Gem Stone Quotes

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A cruel queen does not mean an unsuccessful one. Under her guidance, Kenettra changed from a glittering gem into a clouded stone, and her empire became one to rule all others, a darkness that stretched from sun, to sea, to sky. - The Empire of the Wolf, translation by Tarsa Mehani
Marie Lu (The Rose Society (The Young Elites, #2))
Here and there one sees the blush of wild rose haws or the warmth of orange fruit on the bittersweet, and back in the woods is the occasional twinkle of partridgeberries. But they are the gem stones, the rare decorations which make the grays, the browns and the greens seem even more quiet, more completely at rest.
Hal Borland (Seasons)
Sidonie, I know you don't remember it, but you once promised to trust me beyond all reason. And I swear to you that all that I am, all that I possess, including this gem-stone, is yours. I need you. I can't do this alone. Forget your memories. Look into your heart. And if you can find somewhere there, some lingering spark of trust that owes naught to reason, I beg you to speak the word written here.
Jacqueline Carey (Kushiel's Mercy (Imriel's Trilogy, #3))
A JEWELRY STORE NAMED INDIA If you hold this Dazzling emerald Up to the sky, It will shine a billion Beautiful miracles Painted from the tears Of the Most High. Plucked from the lush gardens Of a yellowish-green paradise, Look inside this hypnotic gem And a kaleidoscope of Titillating, Soul-raising Sights and colors Will tease and seduce Your eyes and mind. Tell me, sir. Have you ever heard A peacock sing? Hold your ear To this mystical stone And you will hear Sacred hymns flowing To the vibrations Of the perfumed Wind.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Full many a gem of purest ray serene The dark unfathomed caves of ocean bear: Full many a flower is born to blush unseen And waste its sweetness on the desert air" A good many flowers bloom and fade away in deserted places, seen by no one. In its context in Thomas Gray's "Elegy" it is actually a metaphor for common folk who do heroic things that are never reported in the news or recorded in history. Like a precious stone unmined at the bottom of the ocean or a beautiful flower blooming in the deep woods, their work may not be seen or known, but it is nevertheless heroic. Rubies and roses are beautiful, Gray would say, whether anyone ever sees them or not.
Thomas Gray
As dew leaves the cobweb lightly Threaded with stars, Scattering jewels on the fence And the pasture bars; As dawn leaves the dry grass bright And the tangled weeds Bearing a rainbow gem On each of their seeds; So has your love, my lover, Fresh as the dawn, Made me a shining road To travel on, Set every common sight Of tree or stone Delicately alight For me alone.
Sara Teasdale
There were many odd things about human beings. They thought insects were disgusting but felt lucky when a ladybird landed on their fingers. They detested rats but loved squirrels. While they found vultures repulsive, they thought eagles impressive. They despised mosquitoes and flies, but were fond of fire-flies. Even though copper and iron were medicinally important, it was gold that they worshipped instead. They took no notice of the stones under their feet but went mad for polished gems.
Elif Shafak (Honor)
A turquoise given by a loving hand carries with it happiness and good fortune." Arabic proverb
Judy Hall (101 Power Crystals: The Ultimate Guide to Magical Crystals, Gems, and Stones for Healing and Transformation)
A gem, like you, is made beautiful by being polished. It's not an easy undertaking, but a stone that exists undisturbed among others just is...but the most beautiful stand out because they face being alone, endure hardships and learn from what challenges them. Suffering purifies and makes beautiful, but only if the gem can shine.
Donna Lynn Hope
...sifting through our thoughts like children going through colored stones -- optimistic, because although some were too dark and some were too sharp, many glittered like precious gems.
Amelia Atwater-Rhodes (Snakecharm (The Kiesha'ra, #2))
Holmes took up the stone and held it against the light. "It's a bonny thing," said he. "Just see how it glints and sparkles. Of course it is a nucleus and focus of crime. Every good stone is. They are the devil's pet baits. In the larger and older jewels every facet may stand for a bloody deed. This stone is not yet twenty years old. It was found in the banks of the Amoy River in soutern China and is remarkable in having every characteristic of the carbuncle, save that it is blue in shade instead of ruby red. In spite of its youth, it has already a sinister history. There have been two murders, a vitriol-throwing, a suicide, and several robberies brought about for the sake of this forty-grain weight of crystallised charcoal. Who would think that so pretty a toy would be a purveyor to the gallows and the prison?
Arthur Conan Doyle (The Adventure of the Blue Carbuncle - a Sherlock Holmes Short Story (The Adventures of Sherlock Holmes, #7))
It is strange how deeply colors seem to penetrate one, like scent. I suppose that is the reason why gems are used as spiritual emblems in the Revelation of St John. They look like fragments of heaven. I think the emerald is more beautiful than any of them.
George Eliot (Middlemarch)
The world was young, the mountains green, No stain yet on the Moon was seen, No words were laid on stream or stone When Durin woke and walked alone. He named the nameless hills and dells; He drank from yet untasted wells; He stooped and looked in Mirrormere, And saw a crown of stars appear, As gems upon a silver thread, Above the shadow of his head. The world was fair, the mountains tall, In Elder Days before the fall Of mighty kings in Nargothrond And Gondolin, who now beyond The Western Seas have passed away: The world was fair in Durin's Day. A king he was on carven throne In many-pillared halls of stone With golden roof and silver floor, And runes of power upon the door. The light of sun and star and moon In shining lamps of crystal hewn Undimmed by cloud or shade of night There shone for ever fair and bright. There hammer on the anvil smote, There chisel clove, and graver wrote; There forged was blade, and bound was hilt; The delver mined, the mason built. There beryl, pearl, and opal pale, And metal wrought like fishes' mail, Buckler and corslet, axe and sword, And shining spears were laid in hoard. Unwearied then were Durin's folk; Beneath the mountains music woke: The harpers harped, the minstrels sang, And at the gates the trumpets rang. The world is grey, the mountains old, The forge's fire is ashen-cold; No harp is wrung, no hammer falls: The darkness dwells in Durin's halls; The shadow lies upon his tomb In Moria, in Khazad-dûm. But still the sunken stars appear In dark and windless Mirrormere; There lies his crown in water deep, Till Durin wakes again from sleep. -The Song of Durin
J.R.R. Tolkien
All is indeed a Blessing IF you can just see beyond the veils; for it is ‘all’ an illusion and a test, and one of the greatest Divine Mysteries of this life cycle.” This IS my constant prayer, my mantra, my affirmation, reverberation, reiteration and my ever-living reality.
The Divine Prince Ty Emmecca
A genuine stone is better than a counterfeit gem.
Matshona Dhliwayo
I carry my adornments on my soul. I do not dress up like a popinjay; But inwardly, I keep my daintiness. I do not bear with me, by any chance, An insult not yet washed away- a conscience Yellow with unpurged bile- an honor frayed To rags, a set of scruples badly worn. I go caparisoned in gems unseen, Trailing white plumes of freedom, garlanded With my good name- no figure of a man, But a soul clothed in shining armor, hung With deeds for decorations, twirling- thus- A bristling wit, and swinging at my side Courage, and on the stones of this old town Making the sharp truth ring, like golden spurs!
Edmond Rostand (Cyrano de Bergerac)
FROM MYSELF I am copper, through You, friend, I am gold. From myself I'm a stone, but through You I am a gem!
Rumi (Jalal ad-Din Muhammad ar-Rumi) (Look! This Is Love)
recall a chunk of amber in my family’s cache of precious stones and gems. My skin looks like that now. Baltic amber trapped in sunlight.
Sophie Jordan (Firelight (Firelight, #1))
Everything was pale grey stone, vaguely pearlescent, like a shell Alice might pick up by the sea and spend several long moments gazing at before deciding to keep or toss. The inside of a purple mussel, perhaps, fascinating in its silveriness that might have been the beginning of a gem- or just a stain from the mud in which it lived.
Liz Braswell (Unbirthday)
Changing the spelling of one's name to ensure success, performing rituals for good luck, wearing colored gem stones for success in business – all these fall into the same category of psychological reinforcement. Hence, emerged the blood-sucking professions of astrology, palmistry, vastushastra, numerology etc. The very existence of these fraudulent professions is predicated on the fear and anxiety of vulnerable masses. Thus, a person’s superstitious beliefs become the tool of exploitation in the hands of ruthless fraudsters.
Abhijit Naskar
My well-beloved was stripped. Knowing my whim, She wore her tinkling gems, but naught besides: And showed such pride as, while her luck betides, A sultan's favoured slave may show to him. When it lets off its lively, crackling sound, This blazing blend of metal crossed with stone, Gives me an ecstasy I've only known Where league of sound and luster can be found. She let herself be loved: then, drowsy-eyed, Smiled down from her high couch in languid ease. My love was deep and gentle as the seas And rose to her as to a cliff the tide. My own approval of each dreamy pose, Like a tamed tiger, cunningly she sighted: And candour, with lubricity united, Gave piquancy to every one she chose. Her limbs and hips, burnished with changing lustres, Before my eyes clairvoyant and serene, Swanned themselves, undulating in their sheen; Her breasts and belly, of my vine and clusters, Like evil angels rose, my fancy twitting, To kill the peace which over me she'd thrown, And to disturb her from the crystal throne Where, calm and solitary, she was sitting. So swerved her pelvis that, in one design, Antiope's white rump it seemed to graft To a boy's torso, merging fore and aft. The talc on her brown tan seemed half-divine. The lamp resigned its dying flame. Within, The hearth alone lit up the darkened air, And every time it sighed a crimson flare It drowned in blood that amber-coloured skin
Charles Baudelaire
It showed a tiny baby girl floating in a clear glass vessel. The baby held a silver rose in one hand, a golden rose in the other. On its feet were tiny wings, and drops of red liquid showered down on the baby’s long black hair. Underneath the image was a label written in thick black ink indicating that it was a depiction of the philosophical child—an allegorical representation of a crucial step in creating the philosopher’s stone, the chemical substance that promised to make its owner healthy, wealthy, and wise. The colors were luminous and strikingly well preserved. Artists had once mixed crushed stone and gems into their paints to produce such powerful colors. And the image itself had been drawn by someone with real artistic skill. I had to sit on my hands to keep them from trying to learn more from a touch here and there.
Deborah Harkness (A Discovery of Witches (All Souls Trilogy, #1))
The practice of living in Spirit is like polishing a stone. No matter how rough the stone may have been, with perseverance and gentle care it will eventually shine, revealing the inner beauty and divine essence which was there all along. Within each of us lies a heavenly gem, waiting patiently for us beneath the surface of our conditioning. It is ready to be handled with our loving kindness that it may again shine radiantly and majestically, in harmony with all things in this grand and mysterious world.
James K. Papp (Inquire Within: A Guide to Living in Spirit)
Is it possible, I wonder, to study a bird so closely, to observe and catalogue its peculiarities in such minute detail, that it becomes invisible? Is it possible that while fastidiously calibrating the span of its wings or the length of its tarsus, we somehow lose sight of its poetry? That in our pedestrian descriptions of a marbled or vermiculated plumage we forfeit a glimpse of living canvases, cascades of carefully toned browns and golds that would shame Kandinsky, misty explosions of color to rival Monet? I believe that we do. I believe that in approaching our subject with the sensibilities of statisticians and dissectionists, we distance ourselves increasingly from the marvelous and spell binding planet of imagination whose gravity drew us to our studies in the first place. That is not to say that we should cease to establish facts and verify our information, but merely to suggest that unless those facts can be imbued with the flash of poetic insight then they remain dull gems; semi-precious stones scarcely worth the collecting.
Alan Moore (Watchmen)
And she crawled on, do or die, in the serene weather. The sky was a miracle of purity, a miracle of azure. The sea was polished, was blue was pellucid, was sparkling like a precious stone, extending on all sides , all round to the horizon—as if the whole terrestrial globe had been one jewel, one colossal sapphire, a single gem fashioned into a planet.
Joseph Conrad (Youth, a Narrative)
We all miss her, and also, tears of love evaporate into the sky to become unicorn food.
India Lee (No Stone Unturned (Hidden Gem, #3))
Precious stones need sculpting before they become gems.
Shamim Sarif (The Athena Protocol (The Athena Protocol, #1))
Amadora was never far from her understanding of women, glamour, or the fine line between elegant and camp, vulgar and vibrant, life and dreams. ... Color, she believed, was feminine. She said that women were masters of color, evidenced in changing their hair color, using eye shadow, mascara, powder, rouge, lipstick. You could see it in their jewelry- silvers and golds, gems, stones, pearls of every hue. It was in their clothing, from what they slept in to what they danced in. Their shoes. Their purses. Ribbons, barrettes, clips, and tiaras. Veils. All this color to enhance their sex appeal, while men, she felt, were ill-equipped to handle color with the same ease.
Whitney Otto (Eight Girls Taking Pictures)
Many things combine to show that Midaq Alley is one of the gems of times gone by and that it once shone forth like a flashing star in the history of Cairo. Which Cairo do I mean? That of the Fatimads, the Mamlukes, or the Sultans? Only God and the archaeologists know the answer to that, but in any case, the alley is certainly an ancient relic and a precious one. How could it be otherwise with its stone-paved surface leading directly to the historic Sanadiqiya Street. And then there is its cafe known as "Kirsha's". Its walls decorated with multicolored arabesques, now crumbling, give off strong odors from the medicines of olden times, smells which have now become the spices and folk-cures of today and tomorrow ... Although Midaq Alley lives in almost complete isolation from all surrounding activity, it clamors with a distinctive and personal life of its own. Fundamentally and basically, its roots connect with life as a whole and yet, at the same time, it retains a number of the secrets of a world now past.
Naguib Mahfouz
As for those who choose to remain outside the presence, it really doesn't matter whether you warn them or not. They are determined to stay apart (2:6). They are behind a curtain by our command and their choosing. The wall in front of them is made of their bodies. You cannot know who is behind the curtain. You can only stand out of sight and call to your friends. Those who respond do so according to eternal findings. But it is good for you to call and continue calling. You are like a diver who goes to the bottom and brings up sometimes a pure gem, sometimes an ordinary stone. Your diving does not change one into the other.
Bahauddin (The Drowned Book: Ecstatic and Earthy Reflections of the Father of Rumi)
The aesthetes of Des Esseintes' generation found diamonds common, rubies and emeralds depreciated, and turquoises vulgar. The old poetry was dead, though echoes of it lived on in the names of such gems as chrysoberyl and peridot and olivines and almandines and cymophanes and aquamarines. Beauty which has departed from things may live on in words.
Joan Evans (A History of Jewellery 1100-1870)
As a boy, Theodore, you sat for long hours On the shore of the turbid Spoon With deep-set eye staring at the door of the crawfish's burrow, Waiting for him to appear, pushing ahead, First his waving antennae, like straws of hay, And soon his body, colored like soap-stone, Gemmed with eyes of jet. And you wondered in a trance of thought What he knew, what he desired, and why he lived at all.
Edgar Lee Masters (Spoon River Anthology)
Thingumy and Bob sighed contentedly and settled down to contemplate the precious stone. They stared in silent rapture at it. The ruby changed colour all the time. At first it was quite pale, and then suddenly a pink glow would flow over it like sunrise on a snow capped mountain -- and then again crimson flames shot out of its heart and it seemed like a great black tulip with stamens on fire.
Tove Jansson (Finn Family Moomintroll (The Moomins, #3))
Warriors all rose uneagerly shuffled under Earnanaes lagging with sorrow to look upon death. They found on the sand their soulless gift-lord still and wordless there who served and ruled them for fifty winters—the final life-day had come for the good one—the Geats’ hall-master dear warrior-king died a wonder-death. There they discovered that cooling fire-snake stretched upon the earth, seething no more 3040 with foul flame-death flying no longer with burning bellows, blackened with death. Fifty long feet was his full length-measure stretched on the fire-field. He flew in hate-joy seared through the nights then soared at daybreak to his grayrock den—now death stilled him ended his slumber in that stony barrow. By him were heaped bracelets and gem-cups jeweled gold-dishes great treasure-swords darkened with rust from their deep earth-home 3050 a thousand winters walled against light. Those ancient heirlooms earned much curse-power old gold-treasure gripped in a spell— no one might touch them those nameless stone-riches no good or bad man unless God himself the great Glory-King might give to someone to open that hoard that heap of treasures, a certain warrior as seemed meet to him. They found no happiness who first buried there wealth in the ground—again it was hidden 3060 by an only survivor till an angered serpent singed for a cup till swords cooled him sent him deathwards. Strange are the ways how the king of a country will come to the end of his loaned life-span when at last he vanishes gone from the meadhall his gold and his kin. So it was with Beowulf when he bore his shield to that roaring night-flyer.
Unknown (Beowulf: An Updated Verse Translation)
He discovered wonderful stories, also, about jewels. In Alphonso's Clericalis Disciplina a serpent was mentioned with eyes of real jacinth, and in the romantic history of Alexander, the Conqueror of Emathia was said to have found in the vale of Jordan snakes 'with collars of real emeralds growing on their backs.' There was a gem in the brain of the dragon, Philostratus told us, and 'by the exhibition of golden letters and a scarlet robe' the monster could be thrown into a magical sleep and slain. According to the great alchemist, Pierre de Boniface, the diamond rendered a man invisible, and the agate of India made him eloquent. The cornelian appeased anger, and the hyacinth provoked sleep, and the amethyst drove away the fumes of wine. The garnet cast out demons, and the hydropicus deprived the moon of her color. The selenite waxed and waned with the moon, and the meloceus, that discovers thieves, could be affected only by the blood of kids. Leonardus Camillus had seen a white stone taken from the brain of a newly killed toad, that was a certain antidote against poison. The bezoar, that was found in the heart of the Arabian deer, was a charm that could cure the plague. In the nests of Arabian birds was the aspirates, that, according to Democritus, kept the wearer from any danger by fire.
Oscar Wilde (The Picture of Dorian Gray)
Julius explained that the palace rooms where they stood were called Wunderkammers, or wonder rooms. Souvenirs of nature, of travels across continents and seas; jewels and skulls. A show of wealth, intellect, power. The first room had rose-colored glass walls, with rubies and garnets and bloodred drapes of damask. Bowls of blush quartz; semiprecious stone roses running the spectrum of red down to pink, a hard, glittering garden. The vaulted ceiling, a feature of all the ten rooms Julius and Cymbeline visited, was a trompe l'oeil of a rosy sky at down, golden light edging the morning clouds. The next room was of sapphire and sea and sky; lapis lazuli, turquoise and gold and silver. A silver mermaid lounged on the edge of a lapis lazuli bowl fashioned in the shape of an ocean. Venus stood aloft on the waves draped in pearls. There were gold fish and diamond fish and faceted sterling silver starfish. Silvered mirrors edged in silvered mirror. There were opals and aquamarines and tanzanite and amethyst. Seaweed bloomed in shades of blue-green marble. The ceiling was a dome of endless, pale blue. A jungle room of mica and marble followed, with its rain forest of cats made from tiger's-eye, yellow topaz birds, tortoiseshell giraffes with stubby horns of spun gold. Carved clouds of smoky quartz hovered over a herd of obsidian and ivory zebras. Javelinas of spotted pony hide charged tiny, life-sized dik-diks with velvet hides, and dazzling diamond antlers mingled with miniature stuffed sable minks. Agate columns painted a medley of dark greens were strung with faceted ropes of green gold. A room of ivory: bone, teeth, skulls, and velvet. A room crowded with columns all sheathed in mirrors, reflecting world maps and globes and atlases inlaid with silver, platinum, and white gold; the rubies and diamonds that were sometimes set to mark the location of a city or a town of conquest resembled blood and tears. A room dominated by a fireplace large enough to hold several people, upholstered in velvets and silks the colors of flame. Snakes of gold with orange sapphire and yellow topaz eyes coiled around the room's columns. Statues of smiling black men in turbans offering trays of every gem imaginable-emerald, sapphire, ruby, topaz, diamond-stood at the entrance to a room upholstered in pistachio velvet, accented with malachite, called the Green Vault. Peridot wood nymphs attended to a Diana carved from a single pure crystal of quartz studded with tiny tourmalines. Jade tables, and jade lanterns. The royal jewels, blinding in their sparkling excess: crowns, tiaras, coronets, diadems, heavy ceremonial necklaces, rings, and bracelets that could span a forearm, surrounding the world's largest and most perfect green diamond. Above it all was a night sky of painted stars, with inlaid cut crystal set in a serious of constellations.
Whitney Otto (Eight Girls Taking Pictures (Thorndike Press Large Print Basic Series))
The world was young, the mountains green, No stain yet on the Moon was seen, No words were laid on stream or stone When Durin woke and walked alone. He named the nameless hills and dells; He drank from yet untasted wells; He stooped and looked in Mirrormere, And saw a crown of stars appear, As gems upon a silver thread, Above the shadow of his head. The world was fair, the mountains tall, In Elder Days before the fall Of mighty kings in Nargothrond And Gondolin, who now beyond The Western Seas have passed away: The world was fair in Durin’s Day. A king he was on carven throne In many-pillared halls of stone With golden roof and silver floor, And runes of power upon the door. The light of sun and star and moon In shining lamps of crystal hewn Undimmed by cloud or shade of night There shone for ever fair and bright. There hammer on the anvil smote, There chisel clove, and graver wrote; There forged was blade, and bound was hilt; The delver mined, the mason built. There beryl, pearl, and opal pale, And metal wrought like fishes’ mail, Buckler and corslet, axe and sword, And shining spears were laid in hoard. Unwearied then were Durin’s folk; Beneath the mountains music woke: The harpers harped, the minstrels sang, And at the gates the trumpets rang. The world is grey, the mountains old, The forge’s fire is ashen-cold; No harp is wrung, no hammer falls: The darkness dwells in Durin’s halls; The shadow lies upon his tomb In Moria, in Khazad-dûm. But still the sunken stars appear In dark and windless Mirrormere; There lies his crown in water deep, Till Durin wakes again from sleep.
J.R.R. Tolkien (The Lord of the Rings)
One day a boy asked his father, “What is the value of this life?” Instead of answering, the father told his son, “Take this rock and go offer it at a market, however do not accept any offer and bring the rock back to me. If anybody asks the price, raise two fingers and don’t say anything.”The boy then went to the market and a man asked,”How much is this rock? I want to put it in my garden.” The boy didn’t say anything and raised two fingers, so the man said… “$2? I’ll take it.” And the boy went home and told his father, “A man at the market wants to buy this rock for $2.” The father then said, “Son I want you to take this rock to the museum, and if you are asked the price, raise two fingers and don’t say a word.” The boy then went to the museum, and quickly a man wanted to buy the rock, The boy didn’t say anything and raised two fingers and the man said… “$200? I’ll take it.” The boy was shocked and went running home with the rock in hand, “Father a man wants to buy this rock for $200.” His father then said, “There is one last place I’d like you to offer this rock, take it to the precious stone store and show it only to the owner and don’t say a word, if he asks the price raise two fingers.” The son then went to the precious stone store and showed the rock to the owner. “Where did you find this?” The owner asked, “This is a most precious unpolished gem, one of the most valuable in the whole world, I must have it. What price would you take for it?” The boy didn’t say anything and raised two fingers to which the man replied “Two million dollars? That is a bargain, I’ll take it!” The boy not knowing what to say went breathlessly running home to his father anxiously clutching this now priceless gem, terrified that he might lose it, “Father there is a man who wants to buy this rock for two million dollars!!!” The father then said, “Son you have been carrying in your hands, one of the most precious objects of our people, it is truly priceless!” The father then said, “Son do you now know the value of your life?” To which the son replied… 'The value of my life, is much like this rock, it depends on who it is offered to. Some place a value of $2, others $200, and still others two million dollars. I must surround myself with other precious Souls who recognize the greatest value of my life, because it is my most precious possession, and I must not allow it to be under valued, it’s true value is priceless.' " In reply the father said, " Son you have actually held in your possession the TWO most precious things that our people have, one is the stone and the other is YOU, that is why I asked you to hold up TWO fingers" What is the value of this life??? Priceless!
Raymond D. Longoria Jr.
She opened the satchel. And honestly, fate couldn't have provided a better prize at the end of a scavenger hunt. She pulled out a beautiful, sparkling crown. Her large green eyes grew even larger. Despite the hour and lack of sunlight, its jewels still managed to shimmer and twinkle in a magical, expensive way. Rapunzel might not have had much experience with royal gems or any kind of precious stone, but it was very clear that these were those. The thing was straight out of a fairy tale, what a princess would be wearing when she was turned back from a swan. The giant diamonds were even shaped like swans' eggs. Under each was a round pink ruby, and threading between them was a strand of perfectly round pearls. She turned it over in her hands, tracing the tiny, intricately wound gold wire that held it all together. And there, in a small flat patch of smooth metal, was the artist's mark-- and a multi-rayed sun symbol. The same one on her bracelet clasp. The same one that she constantly painted and dreamed of. The one that meant life and happiness and energy in the personal vocabulary of Rapunzel's soul.
Liz Braswell (What Once Was Mine)
Robert Frost at Eighty" I think there are poems greater and stranger than any I have known. I would like to find them. They are not on the greying paper of old books or chanted on obscure lips. They are not in the language of mermaids or the sharp-tongued adjectives of vanishing. They run like torn threads along paving stones. They are cracked as the skull of an old man. They stir in the mirror at fifty, at eighty. My ear keeps trying to hear them but the seafront is cold. The tide moves in. They migrate like crows at a cricket ground. They knock at the door when I am out. I have done with craft. How can I front ghosts with cleverness, the slick glide of paradox and rhyme that transforms prejudice to brittle gems of seeming wisdom? Though I bury all I own or hold close though my skin outlives the trees though the lines fall shattering the stone I cannot catch them. They have the lilting accent of a house I saw but never entered. They are the sounds a child hears – the water, the afternoon, the sky. I watch them now trickling through the open mirror. Sometimes, but almost never we touch what we desire.
Peter Boyle
Dear Mr. Beard, On the radio last spring, President Roosevelt said that each and every one of us here on the home front has a battle to fight; We must keep our spirits up. I am doing my best, but in my opinion Liver Gems are a lost cause, because they would take the spirit right out of anyone. So when Mother says it is wrong for us to eat better than our brave men overseas, I tell her that I don't see how eating disgusting stuff helps them in the least. But, Mr. Beard, it is very hard to cook good food when you're only a beginner! When Mother decided it was her patriotic duty to work at the airplane factory, she should have warned me about the recipes. You just can't trust them! Prudence Penny's are so revolting. I want to throw them right into the garbage. Mrs. Davis from next door lent me one of her wartime recipe pamphlets, and I read about liver salmi, which sounded so romantic. But by the time I had cooked the liver for twenty minutes in hot water, cut it into little cubes, rolled them in flour, and sautéed them in fat, I'd made flour footprints all over the kitchen floor. The consommé and cream both hissed like angry cats when I added them. Then I was supposed to add stoned olives and taste for seasoning. I spit it right into the sink.
Ruth Reichl (Delicious!)
I jumped then. It seemed I heard a child laugh. My imagination, of course. And then, when I should have known better, I headed for the closet and the high and narrow door at the very back end and the steep and narrow dark stairs. A million times I’d ascended these stairs. A million times in the dark, without a candle, or a flashlight. Up into the dark, eerie, gigantic attic, and only when I was there did I feel around for the place where Chris and I had hidden our candles and matches. Still there. Time did stand still in this place. We’d had several candle holders, all of pewter with small handles to grasp. Holders we’d found in an old trunk along with boxes and boxes of short, stubby, clumsily made candles. We’d always presumed them to be homemade candles, for they had smelled so rank and old when they burned. My breath caught! Oh! It was the same! The paper flowers still dangled down, mobiles to sway in the drafts, and the giant flowers were still on the walls. Only all the colors had faded to indistinct gray—ghost flowers. The sparkling gem centers we’d glued on had loosened, and now only a few daisies had sequins, or gleaming stones, for centers. Carrie’s purple worm was there only now he too was a nothing color. Cory’s epileptic snail didn’t appear a bright, lopsided beach ball now, it was more a tepid, half-rotten squashy orange. The BEWARE signs Chris and I had painted in red were still on the walls, and the swings still dangled down from the attic rafters. Over near the record player was the barre Chris had fashioned, then nailed to the wall so I could practice my ballet positions. Even my outgrown costumes hung limply from nails, dozens of them with matching leotards and worn out pointe shoes, all faded and dusty, rotten smelling. As in an unhappy dream I was committed to, I drifted aimlessly toward the distant schoolroom, with the candelight flickering. Ghosts were unsettled, memories and specters followed me as things began to wake up, yawn and whisper. No, I told myself, it was only the floating panels of my long chiffon wings . . . that was all. The spotted rocking-horse loomed up, scary and threatening, and my hand rose to my throat as I held back a scream. The rusty red wagon seemed to move by unseen hands pushing it, so my eyes took flight to the blackboard where I’d printed my enigmatic farewell message to those who came in the future. How was I to know it would be me? We lived in the attic, Christopher, Cory, Carrie and me— Now there are only three. Behind the small desk that had been Cory’s I scrunched down, and tried to fit my legs under. I wanted to put myself into a deep reverie that would call up Cory’s spirit that would tell me where he lay.
V.C. Andrews (Petals on the Wind (Dollanganger, #2))
Flirting with Tyler Chase is a more dangerous crime than ever these days, and if you'd like to educate yourself, here are the reasons why: 1. Tyler Chasers will Facebook stalk you and verbally abuse you until you're reduced to tears and stress farts 2. I will side-eye you, and my judgement eats through flesh like rabid zombie teeth
India Lee (No Stone Unturned (Hidden Gem, #3))
Flirting with Tyler Chase is a more dangerous crime than ever these days, and if you'd like to educate yourself, here are the reasons why: 1. Tyler Chasers will Facebook stalk you and verbally abuse you until you're reduced to tears and stress farts 2. I will side-eye you, and my judgement eats through flesh like rabid zombie teeth 3. Tyler Chase will spurn your advances, causing you fatal embarrassment 4. Queen Bee's Unicorn Posse will maim the promiscuity out of you
India Lee (No Stone Unturned (Hidden Gem, #3))
Regarding why my Queen has been MIA, here's a little recap of what's being thrown around: 1. Kidnapped/Killed by Tyler Chase 2. In hiding due to shame over "reckless behavior" 3. Pregnant 4. In Rehab ... Here are much more likely reasons behind why QB is MIA. 1. Needs some PRIVACY. 2. Is tired of your *BS 3. Is considerately giving other artists an opportunity to shine in her absence. 4. Has been reincarnated into a unicorn.
India Lee (No Stone Unturned (Hidden Gem, #3))
here are some ideas from my own personal experience. The first idea that comes to mind is the creation of spiritual altars in your home and if possible one room dedicated to your spiritual life and spiritual attunement. This could be a place to meditate and pray. I highly recommend buying some spiritual statues and spiritual pictures as well as your favorite incense and maybe some crystals or gem stones. Each time you go to this altar or even this room, a habit of spiritual attunement is created. The physical beauty of your Spiritual Altar will be an immediate attunement itself. It also must be understood that these statues and pictures hold energy and form conduits and lines of spiritual force from the inner plane. It may be interesting for some of you to know that Spiritual Statues even have chakras and can be seen spinning and vibrating with energy.
Joshua D. Stone (The Golden Book of Melchizedek: How to Become an Integrated Christ/Buddha in This Lifetime Volume 2)
Baikal is what you call a rift lake,” Travis explained further. “It was formed millions of years ago when there was a shift in tectonic plates and it must have been a major one, because I just found out that the bottom of this lake actually lies about three thousand nine hundred feet below sea level.” Adam marveled at that fact for a minute then said, “If that’s true then it’s quite possible for there to be oil deposits here or natural gas. High pressure forming gem stones like diamonds and emeralds are also a huge possibility.” “Mining wouldn’t be sanctioned so near the lake though,” Fiona pointed out. “To complicate matters more, Lake Baikal is now a UNESCO World Heritage Site. There’s no way anybody could start a mining operation here without an international world war breaking out.
K.T. Tomb (The Adventurers)
It also takes a lot of work to win a Virgo’s love. However, when a Virgo’s love is won, such love is smoldering, passionate, and does not cool quickly.
Saskia Hall (The Ultimate Crystal Guide: Everything You Need to Know About Using Crystals and Gem Stones for Your Zodiac Sign)
This is what lead to the boom in the sale of tourmaline rings, all over the world, because this stone is known to help with migraines, menstrual pains, faster healing after surgeries and even aid with an improvement of chi, the life energy.
Jupiter Gem
agate; agate type; aggie. In ancient times colored stones were often found near the Achates River in Sicily. The river gave its name to these pretty stones, or gems, as they were called. Because they were small, the stones gave their name to a small printing type, agate type, that is still used widely today. This type is called ruby in England but has been agate type in America since 1871. The marbles called aggies are so named because their coloring resembles agate.
Robert Hendrickson (The Facts on File Encyclopedia of Word and Phrase Origins)
Lilly did as she was told. “Hocus pocus!” exclaimed the frog. “Hocus pocus! Please turn this stone into a gem right in front of our eyes.” Lilly
Uncle Amon (Bedtime Stories for Kids)
Who you were,” Lyre corrected, wiping his hand across the trickling blood on his face, smearing it over one cheek. “But it doesn’t matter. You’re still female.” Natania’s eyes narrowed, then she threw her head back and loosed a chiming peal of laughter. “You think you can defeat me with aphrodesia?” Lyre’s eyes darkened to black. “I already have.” Natania took a quick step back, her hand clenching around the Sahar as power leaped into her. Lyre’s hand snapped down the front of his shirt where he kept his chain of spelled gems. He yanked it out, blood-coated fingers already clenched around a gem. Gold light flashed. The world went black.
Annette Marie (Unleash the Storm (Steel & Stone, #5))
Fine, then just tell me what I need to do. It’s your specialty, right? Turning a diamond in the rough into a polished gem.” She regarded him skeptically. “Assuming there’s a precious stone under that exterior.” “Ha. You know it, sugar pie.” “New rule,” she said. “Don’t go around calling women names like sugar pie.” “If I called men names like that, people would think I’m queer.” “And don’t say queer.” “Everybody says queer. It’s even in the name of that show.” “It’s a matter of context. And judgment. Just do yourself a favor and don’t use that word.” “What should I use? Ho-mo-sexual?” He separated the word into obnoxious-sounding syllables. “How about you avoid the subject altogether? People can go for long periods of time without debating sexual orientation.” She assessed him with her eyes. “Unless this is a preoccupation of yours.” He snorted. “Right. You slay me, lady. You really do. First, you rag on me for being a Lothario. Which, by the way, I looked up. I’m nothing like that guy. He was banging anything in hoop skirts. And I’m not. I don’t have that problem. At the moment, my biggest problem is you. And you’re supposed to be helping me.” “I am, but I need some cooperation from you.” “You got it,” he said, polishing off the doughnut. “Sugar pie.
Susan Wiggs (Fireside: Lakeshore Chronicles Book 5 (The Lakeshore Chronicles))
wheat-complexioned face. Average sized, dark eyes flanked a straight nose. He wore his hair long like most Meluhan men and women. The head bore a majestic crown with the sun symbol of the Suryavanshis manifested in the centre through sparkling gem stones. His clothes consisted of an elegantly draped dhoti and an angvastram placed over his right shoulder. A large amount of functional jewellery, including two amulets on his right arm, complemented Daksha’s average appearance. His only distinguishing feature was his smile — which spread its innocent conviction all the way to his eyes. Emperor Daksha looked like a man who wore his royalty lightly. ‘Yes
Amish Tripathi (The Immortals of Meluha (Shiva Trilogy, #1))
Fuck me, Kenny, but it looks like I’m stuck with your bitch ass until she gets bored with you and moves on. Tell me something, do you like sucking dick? Because I won’t mind if she wants to share you with me. I won’t fuck you, but you’re welcome to suck my dick.
Mary Martel (What You Deserve (Gem Stone, #1))
One of the things on the top of my to-do list since my arrival in Paris has been to visit the Palais Galliera, the city’s very own museum dedicated to fashion. I’ve seen pictures of it, but nothing has prepared me for the jaw-dropping beauty of the place. It’s a gem of a palace, a perfect wedding-cake building conjuring Italian style with its white stone columns and balustrades. I enter through the ornately carved gatehouse leading off a leafy street in one of Paris’s most elegant districts, and feel as if I’ve stepped out of the city and into a rural idyll. Trees fringe the neatly manicured parkland and, just beyond their autumnal branches, the Eiffel Tower points towards the blue of the sky. Statues dot the grounds, and the verdigris figure of a girl, the centrepiece of a fountain in front of the palace, is surrounded by ribbon-like beds of flowers, carefully planted in a mosaic of yellow and gold.
Fiona Valpy (The Dressmaker's Gift)
It is a curious spectacle to see a magnificent blue sapphire lose in the night all its glories while a poor trinket of aquamarine not only retains all its effect, but even seems to gain brilliancy.
Louis Dieulafait (Diamonds and Precious Stones a Popular Account of Gems)
This stone for color might an emerald seem, but drops of blood diversify the green: it gifts the wearer with prophetic eye, into the future's darkest depths to pry.
Jeremiah Eames Rankin (Gems for the Bridal Ring: A Gift for the Plighted and the Wedded)
The carbuncle (cabochon garnet) served to furnish light to certain great serpents or dragons when old age had enfeebled their eyes. They constantly carried these magical stones between their teeth, only dropping them when it was necessary to eat or drink.
Louis Dieulafait (Diamonds and Precious Stones: A Popular Account of Gems)
Keeping possession of her hand, he reached into the front welt pocket of his vest. Her eyes widened as she felt him slide something on the ring finger of her left hand, a smooth, cool weight. Tugging her hand free of his, Cassandra looked down at an astonishing multicolored gem set in a platinum filigree of tiny diamonds. She stared at in wonder, tilting her hand in the light. The breathtaking stone contained flashes of every imaginable color, almost as if tiny flowers had been embedded beneath the surface. "I've never seen anything like this. Is it an opal?" "It's a new variety, discovered in Australia last year. A black opal.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
Then, coming to itself, the intellect recognizes its proper dignity - to be master of itself - and is able to see things as they truly are; for its eye, made blind by the devil through the tyranny of the passions, is opened. Then man is granted the grace to be buried spiritually with Christ, so that he is set free from the things of this world and no longer captivated by external beauty. He looks upon gold and silver and precious stones, and he knows that like other inanimate things such as wood and rock they are of the earth, and that man, too, is after death a bit of dust and mould in the tomb. Regarding all the delectations of this life as nothing, he looks upon their continual alteration with the judgment that comes from spiritual knowledge. Gladly he dies to the world, and the world becomes dead to him: he no longer has any violent feeling within him, but only calmness and detachment.
St. Peter of Damascus
And they say Highlanders aren’t romantic.” “Who needs poetry or diamonds and gems?” He flashed his teeth in a fierce smile. “I find the most precious stones a man can offer are the ones cut from yer enemy while he’s on his knees screaming for death.
Kerrigan Byrne (The Highlander (Victorian Rebels, #3))
Only time and pressure decide if a stone evolves itself to become a brilliant gem or brittle down to soil
Joshy A J
I’m leaving the army,” he said. Lily felt hope leap within her breast. Maybe Caleb had changed his mind; maybe he wanted to be a farmer after all. She held her breath, waiting for him to go on. “I want to go back to Pennsylvania.” Lily’s hopes plummeted. She could only stare at Caleb in misery. “I see,” she said finally, with dignity. Caleb reached into the pocket of his uniform coat and brought out a small box. “I want you to go with me, Lily,” he told her, setting the box in front of her. She opened it, hands trembling, to find an exquisite diamond ring inside. The larger center stone glittered and winked at her from amid the surrounding smaller gems. Her finger fairly burned, waiting to wear that ring. “I can’t,” she said resolutely, snapping the box closed and shoving it back toward Caleb. He leaned forward in his chair and lowered his voice. “Don’t sit there and tell me you don’t care for me, Lily, because I know you do. Yesterday you gave yourself to me in a woodshed, remember?” Lily colored to recall the wanton way she’d behaved, and she lowered her eyes. “I do care,” she answered, “but I don’t want to leave my land, and I don’t want a husband.” “You’d marry me if I agreed to stay and farm that damnable land with you?” Again hope stirred in Lily’s heart. “Yes.” “You just said you didn’t want a husband.” Lily bit her lower lip. “If we were going to live in the same house, we’d have to be married, wouldn’t we?” Caleb pushed the ring box back across the table. “Has it ever occurred to you that I could promise to live on the farm, marry you, and then take you anywhere I damn well please, whether you want to go or not?” “You’re not making a very good case for marriage,” Lily answered, ignoring the ring box and taking a steadying sip of her coffee. The truth was, she had never once considered the possibility Caleb had suggested; she knew he was honest to a fault. “Damn it,” he whispered, “I should have done it. I should have told you I’d homestead with you and then married you!” “I would never have forgiven you, and you know it. It would have soured everything between us.” “Not everything,” Caleb argued, making Lily blush again. “Must every conversation we have come back to that?” Caleb took the ring from the box, and then he lifted Lily’s left hand and shoved the diamond unceremoniously onto her finger. “I think the fact that you would probably let me make love to you damn near anywhere has some bearing on what we’re talking about, yes!” Lily looked around furtively to see if anyone was listening. Fortunately, the restaurant was nearly empty, and the few other diners were sitting some distance away. “There is absolutely no need for you to be so arrogant,” she fretted, trying to pull the ring off. It was just a tiny bit too small and wouldn’t come over her knuckle. Caleb’s amber eyes were glittering with triumph when she looked up at him. “Perfect fit,” he said. Lily pushed back her chair. “I’ll get it off if I have to have my finger amputated,” she replied, preparing to leave. “Get out of that chair and there will be a scene you’ll remember until the day you die,” Caleb promised. Lily sat down again. “I don’t want to marry you, and I don’t want to go to Pennsylvania, so why can’t you just leave me alone?” “Because I love you,” Caleb answered, and he looked as surprised to find himself saying the words as Lily was to hear them. “I beg your pardon?” “You heard me, Lily.” “You said you loved me. Did you mean it?” Caleb drove one hand through his hair. “Yes.” Lily stared at him and stopped trying to get the ring off her finger. “You’re just saying that. It’s a trick of some kind.” Caleb laughed, but there was no humor in the sound. “Believe me, it’s no trick—it’s a fact I’m going to have to live with for the next fifty years.” In
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
He rose and standing in the dark he began to chant in a deep voice, while the echoes ran away into the roof. The world was young, the mountains green, No stain yet on the Moon was seen, No words were laid on stream or stone When Durin woke and walked alone. He named the nameless hills and dells; He drank from yet untasted wells; He stooped and looked in Mirrormere, And saw a crown of stars appear, As gems upon a silver thread, Above the shadow of his head. The world was fair, the mountains tall, In Elder Days before the fall Of mighty kings in Nargothrond And Gondolin, who now beyond The Western Seas have passed away: The world was fair in Durin’s Day. A king he was on carven throne In many-pillared halls of stone With golden roof and silver floor, And runes of power upon the door. The light of sun and star and moon In shining lamps of crystal hewn Undimmed by cloud or shade of night There shone for ever fair and bright. There hammer on the anvil smote, There chisel clove, and graver wrote; There forged was blade, and bound was hilt; The delver mined, the mason built. There beryl, pearl, and opal pale, And metal wrought like fishes’ mail, Buckler and corslet, axe and sword, And shining spears were laid in hoard. Unwearied then were Durin’s folk; Beneath the mountains music woke: The harpers harped, the minstrels sang, And at the gates the trumpets rang. The world is grey, the mountains old, The forge’s fire is ashen-cold; No harp is wrung, no hammer falls: The darkness dwells in Durin’s halls; The shadow lies upon his tomb In Moria, in Khazad-dûm. But still the sunken stars appear In dark and windless Mirrormere; There lies his crown in water deep, Till Durin wakes again from sleep. ‘I
J.R.R. Tolkien (The Lord of the Rings)
An example of the way he is benevolent towards His servants is His giving them more than they need and His demanding of them less than they are capable of. It also pertains to His being benevolent to facilitate their attaining the happiness of eternity with little effort in a short time, that is, a lifetime; for there is no way of comparing that with eternity. The production of pure milk out of digested food and blood, as well as the production of precious gems from hard stone, of honey from the bee, silk from the worm, and pearls from the oyster-are all part of His benevolence. But even more amazing than that is His creating from impure semen one who is a vessel for His knowledge, bears His trust and witnesses to His heavenly kingdoms-this too is impossible to reckon. Counsel: A man's share in this attribute is gentleness with regard to the servants of God-great and glorious, and a predilection for them in petitioning God the most high; as well as guiding them to the happiness of the world to come in a manner free from rebuke or harshness, fanaticism or disputation. The best way of being benevolent open to man lies in attracting others to accept the truth by one's good qualities, pleasing comportment, and exemplary actions, for they are more effective and more benign than eloquent exhortation.
Abu Hamid al-Ghazali (Al-Ghazali on the Ninety-nine Beautiful Names of God (Ghazali series))
As I write this, I’m sitting in a café in Paris overlooking the Luxembourg Garden, just off of Rue Saint-Jacques. Rue Saint-Jacques is likely the oldest road in Paris, and it has a rich literary history. Victor Hugo lived a few blocks from where I’m sitting. Gertrude Stein drank coffee and F. Scott Fitzgerald socialized within a stone’s throw. Hemingway wandered up and down the sidewalks, his books percolating in his mind, wine no doubt percolating in his blood. I came to France to take a break from everything. No social media, no email, no social commitments, no set plans . . . except one project. The month had been set aside to review all of the lessons I’d learned from nearly 200 world-class performers I’d interviewed on The Tim Ferriss Show, which recently passed 100,000,000 downloads. The guests included chess prodigies, movie stars, four-star generals, pro athletes, and hedge fund managers. It was a motley crew. More than a handful of them had since become collaborators in business and creative projects, spanning from investments to indie film. As a result, I’d absorbed a lot of their wisdom outside of our recordings, whether over workouts, wine-infused jam sessions, text message exchanges, dinners, or late-night phone calls. In every case, I’d gotten to know them well beyond the superficial headlines in the media. My life had already improved in every area as a result of the lessons I could remember. But that was the tip of the iceberg. The majority of the gems were still lodged in thousands of pages of transcripts and hand-scribbled notes. More than anything, I longed for the chance to distill everything into a playbook. So, I’d set aside an entire month for review (and, if I’m being honest, pain au chocolat), to put together the ultimate CliffsNotes for myself. It would be the notebook to end all notebooks. Something that could help me in minutes but be read for a lifetime.
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
He is pretty, but his only unusual beauty is his eyes, and you have to look closely to realize it. Right around the large dark pupil they are green, and around that reddish yellow. I had seen that magical change in a semiprecious stone: he has eyes of chrysoberyl. Wikipedia tells us that chrysoberyl or alexandrite is a trichroic gem. It shows emerald green, red, or orange-yellow depending on the angle of the light.
Ursula K. Le Guin (No Time to Spare: Thinking About What Matters)
The smell hit Josiri first. Death. Not the old death of the rooms above, but the iron tang of blood recently spilt. The rough stone floor was dark with it, and never more so than where glistening grooves led towards a large, open grate at the room’s far end. In the chamber’s centre sat a low stone altar, its worn flanks etched with effigies of carrion birds with glittering gems for eyes
Matthew Ward (Legacy of Steel (The Legacy Trilogy, #2))
Of all the treats in the entire world—celery sticks, baby carrots, orange slices—Gulliver liked dandelions best. It took him less than five seconds to eat an entire stem, and then he’d root around for more. For Gulliver, dandelions were a rare delicacy. For humans, they were noxious weeds that needed to stop growing. But grow they did. Dandelions were everywhere in Virgil’s neighborhood. They sprouted from the cracks in the sidewalk, leaned against rusty fence posts, sneaked into well-manicured lawns. Virgil plucked them habitually, like an explorer searching for gems. By the time he reached the woods, his left pocket was stuffed with them. He could have stuffed the other pocket, too, but he was saving that for the stones.
Erin Entrada Kelly (Hello, Universe)
Calder, happening into his office, not once but several times, in dull moments, caught Moreton heaping on a desk a heterogeneous pile of precious stones, for Lenore’s benefit. The girl—her soft eyes aglow, her breath fast, her lips trembling—stared in a sort of hypnotized ecstasy at the treasures. Timidly, at Moreton’s permission, she gathered them adoringly in her white little hands, caressing them and letting them seep through her slender fingers. Now, by a word to old Ziegerich, the detective could, of course, have put an instant and drastic end to these gem-seances.
Albert Payson Terhune (An Albert Payson Terhune Reader)
Through contact with the virtuous even the wicked get reformed, just as a base metal is transmuted by the touch of the philosopher’s stone. On the other hand, if by mischance good men fall into evil company, they maintain their noble character like the gem on the hood of a serpent.
Pavan K. Varma (The Greatest Ode to Lord Ram: Tulsidas's Ramcharitmanas; Selections & Commentaries)
At the very bottom of her jewel case, buried under other unworn pieces, she found a short string of pearls. The light in the room had begun to fade, so she carried the necklace to the window to see it better. She held it up to catch the sunset glow, letting the pearls dangle over her hand. "Pretty," Velma said from behind her. "They are, aren't they?" Annis let the smooth white gems slide between her fingers. There was a different stone in the middle, not a pearl. It was larger, shimmering white, with subtle layers of silver beneath its surface.
Louisa Morgan (The Age of Witches)
Spiritual life can be regarded as a course of gradual recovery from the addiction to the peculiar type of awareness that splits everything into subject and object. This primary addiction is the seedbed from which arise all secondary addictions. These latter are possible only because the ego is confronted by objects, which it tries to control or by which it is, or feels, controlled. To be more specific, the secondary addictions are all substitutes for the bliss that is the essence of the experience of transparency, which is at the heart of the integral consciousness, as defined by Gebser. This experience of transparency reveals the archaic interconnectedness and simultaneity of all beings and things without disowning, displacing, or distorting the cognitive realizations characteristic of the magical, mythical, and mental structures of consciousness. The secondary addictions are desperate, if mistaken, attempts to remove the primary addiction, which is our addiction to self-conscious experience, revolving around the division between subject (mind) and object (world). They are mistaken because instead of removing the primary addiction, they fortify it and thus also aggravate the sense of isolation and powerlessness experienced by the faltering rational personality. The British novelist Aldous Huxley saw this very clearly. He said: The urge to transcend self-conscious selfhood is, as I have said, a principal appetite of the soul. When, for whatever reason, men and women fail to transcend themselves by means of worship, good works, and spiritual exercises, they are apt to resort to religion’s chemical surrogates alcohol and “goof-pills” in the modern West, alcohol and opium in the East, hashish in the Mohammedan world, alcohol and marijuana in Central America, alcohol and coca in the Andes, alcohol and the barbiturates in the more up-to-date regions of South America.7 Huxley did not even mention workaholism and sex as two widely used substitutes for the realization of originary bliss. He spoke, however, of some people’s fascination with, and fatal attraction to, precious stones. This passion for gems, Huxley observed, is anchored in the fact that they “bear a faint resemblance to the glowing marvels seen with the inner eye of the visionary.”8 But deeper still than such splendid visions is, to use Gebser’s terms, the transcendental “light” of the undivided Origin itself.9 Realizing that “light” through voluntary self-transcendence is the ultimate form of healing both the person and the planet. That is the purpose of authentic spirituality. Spiritual life can usefully be pictured as a progressive recovery from the addiction of ordinary life, which is inherently schizoid and hence lacking in fullness and bliss. The well-known twelve-step program of recovery used in the literature on addiction also can serve as a convenient model for the spiritual process. Spiritual recovery is an uncovering of the spiritual dimension, whether we call it transcendental Self, God, Goddess, or the Ultimate—the dimension that is ordinarily covered up by the self-divided ego-personality, especially when it comes under the influence of the rational consciousness.
Georg Feuerstein (The Deeper Dimension of Yoga: Theory and Practice)
So the Thassa have their like across the void. I spoke once of a ship and my little people, and the visiting of other worlds." "Such might still be done. But it would cost more tokens than lie even within the temple treasury of Yrjar. And such a ship must be built on another world after much study and experimentation. A dream indeed, Maelen, for no one would have such treasure as to bring it to life." "What is treasure, Krip Vorlund? Does it not take different forms from world to world?" "It is what is rare and valuable on each particular planet. Rarity plus beauty in some cases, rarity plus usefulness in others. On Zacon it is knowledge, for the Zacathans look upon learning as their treasure. Bring to them an unknown artifact, a legend, something which hints at a new sentence in the history of the galaxy, and you have brought them treasure. "On Sargol it is a small green herb, once common on forgotten Terra, utterly irresistible to the Salarki, who would willingly exchange gems for it. And those same stones on another planet— one no longer than the nail of your smallest finger, Maelen—will allow a man to live as a lord of Yiktor for five years or more. On Hasku it is feathers, sprokjan feathers. I can recite you the list of treasures for a quarter of the galaxy, as they pass through our warehouses." "So, to each world a treasure, and it varies so that what seems a fortune on one planet will on another be worth nothing—or perhaps more?
Andre Norton (Moonsinger (Moonsinger combo volumes Book 1))
Death Rain - Legendary Staff Widely considered to be a cursed item for the sheer destruction it brings, Death Rain was created by a twisted Earth Mage with a sliver of the magical gem, [The Rage of the World]. Death Rain is a legendary staff best known for the utter destruction it brings to the earth where it is used. By absorbing and expelling the energy of the earth in ever stronger blasts, it brings death to everyone around it, friend or foe. Once the [Death Rain] ability has been activated, the wielder of the staff cannot move it from its location due to its connection with the earth. The ability will only cease with the death of the wielder. Abilities: [Death Rain] [Animate Stone] Death Rain Draw upon the power of the earth to bring devastation to everything around the staff. When this ability is activated the wielder will lose control of the staff as it begins to gather and release progressively stronger attacks on targets in the area.  While active, the staff cannot be moved. This ability will remain active until the wielder of the staff has died. Animate Stone By shaping the energy of the earth, the wielder of the staff can summon a variety of creatures made from stone. 0/15 Gargoyles Summoned 0/6 Stone Golems Summoned 0/1 Giant Flying Golem Summoned Requires a source of earth.
Seth Ring (Nova Terra: Liberator (The Titan, #5))
Who scouts through wilderness and cold And finds the stone that turns to gold, The gems of Nature's wealth untold-- The Engineer. Who gets five paltry plunks per day To give the thing he finds away To some one else who makes it pay-- The Engineer. Who's heart is always in the game, When trouble comes it's just the same, But when it comes, who gets the blame? The Engineer. - Robert Elmer Horton (Water Power and Water Supply Preliminaries, 1913, Michigan Engineer)
Robert Elmer Horton
Eventually, she held up the page, satisfied. It depicted Yalb and the porter in detail, with hints of the busy city behind. She’d gotten their eyes right. That was the most important. Each of the Ten Essences had an analogous part of the human body—blood for liquid, hair for wood, and so forth. The eyes were associated with crystal and glass. The windows into a person’s mind and spirit. She set the page aside. Some men collected trophies. Others collected weapons or shields. Many collected spheres. Shallan collected people. People, and interesting creatures. Perhaps it was because she’d spent so much of her youth in a virtual prison. She’d developed the habit of memorizing faces, then drawing them later, after her father had discovered her sketching the gardeners. His daughter? Drawing pictures of darkeyes? He’d been furious with her—one of the infrequent times he’d directed his infamous temper at his daughter. After that, she’d done drawings of people only when in private, instead using her open drawing times to sketch the insects, crustaceans, and plants of the manor gardens. Her father hadn’t minded this—zoology and botany were proper feminine pursuits—and had encouraged her to choose natural history as her Calling. She took out a third blank sheet. It seemed to beg her to fill it. A blank page was nothing but potential, pointless until it was used. Like a fully infused sphere cloistered inside a pouch, prevented from making its light useful. Fill me. The creationspren gathered around the page. They were still, as if curious, anticipatory. Shallan closed her eyes and imagined Jasnah Kholin, standing before the blocked door, the Soulcaster glowing on her hand. The hallway hushed, save for a child’s sniffles. Attendants holding their breath. An anxious king. A still reverence. Shallan opened her eyes and began to draw with vigor, intentionally losing herself. The less she was in the now and the more she was in the then, the better the sketch would be. The other two pictures had been warm-ups; this was the day’s masterpiece. With the paper bound onto the board—safehand holding that—her freehand flew across the page, occasionally switching to other pencils. Soft charcoal for deep, thick blackness, like Jasnah’s beautiful hair. Hard charcoal for light greys, like the powerful waves of light coming from the Soulcaster’s gems. For a few extended moments, Shallan was back in that hallway again, watching something that should not be: a heretic wielding one of the most sacred powers in all the world. The power of change itself, the power by which the Almighty had created Roshar. He had another name, allowed to pass only the lips of ardents. Elithanathile. He Who Transforms. Shallan could smell the musty hallway. She could hear the child whimpering. She could feel her own heart beating in anticipation. The boulder would soon change. Sucking away the Stormlight in Jasnah’s gemstone, it would give up its essence, becoming something new. Shallan’s breath caught in her throat. And then the memory faded, returning her to the quiet, dim alcove. The page now held a perfect rendition of the scene, worked in blacks and greys. The princess’s proud figure regarded the fallen stone, demanding that it give way before her will. It was her. Shallan knew, with the intuitive certainty of an artist, that this was one of the finest pieces she had ever done. In a very small way, she had captured Jasnah Kholin, something the devotaries had never managed. That gave her a euphoric thrill. Even if this woman rejected Shallan again, one fact would not change. Jasnah Kholin had joined Shallan’s collection.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
They’re luck charms,” the magpie said, waving a feathery hand over the trays of gems. “White is for joy; green for wealth; red for love and fertility; blue for wisdom … Take your pick.” Hunt asked, “What’s the black for?” The magpie’s onyx-colored mouth curved upward. “For the opposite of luck.” She tapped one of the black opals, kept contained within a glass dome. “Slip it under the pillow of your enemy and see what happens to them.” Bryce cleared her throat. “Interesting as that may be—” Hunt held out a silver mark. “For the white.” Bryce’s brows rose, but the magpie swept up the mark, and plunked the white opal into Hunt’s awaiting palm. They left, ignoring her gratitude for their business. “I didn’t peg you for superstitious,” Bryce said. But Hunt paused at the end of the row of stalls and took her hand. He pressed the opal into it, the stone warm from his touch. The size of a crow’s egg, it shimmered in the firstlights high above. “You could use some joy,” Hunt said quietly. Something bright sparked in her chest. “So could you,” she said, attempting to press the opal back into his palm. But Hunt stepped away. “It’s a gift.” Bryce’s face warmed again, and she looked anywhere but at him as she smiled. Even though she could feel his gaze lingering on her face while she slid the opal into the pocket of her jacket.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
The stone in her hand glimmered. They made another loop upward, and just as they reached the fourth level, that presence—that sensation of something at their backs—eased. They waited until they’d reached Nesta’s cart before Gwyn dumped her books on the ground and flung herself into the nearest tufted armchair. Her hands trembled, but the blue stone had gone dormant again. Nesta had to swallow twice before she could say, “What is that?” “It’s an Invoking Stone.” Gwyn unfurled her fingers, revealing the gem within her hand. “Similar to the Siphons of the Illyrians, except that the power of the Mother flows through it. We cannot use it for harm, only healing and protection. It was shielding us.” “No—I mean, that darkness.” Gwyn’s eyes matched her stone almost perfectly, right down to the shadows that now veiled her expression. “They say the being that dwelled down there is gone. But I believe some piece of it might have lingered. Or at the very least altered the darkness itself.” “It didn’t feel like that. It felt … older.” Gwyn’s brows rose. “Are you an adept in such things?” There was no condescension in the words, only curiosity. “I …” Nesta blinked. “Do you not know who I am?” “I know you are the High Lady’s sister. That you slew the King of Hybern.” Gwyn’s face grew solemn, haunted. “That you, like Lady Feyre, were once mortal. Human.” “I was Made by the Cauldron. At the King of Hybern’s order.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
A GEM IS A STONE THAT LIGHTS YOUR MIND AND SOUL, HOWEVER ALL STONES ARE NOT GEMS
P.S. Jagadeesh Kumar
THROAT CHAKRA—VISHUDDHA How do you know the truth? Truth is the operative word in this section, whereas voice is its secondary focus. Most people are focusing on voice and expression at the Throat Chakra — that is, the capacity to express ideas and thoughts. What matters most is not how you talk at the Throat Chakra, but what you convey. The "what" is your truth, your most insightful wisdom; the "how" is your medium to express your truth. Both the "what" and "how" of truth are sitting here at the Throat Chakra, at the center of your physical throat (or the apple of your Adam). What do you mean by "truth?" Many claim the reality is a personal quest to discover the values and beliefs that drive choices and decisions about your life. Others suggest that a collective truth exists, a unified wisdom to which all can aspire and seek integration. Let the intersection of these two approaches inspire you to explore individual and collective truths to understand how to integrate what you see, learn and experience into your life. Throat Chakra Gemstones The gems of this chakra are believed to be the gems of Lemuria, an ancient civilization aligned with the realm of the dolphin, which reflect knowledge that had been preserved and held in crystals before the destruction of that community. One of the main Lemurian gemstones, AQUA Atmosphere QUARTZ is a powerful purifier of the atmosphere and also encourages power, tenacity and stability. •       AMAZONITE is the primary stone of reality, and it enhances confidence for public speakers, allowing them to express with ease even the most difficult words and themes. •       ANGELITE (in crystalline form, known as CELESTITE) invokes the angelic forces to evoke in your spaces the presence of angels, like archangels. Take this jewel with you or sleep by it to feel more connected to your own personal angels and guides. •       Since centuries TURQUOISE has been valued by indigenous Americans who find it a powerful purifier and healer, as well as a tool that strengthens and defends warriors in combat. It was revered as a source of good fortune in antiquity Persia. Connect to your gemstones in the Throat Chakra in moments of anxiety or frustration. Here's how to do this: Lie down in a comfortable position and keep in your right hand, the receiving one, one or three of your beloved light blue Throat Chakra crystals, through which energy reaches your body. (Some people feel their left hand is their Receiving Hand; go with what they feel right for you.) Set the intention to receive the gifts of the Throat Chakra, peace, wisdom and truth. Then move the stones to your hand, or Projecting Side, so you can take the energy out into the universe as a gift for everyone. Imagine a bright blue ray of truth and light beaming out into the world for everyone to see, receive and enjoy.
Adrian Satyam (Energy Healing: 6 in 1: Medicine for Body, Mind and Spirit. An extraordinary guide to Chakra and Quantum Healing, Kundalini and Third Eye Awakening, Reiki and Meditation and Mindfulness.)
About one of every ten thousand Strombus gigas specimens produces a small colorful pearl, the gastric equivalent of a glamour kidney stone, though only a very small percent are gem quality.
Carl Hiaasen (Squeeze Me (Skink #8))
There are men and men and every stone is not a gem. Likability is in the eye of the beholder.
Alka Joshi (The Perfumist of Paris (The Jaipur Trilogy, #3))
Her mother always told her that the value of precious gems went beyond their beauty—that each stone had unique properties that enhanced the spiritual life of the owner. “They’re little bits of magic.
Jamie Brenner (Gilt)
We long to see the people saved; but in order to that, they must be born again—and this we cannot ourselves accomplish. Change a stone into flesh? Try that at home with a piece of stone on your table before you attempt it with the hard hearts of men!”–1891, Sermon 2218
Charles Haddon Spurgeon (Spurgeon Gems)
On that ephod is a ‘breastplate of righteousness’ that contains twelve different gems. Jasper, sapphire, emerald, onyx, and others.” “Emerald is my favorite,” said Achsah. She loved its bright green glow. Caleb continued, “The precious stones represent Yahweh’s heavenly city as well as the twelve tribes of Israel.” “But that breastplate is also called the ‘breastplate of judgment’ because it contains a pocket over the heart of the high priest,
Brian Godawa (Joshua Valiant (Chronicles of the Nephilim Book 5))
The room was small, slightly bigger than his bedroom, but far, far more beautiful. It resembled some of the Asian temples he'd seen in his aunt's coffee-table books. The walls were painted in rich hues of red, green, blue, yellow, and gold. When Alex looked up, he saw a dome-shaped ceiling with a sun, moon and stars made out of pearls and gems. The ground was tiled and shaped into a model of forests, mountains, pastures and rivers-like a mosaic. And across the room was a set of jewel-encrusted thrones where two finely carved statues sat. The life-size carvings were different than those of the army outside the chamber. Theses still wore their original colours, preserved perhaps by the lack of fresh air in the room. Instead of armour, the male figure wore a long, regal robe made of small rectangular-shaped tiles. Alex immediately thought of the chain0mail that knights wore in the Middle Ages, except this was made of jade and not metal. The statue of the beautiful woman also wore clothes or richness and royalty, but hers did not include jade, only gold and precious stones. "They must be the Emperor and Empress," Ryan said.
B.L. Sauder (Year of the Golden Dragon (Journey to the East))
Changing the spelling of one's name to ensure success, performing rituals for good luck, wearing colored gem stones for success in business – all these fall into the same category of psychological reinforcement.
Abhijit Naskar (Prescription: Treating India's Soul)
some gives protection, some needs protection. #bluesaphire #Neelam
Furqan Haider
Well,” said the frog. “I can talk because I am magical.” “I don’t believe you,” said Lilly. “Prove to me that you are magical.” “Okay,” said the frog. “Do you see that nice big stone over there on the walkway?” “Yes,” said Lilly. “I do.” “Good,” said the frog. “Please go pick it up.” “Okay,” said Lilly. Lilly picked up the stone and she held it in her hand. “Do you feel something different about that stone?” asked the frog. “Well,” said Lilly. “Yes, I actually do. It is warm.” “Good,” said the frog. “Now, hold out your and toward me and put the stone in the center of your palm.” Lilly did as she was told. “Hocus pocus!” exclaimed the frog. “Hocus pocus! Please turn this stone into a gem right in front of our eyes.” Lilly couldn’t believe it, but there in her hand was the most beautiful gem that she had ever seen. It was a bright blue color and it gleamed radiantly in the sunlight. “I can’t believe this,” said Lilly. “You really are magical.” Lilly sat in amazement, staring at the beautiful gem in her hand. “It is beautiful,” said Lilly. “So, do you like the gem?” asked the frog. “Yes,” said Lilly. “Yes, yes I do!” “It is magical,” said the frog. “What do you mean?” asked Lilly. “Make a wish,” said the frog. “I wish for an ice cream cone,” said Lilly. In an instant a large ice cream cone was in Lilly’s hand. “Oh my!” exclaimed Lilly, licking the ice cream cone. “You must use this gem for good only,” said the frog. “Thank you,” said Lilly. Lilly took the gem and finished her ice cream cone. She fell back to sleep on the park bench. “Wake up Lilly,” a familiar voice said.
Uncle Amon (Bedtime Stories for Kids)
We’ll need to speak to Irene, and your mother,” I asserted. “If either one of them rejects this idea, there is no way we will succeed. Any potential heirs to either throne--hawk or cobra--must be raised in the same mixed-blood land, or people will feel they can still choose to be apart.” Danica nodded, so I continued. “Then I suppose we seek the approval of our respective courts, and allow the information into the markets. Once we are sure we have support, we can consult with architects, artists, whoever we need to try to bring this place we are imagining to life.” After that, we ate breakfast in silence, sifting through our thoughts like children going through colored stones--optimistic, because although some were too dark and some were too sharp, many glittered like precious gems.
Amelia Atwater-Rhodes (Snakecharm (The Kiesha'ra, #2))
Just as diamonds are formed under pressure, so is the strength to endure kidney stones, emerging as a resilient gem of tenacity.
Plunes HealthCare