“
Guard well your spare moments. They are like uncut diamonds. Discard them and their value will never be known. Improve them and they will become the brightest gems in a useful life.
”
”
Ralph Waldo Emerson
“
Full many a gem of purest ray serene,
The dark unfathom'd caves of ocean bear:
Full many a flower is born to blush unseen,
And waste its sweetness on the desert air.
”
”
Thomas Gray (An Elegy Written in a Country Churchyard)
“
If a king owned a pearl without price, a gem he cherished above all. Would he hide it away, bury it from sight afraid others would take it? Or would he display it proudly, set it in a ring or crown, so that all the world could behold its beauty and see what richness it brings to his life? You are my pearl without price.
”
”
Colleen Houck (Tiger's Quest (The Tiger Saga, #2))
“
As if you have discovered a beach you have been visiting all your life is made not of sand but of diamonds, and they blind you with their beauty."
Diamonds might be blinding in their beauty, but they were also the hardest and sharpest gems in the world. They could cut you or grind you down, smash and slice you apart. Malcolm, deranged with love, had not thought of that. But Julian could think of nothing else.
”
”
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
“
Our country is the best country in the world. We are swimming in prosperity and our President is the best president in the world. We have larger apples and better cotton and faster and more beautiful machines. This makes us the greatest country in the world. Unemployment is a myth. Dissatisfaction is a fable. In preparatory school America is beautiful. It is the gem of the ocean and it is too bad. It is bad because people believe it all. Because they become indifferent. Because they marry and reproduce and vote and they know nothing.
”
”
John Cheever
“
People ask me, 'What is the use of climbing Mount Everest?' and my answer must at once be, 'It is of no use.'There is not the slightest prospect of any gain whatsoever. Oh, we may learn a little about the behaviour of the human body at high altitudes, and possibly medical men may turn our observation to some account for the purposes of aviation. But otherwise nothing will come of it. We shall not bring back a single bit of gold or silver, not a gem, nor any coal or iron... If you cannot understand that there is something in man which responds to the challenge of this mountain and goes out to meet it, that the struggle is the struggle of life itself upward and forever upward, then you won't see why we go. What we get from this adventure is just sheer joy. And joy is, after all, the end of life. We do not live to eat and make money. We eat and make money to be able to live. That is what life means and what life is for.
”
”
George Mallory (Climbing Everest: The Complete Writings of George Mallory)
“
Now this little gem”— Izzy’s mother pulled out yet another bottle—“this is one of my favorites, guaranteed to improve your love life or your money back. Does your husband ever have trouble keeping up?” She held up a finger, then curled it limply downward as her eyebrows arched up.
The silence from upstairs was suddenly deafening.
”
”
Patricia Briggs (Fire Touched (Mercy Thompson, #9))
“
Be generous in prosperity, and thankful in adversity. Be worthy of the trust of thy neighbor, and look upon him with a bright and friendly face. Be a treasure to the poor, an admonisher to the rich, an answerer of the cry of the needy, a preserver of the sanctity of thy pledge. Be fair in thy judgment, and guarded in thy speech. Be unjust to no man, and show all meekness to all men. Be as a lamp unto them that walk in darkness, a joy to the sorrowful, a sea for the thirsty, a haven for the distressed, an upholder and defender of the victim of oppression. Let integrity and uprightness distinguish all thine acts. Be a home for the stranger, a balm to the suffering, a tower of strength for the fugitive. Be eyes to the blind, and a guiding light unto the feet of the erring. Be an ornament to the countenance of truth, a crown to the brow of fidelity, a pillar of the temple of righteousness, a breath of life to the body of mankind, an ensign of the hosts of justice, a luminary above the horizon of virtue, a dew to the soil of the human heart, an ark on the ocean of knowledge, a sun in the heaven of bounty, a gem on the diadem of wisdom, a shining light in the firmament of thy generation, a fruit upon the tree of humility.
”
”
Bahá'u'lláh
“
Nothing is random, nor will anything ever be, whether a long string of perfectly blue days that begin and end in golden dimness, the most seemingly chaotic political acts, the rise of a great city, the crystalline structure of a gem that has never seen the light, the distributions of fortune, what time the milkman gets up, the position of the electron, or the occurrence of one astonishing frigid winter after another. Even electrons, supposedly the paragons of unpredictability, are tame and obsequious little creatures that rush around at the speed of light, going precisely where they are supposed to go. They make faint whistling sounds that when apprehended in varying combinations are as pleasant as the wind flying through a forest, and they do exactly as they are told. Of this, one is certain.
And yet, there is a wonderful anarchy, in that the milkman chooses when to arise, the rat picks the tunnel into which he will dive when the subway comes rushing down the track from Borough Hall, and the snowflake will fall as it will. How can this be? If nothing is random, and everything is predetermined, how can there be free will? The answer to that is simple. Nothing is predetermined, it is determined, or was determined, or will be determined. No matter, it all happened at once, in less than an instant, and time was invented because we cannot comprehend in one glance the enormous and detailed canvas that we have been given - so we track it, in linear fashion piece by piece. Time however can be easily overcome; not by chasing the light, but by standing back far enough to see it all at once. The universe is still and complete. Everything that ever was is; everything that ever will be is - and so on, in all possible combinations. Though in perceiving it we image that it is in motion, and unfinished, it is quite finished and quite astonishingly beautiful. In the end, or rather, as things really are, any event, no matter how small, is intimately and sensibly tied to all others. All rivers run full to the sea; those who are apart are brought together; the lost ones are redeemed; the dead come back to life; the perfectly blue days that have begun and ended in golden dimness continue, immobile and accessible; and, when all is perceived in such a way as to obviate time, justice becomes apparent not as something that will be, but something that is.
”
”
Mark Helprin (Winter's Tale)
“
Light, my light, the world-filling light, the eye-kissing light, heart-sweetening light!
Ah, the light dances, my darling, at the centre of my life; the light strikes, my darling, the chords of my love; the sky opens, the wind runs wild, laughter passes over the earth.
The butterflies spread their sails on the sea of light. Lilies and jasmines surge up on the crest of the waves of light.
The light is shattered into gold on every cloud, my darling, and it scatters gems in profusion.
Mirth spreads from leaf to leaf, my darling, and gladness without measure. The heaven's river has drowned its banks and the flood of joy is abroad.
”
”
Rabindranath Tagore (Gitanjali)
“
Women are beautiful, don’t matter what they look like, they’re all beautiful. Precious damn gems , that light up your life daily if you’ll let them. They can also destroy it in a split second, because even if we don’t want to admit it, we’re all fuckin’ suckers for them.
”
”
Bella Jewel (Knights' Sinner (The MC Sinners, #3))
“
I am a book.
Sheaves pressed from the pulp of oaks and pines
a natural sawdust made dingy from purses, dusty
from shelves.
Steamy and anxious, abused and misused,
kissed and cried over,
smeared, yellowed, and torn,
loved, hated, scorned.
I am a book.
I am a book that remembers,
days when I stood proud in good company
When the children came, I leapt into their arms,
when the women came, they cradled me against their soft breasts,
when the men came, they held me like a lover,
and I smelled the sweet smell of cigars and brandy as we sat together in leather chairs,
next to pool tables, on porch swings, in rocking chairs,
my words hanging in the air like bright gems, dangling,
then forgotten, I crumbled,
dust to dust.
I am a tale of woe and secrets,
a book brand-new, sprung from the loins of ancient fathers clothed in tweed,
born of mothers in lands of heather and coal soot.
A family too close to see the blood on its hands,
too dear to suffering, to poison, to cold steel and revenge,
deaf to the screams of mortal wounding,
amused at decay and torment,
a family bred in the dankest swamp of human desires.
I am a tale of woe and secrets,
I am a mystery.
I am intrigue, anxiety, fear,
I tangle in the night with madmen, spend my days cloaked in black,
hiding from myself, from dark angels,
from the evil that lurks within
and the evil we cannot lurk without.
I am words of adventure,
of faraway places where no one knows my tongue,
of curious cultures in small, back alleys, mean streets,
the crumbling house in each of us.
I am primordial fear, the great unknown,
I am life everlasting.
I touch you and you shiver, I blow in your ear and you follow me,
down foggy lanes, into places you've never seen,
to see things no one should see,
to be someone you could only hope to be.
I ride the winds of imagination on a black-and-white horse,
to find the truth inside of me, to cure the ills inside of you,
to take one passenger at a time over that tall mountain,
across that lonely plain to a place you've never been
where the world stops for just one minute
and everything is right.
I am a mystery.
-Rides a Black and White Horse
”
”
Lise McClendon
“
Those who try to make room for sex as mere casual enjoyment pay the penalty: they become shallow. At any rate the talk that reflects and commends this attitude is always shallow. They dishonour their own bodies; holding cheap what is naturally connected with the origination of human life.
”
”
G.E.M. Anscombe (Faith in a Hard Ground: Essays on Religion, Philosophy and Ethics (St Andrews Studies in Philosophy and Public Affairs))
“
Want to play hangman? asks Theophile, and I ache to tell him that I have enough on my plate playing quadriplegic. But my communication system disqualifies repartee: the keenest rapier grows dull and falls flat when it takes several minutes to thrust it home. By the time you strike, even you no longer understand what had seemed so witty before you started to dictate it, letter by letter. So the rule is to avoid impulsive sallies. It deprives conversation of its sparkle, all those gems you bat back and forth like a ball-and I count this forced lack of humor one of the great drawbacks of my condition.
”
”
Jean-Dominique Bauby (The Diving Bell and the Butterfly: A Memoir of Life in Death)
“
It was books that kept me from taking my own life after I thought I could never love anyone, never be loved by anyone again.
”
”
Will Harondale, Clockwork Prince
“
Travel does what good novelists also do to the life of everyday, placing it like a picture in a frame or a gem in its setting, so that the intrinsic qualities are made more clear. Travel does this with the very stuff that everyday life is made of, giving to it the sharp contour and meaning of art.
”
”
Freya Stark
“
The mere stuffing of the mind with a knowledge of facts is not education. The mind must not only possess a knowledge of the truth, but the soul must revere it, cherish it, love it as a priceless gem; and this human life must be guided and shaped by it in order to fulfill its destiny.
”
”
Joseph Fielding Smith
“
But the Queen Arwen said: 'A gift I will give you. For I am the daughter of Elrond. I shall not go with him now when he departs to the Havens; for mine is the choice of Luthien, and as she so I have chosen, both the sweet and the bitter. But in my stead you shall go, Ring-bearer, when the time comes, and if you then desire it. If your hurts grieve you still and the memory or your burden is heavy, then you may pass into the West, until all your wounds and weariness are healed. But wear this now in memory of Elfstone and Evenstar with whom your life has been woven!'
And she took a white gem like a star that lay upon her breast hanging upon a silver chain, and she set the chain around Frodo's neck. 'When the memory of the fear and the darkness troubles you,' she said, 'this will bring you aid.
”
”
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
“
I’ve seen a greater share of wonders, vast
And small, than most have done. My peace is made;
My breathing slows. I could not ask for more.
To reach beyond the stuff of day-to-day
Is worth this life of mine. Our kind is meant
To search and seek among the outer bounds,
And when we land upon a distant shore,
To seek another yet farther still. Enough.
The silence grows. My strength has fled, and Sol
Become a faded gleam, and now I wait,
A Viking laid to rest atop his ship.
Though fire won’t send me off, but cold and ice,
And forever shall I drift alone.
No king of old had such a stately bier,
Adorned with metals dark and grey, nor such
A hoard of gems to grace his somber tomb.
I check my straps; I cross my arms, prepare
Myself to once again venture into the
Unknown, content to face my end and pass
Beyond this mortal realm, content to hold
And wait and here to sleep—
To sleep in a sea of stars.
—THE FARTHEST SHORE 48–70
HARROW GLANTZER
”
”
Christopher Paolini (To Sleep in a Sea of Stars (Fractalverse, #1))
“
Treasures are right before our eyes, yet many miss gems searching for pearls at the bottom of the sea.
”
”
Julie Barbera
“
I have found it helpful to think of my life as if it were a game in which each problem I face is a puzzle I need to solve. By solving the puzzle, I get a gem in the form of a principle that helps me avoid the same sort of problem in the future. Collecting these gems continually improves my decision making, so I am able to ascend to higher and higher levels of play in which the game gets harder and the stakes become ever greater.
”
”
Ray Dalio (Principles: Life and Work)
“
Love a person who is quite unloved, rather than a person who is very much loved. People who feel unloved treat it as a luxury, a hidden treasure, a gem. People who felt loved all their lives treat it as a birthright, an entitlement, a necessary materiality. Give water to the thirsty, they know what water should taste like.
”
”
C. JoyBell C.
“
All is indeed a Blessing
IF you can just see beyond the veils; for it is ‘all’ an illusion and a test, and one of the greatest Divine Mysteries of this life cycle.”
This IS my constant prayer, my mantra, my affirmation, reverberation, reiteration and my ever-living reality.
”
”
The Divine Prince Ty Emmecca
“
Time to hunt?" Cattie-brie cried, satisfied that she had gotten her point across. She rose beside Wulfgar and headed for the door, but she turned her head over her shoulder to face Drizzt one final time, giving him a look that told him that perhaps he should have asked for more from Cattie-brie back in Icewind Dale, before Wulfgar had entered her life.
”
”
R.A. Salvatore (The Halfling's Gem - The Icewind Dale Trilogy #3 of 3)
“
...As if you have discovered a beach you have been visiting all your life is made not of sand but of diamonds, and they blind you with their beauty...
Diamonds might be blinding in their beauty, but they were also the hardest and sharpest gems in the world. They could cut you or grind you down, smash and slice you apart. Malcolm, deranged with love, had not thought of that. But Julian could think of nothing else.
”
”
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
“
It's funny how you can become something merely by forgetting who you once were.
”
”
Chrissy Moon (Gems of Strength)
“
A mother can translate baby-talk: she comprehends incomprehensible noises. Even so doth our Father in heaven know all about our poor baby talk, for our prayer is not much better.
”
”
Charles Haddon Spurgeon (Encouraged to Pray: Classic Sermons on Prayer)
“
Science is full of egos and arrogance, but it is fuller of simple moments of pleasure at the joy of finding some gem of new knowledge, big or small. Such gems can be anyone’s.
”
”
Rob Dunn (Every Living Thing: Man's Obsessive Quest to Catalog Life, from Nanobacteria to New Monkeys)
“
If there was magic in this world, it happened within sight of the three bases and home plate. All the gems in my world that decorated the walls and floors of dragons' lairs, the sword hilts of privileged princes, and crowns worn by emperors and kings, were nothing compared to the beauty and splendor of the diamond in Wrigley Stadium. It wasn't just a yard with dirt, chalk lines, bases, and a small hill in its center. Wrigley was a field of dreams. Dreams of eternal glory for the men who ran to the outfield, who took their respective bases, and prepared for battle against those who would dare enter their hallowed realm. Dreams for the kids in the stands, all wanting to don a uniform, kiss their moms goodbye, and wield their bats as enchanted weapons destined to knock the cover off the ball. And for the adults who had already selected their lot in life, Wrigley made the dreams of past innocence, lost wonder, and the promise that there was something inherently good still left in the world, come true.
Yeah, corny as hell. But all true.
”
”
Tee Morris (The Case of the Pitcher's Pendant: A Billibub Baddings Myster)
“
There is no gem like truth,
no wealth like knowledge,
no treasure like understanding,
and no jewel like love.
There is no gem like gratitude,
no wealth like humility,
no treasure like patience,
and no jewel like virtue,
There is no gem like peace,
no wealth like contentment,
no treasure like faith,
and no jewel like joy.
There is no gem like time,
no wealth like experience,
no treasure like reality,
and no jewel like life.
There is no gem like prudence,
no wealth like health,
no treasure like prayer,
and no jewel like meditation.
There is no gem like nature,
no wealth like harmony,
no treasure like Heaven,
and no jewel like God.
”
”
Matshona Dhliwayo
“
Friction is necessary. Ease of life leads to complacency and the atrophy of the human will and spirit. Within our struggles lives our strength, within our trials lives our triumphs. Friction creates a platform for change, generates heat and or fervor and creates a motivational charge that gives us an opportunity to be better. A gem cannot be polished without friction and so neither a person without hardships. Friction within and friction without sharpens our senses and revives our internal resolutions. Friction is uncomfortable, hardships are distressing but both are necessary. We cannot light a match without friction nor can we hone steal. Uncomfortable as it may be, our adversity ultimately lights a fire and sharpens our very will to flourish. Today, let us not be discouraged, let us not be bitter in our suffering rather let us be encouraged as we look to our trials as a medium that will eventually make us better.
”
”
Jason Versey (A Walk with Prudence)
“
To burn always with this hard, gem-like flame, to maintain this ecstasy, is success in life. In a sense it might even be said that our failure is to form habits: for, after all, habit is relative to a stereotyped world, and meantime it is only the roughness of the eye that makes two persons, things, situations, seem alike. While all melts under our feet, we may well grasp at any exquisite passion, or any contribution to knowledge that seems by a lifted horizon to set the spirit free for a moment, or any stirring of the sense, strange dyes, strange colours, and curious odours, or work of the artist’s hands, or the face of one’s friend. Not to discriminate every moment some passionate attitude in those about us, and in the very brilliancy of their gifts some tragic dividing on their ways, is, on this short day of frost and sun, to sleep before evening. With this sense of the splendour of our experience and of its awful brevity, gathering all we are into one desperate effort to see and touch, we shall hardly have time to make theories about the things we see and touch. What we have to do is to be for ever curiously testing new opinions and courting new impressions, never acquiescing in a facile orthodoxy, of Comte, or of Hegel, or of our own. Philosophical theories or ideas, as points of view, instruments of criticism, may help us to gather up what might otherwise pass unregarded by us. “Philosophy is the microscope of thought.” The theory or idea or system which requires of us the sacrifice of any part of this experience, in consideration of some interest into which we cannot enter, or some abstract theory we have not identified with ourselves, or of what is only conventional, has no real claim upon us.
”
”
Walter Pater
“
I hope you gaze at cloud art galleries
against azure summer skies
and pause to gasp at rainbows
and watch butterflies fly by;
I hope wildflowers make you happy
and sad songs make you cry
and old books stacked in dusty nooks
are gems you can't pass by;
I hope burnt toast mornings
are little things
you handle with a smile
and midnight talks and starlit walks
keep you up once in awhile;
I hope laundry warm from the dryer
brings a sigh of contentment
and front porch swings on cool evenings
offer rest when you are spent;
I hope your life is light in sorrow
and heavy with laughter
and you greet each season of your life
like a new favorite chapter;
I hope you honor every soul you meet
and always go that extra mile
and when you think of me, my love,
I hope it's with a smile.
”
”
L.R. Knost
“
...junior athletics is but one facet of the real gem: life's endless war against the self you cannot live without.
”
”
David Foster Wallace
“
Slowing down is not always easy, but there are many gems to be found at a gentler pace.
”
”
Brittany Burgunder
“
When believers allow sin and compromise to be in their lives, it drains away the power in the work of the Cross and the power of the Spirit that is resident in a believer’s life.
”
”
Rick Renner (Sparkling Gems from the Greek)
“
You have been waiting for a gift all the while but you forgot that you are the gift - unwrap the gem within and shine!
”
”
Bernard Kelvin Clive
“
Drizzt felt the despair most keenly. For all the trials of his hard life, the drow had held faith for ultimate justice. He had believed, though he never dared to admit it, that his unyielding faith in his precious principles would bring him the reward her deserved. Now, there was this, a struggle that could only end in death, where one victory brought only more conflict.
”
”
R.A. Salvatore (The Halfling's Gem - The Icewind Dale Trilogy #3 of 3)
“
Whatever his faults, he had strength; and after her experience of married life with a weak man, Lady Jane had come to the conclusion that strength was the only male quality worth consideration.
”
”
P.G. Wodehouse (The Gem Collector)
“
Sunflowers, Not Facing the Sun (A Poem)
I stand tall
As gracious as one could be
Blooming to my best
As slender as it touches my being
Everyone else is facing the sun
Bending towards its unfathomable galore
They and I are both undoubtedly
Grown on the benevolence of life’s essence
The brighter side mercilessly feeding desires unbound
By daunting the “courage to know” with each spin
Though, I am not able to face the sun the way they do
Yet, I learn from the knowledge bred within me
Beyond achievement markers, but an adverse ability
An opportunity to exercise my special self
From the cherubic attire of my blessed soul
To the unfathomable mystery the drape of this world hides
That I, by not facing the sun
Hunt the gems in the milieu of the human existence
”
”
Annie Ali
“
Regardless of what path we take through space and through life, it’s important to remember that we don’t need all the answers; we just need to keep questioning… questioning everything, from the ground beneath our carpet, the carpet beneath our feet, the sky above our head, and space above the sky.
”
”
Kayla Severson (Nature's 1st Gem Is Green)
“
The most important trait of a writer is an authentic voice. Writers have to have faith in their own voice, and their own way of doing things. Originality is the gem that every writer possesses. Originality also brings on the most merciless attacks. The world resents originality in the beginning writer, and then rewards it abundantly once that writer has been successfully published. Cherish your own voice. Don't try to sound like anybody else. Sound like yourself and take the slings and arrows and keep going.
”
”
Anne Rice
“
CHOOSE A SUBLIME IDEAL If you dedicate yourself to a sublime ideal, your life will continually grow in richness, strength and intensity. It is like a capital investment: you place your capital in a Heavenly bank so that, instead of deteriorating or going to waste, it increases and makes you richer. —Omraam Mikhaël Aïvanhov
”
”
Georg Feuerstein (Yoga Gems: A Treasury of Practical and Spiritual Wisdom from Ancient and Modern Masters)
“
What if a man could write everything that came into his mind. You could find there gems of wisdom, depth of utter despair, heights of the most cherished hopes, killing fields where we slaughter our enemies, moments of faith and moments of doubts, dark chambers where we commit infidelity against our partners, counting the goods we have stolen, hell nightmares, heaven blessedness, cursing of our enemies and blessing of our friends, and many other things. If one could write his mind, it would be a mirror to other minds where they could find themselves and not feel as the only wretched souls in existence. Go on then, write your mind in a book and publish it
”
”
Bangambiki Habyarimana (Pearls Of Eternity)
“
It was strange, Shae thought -- Green Bones revered jade, but it was not the gems themselves that were worthy of reverence. Jade had meaning because of the type of person one had to become to wear it. Jade was the visible proof that a person had dedicated their life to the discipline of wielding power, to the dangers and costs of being a Green Bone.
”
”
Fonda Lee (Jade Legacy (The Green Bone Saga, #3))
“
It was still quite motionless and he felt it with his fingers; it was dead. Accustomed, no doubt, to an uneventful existence, to a humble life spent beneath its poor carapace, it had not been able to bear the dazzling splendor thrust upon it, the glittering cope in which it had been garbed, the gems with which its back had been encrusted, like a ciborium.
”
”
Joris-Karl Huysmans
“
My father gave my stature tall,
And rule of life decorous;
My mother my nature genial
And joy in making stories;
Full well my grandsire loved the fair,
A tendency that lingers;
My grandam gold and gems so rare,
An itch still in the fingers.
If no part from this complex all
Can now be separated,
What can you name original
That is in me created?
- - -
GER:
Vom Vater hab ich die Statur,
Des Lebens ernstes Führen,
Von Mütterchen die Frohnatur
Und Lust zu fabulieren.
Urahnherr war der Schönsten hold,
Das spukt so hin und wieder,
Urahnfrau liebte Schmuck und Gold,
Das zuckt wohl durch die Glieder.
Sind nun die Elemente nicht
Aus dem Komplex zu trennen,
Was ist denn an dem ganzen Wicht
Original zu nennen?
Zahme Xenien VI.
”
”
Johann Wolfgang von Goethe (Xenien)
“
Ever since elementary school, I've been making beauty out of everyday things - candy wrappers, pages of a newspaper, receipts, rip-outs from magazines. I cut and tear, arrange and rearrange, and glue them down, morphing them into something no one else thought they could be. Like me. I'm ordinary too. The only thing fancy about me is my name: Jade. But I am not precious like the gem. There is nothing exquisite about my life. It's mine though, so I'm going to make something out of it. -Jade
”
”
Renée Watson (Piecing Me Together)
“
Every joy that life gives must be earned ere it be secured; and how hardly earned, those only know who have wrestled for great prizes. The heart’s blood must gem with red beads the brow of the combatant, before the wreath of victory rustles over it.
”
”
Charlotte Brontë (Shirley)
“
Cinder." Kai pulled one leg onto the bank, turning his body so they were facing each other. He took her hands between his and her heart began to drum unexpectedly. Not because of his touch, and not even because of his low, serious tone, but because it occurred to Cinder all at once that Kai was nervous.
Kai was never nervous.
"I asked you once," he said, running his thumbs over her knuckles, "if you thought you would ever be willing to wear a crown again. Not as the queen of Luna, but ... as my empress. And you said that you would consider it, someday."
She swallowed a breath of cool night air. "And ... this is that day?"
His lips twitched, but didn't quite become a smile. "I love you. I want to be with you for the rest of my life. I want to marry you, and, yes, I want you to be my empress."
Cinder gaped at him for a long moment before she whispered, "That's a lot of wanting."
"You have no idea."
She lowered her lashes. "I might have some idea."
Kai released one of her hands and she looked up again to see him reaching into his pocket - the same that had held Wolf's and Scarlet's wedding rings before. His fist was closed when he pulled it out and Kai held it toward her, released a slow breath, and opened his fingers to reveal a stunning ring with a large ruby ringed in diamonds.
It didn't take long for her retina scanner to measure the ring, and within seconds it was filling her in on far more information than she needed - inane worlds like carats and clarity scrolled past her vision. But it was the ring's history that snagged her attention. It had been his mother's engagement ring once, and his grandmother's before that.
Kai took her hand and slipped the ring onto her finger. Metal clinked against metal, and the priceless gem looked as ridiculous against her cyborg plating as the simple gold band had looked on Wolf's enormous, deformed, slightly hairy hand.
Cinder pressed her lips together and swallowed, hard, before daring to meet Kai's gaze again.
"Cinder," he said, "will you marry me?"
Absurd, she thought.
The emperor of the Eastern Commonwealth was proposing to her. It was uncanny. It was hysterical.
But it was Kai, and somehow, that also made it exactly right.
"Yes," she whispered. "I will marry you."
Those simple words hung between them for a breath, and then she grinned and kissed him, amazed that her declaration didn't bring the surge of anxiety she would have expected years ago. He drew her into his arms, laughing between kisses, and she suddenly started to laugh too. She felt strangely delirious.
They had stood against all adversity to be together, and now they would forge their own path to love. She would be Kai's wife. She would be the Commonwealth's empress. And she had every intention of being blissfully happy for ever, ever after.
”
”
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
“
Steris,” he whispered, “I’ve been considering how to proceed once we decide how to infiltrate. I’ve thought about bringing you in with us, and I just don’t see that it’s feasible. I think it would be best if you stayed and watched the horses.”
“Very well.”
“No, really. Those are armed soldiers. I can’t even fathom how I’d feel if I brought you in there and something happened. You need to stay out here.”
“Very well.”
“It isn’t subject to—” Wax hesitated. “Wait. You’re all right with this?”
“Why wouldn’t I be?” she asked. “I barely have any sense of where to point a gun, and have hardly any capacity for sneaking—that’s really quite a scandalous talent if you think about it, Lord Waxillium. While I do believe that people tend to be safest when near you, riding into an enemy compound is stretching the issue. I’ll stay here.”
Wax grinned in the darkness. “Steris, you’re a gem.”
“What? Because I have a moderately healthy sense of self-preservation?”
“Let’s just say that out in the Roughs, I was accustomed to people always wanting to try things beyond their capacity. And they always seemed determined to do it right when it was the most dangerous.”
“Well, I shall endeavor to stay out of sight,” Steris said, “and not get captured.”
“I doubt you need to worry about that all the way out here.”
“Oh, I agree,” she said. “But that is the sort of statistical anomaly that plagues my life, so I’ll plan for it nonetheless.
”
”
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
“
Impatiently I waited for evening, when I might summon you to my presence. An unusual– to me– a perfectly new character, I suspected was yours; I desired to search it deeper, and know it better. You entered the room with a look and air at once shy and independent; you were quaintly dress– much as you are now. I made you talk; ere long I found you full of strange contrasts. Your garb and manner were restricted by rule; your air was often diffident, and altogether that of one refined by nature, but absolutely unused to society, and a good deal afraid of making herself disadvantageously conspicuous by some solecism or blunder; yet, when addressed, you lifted a keen, a daring, and a glowing eye to your interlocutor’s face; there was penetration and power in each glance you gave; when plied by close questions, you found ready and round answers. Very soon you seemed to get used to me – I believe you felt the existence of sympathy between you and your grim and cross master, Jane; for it was astonishing to see how quickly a certain pleasant ease tranquilized your manner; snarl as I would, you showed no surprise, fear, annoyance, or displeasure, at my moroseness; you watched me, and now and then smiled at me with a simple yet sagacious grace I cannot describe. I was at once content and stimulated with what I saw; I liked what I had seen, and wished to see more. Yet, for a long time, I treated you distantly, and sought your company rarely, I was an intellectual epicure, and wished to prolong the gratification of making this novel and piquant acquaintance; besides, I was for a while troubled with a haunting fear that if I handled the flower freely its bloom would fade – the sweet charm of freshness would leave it. I did not then know that it was no transitory blossom, but rather the radiant resemblance of one, cut in an indestructible gem. Moreover, I wished to see whether you would seek me if I shunned you – but you did not; you kept in the school-room as still as your own desk and easel; if by chance I met you, you passed me as soon, and with as little token of recognition, as was consistent with respect. Your habitual expression in those days, Jane, was a thoughtful look; not despondent, fro you were not sickly; but not buoyant, for you had little hope, and no actual pleasure. I wondered what you thought of me– or if you ever thought of me; to find this out, I resumed my notice of you. There was something glad in your glance, and genial in your manner, when you conversed; I saw you had a social heart; it was the silent school-room– it was the tedium of your life that made you mournful. I permitted myself the delight of being kind to you; kindness stirred emotion soon; your face became soft in expression, your tones gentle; I liked my name pronounced by your lips in a grateful, happy accent. I used to enjoy a chance meeting with you, Jane, at this time; there was a curious hesitation in your manner; you glanced at me with a slight trouble– a hovering doubt; you did not know what my caprice might be– whether I was going to play the master, and be stern– or the friend, and be benignant. I was now too fond of you often to stimulate the first whim; and, when I stretched my hand out cordially, such bloom, and light, and bliss, rose to your young, wistful features, I had much ado often to avoid straining you then and there to my heart.
”
”
Charlotte Brontë (Jane Eyre)
“
The child was left alone to die in the hallway. Here, in the dawn, was mortality itself. In the city were places to fall from which one could never emerge -- dark dreams and slow death, the death of children, suffering without grace or redemption, ultimate and eternal loss. The memory of the child stayed with Peter. But that was not to be the end of it, for reality went around in a twisting ring. Even the irredeemable would be redeemed, and there was a balance for everything. There had to be.
The old man said, "Nothing is random, nor will anything ever be, whether a long string of perfectly blue days that begin and end in golden dimness, the most seemingly chaotic political acts, the rise of a great city, the crystalline structure of a gem that has never seen the light, the distributions of fortune, what time the milkman gets up, or the position of the electron. Even electrons, supposedly the paragons of unpredictability, do exactly as they are told. Of this, one is certain.
And yet, there is a wonderful anarchy, in that the milkman chooses when to arise, the rat picks the tunnel into which he will dive when the subway comes rushing down the track from Borough Hall, and the snowflake will fall as it will. How can this be? If nothing is random, and everything is predetermined, how can there be free will?
The answer to that is simple. Nothing is predetermined, it is determined, or was determined, or will be determined. No matter, it all happened at once, in less than an instant, and time was invented because we cannot comprehend in one glance the enormous and detailed canvas that we have been given - so we track it, in linear fashion piece by piece. Time however can be easily overcome; not by chasing the light, but by standing back far enough to see it all at once.
The universe is still and complete. Everything that ever was, is. Everything that ever will be, is. In all possible combinations. Though we imagine that it is in motion and unfinished, it is quite finished and quite astonishingly beautiful. So any event is intimately and sensibly tied to all others. All rivers run full to the sea; those who are apart are brought together; the lost ones are redeemed; the dead come back to life; the perfectly blue days that have begun and ended in golden dimness continue, immobile and accessible.
And, when all is perceived in such a way as to obviate time, justice becomes apparent not as something that will be, but something that is.
”
”
Mark Helprin (Winter's Tale)
“
I feel his lips at the back of my head and he calls out, “Gem.” My eyes go directly to his. His eyes hold mine through the mirror. Without letting go of my eyes he gives me a squeeze as he expresses, “I want this.” I feel my brows gather as I ask, “This?” “Us. But more.” My voice dips and I ask again, “What are you saying?” I didn’t know it was possible, but he looks into my eyes even deeper, deep enough to reach my soul, when he says, “I want it all. I want you in every way I can have you, Leigh. I want you in my house, my bed. I want to give you a dog and a family. And once you’re officially mine, I want to give you babies, lots of them. I want to give you a full life, gem. You’re ready for it, you just need to open your eyes and see it. It’s right in front of you. It’s time for you to reach out and grab hold.
”
”
Brynne Asher (Beautiful Life (Carpino, #2))
“
They won't take the time to see that Gem's claws aren't extended, that his arms are gentle around me, or that my fingers linger over his. They won't notice that I lean into him, not away, or that my head turns to look over my shoulder, bringing my cheek so near his mouth that his silent breath warms my skin. They would never in a thousand years imagine that my eyes slide closed and a shiver runs through me not because I fear for my life but because Gem's body is pressed against mine, because his hand on my belly makes it ache, because the longing to taste him is stronger than it was before...
I would kiss him until I was breathless.
”
”
Stacey Jay (Of Beast and Beauty)
“
How they are all about, these gentlemen
In chamberlains' apparel, stocked and laced,
Like night around their order's star and gem
And growing ever darker, stony-faced,
And these, their ladies, fragile, wan, but propped
High by their bodice, one hand loosely dropped,
Small like its collar, on the toy King-Charles:
How they surround each one of these who stopped
To read and contemplate the objects d'art,
Of which some pieces still are theirs, not ours.
Whit exquisite decorum they allow us
A life of whose dimensions we seem sure
And which they cannot grasp. They were alive
To bloom, that is be fair; we, to mature,
That is to be of darkness and to strive.
”
”
Rainer Maria Rilke (The Best of Rilke: 72 Form-true Verse Translations with Facing Originals, Commentary and Compact Biography)
“
If you ask for wealth, you may not get it; for it is a small and paltry[5] thing which the Lord may not care to give you. But if you ask for eternal life, you shall have it; for this is a great thing and God delights to give the greatest blessings to those who come to Him by Christ Jesus, so that what might seem to hinder should now encourage!”–1894,
”
”
Charles Haddon Spurgeon (Spurgeon Gems)
“
To be precise, there are three gems for healthy life: sufficient workouts, healthy food, and enough sleep.
”
”
Girdhar Joshi (Some Mistakes Have No Pardon)
“
junior athletics is but one facet of the real gem: life’s endless war against the self you cannot live without.
”
”
David Foster Wallace (Infinite Jest)
“
Life," said Wesson, who had had time for reflection, "is a house which we all burgle. We enter it uninvited, take all that we can lay hands on, and go out again.
”
”
P.G. Wodehouse (The Gem Collector)
“
only when you allow the warmth of new experiences to fill your heart will you truly realize how precious a gem your life is.
”
”
John Marrs (The Vacation)
“
This jeweled coast does not shine for its gems are coated with grit.
”
”
Bryant A. Loney (To Hear The Ocean Sigh)
“
counted because things in my life had a way of disappearing on me, and I’d learned not to trust what I thought was there. What
”
”
Sara Zarr (Gem & Dixie)
“
There is no gem like virtue, no wealth like happiness, no treasure like faith, and no jewel like love.
”
”
Matshona Dhliwayo
“
Of what use are the memories if not to grow flowers ... on the barren fields. Of what use are the falling tears, if not to weave the string of pearls in the hardest hours?
”
”
Jayita Bhattacharjee
“
CONFESSION FOR TODAY I confess that I am surrendered to the purposes of God. I daily consecrate myself to God — to do what He wants and to live a life that is pleasing to Him. My flesh may try to wage war against this consecration, but I take authority over my flesh and I tell it what to do. My body does not control me. Instead, I control it, using it as my instrument to do whatever God asks me to do. Every day when I awake, I renew my consecration and personal commitment to serve God with all my heart. I am His completely, and I will obey whatever His Spirit prompts me to do. I declare this by faith in Jesus’ name!
”
”
Rick Renner (Sparkling Gems from the Greek)
“
People need to get outside more. I’m already in paradise. I wake up in heaven every single day. Our planet is perfect: a sapphire and emerald gem brimming with everything we could ever want or need, powered by a sun that is neither too hot nor cold, hurtling through an equally amazing universe filled with an infinite number of solar systems and planets that put on a spectacular light show, every single night, just for us.
”
”
Erin Miller (Hikertrash: Life on the Pacific Crest Trail)
“
Amadora was never far from her understanding of women, glamour, or the fine line between elegant and camp, vulgar and vibrant, life and dreams. ... Color, she believed, was feminine. She said that women were masters of color, evidenced in changing their hair color, using eye shadow, mascara, powder, rouge, lipstick. You could see it in their jewelry- silvers and golds, gems, stones, pearls of every hue. It was in their clothing, from what they slept in to what they danced in. Their shoes. Their purses. Ribbons, barrettes, clips, and tiaras. Veils. All this color to enhance their sex appeal, while men, she felt, were ill-equipped to handle color with the same ease.
”
”
Whitney Otto (Eight Girls Taking Pictures)
“
So it had long been a secret pleasure of Lydia’s that, hidden among all the more popular goods, she was able to make a home for some of her best-loved secret treasures, gems that had blown open her mind and changed her life, books that in some cases had never even been translated into Spanish but that she stocked anyway, not because she expected she’d ever sell them, but simply because it made her happy to know they were there. There were perhaps a dozen of these books, stashed away on their ever-changing shelves, enduring among a cast of evolving neighbors. Now and again when a book moved her, when a book opened a previously undiscovered window in her mind and forever altered her perception of the world, she would add it to those secret ranks.
”
”
Jeanine Cummins (American Dirt)
“
Many things combine to show that Midaq Alley is one of the gems of times gone by and that it once shone forth like a flashing star in the history of Cairo. Which Cairo do I mean? That of the Fatimads, the Mamlukes, or the Sultans? Only God and the archaeologists know the answer to that, but in any case, the alley is certainly an ancient relic and a precious one. How could it be otherwise with its stone-paved surface leading directly to the historic Sanadiqiya Street. And then there is its cafe known as "Kirsha's". Its walls decorated with multicolored arabesques, now crumbling, give off strong odors from the medicines of olden times, smells which have now become the spices and folk-cures of today and tomorrow ...
Although Midaq Alley lives in almost complete isolation from all surrounding activity, it clamors with a distinctive and personal life of its own. Fundamentally and basically, its roots connect with life as a whole and yet, at the same time, it retains a number of the secrets of a world now past.
”
”
Naguib Mahfouz
“
Although the idea has been around for ages, most depressed people do not really comprehend it. If you feel depressed, you may think it is because of bad things that have happened to you. You may think you are inferior and destined to be unhappy because you failed in your work or were rejected by someone you loved. You may think your feelings of inadequacy result from some personal defect—you may feel convinced you are not smart enough, successful enough, attractive enough, or talented enough to feel happy and fulfilled. You may think your negative feelings are the result of an unloving or traumatic childhood, or bad genes you inherited, or a chemical or hormonal imbalance of some type. Or you may blame others when you get upset: “It’s these lousy stupid drivers that tick me off when I drive to work! If it weren’t for these jerks, I’d be having a perfect day!” And nearly all depressed people are convinced that they are facing some special, awful truth about themselves and the world and that their terrible feelings are absolutely realistic and inevitable. Certainly all these ideas contain an important gem of truth—bad things do happen, and life beats up on most of us at times. Many people do experience catastrophic losses and confront devastating personal problems. Our genes, hormones, and childhood experiences probably do have an impact on how we think and feel. And other people can be annoying, cruel, or thoughtless. But all these theories about the causes of our bad moods have the tendency to make us victims—because we think the causes result from something beyond our control. After all, there is little we can do to change the way people drive at rush hour, or the way we were treated when we were young, or our genes or body chemistry (save taking a pill). In contrast, you can learn to change the way you think about things, and you can also change your basic values and beliefs. And when you do, you will often experience profound and lasting changes in your mood, outlook, and productivity. That, in a nutshell, is what cognitive therapy is all about. The theory is straightforward
”
”
David D. Burns (Feeling Good: Overcome Depression and Anxiety with Proven Techniques)
“
What people are for is, we believe, like guided missiles, to home in on God, God who is the one truth it is infinitely worth knowing, the possession of which you could never get tired of, like the water which if you have you can never thirst again, because your thirst is slaked forever and always. It's this potentiality, this incredible possibility, of the knowledge of God of such a kind as even to be sharing in his nature, which Christianity holds out to people; and because of this potentiality every life, right up to the last, must be treated as precious. Its potentialities in all things the world cares about may be slight; but there is always the possibility of what it's for. We can't ever know that the time of possibility of gaining eternal life is over, however old, wretched, 'useless' someone has become.
”
”
G.E.M. Anscombe (Contraception and chastity)
“
When out of the ordinary reports and studies come from individuals who seem to have their feet on the ground, more thoughtful people pay closer attention. To be open-minded means just that; to compare worldviews and philosophies without pre-judgment, to entertain singular and paradox phenomena, to efficaciously sift the gems of wisdom from common opinions in sacred texts and inspired writings, or even in newspapers or social media. What is true, and how do we know? - things to ponder. This all takes time and thought. The scales of discretion must weigh, over time, between hopeful thinking and prophecy, flights of fancy and common sense, a lucky guess and inspired revelation, and chance and destiny. This could keep one busy for a lifetime. As far as I'm concerned, this is the most important path for those who want to understand What This Is All About.
”
”
Stephen Poplin (Inner Journeys, Cosmic Sojourns: Life transforming stories, adventures and messages from a spiritual hypnotherapist's casebook (VOLUME1))
“
In his life of seventy-six years, Euler created enough mathematics to fill seventy-four substantial volumes, the most total pages of any mathematician. By the time all of his work had been published (and new material continued to appear for seventy-nine years after his death) it amounted to a staggering 866 items, including articles and books on the most cutting-edge topics, elementary textbooks, books for the nonscientist, and technical manuals. These figures do not account for the projected fifteen volumes of correspondence and notebooks that are still being compiled.
”
”
David S. Richeson (Euler's Gem: The Polyhedron Formula and the Birth of Topology)
“
Beautiful is thy wristlet, decked with stars and cunningly wrought in myriad-coloured jewels. But more beautiful to me thy sword with its curve of lightning like the outspread wings of the divine bird of Vishnu, perfectly poised in the angry red light of the sunset.
It quivers like the one last response of life in ecstasy of pain at the final stroke of death; it shines like the pure flame of being burning up earthly sense with one fierce flash.
Beautiful is thy wristlet, decked with starry gems; but thy sword, O lord of thunder, is wrought with uttermost beauty, terrible to behold or think of.
”
”
Rabindranath Tagore (Gitanjali)
“
I guess what I’m trying to say is… it’s not going to be easy. I’m probably going to hurt you, and sometimes you’re going to call me an asshole and we’re going to fight, but fuck, for once in my life, I want to fight. I want to fight until we get it right.” I can’t speak. “Fight for me, Gem. And I promise to fight like hell for you.
”
”
Eliah Greenwood (Dear Heart, I Hate You (Easton High, #2))
“
Be generous in prosperity, and thankful in adversity. Be worthy of the trust of thy neighbor, and look upon him with a bright and friendly face. Be a treasure to the poor, an admonisher to the rich, an answerer to the cry of the needy, a preserver of the sanctity of thy pledge. . . . Be a home for the stranger, a balm to the suffering, a tower of strength for the fugitive. Be eyes to the blind, and a guiding light unto the feet of the erring. Be . . . a dew to the soil of the human heart, an ark on the ocean of knowledge, a sun in the heaven of bounty, a gem on the diadem of wisdom, a shining light in the firmament of thy generation, a fruit upon the tree of humility.
”
”
Rainn Wilson (The Bassoon King: My Life in Art, Faith, and Idiocy)
“
When I go musing all alone
Thinking of divers things fore-known.
When I build castles in the air,
Void of sorrow and void of fear,
Pleasing myself with phantasms sweet,
Methinks the time runs very fleet.
All my joys to this are folly,
Naught so sweet as melancholy.
When I lie waking all alone,
Recounting what I have ill done,
My thoughts on me then tyrannise,
Fear and sorrow me surprise,
Whether I tarry still or go,
Methinks the time moves very slow.
All my griefs to this are jolly,
Naught so mad as melancholy.
When to myself I act and smile,
With pleasing thoughts the time beguile,
By a brook side or wood so green,
Unheard, unsought for, or unseen,
A thousand pleasures do me bless,
And crown my soul with happiness.
All my joys besides are folly,
None so sweet as melancholy.
When I lie, sit, or walk alone,
I sigh, I grieve, making great moan,
In a dark grove, or irksome den,
With discontents and Furies then,
A thousand miseries at once
Mine heavy heart and soul ensconce,
All my griefs to this are jolly,
None so sour as melancholy.
Methinks I hear, methinks I see,
Sweet music, wondrous melody,
Towns, palaces, and cities fine;
Here now, then there; the world is mine,
Rare beauties, gallant ladies shine,
Whate'er is lovely or divine.
All other joys to this are folly,
None so sweet as melancholy.
Methinks I hear, methinks I see
Ghosts, goblins, fiends; my phantasy
Presents a thousand ugly shapes,
Headless bears, black men, and apes,
Doleful outcries, and fearful sights,
My sad and dismal soul affrights.
All my griefs to this are jolly,
None so damn'd as melancholy.
Methinks I court, methinks I kiss,
Methinks I now embrace my mistress.
O blessed days, O sweet content,
In Paradise my time is spent.
Such thoughts may still my fancy move,
So may I ever be in love.
All my joys to this are folly,
Naught so sweet as melancholy.
When I recount love's many frights,
My sighs and tears, my waking nights,
My jealous fits; O mine hard fate
I now repent, but 'tis too late.
No torment is so bad as love,
So bitter to my soul can prove.
All my griefs to this are jolly,
Naught so harsh as melancholy.
Friends and companions get you gone,
'Tis my desire to be alone;
Ne'er well but when my thoughts and I
Do domineer in privacy.
No Gem, no treasure like to this,
'Tis my delight, my crown, my bliss.
All my joys to this are folly,
Naught so sweet as melancholy.
'Tis my sole plague to be alone,
I am a beast, a monster grown,
I will no light nor company,
I find it now my misery.
The scene is turn'd, my joys are gone,
Fear, discontent, and sorrows come.
All my griefs to this are jolly,
Naught so fierce as melancholy.
I'll not change life with any king,
I ravisht am: can the world bring
More joy, than still to laugh and smile,
In pleasant toys time to beguile?
Do not, O do not trouble me,
So sweet content I feel and see.
All my joys to this are folly,
None so divine as melancholy.
I'll change my state with any wretch,
Thou canst from gaol or dunghill fetch;
My pain's past cure, another hell,
I may not in this torment dwell!
Now desperate I hate my life,
Lend me a halter or a knife;
All my griefs to this are jolly,
Naught so damn'd as melancholy.
”
”
Robert Burton (The Anatomy of Melancholy: What It Is, With All the Kinds, Causes, Symptoms, Prognostics, and Several Cures of It ; in Three Partitions; With Their ... Historically Opened and Cut Up, V)
“
It’s difficult to explain…you see, I have met her, and so I know that same powerful aspect in her eyes that Racath saw that night. But it is not easily put into words, not so easily described to someone who hasn’t seen it. It was just…something.
Liken it to meeting a star. You do not know the star, have never spoken to it before, nor have you ever picked it out of the sparkle of its sisters in the night sky. But the star knows you. It has spent your whole life watching you from the sky. You can keep no secrets from it. It knows every thought in your mind, every move you have ever made, every flaw you have hidden, every pain you have felt. Like the millennia it spent before you were born were years in waiting. Waiting for you and only you, like you are what gives it purpose. Like watching over you is the dedication of its entire life. So it knows you better than you know yourself.
And while the star is bright, a twinkling gem that brims with youth and beauty, there is an intangible wisdom to it. It is undeniably experienced. But not old. It may have lived for a thousand of years before you were born, counting every second until you were brought into the world. But, for a star, a thousand years is still very, very young. Young enough to kiss.
That feeling, that meeting with a star, is what pierced Racath’s heart when Nelle looked into his eyes. She was starlight, nightfire on an ebon velvet sky. Rapture.
”
”
S.G. Night (Attrition: the First Act of Penance (Three Acts of Penance, #1))
“
The Woman Poet // Die Dichterin
You hold me now completely in your hands.
My heart beats like a frightened little bird's
Against your palm. Take heed! You do not think
A person lives within the page you thumb.
To you this book is paper, cloth, and ink,
Some binding thread and glue, and thus is dumb,
And cannot touch you (though the gaze be great
That seeks you from the printed marks inside),
And is an object with an object's fate.
And yet it has been veiled like a bride,
Adorned with gems, made ready to be loved,
Who asks you bashfully to change your mind,
To wake yourself, and feel, and to be moved.
But still she trembles, whispering to the wind:
"This shall not be." And smiles as if she knew.
Yet she must hope. A woman always tries,
Her very life is but a single "You . . ."
With her black flowers and her painted eyes,
With silver chains and silks of spangled blue.
She knew more beauty when a child and free,
But now forgets the better words she knew.
A man is so much cleverer than we,
Conversing with himself of truth and lie,
Of death and spring and iron-work and time.
But I say "you" and always "you and I."
This book is but a girl's dress in rhyme,
Which can be rich and red, or poor and pale,
Which may be wrinkled, but with gentle hands,
And only may be torn by loving nails.
So then, to tell my story, here I stand.
The dress's tint, though bleached in bitter lye,
Has not all washed away. It still is real.
I call then with a thin, ethereal cry.
You hear me speak. But do you hear me feel?
”
”
Gertrud Kolmar
“
The Metal Element represents people who respect, treasure, and conserve precious items, like rare metals, gems, or jars of jam. Let’s calm ourselves down from the frenzy of summer’s exuberance and the sharing of our bountiful harvest. Oh my! This is a time in the seasons of falling back to earth, when all the plants go dormant or die, which brings the cycle back to the essence of things, like when you see the trees without leaves... just the trunk and bare branches. Even the things you’re most attached to must leave in the end. In some traditions the Metal Element is sometimes called the Air Element (also associated with Autumn) because Metal people are like a leaf falling through the Autumn air. The leaf will never be attached to its mother tree again. It must fly free and embrace the free-fall of letting go. What will the letting go bring? It may bring melancholy or longing for the past, and Metal accepts this. But it will also bring new life again in the Spring. As long as you don’t cling too tightly or too long, you can relax into the ebb and flow of death and rebirth.
”
”
Leta Herman (Connecting Your Circle: How the Five Elements Can Help You Be a More Authentic You)
“
If someone has compassion, he is a Buddha;
Without compassion, he is a Lord of Death.
With compassion, the root of Dharma is planted,
Without compassion, the root of Dharma is rotten.
One with compassion is kind even when angry,
One without compassion will kill even as he smiles.
For one with compassion, even his enemies will turn into friends,
Without compassion, even his friends turn into enemies.
With compassion, one has all Dharmas,
Without compassion, one has no Dharma at all.
With compassion, one is a Buddhist,
Without compassion, one is worse than a heretic.
Even if meditating on voidness, one needs compassion as its essence.
A Dharma practitioner must have a compassionate nature.
Compassion is the distinctive characteristic of Buddhism.
Compassion is the very essence of all Dharma.
Great compassion is like a wish-fulfilling gem.
Great compassion will fulfill the hopes of self and others.
Therefore, all of you, practitioners and laypeople,
Cultivate compassion and you will achieve Buddhahood.
May all men and women who hear this song,
With great compassion, benefit all beings!
”
”
Shabkar (The Life of Shabkar: The Autobiography of a Tibetan Yogin)
“
Julius explained that the palace rooms where they stood were called Wunderkammers, or wonder rooms. Souvenirs of nature, of travels across continents and seas; jewels and skulls. A show of wealth, intellect, power.
The first room had rose-colored glass walls, with rubies and garnets and bloodred drapes of damask. Bowls of blush quartz; semiprecious stone roses running the spectrum of red down to pink, a hard, glittering garden. The vaulted ceiling, a feature of all the ten rooms Julius and Cymbeline visited, was a trompe l'oeil of a rosy sky at down, golden light edging the morning clouds.
The next room was of sapphire and sea and sky; lapis lazuli, turquoise and gold and silver. A silver mermaid lounged on the edge of a lapis lazuli bowl fashioned in the shape of an ocean. Venus stood aloft on the waves draped in pearls. There were gold fish and diamond fish and faceted sterling silver starfish. Silvered mirrors edged in silvered mirror. There were opals and aquamarines and tanzanite and amethyst. Seaweed bloomed in shades of blue-green marble. The ceiling was a dome of endless, pale blue.
A jungle room of mica and marble followed, with its rain forest of cats made from tiger's-eye, yellow topaz birds, tortoiseshell giraffes with stubby horns of spun gold. Carved clouds of smoky quartz hovered over a herd of obsidian and ivory zebras. Javelinas of spotted pony hide charged tiny, life-sized dik-diks with velvet hides, and dazzling diamond antlers mingled with miniature stuffed sable minks. Agate columns painted a medley of dark greens were strung with faceted ropes of green gold.
A room of ivory: bone, teeth, skulls, and velvet.
A room crowded with columns all sheathed in mirrors, reflecting world maps and globes and atlases inlaid with silver, platinum, and white gold; the rubies and diamonds that were sometimes set to mark the location of a city or a town of conquest resembled blood and tears.
A room dominated by a fireplace large enough to hold several people, upholstered in velvets and silks the colors of flame. Snakes of gold with orange sapphire and yellow topaz eyes coiled around the room's columns.
Statues of smiling black men in turbans offering trays of every gem imaginable-emerald, sapphire, ruby, topaz, diamond-stood at the entrance to a room upholstered in pistachio velvet, accented with malachite, called the Green Vault. Peridot wood nymphs attended to a Diana carved from a single pure crystal of quartz studded with tiny tourmalines. Jade tables, and jade lanterns. The royal jewels, blinding in their sparkling excess: crowns, tiaras, coronets, diadems, heavy ceremonial necklaces, rings, and bracelets that could span a forearm, surrounding the world's largest and most perfect green diamond.
Above it all was a night sky of painted stars, with inlaid cut crystal set in a serious of constellations.
”
”
Whitney Otto (Eight Girls Taking Pictures (Thorndike Press Large Print Basic Series))
“
If we add to our Churches by becoming worldly, by taking in persons who have never been born again; if we add to our Churches by accommodating the life of the Christian to the life of the worldling, our increase is worth nothing at all; it is a loss rather than a gain! If we add to our Churches by excitement, by making appeals to the passions rather than by explaining the truth of God to the understanding. If we add to our churches otherwise than by the power of the Spirit of God making men new creatures in Christ Jesus, the increase is of no worth whatever! ”–1892, Sermon 2265
”
”
Charles Haddon Spurgeon (Spurgeon Gems)
“
JANUARY 25 Loving Yourself I begin to realize that in inquiring about my own origin and goal, I am inquiring about something other than myself…. In this very realization I begin to recognize the origin and goal of the world. —MARTIN BUBER In loving ourselves, we love the world. For just as fire, rock, and water are all made up of molecules, everything, including you and me, is connected by a small piece of the beginning. Yet, how do we love ourselves? It is as difficult at times as seeing the back of your head. It can be as elusive as it is necessary. I have tried and tripped many times. And I can only say that loving yourself is like feeding a clear bird that no one else can see. You must be still and offer your palmful of secrets like delicate seed. As she eats your secrets, no longer secret, she glows and you lighten, and her voice, which only you can hear, is your voice bereft of plans. And the light through her body will bathe you till you wonder why the gems in your palm were ever fisted. Others will think you crazed to wait on something no one sees. But the clear bird only wants to feed and fly and sing. She only wants light in her belly. And once in a great while, if someone loves you enough, they might see her rise from the nest beneath your fear. In this way, I've learned that loving yourself requires a courage unlike any other. It requires us to believe in and stay loyal to something no one else can see that keeps us in the world—our own self-worth. All the great moments of conception—the birth of mountains, of trees, of fish, of prophets, and the truth of relationships that last—all begin where no one can see, and it is our job not to extinguish what is so beautifully begun. For once full of light, everything is safely on its way—not pain-free, but unencumbered—and the air beneath your wings is the same air that trills in my throat, and the empty benches in snow are as much a part of us as the empty figures who slouch on them in spring. When we believe in what no one else can see, we find we are each other. And all moments of living, no matter how difficult, come back into some central point where self and world are one, where light pours in and out at once. And once there, I realize—make real before me—that this moment, whatever it might be, is a fine moment to live and a fine moment to die.
”
”
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
“
Regardless of the circumstances, what makes the most difference in whether a girl leaves or not when that door opens up is if she believes that she has options, resources, somewhere to go, and the support she’ll need once she’s out. Without that glimmer of hope, whether it comes in the form of family, a program like GEMS, or a church community like the one that helped me, it’s unlikely that she’ll leave. And then the door will close just as quickly as it opened, leaving her feeling trapped once more. and this time even more convinced that this is the life that she’s destined to lead.
”
”
Rachel Lloyd (Girls Like Us: Fighting for a World Where Girls are Not for Sale, an Activist Finds Her Calling and Heals Herself)
“
My perfect storm was nothing permanent. But of course it's far from the last storm I'll face. There will be many more. The key is building fires where you can. Warm yourself up as you wait for the tempest to pass. These fires, the routines, habits, relationships, and coping mechanisms you built, help you to look at the rain and see fertilizer instead of a flood. If you want the lushest green of life and you do, the grey is part of the natural cycle. You are not flawed. You're a human. You have gifts to share with the world and when the darkness comes, when you're fighting the demons, just remember. I'm right there fighting with you. You're not alone. The gems I found were forged in the struggle.
Never, ever give up.
”
”
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
“
What ways are there of getting human beings to do things? You can make a man fall over by pushing him; you cannot usefully make his hand write a letter or mix concrete by pushing; for in general if you have to push his hand in the right way, you might as well not use him at all. You can order him to do what you want, and if you have authority he will perhaps obey you. Again if you have power to hurt him or help him according as he disregards or obeys your orders, or if he loves you so as to accord with your requests, you have a way of getting him to do things. However, few people have authority over everyone they need to get to do things, and few people either have power to hurt or help others without damage to themselves or command affection from others to such an extent as to be able to get them to do the things they need others to do. Those who have extensive authority and power cannot exercise it to get all the other people to do the things that meet their mutual requirements. So though physical force seems a more certain way of producing desired physical results than any other, and authority and power to hurt or help and sometimes affection too, more potent than the feeble procedure of a language-game as the one with 'Bump!' that I described, yet in default of the possibility or utility of exerting physical force, and of the possibility of exercising authority or power to hurt and help, or of commanding affection, this feeble means is at least a means of getting people to do things. Now getting one another to do things without the application of physical force is a necessity for human life, and that far beyond what could be secured by those other means.
”
”
G.E.M. Anscombe (The collected philosophical papers of G.E.M. Anscombe)
“
One day a boy asked his father, “What is the value of this life?” Instead of answering, the father told his son, “Take this rock and go offer it at a market, however do not accept any offer and bring the rock back to me. If anybody asks the price, raise two fingers and don’t say anything.”The boy then went to the market and a man asked,”How much is this rock? I want to put it in my garden.” The boy didn’t say anything and raised two fingers, so the man said… “$2? I’ll take it.” And the boy went home and told his father, “A man at the market wants to buy this rock for $2.” The father then said, “Son I want you to take this rock to the museum, and if you are asked the price, raise two fingers and don’t say a word.” The boy then went to the museum, and quickly a man wanted to buy the rock, The boy didn’t say anything and raised two fingers and the man said… “$200? I’ll take it.” The boy was shocked and went running home with the rock in hand, “Father a man wants to buy this rock for $200.” His father then said, “There is one last place I’d like you to offer this rock, take it to the precious stone store and show it only to the owner and don’t say a word, if he asks the price raise two fingers.” The son then went to the precious stone store and showed the rock to the owner. “Where did you find this?” The owner asked, “This is a most precious unpolished gem, one of the most valuable in the whole world, I must have it. What price would you take for it?” The boy didn’t say anything and raised two fingers to which the man replied “Two million dollars? That is a bargain, I’ll take it!” The boy not knowing what to say went breathlessly running home to his father anxiously clutching this now priceless gem, terrified that he might lose it, “Father there is a man who wants to buy this rock for two million dollars!!!” The father then said, “Son you have been carrying in your hands, one of the most precious objects of our people, it is truly priceless!” The father then said, “Son do you now know the value of your life?” To which the son replied… 'The value of my life, is much like this rock, it depends on who it is offered to. Some place a value of $2, others $200, and still others two million dollars. I must surround myself with other precious Souls who recognize the greatest value of my life, because it is my most precious possession, and I must not allow it to be under valued, it’s true value is priceless.' " In reply the father said, " Son you have actually held in your possession the TWO most precious things that our people have, one is the stone and the other is YOU, that is why I asked you to hold up TWO fingers" What is the value of this life??? Priceless!
”
”
Raymond D. Longoria Jr.
“
Things change,” said the former Sunlord, “as we see.” And once again he looked at Dairine. “You arrive for your people’s first sight of you as Sunlord, and what do they also see, standing at your side? An alien, garbed in raiment much like that of Wellakhit royalty, wearing some other world’s life-color, gemmed like a Guarantor. The rumors are flying already. Does another world have designs on the rule of ours? Either by straightforward conquest, or more intimate means?” Dairine’s eyes went wide as what he meant sank in. “You mean they think that we—that I—You tell those people that they are completely nuts! Even if I were old enough to think about stuff like this, which I seriously am not, I have zero interest in being anybody’s queen! Especially not his—” And then Dairine stopped short as she saw the peculiar look that had appeared on both Roshaun’s and Nelaid’s faces. “Uh,” she said then, and blushed again. “Maybe there was a less tactful way I could have put that . . .” That
”
”
Diane Duane (Wizards at War (Young Wizards, #8))
“
Lady Sarah Henbery was his hostess, and the inspired projector of a new scheme of existence (that was, in effect, the repudiation of any scheme) that had become quite the 'thing.' She had found life an arbitrary design - a coil of days (like fancy pebbles, dull or sparkling) set in the form of a mainspring, and each gem responsible to the design. Then she had said, 'To-day shall not follow yesterday or precede to-morrow'; and she had taken her pebbles from their setting and mixed them higgledy-piggledy, and so was in the way to wear or spend one or the other as caprice moved her. And she became without design and responsibility, and was thus able to indulge a natural bent towards capriciousness to the extent that - having a face for each and every form of social hypocrisy and licence - she was presently hardly to be put out of countenance by the extremist expression of either.
It followed that her reunions were popular with worldlings of a certain order.
("The Accursed Cordonnier")
”
”
Bernard Capes (Gaslit Nightmares: Stories by Robert W. Chambers, Charles Dickens, Richard Marsh, and Others)
“
Malina.” He tugged her back against him and searched her face. She raised her gaze to his and his gut kicked with the sight of her puffy left eye. Her cheek was pink, the skin tight and swollen. He lowered his cheek to hers, overtaken by an impulse to comfort her. “I’m so sorry,” he said as the heat from Hamish’s abuse seared his whiskered skin. “Can ye forgive me, lass?” She pulled back to look him full in the face. How it pained him to see just one green gem sparkling at him; the other nearly obscured by swelling. “Sorry? You’re apologizing to me? Darcy, I’m the one who’s sorry. I’ve—I’ve ruined your life, haven’t I?” She ducked her face and heaved an agonized sob. “I’m so sorry. So sorry for everything.” He lifted her chin with a finger, hoping only to meet her gaze and tell her she had no cause to apologize, but before he got the words out, she pulled him down to her and pressed a lingering kiss to his lips. His eyes flew wide in surprise, then drifted closed with bliss. Her lips were soft and cool as the most delicate rose petals. Her hand on his neck swept down his arm, her fingers leaving a tingling trail along his skin until they sought the valley of his palm. He closed his hand around hers, so cool and tiny. So fragile. Mine to protect, his heart decreed.
”
”
Jessi Gage (Wishing for a Highlander (Highland Wishes Book 1))
“
[Nero] castrated the boy Sporus and actually tried to make a woman of him; and he married him with all the usual ceremonies, including a dowry and a bridal veil, took him to his house attended by a great throng, and treated him as his wife. This Sporus, decked out with the finery of the empresses and riding in a litter, he took with him to the assizes and marts of Greece, and later at Rome through the Street of the Images, fondly kissing him from time to time. That he even desired illicit relations with his own mother, and was kept from it by her enemies, who feared that such a help might give the reckless and insolent woman too great influence, was notorious, especially after he added to his concubines a courtesan who was said to look very like Agrippina. Even before that, so they say, whenever he rode in a litter with his mother, he had incestuous relations with her, which were betrayed by the stains on his clothing.
He so prostituted his own chastity that after defiling almost every part of his body, he at last devised a kind of game, in which, covered with the skin of some wild animal, he was let loose from a cage and attacked the private parts of men and women, who were bound to stakes, and when he had sated his mad lust, was dispatched by his freedman Doryphorus; for he was even married to this man in the same way that he himself had married Sporus, going so far as to imitate the cries and lamentations of a maiden being deflowered.
He made a palace extending all the way from the Palatine to the Esquiline, which at first he called the House of Passage, but when it was burned shortly after its completion and rebuilt, the Golden House. Its size and splendour will be sufficiently indicated by the following details. Its vestibule was large enough to contain a colossal statue of the emperor a hundred and twenty feet high; and it was so extensive that it had a triple colonnade a mile long. There was a pond too, like a sea, surrounded with buildings to represent cities, besides tracts of country, varied by tilled fields, vineyards, pastures and woods, with great numbers of wild and domestic animals. In the rest of the house all parts were overlaid with gold and adorned with gems and mother-of‑pearl. There were dining-rooms with fretted ceils of ivory, whose panels could turn and shower down flowers and were fitted with pipes for sprinkling the guests with perfumes. The main banquet hall was circular and constantly revolved day and night, like the heavens.
His mother offended him by too strict surveillance and criticism of his words and acts. At last terrified by her violence and threats, he determined to have her life, and after thrice attempting it by poison and finding that she had made herself immune by antidotes, he tampered with the ceiling of her bedroom, contriving a mechanical device for loosening its panels and dropping them upon her while she slept. When this leaked out through some of those connected with the plot, he devised a collapsible boat, to destroy her by shipwreck or by the falling in of its cabin. ...[He] offered her his contrivance, escorting her to it in high spirits and even kissing her breasts as they parted. The rest of the night he passed sleepless in intense anxiety, awaiting the outcome of his design. On learning that everything had gone wrong and that she had escaped by swimming, driven to desperation he secretly had a dagger thrown down beside her freedman Lucius Agermus, when he joyfully brought word that she was safe and sound, and then ordered that the freedman be seized and bound, on the charge of being hired to kill the emperor; that his mother be put to death, and the pretence made that she had escaped the consequences of her detected guilt by suicide.
”
”
Suetonius (The Twelve Caesars)
“
Grieve not for lost love, whether it is through death or the fickle fluctuations of human nature. Love itself is never lost, but just plays hide-and-seek with you in many hearts; that in pursuing it you might find its ever greater manifestations. It will keep hiding from you, and disappointing you, until you have quested long enough to find its abode in the One who resides in the deepest recesses of your own soul, and in the heart of everything. Then you will say: “O Lord, when I resided in the house of mortal consciousness, I thought I loved my parents and my friends; I fancied I loved birds, beasts, possessions. But now that I have moved into the mansion of Omnipresence, I know it is Thee alone I love, manifested as parents, friends, all creatures and all things. By loving Thee alone, my heart expanded to love the many. By being loyal in my love to Thee, I am loyal to all I love. And I love all beings forever.” I see life on earth as only a scenic backdrop behind which my loved ones hide at death. As I love them when they are before my eyes, so does my love follow them with my ever-watching mental gaze when they move elsewhere, behind death’s screen. Those whom I have loved I could never hate, even though they grow uninteresting through ugly behavior. In my museum of recollections, I can still behold those traits that caused me to love them. Beneath the temporary mental masks of those whose behavior I dislike, I see the perfect love of my great Beloved, even as I see it in those worthy souls that I love. To stop loving is to stem the purifying flow of love. I shall loyally love every being, every thing, until I find all races, all creatures, all animate and inanimate objects embraced by my love. I will love until every soul, every star, every forsaken creature, every atom, is lodged in my heart; for in the infinite love of God, my breast of eternity is large enough to hold everything in me. O Love, I see Thy glowing face in the gems. I behold Thy shy blush in the blossoms. I am enraptured, hearing Thee warble in the birds. And I dream in ecstasy when my heart embraces Thee in all hearts. O Love, I met Thee in all things—only a little and for a while—but in Omnipresence I clasp Thee entirely and forever, and I rejoice in Thy joy evermore.
”
”
Paramahansa Yogananda (The Divine Romance: Collected Talks and Essays on Realizing God in Daily Life – Volume 2)
“
What secrets?” Eena blurted out.
Kira answered the question by defensively listing them out on her fingers. “How about the fact that Derian was coming for you in a few short days, or the fact that Gemdorin was forcing you to search for some magic gem we were all unaware existed. How about the knowledge of your unusual powers that you stupidly used to infect the Ghengats, which was also a secret you kept to yourself until it was discovered by Gemdorin, making it too late for us to do anything about preventing you from being beaten half to death! You hide things as if you think your abilities are so superior to what the rest of us can possibly contribute!”
Eena shook her head adamantly. “That’s not what I think…”
“It’s how you behave. It’s how you come across to everyone. Your selfish actions speak a helluva lot louder than your hollow words or your foolish intentions.”
The young queen felt a rise of tears burn her eyes. “My intentions are not foolish. All I ever meant to do was protect those around me.”
“By keeping us in the dark? That’s not protection, girl. That’s neglect.”
Eena sniffled as fresh waterworks ran down her cheeks. Her face twisted up, confused. “People get hurt when they’re involved in my problems.”
“In our problems.”
“No! My problems!” she insisted.
Kira threw up her arms. “There you go being all selfish again!”
Eena sucked in a ragged breath, almost crying out the next question. “How do you figure that’s being selfish? I’m trying to keep everyone safe!”
“And what did I just get through telling you about that idiotic notion?”
Eena looked up at the ceiling. She raised her palms in frustration as she bawled. “I don’t know what else to do! What do you want from me?”
Kira stepped forward and knelt in front of her tortured sister. Her hand rested gently on Eena’s knee as the Mishmorat’s gruff countenance melted. A softer, kinder voice answered the desperate question.
“We want you to understand that the world doesn’t rest on your shoulders. You’re only responsible for a small portion of what happens daily on Moccobatra. Life isn’t dependent upon you alone, Sha Eena. It’s dependent upon all of us. We’re a team. We work together doing our own part. We need you to be part of our team, not a single entity existing on your own.
”
”
Richelle E. Goodrich (Eena, The Companionship of the Dragon's Soul (The Harrowbethian Saga #6))
“
I stand on a vast grass field of many gently sloping hills. It is night, yet the sky is bright. There is no sun, but a hundred blazing blue stars, each shining in a long river of nebulous cloud. The air is warm, pleasant, fragrant with the perfume of a thousand invisible flowers. In the distance a stream of people walk toward a large vessel of some type, nestled between the hills. The ship is violet, glowing; the bright rays that stab forth from it seem to reach to the stars. Somehow I know that it is about to leave and that I am supposed to be on it. Yet, before I depart, there is something I have to discuss with Lord Krishna.
He stands beside me on the wide plain, his gold flute in his right hand, a red lotus slower in his left. His dress is simple, as is mine - long blue gowns that reach to the ground. Only he wears a single jewel around his neck - the brilliant Kaustubha gem, in which the destiny of every soul can be seen. He does not look at me but toward the vast ship, and the stars beyond. He seems to be waiting for me to speak, but for some reason I cannot remember what he said last. I only know that I am a special case. Because I do not know what to ask, I say what is most on my mind.
"When will I see you again, my Lord?"
He gestures to the vast plain, the thousands of people leaving. "The earth is a place of time and dimension. Moments here can seem like an eternity there. It all depends on your heart. When you remember me, I am there in the blink of an eye."
"Even on earth?"
He nods. "Especially there. It is a unique place. Even the gods pray to take birth there."
"Why that, my Lord?"
He smiles faintly. His smile is bewitching. It has been said, I know, that the smile of the Lord has bewildered the minds of the angels. It has bewildered mine.
"One quest always leads to another question. Some things are better to wonder about." He turns toward me finally, his long black hair blowing in the soft night breeze. The stars reflect in his black pupils; the whole universe is there. The love that flows from him is the sweetest ambrosia in all the heavens. Yet it breaks my heart to feel because I know it will soon be gone. "It is all maya," he says. "Illusion."
"Will I get lost in this illusion, my Lord?"
"Of course. It is to be expected. You will be lost for a long time.
”
”
Christopher Pike (Thirst No. 1: The Last Vampire, Black Blood, and Red Dice (Thirst, #1))
“
In My Prayer.
My silent niche. You incarnate in my prayer. Dawn is all dancing like a rainbow in your smile. Anxious to uncover dreams after morning. The desire to arrange sparkly beads in your hair. Reduce heartbeat, please at the tips of your fingers. I will pray together with
night just to keep remembering you. A never ending memory to always say your name. Silence that leads to longing for the rising of light. Horizon knocked on all the gates, which grabbed a reprehensible body, who hesitated to stop at the tip of the tongue. Lips murmuring, stringing questions hung at the end of time. The self that is always broken and dishonest, who is kufr and who is infidel. All beings submit to the most holy feet. Let silence accept everything that is magical.
Although the reflection of the moon's face is filled with wounds with lies in our mouths, betrayed by lust and unstoppable desires. May you soon incarnate so that a million flowers bloom in the heart of the most cursory. The eyes are altered, betraying a million flashes of light from the darkest night. The most beautiful gems are buried in mud puddles.
Even though the sky is still dark. Heavy rain that is redder than all blood. Which surpassed the fangs of the old snake. The endless cycle of the sun throws puzzles about the mysteries of the universe that are never answered. The beginning of all this sorrow in myself. If only you please, transform into a butterfly in my prayer tonight. A pair of wings that burned like a fire of longing in my heart. Who suddenly fidgeted and flew into your eyes. Then descend on the branch of the Khuldi tree, before breaking into my tears.
Suppose tonight, in my prayer, you incarnate like a thunderous storm. Like the sound of noisy thunder. The footsteps stepped hurriedly on the foggy road. Infiltrate the gaps of our thoughts and feelings. Shackle our arms, knees and breath.
If only, in my prayer tonight you will be transformed into murky tears. Who trembled, even though it would patiently take care of my sadness. The pain that somehow healed my soul. Beliefs that keep mysteries for my deepest secrets, which you endlessly hum, in order to be a comfort for my sad life.
My dear. Lady of my heart. My love. My soul. Bless me with all your generosity. With your mercy, with your endless love. With your infinite anger.
”
”
Titon Rahmawan
“
If men brought their hearts together beyond a certain degree, if they were intent upon making their hearts one, did not a reaction set in after that brief fantasy had passed, a reaction that was more than simply alienation? Did it not inevitably provoke a betrayal that led to complete dissolution?
Perhaps there was some unwritten law of human nature that clearly proscribed covenants among men. Had he impudently violated such a proscription? In ordinary human relationships, good and evil, trust and mistrust appear in impure form, mixed together in small portions. But when men gather together to form a group devoted to a purity not of this world, their evil may remain, purged from each member but coalesced to form a single pure crystal. Thus in the midst of a collection of pure white gems, perhaps it was inevitable that one gem black as pitch could also be found.
If one took this concept a bit further, one encountered an extremely pessimistic line of thought: the substance of evil was to be found more in blood brotherhoods by their very nature than in betrayal. Betrayal was something that was derived from this evil, but the evil was rooted in the blood brotherhood itself. The purest evil that human efforts could attain, in other words, was probably achieved by those men who made their wills the same and who made their eyes see the world in the same way, men who went against the pattern of life’s diversity, men whose spirit shattered the natural wall of the individual body, making nothing of this barrier set up to guard against mutual corrosion, men whose spirit accomplished what flesh could never accomplish. Collaboration and cooperation were weak terms bound up with anthropology. But blood brotherhood . . . that was a matter of eagerly joining one’s spirit to the spirit of another. This in itself showed a bright scorn for the futile, laborious human process in which ontogeny was eternally recapitulating phylogeny, in which man forever tried to draw a bit closer to truth only to be frustrated by death, a process that had ever to begin again in the sleep within the amniotic fluid. By betraying this human condition the blood brotherhood tried to gain its purity, and thus it was perhaps but to be expected that it, in turn, should of its very nature incur its own betrayal. Such men had never respected humanity.
”
”
Yukio Mishima (Runaway Horses (The Sea of Fertility, #2))
“
If men brought their hearts together beyond a certain degree, if they were intent upon making their hearts one, did not a reaction set in after that brief fantasy had passed, a reaction that was more than simply alienation? Did it not inevitably provoke a betrayal that led to complete dissolution?
Perhaps there was some unwritten law of human nature that clearly proscribed covenants among men. Had he impudently violated such a proscription? In ordinary human relationships, good and evil, trust and mistrust appear in impure form, mixed together in small portions. But when men gather together to form a group devoted to a purity not of this world, their evil may remain, purged from each member but coalesced to form a single pure crystal. Thus in the midst of a collection of pure white gems, perhaps it was inevitable that one gem black as pitch could also be found.
If one took this concept a bit further, one encountered an extremely pessimistic line of thought: the substance of evil was to be found more in blood brotherhoods by their very nature than in betrayal. Betrayal was something that was derived from this evil, but the evil was rooted in the blood brotherhood itself. The purest evil that human efforts could attain, in other words, was probably achieved by those men who made their wills the same and who made their eyes see the world in the same way, men who went against the pattern of life’s diversity, men whose spirit shattered the natural wall of the individual body, making nothing of this barrier set up to guard against mutual corrosion, men whose spirit accomplished what flesh could never accomplish. Collaboration and cooperation were weak terms bound up with anthropology. But blood brotherhood . . . that was a matter of eagerly joining one’s spirit to the spirit of another. This in itself showed a bright scorn for the futile, laborious human process in which ontogeny was eternally recapitulating phylogeny, in which man forever tried to draw a bit closer to truth only to draw a bit closer to truth only to be frustrated by death, a process that had ever to begin again in the sleep within the amniotic fluid. By betraying this human condition the blood brotherhood tried to gain its purity, and thus it was perhaps but to be expected that it, in turn, should of its very nature incur its own betrayal. Such men had never respected humanity.
”
”
Yukio Mishima (Runaway Horses (The Sea of Fertility, #2))
“
The "kindness of giving you a body" means that, at first, our bodies are not fully matured nor are our pleasant complexions. We started in the mother's womb as just an oval spot and oblong lump, and from there we developed through the vital essence of the mother's blood and flesh. We grew through the vital essence of her food while she endured embarrassment, pain, and suffering. After we were born, from a small worm until we were fully grown, she developed our body.
The "kindness of undergoing hardships for you" means that, at first, we were not wearing any clothes with all their ornamentation, did not possess any wealth, and did not bring any provisions. We just came with a mouth and stomach-empty-handed, without any material things.
When we came to this place where we knew no one, she gave food when we were hungry, she gave drink when we were thirsty, she gave clothes when we were cold, she gave wealth when we had nothing. Also, she did not just give us things she did not need. Rather, she has given us what she did not dare use for herself, things she did not dare eat, drink, or wear for herself, things she did not dare employ for the happiness of this life, things she did not dare use for her next life's wealth. In brief, without looking for happiness in this life or next, she nurtured her child.
She did not obtain these things easily or with pleasure. She collected them by creating various negative karmas, by sufferings and hardships, and gave them all to the child. For example, creating negative karma: she fed the child through various nonvirtuous actions like fishing, butchering, and so forth. For example, suffering: to give to the child, she accumulated wealth by working at a business or farm and so forth, wearing frost for shoes, wearing stars as a hat, riding on the horse of her legs, her hem like a whip, giving her legs to the dogs and her face to the people.
Furthermore, she loved the unknown one much more than her father, mother, and teachers who were very kind to her. She watched the child with eyes of love, and kept it warm in soft cloth. She dandled the child in her ten fingers, and lifted it up in the sky. She called to it in a loving, pleasant voice, saying, "Joyful one, you who delight Mommy. Lu, lu, you happy one," and so forth.
The "kindness of giving you life" means that, at first, we were not capable of eating with our mouth and hands nor were we capable of enduring all the different hardships. We were like feeble insects without strength; we were just silly and could not think anything. Again, without rejection, the mother served us, put us on her lap, protected us from fire and water, held us away from precipices, dispelled all harmful things, and performed rituals. Out of fear for our death or fear for our health, she did divinations and consulted astrologers. Through many ritual ceremonies and many other different things, in inconceivable ways, she protected the life of her child.
The "kindness of showing you the world" means that, at first, we did not come here knowing various things, seeing broadly, and being talented. We could only cry and move our legs and hands. Other than that, we knew nothing. The mother taught us how to eat when we did not know how. She taught us how to wear clothes when we did not know how. She taught us how to walk when we did not know how. She taught us how to talk when we did not know how to say "Mama," or "Hi," and so forth. She taught us various skills, creative arts, and so forth. She tried to make us equal when we were unequal, and tried to make the uneven even for us.
Not only have we had a mother in this lifetime, but from beginningless samsara she served as a mother countless times.
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Gampopa (The Jewel Ornament of Liberation: The Wish-Fulfilling Gem of the Noble Teachings)