Gem Girl Quotes

We've searched our database for all the quotes and captions related to Gem Girl. Here they are! All 51 of them:

Shoes are funny beasts. You think they’re just clothes, but really, they’re alive. They want things. Fancy ones with gems want to go to balls, big boots want to go to work, slippers want to dance. Or sleep. Shoes make the path you’re on. Change your shoes, change your path.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
This was why Mom had told me to keep an eye on her. As tough as Dixie was, when it came to Dad she was a regular girl who wanted her father to love her. So
Sara Zarr (Gem & Dixie)
One girl raved about a nice voicemail a guy had recently left her. I kindly requested she play it and heard this gem: 'Hey, Lydia. It's Sam. Just calling to say what's up. Gimme a ring when you get a chance.' THAT WAS IT. I pleaded to know what was so great about this. She sweetly recalled that 'he remembered my name, he said hi, and he told me to call him back.' Never mind the fact that what she described was the content of LITERALLY EVERY VOICE MAIL IN HISTORY. Name, hello, please call back. Not really a boatload of charm on display. To fail this test, a guy would have to leave a message that said: 'No greeting. This is man. I don't remember you. End communication.
Aziz Ansari
It held clothing: a wolfskin cloak. Vasya stared down at these things with a delight she had never felt for the gold or gems of her dowry. They belonged to someone else, someone more capable and strange.
Katherine Arden (The Girl in the Tower (The Winternight Trilogy, #2))
Nevertheless a certain class of dishonesty, dishonesty magnificent in its proportions, and climbing into high places, has become at the same time so rampant and so splendid that there seems to be reason for fearing that men and women will be taught to feel that dishonesty, if it can become splendid, will cease to be abominable. If dishonesty can live in a gorgeous palace with pictures on all its walls, and gems in all its cupboards, with marble and ivory in all its corners, and can give Apician dinners, and get into Parliament, and deal in millions, then dishonesty is not disgraceful, and the man dishonest after such a fashion is not a low scoundrel. Instigated, I say, by some such reflections as these, I sat down in my new house to write The Way We Live Now. And as I had ventured to take the whip of the satirist into my hand, I went beyond the iniquities of the great speculator who robs everybody, and made an onslaught also on other vices;--on the intrigues of girls who want to get married, on the luxury of young men who prefer to remain single, and on the puffing propensities of authors who desire to cheat the public into buying their volumes.
Anthony Trollope (Autobiography of Anthony Trollope)
I miss talking to you, Fallen.” “That’s too bad. I don’t ever miss anything about you.” “You’re fun.” His eyes sparkled like sunlit gems. “You’re never afraid to go tit for tat with me.” “I don’t want anything to do with your tits or tats.” He laughed again, his eyes darkening back to brown. “Did we really just get beat up by that little Junior Guardian?” “If anyone asks we’ll say that there were fifty of them.” I touched my cheek and hissed. “Goddamn ninja punk.” “I feel terrible and I don’t mean my wounded ego. I feel really bad.” He groaned and rolled to his side, not moving from the floor. “I can’t believe we just got our asses handed to us by a goddamn Jonas-brother wannabe.” “He had the hilt piece. Did you see it?” “No, I was too busy crying like a girl.
Cori Moore (Half Breed)
It showed a tiny baby girl floating in a clear glass vessel. The baby held a silver rose in one hand, a golden rose in the other. On its feet were tiny wings, and drops of red liquid showered down on the baby’s long black hair. Underneath the image was a label written in thick black ink indicating that it was a depiction of the philosophical child—an allegorical representation of a crucial step in creating the philosopher’s stone, the chemical substance that promised to make its owner healthy, wealthy, and wise. The colors were luminous and strikingly well preserved. Artists had once mixed crushed stone and gems into their paints to produce such powerful colors. And the image itself had been drawn by someone with real artistic skill. I had to sit on my hands to keep them from trying to learn more from a touch here and there.
Deborah Harkness (A Discovery of Witches (All Souls Trilogy, #1))
Should I hug her? Pet her head? Kick her? Why is she looking at me like how I look at shepherd's pie?
I.O. Scheffer (Fearghus Academy: Precarious Gems (Fearghus Academy, #3))
Amazing girls like precious gem! so classy always in style
Imran Shaikh
Amadora was never far from her understanding of women, glamour, or the fine line between elegant and camp, vulgar and vibrant, life and dreams. ... Color, she believed, was feminine. She said that women were masters of color, evidenced in changing their hair color, using eye shadow, mascara, powder, rouge, lipstick. You could see it in their jewelry- silvers and golds, gems, stones, pearls of every hue. It was in their clothing, from what they slept in to what they danced in. Their shoes. Their purses. Ribbons, barrettes, clips, and tiaras. Veils. All this color to enhance their sex appeal, while men, she felt, were ill-equipped to handle color with the same ease.
Whitney Otto (Eight Girls Taking Pictures)
When Molly O'Toole was looking at the colored pictures in Mrs. Piggle-Wiggle's big dictionary and just happened to be eating a candy cane at the same time and drooled candy cane juice on the colored pictures of gems and then forgot and shut the book so the pages all stuck together, Mrs. Piggle-Wiggle didn't say, "Such a careless little girl can never ever look at the colored pictures in my dictionary again." Nor did she say, "You must never look at books when you are eating." She said, "Let's see, I think we can steam those pages apart, and then we can wipe the stickiness off with a little soap and water, like this-now see, it's just as good as new. There's nothing as cozy as a piece of candy and a book.
Betty MacDonald (Mrs. Piggle-Wiggle's Magic (Mrs. Piggle Wiggle, #2))
Tayla's eyes narrowed into slits, as if she questioned Gem's motives. "I'm not sure I trust you." "I don't trust you either," Gem shot back. "So where does that leave us?" "It leaves you in what's called a family, girls," Wraith drawled. "Get over it.
Larissa Ione (Pleasure Unbound (Demonica, #1))
The Woman Poet // Die Dichterin You hold me now completely in your hands. My heart beats like a frightened little bird's Against your palm. Take heed! You do not think A person lives within the page you thumb. To you this book is paper, cloth, and ink, Some binding thread and glue, and thus is dumb, And cannot touch you (though the gaze be great That seeks you from the printed marks inside), And is an object with an object's fate. And yet it has been veiled like a bride, Adorned with gems, made ready to be loved, Who asks you bashfully to change your mind, To wake yourself, and feel, and to be moved. But still she trembles, whispering to the wind: "This shall not be." And smiles as if she knew. Yet she must hope. A woman always tries, Her very life is but a single "You . . ." With her black flowers and her painted eyes, With silver chains and silks of spangled blue. She knew more beauty when a child and free, But now forgets the better words she knew. A man is so much cleverer than we, Conversing with himself of truth and lie, Of death and spring and iron-work and time. But I say "you" and always "you and I." This book is but a girl's dress in rhyme, Which can be rich and red, or poor and pale, Which may be wrinkled, but with gentle hands, And only may be torn by loving nails. So then, to tell my story, here I stand. The dress's tint, though bleached in bitter lye, Has not all washed away. It still is real. I call then with a thin, ethereal cry. You hear me speak. But do you hear me feel?
Gertrud Kolmar
Julius explained that the palace rooms where they stood were called Wunderkammers, or wonder rooms. Souvenirs of nature, of travels across continents and seas; jewels and skulls. A show of wealth, intellect, power. The first room had rose-colored glass walls, with rubies and garnets and bloodred drapes of damask. Bowls of blush quartz; semiprecious stone roses running the spectrum of red down to pink, a hard, glittering garden. The vaulted ceiling, a feature of all the ten rooms Julius and Cymbeline visited, was a trompe l'oeil of a rosy sky at down, golden light edging the morning clouds. The next room was of sapphire and sea and sky; lapis lazuli, turquoise and gold and silver. A silver mermaid lounged on the edge of a lapis lazuli bowl fashioned in the shape of an ocean. Venus stood aloft on the waves draped in pearls. There were gold fish and diamond fish and faceted sterling silver starfish. Silvered mirrors edged in silvered mirror. There were opals and aquamarines and tanzanite and amethyst. Seaweed bloomed in shades of blue-green marble. The ceiling was a dome of endless, pale blue. A jungle room of mica and marble followed, with its rain forest of cats made from tiger's-eye, yellow topaz birds, tortoiseshell giraffes with stubby horns of spun gold. Carved clouds of smoky quartz hovered over a herd of obsidian and ivory zebras. Javelinas of spotted pony hide charged tiny, life-sized dik-diks with velvet hides, and dazzling diamond antlers mingled with miniature stuffed sable minks. Agate columns painted a medley of dark greens were strung with faceted ropes of green gold. A room of ivory: bone, teeth, skulls, and velvet. A room crowded with columns all sheathed in mirrors, reflecting world maps and globes and atlases inlaid with silver, platinum, and white gold; the rubies and diamonds that were sometimes set to mark the location of a city or a town of conquest resembled blood and tears. A room dominated by a fireplace large enough to hold several people, upholstered in velvets and silks the colors of flame. Snakes of gold with orange sapphire and yellow topaz eyes coiled around the room's columns. Statues of smiling black men in turbans offering trays of every gem imaginable-emerald, sapphire, ruby, topaz, diamond-stood at the entrance to a room upholstered in pistachio velvet, accented with malachite, called the Green Vault. Peridot wood nymphs attended to a Diana carved from a single pure crystal of quartz studded with tiny tourmalines. Jade tables, and jade lanterns. The royal jewels, blinding in their sparkling excess: crowns, tiaras, coronets, diadems, heavy ceremonial necklaces, rings, and bracelets that could span a forearm, surrounding the world's largest and most perfect green diamond. Above it all was a night sky of painted stars, with inlaid cut crystal set in a serious of constellations.
Whitney Otto (Eight Girls Taking Pictures (Thorndike Press Large Print Basic Series))
Regardless of the circumstances, what makes the most difference in whether a girl leaves or not when that door opens up is if she believes that she has options, resources, somewhere to go, and the support she’ll need once she’s out. Without that glimmer of hope, whether it comes in the form of family, a program like GEMS, or a church community like the one that helped me, it’s unlikely that she’ll leave. And then the door will close just as quickly as it opened, leaving her feeling trapped once more. and this time even more convinced that this is the life that she’s destined to lead.
Rachel Lloyd (Girls Like Us: Fighting for a World Where Girls are Not for Sale, an Activist Finds Her Calling and Heals Herself)
One girl raved about a nice voice mail a guy had recently left her. I kindly requested she play it and heard this gem: “Hey, Lydia. It’s Sam. Just calling to say what’s up. Gimme a ring when you get a chance.” THAT WAS IT. I pleaded to know what was so great about this. She sweetly recalled that “he remembered my name, he said hi, and he told me to call him back.” Never mind the fact that what she described was the content of LITERALLY EVERY VOICE MAIL IN HISTORY. Name, hello, please call back. Not really a boatload of charm on display. To fail this test, a guy would have to leave a message that said: “No greeting. This is a man. I don’t remember you. End communication.” When
Aziz Ansari (Modern Romance: An Investigation)
Sunja, who’d been quiet, waiting for Noa to speak up, wiped her wet hands on her apron. “Can I go? Can we leave now?” She’d never left early before. “I’ll stay here and finish. You go. Hurry. I’ll be right there after I’m done.” Sunja reached for Noa’s hand. * Halfway down the street, Sunja shouted, “Mozasu!” and Noa looked up at her. “Umma, Aunt will bring him home,” he said calmly. She clutched his hand tighter and walked briskly toward the house. “You ease my mind, Noa. You ease my mind.” Without the others around, it was possible to be kind to her son. Parents weren’t supposed to praise their children, she knew this—it would only invite disaster. But her father had always told her when she had done something well; out of habit, he would touch the crown of her head or pat her back, even when she did nothing at all. Any other parent might’ve been chided by the neighbors for spoiling a daughter, but no one said anything to her crippled father, who marveled at his child’s symmetrical features and normal limbs. He took pleasure in just watching her walk, talk, and do simple sums in her head. Now that he was gone, Sunja held on to her father’s warmth and kind words like polished gems. No one should expect praise, and certainly not a woman, but as a little girl, she’d been treasured, nothing less. She’d been her father’s delight. She wanted Noa to know what
Min Jin Lee (Pachinko)
Tom, will you let me love you in your restaurant? i will let you make me a sandwich of your invention and i will eat it and call it a carolyn sandwich. then you will kiss my lips and taste the mayonnaise and that is how you shall love me in my restaurant. Tom, will you come up to my empty beige apartment and help me set up my daybed? yes, and i will put the screws in loosely so that when we move on it, later, it will rock like a cradle and then you will know you are my baby Tom, I am sitting on my dirt bike on the deck. Will you come out from the kitchen and watch the people with me? yes, and then we will race to your bedroom. i will win and we will tangle up on your comforter while the sweat rains from your stomachs and foreheads. Tom, the stars are sitting in tonight like gumball gems in a little girl’s jewlery box. Later can we walk to the duck pond? yes, and we can even go the long way past the jungle gym. i will push you on the swing, but promise me you’ll hold tight. if you fall i might disappear. Tom, can we make a baby together? I want to be a big pregnant woman with a loved face and give you a squalling red daughter. no, but i will come inside you and you will be my daughter Tom, will you stay the night with me and sleep so close that we are one person, no, but i will lay down on your sheets and taste you. there will be feathers of you on my tongue and then I will never forget you Tom, when we are in line at the convenience store can I put my hands in your back pockets and my lips and nose in your baseball shirt and feel the crook of your shoulder blade? no, but later you can lay against me and almost touch me and when i go i will leave my shirt for you to sleep in so that always at night you will be pressed up against the thought of me. Tom, if I weep and want to wait until you need me will you promise that someday you will need me? no, but i will sit in silence while you rage. you can knock the chairs down any mountain. i will always be the same and you will always wait. Tom, will you climb on top of the dumpster and steal the sun for me? It’s just hanging there and I want it. no, it will burn my fingers. no one can have the sun: it’s on loan from god. but i will draw a picture of it and send it to you from richmond and then you can smooth out the paper and you will have a piece of me as well as the sun Tom, it’s so hot here, and I think I’m being born. Will you come back from Richmond and baptise me with sex and cool water? i will come back from richmond. i will smooth the damp spiky hairs from the back of your wet neck and then i will lick the salt off it. then i will leave Tom, Richmond is so far away. How will I know how you love me? i have left you. that is how you will know
Carolyn Creedon
Close to midnight, I gather up Kitty and the puppy and the sparklers. We put on heavy coats and I make Kitty wear a hat. “Should we put a hat on Jamie too?” she asks me. “He doesn’t need one,” I tell her. “He’s already got on a fur coat.” The stars are out by the dozen; they look like faraway gems. We’re so lucky to live by the mountains the way we do. You just feel closer to the stars. To heaven. I light up sparklers for each of us, and Kitty starts dancing around the snow making a ring of fire with hers. She’s trying to coax Jamie to jump through but he isn’t having it. Al he wants to do is pee around the yard. It’s lucky we have a fence, or I bet he’d pee his way down this whole block. Josh’s bedroom light is on. I see him in the window just as he opens it and calls out, “Song girls!” Kitty hollers, “Wanna light a sparkler?” “Maybe next year,” Josh calls back. I look up at him and wave my sparkler, and he smiles, and there’s just this feeling of all rightness between us. One way or another, Josh will be in our lives. And I’m certain, I’m so suddenly certain that everything is exactly the way it’s supposed to be, that I don’t have to be so afraid of good-bye, because good-bye doesn’t have to be forever. When I’m back in my room in my flannel nightgown, I get out my special flowy pen and my good thick stationery, and I start to write. Not a good-bye letter. Just a plain old love letter. Dear Peter…
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
In The After Light “They don’t burn do they? Not like us.” -Cole Stewart “Darling, If it were between you and a hundred of Gray’s finest. I’d pick you everytime.” -Liam Stewart “It raine the day I walked into Thurmond and It rained the day I walked out.” -Ruby Never Fade “Do I… look as pretty as I feel?” -Cole Stewart “If you think you’re going to faint, sit your ass down. I told you this because you’re a big girl and I need your help’ -Cole Stewart “That’s my Gem!” -Cole Stewart “I have all the time in the world for you, Gem” -Cole Stewart “I don’t want to just see someone’s face; I want to know his shadow, too” - Jude “How cute! I have one of those too!” -Vida “ ‘I don’t know about the rest of you, but I’m down to hear about that one-eyed chick’ Vida said. ‘You are actually the worst person I ever met’ Chubs said. ” -Chubs And Vida “You had day of the week underwear growing up, didn’t you?” -Jude “Ass-Clown” -Vida The Darkest Minds “I don’t know, Green; why don;t you hit her up for a chat and tea the next time she tries to capture us?” -Chubs “Oh my God, Green. Just take the damn socks and put the kid out of his misery’ -Chubs “I had pegged him’ -Ruby (Full sentence: I had pegged him for a Zepplin Fan) “Are you kidding me? Yesterday he thought a mailbox was a clown.” -Liam Stewart “Ruby! For the love of… We were talking about Black Betty not your Orange ass!” -Chubs “...Crackers…Yesssss…” -Chubs “Wake up, Team! Time to carpe the hell out of this diem!” -Liam Stewart “I know who It is! Santa!” -Liam Stewart “Did I just get sassed by a twelve-year-old?” -Liam Stewart Extra Quotes From Through The Dark “Home isn’t four walls, It’s the people you’re with” “Of course. My girl? She’s incredible” “Crazy is only crazy when it works
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
Four Years Since Today I remember the day but to be honest it is everyday That day then, the moment then, when you left us all here More than just a father I call, a gem I treasure, that day I lost We four girls, my mom’s other half, my brothers best bud, our first love, we lost Holding the key to the future called You, I stand still facing the gate of the past Why I keep on asking the same question? Why you? Why out of all those people? Why too soon? Why? It has been years, 4 years exact, it seems like yesterday yes You were taken too soon, words aren’t enough to express It’s not fair, but who I am to blame, who Am I to question? My eyes express longing you cannot fathom From my open mouth my broken heart pours Words that try to capture that image so faint He is the picture I could not ever paint Yet our memories is in the solid bowl being kept Spare me even just 5 or 10 minutes of your presence To build up this longing I feel, I am asking I want to hear your nag; I want to hear your laugh In my dreams please see me there I won’t get afraid nor get frightened Like a waterfalls my tears keeps on flowing Like a bubble your voice keeps on vanishing He, his shadow, he himself starts from fading I don’t want to forget you please stop time from ticking I don’t want to open my eyes don’t wake me from dreaming You are the art of my painting, the muse of my poem My strength, my inspiration why I’m still holding on My king, my superman, name them all, you are my only one I miss the old golden days when you used to carry us one by one Look papa, how I am now, hoping always, you’ll be proud It pains me to know this inevitable truth, yes That I can’t see you for now yes it’s the truth, but My father’s love undeniable not easily obtained Something that few, many people rather don’t have But I’m blessed and proud I have mine claimed.
Venancio Mary Ann
What secrets?” Eena blurted out. Kira answered the question by defensively listing them out on her fingers. “How about the fact that Derian was coming for you in a few short days, or the fact that Gemdorin was forcing you to search for some magic gem we were all unaware existed. How about the knowledge of your unusual powers that you stupidly used to infect the Ghengats, which was also a secret you kept to yourself until it was discovered by Gemdorin, making it too late for us to do anything about preventing you from being beaten half to death! You hide things as if you think your abilities are so superior to what the rest of us can possibly contribute!” Eena shook her head adamantly. “That’s not what I think…” “It’s how you behave. It’s how you come across to everyone. Your selfish actions speak a helluva lot louder than your hollow words or your foolish intentions.” The young queen felt a rise of tears burn her eyes. “My intentions are not foolish. All I ever meant to do was protect those around me.” “By keeping us in the dark? That’s not protection, girl. That’s neglect.” Eena sniffled as fresh waterworks ran down her cheeks. Her face twisted up, confused. “People get hurt when they’re involved in my problems.” “In our problems.” “No! My problems!” she insisted. Kira threw up her arms. “There you go being all selfish again!” Eena sucked in a ragged breath, almost crying out the next question. “How do you figure that’s being selfish? I’m trying to keep everyone safe!” “And what did I just get through telling you about that idiotic notion?” Eena looked up at the ceiling. She raised her palms in frustration as she bawled. “I don’t know what else to do! What do you want from me?” Kira stepped forward and knelt in front of her tortured sister. Her hand rested gently on Eena’s knee as the Mishmorat’s gruff countenance melted. A softer, kinder voice answered the desperate question. “We want you to understand that the world doesn’t rest on your shoulders. You’re only responsible for a small portion of what happens daily on Moccobatra. Life isn’t dependent upon you alone, Sha Eena. It’s dependent upon all of us. We’re a team. We work together doing our own part. We need you to be part of our team, not a single entity existing on your own.
Richelle E. Goodrich (Eena, The Companionship of the Dragon's Soul (The Harrowbethian Saga #6))
When she laughed I noticed an untamed quality about her eyes, which reminded me of the wild girls on our side of the mountain. Her eyes had the gleam of uncut gems, of unpolished metal, which was heightened by the long lashes and the delicate slant of the lids.
Dai Sijie (Balzac and the Little Chinese Seamstress)
He wanted to feed her from his hands. To nourish her and the life within. He wanted to buy her things to adorn her loveliness. Gems and ribbons, silk and precious metals. A storm of errant whims and desires swirled and eddied within him until he felt as though his flesh could no longer contain the strength of it. He. Wanted. Her.
Kerrigan Byrne (Seducing a Stranger (Goode Girls #1))
Just like every other demon. Jace felt a flicker of something — boredom? — as he reached for a seraph blade. All demons were the same: all the ones that could talk, anyway. They sputtered, they denied. They claimed they knew where Valentine was. They offered gold and gems, sometimes. Once one had offered naked dancing girls. Jace had almost taken that one up on the offer. It had been a slow Saturday. And then Jace’s boredom exploded into a million pieces as the girl with the red hair stepped out from behind a pillar
Cassandra Clare (We Jace you a Clary Xmas)
And I like my pretty girls wearing gems,” he whispers.
Jescie Hall (Green Light)
Loren’s hand went to the black, velvety fabric, stroking it gently. “This was a gift,” she said softly. “Maybe that pink dress was, too,” said Gem. “Or maybe she only bought that dress from coin what she earned. Earned doing things you’d never do, that you’d think were beneath you. I know many pretty girls with fine dresses what pay for those dresses with the failings of rich men.
Garrett Robinson (Nightblade (The Nightblade Volumes, #1))
I know Lacey notices that I’m bleeding; she notices everything, but she doesn’t say anything. Not until she comes out with this little gem. “You are so in love with that girl.
Callie Hart (Fallen (Blood & Roses #4))
Do you know how fucking amazing you are? Goddamn, girl. Where the hell did you come from?' Jake's eyes are dark, sparkling gems and I can't help but be dazzled by them. He sets me down and kisses the top of my head.
M.S. Brannon (Blind Love (Sulfur Heights, #3))
It’s on the tip of my tongue to tell him she’s special. One of those girls you cherish for the rest of your life, because you know they will always be there for you if you play your cards right. I know I can’t say that after one conversation, but I can feel it in every fiber of my body. She’s one of those gems you can’t afford to let go. She’s endgame.
B. Lustig (8: It's Only Eight Letters)
Tentacles and diamonds are a girl’s best friend
Clio Evans (Cosmic Kiss (Galactic Gems #1))
A smart girl,” she’d said, “would see the man beneath the armor. Besides,” she added, tracing a small white scar on my chin leftover from a long-ago battle, “the strongest gems are the most precious. They do not crack. Weaker stones break against them. These are the gems women claim and place upon their fingers as symbols of love. Is that not correct?
Colleen Houck (Tiger's Dream (The Tiger Saga, #5))
There once was a girl of the Moth Folk, dark-winged, strong, and fearless. Her eyes were like the starlit sky; her footfall soft as shadow. And although she was lovely, love had no place in her heart, for hers was the tribe of the Moth King, who had waged a war on love, for ever and ever. But love, like all forbidden things, was fascinating to her. Every night of the clear full moon, she would go to the Moonlight Market and watch the traders sell their wares: printed books of every kind; pomegranates of the south; wines from the islands; gems from the north; flowers that bloomed only once in their lives. But she only had eyes for the sellers of charms and glamours. Here, there were spells for a broken heart, or to spin dead leaves into gold, or to rekindle a memory, or to summon the western wind. Most of all, there were love spells: tiny bottles of colored glass with stoppers worked in silver filled with potions made from the heart of a rose, or the tail fin of a mermaid. Here were glamours to melt a lover's heart: candles of every color; tokens of remembrance; silk-bound books of poetry. But among all the love-knots and bonbons and pressed flowers and handkerchiefs, the Moth girl never truly saw the nature of her enemy, for it seemed to her that Love was weak, and simpering, and faithless. She told herself she was too strong to fall for its blandishments. Until one day, at the Market, she saw a boy with a glamorie-glass in his hand, standing by a display of books, and stories, and legends, and memories.
Joanne Harris (The Moonlight Market)
As she waitress hurried off toward the back, I turned to look at Gemma and grinned. “Benjamin? The full name, Gems? Was that really necessary?” She leaned in and laughed. “A girl’s gotta have some fun.” “Well, I could think of a few ways to aid in that cause.” Blood rushed to Gemma’s cheeks as she glanced around, apparently to make sure no one had been paying us any mind. Fortunately for her, no one else was within earshot, allowing her to relax. Still, it didn’t take away from my pleasure of seeing her squirm in her seat. Although she wouldn’t admit it aloud, I knew Gemma’s mind had gone there, too. “Will you behave? This is a fine-dining establishment,” she quipped. “You’re adorable.” I leaned over, somewhat hanging off the stool, and pressed a quick kiss to her cheek. “Now let’s get you some pizza, shall we?” “I knew there was a reason I loved you.
Nicole Sobon (Collide: Episode Three (The Collide Series Book 3))
I had hit a personal low. I was out of work for the first time since I was seventeen. I had no job, a blank date book, and so much time on my hands I could lunch with the girls. Sure, I had money. But I was also a bit lost. The kids were grown and living their own lives. Without work, which had been central to my identity and my self-esteem for so many years, I was no longer sure who I was. I had been retired for two months, and already I was panicked.
Lynda Resnick (Rubies in the Orchard: How to Uncover the Hidden Gems in Your Business)
Eve and Vera played a favorite game, Fortunately/Unfortunately, a game that had travelled with them on buses, planes, ships, trains all over the globe. "Once there were two sisters who wanted to run away," Eve started. Vera said, "Fortunately, they had large bags fill of precious gems." "Unfortunately," Eve continued, "the gems were heavy and the girls couldn't carry them." "Fortunately, they came upon a cave where they could hide the bags until they had a way to transport them." "Unfortunately, there was a wild and ferocious bear living in the cave." Vera smiled at her older sister, "You always put a ferocious bear," "It's a classic." The story was, by design endless. Meant to carry the girls across land and sea, every piece of bad news immediately followed by the upswing of salvation.
Ramona Ausubel (The Last Animal)
Caution, folks! This package comes with a "handle with care" label, but let me tell you, I'm not just fragile glass; I'm a delicate balance of wit, charm, and cleverness. Treat me like a precious gem, and you'll unlock a treasure trove of laughter and amusement. But beware, mishandle me, and you might unleash a whirlwind of snarky comebacks! So, be gentle, be kind, and prepare for an adventure with this quirky, witty wonder!
lifeispositive.com
My dress is of plain forest green wool, but the other girls are wearing beautiful tunics the color of gems- ruby dresses with sapphire mantles and dappled with jewels that dance before me like little insects on fire. My hair is dark as a crow, but theirs is red and gold and even longer than mine. A ray of sun slashes through the turbulent Irish sky, and I see that my friends' perfect skin shimmers in the sun, making them almost translucent.
Karen Essex (Dracula in Love)
One boy came up with an image of strength as being “as slow and silent as a tree,” another wrote that “silence is me sleeping waiting to wake up. Silence is a tree spreading its branches to the sun.” In a parochial school, one third grader’s poem turned into a prayer: “Silence is spiders spinning their webs, it’s like a silkworm making its silk. Lord, help me to know when to be silent.” And in a tiny town in western North Dakota a little girl offered a gem of spiritual wisdom that I find myself returning to when my life becomes too noisy and distractions overwhelm me: “Silence reminds me to take my soul with me wherever I go.
Kathleen Norris (Amazing Grace: A Vocabulary of Faith)
The truth was that in all of this the girls and I were supporting players, beneficiaries of the various luxuries afforded to Barack—important because our happiness was tied to his; protected for one reason, which was that if our safety was compromised, so too would be his ability to think clearly and lead the nation. The White House, one learns, operates with the express purpose of optimizing the well-being, efficiency, and overall power of one person—and that’s the president. Barack was now surrounded by people whose job was to treat him like a precious gem. It sometimes felt like a throwback to some lost era, when a household revolved solely around the man’s needs, and it was the opposite of what I wanted our daughters to think was normal. Barack, too, was uncomfortable with the attention, though he had little control over all the fuss.
Michelle Obama (Becoming)
Calder, happening into his office, not once but several times, in dull moments, caught Moreton heaping on a desk a heterogeneous pile of precious stones, for Lenore’s benefit. The girl—her soft eyes aglow, her breath fast, her lips trembling—stared in a sort of hypnotized ecstasy at the treasures. Timidly, at Moreton’s permission, she gathered them adoringly in her white little hands, caressing them and letting them seep through her slender fingers. Now, by a word to old Ziegerich, the detective could, of course, have put an instant and drastic end to these gem-seances.
Albert Payson Terhune (An Albert Payson Terhune Reader)
One of the things on the top of my to-do list since my arrival in Paris has been to visit the Palais Galliera, the city’s very own museum dedicated to fashion. I’ve seen pictures of it, but nothing has prepared me for the jaw-dropping beauty of the place. It’s a gem of a palace, a perfect wedding-cake building conjuring Italian style with its white stone columns and balustrades. I enter through the ornately carved gatehouse leading off a leafy street in one of Paris’s most elegant districts, and feel as if I’ve stepped out of the city and into a rural idyll. Trees fringe the neatly manicured parkland and, just beyond their autumnal branches, the Eiffel Tower points towards the blue of the sky. Statues dot the grounds, and the verdigris figure of a girl, the centrepiece of a fountain in front of the palace, is surrounded by ribbon-like beds of flowers, carefully planted in a mosaic of yellow and gold.
Fiona Valpy (The Dressmaker's Gift)
I hesitate for a moment, pondering which mask I’ll wear. I can go with the Ghostface one that I’ve covered in pink gems, or maybe the goth girl version of Mike Myers, or the little LED one. I opt for the pink Ghostface mask. “Very cutesy… very demure… very mindf⁠—” Shut the fuck up, Tylisha, I scold myself. TikTok has fucking ruined me.
Layla Moon (Suck Mommy’s Piss Flaps: An Erotic Killer Story… Or Something (What The F Did I Just Read Collection))
And not for you, Gem adds with an arch smile in my direction. And even though she’s playing a role, the words still sting. Not for you. Sometimes it feels like that applies to almost everything a girl my age is supposed to have.
Karen M. McManus (Such Charming Liars)
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