Gems Are Hard To Find Quotes

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A true friend friendship is hard to find a true friend friendship is rare like an ancient gem
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Marcelle Hinkson
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When I go musing all alone Thinking of divers things fore-known. When I build castles in the air, Void of sorrow and void of fear, Pleasing myself with phantasms sweet, Methinks the time runs very fleet. All my joys to this are folly, Naught so sweet as melancholy. When I lie waking all alone, Recounting what I have ill done, My thoughts on me then tyrannise, Fear and sorrow me surprise, Whether I tarry still or go, Methinks the time moves very slow. All my griefs to this are jolly, Naught so mad as melancholy. When to myself I act and smile, With pleasing thoughts the time beguile, By a brook side or wood so green, Unheard, unsought for, or unseen, A thousand pleasures do me bless, And crown my soul with happiness. All my joys besides are folly, None so sweet as melancholy. When I lie, sit, or walk alone, I sigh, I grieve, making great moan, In a dark grove, or irksome den, With discontents and Furies then, A thousand miseries at once Mine heavy heart and soul ensconce, All my griefs to this are jolly, None so sour as melancholy. Methinks I hear, methinks I see, Sweet music, wondrous melody, Towns, palaces, and cities fine; Here now, then there; the world is mine, Rare beauties, gallant ladies shine, Whate'er is lovely or divine. All other joys to this are folly, None so sweet as melancholy. Methinks I hear, methinks I see Ghosts, goblins, fiends; my phantasy Presents a thousand ugly shapes, Headless bears, black men, and apes, Doleful outcries, and fearful sights, My sad and dismal soul affrights. All my griefs to this are jolly, None so damn'd as melancholy. Methinks I court, methinks I kiss, Methinks I now embrace my mistress. O blessed days, O sweet content, In Paradise my time is spent. Such thoughts may still my fancy move, So may I ever be in love. All my joys to this are folly, Naught so sweet as melancholy. When I recount love's many frights, My sighs and tears, my waking nights, My jealous fits; O mine hard fate I now repent, but 'tis too late. No torment is so bad as love, So bitter to my soul can prove. All my griefs to this are jolly, Naught so harsh as melancholy. Friends and companions get you gone, 'Tis my desire to be alone; Ne'er well but when my thoughts and I Do domineer in privacy. No Gem, no treasure like to this, 'Tis my delight, my crown, my bliss. All my joys to this are folly, Naught so sweet as melancholy. 'Tis my sole plague to be alone, I am a beast, a monster grown, I will no light nor company, I find it now my misery. The scene is turn'd, my joys are gone, Fear, discontent, and sorrows come. All my griefs to this are jolly, Naught so fierce as melancholy. I'll not change life with any king, I ravisht am: can the world bring More joy, than still to laugh and smile, In pleasant toys time to beguile? Do not, O do not trouble me, So sweet content I feel and see. All my joys to this are folly, None so divine as melancholy. I'll change my state with any wretch, Thou canst from gaol or dunghill fetch; My pain's past cure, another hell, I may not in this torment dwell! Now desperate I hate my life, Lend me a halter or a knife; All my griefs to this are jolly, Naught so damn'd as melancholy.
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Robert Burton (The Anatomy of Melancholy: What It Is, With All the Kinds, Causes, Symptoms, Prognostics, and Several Cures of It ; in Three Partitions; With Their ... Historically Opened and Cut Up, V)
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I have always felt that putting emotions into words was an exercise in futility, they're often more complex than words can manage and it seems often impossible. And like an injustice to the emotions, like I will never have explained them well enough and it will just feel incomplete and wrong. Also I'm pretty sure you made me do this before heh. All of that said, I shall do my best to manage this. You are incredibly passionate. Straightforward. Funny. I feel like such a god damn idiot spouting random adjectives but I don't know what else to do. O.O You are those things though and I love them. You see the world in a way I feel I can understand at least somewhat, a way many don't. You embrace things others try to stifle. You aren't ashamed of being yourself and yourself is wonderful. Kind and compassionate. You sure helped me and I think I helped you too, we connected on some issues even if our issues weren't the same. We... ugh, I can't do it, I can't distill something as complex, intricate, beautiful, amazing as YOU into mere words. But you are who you are and you stole my heart and I don't mind. I like it. I love you. Can't go wrong with someone that loves music and wants to have lotr snuggle fests! I'm here darlingness. I just kept trying and trying to find the right words. It's difficult. NOT because I have anything less than the utmost massive lovelberry tree gem pie for you. It's just... emotions, y'know? They're hard to explain. o.o
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Devouree
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The cabin; by the stern windows; Ahab sitting alone, and gazing out. I leave a white and turbid wake; pale waters, paler cheeks, where'er I sail. The envious billows sidelong swell to whelm my track; let them; but first I pass. Yonder, by the ever-brimming goblet's rim, the warm waves blush like wine. The gold brow plumbs the blue. The diver sunโ€” slow dived from noonโ€”goes down; my soul mounts up! she wearies with her endless hill. Is, then, the crown too heavy that I wear? this Iron Crown of Lombardy. Yet is it bright with many a gem; I the wearer, see not its far flashings; but darkly feel that I wear that, that dazzlingly confounds. 'Tis ironโ€”that I knowโ€”not gold. 'Tis split, tooโ€”that I feel; the jagged edge galls me so, my brain seems to beat against the solid metal; aye, steel skull, mine; the sort that needs no helmet in the most brain-battering fight! Dry heat upon my brow? Oh! time was, when as the sunrise nobly spurred me, so the sunset soothed. No more. This lovely light, it lights not me; all loveliness is anguish to me, since I can ne'er enjoy. Gifted with the high perception, I lack the low, enjoying power; damned, most subtly and most malignantly! damned in the midst of Paradise! Good nightโ€”good night! (waving his hand, he moves from the window.) 'Twas not so hard a task. I thought to find one stubborn, at the least; but my one cogged circle fits into all their various wheels, and they revolve. Or, if you will, like so many ant-hills of powder, they all stand before me; and I their match. Oh, hard! that to fire others, the match itself must needs be wasting! What I've dared, I've willed; and what I've willed, I'll do! They think me madโ€” Starbuck does; but I'm demoniac, I am madness maddened! That wild madness that's only calm to comprehend itself! The prophecy was that I should be dismembered; andโ€”Aye! I lost this leg. I now prophesy that I will dismember my dismemberer. Now, then, be the prophet and the fulfiller one. That's more than ye, ye great gods, ever were. I laugh and hoot at ye, ye cricket-players, ye pugilists, ye deaf Burkes and blinded Bendigoes! I will not say as schoolboys do to bulliesโ€”Take some one of your own size; don't pommel me! No, ye've knocked me down, and I am up again; but ye have run and hidden. Come forth from behind your cotton bags! I have no long gun to reach ye. Come, Ahab's compliments to ye; come and see if ye can swerve me. Swerve me? ye cannot swerve me, else ye swerve yourselves! man has ye there. Swerve me? The path to my fixed purpose is laid with iron rails, whereon my soul is grooved to run. Over unsounded gorges, through the rifled hearts of mountains, under torrents' beds, unerringly I rush! Naught's an obstacle, naught's an angle to the iron way! CHAPTER
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Herman Melville (Moby Dick: or, the White Whale)
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So, Randolph Carter, in the name of the Other Gods I spare you and charge you to serve my will. I charge you to seek that sunset city which is yours, and to send thence the drowsy truant gods for whom the dream-world waits. Not hard to find is that roseal fever of the gods, that fanfare of supernal trumpets and clash of immortal cymbals, that mystery whose place and meaning have haunted you through the halls of waking and the gulfs of dreaming, and tormented you with hints of vanished memory and the pain of lost things awesome and momentous. Not hard to find is that symbol and relic of your days of wonder, for truly, it is but the stable and eternal gem wherein all that wonder sparkles crystallised to light your evening path. Behold! It is not over unknown seas but back over well-known years that your quest must go; back to the bright strange things of infancy and the quick sun-drenched glimpses of magic that old scenes brought to wide young eyes.
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H.P. Lovecraft
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My Nobel appeal: itโ€™s hard to put the whole world to rights, but let us at least think about how we can prepare our own small corner of it, this corner of literature where we read, write, publish, recommend, denounce, and give awards to books. If we are to play an important role in this uncertain future, if we are to get the best from the writers of today and tomorrow, I believe we must become more diverse. I mean this in two particular senses. Firstly, we must widen our common literary world to include many more voices from beyond our comfort zones of the elite first world cultures. We must search more energetically to discover the gems from what remain today unknown literary cultures, whether the writers live in faraway countries or within our own communities. Second, we must take great care not to set too narrowly or conservatively our definitions of what constitutes good literature. The next generation will come with all sorts of new, sometimes bewildering ways to tell important and wonderful stories. We must keep our minds open to them, especially regarding genre and form, so that we can nurture and celebrate the best of them. In a time of dangerously increasing division we must listen. Good writing and good reading will break down barriers. We may even find a new idea, a great humane vision around which to rally.
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Kazuo Ishiguro
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Not hard to find is that roseal fever of the gods, that fanfare of supernal trumpets and clash of immortal cymbals, that mystery whose place and meaning have haunted you through the halls of waking and the gulfs of dreaming, and tormented you with hints of vanished memory and the pain of lost things awesome and momentous. Not hard to find is that symbol and relic of your days of wonder, for truly, it is but the stable and eternal gem wherein all that wonder sparkles crystallised to light your evening path.
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The Dream-Quest of Unknown Kadath by H.P. Lovecraft
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Full Disclosure: when Dan DiDio approached me about doing one, I was wary to say the least. Nowadays events often mean character deaths or reboots or company-wide publishing initiatives and so on. But the run Greg Capullo and I had on BATMAN was, for better or for worse, idiosyncratic - about our own hopes, our fears, our interests. It was just... very much ours. Even so, I told Dan that I *did* have a story, one I'd been working on for a few years, a big one, in the back of my brain. It was about a detective case that stretched back to the beginnings of humanity, a mystery about the nature of the DC Universe that Batman would try to uncover, and which would lead him and the Justice League to discover that their own cosmology was much larger, scarier and more wondrous than they'd known. But I wasn't sure it would make a good "event". Dan, to his credit, said, "Work it up and let's see." So I did. But in the course of working it up, I reread all the events I could think of. Just for reference. Not only recent ones, but events from years ago, from when I was a kid. And what I discovered, or rediscovered, was that at their core, events are joyous things. They're these great big stories, ridiculous tales about alien invasions or cosmic gems or zombie-space-cop attacks that have the highest stakes possible - stories where the whole universe hangs in the balance and nothing will ever be the same again! They were *about* things, and - what I also realized while doing my homework - when I was a kid, they were THE stories that brought me and my friends together. We'd split our money and buy different parts of an event, just to be able to argue about it. We'd meet after school and go on for hours about who should win, who should lose... Because even the grimmest events are celebratory. They're about pushing the limits of an already ludicrous form to a breaking point. So that's what I came back with. I remember standing in my kitchen and getting ready to pitch DARK NIGHTS: METAL to Greg, having prepared a whole presentation, a whole argument as to why, crazy as it was, it was us, it was *our* event. I said "It's called METAL," and Greg said, "I'm in," before I could even tell him the story. And even though Dan thought it was crazy, he went with it, and for that I'm very grateful. In the end, METAL is a lot of things - it's about those moments when you find yourself face to face with the worst versions of yourself, moments when all looks like doom - but at it's heart it's a love letter to comic storytelling at its most lunatic, and a tribute to the kinds of stories, events that got me thought hard times as a kid and as an adult. It's about using friendship as a foundation to go further than you thought you could go, and that means it's about me and Greg, and you as well. Because we tried something different with it, something ours, hoping you'd show up, and you did. So thank you, sincerely, from all of us on the team. Because when they work, events are about coming together and rocking out over our love of this crazy art form. And you're all in the band, now and always.
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Scott Snyder (Dark Nights: Metal)
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As we began once more our slow journey to the Valley, I asked of Krip Vorlund, "What is your greatest treasure? Gems? Or some other rare thing?" "Do you mean mine personally, or what is so regarded by my people?" "Both." "Then I shall answer you with one word, for with both me and and my people it is the sameโ€”a ship!" "And you gather naught else besides?" "What we gather, and it is as much as we can of the treasures others want, it is only that we may finally spend all we have so garnered for a ship of our own." "And how many of you ever achieve such?" "Perhaps as many as find lordships on Yiktor. The struggle is as hard, though in another way." "Youโ€”do you believe you will ever have this treasure?" "No one willingly loses any dream, even when the point of being able to realize it is past. A man, I think, continues to hope for good fortune until he dies.
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Andre Norton (Moonsinger (Moonsinger combo volumes Book 1))
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Don't put your hopes for happiness solely on your spouse, for even the best intentions can lead to a living hell. Good partners are like rare gems - hard to find and requiring a magnifying glass to discover. Instead, cultivate a deep connection with God and find your joy in the love and grace that flows from above. This way, you'll be less likely to be disappointed and more likely to find true fulfillment.
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Shaila Touchon
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Friends The divine bliss of almighty is friend the relation boundless of any trend friends help us to solve all worries they wrap up our difficulties as furries. Friend is a best companion, ofcourse a guide they have no qualms to make us pride friends are gems hard to find nurturing this relation is the greatest task assigned. Friends stand together in joy and sorrows they take away all our pain and harrows till infinity live for friend, for him die limit this knot bonding beyond the sky. Distances cannot keep friends apart they reside in the fugal of heart never breakup, treat them with love and care remember enmities are everywhere friends are rare Though not a blood relation nor by birth It is the most pious bonding on the earth for my dearest friends, God I do thee pray always keep them happy, motivated and gay. ~Jugesh Singh Thakur Author ," The Craved Emotions" From:- Pogal Paristan
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Jugesh Singh Thakur
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If I should have a daughterโ€ฆโ€œInstead of โ€œMomโ€, sheโ€™s gonna call me โ€œPoint B.โ€ Because that way, she knows that no matter what happens, at least she can always find her way to me. ์•ˆ์ „ํ•œ ๋ฐฐ์†ก ์„œ๋น„์Šค ์ˆ˜๋Šฅ๋•Œ ํ•œ๋ฒˆ์ฏค ๋ณต์šฉํ•ด๋ณผ์ˆ˜์žˆ๋Š” ์•ฝ ์ฝ˜์„œํƒ€ ํŽ˜๋‹ˆ๋“œ ์• ๋”๋Ÿด ์ •ํ’ˆ์œผ๋กœ ํŒ๋งคํ•˜๊ณ ์žˆ์Šต๋‹ˆ๋‹ค ๋ชธ์งฑํ‚ค์šฐ์‹œ๊ณ  ์‹ถ์œผ์‹ ๋ถ„๋“ค ๊ณ„์‹œ๋ฉด ์—ฐ๋ฝ์ฃผ์„ธ์š” ๋Ÿญ์…”๋ฆฌํ•œ ๋ชธ์งฑ ํ‚ค์›Œ๋“œ๋ฆฌ๊ฒ ์Šต๋‹ˆ๋‹ค ์นดํ†กใ€AKR331ใ€‘๋ผ์ธใ€SPR331ใ€‘์œ„์ปคใ€SPR705ใ€‘ํ…”๋ ˆใ€GEM705ใ€‘ ์‹ ๋ขฐ์„ฑ์žˆ๋Š” ์—…์ฒด ์ž…๋‹ˆ๋‹ค. ํšŒ์›๊ฐ€์ž…์ด ํ•„์š” ์—†์Šต๋‹ˆ๋‹ค ๊ณ ๊ฐ๋‹˜๋“ค์˜ ๊ฐœ์ธ์ •๋ณด๋Š” ์ค‘์š”ํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋ ‡๊ธฐ์— Mobile & desktop ๋“ฑ์—์„œ ์†์‰ฝ๊ฒŒ ํ„ฐ์น˜, ํด๋ฆญ ๋ช‡๋ฒˆ๋งŒ์œผ๋กœ ์‰ฝ๊ฒŒ ๋ฌผ๊ฑด ๊ตฌ์ž…์ด ๊ฐ€๋Šฅํ•ฉ๋‹ˆ๋‹ค. ๋งˆ์ง€๋ง‰์œผ๋กœ ๋Œ€ํ•œ๋ฏผ๊ตญ ์–ด๋””์—๋„ ์—†๋Š” ์ตœ์ €๊ฐ€๊ฒฉ ๋ณด์ƒ์ œ๋„๋ฅผ ์‹ค์‹œ ํ•˜๊ณ ์žˆ์Šต๋‹ˆ๋‹ค. 100% ์ •ํ’ˆ ์ง€๊ธˆ๊นŒ์ง€ ๋‹จ ํ•œ๋ฒˆ๋„ ๊ฐ€ํ’ˆ์— ๋Œ€ํ•œ ๊ตฌ์„ค์ˆ˜์— ์˜ค๋ฅธ์  ์—†์Šต๋‹ˆ๋‹ค. ๊ทธ๋ ‡๊ธฐ์— ๋ฏฟ๊ณ  ๊ตฌ๋งคํ•˜์…”๋„ ๋ฉ๋‹ˆ๋‹ค. ํ•ด๋‹น ์ œํ’ˆ์— ๋ถ€์—ฌ๋˜๋Š” ๊ณ ์œ ์‹๋ณ„๋ฒˆํ˜ธ๋กœ ํ•œ๊ตญ๋ฆด๋ฆฌ & ํ™”์•„์ž์ฝ”๋ฆฌ์•„์—์„œ ์ •ํ’ˆ๊นŒ์ง€ ์ธ์ฆ์ด ๊ฐ€๋Šฅํ•œ ๋ฏฟ์„์ˆ˜ ์žˆ๋Š” ์ œํ’ˆ๋“ค๋กœ ๊ตฌ์„ฑ๋˜์–ด ์žˆ์œผ๋‹ˆ ์•ˆ์‹ฌํ•˜์…”๋„ ๋ฉ๋‹ˆ๋‹ค. And Iโ€™m going to paint the solar system on the back of her hands so that she has to learn the entire universe before she can say โ€œOh, I know that like the back of my hand.โ€ Sheโ€™s gonna learn that this life will hit you, hard, in the face, wait for you to get back up so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air. There is hurt, here, that cannot be fixed by band-aids or poetry, so the first time she realizes that Wonder-woman isnโ€™t coming, Iโ€™ll make sure she knows she doesnโ€™t have to wear the cape all by herself. Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, Iโ€™ve tried. And โ€œBaby,โ€ Iโ€™ll tell her โ€œdonโ€™t keep your nose up in the air like that, I know that trick, youโ€™re just smelling for smoke so you can follow the trail back to a burning house so you can find the boy who lost everything in the fire to see if you can save him. Or else, find the boy who lit the fire in the first place to see if you can change him.โ€ But I know that she will anyway, so instead Iโ€™ll always keep an extra supply of chocolate and rain boats nearby, โ€˜cause there is no heartbreak that chocolate canโ€™t fix. Okay, thereโ€™s a few heartbreaks chocolate canโ€™t fix. ์ฝ˜์„œํƒ€๊ตฌ์ž…ํ•˜๋Š”๊ณณ,์•„๋‚˜๋ณผ๋ฆญ์Šคํ…Œ๋กœ์ด๋“œ๊ตฌ์ž…,์Šคํ…Œ๋กœ์ด๋“œํŒ๋งค,์Šคํ…Œ๋กœ์ด๋“œ๊ตฌ๋งค,์Šคํ…Œ๋กœ์ด๋“œ๊ฐ€๊ฒฉ,์Šคํ…Œ๋กœ์ด๋“œํšจ๊ณผ,์ฝ˜์„œํƒ€๊ตฌ๋งค,์ฝ˜์„œํƒ€ํŒ๋งค,์ฝ˜์„œํƒ€๊ฐ€๊ฒฉ,์ฝ˜์„œํƒ€ํšจ๊ณผ But thatโ€™s what the rain boots are for, because rain will wash away everything if you let it.
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์ •ํ’ˆ์•ฝํŒ๋งค์ฒ˜,์นดํ†กใ€AKR331ใ€‘๋ผ์ธใ€SPR331ใ€‘์ •ํ’ˆ์ œํ’ˆํŒ๋‹ˆ๋‹ค
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Lovely to heart's enchantment is that land, Tuor, as you shall find, if ever your feet go upon the southward roads down Sirion. There is the cure of all sea-longing, save for those whom Doom will not release. There Ulmo is but the servant of Yavanna, and the earth has brought to life a wealth of fair things that is beyond the thoughts of hearts in the hard hills of the North. In that land Narog joins Sirion, and they haste no more, but flow broad and quiet through living meads; and all about the shining river are flaglillies like a blossoming forest, and the grass is filled with flowers, like gems, like bells, like flames of red and gold, like a waste of many-coloured stars in a firmament of green. Yet fairest of all are the willows of Nan-tathrin, pale green, or silver in the wind, and the rustle of their innumerable leaves is a spell of music: day and night would flicker by uncounted, while still I stood knee-deep in grass and listened. There I was enchanted, and forgot the Sea in my heart. There I wandered, naming new flowers, or lay adream amid the singing of the birds, and the humming of bees and flies; and there I might still dwell in delight, forsaking all my kin, whether the ships of the Teleri or the swords of the Noldor, but my doom would not so.
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J.R.R. Tolkien (The Fall of Gondolin (Middle-Earth Universe))
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