β
Every time you don't follow your inner guidance, you feel a loss of energy, loss of power, a sense of spiritual sadness.
β
β
Shakti Gawain
β
Ah Gawaine, Gawaine, ye have betrayed me; for never shall my court be amended by you, but ye will never be sorry for me as I am for you
β
β
Thomas Malory (Le Morte d'Arthur)
β
The more light you allow within you, the brighter the world you live in will be.
β
β
Shakti Gawain
β
And wonder, dread and war
have lingered in that land
where loss and love in turn
have held the upper hand.
β
β
Simon Armitage (Sir Gawain and the Green Knight)
β
you create your opportunities by asking for them
β
β
Shakti Gawain
β
I must be alive," Gawain said hoarsely. "Dead doesn't hurt this much.
β
β
Gerald Morris (Parsifal's Page (The Squire's Tales, #4))
β
What I am actually saying is that we need to be willing to let our intuition guide us, and then be willing to follow that guidance directly and fearlessly.
β
β
Shakti Gawain
β
Of all the things that men may heed
'Tis most of love they sing indeed.
β
β
J.R.R. Tolkien (Sir Gawain and the Green Knight, Pearl, and Sir Orfeo)
β
We always attract into our lives whatever we think about most, believe most strongly, expect on the deepest level, and imagine most vividly.
β
β
Shakti Gawain (Creative Visualization: Use the Power of Your Imagination to Create What You Want in Your Life)
β
Then he took the sword in both hands and raised itβand Gawainβs posture took on an unmistakable grandeur.
β
β
Kazuo Ishiguro (The Buried Giant)
β
Evil (ignorance) is like a shadow-- it has no real substance of its
own, it is simply a lack of light. You cannot cause a shadow to
disappear by trying to fight it, stamp on it, by railing against it, or
any other form of emotional or physical resistance. In order to cause a
shadow to disappear, you must shine light on it
β
β
Shakti Gawain
β
Every time you donβt follow your inner guidance, you feel a loss of energy, loss of power, a sense of spiritual deadness. SHAKTI GAWAIN Blocked
β
β
Julia Cameron (The Artist's Way: A Spiritual Path to Higher Creativity)
β
Every moment of your life is infinitely creative and the universe is endlessly bountiful. Just put forth a clear enough request, and everything your heart truly desires must come to you.
β
β
Shakti Gawain (Creative Visualization: Use the Power of Your Imagination to Create What You Want in Your Life)
β
When I'm trusting and being myself as fully as possible, everything in my life reflects this by falling into place easily, often miraculously.
β
β
Shakti Gawain
β
As you learn to be true to yourself, you will find that you attract people, work, and other circumstances that reflect your evolution and development.
β
β
Shakti Gawain (Living in the Light: Follow Your Inner Guidance to Create a New Life and a New World)
β
Now take care, Sir Gawain,
Not to shrink from danger.
This is quite an ordeal
That you have taken on.
β
β
Bernard O'Donoghue (Sir Gawain and the Green Knight)
β
Whatever our individual troubles and challenges may be, itβs important to pause every now and then to appreciate all that we have, on every level. We need to literally 'count our blessings,' give thanks for them, allow ourselves to enjoy them, and relish the experience of prosperity we already have.
β
β
Shakti Gawain
β
The people we are in relationship with
are always a mirror, reflecting our own beliefs,
and simultaneously we are mirrors, reflecting their beliefs.
So... relationship is one of the most powerful tools for growth....
If we look honestly at our relationships,
we can see so much about how we have created them.
β
β
Shakti Gawain
β
Gawaine and Gareth took turns with the fat ass, one of them whacking it while the other rode bareback.
β
β
T.H. White (CliffsNotes on White's the Once and Future King)
β
Once I discovered Robin Hood and the medieval poem βSir Gawain and the Green Knight,β I realized that I felt a very deep calling to the Wild forest, the deep forest, the Wood that holds the Deep Mysteries and where the Wild Hunt is run....
β
β
Virginia Chandler
β
Our bodies communicate to us clearly and specifically,
if we are willing to listen.
β
β
Shakti Gawain
β
We will discover the nature of our particular genius when we stop trying to conform to our own and other's people's models, learn to be ourselves and allow our natural channel to open.
β
β
Shakti Gawain
β
I have neither talent or taste for kingship, cousin. I am a warrior, and to dwell always in one place and live at court would weary me to death!
β
β
Marion Zimmer Bradley (The Mists of Avalon (Avalon, #1))
β
Did ye so? said Sir Meliagaunce, then I will abide by it: I love Queen Guenever, what will ye with it? I will prove and make good that she is the fairest lady and most of beauty in the world. As to that, said Sir Lamorak, I say nay thereto, for Queen Morgawse of Orkney, mother to Sir Gawaine, and his mother is the fairest queen and lady that beareth the life. That is not so, said Sir Meliagaunce, and that will I prove with my hands upon thy body. Will ye so? said Sir Lamorak, and in a better quarrel keep I not to fight. Then they departed either from other in great wrath.
β
β
Thomas Malory (Le Morte d'Arthur: King Arthur and the Legends of the Round Table)
β
I am convinced that life in a physical body is meant to be an ecstatic experience
β
β
Shakti Gawain
β
Yet though I must lose my life, fear shall never make me change colour.
β
β
William Allan Neilson (Sir Gawain and the Green Knight)
β
Whatever our individual troubles and challenges may be, it's important to pause every now and then to appreciate all that we have, on every level.
β
β
Shakti Gawain
β
What we create within is mirrored outside of us.
β
β
Shakti Gawain
β
Why, he was so handsome and brave that no one would ever have suspected that he was bookish!
β
β
Gerald Morris (Parsifal's Page (The Squire's Tales, #4))
β
The clearer and stronger your intention, the more quickly and easily your creative visualization will work.
β
β
Shakti Gawain (Creative Visualization: Use the Power of Your Imagination to Create What You Want in Your Life)
β
Britt said, standing up. βYou know, Merlin, Iβm starting to think your magic might be all talk.β
βWhat?β Merlin squawked.
βYou canβt break Morgauseβs enchantment, and you canβt help me understand Gawain. It seems like there isnβt much you can do,β Britt said.
βYou ungrateful pig-child. Of course I can do magic. Lots of magic! I brought you here didnβt I?β Merlin said.
β
β
K.M. Shea (Enchanted (King Arthur and Her Knights, #2))
β
I incline my agreement with Toirdealbhach,' said Gareth. 'After all, what is the good of killing poor kerns who do not know anything? It would be much better for the people who are angry to fight each other themselves, knight against knight.'
'But you could not have any wars at all, like that,' exclaimed Gaheris.
'It would be absurd,' said Gawaine. 'You must have people, galore of people, in a war.'
'Otherwise you could not kill them,' explained Agravaine.
β
β
T.H. White (The Once and Future King)
β
My good sir, is she your daughter then?'
'Yes, but don't pay any attention to what she says,' said the lord. 'She's a child - a silly, foolish thing.'
'Indeed,' said my lord Gawain, 'then I'd be very ill-mannered not to do what she wants.
β
β
ChrΓ©tien de Troyes (Arthurian Romances)
β
In order to heal themselves, people must recognize, first, that they have an inner guidance deep within and, second, that they can trust it.
β
β
Shakti Gawain
β
Why should I not defy
Destinies strong and dear;
What can man do but try?
(Kirtlan translation)
β
β
Ernest J.B. Kirtlan (Sir Gawain and the Green Knight; Rendered Literally Into Modern English From the Alliterative Romance-poem of A.D. 1360, From Cotton Ms. Nero Ax in ... and Gawain Sagas in Early English Literature)
β
The universe will reward you for taking risks on its behalf. SHAKTI GAWAIN
β
β
Julia Cameron (The Artist's Way: A Spiritual Path to Higher Creativity)
β
We have to understand in a deep way that having what we truly want in life contributes to the general state of human happiness and supports others in creating more happiness for themselves.
β
β
Shakti Gawain (Creative Visualization: Use the Power of Your Imagination to Create What You Want in Your Life)
β
I was going to bring Sir Kay and Gawain with me, but at the last minute Lancelot pushed Kay back.So I had no choice but to bring Lancelot in Kayβs place,β Merlin said, sounding just the smallest bit disgusted.
βI find myself gladdened by this news,β Britt said.
Merlin raised an eyebrow in surprise. βAre you?β
Lancelot beamed. βI am pleased my presence delights you, My Lord.β
βItβs not that. Since you kept Kay from coming to get me,in all likeliness that means you are now higher on his list of people to MAIM than I am,β Britt said. Merlin coughed to cover a laugh,
β
β
K.M. Shea (Embittered (King Arthur and Her Knights, #3))
β
The moral, I suppose, would be that the first requirements for a heroic career are the knightly virtues of loyalty, temperance, and courage. The loyalty in this case is of two degrees or commitments: first, to the chosen adventure, but then, also, to the ideals of the order of knighthood. Now, this second commitment seems to put Gawain's way in opposition to the way of the Buddha, who when ordered by the Lord of Duty to perform the social duties proper to his caste, simply ignored the command, and that night achieved illumination as well as release from rebirth. Gawain is a European and, like Odysseus, who remained true to the earth and returned from the Island of the Sun to his marriage with Penelope, he has accepted, as the commitment of his life, not release from but loyalty to the values of life in this world. And yet, as we have just seen, whether following the middle way of the Buddha or the middle way of Gawain, the passage to fulfillment lies between the perils of desire and fear.
β
β
Joseph Campbell (The Power of Myth)
β
This, or something better,
now manifests for me
in totally satisfying and harmonious ways,
for the highest good of all concerned.
β
β
Shakti Gawain (Creative Visualization: Use the Power of Your Imagination to Create What You Want in Your Life)
β
To get in touch with different aspects of your self-image, begin to ask yourself βHow do I feel about myself right now?
β
β
Shakti Gawain (Creative Visualization: Use the Power of Your Imagination to Create What You Want in Your Life)
β
With the suggestion of a compromise Gawaine mustered up enough courage to speak.
"What will you do if I surrender?" he asked.
"Why, I'll eat you," said the dragon.
"And if I don't surrender?"
"I'll eat you just the same.
β
β
Heywood Broun (The Fifty-First Dragon)
β
There were lessons later on. These were going a lot better now sheβd got rid of the reading books about bouncy balls and dogs called Spot. Sheβd got Gawain on to the military campaigns of General Tacticus, which were suitably bloodthirsty but, more importantly, considered too difficult for a child. As a result his vocabulary was doubling every week and he could already use words like βdisembowelledβ in everyday conversation. After all, what was the point of teaching children to be children? They were naturally good at it.
β
β
Terry Pratchett (Hogfather (Discworld, #20; Death, #4))
β
My God . . . that grinding is a greeting.
My arrival is honored with the honing of an axe
β
β
Simon Armitage (Sir Gawain and the Green Knight)
β
Honor is a balancing act and only the heart can strike that balance.
β
β
Stefan Emunds (Gawain and the Green Knight)
β
The more willing you are to surrender to the energy within you, the more power can flow through you.
β
β
Shakti Gawain (Living in the Light: Follow Your Inner Guidance to Create a New Life and a New World)
β
The woman looked at Gawain silently for a moment, then nodded. "The greatest adventures begin simply," she said.
β
β
Gerald Morris (The Squire's Tale (The Squire's Tales, #1))
β
Do not deceive yourself, Gawain. There are black places in the heart of every man.
β
β
Suzannah Rowntree (Pendragon's Heir (Pendragon's Heir #1-3))
β
Elaine turned to her father in her distress. βFather will you give me permission to ride after Sir Lancelot? I must reach him. Otherwise I will go out of my mind with grief.β
βGo, good daughter. Rescue him, if you can.β
So she made herself ready for the journey, weeping all the time. Gawain himself rode back to the court of the king in Londonβ
βThe Fair Maid of Astolat
β
β
Peter Ackroyd (The Death of King Arthur)
β
The process of change does not occur on superficial levels, through mere βpositive thinking.β It involves exploring, discovering, and changing our deepest, most basic attitudes toward life.
β
β
Shakti Gawain (Creative Visualization: Use the Power of Your Imagination to Create What You Want in Your Life)
β
I totally geeked when I discovered (while in college) that Tolkien had a published version of 'Sir Gawain and the Green Knight', so that's my favorite version. I think I have 3 or 4 copies on my bookshelf
β
β
Virginia Chandler
β
When you don't pay attention to your intuition, or go against it, you may find that you feel a certain heaviness, lack of energy, a kind of deadness. This is because the life force is trying to come through and move you in a certain way, and it is being blocked.
β
β
Shakti Gawain (Developing Intuition: Practical Guidance for Daily Life)
β
Let us imagine that life is a river. Most people are clinging to the bank, afraid to let go and risk being carried along by the current of the river. At a certain point, each of us must be willing to simply let go, and trust the river to carry us along safely. At this point, we learn to βgo with the flowβ β and it feels wonderful. Once we have become accustomed to being in the flow of the river, we can begin to look ahead and guide our course onward, deciding where the course looks best, steering the way around boulders and snags, and choosing which of the many channels and branches of the river we prefer to follow, all the while still βgoing with the flow.
β
β
Shakti Gawain (Creative Visualization: Use the Power of Your Imagination to Create What You Want in Your Life)
β
John Matthews' title, 'Gawain, Knight of the Goddess', was confirmation that I wasn't imagining the many layers of Gawain, the court of King Arthur, and most assuredly Gawain's role as a Protector and Champion of the Mother Goddess
β
β
Virginia Chandler
β
Man had gone on, through age after age, avenging wrong with wrong, slaughter with slaughter. Nobody was the better for it, since both sides always suffered, yet everybody was inextricable. The present war might be attributed to Mordred, or to himself. But also it was due to a million Thrashers, to Lancelot, Guenever, Gawaine, everybody. Those who lived by the sword were forced to die by it. It was as if everything would lead to sorrow, so long as man refused to forget the past. The wrongs of Uther and of Cain were wrongs which could have been righted only by the blessing of forgetting them.
β
β
T.H. White (The Once and Future King (The Once and Future King, #1-4))
β
At least Iβm the one leaving. Itβs so much easier to leave than to be left.
β
β
Stefan Emunds (Gawain and the Green Knight)
β
Divine light and divine love are flowing through me and radiating from me to everything around me.
β
β
Shakti Gawain (Creative Visualization: Use the Power of Your Imagination to Create What You Want in Your Life)
β
Our fears arise from things we donβt confront. Once we are willing to look fully and deeply at the source of a fear, it loses its power.
β
β
Shakti Gawain (Creative Visualization: Use the Power of Your Imagination to Create What You Want in Your Life)
β
Was it the wicked leaders who led innocent populations to slaughter, or was it wicked populations who chose leaders after their own hears? On the face of it, it seemed unlikely that one Leader could force a million Englishmen against their will. If, for instance, Mordred had been anxious to make the English wear petticoats, or stand on their heads, they would surely not have joined his party -- however clever or persuasive or deceitful or even terrible his inducements? A leader was surely forced to offer something which appealed to those he led? He might give the impetus to the falling building, but surely it had to be toppling on its own account before it fell? If this were true, then wars were not calamities into which amiable innocents were led by evil men.They were national movements, deeper, more subtle in origin. And, indeed, it did not feel to him as if he or Mordred had led their country to its misery. If it was so easy to lead one's country in various directions, as if she was a pig on a string, why had he failed to lead her into chivalry, into justice, and into peace? He had been trying.
Then again -- this was the second circle -- it was like the Inferno -- if neither he nor Mordred had really set the misery in motion, who had been the cause? How did the fact of war begin in general? For any one war seemed so rooted in its antecedents. Mordred went back to Morgause, Morgause to Uther Pendragon, Uther to his ancestors. It seemed as if Cain had slain Abel, seizing his country, after which the men of Abel had sought to win their patrimony again for ever. Man had gone on, through age after age, avenging wrong with wrong, slaughter with slaughter. Nobody was the better for it, since both sides always suffered, yet everybody was inextricable. The present war might be attributed to Mordred or to himself. But also it was due to a million Thrashers, to Lancelot, Guenever, Gawaine, everybody. Those who lived by the sword were forced to die by it. It was as if everything would lead to sorrow, so long as man refused to forget the past. The wrongs of Uther and of Cain were wrongs which could have been righted only by the blessing of forgetting them.
β
β
T.H. White (The Once and Future King)
β
I am lovable. I am kind and loving, and I have a great deal to share with others. I am talented, intelligent, and creative. I am attractive.I deserve the very best in life. I have a lot to offer and everyone recognizes it. I love the world and the world loves me. I am willing to be happy and successful.
β
β
Shakti Gawain
β
The fairy or fantastic world replaces the classical Hades (or Hell) in Sir Orfeo, and Sir Gawain and the Green Knight takes this fantasy element to new heights. Sir Gawain is one of the Knights of the Round Table, the followers of King Arthur, who is so much of a presence in English history, myth and literature.
β
β
Ronald Carter (The Routledge History of Literature in English: Britain and Ireland)
β
The previous governess had used various monsters and bogeymen as a form of discipline. There was always something waiting to eat or carry off bad boys and girls for crimes like stuttering or defiantly and aggravatingly persisting in writing with their left hand. There was always a Scissor Man waiting for a little girl who sucked her thumb, always a bogeyman in the cellar. Of such bricks is the innocence of childhood constructed. Susanβs attempts at getting them to disbelieve in the things only caused the problems to get worse. Twyla had started to wet the bed. This may have been a crude form of defense against the terrible clawed creature that she was certain lived under it. Susan had found out about this one the first night, when the child had woken up crying because of a bogeyman in the closet. Sheβd sighed and gone to have a look. Sheβd been so angry that sheβd pulled it out, hit it over the head with the nursery poker, dislocated its shoulder as a means of emphasis and kicked it out of the back door. The children refused to disbelieve in the monsters because, frankly, they knew damn well the things were there. But sheβd found that they could, very firmly, also believe in the poker. Now she sat down on a bench and read a book. She made a point of taking the children, every day, somewhere where they could meet others of the same age. If they got the hang of the playground, she thought, adult life would hold no fears. Besides, it was nice to hear the voices of little children at play, provided you took care to be far enough away not to hear what they were actually saying. There were lessons later on. These were going a lot better now sheβd got rid of the reading books about bouncy balls and dogs called Spot. Sheβd got Gawain on to the military campaigns of General Tacticus, which were suitably bloodthirsty but, more importantly, considered too difficult for a child. As a result his vocabulary was doubling every week and he could already use words like βdisemboweledβ in everyday conversation. After all, what was the point of teaching children to be children? They were naturally good at it.
β
β
Terry Pratchett (Hogfather (Discworld, #20))
β
The truth about this earth is that it is an infinitely good, beautiful, nourishing place to be. The only βevilβ comes from a lack of understanding of this truth. Evil (ignorance) is like a shadow β it has no real substance of its own; it is simply a lack of light.
β
β
Shakti Gawain (The Shakti Gawain Essentials: 3 Books in 1: Creative Visualization, Living in the Light & Developing Intuition)
β
She shone in beauty upon the shore; Long did my glance on her alight, and the longer I looked I knew her more.
β
β
J.R.R. Tolkien (Sir Gawain and the Green Knight, Pearl, and Sir Orfeo)
β
No hill was so tall that it stayed my tread.
β
β
J.R.R. Tolkien (Sir Gawain and the Green Knight, Pearl, and Sir Orfeo)
β
Aye, we all know your fondness for apples, brother.
β
β
Phyllis Ann Karr (The Idylls of the Queen: A Tale of Queen Guenevere)
β
I trust my own process. I always have everything I need.
β
β
Shakti Gawain (Creative Visualization: Use the Power of Your Imagination to Create What You Want in Your Life)
β
The purpose of creative visualization is: To connect us with our being. To help us focus and facilitate our doing.
To deepen, expand, and align our having.
β
β
Shakti Gawain (Creative Visualization: Use the Power of Your Imagination to Create What You Want in Your Life)
β
In creative visualization you use your imagination to create a clear image, idea, or feeling of something you wish to manifest.
β
β
Shakti Gawain (Creative Visualization: Use the Power of Your Imagination to Create What You Want in Your Life)
β
The practice of engaging in affirmations allows us to begin replacing some of our stale, worn-out, or negative mind chatter with more positive ideas and concepts.
β
β
Shakti Gawain (Creative Visualization: Use the Power of Your Imagination to Create What You Want in Your Life)
β
Remember, you are a new person at every new moment. Every day is a new day, and each one is an opportunity to realize the wonderful, loving, and lovable person you truly are. .
β
β
Shakti Gawain (Creative Visualization: Use the Power of Your Imagination to Create What You Want in Your Life)
β
God is working through me now. I am filled with creative energy. The light within me is creating miracles in my life here and now.
β
β
Shakti Gawain (Creative Visualization: Use the Power of Your Imagination to Create What You Want in Your Life)
β
Then red fur rips--Reynard
out of his pelt is prised.
β
β
Simon Armitage (Sir Gawain and the Green Knight)
β
Creative visualisation: use the power of your imagination to create what you want in your life by Shakti Gawain
β
β
Robyn R. Pearce (Getting a Grip on Time Management: Tools and tips on how to do goal setting, prioritise, be more efficient and still have work life balance)
β
Thereβs no shame in following your heart,β said Gawain. βBut my brother needs to watch where he steps while doing so. And on whom he steps.
β
β
Robyn Schneider (The Other Merlin (Emry Merlin, #1))
β
It is often very helpful to use creative visualization in picturing yourself as a more relaxed, open person, flowing, living in the here and now, and always connected with your inner essence.
β
β
Shakti Gawain (Creative Visualization: Use the Power of Your Imagination to Create What You Want in Your Life)
β
Ask, and it shall be given you; seek, and ye shall find; knock, and it shall be opened unto you. For every one that asketh, receiveth; and he that seeketh, findeth; and to him that knocketh it shall be opened. β Matthew 7: 7, 8
β
β
Shakti Gawain (The Shakti Gawain Essentials: 3 Books in 1: Creative Visualization, Living in the Light & Developing Intuition)
β
Instead of figuring out what I wanted, setting goals, and trying to control what happened to me, I began to practice tuning in receptively to my intuition and acting on what it told me without always understanding why I was doing what I was doing. It was a feeling of letting go of control, surrendering, and allowing the higher power to be in charge.
β
β
Shakti Gawain (Living in the Light: Follow Your Inner Guidance to Create a New Life and a New World)
β
What this means for our practical purposes is that if you learn to relax deeply and do creative visualization, you may be able to make far more effective changes in your life than you would by thinking, worrying, planning, and trying to manipulate things and people.
β
β
Shakti Gawain (Creative Visualization: Use the Power of Your Imagination to Create What You Want in Your Life)
β
Two literary figures bridge the gap between the mediaeval age and the Renaissance. They are Sir Thomas Malory, the author of Le Morte D'Arthur, and the first 'poet-laureate', John Skelton. In their entirely separate ways, they made distinctive contributions to the history of literature and to the growth of English as a literary language.
........
Le Morte D'Arthur is, in a way, the climax of a tradition of writing, bringing together myth and history, with an emphasis on chivalry as a kind of moral code of honour. The supernatural and fantastic aspects of the story, as in Sir Gawain and the Green Knight, are played down, and the more political aspects, of firm government and virtue, emphasised. It was a book for the times. The Wars of the Roses ended in the same year as Le Morte D'Arthur was published. Its values were to influence a wide readership for many years to come. There is sadness, rather than heroism, in Arthur's final battle..
......
John Skelton is one of the unjustly neglected figures of literature. His reputation suffered at the hands of one of the earliest critics of poetry, George Puttenham, and he is not easily categorised in terms of historical period, since he falls between clearly identified periods like 'mediaeval' and 'Renaissance'. He does not fit in easily either because of the kinds of poetry he wrote. But he is one of the great experimenters, and one of the funniest poets in English.
β
β
Ronald Carter (The Routledge History of Literature in English: Britain and Ireland)
β
Hic Jacet Arthurus Rex Quondam Rexque Futurus
Arthur is goneβ¦Tristram in Careol
Sleeps, with a broken sword - and Yseult sleeps
Beside him, where the Westering waters roll
Over drowned Lyonesse to the outer deeps.
Lancelot is fallen . . . The ardent helms that shone
So knightly and the splintered lances rust
In the anonymous mould of Avalon:
Gawain and Gareth and Galahad - all are dust.
Where do the vanes and towers of Camelot
And tall Tintagel crumble? Where do those tragic
Lovers and their bright eyed ladies rot?
We cannot tell, for lost is Merlin's magic.
And Guinevere - Call her not back again
Lest she betray the loveliness time lent
A name that blends the rapture and the pain
Linked in the lonely nightingale's lament.
Nor pry too deeply, lest you should discover
The bower of Astolat a smokey hut
Of mud and wattle - find the knightliest lover
A braggart, and his lilymaid a slut.
And all that coloured tale a tapestry
Woven by poets. As the spider's skeins
Are spun of its own substance, so have they
Embroidered empty legend - What remains?
This: That when Rome fell, like a writhen oak
That age had sapped and cankered at the root,
Resistant, from her topmost bough there broke
The miracle of one unwithering shoot.
Which was the spirit of Britain - that certain men
Uncouth, untutored, of our island brood
Loved freedom better than their lives; and when
The tempest crashed around them, rose and stood
And charged into the storm's black heart, with sword
Lifted, or lance in rest, and rode there, helmed
With a strange majesty that the heathen horde
Remembered when all were overwhelmed;
And made of them a legend, to their chief,
Arthur, Ambrosius - no man knows his name -
Granting a gallantry beyond belief,
And to his knights imperishable fame.
They were so few . . . We know not in what manner
Or where they fell - whether they went
Riding into the dark under Christ's banner
Or died beneath the blood-red dragon of Gwent.
But this we know; that when the Saxon rout
Swept over them, the sun no longer shone
On Britain, and the last lights flickered out;
And men in darkness muttered: Arthur is goneβ¦
β
β
Francis Brett Young
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Create a Clear Idea or Picture Create an idea, a mental picture, or a feeling of the object or situation exactly as you want it. You should think of it in the present tense as already existing the way you want it to be. Imagine yourself in the situation as you desire it, now. Include as many details as you can.
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Shakti Gawain (Creative Visualization: Use the Power of Your Imagination to Create What You Want in Your Life)
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We each have an infinite supply of love and happiness within us. We have been accustomed to thinking that we have to get something from outside of us in order to be happy, but in truth it works the other way: We must learn to contact our inner source of happiness and satisfaction and flow it outward to share with others β not because it is virtuous to do so, but because it feels really good! Once we tune into it we just naturally want to share it because that is the essential nature of love, and we are all loving beings.
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Shakti Gawain (The Shakti Gawain Essentials: 3 Books in 1: Creative Visualization, Living in the Light & Developing Intuition)
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The universe is unfolding perfectly. I donβt have to hang on. I can relax and let go. I can go with the flow. I trust my own process. I always have everything I need. I have all the love I need within my own heart. I am a lovable and loving person. I am whole in myself. Divine love is guiding me and I am always taken care of. The universe always provides.
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Shakti Gawain (Creative Visualization: Use the Power of Your Imagination to Create What You Want in Your Life)
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... right glad is the grass that grows in the open, when the damp dewdrops are dripping from the leaves, to greet a gay glance of the glistening sun.
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J.R.R. Tolkien (Sir Gawain and the Green Knight, Pearl, and Sir Orfeo)
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The world is an ambitious business. It continuously expands and evolves. But people are lazy and God is far too lovely to do something about it.
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Stefan Emunds (Gawain and the Green Knight)
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When we create something, we always create it first in thought form. A thought or idea always precedes manifestation
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Shakti Gawain (Creative Visualization: Use the Power of Your Imagination to Create What You Want in Your Life)
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There are well known Arthurian figures in the book, and some not so well known. Mabon plays a pivotal role in the tale as the Motherless Child who helps Rhowbyn, the narrator of the tale, to find and reconcile with his missing parent. Th
ere is a game of riddles in which Mabon and Rhowbyn engage that is both an homage to Tolkien and a nod of acknowledgement to events from 'The Mabinogion' and specifically the tale of Culwch and Olwen
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Virginia Chandler
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In the Medieval poem, we are surrounded by Winter, but I always imagined the Green Chapel and the castle of Lord and Lady Bercilak in all seasons. I was quite convinced (and still am) that Gawain did not return to Camelot immediately after his initiatory encounter with the Green Knight. That's where 'The Green Knight's Apprentice' began, I think, in my imaginings of what Gawain would learn and experience after his initiation was complete
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Virginia Chandler
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(...) Sir Boris had fought and killed the Paynim; Sir Gawain, the Turk; Sir Miles, the Pole; Sir Andrew, the Frank; Sir Richard, the Austrian; Sir Jordan, the Frenchman; and Sir Herbert, the Spaniard. But of all that killing and campaigning, that drinking and love-making, that spending and hunting and riding and eating, what remained? A skull; a finger. Whereas, he said, turning to the page of Sir Thomas Browne, which lay open upon the table β and again he paused. Like an incantation rising from all parts of the room, from the night wind and the moonlight, rolled the divine melody of those words which, lest they should outstare this page, we will leave where they lie entombed, not dead, embalmed rather, so fresh is their colour, so sound their breathing β and Orlando, comparing that achievement with those of his ancestors, cried out that they and their deeds were dust and ashes, but this man and his words were immortal.
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Virginia Woolf
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Focus on It Often Bring your idea or mental picture to mind often, both in quiet meditation periods, and also casually throughout the day when you happen to think of it. In this way it becomes an integrated part of your life, and it becomes more of a reality for you. Focus on it clearly, yet in a light, relaxed way. Itβs important not to feel like you are striving too hard for it or putting an excessive amount of energy into it β that tends to hinder rather than help.
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Shakti Gawain (Creative Visualization: Use the Power of Your Imagination to Create What You Want in Your Life)
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I that in heill was and gladnèss
Am trublit now with great sickness
And feblit with infirmitie:-
Timor Mortis conturbat me.
Our plesance here is all vain glory,
This fals world is but transitory,
The flesh is bruckle, the Feynd is slee:-
Timor Mortis conturbat me.
The state of man does change and vary,
Now sound, now sick, now blyth, now sary,
Now dansand mirry, now like to die:-
Timor Mortis conturbat me.
No state in Erd here standis sicker;
As with the wynd wavis the wicker
So wannis this world's vanitie:-
Timor Mortis conturbat me.
Unto the Death gois all Estatis,
Princis, Prelatis, and Potestatis,
Baith rich and poor of all degree:-
Timor Mortis conturbat me.
He takis the knichtis in to the field
Enarmit under helm and scheild;
Victor he is at all mellie:-
Timor Mortis conturbat me.
That strong unmerciful tyrand
Takis, on the motheris breast sowkand,
The babe full of benignitie:-
Timor Mortis conturbat me.
He takis the campion in the stour,
The captain closit in the tour,
The lady in bour full of bewtie:-
Timor Mortis conturbat me.
He spairis no lord for his piscence,
Na clerk for his intelligence;
His awful straik may no man flee:-
Timor Mortis conturbat me.
Art-magicianis and astrologgis,
Rethoris, logicianis, and theologgis,
Them helpis no conclusionis slee:-
Timor Mortis conturbat me.
In medecine the most practicianis,
Leechis, surrigianis, and physicianis,
Themself from Death may not supplee:-
Timor Mortis conturbat me.
I see that makaris amang the lave
Playis here their padyanis, syne gois to grave;
Sparit is nocht their facultie:-
Timor Mortis conturbat me.
He has done petuously devour
The noble Chaucer, of makaris flour,
The Monk of Bury, and Gower, all three:-
Timor Mortis conturbat me.
The good Sir Hew of Eglintoun,
Ettrick, Heriot, and Wintoun,
He has tane out of this cuntrie:-
Timor Mortis conturbat me.
That scorpion fell has done infeck
Maister John Clerk, and James Afflek,
Fra ballat-making and tragedie:-
Timor Mortis conturbat me.
Holland and Barbour he has berevit;
Alas! that he not with us levit
Sir Mungo Lockart of the Lee:-
Timor Mortis conturbat me.
Clerk of Tranent eke he has tane,
That made the anteris of Gawaine;
Sir Gilbert Hay endit has he:-
Timor Mortis conturbat me.
He has Blind Harry and Sandy Traill
Slain with his schour of mortal hail,
Quhilk Patrick Johnstoun might nought flee:-
Timor Mortis conturbat me.
He has reft Merseir his endite,
That did in luve so lively write,
So short, so quick, of sentence hie:-
Timor Mortis conturbat me.
He has tane Rowll of Aberdene,
And gentill Rowll of Corstorphine;
Two better fallowis did no man see:-
Timor Mortis conturbat me.
In Dunfermline he has tane Broun
With Maister Robert Henrysoun;
Sir John the Ross enbrast has he:-
Timor Mortis conturbat me.
And he has now tane, last of a,
Good gentil Stobo and Quintin Shaw,
Of quhom all wichtis hes pitie:-
Timor Mortis conturbat me.
Good Maister Walter Kennedy
In point of Death lies verily;
Great ruth it were that so suld be:-
Timor Mortis conturbat me.
Sen he has all my brether tane,
He will naught let me live alane;
Of force I man his next prey be:-
Timor Mortis conturbat me.
Since for the Death remeid is none,
Best is that we for Death dispone,
After our death that live may we:-
Timor Mortis conturbat me
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William Dunbar (Poems)
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- A Mai Dun - riprese Merlino - ci sono andato molto vicino. Davvero molto vicino. Ma sono stato troppo debole, Derfel. Voglio troppo bene ad ArtΓΉ. PerchΓ©? Non Γ¨ spiritoso, nella conversazione puΓ² essere noioso quanto lo era Gawain e per giunta ha un assurdo attaccamento alla virtΓΉ, ma io gli voglio bene. E anche a te ne voglio, purtroppo. Una debolezza, lo so. Posso anche apprezzare gli uomini arrendevoli, ma ho in simpatia gli uomini onesti. Ammiro la forza schietta, capisci, e a Mai Dun ho lasciato che questa mia debolezza avesse il sopravvento.
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Bernard Cornwell (La spada perduta)
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As we rode slowly through the battle camp, the sounds and smells of war overwhelmed my senses: horses stamping and sweating in anticipation; men shouting; the steady rhythm of metal grinding on stone; leather snapping and buckling, and woo
d crackling in flame. The simmering energy of warriors as they eagerly awaited battle slithered through the camp like an invisible serpent
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Virginia Chandler (The Green Knight's Apprentice)
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In the energies of the Green Knight, we have an Elder who comes to the entire court of Arthur to challenge and "open a bridge" to the Otherworld. Here is the Holly King, the Forest Lord, the Green Man. The Green Knight enters Arthur's court at a Yuletide festival and challenges at once both Arthur and his warriors to step forth and take part in the traditional Beheading contest
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Virginia Chandler
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The Lord and Lady of the Fair Folk sat at our own table, dressed in robes of red and black, their faces painted in patterns with ash and oils. Their eyes were intense, almost searing, and I found myself still unable to hold their gaze for
more than a moment. I felt naked within their gaze, but even more so, unwhole. As if there were parts of me missing and only they knew where to find them
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Virginia Chandler (The Green Knight's Apprentice)
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I suppose it could be said that indeed all my roads to Arthur have led to my novel, The Green Knightβs Apprentice. I read Malory when I was very young and my first reading left me with very v
ivid images that haunt me still: white stags, headless damsels, horns hanging from tree limbs, and giants. Oh yes, I had the usual sword in the stone, lady of the lake, and Holy Grail images, too, I assure you.
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Virginia Chandler
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Lotto began to smile and she saw he was her tiny image with her dimples and charm, she forgave him. A relief, to find her own beauty there. Her husbandβs family were not a lovely people, descendants of every kind of Floridian from original Timucua through Spanish and Scot and escaped slave and Seminole and carpetbagger; mostly they bore the look of overcooked Cracker. Sallie was sharp-faced, bony. Gawain was hairy and huge and silent; it was a joke in Hamlin that he was only half human, the spawn of a bear that had waylaid his mother on her way to the outhouse. Antoinette had historically gone for the smooth and pomaded, the suave steppers, the loudly moneyed, but a year married, she found herself still so stirred by her husband that when he came in at night she followed him full-clothed into the shower as if in a trance.
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Lauren Groff (Fates and Furies)
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There is a passage in the Old French Queste del Saint Graal that epitomizes the true spirit of Western man. It tells of a day when the knights of Arthurβs court gathered in the banquet hall waiting for dinner to be served. It was a custom of that court that no meal should be served until an adventure had come to pass. Adventures came to pass in those days frequently so there was no danger of Arthurβs people going hungry. On the present occasion the Grail appeared, covered with a samite cloth, hung in the air a moment, and withdrew. Everyone was exalted, and Gawain, the nephew of King Arthur, rose and suggested a vow. βI propose,β he said, βthat we all now set forth in quest to behold that Grail unveiled.β And so it was that they agreed. There then comes a line that, when I read it, burned itself into my mind. βThey thought it would be a disgrace to go forth in a group. Each entered the forest at the point that he himself had chosen, where it was darkest, and there was no way or path.β No way or path! Because where there is a way or path, it is someone elseβs path. And that is what marks the Western spirit distinctly from the Eastern. Oriental gurus accept responsibility for their disciplesβ lives. They have an interesting term, βdelegated free will.β The guru tells you where you are on the path, who you are, what to do now, and what to do next. The romantic quality of the West, on the other hand, derives from an unprecedented yearning, a yearning for something that has never yet been seen in this world. What can it be that has never yet been seen? What has never yet been seen is your own unprecedented life fulfilled. Your life is what has yet to be brought into being.
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Joseph Campbell (Thou Art That: Transforming Religious Tradition (Collected Works of Joseph Campbell))
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Standing upright in the solitude of his room, he vowed that he would be the first poet of his race and bring immortal lustre upon his name. He said (reciting the names and exploits of his ancestors) that Sir Boris had fought and killed the Paynim; Sir Gawain, the Turk; Sir Miles, the Pole; Sir Andrew, the Frank; Sir Richard, the Austrian; Sir Jordan, the Frenchman; and Sir Herbert, the Spaniard. But of all that killing and campaigning, that drinking and lovemaking, that spending and hunting and riding and eating, what remained? A skull; a finger. Whereas, he said, turning to the page of Sir Thomas Browne, which lay open upon the table - and again he paused. Like an incantation rising from all parts of the room, from the night wind and the moonlight, rolled the divine melody of those words which, lest they should outstare this page, we will leave where they lie entombed, not dead, embalmed rather, so fresh is their colour, so sound their breathing - and Orlando, comparing that achievement with those of his ancestors, cried out that they and their deeds were dust and ashes, but this man and his words were immortal,
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Virginia Dalloway, Orlando