle difference). I see not a shred of evidence to suggest that there is one. It's easier to say that I am a radical Atheist, just to signal that I really mean it, have thought about it a great deal, and that it's an opinion I hold seriously. It's funny how many people are genuinely surprised to hear a view expressed so strongly. In England we seem to have drifted from vague wishy-washy Anglicanism to vague wishy-washy Agnosticism - both of which I think betoken a desire not to have to think about things too much.

Props?”  She was almost afraid to ask. “Just the usual.  Stethoscope, tongue depressor... scalpel, bone saw, rib spreaders… just the normal stuff.” “Maybe in future you should ditch the props, be less Nurse Ratched and more soft porn first day on the job candy striper.” Darcy look genuinely puzzled for a brief moment. “Where would the fun be in that for me?

Everything that glitters more than gold is not gold.

I knew all this, I understood the rules, but still, nothing broke my heart like the slow death of a shared joke that had once seemed genuinely funny.

Yeah, I guess I do.” My heart plummets again. “Or I did. Maybe I still do. I don’t know. But I didn’t bring her to the dance. I brought you. It seems I spend all my time with you.” “Why is that?” I’m genuinely curious but aware that I could be opening a door I don’t want opened. I quickly rephrase. “I mean, why do you want to?” He looks thoughtful. “You’re funny,” he finally says. “I laugh a lot when I’m with you. I always have fun when I’m with you. And you try to hide it, but you’re actually pretty sweet.” “That’s a horrible thing to say,” I say petulantly, crossing my arms tightly again. He chuckles. “And you’re really smart.” “Now I know you’re lying.” “You are. But you try to hide that as well. And you’re pretty.” “Worse and worse,” I moan. He grins. “And when I’m with you, I don’t want to be anywhere else or with anyone else.

Little girls are the nicest things that can happen to people. They are born with a bit of angel-shine about them, and though it wears thin sometimes, there is always enough left to lasso your heart—even when they are sitting in the mud, or crying temperamental tears, or parading up the street in Mother’s best clothes. A little girl can be sweeter (and badder) oftener than anyone else in the world. She can jitter around, and stomp, and make funny noises that frazzle your nerves, yet just when you open your mouth, she stands there demure with that special look in her eyes. A girl is Innocence playing in the mud, Beauty standing on its head, and Motherhood dragging a doll by the foot. God borrows from many creatures to make a little girl. He uses the song of a bird, the squeal of a pig, the stubbornness of a mule, the antics of a monkey, the spryness of a grasshopper, the curiosity of a cat, the speed of a gazelle, the slyness of a fox, the softness of a kitten, and to top it all off He adds the mysterious mind of a woman. A little girl likes new shoes, party dresses, small animals, first grade, noisemakers, the girl next door, dolls, make-believe, dancing lessons, ice cream, kitchens, coloring books, make-up, cans of water, going visiting, tea parties, and one boy. She doesn’t care so much for visitors, boys in general, large dogs, hand-me-downs, straight chairs, vegetables, snowsuits, or staying in the front yard. She is loudest when you are thinking, the prettiest when she has provoked you, the busiest at bedtime, the quietest when you want to show her off, and the most flirtatious when she absolutely must not get the best of you again. Who else can cause you more grief, joy, irritation, satisfaction, embarrassment, and genuine delight than this combination of Eve, Salome, and Florence Nightingale. She can muss up your home, your hair, and your dignity—spend your money, your time, and your patience—and just when your temper is ready to crack, her sunshine peeks through and you’ve lost again. Yes, she is a nerve-wracking nuisance, just a noisy bundle of mischief. But when your dreams tumble down and the world is a mess—when it seems you are pretty much of a fool after all—she can make you a king when she climbs on your knee and whispers, "I love you best of all!

That’s the key, you know, confidence. I know for a fact that if you genuinely like your body, so can others. It doesn’t really matter if it’s short, tall, fat or thin, it just matters that you can find some things to like about it. Even if that means having a good laugh at the bits of it that wobble independently, occasionally, that’s all right. It might take you a while to believe me on this one, lots of people don’t because they seem to suffer from self-hatred that precludes them from imagining that a big woman could ever love herself because they don’t. But I do. I know what I’ve got is a bit strange and difficult to love but those are the very aspects that I love the most! It’s a bit like people. I’ve never been particularly attracted to the uniform of conventional beauty. I’m always a bit suspicious of people who feel compelled to conform. I personally like the adventure of difference. And what’s beauty, anyway?

Tis a funny thing, reflected the Count as he stood ready to abandon his suite. From the earliest age, we must learn to say good-bye to friends and family. We see our parents and siblings off at the station; we visit cousins, attend schools, join the regiment; we marry, or travel abroad. It is part of the human experience that we are constantly gripping a good fellow by the shoulders and wishing him well, taking comfort from the notion that we will hear word of him soon enough. But experience is less likely to teach us how to bid our dearest possessions adieu. And if it were to? We wouldn’t welcome the education. For eventually, we come to hold our dearest possessions more closely than we hold our friends. We carry them from place to place, often at considerable expense and inconvenience; we dust and polish their surfaces and reprimand children for playing too roughly in their vicinity—all the while, allowing memories to invest them with greater and greater importance. This armoire, we are prone to recall, is the very one in which we hid as a boy; and it was these silver candelabra that lined our table on Christmas Eve; and it was with this handkerchief that she once dried her tears, et cetera, et cetera. Until we imagine that these carefully preserved possessions might give us genuine solace in the face of a lost companion. But, of course, a thing is just a thing.

Sher just laughed, shaking her head in genuine bemusement. “Just think it through Ace. I’m sure the answer will come to you… eventually.” Jake sat there in silence, staring at the closed door to Sher’s bedroom. What had just happened here? Well, he’d just knocked back Sher’s invitation to have sex for starters. Oh my God, what had he just done?

For me that's the only way of understanding a particular term that everyone here bandies about quite happily, but which clearly can't be quite that straight forward because it doesn't exist in many languages, only in Italian and Spanish, as far as I know, but then again, I don't know that many languages. Perhaps in German too, although I can't be sure: el enamoramiento--the state of falling or being in love, or perhaps infatuation. I'm referring to the noun, the concept; the adjective, the condition, are admittedly more familiar, at least in French, although not in English, but there are words that approximate that meaning ... We find a lot of people funny, people who amuse and charm us and inspire affection and even tenderness, or who please us, captivate us, and can even make us momentarily mad, we enjoy their body and their company or both those things, as is the case for me with you and as I've experienced before with other women, on other occasions, although only a few. Some become essential to us, the force of habit is very strong and ends up replacing or even supplanting almost everything else. It can supplant love, for example, but not that state of being in love, it's important to distinguish between the two things, they're easily confused, but they're not the same ... It's very rare to have a weakness, a genuine weakness for someone, and for that someone to provoke in us that feeling of weakness.

The really destructive feature of their relationship is its inherent quality of boredom. It is quite natural for Peter often to feel bored with Otto - they have scarecely a single interest in common - but Peter, for sentimental reasons, will never admit that this is so. When Otto, who has no such motives for pretending, says, "It's so dull here!" I invariably see Peter wince and looked pained. Yet Otto is actually far less often bored than Peter himself; he finds Peter's company genuinely amusing, and is quite glad to be with him most of the day. Often, when Otto has been chattering rubbish for an hour without stopping, I can see that Peter really longs for him to be quiet and go away. But to admit this would be, in Peter's eyes, a total defeat, so he only laughs and rubs his hands, tacitly appealing to me to support him in his pretense of finding Otto inexhaustibly delightful and funny.

And no matter how genuinely nice Starfire is, it doesn't change the fact that she's a woman who paid someone actual money to recount the plot of Titanic to her as a prophecy...

As Mark Twain observed, “Genuine humor is replete with wisdom.

She’s genuine and funny and a bit daft.

I thought you had to go to The Hall?" she said. "To learn?" Dar looked genuinely surprised. "No, Kale, Wulder is everywhere, therefore His lessons are everywhere." "I know Wulder made all things, and Pretender tried to copy His work. But I didn't know Wulder is everywhere. How could that be?" "You're thinking of Wulder as having a body and moving from place to place." Dar stood and pivoted in a circle with his arms outstretched. "Wulder is everywhere. You can see His power by recognizing His work. When a flower opens, that's His work. When the stars twinkle at night, that's His work." He paused, facing her. He let his arms fall to his sides. "Look at me, Kale. Right now, I am standing with Wulder all around me. I'm under His protection, within His will, standing on His pledge. And Wulder is, at the very same moment, in me." "Me, too?" asked Kale. "Yes." Dar knelt in front of her, his earnest face only inches away. She looked into his dark brown eyes and saw strength and peace. She wondered at his patience with her. Often her marione masters gruffly explained things they thought she should already understand. Dar winked before he continued, his funny face serious and yet cheerful at imparting what must be old knowledge to him. "So many people don't know who Wulder is or what He's capable of doing. Their ignorance doesn't make Wulder less of a being; it makes them less. Until they know, they can't be whole." He leaned back and sighed, spread his arms out in a gesture of explanation, and continued, "It's so simple, Kale. Everything hinges on His willingness to be involved with our world. When a mountain stands instead of tumbling down. He's holding it there. If He were to leave..." Dar shook his head. "If He were to leave, all that He holds in order would spin out of control. But He will never leave.

It was funny, what friendship meant in Rebecca’s world. It mainly meant lunch, twice a year, and the occasional dinner party, except for Dorothea, who was an old school friend, a genuine friend. Rebecca had realized, ruefully, that she should have made more friends in school; they seemed to be the only ones women really talked to honestly because the shared history meant fewer lies were available to them. With the others shared meals had become a substitute for intimacy, but not the kind of substitute that allowed for dark nights of the soul, calls at 1:00 A.M., tears and drinking and despair in pajamas.

At some point, I figured that it would be more effective and far funnier to embrace the ugliest, most terrifying things in the world--the Holocaust, racism, rape, et cetera. But for the sake of comedy, and the comedian's personal sanity, this requires a certain emotional distance. It's akin to being a shrink or a social worker. you might think that the most sensitive, empathetic person would make the best social worker, but that person would end up being soup on the floor. It really takes someone strong--someone, dare I say, with a big fat wall up--to work in a pool of heartbreak all day and not want to fucking kill yourself. But adopting a persona at once ignorant and arrogant allowed me to say what I didn't mean, even preach the opposite of what I believed. For me, it was a funny way to be sincere. And like the jokes in a roast, the hope is that the genuine sentiment--maybe even a goodness underneath the joke (however brutal) transcends.

FatherMichael has entered the room Wildflower: Ah don’t tell me you’re through a divorce yourself Father? SureOne: Don’t be silly Wildflower, have a bit of respect! He’s here for the ceremony. Wildflower: I know that. I was just trying to lighten the atmosphere. FatherMichael: So have the loving couple arrived yet? SureOne: No but it’s customary for the bride to be late. FatherMichael: Well is the groom here? SingleSam has entered the room Wildflower: Here he is now. Hello there SingleSam. I think this is the first time ever that both the bride and groom will have to change their names. SingleSam: Hello all. Buttercup: Where’s the bride? LonelyLady: Probably fixing her makeup. Wildflower: Oh don’t be silly. No one can even see her. LonelyLady: SingleSam can see her. SureOne: She’s not doing her makeup; she’s supposed to keep the groom waiting. SingleSam: No she’s right here on the laptop beside me. She’s just having problems with her password logging in. SureOne: Doomed from the start. Divorced_1 has entered the room Wildflower: Wahoo! Here comes the bride, all dressed in . . . SingleSam: Black. Wildflower: How charming. Buttercup: She’s right to wear black. Divorced_1: What’s wrong with misery guts today? LonelyLady: She found a letter from Alex that was written 12 years ago proclaiming his love for her and she doesn’t know what to do. Divorced_1: Here’s a word of advice. Get over it, he’s married. Now let’s focus the attention on me for a change. SoOverHim has entered the room FatherMichael: OK let’s begin. We are gathered here online today to witness the marriage of SingleSam (soon to be “Sam”) and Divorced_1 (soon to be “Married_1”). SoOverHim: WHAT?? WHAT THE HELL IS GOING ON HERE? THIS IS A MARRIAGE CEREMONY IN A DIVORCED PEOPLE CHAT ROOM?? Wildflower: Uh-oh, looks like we got ourselves a gate crasher here. Excuse me can we see your wedding invite please? Divorced_1: Ha ha. SoOverHim: YOU THINK THIS IS FUNNY? YOU PEOPLE MAKE ME SICK, COMING IN HERE AND TRYING TO UPSET OTHERS WHO ARE GENUINELY TROUBLED. Buttercup: Oh we are genuinely troubled alright. And could you please STOP SHOUTING. LonelyLady: You see SoOverHim, this is where SingleSam and Divorced_1 met for the first time. SoOverHim: OH I HAVE SEEN IT ALL NOW! Buttercup: Sshh! SoOverHim: Sorry. Mind if I stick around? Divorced_1: Sure grab a pew; just don’t trip over my train. Wildflower: Ha ha. FatherMichael: OK we should get on with this; I don’t want to be late for my 2 o’clock. First I have to ask, is there anyone in here who thinks there is any reason why these two should not be married? LonelyLady: Yes. SureOne: I could give more than one reason. Buttercup: Hell yes. SoOverHim: DON’T DO IT! FatherMichael: Well I’m afraid this has put me in a very tricky predicament. Divorced_1: Father we are in a divorced chat room, of course they all object to marriage. Can we get on with it? FatherMichael: Certainly. Do you Sam take Penelope to be your lawful wedded wife? SingleSam: I do. FatherMichael: Do you Penelope take Sam to be your lawful wedded husband? Divorced_1: I do (yeah, yeah my name is Penelope). FatherMichael: You have already e-mailed your vows to me so by the online power vested in me, I now pronounce you husband and wife. You may kiss the bride. Now if the witnesses could click on the icon to the right of the screen they will find a form to type their names, addresses, and phone numbers. Once that’s filled in just e-mail it off to me. I’ll be off now. Congratulations again. FatherMichael has left the room Wildflower: Congrats Sam and Penelope! Divorced_1: Thanks girls for being here. SoOverHim: Freaks. SoOverHim has left the room

Be anxious for no thing, be concerned about the state of your soul and that of your children, be concerned about God's work in the world; these are genuine concern but when it comes to the things in your life.....be not anxious. If God is for us who can be against us?

There’s also this: When you apologize because you Feel Like You Have To, there’s a pretty good chance that your apology isn’t going to come off as genuine. That’s the thing about acting like a fake-ass bitch: sometimes people happen to notice that you’re being a fake-ass bitch.

The funny thing is, and speaking in hindsight, I had come to feel a certain fondness for the man. He was infuriating, yes, but his amiable manner made it impossible to dislike him. One rarely meets a person of such geniality, and I genuinely wished him no further ill. Nevertheless, I stabbed him.

Neil says, and he shakes my hand in that way that people do in here to remind themselves that you’re the patient and they’re the doctor/ volunteer/employee. They like you, and they genuinely want you to do better, but when they shake your hand you feel that distance, that slight disconnect because they know that you’re still broken somewhere, that you might snap at any moment.

One splendid summer afternoon Kaspar realized he had never been happier in his life or both of his lives, past and present. Not fireworks-orgasms-and-champagne happy, but on waking in the morning he was glad almost every single day to be exactly where he was. He had never before experienced the feeling of genuine, constant well-being and it was a true revelation. The longer the satisfaction continued, the less he thought about his previous life as a mechanic and the extraordinary things he’d once seen and been able to do. Misery may love company but happiness is content to be alone. The funny irony of his existence now was, as long as he was this happy and content with his lot, Kaspar didn’t need to make much of an effort to “walk away” from his mechanic’s life because now he was sated with this one both in mind and heart.

Laughter may not be nearly as expressive as language, but it has two properties that make it ideal for navigating sensitive topics. First, it’s relatively honest. With words, it’s too easy to pay lip service to rules we don’t really care about, or values that we don’t genuinely feel in our gut. But laughter, because it’s involuntary, doesn’t lie—at least not as much. “In risu veritas,” said James Joyce; “In laughter, there is truth.”51 Second, laughter is deniable. In this way, it gives us safe harbor, an easy out. When someone accuses us of laughing inappropriately, it’s easy to brush off. “Oh, I didn’t really understand what she meant,” we might demur. Or, “Come on, lighten up! It was only a joke!” And we can deliver these denials with great conviction because we really don’t have a clear understanding of what our laughter means or why we find funny things funny. Our brains just figure it out, without burdening “us” with too many damning details.

Power comes at a price, love," Veliss replied through bared teeth, maintaining the smile she offered to the townsfolk lining the square. "What power?" "All power. The power to rule, to kill, or, in your case this fine morning, the power to incite the lust of the old goat you're about to meet." "Lust? I have no desire to incite lust in anyone." Veliss turned to her with a quizzical expression, her smile suddenly genuine. "Then I'm afraid you're in for a lifetime of disappointment.

This is Labor Day weekend!" I shriek, throwing it away from me again. "I know," Miles says. "They couldn't stop at simply ruining our lives. They had to ruin a perfectly good holiday too. Probably won't even decorate this year." "I mean, this Labor Day," I say. "Like, only a month after our wedding." Miles looks up at me, genuine concern contorting his face. "Daphne," he says. "I think that ship sailed when he fucked my girlfriend, then took her to Italy for a week so he didn't have to help you pack.

Peter is still amazed at the degree to which a certain widening gyre of accolades can change an artist's work, literally change it, not just the new stuff but the old as well, the pieces that have been around for a while, that have seemed "interesting" or "promising" but minor, until (not often, just once in a while) an artist is by some obscure consensus declared to have been neglected, misrepresented, ahead of his time. What's astonishing to Peter is the way the work itself seems to change, more or less in the way of a reasonably pretty girl who is suddenly treated as a beauty. Peculiar, clever Victoria Hwang is going to be in Artforum next month, and probably in the collections of the Whitney and the Guggenheim; Renee Zellweger - moonfaced, squinty-eyed, a character actress if ever there was one - was just on the cover of Vogue, looking ravishing in a silver gown. It is, of course, a trick of perception - the understanding that that funny little artist or that quirky-looking girl must be taken with new seriousness - but Peter suspects there's a deeper change at work. Being the focus of that much attention (and, yes, of that much money) seems to differently excite the molecules of the art or the actress or the politician. It's not just a phenomenon of altered expectations, it's a genuine transubstantiation, brought about by altered expectations. Renée Zellweger becomes a beauty, and would look like a beauty to someone who had never heard of her. Victoria Hwang's videos and sculptures are about, it seems, to become not just intriguing and amusing but significant.

When you start to find genuine love, the ways you used to manipulate people to get what you thought was love suddenly become clear and obvious. You might expect this to be embarrassing; in fact, it’s often funny, and you find that it’s easy to forgive yourself for your own humanity. You realize that the old ways of seeking approval were just a misunderstanding that has been cleared up now, and you are grateful for that. I sent out an e-mail asking how inquiry had worked for people. The replies kept coming in, five hundred pages of them. As I read, I was moved by how much people had suffered, in so many different ways, and by the delight they took in waking up from the dream of what they thought was happening in their lives and seeing what was really happening. Inquiry seemed like a magic realm that they could come home to after a long, amazing journey, a house where they could sit around the fire, telling tales of danger overcome, and laughing with old friends. When you don’t believe your stressful thoughts, all that’s left are love and laughter.

Barbara and I had arrived early, so I got to admire everyone’s entrance. We were seated at tables around a dance floor that had been set up on the lawn behind the house. Barbara and I shared a table with Deborah Kerr and her husband. Deborah, a lovely English redhead, had been brought to Hollywood to play opposite Clark Gable in The Hucksters. Louis B. Mayer needed a cool, refined beauty to replace the enormously popular redhead, Greer Garson, who had married a wealthy oil magnate and retired from the screen in the mid-fifties. Deborah, like her predecessor, had an ultra-ladylike air about her that was misleading. In fact, she was quick, sharp, and very funny. She and Barbara got along like old school chums. Jimmy Stewart was also there with his wife. It was the first time I’d seen him since we’d worked for Hitchcock. It was a treat talking to him, and I felt closer to him than I ever did on the set of Rope. He was so genuinely happy for my success in Strangers on a Train that I was quite moved. Clark Gable arrived late, and it was a star entrance to remember. He stopped for a moment at the top of the steps that led down to the garden. He was alone, tanned, and wearing a white suit. He radiated charisma. He really was the King. The party was elegant. Hot Polynesian hors d’oeuvres were passed around during drinks. Dinner was very French, with consommé madrilène as a first course followed by cold poached salmon and asparagus hollandaise. During dessert, a lemon soufflé, and coffee, the cocktail pianist by the pool, who had been playing through dinner, was discreetly augmented by a rhythm section, and they became a small combo for dancing. The dance floor was set up on the lawn near an open bar, and the whole garden glowed with colored paper lanterns. Later in the evening, I managed a subdued jitterbug with Deborah Kerr, who was much livelier than her cool on-screen image. She had not yet done From Here to Eternity, in which she and Burt Lancaster steamed up the screen with their love scene in the surf. I was, of course, extremely impressed to be there with Hollywood royalty that evening, but as far as parties go, I realized that I had a lot more fun at Gene Kelly’s open houses.

Most abusers aren’t assholes in wife beaters who smack their bitch around because “she deserves it.” They’re guys wearing a t-shirt of your favorite band. They’re funny and charming and genuine and respectful. Right until the moment they’re not. But by the time those nastier colors bleed through, you’re already snared. Because by then they know you. They know exactly where your buttons are. Not just your buttons, but your wounds too. All those soft, vulnerable places filled with self doubt. They find those places, insert themselves deep, and have their way.

Sometimes you make it sound like I'm a snake-oil salesman." I grab his arm. "That's not what I meant at all." "Then what do you mean?" he asks. "I mean that you're nice," I say. He laughs. "This again." "I mean," I say, more fervently, "you're probably the only person I've ever met who's genuinely curious about everyone he meets. And makes them feel interesting and welcome, and like–like they should be confident in what they do. You make them feel like growing corn or making cherry salsa or recommending books is a superpower." "If you're good at those things," he says, "It is.

As you sit there watching a performance of a Shakespeare, Johnson, or Marlowe play, the crowd will fade into the background. Instead, you will be struck by the diction. There are words and phrases that you will not find funny, but which will make the crowd roar with laughter. Your familiarity with the meanings of Shakespeare's words will rise and fall as you see and hear the actors' deliveries and notice the audience's reaction. That is the strange music of being so familiar with something that is not of your own time. What you are listening to in that auditorium is the genuine voice, something of which you have heard only distant echoes. Not every actor is perfect in his delivery; Shakespeare himself makes that quite clear in his Hamlet. But what you are hearing is the voice of the men for whom Shakespeare wrote his greatest speeches. Modern thespians will follow the rhythms or the meanings of these words, but even the most brilliant will not always be able to follow both rhythm and meaning at once. If they follow the pattern of the verse, they risk confusing the audience, who are less familiar with the sense of the words. If they pause to emphasize the meanings, they lose the rhythm of the verse. Here, on the Elizabethan stage, you have a harmony of performance and understanding that will never again quite be matched in respect of any of these great writers.

Negroes know about each other what can here be called family secrets, and this means that one Negro, if he wishes, can “knock” the other’s “hustle”—can give his game away. It is still not possible to overstate the price a Negro pays to climb out of obscurity—for it is a particular price, involved with being a Negro; and the great wounds, gouges, amputations, losses, scars, endured in such a journey cannot be calculated. But even this is not the worst of it, since he is really dealing with two hierarchies, one white and one black, the latter modeled on the former. The higher he rises, the less is his journey worth, since (unless he is extremely energetic and anarchic, a genuinely “bad nigger” in the most positive sense of the term) all he can possibly find himself exposed to is the grim emptiness of the white world—which does not live by the standards it uses to victimize him—and the even more ghastly emptiness of black people who wish they were white. Therefore, one “exceptional” Negro watches another “exceptional” Negro in order to find out if he knows how vastly successful and bitterly funny the hoax has been. Alliances, in the great cocktail party of the white man’s world, are formed, almost purely, on this basis, for if both of you can laugh, you have a lot to laugh about. On the other hand, if only one of you can laugh, one of you, inevitably, is laughing at the other.

It's only second period, and the whole school knows Emma broke up with him. So far, he's collected eight phone numbers, one kiss on the cheek, and one pinch to the back of his jeans. His attempts to talk to Emma between classes are thwarted by a hurricane of teenage females whose main goal seems to be keeping him and his ex-girlfriend separated. When the third period bell rings, Emma has already chosen a seat where she'll be barricaded from him by other students. Throughout class, she pays attention as if the teacher were giving instructions on how to survive a life-threatening catastrophe in the next twenty-four hours. About midway through class, he receives a text from a number he doesn't recognize. If you let me, I can do things to u to make u forget her. As soon as he clears it, another one pops up from a different number. Hit me back if u want to chat. I'll treat u better than E. How did they get my number? Tucking his phone back into his pocket, he hovers over his notebook protectively, as if it's the only thing left that hasn't been invaded. Then he notices the foreign handwriting scribbled on it by a girl named Shena who encircled her name and phone number with a heart. Not throwing it across the room takes almost as much effort as not kissing Emma. At lunch, Emma once again blocks his access to her by sitting between people at a full picnic table outside. He chooses the table directly across from her, but she seems oblivious, absently soaking up the grease from the pizza on her plate until she's got at least fifteen orange napkins in front of her. She won't acknowledge that he's staring at her, waiting to wave her over as soon as she looks up. Ignoring the text message explosion in his vibrating pocket, he opens the contain of tuna fish Rachel packed for him. Forking it violently, he heaves a mound into his mouth, chewing without savoring it. Mark with the Teeth is telling Emma something she thinks is funny, because she covers her mouth with a napkin and giggles. Galen almost launches from his bench when Mark brushes a strand of hair from her face. Now he knows what Rachel meant when she told him to mark his territory early on. But what can he do if his territory is unmarking herself? News of their breakup has spread like an oil spill, and it seems as though Emma is making a huge effort to help it along. With his thumb and index finger, Galen snaps his plastic fork in half as Emma gently wipes Mark's mouth with her napkin. He rolls his eyes as Mark "accidentally" gets another splotch of JELL-O on the corner of his lips. Emma wipes that clean too, smiling like she's tending to a child. It doesn't help that Galen's table is filling up with more of his admirers-touching him, giggling at him, smiling at him for no reason, and distracting him from his fantasy of breaking Mark's pretty jaw. But that would only give Emma a genuine reason to assist the idiot in managing his JELL-O.

I'm curious,' he said casually. The amber in his green eyes was glowing. Perhaps not all traces of that beast-warrior were gone. 'Are you ever going to use that knife you stole from my table?' I stiffened. 'How did you know?' Beneath the mask, I could have sworn his brows were raised. 'I was trained to notice those things. But I could smell the fear on you, more than anything.' I grumbled. 'I thought no one noticed.' He gave me a crooked smile, more genuine than all the faked smiles and flattery he'd given me before. 'Regardless of the Treaty, if you were to stand a chance at escaping my kind, you'll need to think more creatively than stealing dinner knives. But with your affinity for eavesdropping, maybe you'll someday learn something valuable.

What are you guys going to do?” she asked. “Snort cocaine.” Dylan gave her the first genuine grin she’d seen out of him all day. “Absolutely no cocaine, any other kind of drug, alcohol, or girls.” He pretended astonishment. “Movies are fine.” She’d set parental controls. “So are the video games we already own.” “What about board games?” Sebastian asked her wryly. “More like bored games,” Dylan answered, taking a clunky stab at humor. “Board games are allowed. As are puzzles. You can cook anything except meth. And, of course, arts and crafts are always a wholesome option.” “They could make jewelry,” Sebastian suggested, deadpan. “Or tie-dye shirts,” Leah said. “They could color.” “Or do macramé.” Dylan shook his head and took a few steps back. “Can I, uh . . .” He gestured to his room. “Go now?” Delightful child. Such an open, winning, sunny personality. “Yes.

There were two things that particularly bothered me in those days. One was that I came too fast, often before anything had happened at all, and the other was that I never laughed. That is, it did happen once in a while, maybe once every six months, when I would be overcome by the hilarity of something and just laugh and laugh, but that was always unpleasant because then I completely lost control, I was unable to regain my composure, and I didn’t like showing that side of myself to others. So basically I was able to laugh, I had the capacity, but in my everyday life, in social situations, when I was with people around a table chatting, I never laughed. I had lost that ability. To make up for this, I smiled a lot, I might also emit some laughter-like sounds, so I don’t think anyone noticed or found it conspicuous. But I knew: I never laughed. As a result, I became especially conscious of laughter as such, as a phenomenon — I noticed how it occurred, how it sounded, what it was. People laughed almost all the time, they said something, laughed, others said something, everyone laughed. It lubricated conversations or gave them a shot of something else which didn’t have so much to do with what was being said as with being together with others. People meeting. In this situation everyone laughed, each in their own way, of course, and sometimes because of something genuinely funny, in which case the laughter lasted longer and could at times completely take over, but also for no apparent reason at all, just as a token of friendliness or openness. It could conceal insecurity, I knew that well, but it could also be strong and generous, a helping hand. When I was small I laughed a lot, but at some point it stopped, perhaps as early as the age of twelve, at any rate I remember there was a film with Rolv Wesenlund that filled me with horror, it was called The Man Who Could Not Laugh, and it was probably when I heard about it that I realised actually I didn’t laugh. From then on, all social situations were something I took part in and watched from the outside as I lacked what they were full of, the interpersonal link: laughter.

Bloody hell,” Charlie gasped. “That’s twenty-five quid each, Isaac.” “Language.” “Shit.” Isaac blew out a breath. “A hundred quid, Mum.” “Isaac, language.” “Hey no,” Dex said, holding up a hand. “I mean a hundred each. I could use these as stencils. At this size I could pretty much charge double that, if not more, each time they’re used. Probably twice again if they have them in colour.” The three of us looked at Dex in awe. He wanted to buy my talented boy’s drawings for a hundred pounds each. “Well?” I prompted. “Fuck yeah.” “Language,” I said, barely above a whisper, still in a state of shock. “It’s a deal.” Dex grinned. “Speaking of which, I said I’d show you my designs, but I gotta be honest, I’m not sure they’re as good as these.” “Oh fuck,” I muttered. “Language,” Charlie cried. As Dex stripped off his shirt, I genuinely thought I heard a choir of angels sing and saw a shaft of light shine through the darkness outside and into my lounge. There was only one word for what I was looking at – wondrous. He could honestly market himself as a tourist attraction and sell tickets.

I cooked with so many of the greats: Tom Colicchio, Eric Ripert, Wylie Dufresne, Grant Achatz. Rick Bayless taught me not one but two amazing mole sauces, the whole time bemoaning that he never seemed to know what to cook for his teenage daughter. Jose Andres made me a classic Spanish tortilla, shocking me with the sheer volume of viridian olive oil he put into that simple dish of potatoes, onions, and eggs. Graham Elliot Bowles and I made gourmet Jell-O shots together, and ate leftover cheddar risotto with Cheez-Its crumbled on top right out of the pan. Lucky for me, Maria still includes me in special evenings like this, usually giving me the option of joining the guests at table, or helping in the kitchen. I always choose the kitchen, because passing up the opportunity to see these chefs in action is something only an idiot would do. Susan Spicer flew up from New Orleans shortly after the BP oil spill to do an extraordinary menu of all Gulf seafood for a ten-thousand-dollar-a-plate fund-raising dinner Maria hosted to help the families of Gulf fishermen. Local geniuses Gil Langlois and Top Chef winner Stephanie Izard joined forces with Gale Gand for a seven-course dinner none of us will ever forget, due in no small part to Gil's hoisin oxtail with smoked Gouda mac 'n' cheese, Stephanie's roasted cauliflower with pine nuts and light-as-air chickpea fritters, and Gale's honey panna cotta with rhubarb compote and insane little chocolate cookies. Stephanie and I bonded over hair products, since we have the same thick brown curls with a tendency to frizz, and the general dumbness of boys, and ended up giggling over glasses of bourbon till nearly two in the morning. She is even more awesome, funny, sweet, and genuine in person than she was on her rock-star winning season on Bravo. Plus, her food is spectacular all day. I sort of wish she would go into food television and steal me from Patrick. Allen Sternweiler did a game menu with all local proteins he had hunted himself, including a pheasant breast over caramelized brussels sprouts and mushrooms that melted in your mouth (despite the occasional bit of buckshot). Michelle Bernstein came up from Miami and taught me her white gazpacho, which I have since made a gajillion times, as it is probably one of the world's perfect foods.

People, especially those in charge, rarely invite you into their offices and give freely of their time. Instead, you have to do something unique, compelling, even funny or a bit daring, to earn it. Even if you happen to be an exceptionally well-rounded person who possesses all of the scrappy qualities discussed so far, it’s still important to be prepared, dig deep, do the prep work, and think on your feet. Harry Gordon Selfridge, who founded the London-based department store Selfridges, knew the value of doing his homework. Selfridge, an American from Chicago, traveled to London in 1906 with the hope of building his “dream store.” He did just that in 1909, and more than a century later, his stores continue to serve customers in London, Manchester, and Birmingham. Selfridges’ success and staying power is rooted in the scrappy efforts of Harry Selfridge himself, a creative marketer who exhibited “a revolutionary understanding of publicity and the theatre of retail,” as he is described on the Selfridges’ Web site. His department store was known for creating events to attract special clientele, engaging shoppers in a way other retailers had never done before, catering to the holidays, adapting to cultural trends, and changing with the times and political movements such as the suffragists. Selfridge was noted to have said, “People will sit up and take notice of you if you will sit up and take notice of what makes them sit up and take notice.” How do you get people to take notice? How do you stand out in a positive way in order to make things happen? The curiosity and imagination Selfridge employed to successfully build his retail stores can be just as valuable for you to embrace in your circumstances. Perhaps you have landed a meeting, interview, or a quick coffee date with a key decision maker at a company that has sparked your interest. To maximize the impression you’re going to make, you have to know your audience. That means you must respectfully learn what you can about the person, their industry, or the culture of their organization. In fact, it pays to become familiar not only with the person’s current position but also their background, philosophies, triumphs, failures, and major breakthroughs. With that information in hand, you are less likely to waste the precious time you have and more likely to engage in genuine and meaningful conversation.

How do we stop them?” Edilio asked. He raised his head, and Sam saw the distress on his face. “How do you think we stop them? When your fifteenth birthday rolls around, the easy thing is to take the poof. You gotta fight to resist it. We know that. So how are we going to tell kids this isn’t real, this Orsay thing?” “We just tell them,” Astrid said. “But we don’t know if it’s real or not,” Edilio argued. Astrid shrugged. She stared at nothing and kept her features very still. “We tell them it’s all fake. Kids hate this place, but they don’t want to die.” “How do we tell them if we don’t know?” Edilio seemed genuinely puzzled. Howard laughed. “Deely-O, Deely-O, you are such a doof sometimes.” He put his feet down and leaned toward Edilio as if sharing a secret with him. “She means: We lie. Astrid means that we lie to everyone and tell them we do know for sure.” Edilio stared at Astrid like he was expecting her to deny it. “It’s for people’s own good,” Astrid said in a low voice, still looking at nothing. “You know what’s funny?” Howard said, grinning. “I was pretty sure we were coming to this meeting so Astrid could rank on Sam for not telling us the whole truth. And now, it turns out we’re really here so Astrid can talk us all into becoming liars.

The Pakistani film International Gorillay (International guerillas), produced by Sajjad Gul, told the story of a group of local heroes - of the type that would, in the language of a later age, come to be known as jihadis, or terrorists - who vowed to find and kill an author called "Salman Rushdie" . The quest for "Rushdie" formed the main action of the film and "his" death was the film's version of happy ending. "Rushdie" himself was depicted as a drunk, constantly swigging from a bottle, and a sadist. He lived in what looked very like a palace on what looked very like an island in the Philippines (clearly all novelists had second homes of this kind), being protected by what looked very like the Israeli Army (this presumably being a service offered by Israel to all novelists), and he was plotting the overthrow of Pakistan by the fiendish means of opening chains of discotheques and gambling dens across that pure and virtuous land, a perfidious notion for which, as the British Muslim "leader" Iqbal Sacranie might have said, death was too light a punishment. "Rushdie" was dressed exclusively in a series of hideously coloured safari suits - vermilion safari suits, aubergine safari suits, cerise safari suits - and the camera, whenever it fell upon the figure of this vile personage, invariably started at his feet and then panned [sic] with slow menace up to his face. So the safari suits got a lot of screen time, and when he saw a videotape of the film the fashion insult wounded him deeply. It was, however, oddly satisfying to read that one result of the film's popularity in Pakistan was that the actor playing "Rushdie" became so hated by the film-going public that he had to go into hiding. At a certain point in the film one of the international gorillay was captured by the Israeli Army and tied to a tree in the garden of the palace in the Philippines so that "Rushdie" could have his evil way with him. Once "Rushdie" had finished drinking form his bottle and lashing the poor terrorist with a whip, once he had slaked his filthy lust for violence upon the young man's body, he handed the innocent would-be murderer over to the Israeli soldiers and uttered the only genuinely funny line in the film. "Take him away," he cried, "and read to him from The Satanic Verses all night!" Well, of course, the poor fellow cracked completely. Not that, anything but that, he blubbered as the Israelis led him away. At the end of the film "Rushdie" was indeed killed - not by the international gorillay, but by the Word itself, by thunderbolts unleashed by three large Qurans hanging in the sky over his head, which reduced the monster to ash. Personally fried by the Book of the Almighty: there was dignity in that.

Where do the biggest movie star of his generation and a revered director (and great actor in his own right) stay when they are visiting someone? Would you believe the local Holiday Inn? Hoping to forge a better connection to Chris, Clint Eastwood and Bradley Cooper came to see me and the rest of the family in early spring of 2014, before they started filming American Sniper. The unpretentiousness of their visit and their genuine goodwill floored me. It was a great omen for the movie. Bubba and I picked them up at the local airport and brought them home; within minutes Bubba had Bradley out in the back playing soccer. Meanwhile, Clint and I talked inside. He reminded me of my grandfather with his courtly manners and gracious ways. He was very funny, with a quiet, quick wit and dry sense of humor. After dinner--it was an oryx Chris had killed shortly before he died--Bradley took Bubba to the Dairy Queen for dessert. Even in small-town Texas, he couldn’t quite get away without being recognized, and when someone asked for his photo, he stepped aside to pose. Bubba folded his arms across his chest and scanned the area much as his dad would have: on overwatch. I guess I didn’t really understand how unusual the situation was until later, when I dropped them off at the Holiday Inn. I watched them walk into the lobby and disappear. That’s Clint Eastwood and Bradley Cooper! Awesome!

I remember standing against the bar in Budapest’s airport with a couple of workmates, some chaps from McLaren too, waiting for our homeward flight to be called after the ’92 race weekend. The chap behind the counter was doing the exact same thing: halving and squeezing oranges. Funny how these things spark memories. It was an exceedingly hot afternoon that day, and I remember seeing James Hunt walk through the door with Murray Walker. We were waiting for the same flight, a charter to London; I think pretty much the whole of the paddock’s British contingent was on it. Murray looked perfectly normal . . . like Murray really . . . open-necked shirt, briefcase, what have you; but James was wearing nothing but a pair of red shorts. He carried a ticket, a passport and a packet of cigarettes. That was it. There wasn’t even a pair of flip-flops to spoil the perfect minimalist look. The thing that really made the event stick in my mind, though, was that James was absolutely at ease with himself, perfectly comfortable. This was real for him, no stunt or affectation designed to impress or shock, this was genuine: James Hunt, former world champion driver, current commentator for the BBC; work done for the day . . . going home. Take me, leave me; do what you bloody well want, just don’t give me a hard time about your own petty hang-ups. He became a hero of mine that day. Sadly, his heart gave out the following summer and that was that. He was only forty-five. Mind you, he’d certainly packed a lot of living into those years.

The first thing I want to say about Boyfriend is that he’s an extraordinarily decent human being. He’s kind and generous, funny and smart, and when he’s not making you laugh, he’ll drive to the drugstore at two a.m. to get you that antibiotic you just can’t wait until morning for. If he happens to be at Costco, he’ll text to ask if you need anything, and when you reply that you just need some laundry detergent, he’ll bring home your favorite meatballs and twenty jugs of maple syrup for the waffles he makes you from scratch. He’ll carry those twenty jugs from the garage to your kitchen, pack nineteen of them neatly into the tall cabinet you can’t reach, and place one on the counter, accessible for the morning. He’ll also leave love notes on your desk, hold your hand and open doors, and never complain about being dragged to family events because he genuinely enjoys hanging out with your relatives, even the nosy or elderly ones. For no reason at all, he’ll send you Amazon packages full of books (books being the equivalent of flowers to you), and at night you’ll both curl up and read passages from them aloud to each other, pausing only to make out. While you’re binge-watching Netflix, he’ll rub that spot on your back where you have mild scoliosis, and when he stops, and you nudge him, he’ll continue rubbing for exactly sixty more delicious seconds before he tries to weasel out without your noticing (you’ll pretend not to notice). He’ll let you finish his sandwiches and sentences and sunscreen and listen so attentively to the details of your day that, like your personal biographer, he’ll remember more about your life than you will. If this portrait sounds skewed, it is.

my reworking of that marvellous list. 1. Live as enjoyably as you can within financial reason. 2. If you have a bath, draw an inch or two of cold water and splash about in it. A cold shower will have the same uplifting effect. 3. Never stay up all night watching Netflix Originals about serial killers. 4. DON’T THINK TOO FAR AHEAD. EVENING IS FINE, BUT TOMORROW CAN LOOK AFTER ITSELF. 5. Keep reasonably busy. 6. See as much as you can of the friends who like you, support you and make you laugh. See as little as you can of the friends who judge you, compare you to others and tire you (and don’t pretend you don’t know who they are). 7. Apply the same rules to casual acquaintances. If your instincts tell you they are toxic, walk away and don’t look back. 8. If you are low in the water, do not pretend that you aren’t. It makes it so much worse, and A STIFF UPPER LIP ONLY GIVES YOU A SORE JAW. 9. Good coffee and tea are a genuine help. 10. DO NOT UNDER ANY CIRCUMSTANCES OR FOR ANY REASON AT ANY TIME COMPARE YOURSELF TO ANYONE ELSE. 11. Cultivate a gentle, healthy pessimism. It can result in more nice surprises. 12. Avoid drama about what is wrong with the world (unless it is funny), emotionally powerful music, other sad people, and anything likely to make you feel anxious or that you are not doing enough. 13. RANDOM ACTS OF KINDNESS ARE HUMAN ANTIDEPRESSANTS. 14. Form a close bond with a local tree. 15. Make the room you most like sitting in as much of a comfy nest as you can. 16. Listen to David Attenborough. 17. STOP JUDGING YOURSELF. STOP PUNISHING YOURSELF. IT’S NOT YOUR FAULT. 18. Keep warm. 19. Think as much as you can about space, infinity and the beyond. Anything that much bigger than you can be very relaxing. 20. Trust me.

Hey, Ben,” she says, ignoring the rest of us. “You want to dance?” Ben’s cheeks turn the same scarlet as Rosie’s dress. He and Ryder exchange a pointed look while Lucy and I just stand there gawking. “Go on, man,” Ryder says, nudging him. “You look great, Rosie,” he adds. “Nice dress.” She smiles up at him, her blue eyes seeming to glitter beneath the disco-ball lighting. “Thanks. You don’t look so bad yourself.” She glances from Ryder to me and back to Ryder again. “The two of you…You looked good together up there.” “I know, right?” Lucy nods, and I shoot her a “what are you doing?” glare. She ignores it. “Maybe these two should stop the hating and listen to their parents.” An awkward silence follows. Finally, Ben seems to remember why Rosie came over in the first place. “Um, you want to go dance?” “Yeah. I love this song.” Ben nods. “Okay. Catch you guys later.” Rosie’s smile seems genuine as she follows Ben to the dance floor. I hope that means she’s finally figured out what a sweetheart he is. As soon as they’re gone, Lucy lets out a low whistle. “Whoa, did that just happen?” “I think it did,” I say, watching as Rosie wraps her arms around Ben’s neck. She must have said something funny, because he throws his head back and laughs. Lucy shakes her head in amazement. “I swear, it’s like we’re in some kind of alternate universe tonight.” “Well, in that case, how about you and me, Luce?” Mason says with a cocky grin. “Think you can handle me on the dance floor?” “Oh, what the hell?” Lucy says with a shrug. “Why not!” She reaches for Mason’s hand and drags him toward the dance floor but stops a few feet away and turns back to face Ryder and me. “Hey, you two--behave!” In seconds, she and Mason are swallowed by the crowd. “And then there were two,” Ryder says, reaching for my hand. He leans down, his lips near my ear. “Do you have any idea how badly I want to kiss you right now?” he whispers. “Later,” I say with a shiver. It’s not an empty word. It’s a promise. He gives my hand a squeeze. “So…until then, I guess we dance.” “We dance,” I say as a slow song begins to play. Talk about good timing.

I made no difficulty in communicating to him what had interested me most in this affair. It seemed as though he had a right to know: hadn’t he spent thirty hours on board the Patna — had he not taken the succession, so to speak, had he not done “his possible”? He listened to me, looking more priest-like than ever, and with what — probably on account of his downcast eyes — had the appearance of devout concentration. Once or twice he elevated his eyebrows (but without raising his eyelids), as one would say “The devil!” Once he calmly exclaimed, “Ah, bah!” under his breath, and when I had finished he pursed his lips in a deliberate way and emitted a sort of sorrowful whistle. ‘In any one else it might have been an evidence of boredom, a sign of indifference; but he, in his occult way, managed to make his immobility appear profoundly responsive, and as full of valuable thoughts as an egg is of meat. What he said at last was nothing more than a “Very interesting,” pronounced politely, and not much above a whisper. Before I got over my disappointment he added, but as if speaking to himself, “That’s it. That is it.” His chin seemed to sink lower on his breast, his body to weigh heavier on his seat. I was about to ask him what he meant, when a sort of preparatory tremor passed over his whole person, as a faint ripple may be seen upon stagnant water even before the wind is felt. “And so that poor young man ran away along with the others,” he said, with grave tranquillity. ‘I don’t know what made me smile: it is the only genuine smile of mine I can remember in connection with Jim’s affair. But somehow this simple statement of the matter sounded funny in French... “S’est enfui avec les autres,” had said the lieutenant. And suddenly I began to admire the discrimination of the man. He had made out the point at once: he did get hold of the only thing I cared about. I felt as though I were taking professional opinion on the case. His imperturbable and mature calmness was that of an expert in possession of the facts, and to whom one’s perplexities are mere child’s-play. “Ah! The young, the young,” he said indulgently. “And after all, one does not die of it.” “Die of what?” I asked swiftly. “Of being afraid.” He elucidated his meaning and sipped his drink.

I have been all over the world cooking and eating and training under extraordinary chefs. And the two food guys I would most like to go on a road trip with are Anthony Bourdain and Michael Ruhlmann, both of whom I have met, and who are genuinely awesome guys, hysterically funny and easy to be with. But as much as I want to be the Batgirl in that trio, I fear that I would be woefully unprepared. Because an essential part of the food experience that those two enjoy the most is stuff that, quite frankly, would make me ralph. I don't feel overly bad about the offal thing. After all, variety meats seem to be the one area that people can get a pass on. With the possible exception of foie gras, which I wish like heckfire I liked, but I simply cannot get behind it, and nothing is worse than the look on a fellow foodie's face when you pass on the pate. I do love tongue, and off cuts like oxtails and cheeks, but please, no innards. Blue or overly stinky cheeses, cannot do it. Not a fan of raw tomatoes or tomato juice- again I can eat them, but choose not to if I can help it. Ditto, raw onions of every variety (pickled is fine, and I cannot get enough of them cooked), but I bonded with Scott Conant at the James Beard Awards dinner, when we both went on a rant about the evils of raw onion. I know he is often sort of douchey on television, but he was nice to me, very funny, and the man makes the best freaking spaghetti in tomato sauce on the planet. I have issues with bell peppers. Green, red, yellow, white, purple, orange. Roasted or raw. Idk. If I eat them raw I burp them up for days, and cooked they smell to me like old armpit. I have an appreciation for many of the other pepper varieties, and cook with them, but the bell pepper? Not my friend. Spicy isn't so much a preference as a physical necessity. In addition to my chronic and severe gastric reflux, I also have no gallbladder. When my gallbladder and I divorced several years ago, it got custody of anything spicier than my own fairly mild chili, Emily's sesame noodles, and that plastic Velveeta-Ro-Tel dip that I probably shouldn't admit to liking. I'm allowed very occasional visitation rights, but only at my own risk. I like a gentle back-of-the-throat heat to things, but I'm never going to meet you for all-you-can-eat buffalo wings. Mayonnaise squicks me out, except as an ingredient in other things. Avocado's bland oiliness, okra's slickery slime, and don't even get me started on runny eggs. I know. It's mortifying.

He called back with an incredible report: there were people lined up around the store already. Wow, I thought. Wow! Wow didn’t begin to cover it. People lined up on two floors of the store to talk to Chris and get their books signed, hours before he was even scheduled to arrive. Chris was overwhelmed when he got there, and so was I. The week before, he’d been just another guy walking down the street. Now, all of a sudden he was famous. Except he was still the same Chris Kyle, humble and a bit abashed, ready to shake hands and pose for a picture, and always, at heart, a good ol’ boy. “I’m so nervous,” confided one of the people on the line as he approached Chris. “I’ve been waiting for three hours just to see you.” “Oh, I’m sorry,” said Chris. “Waitin’ all that time and come to find out there’s just another redneck up here.” The man laughed, and so did Chris. It was something he’d repeat, in different variations, countless times that night and over the coming weeks. We stayed for three or four hours that first night, far beyond what had been advertised, with Chris signing each book, shaking each hand, and genuinely grateful for each person who came. For their part, they were anxious not just to meet him but to thank him for his service to our country-and by extension, the service of every military member whom they couldn’t personally thank. From the moment the book was published, Chris became the son, the brother, the nephew, the cousin, the kid down the street whom they couldn’t personally thank. In a way, his outstanding military record was beside the point-he was a living, breathing patriot who had done his duty and come home safe to his wife and kids. Thanking him was people’s way of thanking everyone in uniform. And, of course, the book was an interesting read. It quickly became a commercial success beyond anyone’s wildest dreams, including the publisher’s. The hardcover debuted at number two on the New York Times bestseller list, then rose to number one and stayed there for more than two months. It’s remained a fixture on the bestseller lists ever since, and has been translated into twenty-four languages worldwide. It was a good read, and it had a profound effect on a lot of people. A lot of the people who bought it weren’t big book readers, but they ended up engrossed. A friend of ours told us that he’d started reading the book one night while he was taking a bath with his wife. She left, went to bed, and fell asleep. She woke up at three or four and went into the bathroom. Her husband was still there, in the cold water, reading. The funny thing is, Chris still could not have cared less about all the sales. He’d done his assignment, turned it in, and got his grade. Done deal.

Whatever you may say, genuine emotions are aroused by people. The first smile of a newborn, love confession, hang-loose chatting with friends, weekly meetings with dears, and a lot more other things initiated by two or several individuals trigger the feeling of happiness. There are more specific emotions native to females and males. Whereas the first ones are pleased at hearing sweet words. We live and work in the tradition of love and not hatred. As for us, it is the unconditional acceptance of all people, the scale of our love for them. Let's treat every person as a person in his uniqueness at eye level. Love is one of the strongest feelings one can ever have. It comes over you all of a sudden and totally absorbs before you manage to realize the fact. Emotions which arise with the feeling require some way of expression. Furtive glances, sweet words, touching, and romantic dates are a usual manifestation of affection. Still, there is a more inventive way to expose oneself – dedicating a special beautiful love quote to your beloved.

Finding Three: Boys Are Relational Learners Perhaps the most revealing and promising finding in our study was one that appeared without our seeking it. We had asked both boys and teachers not to discuss, mention, or name individual persons when they recounted an especially effective scholastic experience. And not a single teacher named or even profiled an individual student. By contrast, almost all of the boys named or profiled teachers. In many cases, boys veered away from discussing the nature of the lesson into deeply feeling responses to the impact a specific teacher had made. There was no single quality or even pattern of qualities singled out in the boys’ responses; they appreciated especially attentive and nurturing teachers in equal measure with daunting taskmasters who displayed an impressive command of their subjects. They celebrated teachers who found ways to be genuinely funny, as well as teachers who freely disclosed their own personal experiences and struggles. Common to all of the accounts in this chorus of praise and appreciation from students was a sense that the teacher in question had somehow seen and known the writer as a distinctive individual. Especially touching were the boys who identified themselves as frustrated and unsuccessful in their studies but experienced a transformation in understanding and motivation as a result of a teacher’s reaching out to him.

Beckett is funny. I like the way he teases me and there's something so genuine about his interest in me. I truly believe he wants to know what is going on in my crazy head even if I speak too fast and the words come out in a long jumble. He somehow takes it in stride the fact that you never know what is going to fly out of my mouth because apparently I don't have a working filter.

I’ll be back to shave your head while you’re sleeping.” Kenji looks genuinely terrified for the first time. “You wouldn’t.” I head toward the opposite wall. Hit the button for the elevator. “You’re a heavy sleeper, right?” “That’s not funny, J—that’s not even a little bit funny—” The elevator pings open. I step inside. “Good night, Kenji.” I can still hear him shouting at me as the doors close.

If Indians are in the area you settle in, you will have no trouble with them unless you get out of line. Indians are one of the easiest race types of all to get along with. Although solid of face they have a great sense of humor and enjoy real comedy immensely. A friend of mine near Gallup, New Mexico had a store that he called John's Teepee that sold Indian souvenirs and curios. He up a number of large roadside signs in Navajo territory. They read: GENUINE BEADED BELTS AND NAVAJO RUGS AT JOHN'S TEEPEE 1 MILE. The first night the signs were up the Indians painted the right side of the T in teepee in a half circle making the T into a P. In northern Arizona through the woodland areas the state put up road signs reading LOOK OUT FOR THE DEER. The Indians quickly painted a line half way through the D in deer making the D into a B. To me this kind of humor is really funny, a lot funnier than the form jokes written by television writers and memorized by so-called television "Adlib" comedians who are no funnier than their ability to memorize a script.

The banality of billionaire conversation is accurately captured – but then again it’s easier for a not-very-good scriptwriter to emulate banality than it is to say something genuinely funny and original.

Another problem I had was that the only time I could laugh at menfolk was on the rare occasion I found them genuinely funny. Their mere presence was not humorous to me in the same way it seemed to be to 'natural' women. Furthermore, whenever I felt as if I had any kind of knowledge, I was inclined to share it, whereas natural women rarely seemed to want to do the knowing of things out loud. They could be so smart, charming and funny then lose it all as soon as they hit the orbit of larger groups and/or boys. It was confusing to me. I decided that if ever I stumbled into the ability to be smart, charming and funny I would never turn it off. Not for anyone.

...Whatever mechanism I'd once had inside my brain that allowed me to tolerate small talk had broken...Is anyone having some genuine feelings about something? Does anyone have something fascinating or funny or weird to discuss? Did anyone do anything today?

Fundamentally, Halloween is a humorous reversal. We take bad, frightening or horrific things and treat them as if they’re good because it’s a funny thing to do. That’s not a step into genuine darkness at all. It relies completely on a shared moral compass.

Are we going to…” she started to ask, her voice turning scratchy. St. Vincent began on the front fastenings of her gown. “Are we going to…” he repeated, and followed her gaze to the bed. “Good God, no.” His fingers moved rapidly along her bodice, freeing the row of buttons. “Delectable as you are, my love, I’m too tired. I’ve never said this in my entire life—but at the moment I would much rather sleep than fuck.” Overwhelmed with relief, Evie let out an unsteady sigh. She was forced to clutch at him for balance as he pushed the loosened gown down over her hips. “I don’t like that word,” she said in a muffled voice. “Well, you had better get used to it,” came his caustic reply. “That word is said frequently at your father’s club. God knows how you managed to escape hearing it before.” “I did,” she said indignantly, stepping out of the discarded gown. “I just didn’t know what it meant until now.” St. Vincent bent to untie her shoes, his broad shoulders quivering. A curious gasping, choking noise came from him. At first Evie wondered anxiously if he had suddenly been taken ill, and then she realized that he was laughing. It was the first genuine laughter she had ever heard from him, and she had no idea what he found so funny. Standing over him in her chemise and drawers, she crossed her arms over her front and frowned.

Tis a funny thing, reflected the Count as he stood ready to abandon his suite. From the earliest age, we must learn to say good-bye to friends and family. We see our parents and siblings off at the station; we visit cousins, attend schools, join the regiment; we marry, or travel abroad. It is part of the human experience that we are constantly gripping a good fellow by the shoulders and wishing him well, taking comfort from the notion that we will hear word of him soon enough. But experience is less likely to teach us how to bid our dearest possessions adieu. And if it were to? We wouldn’t welcome the education. For eventually, we come to hold our dearest possessions more closely than we hold our friends. We carry them from place to place, often at considerable expense and inconvenience; we dust and polish their surfaces and reprimand children for playing too roughly in their vicinity—all the while, allowing memories to invest them with greater and greater importance. This armoire, we are prone to recall, is the very one in which we hid as a boy; and it was these silver candelabra that lined our table on Christmas Eve; and it was with this handkerchief that she once dried her tears, et cetera, et cetera. Until we imagine that these carefully preserved possessions might give us genuine solace in the face of a lost companion. But, of course, a thing is just a thing. And so, slipping his sister’s scissors into his pocket, the Count looked once more at what heirlooms remained and then expunged them from his heartache forever.

When Proudhon (1809–65) offered his ‘Philosophy of Poverty’ (La Philosophie de la Misère) to Marx for criticism, Marx thought this bourgeois socialism dangerous: ‘To leave error unrefuted is to encourage intellectual immorality.’ He wrote a tremendous attack on Proudhon: the ‘Poverty of Philosophy’ (1847), which was the first exposition of Marxist philosophy and ‘the bitterest attack delivered by one thinker upon another since the celebrated polemics of the Renaissance’. It is also immensely funny. Marx was concerned to show that Proudhon did not understand the Hegelian dialectic. Proudhon saw it as struggle between good and evil, therefore he would formulate the problem thus: preserve the good side, eliminate the bad. But then, says Marx, the dialectical process would stop. ‘What constitutes dialectical movement is the co-existence of two contradictory sides, their conflict and their fusion into a new category. The very formulation of the problem as one of eliminating the bad side cuts short the dialectic movement.’ This implies the primacy of contradiction. ‘Genuine progress is constituted not by the triumph of one side and the defeat of the other, but by the duel itself which necessarily involves the destruction of both.

Considering that Nesta brushed off Helion's smouldering advances during the war, he might not be so inclined to help her.' 'He'll help,' Rhys said, stars shimmering in his gaze. 'If only for another shot at her.' Nesta rolled her eyes, and the gesture was so normal that Cassian's smile became more genuine, edged now with relief. You wear your heart for all to see, brother, Rhys said without turning Cassian's way. Cassian only shrugged. He was past caring.

The four guys were just staring at me—or Rome—their mouths a little unhinged. “Did she say that she set a building on fire?” Yael rasped. “And knocked someone out and stuffed them into a cupboard?” Aros, this time. “And set a bunch of panteras free.” Coen was scratching his head. “That’s my girl.” Siret was the only one who seemed pleased by my overload of information. “Rome is messing with us.” Yael was shaking his head. “This is too fucked-up.” “I’m not.” I tried to sound as convincing as possible, but Yael only shook his head and stepped closer to Rome, his fists clenched. “Cut this shit out right now,” he seethed, “or I’ll hit you so hard she’ll have to start calling you Crushed.” “That’s not very nice—” I started to say, but apparently Yael wasn’t in the mood for pacifications. He pulled his arm back and slammed it into the side of Rome’s face. I couldn’t feel the actual blow, but my vision swam to the side, and then suddenly I was staring at the sky—I hadn’t paid much attention to where we were, but the sky was bluer than blue, the clouds all happy and perfect. They were still in Topia. “You hit me!” I yelled at the sky, and it was almost humorous to hear Rome’s deep voice so full of feminine outrage. “Oh.” Yael sounded genuinely shocked. “It really is her. Rome just dropped like a bag of rocks.” “He’s still not moving,” Coen noted, his head appearing in my field of vision. “You okay in there, dweller-baby?” “He hit me!” I repeated. “I think she’s fine.” Yael’s head appeared beside Coen’s. “Rome’s head is too damn thick for any of the pain to reach her—right, Willa-toy?” “You still hit me!” This time, it was a growl, and Siret’s head popped up beside Yael’s. “You should get revenge,” he suggested helpfully. “You have so many muscles right now. You’re the God of Strength right now. The possibilities are endless.” “No they aren’t,” I said, “Rome is going to wake up soon. I don’t always black out for long. But you have a point.” I struggled to get back to my feet, but controlling Rome wasn’t so easy. His limbs were bigger than expected, and I accidently knocked over a low wooden table, up-ending a bowl of fruit and sending apples and oranges scattering over the marble floor. When I was finally standing, I focussed on Yael, and tried to swing a punch at him. Unfortunately, I miscalculated the distance to his face, and Rome’s fist connected with the pillar just to the right of Yael’s head. I watched in fascination as the stone cracked beneath Rome’s fist, caving in around his hand. I was so fascinated that I didn’t even realise I was stuck until I tried to pull his fist back again and it wouldn’t budge. “Well … this is awkward.” Yael was smirking, turned to the side so that he could see the fist I had embedded into the pillar.

He's funny and smart and he comes on way too strong, but it all feels genuine. Genuine.

He's funny and smart and he comes on way too strong, but it all feels genuine. Genuine. If I had to describe him in one word, that would be it.

Sometimes I thought she genuinely was part praying mantis. “Well, thank you for this little talk. I hope you consider yourself to be emotionally supported.” In a funny way, I did. Yes, I was pretty sure that Dr. Fairclough believed that human feelings were an evolutionary dead end caused by a misguided lack of exoskeleton, but she was trying, and I could give her points for that.

I take a longer look at the words on her headstone. Brave, kind, loyal, sweet, loving, graceful, strong, thoughtful, funny, genuine, hopeful, playful, insightful, and on and on… Was she, though? Was she any of those things? The words make me angry. I can’t look at them any longer. Why do we romanticize the dead? Why can’t we be honest about them?

You know when you nearly fainted, that time?’ ‘Yes?’ ‘I walked back on set completely distracted and I kept thinking: Who is she? There’s something completely compelling about you. Not just the beauty, or the being funny, or bright. You’re someone who you meet, and can’t get out of your head afterwards. It’s an enchantment so powerful even my idiot brother felt it. Charisma, that’s the word for it, but “charisma” always makes me think of smarmy gits. It’s genuine. OK, maybe I’m overthinking all of this and it is your eyes. Edie … why are you crying, you spoon?’" [end scene]

No one is going to laugh, right?” “Laugh about what?” Lucía comes around the front of the truck, pulling her hair free of its band. Harper stares at him, genuinely confused. Mason lets out a choked laugh. “My awkward body.” Lucía’s brow furrows, amusement and skepticism etched into her expression. She shakes her head and puts a hand on his shoulder. “Everyone looks awkward with their clothes off.” “Hey,” Maya barks, standing a little taller and tossing Nova’s messy forelock over one eye. “I look good. Well, normally.” Lucía grins. “Okay, but is this the moment to point that out?

I'm not sure what parts of me are him and which parts are genuinely my own. And I want to know. I want to know myself, to test my edges and see where I stop and the rest of the world begins.

I’m not sure what parts of me are him and which parts are genuinely my own. And I want to know. I want to know myself, to test my edges and see where I stop and the rest of the world begins.

So are you an angel?” Sam asked.
 Nausea curdled in my stomach. “Don’t call me that.”
 “Why not?”
 I had to unclench my jaw so I could answer. “Because I don’t like it.”
 “How come?”
 “Just don’t,” I snapped.
 “Why?”
 Gods, did he want me to hit him? I picked up my pace, but he matched my steps. 
 “Some girls like bein’ called ‘Angel’,” he pushed, unrelenting.
 “How would you know?” I glared at him. 
 He clutched his chest like I’d stabbed him. “Shortcake, what are you implying?”
 I ignored him. 
 “I’ll have you know I’m a high commodity around here.”
 “Funny, seems like I’m the only person you ever talk to.” 
 “I talk to lots of people!” He grinned.
 “Then how ’bout you go talk to one of them and leave me alone.”
 “You’d miss me,” he said.
 “Let’s try it and see.”
 “You wound me!” he said dramatically. “I’m delightful!” 
 “You’re annoying.” 
 “Shortcake, you tryin’ to break my poor lil heart?” 
 “If your heart’s anywhere near as thick as your head, I think you’ll be fine.”
 “Hey!” He sounded genuinely indignant now. “That was mean!

I mean, you can’t do it like this. Look at me!” Scanning me from head to toe, his smile was genuine. “You’ve never looked more beautiful.” “I’m outside barefoot, in my pajamas, smelling like baby spit-up.” A hand went to my unwashed hair, thrown into a bun. “I can’t even remember the last time I took a shower. This can’t be how this happens.” Looking down, I added, “I’m not even wearing a bra!” “I’ve noticed.” He smirked, his gaze lowering to my nipples, visible through the thin fabric. “Not funny.” Letting him pull me back into his arms, I melted into the embrace I’d craved while we were apart. “Baby, I love you just like this. This is you, the real you. The you that no one out there gets to see but me. We did everything backwards, but I wouldn’t change any of it. I don’t care where we are, if no one knows or everyone knows. If you want me to put it in skywriting or sign an NDA, either way is fine. All I want is you.” “Are you sure?” “I love you, Natalie. Something deep inside my soul knew the day we met that you were my future. I just didn’t understand then how that would ever be possible. Even if it took twenty years to find our way together, you were always worth the wait.

I take a longer look at the words on her headstone. Brave, kind, loyal, sweet, loving, graceful, strong, thoughtful, funny, genuine, hopeful, playful, insightful, and on and on… Was she, though? Was she any of those things? The words make me angry. I can’t look at them any longer. Why do we romanticize the dead? Why can’t we be honest about them?

How did he show Lucas what he liked outside of murder? What did he like? Would Lucas still want him when he realized August was put together all wrong? In every way. “What about sex?” Archer spit his drink onto the table with a laugh, shaking his now wet hand. Noah glared at the man before giving August a patient look. “What about it?” “How do I get him to like the things I like…sexually?” “I’m shocked you’ve even had sex,” Adam said, sounding genuinely surprised and a little relieved. August frowned. “Why’s that?” “You’re creepy, bro. What person is going to have sex with you without wondering if you’re going to turn them into a lamp shade when it’s over?

I live over there,” He paused and looked back at Julie consideringly. “Oh. I probably shouldn’t have told you that if you really are a stalker. Although I guess if you are a stalker you already know that and that’s why you’re here. Did you come to kill me?” Julie couldn’t help it. She let a burst of nearly hysterical laughter escape briefly before managing to cut herself off. “Is that funny?” Reggie asked, seeming to genuinely think there might have been a joke he missed. “Not in a way I can explain,” Julie told him, shrugging. How do you explain to someone that in fact you had possibly sacrificed everything to keep someone alive only to be accused of trying to kill them? You didn’t.

I am not alone in ranking Fresh Fruit as one of the most important albums to emerge from punk, one of only a handful that genuinely transcended genre – stretching musical and lyrical conventions while making a point, or several dozen, and jabbing funny bones the world over. This is an effort to restore its standing. Or hose off some of the guano. In fact, the history

You should have seen him,” she said. “A real ladies’ man. Stuff in his hair. Dark glasses. Fancy shoes. He had no idea how funny he looked. I much prefer men with ordinary shoes and honest trousers.

You want to hear me tell a funny and romantic story about us at a dinner party that you’ve heard a thousand times before. You want me to stop running the lawnmower and look over at you, hard at work in the garden—stained jeans; dirty hands; sweaty face—and hear me tell you that I love you, and that you’re the most beautiful woman I’ve ever seen in my life, even though I’d said it just ten minutes before. “You want to hear these things again and again because they make you feel safe and cherished. And that’s something you only realize when those words aren’t spoken for a while. “So my repetition may appear to be a necessity, but it’s always genuine, always sincere. And I’ll never get tired of telling you. And I’ll never let you feel what it’s like to miss those words.

Follow someone you like and start interacting. And be genuine. I never give a compliment I don’t mean. And my best tip: Be helpful and give freely. It’s funny how generous people become when you are generous first.

What are you guys going to do?” she asked. “Snort cocaine.” Dylan gave her the first genuine grin she’d seen out of him all day. “Absolutely no cocaine, any other kind of drug, alcohol, or girls.” He pretended astonishment. “Movies are fine.” She’d set parental controls. “So are the video games we already own.” “What about board games?” Sebastian asked her wryly. “More like bored games,” Dylan answered, taking a clunky stab at humor. “Board games are allowed. As are puzzles. You can cook anything except meth. And, of course, arts and crafts are always a wholesome option.” “They could make jewelry,” Sebastian suggested, deadpan. “Or tie-dye shirts,” Leah said. “They could color.” “Or do macramé.” Dylan shook his head and took a few steps back. “Can I, uh . . .” He gestured to his room. “Go now?” Delightful child. Such an open, winning, sunny personality. “Yes.

As Tim held the baby, I rested my head back on the pillow; I was too tired to hold it together much longer. “How’s she eating?” Tim asked. A funny question. He seemed genuinely interested. “Pretty good,” I said, squirming a little bit at the subject matter. “I think she’ll catch on after a while.” Catch on? Latch on? I was so confused. “You’re feeding her your own milk, right?” Tim asked awkwardly. Feeding her your own milk? Oh dear. “Um, yes…,” I answered. “I’m br…I’m breast-feeding.” Tim, could you please go now? Then he let me have it. “You know, you need to be careful not to get a sour bag.” I sat there, staring blankly ahead. Little did I know it was but one of the many times my brother-in-law would draw a parallel between me and livestock.

Finally, my watchers had to fess up. In embarrassed and genuinely polite tones, they said they had no other choice but to arrest me. Then they accompanied me to the prison across the way. As I entered, an extremely tall SS man leapt in front of me and asked: “Do you have any weapons?” “Why?” I responded. “Do I need any?

Interviewer (Mike Sacks): Many of the readers of this book weren't born when you started writing humor. In fact, many of the readers' grandparents hadn't yet been born. If anyone in this book is entitled to give young humor writers advice, it's you. Irving Brecher: I would say that if you think you're funny, then do it. As long as people genuinely respond to what you produce, keep at it. If their laughs seem genuine, keep writing. And don't stop. Never stop. On the other hand, if nobody likes what you create, well...find another profession. Like interviewing.

I’m going to have to talk to HR sooner rather than later about arranging for my maternity leave anyway. And people are going to find out in time. I unlock my phone and open Instagram. I have an oddly high number of followers thanks to an article Forbes did on me right after I sold the app to Apple. I’m not that interesting of a person, but I do find the best funny memes to share. I upload my favorite picture of Archer and me from this weekend, heart fluttering when I look at it. We’re standing by the pink balloons, and looking lovingly into each other’s eyes. My hair is tucked awkwardly behind my ear, but we both look so happy. So inlove. Archer’s hand is on my stomach, and his smile is genuine. Man, I miss him. Tomorrow is too far away. Long distance sucks. “We cannot wait for spring. Hashtag thirteen weeks. Hashtag baby girl,” I say out loud as Itype. “Don’t forget hashtag blessed.” “And grateful. Please. I might be basic, but I know enough not to flaunt it around on social media,” I laugh and post the photo. But I really do feel those things.