β
Create. Not for the money. Not for the fame. Not for the recognition. But for the pure joy of creating something and sharing it.
β
β
Ernest Barbaric
β
Never underestimate spite as a motivator for genius.
β
β
Sam Kean (The Disappearing Spoon: And Other True Tales of Madness, Love, and the History of the World from the Periodic Table of the Elements)
β
Roses do not bloom hurriedly; for beauty, like any masterpiece, takes time to blossom.
β
β
Matshona Dhliwayo
β
The power of "can't": The word "can't" makes strong people weak, blinds people who can see, saddens happy people, turns brave people into cowards, robs a genius of their brilliance, causes rich people to think poorly, and limits the achievements of that great person living inside us all.
β
β
Robert T. Kiyosaki (Rich Dad's Who Took My Money?: Why Slow Investors Lose and Fast Money Wins!)
β
Stars do not pull each other down to be more visible; they shine brighter.
β
β
Matshona Dhliwayo
β
If you know that I am genius
Then know that you made me genius
Everyone don't accept me as genius
Because they aren't genius to belief me as genius
β
β
Hasil Paudyal (Blended Words)
β
Over intellect will make you a genius, over emotions will make you a lunatic.
β
β
Amit Kalantri
β
Never stop acquiring the commonsense, it is as good as the knowledge.
β
β
Amit Kalantri
β
Stars donβt beg the world for attention; their beauty forces us to look up.
β
β
Matshona Dhliwayo
β
Darken your room, shut the door, empty your mind. Yet you are still in
great company - the Numen and your Genius with all their media, and your
host of elementals and ghosts of your dead loves β are there! They need no light by which to see, no words to speak, no motive to enact except through your own purely formed desire.
β
β
Austin Osman Spare (The Logomachy of Zos)
β
It is easier to pluck a flower than to nurture it; which is why some would prefer to destroy your talents than nurture them.
β
β
Matshona Dhliwayo
β
Intelligence and common sense, what makes a person a real genius.
β
β
Wazim Shaw
β
You have given intelligence to find one solution, and imagination to find ten.
β
β
Amit Kalantri
β
Be like the sun; never let the opinions of those who hate you dull your shine.
β
β
Matshona Dhliwayo
β
Talent is like a little seed; when nurtured, it will flourish.
β
β
Matshona Dhliwayo
β
Critics are loud, but success is louder.
β
β
Matshona Dhliwayo
β
Have you noticed how the cleverest people at school are not those who make it in life?
People who are conventionally clever get jobs on their qualifications (the past), not on their desire to succeed (the future).
Very simply, they get overtaken by those who continually strive to be better than they are.
β
β
Paul Arden (It's Not How Good You Are, It's How Good You Want To Be)
β
(Never underestimate spite as a motivator for genius.)
β
β
Sam Kean (The Disappearing Spoon: And Other True Tales of Madness, Love, and the History of the World from the Periodic Table of the Elements)
β
Your mind is a book; God is the pen.
β
β
Michael Bassey Johnson (The Book of Maxims, Poems and Anecdotes)
β
Napoleon, the greatest of the conquerors, is a sufficient proof that great men of action are criminals, and therefore, not geniuses. One can understand him by thinking of the tremendous intensity with which he tried to escape from himself. There is this element in all the conquerors, great or small. Just because he had great gifts, greater than those of any emperor before him, he had greater difficulty in stifling the disapproving voice within him. The motive of his ambition was the craving to stifle his better self.
β
β
Otto Weininger (Sex and Character: An Investigation of Fundamental Principles)
β
On Broadway it was still bright afternoon and the gassy air was almost motionless under the leaden spokes of sunlight, and sawdust footprints lay about the doorways of butcher shops and fruit stores. And the great, great crowd, the inexhaustible current of millions of every race and kind pouring out, pressing round, of every race and genius, possessors of every human secret, antique and future, in every face the refinement of one particular motive or essence - I labor, I spend, I strive, I design, I love, I cling, I uphold, I give way, I envy, I long, I scorn, I die, I hide, I want. Faster, much faster than any man could make the tally.
β
β
Saul Bellow (Seize the Day)
β
If you press grapes, wine will pour out; if you crush roses, perfume will pour out; if you afflict the talented, genius will pour out.
β
β
Matshona Dhliwayo
β
Developing your unique thought to the level of being appreciated and adopted by the world - that's genius.
β
β
Ogwo David Emenike
β
Excellence in obscurity is better than mediocrity in the spotlight.
β
β
Matshona Dhliwayo
β
Don't run with the crowd; fly with the stars.
β
β
Matshona Dhliwayo
β
Some of you may be perfectly happy with mediocrity. Some of you will get nothing but heartbreak. Some of you will be heralded as geniuses and become huge. Of course, all of you think that one describes you...hence the delusion necessary to push on.
β
β
Marc Maron (Attempting Normal)
β
Your beliefs have the power to unlock your inner genius or keep you from fully achieving your greatest potential.
β
β
Deborah Day (BE HAPPY NOW!)
β
Do what no one else can do and you will become what no one else can become.
β
β
Matshona Dhliwayo
β
Talent makes the rules.
Skill follows the rules.
Brilliance bends the rules.
Genius breaks the rules.
β
β
Matshona Dhliwayo
β
Failing over and over again is how you learn to succeed over and over again.
β
β
Matshona Dhliwayo
β
A scientist is proud of his intelligence, an artist is proud of his imagination.
β
β
Amit Kalantri
β
Think outside of the box.
Work outside of the box.
Dream outside of the box.
Succeed outside of the box.
The ordinary think inside of the box,
the extraordinary think outside of the box,
but genius thinks inside, outside,
below and above the box.
β
β
Matshona Dhliwayo
β
Whatβs lemonade? Something you make out of lemons. And whatβs a crusade? Something you make out of crossesβa course of gratuitous violence motivated by an obsession with unanalyzed symbols.
β
β
Aldous Huxley (The Genius and the Goddess)
β
Compassion is a seed,
empathy is the root,
kindness is the stem,
charity is the tree,
and love is the fruit.
Intelligence is a seed,
understanding is the root,
intuition is the stem,
knowledge is the tree,
and wisdom is the fruit.
Skill is a seed,
talent is the root,
excellence is the stem,
brilliance is the tree,
and genius is the fruit.
β
β
Matshona Dhliwayo
β
Talent silences your competition; genius deafens them.
β
β
Matshona Dhliwayo
β
Shine your light so bright, and no one will need a telescope to see you.
β
β
Matshona Dhliwayo
β
But sometimes genius is anything but rarefied; sometimes it's just the thing that emerges after twenty years of working at your kitchen. (p313)
β
β
Malcolm Gladwell (What the Dog Saw and Other Adventures)
β
I remember clearly the deaths of three men. One was the richest man of the century, who, having clawed his way to wealth through the souls and bodies of men, spent many years trying to buy back the love he had forfeited and by that process performed great service to the world and, perhaps, had much more than balanced the evils of his rise. I was on a ship when he died. The news was posted on the bulletin board, and nearly everyone recieved the news with pleasure. Several said, "Thank God that son of a bitch is dead."
Then there was a man, smart as Satan, who, lacking some perception of human dignity and knowing all too well every aspect of human weakness and wickedness, used his special knowledge to warp men, to buy men, to bribe and threaten and seduce until he found himself in a position of great power. He clothed his motives in the names of virtue, and I have wondered whether he ever knew that no gift will ever buy back a man's love when you have removed his self-love. A bribed man can only hate his briber. When this man died the nation rang with praise...
There was a third man, who perhaps made many errors in performance but whose effective life was devoted to making men brave and dignified and good in a time when they were poor and frightened and when ugly forces were loose in the world to utilize their fears. This man was hated by few. When he died the people burst into tears in the streets and their minds wailed, "What can we do now?" How can we go on without him?"
In uncertainty I am certain that underneath their topmost layers of frailty men want to be good and want to be loved. Indeed, most of their vices are attempted short cuts to love. When a man comes to die, mo matter what his talents and influence and genius, if he dies unloved his life must be a failure to him and his dying a cold horror....we should remember our dying and try so to live that our death brings no pleasure to the world.
β
β
John Steinbeck (East of Eden)
β
Competence makes the rules,
intelligence follows the rules,
excellence bends the rules,
and brilliance breaks the rules.
Skill follows the rules,
talent replaces the rules,
mastery shatters the rules,
but genius makes its own rules.
β
β
Matshona Dhliwayo
β
Being genius does not necessarily mean knowing it all or having the highest academic qualification; but a persons ability to apply wisdom and common sense to common things in a distinctive manner and courageously, exhibiting the latent deft to the admiration of the masses
β
β
Ernest Agyemang Yeboah (Distinctive Footprints Of Life: where are you heading towards?)
β
If records refuse to be broken, shatter them.
β
β
Matshona Dhliwayo
β
Skill gives you legs to jog, talent gives you legs to run, brilliance gives you legs to sprint, but genius gives you wings to fly.
β
β
Matshona Dhliwayo
β
Donβt try to silence other peopleβs genius because youβre too deaf to hear your own.
β
β
Matshona Dhliwayo
β
Symphonies begin with one note; fires with one flame; gardens with one flower; and masterpieces with one stroke.
β
β
Matshona Dhliwayo
β
When you are ahead of your time, it is inevitable you will anger some people for leaving them behind.
β
β
Matshona Dhliwayo
β
Your original self is worth more than your imitation of someone else.
β
β
Matshona Dhliwayo
β
Perform your task and I shall know you. Perform your task and your genius shall befriend the more.
β
β
Ogwo David Emenike
β
To avoid enemies, say nothing; to avoid critics, do nothing; to avoid haters, be nothing; but to avoid mediocrity, ignore them all.
β
β
Matshona Dhliwayo
β
Brilliance of the brain must be admired more than beauty of the body.
β
β
Amit Kalantri (Wealth of Words)
β
Like many entrepreneurs, Bushnell had no shame about distorting reality in order to motivate people.
β
β
Walter Isaacson (The Innovators: How a Group of Hackers, Geniuses, and Geeks Created the Digital Revolution)
β
You are God's chisel; it is you He uses to create masterpieces.
β
β
Matshona Dhliwayo
β
If you're not a smart worker, it's about how hard you work double the amount from the heart; if you're not a hard worker, it's about how smart you work but times two from the brain.
β
β
Criss Jami (Healology)
β
Recall what used to be the theme of poetry in the romantic era. In neat verses the poet lets us share his private, bourgeois emotions: his sufferings great and small, his nostalgias, his religious or political pre-occupations, and, if he were English, his pipe-smoking reveries. On occasions, individual genius allowed a more subtle emanation to envelope the human nucleus of the poem - as we find in Baudelaire for example. But this splendour was a by-product. All the poet wished was to be a human being.
When he writes, I believe today's poet simply wishes to be a poet.
β
β
JosΓ© Ortega y Gasset (The Dehumanization of Art and Other Essays on Art, Culture and Literature)
β
Itβs been said that legends are those who shape change into greatness; shaping change is one of the hallmarks of genius.
β
β
Julian Pencilliah (The Jetstream : The Rio Carnival)
β
The best way to make new rules is to break old ones.
β
β
Matshona Dhliwayo
β
A fish doesn't need swimming gear when you throw it into the ocean.
β
β
Matshona Dhliwayo
β
Genius is in you, but like a seed, you determine whether it dies or grows.
β
β
Matshona Dhliwayo
β
A bird that fears falling off of a tree branch is ignorant of its gifts.
β
β
Matshona Dhliwayo
β
Skill follows the rules, talent breaks the rules, mastery shatters the rules, but genius makes its own rules.
β
β
Matshona Dhliwayo
β
A star earns the right to shine the day it is born.
β
β
Matshona Dhliwayo
β
Thinking outside of the box keeps you from suffocating inside of one.
β
β
Matshona Dhliwayo
β
You become the master of what you master.
β
β
Matshona Dhliwayo
β
In the presence of the sun nobody sees the stars; excel, and you too will eclipse your competition.
β
β
Matshona Dhliwayo
β
An average idea enthusiastically embraced will go farther than a genius idea no one gets.
β
β
Jay Samit (Disrupt You!: Master Personal Transformation, Seize Opportunity, and Thrive in the Era of Endless Innovation)
β
The high cost of greatness is better than the low cost of mediocrity.
β
β
Matshona Dhliwayo
β
An ounce of genius is better than a pound of talent.
β
β
Matshona Dhliwayo
β
Make history, not trouble.
β
β
Matshona Dhliwayo
β
Exercise your genius so often that you live in a perpetual state of runners high.
β
β
Curtis Tyrone Jones (Sleeping With Enormity: The Art Of Seducing Your Dreams & Living With Passion)
β
Sometimes an act of common sense is indistinguishable from an act of genius.
β
β
Amit Kalantri
β
The first time you fail it is a mistake,
the second time it is carelessness,
the third time it is incompetence,
the fourth time it is mediocrity,
and the fifth time it is inability.
The first time you succeed it is chance,
the second time it is luck,
the third time it is skill,
the fourth time it is talent,
and the fifth time it is genius.
β
β
Matshona Dhliwayo
β
To be fair, something strange had happened. Donald Trump won the election. There was a Maya Angelou quote that ricocheted across social media during the 2016 election: βWhen someone shows you who they are, believe them.β Trump showed us who he was gleefully, constantly. He mocked John McCain for being captured in Vietnam and suggested Ted Cruzβs father had helped assassinate JFK; he bragged about the size of his penis and mused that his whole life had been motivated by greed; he made no mystery of his bigotry or sexism; he called himself a genius while retweeting conspiracy theories in caps lock.
β
β
Ezra Klein (Why We're Polarized)
β
I personally believe mavericks are people who write their own rulebook.
They are the ones who act first and talk later. They are fiercely independent thinkers who know how to fight the lizard brain (to use Seth Godinβs term).
I donβt believe many are born, rather they are products of an environment, or their experiences.
They are usually the people that find the accepted norm does not meet their requirements and have the self-confidence, appetite, independence, degree of self reliance and sufficient desire to carve out their own niche in life.
I believe a maverick thinker can take a new idea, champion it, and push it beyond the ability of a normal person to do so. I also believe the best mavericks can build a team, can motivate with their vision, their passion, and can pull together others to accomplish great things. A wise maverick knows that they need others to give full form to their views and can gather these necessary contributors around them.
Mavericks, in my experience, fall into various categories β a/ the totally off-the-wall, uncontrollable genius who wonβt listen to anyone; b/ the person who thinks that they have the ONLY solution to a challenge but prepared to consider othersβ views on how to conquer the world &, finally, the person who thinks laterally to overcome problems considered to be irresolvable. I like in particular the third category.
The upside is that mavericks, because of their different outlook on life, often sees opportunities and solutions that others cannot. But the downside is that often, because in life there is always some degree of luck in success (i.e. being in the right place at the right time), mavericks that fail are often ridiculed for their unorthodox approach. However when they succeed they are acclaimed for their inspiration. It is indeed a fine line they walk in life.
β
β
Ziad K. Abdelnour (Economic Warfare: Secrets of Wealth Creation in the Age of Welfare Politics)
β
Some individuals have the courage to make it, even feel the need to do so; for them the quest is a necessity, not an option. Most people setting out on such journeys are never heard from again, but part of the romance of any field lies in keeping the dream alive, in not settling for what is familiar and comfortable.
β
β
Gino Segrè (Ordinary Geniuses: Max Delbruck, George Gamow, and the Origins of Genomics and Big Bang Cosmology)
β
From the standpoint of education, genius means essentially 'giving birth to the joy in learning.' I'd like to suggest that this is the central task of all educators. It is the genius of the student that is the driving force behind all learning. Before educators take on any of the other important issues in learning, they must first have a thorough understanding of what lies at the core of each student's intrinsic motivation to learn, and that motivation originates in each student's genius.
β
β
Thomas Armstrong (Awakening Genius in the Classroom)
β
Owing to the shape of a bell curve, the education system is geared to the mean. Unfortunately, that kind of education is virtually calculated to bore and alienate gifted minds. But instead of making exceptions where it would do the most good, the educational bureaucracy often prefers not to be bothered.
In my case, for example, much of the schooling to which I was subjected was probably worse than nothing. It consisted not of real education, but of repetition and oppressive socialization (entirely superfluous given the dose of oppression I was getting away from school). Had I been left alone, preferably with access to a good library and a minimal amount of high-quality instruction, I would at least have been free to learn without useless distractions and gratuitous indoctrination. But alas, no such luck.
Letβs try to break the problem down a bit. The education system [β¦] is committed to a warm and fuzzy but scientifically counterfactual form of egalitarianism which attributes all intellectual differences to environmental factors rather than biology, implying that the so-called 'gifted' are just pampered brats who, unless their parents can afford private schooling, should atone for their undeserved good fortune by staying behind and enriching the classroom environments of less privileged students.
This approach may appear admirable, but its effects on our educational and intellectual standards, and all that depends on them, have already proven to be overwhelmingly negative. This clearly betrays an ulterior motive, suggesting that it has more to do with social engineering than education. There is an obvious difference between saying that poor students have all of the human dignity and basic rights of better students, and saying that there are no inherent educationally and socially relevant differences among students. The first statement makes sense, while the second does not.
The gifted population accounts for a very large part of the worldβs intellectual resources. As such, they can obviously be put to better use than smoothing the ruffled feathers of average or below-average students and their parents by decorating classroom environments which prevent the gifted from learning at their natural pace. The higher we go on the scale of intellectual brilliance β and weβre not necessarily talking just about IQ β the less support is offered by the education system, yet the more likely are conceptual syntheses and grand intellectual achievements of the kind seldom produced by any group of markedly less intelligent people. In some cases, the education system is discouraging or blocking such achievements, and thus cheating humanity of their benefits.
β
β
Christopher Michael Langan
β
Most of the people who are striving to be great often compare the demands of their goal with those of that of people who are striving to remain average.
β
β
Mokokoma Mokhonoana
β
You donβt have to speak for your work if it truly has its own voice.
β
β
Matshona Dhliwayo
β
The first time you succeed it is chance; the second time it is luck; the third time it is skill; the fourth time it is talent; and the fifth time it is genius.
β
β
Matshona Dhliwayo
β
It is impossible for a star to shine and not get noticed, even in the dark.
β
β
Matshona Dhliwayo
β
Excellence annoys your haters, success infuriates them, and genius kills them.
β
β
Matshona Dhliwayo
β
Sometimes crisis triggers the genius within
β
β
Bernard Kelvin Clive
β
Stars shine on us, but talent shines in us.
β
β
Matshona Dhliwayo
β
Your genius is its own distraction. It consumes you in ways nothing else can. It pulls you away like a jealous lover.
β
β
Brian Knapp (Creative Genius: A Simple Guide To Follow Your Passion, Stay Motivated, and Live Your Dream Every Day)
β
Whatever you can do or dream you can, begin it. Boldness has genius, power and magic in it
β
β
Johann Wolfgang von Goethe
β
Loud critics are silenced by loud success.
β
β
Matshona Dhliwayo
β
To judge God solely by the present world would be a tragic mistake. At one time, it may have been βthe best of all possible worlds,β but surely it is not now. The Bible communicates no message with more certainty than Godβs displeasure with the state of creation and the state of humanity. Imagine this scenario: vandals break into a museum displaying works from Picassoβs Blue Period. Motivated by sheer destructiveness, they splash red paint all over the paintings and slash them with knives. It would be the height of unfairness to display these worksβa mere sampling of Picassoβs creative genius, and spoiled at thatβas representative of the artist. The same applies to Godβs creation. God has already hung a βCondemnedβ sign above the earth, and has promised judgment and restoration. That this world spoiled by evil and suffering still exists at all is an example of Godβs mercy, not his cruelty.
β
β
Philip Yancey (Where Is God When It Hurts?)
β
We shouldn't let our envy of distinguished masters of the arts distract us from the wonder of how each of us gets new ideas. Perhaps we hold on to our superstitions about creativity in order to make our own deficiencies seem more excusable. For when we tell ourselves that masterful abilities are simply unexplainable, we're also comforting ourselves by saying that those superheroes come endowed with all the qualities we don't possess. Our failures are therefore no fault of our own, nor are those heroes' virtues to their credit, either. If it isn't learned, it isn't earned.
When we actually meet the heroes whom our culture views as great, we don't find any singular propensitiesββonly combinations of ingredients quite common in themselves. Most of these heroes are intensely motivated, but so are many other people. They're usually very proficient in some field--but in itself we simply call this craftmanship or expertise. They often have enough self-confidence to stand up to the scorn of peers--but in itself, we might just call that stubbornness. They surely think of things in some novel ways, but so does everyone from time to time. And as for what we call "intelligence", my view is that each person who can speak coherently already has the better part of what our heroes have. Then what makes genius appear to stand apart, if we each have most of what it takes?
I suspect that genius needs one thing more: in order to accumulate outstanding qualities, one needs unusually effective ways to learn. It's not enough to learn a lot; one also has to manage what one learns. Those masters have, beneath the surface of their mastery, some special knacks of "higher-order" expertise, which help them organize and apply the things they learn. It is those hidden tricks of mental management that produce the systems that create those works of genius. Why do certain people learn so many more and better skills? These all-important differences could begin with early accidents. One child works out clever ways to arrange some blocks in rows and stacks; a second child plays at rearranging how it thinks. Everyone can praise the first child's castles and towers, but no one can see what the second child has done, and one may even get the false impression of a lack of industry. But if the second child persists in seeking better ways to learn, this can lead to silent growth in which some better ways to learn may lead to better ways to learn to learn. Then, later, we'll observe an awesome, qualitative change, with no apparent cause--and give to it some empty name like talent, aptitude, or gift.
β
β
Marvin Minsky (The Society of Mind)
β
In general, people accumulate knowledge gradually over a long period of time. However, there are extraordinary people all around us, who are capable of accumulating impressive amounts of knowledge within a relatively short period of time. Nevertheless, even the greatest genius possesses only a small fraction of all knowledge known by mankind. Finally, the following question arises: how large is all the existing knowledge in comparison to the space of ignorance?
β
β
Eraldo Banovac
β
But for years questions persisted about whether most cannibalism was religiously motivated and selective or culinary and routine. DNA suggests routine. Every known ethnic group worldwide has one of two genetic signatures that help our bodies fight off certain diseases that cannibals catch, especially mad-cow-like diseases that come from eating each otherβs brains. This defensive DNA almost certainly wouldnβt have become fixed worldwide if it hadnβt once been all too necessary.
β
β
Sam Kean (The Violinist's Thumb: And Other Lost Tales of Love, War, and Genius, as Written by Our Genetic Code)
β
In my opinion, defining intelligence is much like defining beauty, and I donβt mean that itβs in the eye of the beholder. To illustrate, letβs say that you are the only beholder, and your word is final. Would you be able to choose the 1000 most beautiful women in the country? And if that sounds impossible, consider this: Say youβre now looking at your picks. Could you compare them to each other and say which one is more beautiful? For example, who is more beautifulβ Katie Holmes or Angelina Jolie? How about Angelina Jolie or Catherine Zeta-Jones? I think intelligence is like this. So many factors are involved that attempts to measure it are useless. Not that IQ tests are useless. Far from it. Good tests work: They measure a variety of mental abilities, and the best tests do it well. But they donβt measure intelligence itself.
β
β
Marilyn vos Savant
β
It struck Hsing suddenly that Masada didn't even understand the nature of his own genius. To him the patterns of thought and motive that he sensed in the virus were self-explanatory, and those who could not see them were simply not looking hard enough. Yet he would readily admit to his own inability to analyze more human contact, even on the most basic level. That was part and parcel of being iru.
What a strange combination of skills and flaws. What an utterly alien profile. Praise the founders of Guera for having taught them all to nurture such specialized talent, rather than seeking to "cure" it. It was little wonder that most innovations in technology now came from the Gueran colonies, and that Earth, who set such a strict standard of psychological "normalcy," now produced little that was truly exciting. Thank God their own ancestors had left that doomed planet before they, too, had lost the genes of wild genius. Thank God they had seen the creative holocaust coming, and escaped it.
β
β
C.S. Friedman (This Alien Shore (Alien Shores, #1))
β
... nothing is easier than to distance ourselves from great figures, whether through a negative interpretation or through idealization. Denigration and idealization are twins with the same basic motive: to avoid taking responsibility for the discoveries before us and to avoid taking responsibility for emulating the lives of great individuals. If we find severe flaws in the personality of the "genius," we can look upon him as some kind of genetic freak, closely linked to the madman, whose contributions were almost an incidental offshoot of his weird personality. If we consider the great man a triumphant genius with a basically unflawed personality, we can make small demands upon ourselves since we lack genius and possess flaws. Still another way of dealing with the great man is simply through indifference. One explains his loneliness and suffering through the kind of cliches Reich hated: "A genius is always one hundred years ahead of his time," or, "A genius always meets opposition in his lifetime."
The need for distance from greatness is especially intense when we are dealing with persons who make the implicit demand: You must change your life if you are truly to understand what I have discovered.
β
β
Myron R. Sharaf (Fury On Earth: A Biography Of Wilhelm Reich)
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A work of art, if it is to be of spiritual import, need not be a "work of genius"; the authenticity of sacred art is guaranteed by its prototypes. A certain monotony is in any case inseparable from traditional methods; amid all the gaiety and pageantry that are the privilege of art, this monotony safeguards spiritual poverty - the non-attachment of the "poor in spirit" (Matt. 5:3) - and prevents individual genius from foundering in some sorts of hybrid monomania; genius is as it were absorbed by the collective style, with its norm derived from the universal. It is by the qualitative interpretations, to whatever degree, of the sacred models that the genius of the artist shows itself in a particular art; that is to say: instead of squandering itself in "breadth", it is refined and developed in "depth". One need only to think of an art such that of the ancient Egypt to see clearly how severity of style can itself lead to extreme perfection.
This allows us to understand how, at the time of the Renaissance, artistic geniuses suddenly sprang up almost everywhere, and with an overflowing vitality. The phenomenon is analogous to what happens in the soul of one who abandons a spiritual discipline. Psychic tendencies that have been kept in the background suddenly come to the fore, accompanied by a glittering riot of new sensations with the compulsive attaction of as yet unexhausted possibilities; but they lose their fascination as soon as the initial pressure of the soul is relaxed. Nevertheless, the emancipation of the "ego" being thenceforth the dominant motive, individualistic expansivity will continue to assert itself: it will conquer new planes, relatively lower than the first, the difference in psychic"levels" acting as the source of potential energy. This is the whole secret of the Promethean urge of the Renaissance.
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Titus Burckhardt (The Foundations of Christian Art (Sacred Art in Tradition))
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The ancient Greeks had an appropriate metaphor for this: the rider and the horse. The horse is our emotional nature continually impelling us to move. This horse has tremendous energy and power, but without a rider it cannot be guided; it is wild, subject to predators, and continually heading into trouble. The rider is our thinking self. Through training and practice, it holds the reins and guides the horse, transforming this powerful animal energy into something productive. The one without the other is useless. Without the rider, no directed movement or purpose. Without the horse, no energy, no power. In most people the horse dominates, and the rider is weak. In some people the rider is too strong, holds the reins too tightly, and is afraid to occasionally let the animal go into a gallop. The horse and rider must work together. This means we consider our actions beforehand; we bring as much thinking as possible to a situation before we make a decision. But once we decide what to do, we loosen the reins and enter action with boldness and a spirit of adventure. Instead of being slaves to this energy, we channel it. That is the essence of rationality. As an example of this ideal in action, try to maintain a perfect balance between skepticism (rider) and curiosity (horse). In this mode you are skeptical about your own enthusiasms and those of others. You do not accept at face value peopleβs explanations and their application of βevidence.β You look at the results of their actions, not what they say about their motivations. But if you take this too far, your mind will close itself off from wild ideas, from exciting speculations, from curiosity itself. You want to retain the elasticity of spirit you had as a child, interested in everything, while retaining the hard-nosed need to verify and scrutinize for yourself all ideas and beliefs. The two can coexist. It is a balance that all geniuses possess.
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Robert Greene (The Laws of Human Nature)
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On the other hand, John is the perfect example of exaggerated Intensity, Complexity, and Drive. His high energy posed a threat to others when he dominated conversations, used words as weapons, and posed potentially embarrassing questions. John was as raw and overstimulated as they come, a provocateur who openly defied authority and ducked responsibility for his choices. In addition to the umbrella traits of Intensity, Complexity, and Drive, Ann, John, and other gifted adults have a penchant for what I call Complex Thinking as well as sensory and emotional sensitivity, deep empathy, excitability, perceptivity, and goal-oriented motivation.
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Mary-Elaine Jacobsen (The Gifted Adult: A Revolutionary Guide for Liberating Everyday Genius(tm))
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Itβs worth stressing that wealth and success are never the top motivators for geniuses. Most geniuses have ended up in poverty, obscurity and failure. Genius has its price and that price is normally the total blank incomprehension, or even active contempt, of the world. A genius is invariably an outsider, rebel and revolutionary. All new ideas threaten the Old Order, and the Old Order is never interested in losing its power and prestige. The currently rich and successful do not want to open the doors to their own replacements. Theyβre not stupid. Geniuses never get along with the Old Order. After all, geniuses are here precisely to change the Old Ways.
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David Sinclair (Transcendental Magic: The Rise of the New Magicians)
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Far too many of the existing programs for gifted children cater only to high achievers who fit the conventional model of education. Those with high potential who cannot redesign themselves to walk the fine line of the traditional educational systemβs requirements are at a loss. As one might imagine, an ill-conceived education can easily destroy self-esteem and motivation in any student, gifted or otherwise, though the gifted person most often blames him- or herself to a greater degree for a perceived failure to measure up. In every case of lack of attention and resources, the budding Everyday Genius is left holding the bag, a bag full of holes that drains away the likelihood of self-fulfillment and success.
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Mary-Elaine Jacobsen (The Gifted Adult: A Revolutionary Guide for Liberating Everyday Genius(tm))
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And it was inevitable. In every relation of life with others one has to find some moyen de vivre. In your case, one had either to give up to you or to give you up. There was no alternative. Through deep if misplaced affection for you: through great pity for your defects of temper and temperament: through my own proverbial good-nature and Celtic laziness: through an artistic aversion to coarse scenes and ugly words: through that incapacity to bear resentment of any kind which at that time characterised me: through my dislike of seeing life made bitter and uncomely by what to me, with my eyes really fixed on other things, seemed to be mere trifles too petty for more than a moment's thought or interest β through these reasons, simple as they may sound, I gave up to you always. As a natural result, your claims, your efforts at domination, your exactions grew more and more unreasonable. Your meanest motive, your lowest appetite, your most common passion, became to you laws by which the lives of others were to be guided always, and to which, if necessary, they were to be without scruple sacrificed. Knowing that by making a scene you could always have your way, it was but natural that you should proceed, almost unconsciously I have no doubt, to every excess of vulgar violence. At the end you did not know to what goal you were hurrying, or with what aim in view. Having made your own of my genius, my will-power, and my fortune, you required, in the blindness of an inexhaustible greed, my entire existence. You took it.
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Oscar Wilde
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I read Dickens and Shakespear without shame or stint; but their pregnant observations and demonstrations of life are not co-ordinated into any philosophy or religion: on the contrary, Dickens's sentimental assumptions are violently contradicted by his observations; and Shakespear's pessimism is only his wounded humanity. Both have the specific genius of the fictionist and the common sympathies of human feeling and thought in pre-eminent degree. They are often saner and shrewder than the philosophers just as Sancho-Panza was often saner and shrewder than Don Quixote. They clear away vast masses of oppressive gravity by their sense of the ridiculous, which is at bottom a combination of sound moral judgment with lighthearted good humor. But they are concerned with the diversities of the world instead of with its unities: they are so irreligious that they exploit popular religion for professional purposes without delicacy or scruple (for example, Sydney Carton and the ghost in Hamlet!): they are anarchical, and cannot balance their exposures of Angelo and Dogberry, Sir Leicester Dedlock and Mr Tite Barnacle, with any portrait of a prophet or a worthy leader: they have no constructive ideas: they regard those who have them as dangerous fanatics: in all their fictions there is no leading thought or inspiration for which any man could conceivably risk the spoiling of his hat in a shower, much less his life. Both are alike forced to borrow motives for the more strenuous actions of their personages from the common stockpot of melodramatic plots; so that Hamlet has to be stimulated by the prejudices of a policeman and Macbeth by the cupidities of a bushranger. Dickens, without the excuse of having to manufacture motives for Hamlets and Macbeths, superfluously punt his crew down the stream of his monthly parts by mechanical devices which I leave you to describe, my own memory being quite baffled by the simplest question as to Monks in Oliver Twist, or the long lost parentage of Smike, or the relations between the Dorrit and Clennam families so inopportunely discovered by Monsieur Rigaud Blandois. The truth is, the world was to Shakespear a great "stage of fools" on which he was utterly bewildered. He could see no sort of sense in living at all; and Dickens saved himself from the despair of the dream in The Chimes by taking the world for granted and busying himself with its details. Neither of them could do anything with a serious positive character: they could place a human figure before you with perfect verisimilitude; but when the moment came for making it live and move, they found, unless it made them laugh, that they had a puppet on their hands, and had to invent some artificial external stimulus to make it work.
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George Bernard Shaw (Man and Superman)
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A LITTLE KNOWLEDGE CAN GO A LONG WAY
A LOT OF PROFESSIONALS ARE CRACKPOTS
A MAN CAN'T KNOW WHAT IT'S LIKE TO BE A MOTHER
A NAME MEANS A LOT JUST BY ITSELF
A POSITIVE ATTITUDE MAKES ALL THE DIFFERENCE IN THE WORLD
A RELAXED MAN IS NOT NECESSARILY A BETTER MAN
A SENSE OF TIMING IS THE MARK OF GENIUS
A SINCERE EFFORT IS ALL YOU CAN ASK
A SINGLE EVENT CAN HAVE INFINITELY MANY INTERPRETATIONS
A SOLID HOME BASE BUILDS A SENSE OF SELF
A STRONG SENSE OF DUTY IMPRISONS YOU
ABSOLUTE SUBMISSION CAN BE A FORM OF FREEDOM
ABSTRACTION IS A TYPE OF DECADENCE
ABUSE OF POWER COMES AS NO SURPRISE
ACTION CAUSES MORE TROUBLE THAN THOUGHT
ALIENATION PRODUCES ECCENTRICS OR REVOLUTIONARIES
ALL THINGS ARE DELICATELY INTERCONNECTED
AMBITION IS JUST AS DANGEROUS AS COMPLACENCY
AMBIVALENCE CAN RUIN YOUR LIFE
AN ELITE IS INEVITABLE
ANGER OR HATE CAN BE A USEFUL MOTIVATING FORCE
ANIMALISM IS PERFECTLY HEALTHY
ANY SURPLUS IS IMMORAL
ANYTHING IS A LEGITIMATE AREA OF INVESTIGATION
ARTIFICIAL DESIRES ARE DESPOILING THE EARTH
AT TIMES INACTIVITY IS PREFERABLE TO MINDLESS FUNCTIONING
AT TIMES YOUR UNCONSCIOUS IS TRUER THAN YOUR CONSCIOUS MIND
AUTOMATION IS DEADLY
AWFUL PUNISHMENT AWAITS REALLY BAD PEOPLE
BAD INTENTIONS CAN YIELD GOOD RESULTS
BEING ALONE WITH YOURSELF IS INCREASINGLY UNPOPULAR
BEING HAPPY IS MORE IMPORTANT THAN ANYTHING ELSE
BEING JUDGMENTAL IS A SIGN OF LIFE
BEING SURE OF YOURSELF MEANS YOU'RE A FOOL
BELIEVING IN REBIRTH IS THE SAME AS ADMITTING DEFEAT
BOREDOM MAKES YOU DO CRAZY THINGS
CALM IS MORE CONDUCIVE TO CREATIVITY THAN IS ANXIETY
CATEGORIZING FEAR IS CALMING
CHANGE IS VALUABLE WHEN THE OPPRESSED BECOME TYRANTS
CHASING THE NEW IS DANGEROUS TO SOCIETY
CHILDREN ARE THE HOPE OF THE FUTURE
CHILDREN ARE THE MOST CRUEL OF ALL
CLASS ACTION IS A NICE IDEA WITH NO SUBSTANCE
CLASS STRUCTURE IS AS ARTIFICIAL AS PLASTIC
CONFUSING YOURSELF IS A WAY TO STAY HONEST
CRIME AGAINST PROPERTY IS RELATIVELY UNIMPORTANT
DECADENCE CAN BE AN END IN ITSELF
DECENCY IS A RELATIVE THING
DEPENDENCE CAN BE A MEAL TICKET
DESCRIPTION IS MORE VALUABLE THAN METAPHOR
DEVIANTS ARE SACRIFICED TO INCREASE GROUP SOLIDARITY
DISGUST IS THE APPROPRIATE RESPONSE TO MOST SITUATIONS
DISORGANIZATION IS A KIND OF ANESTHESIA
DON'T PLACE TOO MUCH TRUST IN EXPERTS
DRAMA OFTEN OBSCURES THE REAL ISSUES
DREAMING WHILE AWAKE IS A FRIGHTENING CONTRADICTION
DYING AND COMING BACK GIVES YOU CONSIDERABLE PERSPECTIVE
DYING SHOULD BE AS EASY AS FALLING OFF A LOG
EATING TOO MUCH IS CRIMINAL
ELABORATION IS A FORM OF POLLUTION
EMOTIONAL RESPONSES ARE AS VALUABLE AS INTELLECTUAL RESPONSES
ENJOY YOURSELF BECAUSE YOU CAN'T CHANGE ANYTHING ANYWAY
ENSURE THAT YOUR LIFE STAYS IN FLUX
EVEN YOUR FAMILY CAN BETRAY YOU
EVERY ACHIEVEMENT REQUIRES A SACRIFICE
EVERYONE'S WORK IS EQUALLY IMPORTANT
EVERYTHING THAT'S INTERESTING IS NEW
EXCEPTIONAL PEOPLE DESERVE SPECIAL CONCESSIONS
EXPIRING FOR LOVE IS BEAUTIFUL BUT STUPID
EXPRESSING ANGER IS NECESSARY
EXTREME BEHAVIOR HAS ITS BASIS IN PATHOLOGICAL PSYCHOLOGY
EXTREME SELF-CONSCIOUSNESS LEADS TO PERVERSION
FAITHFULNESS IS A SOCIAL NOT A BIOLOGICAL LAW
FAKE OR REAL INDIFFERENCE IS A POWERFUL PERSONAL WEAPON
FATHERS OFTEN USE TOO MUCH FORCE
FEAR IS THE GREATEST INCAPACITATOR
FREEDOM IS A LUXURY NOT A NECESSITY
GIVING FREE REIN TO YOUR EMOTIONS IS AN HONEST WAY TO LIVE
GO ALL OUT IN ROMANCE AND LET THE CHIPS FALL WHERE THEY MAY
GOING WITH THE FLOW IS SOOTHING BUT RISKY
GOOD DEEDS EVENTUALLY ARE REWARDED
GOVERNMENT IS A BURDEN ON THE PEOPLE
GRASS ROOTS AGITATION IS THE ONLY HOPE
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Jenny Holzer