Being Poised Quotes

For attractive lips, speak words of kindness. For lovely eyes, seek out the good in people. For a slim figure, share your food with the hungry. For beautiful hair, let a child run his fingers through it once a day. For poise, walk with the knowledge you’ll never walk alone. ... We leave you a tradition with a future. The tender loving care of human beings will never become obsolete. People even more than things have to be restored, renewed, revived, reclaimed and redeemed and redeemed and redeemed. Never throw out anybody. Remember, if you ever need a helping hand, you’ll find one at the end of your arm. As you grow older, you will discover that you have two hands: one for helping yourself, the other for helping others. Your “good old days” are still ahead of you, may you have many of them.

Calvin: Trick or Treat! Adult: Where's your costume? What are you supposed to be? Calvin: I'm yet another resource-consuming kid in an overpopulated planet, raised to an alarming extent by Madison Avenue and Hollywood, poised with my cynical and alienated peers to take over the world when you're old and weak! ...Boy, am I scary or what?

A day of dappled seaborne clouds. The phrase and the day and the scene harmonised in a chord. Words. Was it their colours? He allowed them to glow and fade, hue after hue: sunrise gold, the russet and green of apple orchards, azure of waves, the greyfringed fleece of clouds. No, it was not their colours: it was the poise and balance of the period itself. Did he then love the rhythmic rise and fall of words better than their associations of legend and colour? Or was it that, being as weak of sight as he was shy of mind, he drew less pleasure from the reflection of the glowing sensible world through the prism of a language manycoloured and richly storied than from the contemplation of an inner world of individual emotions mirrored perfectly in a lucid supple periodic prose?

A man becomes calm in the measure that he understands himself as a thought-evolved being. For such knowledge necessitates the understanding of others as the result of thought, and as he develops a right understanding, and sees ever more clearly the internal relations of things by the action of cause and effect, he ceases to fuss, fume, worry, and grieve. He remains poised, steadfast, serene.

I can't. I'm not a good influence on him. I keep getting him shot. I swear too much, I don't brush my teeth every time I go to bed, and I never remember to eat a balanced breakfast. You want someone with culture. Poise. A lack of gunfire.

Beauty consists of its own passing, just as we reach for it. It’s the ephemeral configuration of things in the moment, when you see both their beauty and their death. ...Does this mean that this is how we must live our lives? Constantly poised between beauty and death, between movement and its disappearance? Maybe that’s what being alive is all about: so we can track down those moments that are dying.

The phrase and the day and the scene harmonized in a chord. Words. Was it their colours? He allowed them to glow and fade, hue after hue: sunrise gold, the russet and green of apple orchards, azure of waves, the greyfringed fleece of clouds. No it was not their colours: it was the poise and balance of the period itself. Did he then love the rhythmic rise and fall of words better than their associations of legend and colour? Or was it that, being as weak of sight as he was shy of mind, he drew less pleasure from the reflection of the glowing sensible world through the prism of a language manycoloured and richly storied than from the contemplation of an inner world of individual emotions mirrored perfectly in a lucid supple periodic prose?

Most people assume that a muse is a creature of perfect beauty, poise and grace. Like the creatures from Greek mythology. They're wrong. In fact, there should be a marked absence of perfection in a muse--a gaping hole between what she is and what she might be. The ideal muse is a woman whose rough edges and contradictions drive you to fill in the blanks of her character. She is the irritant to your creativity. A remarkable possibility, waiting to be formed.

People think that the word "class" involves the color black, wearing Chanel No. 5 and carrying a Louis Vuitton. The word "class" and "classy", to me, mean what happens when you are able to be thankful, able to give and be a true friend to anybody regardless of their background and where they come from. That's class. It's a beautiful wave that washes away faults and paints things in a graceful light. You can't always do this, though. Sometimes you just need to slap someone. Still, you can slap someone with a lot of poise and that makes all the difference.

She smiled at him as they waited for their dessert, her chin poised on her clasped hands. 'You're being very silent.' 'That's how men cry.

There aren't many berry bushes where I'm from." "And just where would that be?" His hand paused on a berry like it was a monumental decision whether to pluck it or not. He finally pulled and explained he was from a small town in the southernmost part of Morringhan. When I asked the name, he said it was very small and had no name.... "A town with no name? Really? How very odd." I waited for him to scramble, and he didn't disappoint me. "It's only a region. A few scattered dwellings at most. We're farmers there. Mostly farmers. And you? Where are you from?"... I took the berry still poised in his fingers and popped it in my mouth. Where was I from? I narrowed my eyes and smiled. "A small town in the northernmost part of Morrighan. Mostly farmers. Only a regions, really. A few scattered dwellings. At most. No name." He couldn't restrain a chuckle. "Then we come from opposite but similar worlds, don't we?

For the rest of history, for most of us, our bright promise will always fall short of being actualised; it will never earn us bountiful sums of money or beget exemplary objects or organisations.... Most of us stand poised at the edge of brilliance, haunted by the knowledge of our proximity, yet still demonstrably on the wrong side of the line, our dealings with reality undermined by a range of minor yet critical psychological flaws (a little too much optimism, an unprocessed rebelliousness, a fatal impatience or sentimentality). We are like an exquisite high-speed aircraft which for lack of a tiny part is left stranded beside the runway, rendered slower than a tractor or a bicycle.

Waste no time lamenting with regard to what is lacking. In such instances, immediately turn focus toward what is to be...and remain poised to receive that which is due.

Oh my gosh, I thought, does this mean that this is how we must live our lives? Constantly poised between beauty and death, between movement and its disappearance? Maybe that's what being alive is all about: so we can track down those moments that are dying.

Being humble doesn't mean allowing yourself to get stepped on like a doormat. Being humble means taking every negativity coming up against you positively with grace and poised so that you can allow the spirit to be seen.

A good relationship has a pattern like a dance and is built on some of the same rules. The partners do not need to hold on tightly, because they move confidently in the same pattern, intricate but gay and swift and free, like a country dance of Mozart's. To touch heavily would be to arrest the pattern and freeze the movement, to check the endlessly changing beauty of its unfolding. There is no place here for the possessive clutch, the clinging arm, the heavy hand, only the barest touch in passing. Now arm in arm, now face to face, now back to back -- it does not matter which because they know they are partners moving to the same rhythm, creating a pattern together, and being invisibly nourished by it. The joy of such a pattern is...the joy of living in the moment. Lightness of touch and living in the moment are intertwined. One cannot dance well unless one is completely in time with the music, not leaning back to the last step or pressing forward to the next one, but poised directly on the present step as it comes... But how does one learn this technique of the dance? Why is it so difficult? What makes us hesitate and stumble? It is fear, I think, that makes one cling nostalgically to the last moment or clutch greedily toward the next. [And fear] can only be exorcised by its opposite: love.

Nearly a Valediction" You happened to me. I was happened to like an abandoned building by a bull- dozer, like the van that missed my skull happened a two-inch gash across my chin. You were as deep down as I’ve ever been. You were inside me like my pulse. A new- born flailing toward maternal heartbeat through the shock of cold and glare: when you were gone, swaddled in strange air I was that alone again, inventing life left after you. I don’t want to remember you as that four o’clock in the morning eight months long after you happened to me like a wrong number at midnight that blew up the phone bill to an astronomical unknown quantity in a foreign currency. The U.S. dollar dived since you happened to me. You’ve grown into your skin since then; you’ve grown into the space you measure with someone you can love back without a caveat. While I love somebody I learn to live with through the downpulled winter days’ routine wakings and sleepings, half-and-half caffeine- assisted mornings, laundry, stock-pots, dust- balls in the hallway, lists instead of longing, trust that what comes next comes after what came first. She’ll never be a story I make up. You were the one I didn’t know where to stop. If I had blamed you, now I could forgive you, but what made my cold hand, back in prox- imity to your hair, your mouth, your mind, want where it no way ought to be, defined by where it was, and was and was until the whole globed swelling liquefied and spilled through one cheek’s nap, a syllable, a tear, was never blame, whatever I wished it were. You were the weather in my neighborhood. You were the epic in the episode. You were the year poised on the equinox.

When we aim high, pressure and stress obligingly come along for the ride. Stuff is going to happen that catches us off guard, threatens or scares us. Surprises (unpleasant ones, mostly) are almost guaranteed. The risk of being overwhelmed is always there. In these situations, talent is not the most sought-after characteristic. Grace and poise are, because these two attributes precede the opportunity to deploy any other skill. We must possess, as Voltaire once explained about the secret to the great military success of the first Duke of Marlborough, that "tranquil courage in the midst of tumult and serenity of soul in danger, which the English call a cool head.

Poised midway between the unvisualizable cosmic vastness of curved spacetime and the dubious shadowy flickerings of charged quanta, we human beings, more like rainbows and mirages than like raindrops or boulders, are unpredictable self-writing poems - vague, metaphorical, ambiguous, sometimes exceedingly beautiful.

He knew what his father thought: that immigration, so often presented as a heroic act, could just as easily be the opposite; that it was cowardice that led many to America; fear marked the journey, not bravery; a cockroachy desire to scuttle to where you never saw poverty, not really, never had to suffer a tug to your conscience; where you never heard the demands of servants, beggars, bankrupt relatives, and where your generosity would never be openly claimed; where by merely looking after your wife-child-dog-yard you could feel virtuous. Experience the relief of being an unknown transplant to the locals and hide the perspective granted by journey. Ohio was the first place he loved, for there at last he had been able to acquire poise --

Sunflower poised against the sunset, crackly bleak and dusty with the smut and smog and smoke of olden locomotives in its eye— corolla of bleary spikes pushed down and broken like a battered crown, seeds fallen out of its face, soon-to-be-toothless mouth of sunny air, sunrays obliterated on its hairy head like a dried wire spiderweb, leaves stuck out like arms out of the stem, gestures from the sawdust root, broke pieces of plaster fallen out of the black twigs, a dead fly in its ear

And now, as the fateful summer of 1944 approached, they realized that with the Red armies nearing the frontier of the Reich, the British and American armies poised for a large-scale invasion across the Channel, and the German resistance to Alexander’s Allied forces in Italy crumbling, they must quickly get rid of Hitler and the Nazi regime if any kind of peace at all was to be had that would spare Germany from being overrun and annihilated.

Courage isn’t being a dragon. Neither is it behaving like a dragon. Nor is it taking up arms to fight and defeat dragons. Courage is being a lamb standing with poise among dragons.

Emergencies send sparks to the darkest corner of us. They wake up our hormones and neurotransmitters, they remove the rust from our body and mind, and they show us we can still handle crisis with poise. Emergencies push us to our limits. At those limits, the best inside us comes out. The eyes of our mind open, exceptional vision occurs to us, and we have a chance to become extraordinary.

A panther poised in the cypress tree about to jump is a panther poised in a cypress tree about to jump. The panther is a poem of fire green eyes and a heart charged by four winds of four directions. The panther hears everything in the dark: the unspoken tears of a few hundred human years, storms that will break what has broken his world, a bluebird swaying on a branch a few miles away. He hears the death song of his approaching prey: I will always love you, sunrise. I belong to the black cat with fire green eyes. There, in the cypress tree near the morning star.

I felt the familiar charge of responsibility. It had a narcotic effect on me, this sense of mild suffering, the feeling of being needed, of being poised to go through something. If he was sick, I would nurse him back to health. I relished the idea.

The fact is, that there was considerable difficulty in inducing Oliver to take upon himself the office of respiration,—a troublesome practice, but one which custom has rendered necessary to our easy existence; and for some time he lay gasping on a little flock mattress, rather unequally poised between this world and the next: the balance being decidedly in favour of the latter.

Kiss me again,” he challenged, only half joking. It was so weird to hear him say that, to hear those words out loud. They had kissed. More than once. More than a lot. They had passed the point of being “just friends” by a long shot. She leaned down and gave him a dry, sisterly little peck. And then she leaned back up again and smiled at him innocently. She wished she could a halo appear above her head for effect. Jay made a sound at her that was like a growl, and then he pulled her down . . . hard. He flipped her over so that she was lying on her back and he was poised above her, and taking full advantage of his upper hand, he moved his lips over hers with a feather-light touch, in a way that was anything but innocent. Until she parted her lips and let him kiss her again . . . completely . . . thoroughly. She heard herself moan, and she could feel the throbbing of her own pulse flickering hotly through her veins. He lifted his head and stared down at her, rubbing his thumb across her lower lip. “That’s what I was talking about. A real kiss.

There's a time in some years, after the first frosts, when the sun gets hot again, and summer returns for a time. Winter is coming; you know that from the way the mornings smell, the way the leaves, half-turned to color, are dry and poised to drop. But summer goes on, a small false summer, all the more precious for being small and false. In Little Belaire, we called this time--for some reason nobody knows--engine summer.

This prayer is for my sister Catherine. She is relaxed and at peace, poised, balanced, serene, and calm. The healing intelligence of her subconscious mind, which created her body, is now transforming every cell, nerve, tissue, muscle, and bone of her being according to the perfect pattern of all organs lodged in her subconscious mind. Silently, quietly, all distorted thought patterns in her subconscious mind are removed and dissolved, and the vitality, wholeness, and beauty of the life principle are made manifest in every atom of her being. She is now open and receptive to the healing currents, which are flowing through her like a river, restoring her to perfect health, harmony, and peace. All distortions and ugly images are now washed away by the infinite ocean of love and peace flowing through her, and it is so.

It is executive presence—and no man or woman attains a top job, lands an extraordinary deal, or develops a significant following without this heady combination of confidence, poise, and authenticity that convinces the rest of us we’re in the presence of someone who’s the real deal. It’s an amalgam of qualities that telegraphs that you are in charge or deserve to be.

Amira because of how she thought. Amira because she was capable of being wildly goofy one moment and poised the next, and he could never figure out how she moved from one self to the other so effortlessly. Amira because no room was lit until she entered it. Amira because if it would not be Amira, it would be no one. She had the aura and confidence of someone who was so beloved by all who knew her that it emanated from her even when she was alone, and any stranger who came across her could not help falling under a spell she had no awareness of casting.

He began to stand, and saw Lyon stiffen, poised to do whatever he needed to do. He, like Lyon, could throw himself on a pyre, too. Because fire cleansed. She’d won, and he’d lost. It had stopped mattering. Her happiness was indistinguishable from his own. No matter what became of him, he wanted her to know he loved her. “You’d best get out of here, Redmond. Your secret is safe with me.” Lyon’s eyes flared in wary surprise. He froze. And his smile, when it came, was slow, and crooked, and he looked very like Lavay when Lavay was being insufferably knowing. “Ah. You do love her more than life. Splendid. And that, my dear Lord Flint, is what I came here today to discover.” Whatever he felt was between him and Violet. “Go before I change my mind, Redmond.

So the first time she and Leo combusted, she'd practically been poised for the breakup. In some inexplicable way, she'd been looking forward to it and all its attendant drama, because wasn't there something nearly lovely–when you were young enough–about guts churning and tear ducts being put to glorious overuse? She recognized the undeniable satisfaction of the first emotional fissure because an unraveling was still something grown-up and, therefore, life affirming. See? The broken heart signalled. I loved enough to lose; I felt enough to weep. Because when you were young enough, the stakes of love were so very small, nearly insignificant. How tragic could a breakup be when it was part of the fabric of expectation from the beginning? The hackneyed fights, the late-night phone calls, the indignant recounting for friends over multiple drinks and in earshot of an appropriately flirtatious bartender–it was theatre for a certain type of person . . . Until it wasn't.

Nothing in nature exists as a metaphor, but human beings are reckless metaphor makers anyway, and only a fool could fail to find the lesson here. The cold roots of the sleeping trees along the streambed are even now taking in water. One day soon that water will rise and spring into the world in a rush of tight green leaves poised to unfurl. Everything that waits is also preparing itself to move.

Because this painting has never been restored there is a heightened poignance to it somehow; it doesn’t have the feeling of unassailable permanence that paintings in museums do. There is a small crack in the lower left, and a little of the priming between the wooden panel and the oil emulsions of paint has been bared. A bit of abrasion shows, at the rim of a bowl of berries, evidence of time’s power even over this—which, paradoxically, only seems to increase its poetry, its deep resonance. If you could see the notes of a cello, when the bow draws slowly and deeply across its strings, and those resonant reverberations which of all instruments’ are nearest to the sound of the human voice emerge—no, the wrong verb, they seem to come into being all at once, to surround us, suddenly, with presence—if that were made visible, that would be the poetry of Osias Beert. But the still life resides in absolute silence. Portraits often seem pregnant with speech, or as if their subjects have just finished saying something, or will soon speak the thoughts that inform their faces, the thoughts we’re invited to read. Landscapes are full of presences, visible or unseen; soon nymphs or a stag or a band of hikers will make themselves heard. But no word will ever be spoken here, among the flowers and snails, the solid and dependable apples, this heap of rumpled books, this pewter plate on which a few opened oysters lie, giving up their silver. These are resolutely still, immutable, poised for a forward movement that will never occur. The brink upon which still life rests is the brink of time, the edge of something about to happen. Everything that we know crosses this lip, over and over, like water over the edge of a fall, as what might happen does, as any of the endless variations of what might come true does so, and things fall into being, tumble through the progression of existing in time. Painting creates silence. You could examine the objects themselves, the actors in a Dutch still life—this knobbed beaker, this pewter salver, this knife—and, lovely as all antique utilitarian objects are, they are not, would not be, poised on the edge these same things inhabit when they are represented. These things exist—if indeed they are still around at all—in time. It is the act of painting them that makes them perennially poised, an emergent truth about to be articulated, a word waiting to be spoken. Single word that has been forming all these years in the light on the knife’s pearl handle, in the drops of moisture on nearly translucent grapes: At the end of time, will that word be said?

The Temperature is Rising The heartbeat quickens my breath is controlled,my senses are illuminated like a mother to her young. This feeling I have I've know it before, when the gates are opened I'll remember the beginning. Awaiting, dreaming imagining the endless possibilities of moments together as I give into my desires. My body reacts it has a mind of its own leaving little clues yet I continue on. Poised and professional I cross my origin the passion that awaits it stirs like a simmer. The sweet aroma a treat being made just for him I know he will like, the hunger in his eyes his mouth soft and strong it only took me a moment as he continued to look on. I didn't even recognize my sound as I was in a sphere all alone I hoped and imagined it would be but my mind was left in awe like sweet chocolate after a meal.

Tick is a humble genesis, tock a feeble apocalypse; and tick-tock is in any case not much of a plot. We need much larger ones and much more complicated ones if we persist in finding 'what will suffice.' And what happens if the organization is much more complex than tick-tock? Suppose, for instance, that it is a thousand-page novel. Then it obviously will not lie within what is called our 'temporal horizon'; to maintain the experience of organization we shall need many more fictional devices. And although they will essentially be of the same kind as calling the second of those two related sounds tock, they will obviously be more resourceful and elaborate. They have to defeat the tendency of the interval between tick and tock to empty itself; to maintain within that interval following tick a lively expectation of tock, and a sense that however remote tock may be, all that happens happens as if tock were certainly following. All such plotting presupposes and requires that an end will bestow upon the whole duration and meaning. To put it another way, the interval must be purged of simple chronicity, of the emptiness of tock-tick., humanly uninteresting successiveness. It is required to be a significant season, kairos poised between beginning and end. It has to be, on a scale much greater than that which concerns the psychologists, an instance of what they call 'temporal integration'--our way of bundling together perception of the present, memory of the past, and expectation of the future, in a common organization. Within this organization that which was conceived of as simply successive becomes charged with past and future: what was chronos becomes kairos. This is the time of the novelist, a transformation of mere successiveness which has been likened, by writers as different as Forster and Musil, to the experience of love, the erotic consciousness which makes divinely satisfactory sense out of the commonplace person.

There is no time or space in the mind principle. Infinite mind or intelligence is present in its entirety at every point simultaneously. Several times a day I withdrew all thought from the contemplation of my sister’s symptoms and from the corporeal personality altogether. Calmly, confidently, I affirmed as follows: This prayer is for my sister Catherine. She is relaxed and at peace, poised, balanced, serene, and calm. The healing intelligence of her subconscious mind that created her body is now transforming every cell, nerve, tissue, muscle, and bone of her being according to the perfect pattern of all organs lodged in her subconscious mind. Silently, quietly, all distorted thought patterns in her subconscious mind are removed and dissolved, and the vitality, wholeness, and beauty of the life principle are made manifest in every atom of her being. She is now open and receptive to the healing currents that are flowing through her like a river, restoring her to perfect health, harmony, and peace. All distortions and ugly images are now washed away by the infinite ocean of love and peace flowing through her, and it is so.

In those minutes of gazing at the boiling cistern of waves and watching the albatrosses addressing the storm with great seriousness, I could fix only on what I admired most often in other human beings, their enduring grace and poise.

I would say that just as easy as a person puts on a raincoat and opens their umbrella before stepping out on a rainy day, you too must put on a new concept of yourself and never take it off, nor pull the umbrella of your imagination down until you see the sun shining on the new situation that you have imagined. You must never be convinced that you are being drenched in your old reality, regardless of how much others are absorbed in it. What is true for them is not true for you, because they are not living in your world. They are not living in your raincoat nor are they living beneath the umbrella of consciousness that you have raised. They may be completely soaked in their world while you remain poised and untouched by unfavorable conditions in your own.

I arched my back in an effort to increase the contact between us, and Matthew stilled. With my spine bowed, he was poised at the entrance to my womb. And in that brief, forever moment, father, mother, and child were as close as any three creatures could be.

We believe in marbles that disintegrate when we search for them but that are as real as any genuine marble when we're not looking for them. Our very nature is such as to prevent us from fully understanding its very nature. Poised midway between the unvisualizable cosmic vastness of curved spacetime and the dubious, shadowy flickerings of charged quanta, we human beings, more like rainbows and mirages than like raindrops or boulders, are unpredictable self-writing poems—vague, metaphorical, ambiguous, and sometimes exceedingly beautiful. [...] What one gives up on is a childlike sense that things are exactly as they appear, and that our solid-seeming, marble-like "I" is the realest thing in the world; what one acquires is an appreciation of how tenuous we are at our cores, and how wildly different we are from what we seem to be.

It assumes that in any social innovation something radically new occurs and assumes that, for this to happen, there must be, first and foremost, a belief that intractable problems can be solved. It assumes there must be an individual or group of individuals poised and ready to act—but

He drew forth a phrase from his treasure and spoke it softly to himself: —A day of dappled seaborne clouds. The phrase and the day and the scene harmonized in a chord. Words. Was it their colours? He allowed them to glow and fade, hue after hue: sunrise gold, the russet and green of apple orchards, azure of waves, the grey-fringed fleece of clouds. No, it was not their colours: it was the poise and balance of the period itself. Did he then love the rhythmic rise and fall of words better than their associations of legend and colour? Or was it that, being as weak of sight as he was shy of mind, he drew less pleasure from the reflection of the glowing sensible world through the prism of a language many-coloured and richly storied than from the contemplation of an inner world of individual emotions mirrored perfectly in a lucid supple periodic prose?

When I first met you, I knew, somehow, that you were going to change my life. I just didn’t know in what way. I didn’t know that you’d make me love you. And most importantly, I didn’t know that you’d make me love me. Baby, you make me see the good in myself and the good in everything on this damn earth. You chase my ghosts away, and…” He cleared his throat, and to my surprise, I saw his eyes were watering. Oh fuck. Please don’t cry, Dex, cuz I will fucking lose it. He swallowed hard, blinking tears back. “And you bring me peace. I can’t thank you enough for being in my life. And I want you there for the whole journey. Through everything—the good and the bad, the batshit crazy and the sane, the scary and the sexy. Especially the sexy. Just you and me, baby, until death do us part.” Somehow I found my voice. “Even though we’ve only known each other for eight months?” I asked quietly, afraid of his answer. But he just smiled up at me. “Time has no bearing on the truth. And what we have, that’s true as fucking anything.” He gave my hand a squeeze and reached into his pocket. I sucked in my breath, feeling all my emotions flood me at once, and watched as he took out a beautiful, sparkling ring, and held it poised at my finger. He gazed at me, and it was like I saw every moment we had with each other captured in his eyes. “Perry Palomino, kiddo, baby—will you be my wife?” I didn’t even have to think about it. “Yes!” I blurted out in a sob as the tears started

Beautiful is thy wristlet, decked with stars and cunningly wrought in myriad-coloured jewels. But more beautiful to me thy sword with its curve of lightning like the outspread wings of the divine bird of Vishnu, perfectly poised in the angry red light of the sunset. It quivers like the one last response of life in ecstasy of pain at the final stroke of death; it shines like the pure flame of being burning up earthly sense with one fierce flash. Beautiful is thy wristlet, decked with starry gems; but thy sword, O lord of thunder, is wrought with uttermost beauty, terrible to behold or think of.

He drew forth a phrase from his treasure and spoke it softly to himself: --a day of dappled seaborne clouds. The phrase and the day and the scene harmonised in a chord. Words. Was it their colours? He allowed them to glow and fade, hue after hue: sunrise gold, the russet and green of apple orchards, azure of waves, the greyfringed fleece of clouds. No, it was not their colours: it was the poise and balance of the period itself. Did he then love the rhythmic rise and fall of words better than their associations of legend and colour? Or was it that, being as weak of sight as he was shy of mind, he drew less pleasure from the reflection of the glowing sensible world through the prism of a language manycoloured and richly storied than from the contemplation of an inner world of individual emotions mirrored perfectly in a lucid supple periodic prose? He passed from the trembling bridge on to firm land again.

This practice allegedly overcame a variety of evils: standing in front of his fellows encouraged good posture and gave a child poise; delivering a short talk made him word-conscious; learning his current event strengthened his memory; being singled out made him more than ever anxious to return to the Group.

Curran rested the back of his head on the edge of the hot tub and closed his eyes. I stared at the way his face looked, etched against the darkness of the wall. He really was a handsome bastard. Poised like this, he seemed very human. Nobody to impress. Nobody to command. Just him, in the hot water, tired, hurting, stealing a few precious moments of rest, and so irresistibly erotic. Well, that last one came out of nowhere. It was the beer. Had to be. Despite all his growling and threats, his arrogance, I liked being next to him. He made me feel safe. It was a bizarre emotion. I was never safe. I closed my eyes. That seemed like the only reasonable way out of the situation. If I couldn’t see him, I couldn’t drool over him. “So you didn’t want to see me hurt?” he said. His voice was deceptively smooth and soft, the deep, throaty, sly purr of a giant cat who wanted something. Admitting that I took his well-being into consideration might have been a fatal mistake. “I didn’t want you to have to kill Derek.” “And if he had gone loup?” “I would have taken care of it.” “How exactly were you planning on pushing Jim aside? He was the highest alpha. The duty was his.” “I pulled rank,” I told him. “I declared that since you had accepted the Order’s assistance, I outranked everybody.” He laughed. “And they believed you?” “Yep. I also glared menacingly for added effect. Unfortunately, I can’t make my eyes glow the way yours do.” “Like this?” he breathed in my ear. My eyes snapped open. He stood inches away, anchored on the tub floor, his arms leaning on the tub wall on each side of me. His eyes were molten gold, but it wasn’t the hard, lethal glow of an alpha stare. This gold was warm and enticing, touched with a hint of longing. “Don’t make me break this bottle over your head,” I whispered. “You won’t.” He grinned. “You don’t want to see me hurt.

We know that Antony pined for Cleopatra months later, though she wound up with all the credit for the affair. As one of her sworn enemies asserted, she did not fall in love with Antony but “brought him to fall in love with her.” In the ancient world too women schemed while men strategized; there was a great gulf, elemental and eternal, between the adventurer and the adventuress. There was one too between virility and promiscuity: Caesar left Cleopatra in Alexandria to sleep with the wife of the king of Mauretania. Antony arrived in Tarsus fresh from an affair with the queen of Cappadocia. The consort of two men of voracious sexual appetite and innumerable sexual conquests, Cleopatra would go down in history as the snare, the delusion, the seductress. Citing her sexual prowess was evidently less discomfiting than acknowledging her intellectual gifts. In the same way it is easier to ascribe her power to magic than to love. We have evidence of neither, but the first can at least be explained; with magic one forfeits rather than loses the game. So Cleopatra has Antony under her thumb, poised to obey her every wish, “not only because of his intimacy with her,” as Josephus has it, “but also because of being under the influence of drugs.” To claim as much is to acknowledge her power, also to insult her intelligence.

At first glance, the stewardess appears to have been a reflection of conservative postwar gender roles—an impeccable airborne incarnation of the mythical homemaker of the 1950s who would happily abandon work to settle down with Mr. Right. A high-flying expert at applying lipstick, warming baby bottles, and mixing a martini, the stewardess was popularly imagined as the quintessential wife to be. Dubbed the “typical American girl,” this masterful charmer—known for pampering her mostly male passengers while maintaining perfect poise (and straight stocking seams) thirty thousand feet above sea level—became an esteemed national heroine for her womanly perfection. But while the the stewardess appears to have been an airborne Donna Reed, a closer look reveals that she was also popularly represented as a sophisticated, independent, ambitious career woman employed on the cutting edge of technology. This iconic woman in the workforce was in a unique position to bring acceptance and respect to working women by bridging the gap between the postwar domestic ideal and wage work for women. As both the apotheosis of feminine charm and American careerism, the stewardess deftly straddled the domestic ideal and a career that took her far from home. Ultimately, she became a crucial figure in paving the way for feminism in America.

Many times it has happened: Lifted out of the body into myself; becoming external to all other things and self-encentered; beholding a marvellous beauty; then, more than ever, assured of community with the loftiest order; enacting the noblest life, acquiring identity with the divine; stationing within It by having attained that activity; poised above whatsoever in the Intellectual is less than the Supreme: yet, there comes the moment of descent from intellection to reasoning, and after that sojourn in the divine, I ask myself how it happens that I can now be descending, and how did the Soul ever enter into my body, the Soul which even within the body, is the high thing it has shown itself to be. ‡ ____________________

When we aim high, pressure and stress obligingly come along for the ride. Stuff is going to happen that catches us off guard, threatens or scares us. Surprises (unpleasant ones, mostly) are almost guaranteed. The risk of being overwhelmed is always there. In these situations, talent is not the most sought-after characteristic. Grace and poise are, because these two attributes precede the opportunity to deploy any other skill. We must possess, as Voltaire once explained about the secret to the great military success of the first Duke of Marlborough, that “tranquil courage in the midst of tumult and serenity of soul in danger, which the English call a cool head.” Regardless of how much actual danger we’re in, stress puts us at the potential whim of our baser—fearful—instinctual reactions.

3. It takes calmness and courage. Notice that Daniel never panicked or overreacted in the face of opposition. Amid life-threatening situations, he remained poised and peaceful. He practiced Psalm 46:10: “Be still, and know that I am God; I will be exalted among the nations.” We can remain calm when we have the deep, supernatural peace of knowing that God is our refuge and strength, a very present help in trouble

Trump's dictatorial tendencies and mendacity, negative attributes for many voters, poised him perfectly to manipulate the evangelical mind. Like the biblical god evangelicals worship, Trump is a thin-skinned authoritarian with totalitarian tendencies. He craves love and punishes any disloyalty or slight. Evangelicals have been taught to worship and adore that type of being above all others. This strain of religion cultivates a veneration for extreme authority. Studies bear this out: religious fundamentalism and a tendency to submit to authoritarianism are highly correlated. Trump acted like the character evangelicals worship and benefited from their ingrained adulation. Evangelicals were simply seeing in Trump a character they'd been taught to revere. As if to prove the point, Ann Coulter called Trump her "Emperor God".

The history of environmental lawmaking suggests that people are best able to change their ways when they find two things at once in nature: something to fear, a threat they must avoid, and also something to love, a quality they can admire or respect, and which they can do their best to honor. The first impulse, of fear, can be rendered in purely human-centered terms, as a matter of avoiding environmental crisis. The second impulse, of love, engages animist intuitions and carries us toward post-humanism, which is perhaps just another name for an enriched humanism. Either impulse can stay the human hand, but the first stops it just short of being burnt or broken. The second keeps the hand poised, extended in greeting or in an offer of peace. This gesture is the beginning of collaboration, among people but also beyond us, in building our next home.

She was all I had ever dreamt of being. She was beautiful, more beautiful than anyone I had ever seen. She was intelligent, smarter than anyone I had ever met. When poised and quiet, she had an impact on people anyways, a statue and incarnate of everything revered in a woman, yet when she spoke, you did not know how to thank what deity for having been graced to be in the presence of someone like her. She did not speak as I did, and she spoke so little.

All our lives, men tell us how we should be. Women should be small and delicate, submissive and silent. We’re supposed to be well-behaved and obedient. Don’t take up too much space. Smile, blush, walk this way, dance like that, conduct yourself with poise and grace. Well, piss on that, honey. This makeup is your war paint. These fine silk clothes are your armor. You are beautiful and fierce, because those two things? They aren’t mutually exclusive , Rixxis.

Once a week, we had a Current Events period. Each child was supposed to clip an item from a newspaper, absorb its contents, and reveal them to the class. This practice allegedly overcame a variety of evils: standing in front of his fellows encouraged good posture and gave a child poise; delivering a short talk made him word-conscious; learning his current event strengthened his memory; being singled out made him more than ever anxious to return to the Group.

A stomach can resite itself in a pulmonary location; Coxinga can be blood-kin to the Seiwa Minamotos; and that Mr. Tami, much maligned, may well be unreliable. But as soon as those naked objects emerge from their bathhouse into the normal world, they garb themselves in obedience to the requirements of civilization and, once robed, they resume the nature and behavior patterns of human beings. My master stands on the threshold between two worlds. Standing as he does between the bathroom and the changing room, he is poised at the verge of his return to worldliness, to the sad mundanities of man, to the suavities of compromise, the specious words, and the accommodating practices of his species in society. If, on the verge of returning to that world, he yet maintains so brute an obstinacy, surely his mokelike stubbornness must be a deep-rooted disease; a disease, indeed, so very firmly rooted as to be virtually ineradicable.

Madame smiled indulgently. ‘Most people assume that a muse is a creature of perfect beauty, poise and grace. Like the creatures from Greek mythology. They’re wrong. In fact, there should be a marked absence of perfection in a muse – a gaping hole between what she is and what she might be. The ideal muse is a woman whose rough edges and contradictions drive you to fill in the blanks of her character. She is the irritant to your creativity. A remarkable possibility, waiting to be formed.’ Madame

What is the whole of our existence," said Father Damien, practicing his sermon from the new pulpit, "but the sound of an appalling love?" The snakes slid quietly among the feet of the empty pews. "What is the question we spend our entire lives asking? Our question is this: Are we loved? I don't mean by one another. Are we loved by the one who made us? Constantly, we look for evidence. In the gifts we are given--children, good weather, money, a happy marriage perhaps--we find assurance. In contrast, our pains, illnesses, the deaths of those we love, our poverty, our innocent misfortunes--those we take as signs that God has somehow turned away. But, my friends, what exactly is love here? How to define it? Does God's love have anything at all to do with the lack or plethora of good fortune at work in our lives? Or is God's love, perhaps, something very different from what we think we know? ... I am like you," said Father Damien to the snakes, "curious and small." He dropped his arms. "Like you, I poise alertly and open my senses to try to read the air, the clouds, the sun's slant, the little movements of the animals, all in the hope I will learn the secret of whether I am loved." The snakes coiled and recoiled, curved over and underneath themselves. "If I am loved," Father Damien went on, "it is a merciless and exacting love against which I have no defense. If I am not loved, then I am being pitilessly manipulated by a force I cannot withstand, either, and so it is all the same. I must do what I must do. Go in peace.

That seemed to relax him a little, that simple nothing of a reassurance, as though there was ever a doubt that she wasn't exactly where she wanted to be at this very moment. As if there was even the slightest chance that she would rather be with Grady than Jay. He squeezed her hand, still holding it, and pulled her down so that she was leaning over his chest. "Kiss me again," he challenged, only half joking. It was so weird to hear him say that, to hear those words out loud. They had kissed. More than once. More than a lot. They had passed the point of being "just friends" by a long shot. She leaned down and gave him a dry, sisterly little peck. And then she leaned back up again and smiled at him innocently. She wished she could make a halo appear above her head for effort. Jay made a sound at her that was like a growl, and then he pulled her down...hard. He flipped her over so that she was lying on her back and he was poised above her, and taking full advantage of his upper hand, he moved his lips over hers with a feather-light touch, in a way that was anything but innocent. Until she parted his lips and let him kiss her again...completely...thoroughly. She heard herself moan, and she could feel the throbbing of her own pulse flickering hotly through her veins. He lifted his head and started down at her, rubbing his thumb across her lower lip. "That's what I was talking about. A real kiss." She thought that he was probably trying to gloat, but she was more than a little pleased with herself that he sounded as shaky as she felt after the kiss.

All that day and all that night there sat an awful gladness in my heart,—nay, blame me not if I see the world thus darkly through the Veil,—and my soul whispers ever to me saying, “Not dead, not dead, but escaped; not bond, but free.” No bitter meanness now shall sicken his baby heart till it die a living death, no taunt shall madden his happy boyhood. Fool that I was to think or wish that this little soul should grow choked and deformed within the Veil! I might have known that yonder deep unworldly look that ever and anon floated past his eyes was peering far beyond this narrow Now. In the poise of his little curl-crowned head did there not sit all that wild pride of being which his father had hardly crushed in his own heart? For what, forsooth, shall a Negro want with pride amid the studied humiliations of fifty million fellows? Well sped, my boy, before the world had dubbed your ambition insolence, had held your ideals unattainable, and taught you to cringe and bow. Better far this nameless void that stops my life than a sea of sorrow for you.

The object of facing up squarely to the fact of the climacteric is to acquire serenity and power. If women on the youthful side of the climacteric could glimpse what this state of peaceful potency might be, the difficulties of making the transition would be less. It is the nature of the case that life beyond the menopause is as invisible to the woman who has yet to struggle through the change as to the top of any mountain is invisible from the valley below. Calm and poise do not simply happen to the post menopausal woman, she has to fight for them.

What is our point of support? Is it in ourselves or outside us? Are we self-poised, or does our balance depend on something external? According to the actual belief in which our answer to these questions is embodied so will our lives be. In everything there are two parts, the essential and the incidental – that which is the nucleus and raison d'être of the whole thing, and that which gathers round this nucleus and takes form from it. The true knowledge always consists in distinguishing these two from each other, and error always consists in misplacing them.

We believe in marbles that disintegrate when we search for them but that are as real as any genuine marble when we're not looking for them. [...] Poised midway between the unvisualizable cosmic vastness of curved spacetime and the dubious, shadowy flickerings of charged quanta, we human beings, more like rainbows and mirages than like raindrops or boulders, are unpredictable self-writing poems—vague, metaphorical, ambiguous, and sometimes exceedingly beautiful. [...] What one gives up on is a childlike sense that things are exactly as they appear, and that our solid-seeming, marble-like "I" is the realest thing in the world; what one acquires is an appreciation of how tenuous we are at our cores, and how wildly different we are from what we seem to be.

[M]ost Americans are still drawing some water from the Christian well. But a growing number are inventing their own versions of what Christianity means, abandoning the nuances of traditional theology in favor of religions that stroke their egos and indulge or even celebrate their worst impulses. . . . Both doubters and believers stand to lose if religion in the age of heresy turns out to be complicit in our fragmented communities, our collapsing families, our political polarization, and our weakened social ties. Both doubters and believers will inevitably suffer from a religious culture that supplies more moral license than moral correction, more self-satisfaction than self-examination, more comfort than chastisement. . . . Many of the overlapping crises in American life . . . can be traced to the impulse to emphasize one particular element of traditional Christianity—one insight, one doctrine, one teaching or tradition—at the expense of all the others. The goal is always progress: a belief system that’s simpler or more reasonable, more authentic or more up-to-date. Yet the results often vindicate the older Christian synthesis. Heresy sets out to be simpler and more appealing and more rational, but it often ends up being more extreme. . . . The boast of Christian orthodoxy . . . has always been its fidelity to the whole of Jesus. Its dogmas and definitions seek to encompass the seeming contradictions in the gospel narratives rather than evading them. . . . These [heretical] simplifications have usually required telling a somewhat different story about Jesus than the one told across the books of the New Testament. Sometimes this retelling has involved thinning out the Christian canon, eliminating tensions by subtracting them. . . . More often, though, it’s been achieved by straightforwardly rewriting or even inventing crucial portions of the New Testament account. . . . “Religious man was born to be saved,” [Philip Rieff] wrote, but “psychological man is born to be pleased.” . . . In 2005, . . . . Smith and Denton found no evidence of real secularization among their subjects: 97 percent of teenagers professed some sort of belief in the divine, 71 percent reported feeling either “very” or “somewhat” close to God, and the vast majority self-identified as Christian. There was no sign of deep alienation from their parents’ churches, no evidence that the teenagers in the survey were poised to convert outright to Buddhism or Islam, and no sign that real atheism was making deep inroads among the young. But neither was there any evidence of a recognizably orthodox Christian faith. “American Christianity,” Smith and Denton suggested, is “either degenerating into a pathetic version of itself,” or else is “actively being colonized and displaced by a quite different religious faith.” They continued: “Most religious teenagers either do not really comprehend what their own religious traditions say they are supposed to believe, or they do understand it and simply do not care to believe it.” . . . An ego that’s never wounded, never trammeled or traduced—and that’s taught to regard its deepest impulses as the promptings of the divine spirit—can easily turn out to be an ego that never learns sympathy, compassion, or real wisdom. And when contentment becomes an end unto itself, the way that human contents express themselves can look an awful lot like vanity and decadence. . . . For all their claims to ancient wisdom, there’s nothing remotely countercultural about the Tolles and Winfreys and Chopras. They’re telling an affluent, appetitive society exactly what it wants to hear: that all of its deepest desires are really God’s desires, and that He wouldn’t dream of judging. This message encourages us to justify our sins by spiritualizing them. . . . Our vaunted religiosity is real enough, but our ostensible Christian piety doesn’t have the consequences a casual observer might expect. . . . We nod to God, and then we do as we please.

Consider the lilies of the field; they toil not, neither do they spin; yet Solomon in all of his glory was not arrayed as one of these.' I know that God is prospering me in all ways. I am now leading the abundant life, because I believe in a God of abundance. I am supplied with everything that contributes to my beauty, well-being, progress and peace. I am daily experiencing the fruits of the spirit of God within me; I accept my good now; I walk in the light that all good is mine. I am peaceful, poised, serene and calm. I am one with the source of life; all my needs are met at every moment of time and every point of space. I now bring `all the empty vessels' to the Father within. The fullness of God is made manifest in all the departments of my life. `All that the Father hath is mine.' I rejoice that this is so." CHAPTER

It’s only a region. A few scattered dwellings at most. We’re farmers there. Mostly farmers. And you? Where are you from?” A nameless region? Maybe. And he was strong, fit, tanned from the sun like a farmer might be, but there was also so much that seemed very unfarmerish about him—the way he spoke, even the way he carried himself—and especially his unnerving blue eyes. They were fierce, like a warrior’s. They weren’t the eyes of a content farmer passing his days turning the soil. I took the berry still poised in his fingers and popped it in my mouth. Where was I from? I narrowed my eyes and smiled. “A small town in the northernmost part of Morrighan. Mostly farmers. Only a region, really. A few scattered dwellings. At most. No name.” He couldn’t restrain a chuckle. “Then we come from opposite but similar worlds, don’t we?” I

Man tends to regard the order he lives in as natural. The houses he passes on his way to work seem more like rocks rising out of the earth than like products of human hands. He considers the work he does in his office or factory as essential to the har­monious functioning of the world. The clothes he wears are exactly what they should be, and he laughs at the idea that he might equally well be wearing a Roman toga or medieval armor. He respects and envies a minister of state or a bank director, and regards the possession of a considerable amount of money the main guarantee of peace and security. He cannot believe that one day a rider may appear on a street he knows well, where cats sleep and chil­dren play, and start catching passers-by with his lasso. He is accustomed to satisfying those of his physio­logical needs which are considered private as dis­creetly as possible, without realizing that such a pattern of behavior is not common to all human so­cieties. In a word, he behaves a little like Charlie Chaplin in The Gold Rush, bustling about in a shack poised precariously on the edge of a cliff. His first stroll along a street littered with glass from bomb-shattered windows shakes his faith in the "naturalness" of his world. The wind scatters papers from hastily evacuated offices, papers labeled "Con­fidential" or "Top Secret" that evoke visions of safes, keys, conferences, couriers, and secretaries. Now the wind blows them through the street for anyone to read; yet no one does, for each man is more urgently concerned with finding a loaf of bread. Strangely enough, the world goes on even though the offices and secret files have lost all meaning. Farther down the street, he stops before a house split in half by a bomb, the privacy of people's homes-the family smells, the warmth of the beehive life, the furniture preserving the memory of loves and hatreds-cut open to public view. The house itself, no longer a rock, but a scaffolding of plaster, concrete, and brick; and on the third floor, a solitary white bath­ tub, rain-rinsed of all recollection of those who once bathed in it. Its formerly influential and respected owners, now destitute, walk the fields in search of stray potatoes. Thus overnight money loses its value and becomes a meaningless mass of printed paper. His walk takes him past a little boy poking a stick into a heap of smoking ruins and whistling a song about the great leader who will preserve the nation against all enemies. The song remains, but the leader of yesterday is already part of an extinct past.

Oh, Captain Aubrey,' cried she, 'I have a service to beg of you.' Mrs Fielding had but to command, said Jack, smiling at her with great affection; he was at her orders entirely - very happy - delighted - could not be more so. 'Why then,' she said, 'you know I am a little talkative - the dear Doctor has often said so, desiring me to peep down - but alas I am not at all writative, at least not in English. English spelling! Corpo di Baccho, English spelling! Now if I give you a dictation and you write it down in good English, I can use the words when I write to my husband.' 'Very well,' said Jack, his smile fading. It was just as he had feared: and he must have been quite mistaken about the signals. Mr Fielding was to understand that the excellent Captain Aubrey had saved Ponto from being drowned: Ponto now doted upon Captain Aubrey and ran up to him in the street. Wicked people therefore said that Captain Aubrey was Laura's lover. Should these rumours reach Mr Fielding he was to pay no attention. On the contrary. Captain Aubrey was an honourable man, who would scorn to insult a brother-officer's wife with dishonest proposals; indeed she had such confidence in his perfect rectitude that she could visit him without even the protection of a maid. Captain Aubrey knew very well that she would not ply the oar. 'Ply the oar, ma'am?' said Jack, looking up from his paper, his pen poised. 'Is it not right? I was so proud of it.' 'Oh yes,' said Jack. 'Only the word is spelt rather odd, you know,' and he wrote she would not play the whore very carefully, so that the letters could not be mistaken, smiling secretly as he did so, his frustration and disappointment entirely overcome by his sense of the ridiculous.

it, Valmont found himself staring at her. At the easy, languid way in which she crossed the floor; of the taut perfection of her figure, which, without being conspicuously on show beneath the soft folds of her white summer dress, was not entirely hidden by it either. It struck him as a calculated statement; both ambiguous and provocative without being obvious. This subtlety pleased him. Although finely boned and petite, she possessed bearing and composure; a certain reckless enjoyment of her own body. And her face was equally striking, with large feline eyes and full lips, poised on the verge of a smile, as if she were recalling a private joke. Her hair was black. It was brushed back from her face and arranged like a soft dusky halo round her head. A little straw handbag dangled from her wrist and she frowned slightly as she made her way up to the front desk.

heron flew over the bamboo forest—and Siddhartha took the heron into his soul, he flew over the woods and the mountains. He was a heron: he fed upon fish and hungered with the heron’s hunger, he spoke the cawing of the heron and died the heron’s death. A dead jackal lay there on the sandy riverbank, and Siddhartha’s soul slipped into the dead body. He was a dead jackal: he lay on the beach, he swelled up and stank, he rotted away and was dismembered by the hyenas before being skinned by the vultures. He turned to a skeleton and then to dust, and then he blew into the fields. And Siddhartha’s soul returned. His soul had died, it had decayed, it had crumbled to dust. He had tasted the hazy intoxication of the cycle of existence and, like the hunter poised for the opportunity, awaited his chance to escape from this cycle to the place where causality ended and an eternity free of sorrow began.

The milk is long since out of date, the bread all has mold and I think you could start a bacterial plague with what’s in the crisper here…” “Order a pizza,” he suggested. “There’s a place down on the corner that still owes me ten pizzas, paid for in advance.” “You can’t eat pizza for breakfast!” “Why can’t I? I’ve been doing it for a week.” “You can cook,” she said accusingly. “When I’m sober,” he agreed. She glowered at him and went back to her chore. “Well, the eggs are still edible, barely, and there’s an unopened pound of bacon. I’ll make an omelet.” He collapsed into the chair at the kitchen table while she made a fresh pot of coffee and set about breaking eggs. “You look very domesticated like that,” he pointed out with a faint smile. “After we have breakfast, why don’t you come to bed with me?” She gave him a shocked glance. “I’m pregnant,” she reminded him. He nodded and laughed softly. “Yes, I know. It’s an incredible turn-on.” Her hand stopped, poised in midair with a spoon in it. “Wh…What?” “The eggs are burning,” he said pleasantly. She stirred them quickly and turned the bacon, which was frying in another pan. He thought her condition was sexy? She couldn’t believe he was serious. But apparently he was, because he watched her so intently over breakfast that she doubted if he knew what he was eating. “Mr. Hutton told the curator of the museum in Tennessee that I wasn’t coming back, and he paid off the rent on my house there,” she said. “I don’t even have a home to go to…” “Yes, you do,” he said quietly. “I’m your home. I always have been.” She averted her eyes to her plate and hated the quick tears that her condition prompted. Her fists clenched. “And here we are again,” she said huskily. “Where?” he asked. She drew in a harsh breath. “You’re taking responsibility for me, out of duty.” He leaned back in his chair. The robe came away from his broad, bronzed chest as he stared at her. “Not this time,” he replied with a voice so tender that it made ripples right through her heart. “This time, it’s out of love, Cecily.” Cecily doubted her own ears. She couldn’t have heard Tate saying that he wanted to take care of her because he loved her. He wasn’t teasing. His face was almost grim. “I know,” he said. “You don’t believe it. But it’s true, just the same.” He searched her soft, shocked green eyes. “I loved you when you were seventeen, Cecily, but I thought I had nothing to offer you except an affair.” He sighed heavily. “It was never completely for the reasons I told you, that I didn’t want to get married. It was my mother’s marriage. It warped me. It’s taken this whole scandal to make me realize that a good marriage is nothing like the one I grew up watching. I had to see my mother and Matt together before I understood what marriage could be.

Donald Trump is rape culture's blathering id, and just a few days after the Access Hollywood tape dropped, then Democratic nominee Hillary Clinton (who, no doubt, has just as many man-made scars as the rest of us) was required to stand next to him on a stage for a presidential debate and remain unflappable while being held to an astronomically higher standard and pretend that he was her equal while his followers persisted in howling that sexism is a feminist myth. While Trump bragged about sexual assault and vowed to suppress disobedient media, cable news pundits spent their time taking a protractor to Clinton's smile - a constant, churning microanalysis of nothing, a subtle subversion of democracy that they are poised to repeat in 2020. And then she lost. (Actually, in a particularly painful living metaphor, she won, but because of institutional peculiarities put in place by long-dead white men, they took it from her and gave it to the man with fewer votes.

SEVENTY THOUSAND YEARS AGO, HOMO sapiens was still an insignificant animal minding its own business in a corner of Africa. In the following millennia it transformed itself into the master of the entire planet and the terror of the ecosystem. Today it stands on the verge of becoming a god, poised to acquire not only eternal youth, but also the divine abilities of creation and destruction. Unfortunately, the Sapiens regime on earth has so far produced little that we can be proud of. We have mastered our surroundings, increased food production, built cities, established empires and created far-flung trade networks. But did we decrease the amount of suffering in the world? Time and again, massive increases in human power did not necessarily improve the well-being of individual Sapiens, and usually caused immense misery to other animals. In the last few decades we have at last made some real progress as far as the human condition is concerned, with the reduction of famine, plague and war. Yet the situation of other animals is deteriorating more rapidly than ever before, and the improvement in the lot of humanity is too recent and fragile to be certain of. Moreover, despite the astonishing things that humans are capable of doing, we remain unsure of our goals and we seem to be as discontented as ever. We have advanced from canoes to galleys to steamships to space shuttles – but nobody knows where we’re going. We are more powerful than ever before, but have very little idea what to do with all that power. Worse still, humans seem to be more irresponsible than ever. Self-made gods with only the laws of physics to keep us company, we are accountable to no one. We are consequently wreaking havoc on our fellow animals and on the surrounding ecosystem, seeking little more than our own comfort and amusement, yet never finding satisfaction. Is there anything more dangerous than dissatisfied and irresponsible gods who don’t know what they want?

Seventy thousand years ago, homo sapiens was still an insignificant animal minding its own business in a corner of Africa. In the following millennia it transformed itself into the master of the entire planet and the terror of the ecosystem. Today it stands on the verge of becoming a god, poised to acquire not only eternal youth, but also the divine abilities of creation and destruction. . Unfortunately, the Sapiens regime on earth has so far produced little that we can be proud of. We have mastered our surroundings, increased food production, built cities, established empires and created far-flung trade networks. But did we decrease the amount of suffering in the world? Time and again, massive increases in human power did not necessarily improve the well-being of individual Sapiens, and usually caused immense misery to other animals. . In the last few decades we have at last made some real progress as far as the human condition is concerned, with the reduction of famine, plague and war. Yet the situation of other animals is deteriorating more rapidly than ever before, and the improvement in the lot of humanity is too recent and fragile to be certain of. . Moreover, despite the astonishing things that humans are capable of doing, we remain unsure of our goals and we seem to be as discontented as ever. We have advanced from canoes to galleys to steamships to space shuttles – but nobody knows where we’re going. We are more powerful than ever before, but have very little idea what to do with all that power. Worse still, humans seem to be more irresponsible than ever. Self-made gods with only the laws of physics to keep us company, we are accountable to no one. We are consequently wreaking havoc on our fellow animals and on the surrounding ecosystem, seeking little more than our own comfort and amusement, yet never finding satisfaction. . Is there anything more dangerous than dissatisfied and irresponsible gods who don’t know what they want?

All at once, something wonderful happened, although at first, it seemed perfectly ordinary. A female goldfinch suddenly hove into view. She lighted weightlessly on the head of a bankside purple thistle and began emptying the seedcase, sowing the air with down. The lighted frame of my window filled. The down rose and spread in all directions, wafting over the dam’s waterfall and wavering between the tulip trunks and into the meadow. It vaulted towards the orchard in a puff; it hovered over the ripening pawpaw fruit and staggered up the steep faced terrace. It jerked, floated, rolled, veered, swayed. The thistle down faltered down toward the cottage and gusted clear to the woods; it rose and entered the shaggy arms of pecans. At last it strayed like snow, blind and sweet, into the pool of the creek upstream, and into the race of the creek over rocks down. It shuddered onto the tips of growing grasses, where it poised, light, still wracked by errant quivers. I was holding my breath. Is this where we live, I thought, in this place in this moment, with the air so light and wild? The same fixity that collapses stars and drives the mantis to devour her mate eased these creatures together before my eyes: the thick adept bill of the goldfinch, and the feathery coded down. How could anything be amiss? If I myself were lighter and frayed, I could ride these small winds, too, taking my chances, for the pleasure of being so purely played. The thistle is part of Adam’s curse. “Cursed is the ground for thy sake, in sorrow shalt thou eat of it; thorns also and thistles shall it bring forth to thee.” A terrible curse: But does the goldfinch eat thorny sorrow with the thistle or do I? If this furling air is fallen, then the fall was happy indeed. If this creekside garden is sorrow, then I seek martyrdom. I was weightless; my bones were taut skins blown with buoyant gas; it seemed that if I inhaled too deeply, my shoulders and head would waft off. Alleluia.

Elizabeth,” he interrupted in a husky whisper, and suddenly his eyes were smoldering as he held out his hand, sensing victory before Elizabeth ever realized she was defeated. “Come here.” Of its own accord Elizabeth’s hand lifted, his fingers closed around it, and suddenly she was hauled forward; arms like steel bands encircled her, and a warm, searching mouth descended on hers. Parted lips, tender and insistent, stroked hers, molding and shaping them to fit his, and then the kiss deepened abruptly while hands tightened on her back and shoulders, caressing and possessive. A soft moan interrupted the silence, but Elizabeth didn’t know the sound came from her; she was reaching up, her hands grasping broad shoulders, clinging to them for support in a world that had suddenly become dark and exquisitely sensual, where nothing mattered except the body and mouth locked hungrily to hers. When he finally dragged his mouth from hers Ian kept his arms around her, and Elizabeth laid her cheek against his crisp white shirt, feeling his lips brush the hair atop her head. “That was an even bigger mistake than I feared it would be,” he said, and then he added almost absently, “God help us both.” Strangely, it was that last remark that frightened Elizabeth back to her senses. The fact that he thought they’d gone so far that they’d both need some sort of divine assistance hit her like a bucket of ice water. She pulled out of his arms and began smoothing creases from her skirt. When she felt able, she lifted her face to his and said with a poise born of sheer terror, “None of this should have happened. However, if we both return to the ballroom and contrive to spend time with others, perhaps no one will think we were together out here. Good-bye, Mr. Thornton.” “Good night, Miss Cameron.” Elizabeth was too desperate to escape to remark on his gentle emphasis on the words “good night,” which he’d deliberately used instead of “good-bye,” nor did she notice at the time that he didn’t seem to realize she was correctly Lady Cameron, not Miss Cameron.

In the past few decades, we have witnessed an explosion of information about death and the afterlife, generated by an ever-growing number of psychologists and psychiatrists, physicians, hospice nurses and bereavement counselors, near-death experiencers, researchers in parapsychology, and, of course, mediums, who are working toward a better understanding of the world to come. This is one of many signs that the human race is poised to enter a new era, an era I would call a revolution in consciousness. Another sign is that belief in survival after death is on the rise, up to 89 percent according to some surveys.7 In Western countries, more and more people believe in a kinder hereafter. Instead of hell they expect joy, reunion with loved ones, and the complete absence of pain and worry. As concepts of the afterlife are inextricable from concepts of the Divine, when one changes, so does the other. Predictably, the fear-inspiring God of old is giving way to a more abstract Supreme Being whose laws are written in the spirit of love, compassion, and forgiveness rather than judgment.

There are people in this country who will argue that because of the demise of morals in general, and Sunday school in particular, kids today are losing their innocence before they should, that because of cartoons and Ken Starr and curricula about their classmates who have two mommies, youth learn too soon about sex and death. Well, like practically everyone else in the Western world who came of age since Gutenberg, I lost my innocence the old-time-religion way, by reading the nursery rhyme of fornication that is the Old Testament and the fairy tale bloodbath that is the New. Job taught me Hey! Life's not fair! Lot's wife taught me that I'm probably going to come across a few weird sleazy things I won't be able to resist looking into. And the book of Revelation taught me to live in the moment, if only because the future's so grim. Being a fundamentalist means going straight to the source. I was asked to not only read the Bible, but to memorize Bible verses. If it wasn't for the easy access to the sordid Word of God I might have had an innocent childhood. Instead, I was a worrywart before my time, shivering in constant fear of a god who, from what I could tell, huffed and puffed around the cosmos looking like my dad did when my sister refused to take her vitamins that one time. God wasn't exactly a children's rights advocate. The first thing a child reading the Bible notices is that you're supposed to honor your mother and father but they're not necessarily required to reciprocate. This was a god who told Abraham to knife his boy Isaac and then at the last minute, when the dagger's poised above Isaac's heart, God tells Abraham that He's just kidding. This was a god who let a child lose his birthright because of some screwball mix-up involving fake fur hands and a bowl of soup. This was a god who saw to it that his own son had his hands and feet nailed onto pieces of wood. God, for me, was not in the details. I still set store by the big Judeo-Christian messages. Who can argue with the Ten Commandments? Don't kill anybody: don't mess around with other people's spouses: be nice to your mom and dad. Fine advice. It was the minutiae that nagged me.

Take the common Buddhist practice of “noting,” for example: practitioners learn to label their worries and feelings with a simple tag like “thinking” or “anger,” taking note of them mindfully without engaging them directly. In a 2007 study, the UCLA psychologist Matthew Lieberman showed thirty volunteers fear-provoking images and then asked them to note their feelings (“I feel afraid”) as he monitored their brain activity. Upon seeing the unpleasant images, the subjects’ amygdalae lit up at first, but the labeling process soon sparked activity in the right ventrolateral prefrontal cortex, damping activity in the amygdala. Lieberman believes this mindful noting—the simple act of putting our feelings into words—helps the brain disambiguate our emotions and provide a level of detachment from them. “One of the ways labeling is useful is in talking with other people,” he told me. “If you can get someone to talk about their feelings, it’ll end up being beneficial to them in ways they may not realize.” (Writing about how we feel in a journal serves the same purpose; it helps us sort out emotions, like anxiety, on a deeper subconscious level.)

After an initial startled gasp, his intended bride dissolved into his arms, returning his kiss with more fervor than she had ever shown before. They were on the verge of being married, after all. Amazing what a difference imminent vows could make. Her hands, originally poised against his chest as though to push him back, slid slowly up to his shoulders and stayed there, as her head tilted back, her lips matched to his. ... It was quite some time before it began to dawn on Geoff that she might be just a bit too soft. The arms encircling his neck were a little rounder than he remembered them, and her shoulder blades seemed to have receded. Geoff’s hand made another tentative pass up and down her back, without breaking the kiss. Yes, definitely smoother. It might just be the added padding of the cloak, but other discordant details were beginning to intrude upon Geoff’s clouded senses. Her fragrance was all wrong, not Mary’s treasured French perfume, but something fainter, lighter, that made him think without quite knowing why of the park at Sibley Court in summer. It was a perfectly pleasant scent, but it wasn’t Mary’s. He was kissing the wrong woman.

The myth that morality and fidelity are old-fashioned and trite can imprison more than just one individual as generations are affected by the choices perpetuated by this lie. The myth that withholding judgment or having charity means that all values are relative and should be given equal importance or loyalty creates a heavy chain that eventually traps a person in doubt and disaffection, leaving him or her to be constantly "driven with the wind and tossed" (see James 1:6). However, confidence that Christ honors those who honor him (see 1 Samuel 2:30) provides an anchor to our souls (see Ether 12:4) whereby we are capable of giving affirmative answers to those who question the "reason of the hope that is in [us]" (1 Peter 3:15). I remember one of my saddest moments as a faculty member at BYU. One of my students came to me in emotional tatters. She had come to BYU looking for a supportive community that shared her values, something she had not enjoyed being the only Mormon in her high school. Instead her peers at BYU teased, sneered at, and demeaned her because she was not willing to watch an R-rated movie. How proud I was of her! Despite the hurt of rejection "by her own," her faith carried her through the social prison created by her peers. To "stand in holy places, and be not moved" (D&C 87:8) in today's world requires faith, courage, poise, and patience.

and I am convinced that healthy emotional boundaries—such as being clear and vocal about what you will and will not let into your life—are what make relationships functional. Your gut lining is a boundary between you and everything else in the universe that is poised to inundate and overwhelm your biology and generate unrelenting inflammation. Healing and strengthening your gut lining with food—therefore creating and strengthening this critical boundary and reducing intestinal permeability or “leaky gut”—allows you to be selective about what you want to take in from the universe on a material level. You can choose what serves you. I reflect on the fact that many of the problems in society—including violence, mental illness, developmental issues, and pain—start in humans, and humans are made by cells that become dysfunctional largely because of oxidative stress, mitochondrial dysfunction, and chronic inflammation. How miraculous that food can directly combat those things. We can’t have a healthy society without well-functioning humans. We can’t have well-functioning humans without well-functioning cells. And we can’t have well-functioning cells with mitochondrial dysfunction, oxidative stress, chronic inflammation, and cellular and hormone disruption from toxic chemicals in our food. We combat those things through nutrient-dense, unprocessed foods grown in living, thriving soil.

Blind thinking… could make me pretend I was being true to myself when really I was only being true to an infantile fear and confusion of situations; and the more confused it was the more it would call to its aid a sense of conviction. Yet for all its parade there was as much in common between its certainties and the fundamental sense of my own happiness as between the windy flappings of a newspaper in the gutter and the poise of a hovering kestrel. And only by experience of both, by digging down deep enough and watching sincerely enough, could I be sure of recognizing the difference. By keeping a diary of what made me happy I had discovered that happiness came when I was most widely aware. So I had finally come to the conclusion that my task was to become more and more aware, more and more understanding with an understanding that was not at all the same thing as intellectual comprehension…. Without understanding, I was at the mercy of blind habit; with understanding, I could develop my own rules for living and find out which of the conflicting exhortations of a changing civilization was appropriate to my needs. And, by finding that in order to be more and more aware I had to be more and more still, I had not only come to see through my own eyes instead of at second hand, but I had also finally come to discover what was the way of escape from the imprisoning island of my own self-consciousness.

For attractive lips, speak words of kindness. For lovely eyes, seek out the good in people. For a slim figure, share your food with the hungry. For beautiful hair, let a child run his fingers through it once a day. For poise, walk with the knowledge you’ll never walk alone. ...카톡【ACD5】텔레【KKD55】 We leave you a tradition with a future. The tender loving care of human beings will never become obsolete. People even more than things have to be restored, renewed, revived, reclaimed and redeemed and redeemed and redeemed. Never throw out anybody. ♥물뽕 구입♥물뽕 구매♥물뽕 판매♥물뽕 구입방법♥물뽕 구매방법♥물뽕 파는곳♥물뽕 가격♥물뽕 파는곳♥물뽕 정품구입♥물뽕 정품구매♥물뽕 정품판매♥물뽕 가격♥물뽕 복용법♥물뽕 부작용♥ Remember, if you ever need a helping hand, you’ll find one at the end of your arm. As you grow older, you will discover that you have two hands: one for helping yourself, the other for helping others. Your “good old days” are still ahead of you, may you have many of them 수면제,액상수면제,낙태약,여성최음제,ghb물뽕,여성흥분제,남성발기부전치유제,비아,시알,88정,드래곤,바오메이,정력제,남성성기확대제,카마그라젤,비닉스,센돔,,꽃물,남성조루제,네노마정,러쉬파퍼,엑스터시,신의눈물,lsd,아이스,캔디,대마초,떨,마리화나,프로포폴,에토미데이트,해피벌륜 등많은제품판매하고있습니다 원하시는제품있으시면 추천상으로 더좋은제품으로 모시겠습니다 It is a five-member boy group of YG Entertainment who debuted in 2006. It is a group that has had a great influence on young fashion trends, the idol group that has been pouring since then, and the Korean music industry from the mid to late 2000s. Since the mid-2000s, he has released a lot of hit songs. He has played an important role in all aspects of music, fashion, and trends enjoyed by Korea's generations. In 2010, the concept of emphasizing exposure, The number of idols on the line as if they were filmed in the factory instead of the "singer", the big bang musicality got more attention, and the ALIVE of 2012, the great success of the MADE album from 2015 to 2016, It showed musical performance, performance, and stage control, which made it possible to recognize not only the public in their twenties and thirties but also men and women, both young and old, as true artists with national talents. Even today, it is in a unique position in terms of musical performance, influence, and trend setting, and it is the idol who keeps the longest working and longest position. We have made the popularity of big bang by combining various factors such as exquisite talent of all members, sophisticated music, trendy style, various arts and performances in broadcasting, lovecalls and collaboration of global brands, and global popularity. The big bang was also different from the existing idols. It is considered to be a popular idol, a idol, because it has a unique musicality, debut as a talented person in a countless idol that has become a singer as a representative, not a talent. In addition, the male group is almost the only counterpart to the unchanging proposition that there is not a lot of male fans, and as mentioned several times, it has been loved by gender regardless of gender.

As we walked back into the hallway, Patrick held on to Diana’s hand. He was reluctant to let her go and gazed up at her with open adoration. I wish I could have taken another picture of that touching moment. With the royal staff clustering around, that was impossible. Diana seemed equally hesitant to say good-bye and bent down to squeeze Patrick tightly as we left. To Patrick that afternoon, Diana was truly a fairy-tale princess. Is it possible to imagine how her own sons felt about her? I was tremendously proud of Patrick for being so poised and polite, so natural all afternoon. “God bless him,” I thought. “If he ever had to be on his best behavior, it was today, when it mattered so very much.” I was also feeling blissful, really floating on air, after our long and private visit with Diana and Charles. It was hard to believe that they had spent so much time with us that afternoon and later were heading to the White House to spend the evening with President and Mrs. Reagan and lots of celebrities. The often-seen photograph of Diana in a midnight blue evening gown dancing with John Travolta was taken that night. On the taxi ride back to our hotel, we saw Diana and Charles’s limousine and security escort crossing an intersection in the distance. Our taxi driver explained to us that many streets in Washington were blocked off that day due to the important state visit of the Prince and Princess of Wales. Patrick, Adrienne, and I didn’t say a word. We just smiled and kept our visit a secret among ourselves. We all flew home later that afternoon.

I struggle with an embarrassing affliction, one that as far as I know doesn’t have a website or support group despite its disabling effects on the lives of those of us who’ve somehow contracted it. I can’t remember exactly when I started noticing the symptoms—it’s just one of those things you learn to live with, I guess. You make adjustments. You hope people don’t notice. The irony, obviously, is having gone into a line of work in which this particular infirmity is most likely to stand out, like being a gimpy tango instructor or an acrophobic flight attendant. The affliction I’m speaking of is moral relativism, and you can imagine the catastrophic effects on a critic’s career if the thing were left to run its course unfettered or I had to rely on my own inner compass alone. To be honest, calling it moral relativism may dignify it too much; it’s more like moral wishy-washiness. Critics are supposed to have deeply felt moral outrage about things, be ready to pronounce on or condemn other people’s foibles and failures at a moment’s notice whenever an editor emails requesting twelve hundred words by the day after tomorrow. The severity of your condemnation is the measure of your intellectual seriousness (especially when it comes to other people’s literary or aesthetic failures, which, for our best critics, register as nothing short of moral turpitude in itself). That’s how critics make their reputations: having take-no-prisoners convictions and expressing them in brutal mots justes. You’d better be right there with that verdict or you’d better just shut the fuck up. But when it comes to moral turpitude and ethical lapses (which happen to be subjects I’ve written on frequently, perversely drawn to the topics likely to expose me at my most irresolute)—it’s like I’m shooting outrage blanks. There I sit, fingers poised on keyboard, one part of me (the ambitious, careerist part) itching to strike, but in my truest soul limply equivocal, particularly when it comes to the many lapses I suspect I’m capable of committing myself, from bad prose to adultery. Every once in a while I succeed in landing a feeble blow or two, but for the most part it’s the limp equivocator who rules the roost—contextualizing, identifying, dithering. And here’s another confession while I’m at it—wow, it feels good to finally come clean about it all. It’s that … once in a while, when I’m feeling especially jellylike, I’ve found myself loitering on the Internet in hopes of—this is embarrassing—cadging a bit of other people’s moral outrage (not exactly in short supply online) concerning whatever subject I’m supposed to be addressing. Sometimes you just need a little shot in the arm, you know? It’s not like I’d crib anyone’s actual sentences (though frankly I have a tough time getting as worked up about plagiarism as other people seem to get—that’s how deep this horrible affliction runs). No, it’s the tranquillity of their moral authority I’m hoping will rub off on me. I confess to having a bit of an online “thing,” for this reason, about New Republic editor-columnist Leon Wieseltier—as everyone knows, one of our leading critical voices and always in high dudgeon about something or other: never fearing to lambaste anyone no matter how far beneath him in the pecking order, never fearing for a moment, when he calls someone out for being preening or self-congratulatory, as he frequently does, that it might be true of himself as well. When I’m in the depths of soft-heartedness, a little dose of Leon is all I need to feel like clambering back on the horse of critical judgment and denouncing someone for something.

Not a comforting thought, but Bryce nonetheless popped the silver bean into her mouth, worked up enough saliva, and swallowed. Its metal was cool against her tongue, her throat, and she could have sworn she felt its slickness sliding into her stomach. Lightning cleaved her brain. She was being ripped in two. Her body couldn’t hold all the searing light— Then blackness slammed in. Quiet and restful and eternal. No—that was the room around her. She was on the floor, curled over her knees, and … glowing. Brightly enough to illuminate Rhysand’s and Amren’s shocked faces. Azriel was already poised over her, that deadly dagger drawn and gleaming with a strange black light. He noted the darkness leaking from the blade and blinked. It was the most shock Bryce had seen him display. “Put it away, you fool,” Amren said. “It sings for her, and by bringing it close—” The blade vanished from Azriel’s hand, whisked away by a shadow. Silence, taut and rippling, spread through the room. Bryce stood slowly—as Randall and her mom had taught her to move in front of Vanir and other predators. And as she rose, she found it in her brain: the knowledge of a language that she had not known before. It sat on her tongue, ready to be spoken, as instinctual as her own. It shimmered along her skin, stinging down her spine, her shoulder blades—wait. Oh no. No, no, no. Bryce didn’t dare reach for the tattoo of the Horn, to call attention to the letters that formed the words Through love, all is possible. She could feel them reacting to whatever had been in that spell that set her glowing and could only pray it wasn’t visible. Her prayers were in vain. Amren turned to Rhysand and said in that new, strange language—their language: “The glowing letters inked on her back … they’re the same as those in the Book of Breathings.” They must have seen the words through her T-shirt when she’d been on the floor. With every breath, the tingling lessened, like the glow was fading. But the damage was already done. They once again assessed her. Three apex killers, contemplating a threat. Then Azriel said in a soft, lethal voice, “Explain or you die.

Men traveling alone develop a romantic vertigo. Bech had already fallen in love with a freckled embassy wife in Russia, a buck-toothed chanteuse in Rumania, a stolid Mongolian sculptress in Kazakhstan. In the Tretyakov Gallery he had fallen in love with a recumbent statue, and at the Moscow Ballet School with an entire roomful of girls. Entering the room, he had been struck by the aroma, tenderly acrid, of young female sweat. Sixteen and seventeen, wearing patchy practice suits, the girls were twirling so strenuously their slippers were unraveling. Demure student faces crowned the unconscious insolence of their bodies. The room was doubled in depth by a floor-to-ceiling mirror. Bech was seated on a bench at its base. Staring above his head, each girl watched herself with frowning eyes frozen, for an instant in the turn, by the imperious delay and snap of her head. Bech tried to remember the lines of Rilke that expressed it, this snap and delay: did not the drawing remain/that the dark stroke of your eyebrow/swiftly wrote on the wall of its own turning? At one point the teacher, a shapeless old Ukrainian lady with gold canines, a prima of the thirties, had arisen and cried something translated to Bech as, “No, no, the arms free, free!” And in demonstration she had executed a rapid series of pirouettes with such proud effortlessness that all the girls, standing this way and that like deer along the wall, had applauded. Bech had loved them for that. In all his loves, there was an urge to rescue—to rescue the girls from the slavery of their exertions, the statue from the cold grip of its own marble, the embassy wife from her boring and unctuous husband, the chanteuse from her nightly humiliation (she could not sing), the Mongolian from her stolid race. But the Bulgarian poetess presented herself to him as needing nothing, as being complete, poised, satisfied, achieved. He was aroused and curious and, the next day, inquired about her of the man with the vaguely contemptuous mouth of a hare—a novelist turned playwright and scenarist, who accompanied him to the Rila Monastery. “She lives to write,” the playwright said. “I do not think it is healthy.

propose that we consider our farmers on a spectrum, let’s say, of agrarianism. On one end of the spectrum we have farmers like James, interested in producing the finest foodstuffs that they can, given the soil, the climate, the water, the budget, and their talent. They observe how efficacious or not their efforts are proving, and they adapt accordingly. Variety is one of the keys to this technique, eschewing the corporate monocultures for a revolving set of plants and animals, again, to mimic what was already happening on the land before we showed up with our earth-shaving machinery. It’s tough as hell, and in many cases impossible, to farm this way and earn enough profit to keep your bills paid and your family fed, but these farmers do exist. On the other end of the spectrum is full-speed-ahead robo-farming, in which the farmer is following the instructions of the corporation to produce not food but commodities in such a way that the corporation sits poised to make the maximum financial profit. Now, this is the part that has always fascinated me about us as a population: This kind of farmer is doing all they can to make their factory quota for the company, of grain, or meat, or what have you, despite their soil, climate, water, budget, or talent. It only stands to reason that this methodology is the very definition of unsustainable. Clearly, this is an oversimplification of an issue that requires as much of my refrain (nuance!) as any other human endeavor, but the broad strokes are hard to refute. The first farmer is doing their best to work with nature. The second farmer is doing their best despite nature. In order for the second farmer to prosper, they must defeat nature. A great example of this is the factory farming of beef/pork/chicken/eggs/turkey/salmon/etc. The manufacturers of these products have done everything they can to take the process out of nature entirely and hide it in a shed, where every step of the production has been engineered to make a profit; to excel at quantity. I know you’re a little bit ahead of me here, but I’ll go ahead and ask the obvious question: What of quality? If you’re willing to degrade these many lives with impunity—the lives of the animals themselves, the workers “growing” them, the neighbors having to suffer the voluminous poisons being pumped into the ecosystem/watershed, and the humans consuming your products—then what are you about? Can that even be considered farming? Again, I’m asking this of us. Of you and me, because what I have just described is the way a lot of our food is produced right now, in the system that we all support with our dollars. How did we get here, in both the US and the UK? How can we change our national stance toward agriculture to accommodate more middle-size farmers and less factory farms? How would Aldo Leopold feel about it?

In many communities, a broad spectrum of racial groups already is accepted by all, particularly among the highly diverse youth population. Moreover, as this book illustrates, a growing diverse, globally connected minority population will be absolutely necessary to infuse the aging American labor force with vitality and to sustain populations in many parts of the country that are facing population declines. Rather than being feared, America's new diversity—poised to reinvigorate the country at a time when other developed nations are facing advanced aging and population loss—can be celebrated.

The catcalls and screams didn’t surprise Leo, nor did discovering Meena at the heart of chaos. There was his delicate flower, on the ground wrestling Loni, a lioness who’d come to town for the wedding. The same Loni who’d made numerous passes at him over the years, but whose high maintenance attitude made him steer clear. He wondered what had triggered the hair pulling and wrestling. He also really wished, once again, that Meena had worn panties. The occasional flash of her girly bits dragged the possessive side of him out— which really wanted to snarl, “Mine. Don’t look.” It also woke the hungry lover that wanted to toss her over a shoulder and take her somewhere private for ravishing. At least those closest to the fight and witness to her bare bottom were all women. The bad? They were all women. His usual method of smacking a few heads together to save time wouldn’t work in this situation. Boys shouldn’t hit girls. So how to stop the catfight? He stuck fingers in his mouth and blew, the whistle strident and cutting through the noise. In the sudden quiet, he said, “Vex, what the hell are you doing?” Meena, fist held back, poised for a serious blow, froze. She swiveled her head and smiled sweetly. No sign of repentance at being caught misbehaving. “Just give me a second, Pookie. I am almost done here.” He arched a brow. “Vex.” He used his warning tone. “Maybe you should let Loni go and forget about hitting her.” “Probably. But the thing is, I really want to smash her face in.” Sensing an out, Loni turned her head and whined, “Get this crazy bitch off me. I didn’t do a damned thing. She started it. She always starts shit. She should have never been unbanned. She’s trouble. Always has been.” Reba and Zena opened their mouths, ready to leap to Meena’s defense, but Leo raised a hand. They held their tongues— not an easy feat for cats— but their eyes spoke quite eloquently. Leo focused his attention on Meena. “Vex, is this true? Did you jump her?” Her shoulders slumped. “Yeah.” “Why?” “Does it matter?” she asked. “It does to me. Why do you want to rearrange her nose?” “She said we didn’t belong together and that maybe she should show you why she’s a better choice.” Meena couldn’t help but growl as she recounted the reason for her ire aloud. “Punch her.” To say a few mouths O’d in surprise would be an understatement. No one was more surprised than Meena at his order. “Seriously?” “Yeah, seriously. Given any idiot with eyes could see we were together, then that makes what she said mean and uncalled for. If you’re going to talk the talk, then you have to be prepared to pay the price. Since I can’t very well smack Loni for causing trouble, as pride omega”— and, yes, he thrust out his chest and put on his most serious mien—“ I am giving you permission to do so.” Permission granted, and yet Meena didn’t hit Loni. On the contrary, she stood, smoothed down her skirt, and tossed her head, sending her ponytail flying. “No need to rearrange her face. You just admitted in front of an audience we are together. That calls for a round of shots. Whee!” Meena did a fist pump and yelled, “In your face, bitch!

Orion's Tips for Sane Witchcraft (Ponder and Apply to Living) Know your boundaries. Find time for stillness. Look within! Do not confuse spirituality with egotism. Don't abuse power or give it to those who would abuse you with it. Live your life as an expression of conscious creation and divine revelation. Seek counsel daily with your source, your center, and your ancestors. Don't get lazy, crazy, or otherwise in your own way. Remember grace! It brings wisdom and unlocks more vast knowledge. Be sincere in all that you do. Never compromise (especially your integrity) or be compromised. If you lose yourself, you have nothing. Choose what matters and feed it. (Starve the bane, feed the blessing.) Get the lesson and get on with life. Too often life is what happens when you are busy doing something else. Maintain an attitude of thanksgiving. For in doing so, you give gratitude to source and maintain inner fertile space to receive more. Thank the source and its good spirits at the beginning and ending of each day. If you wake up in the morning, your day has already started out good . . . build from that position. Don't wait for a reason to be happy when it is right in front of you. Claim the direction of your spirit! Fall in love with being you. The seed of divinity is within you; live your truth. Give no enduring interest to what is not spirit while seeking spiritual truth in everything. Do not stray away from your faith in yourself and the source (for in truth they are one). You are guided by the source. Do not be bandied about by the waves of life or you will crash onto the rocks of doubt. Daily, reaffirm your connection with spirit. Renew yourself on the new moment and release the fetters of yesterday to their rightful home . . . yesterday. Weave your web to attract that which you desire . . . then seize it. A witch need not hunt when he or she can attract. If you fall down . . . move what tripped you, get up, dust yourself off, and above all, don't give up walking. In chaotic times, seek the eye of the storm, poise yourself there, and find the wisdom in the stillness. Give thanks for all opportunities to grow.

Ghost shook his head as he sat on the very edge of the bed, poised to take flight if need be. The spiral under his hair felt warm, almost painful, but he resisted the urge to rub it. It never helped when he did, and he was not sure what Gerry would do if the man saw it. The Witch had a symbol she called a triskele, the ink a vivid scarlet still, but no male that had ever come for healing bore a mark like hers, or like his. He had never found the words to ask the Witch about it, about why he was marked like a witch.

Let those flatter, who fear; it is not an American art.61 To give praise which is not due might be well from the venal, but would ill beseem those who are asserting the rights of human nature.… Open your breast, sire, to liberal and expanded thought. Let not the name of George the third be a blot in the page of history.… The whole art of government consists in the art of being honest. Only aim to do your duty, and mankind will give you credit where you fail. No longer persevere in sacrificing the rights of one part of the empire to the inordinate desires of another; but deal out to all equal and impartial right.… This is the important post in which fortune has placed you, holding the balance of a great, if a well poised empire.

He died about a year after they brought him in.” “He died?” “He wasn’t the only one,” said Sirius bitterly. “Most go mad in there, and plenty stop eating in the end. They lose the will to live. You could always tell when a death was coming, because the dementors could sense it, they got excited. That boy looked pretty sickly when he arrived. Crouch being an important Ministry member, he and his wife were allowed a deathbed visit. That was the last time I saw Barty Crouch, half carrying his wife past my cell. She died herself, apparently, shortly afterward. Grief. Wasted away just like the boy. Crouch never came for his son’s body. The dementors buried him outside the fortress; I watched them do it.” Sirius threw aside the bread he had just lifted to his mouth and instead picked up the flask of pumpkin juice and drained it. “So old Crouch lost it all, just when he thought he had it made,” he continued, wiping his mouth with the back of his hand. “One moment, a hero, poised to become Minister of Magic . . . next, his son dead, his wife dead, the family name dishonored, and, so I’ve heard since I escaped, a big drop in popularity. Once the boy had died, people started feeling a bit more sympathetic toward the son and started asking how a nice young lad from a good family had gone so badly astray. The conclusion was that his father never cared much for him. So Cornelius Fudge got the top job, and Crouch was shunted sideways into the Department of International Magical