β
Wherever you find a great man, you will find a great mother or a great wife standing behind him -- or so they used to say. It would be interesting to know how many great women have had great fathers and husbands behind them.
β
β
Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
β
He dug so deeply into her sentiments that in search of interest he found love, because by trying to make her love him he ended up falling in love with her. Petra Cotes, for her part, loved him more and more as she felt his love increasing, and that was how in the ripeness of autumn she began to believe once more in the youthful superstition that poverty was the servitude of love. Both looked back then on the wild revelry, the gaudy wealth, and the unbridled fornication as an annoyance and they lamented that it had cost them so much of their lives to find the paradise of shared solitude. Madly in love after so many years of sterile complicity, they enjoyed the miracle of living each other as much at the table as in bed, and they grew to be so happy that even when they were two worn-out people they kept on blooming like little children and playing together like dogs.
β
β
Gabriel GarcΓa MΓ‘rquez (One Hundred Years of Solitude)
β
How fleeting are all human passions compared with the massive continuity of ducks.
β
β
Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
β
Do you find it easy to get drunk on words?"
"So easy that, to tell you the truth, I am seldom perfectly sober.
β
β
Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
β
Give every man thy ear, but few thy voice; Take each man's censure, but reserve thy judgment. But not express'd in fancy; rich, not gaudy; For the apparel oft proclaims the man, And they in France of the best rank and station Are of a most select and generous chief in that.
β
β
William Shakespeare (Hamlet)
β
Some people's blameless lives are to blame for a good deal.
β
β
Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
β
A facility for quotation covers the absence of original thought.
β
β
Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
β
When they asked some old Roman philosopher or other how he wanted to die, he said he would open his veins in a warm bath. I thought it would be easy, lying in the tup and seeing the redness flower from my wrists, flush after flush through the clear water, till I sank into sleep under a surface gaudy as poppies.
β
β
Sylvia Plath (The Bell Jar)
β
What are you to do with the people who are cursed with both hearts and brains?
β
β
Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
β
I faced the gaudy sunflower on her canvas bag -- it looked hand-painted and at last my eyes fell into hers. I said, 'Thanks for the card.' Her smile put the sunflower to shame. She walked off.
β
β
Jerry Spinelli (Stargirl (Stargirl, #1))
β
I gather that he nearly knocked you down, damaged your property, and generally made a nuisance of himself, and that you instantly concluded he must be some relation to me.
β
β
Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
β
If it ever occurs to people to value the honour of the mind equally with the honour of the body, we shall get a social revolution of a quite unparalleled sort.
β
β
Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
β
To be closed from everything, and yet to feel, to think...This is the truth of hell, stripped of its gaudy medievalisms. This loss of contact.
β
β
Joanne Harris (Chocolat (Chocolat, #1))
β
The rule seemed to be that a great woman must either die unwed ... or find a still greater man to marry her. ... The great man, on the other hand, could marry where he liked, not being restricted to great women; indeed, it was often found sweet and commendable in him to choose a woman of no sort of greatness at all.
β
β
Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
β
A legion of horribles, hundreds in number, half naked or clad in costumes attic or biblical or wardrobed out of a fevered dream with the skins of animals and silk finery and pieces of uniform still tracked with the blood of prior owners, coats of slain dragoons, frogged and braided cavalry jackets, one in a stovepipe hat and one with an umbrella and one in white stockings and a bloodstained wedding veil and some in headgear or cranefeathers or rawhide helmets that bore the horns of bull or buffalo and one in a pigeontailed coat worn backwards and otherwise naked and one in the armor of a Spanish conquistador, the breastplate and pauldrons deeply dented with old blows of mace or sabre done in another country by men whose very bones were dust and many with their braids spliced up with the hair of other beasts until they trailed upon the ground and their horses' ears and tails worked with bits of brightly colored cloth and one whose horse's whole head was painted crimson red and all the horsemen's faces gaudy and grotesque with daubings like a company of mounted clowns, death hilarious, all howling in a barbarous tongue and riding down upon them like a horde from a hell more horrible yet than the brimstone land of Christian reckoning, screeching and yammering and clothed in smoke like those vaporous beings in regions beyond right knowing where the eye wanders and the lip jerks and drools.
β
β
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
β
A marriage of two independent and equally irritable intelligences seems to me reckless to the point of insanity.
β
β
Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
β
She walks in beauty, like the night
Of cloudless climes and starry skies;
And all thatβs best of dark and bright
Meet in her aspect and her eyes:
Thus mellowβd to that tender light
Which heaven to gaudy day denies.
One shade the more, one ray the less,
Had half impaired the nameless grace
Which waves in every raven tress,
Or softly lightens oβer her face;
Where thoughts serenely sweet express
How pure, how dear their dwelling-place.
And on that cheek, and oβer that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all
A heart whose love is innocent!
β
β
Lord Byron (Selected Poems of Lord Byron)
β
I imagine you come across a number of people who are disconcerted by the difference between what you do feel and what they fancy you ought to feel. It is fatal to pay the smallest attention to them.
β
β
Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
β
We shall know what things are of overmastering importance when they have overmastered us.
β
β
Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
β
When they asked some old Roman philosopher or other how he wanted to die, he said he would open his veins in a warm bath. I thought it would be easy, lying in the tub and seeing the redness flower from my wrists, flush after flush through the clear water, till I sank to sleep under a surface gaudy of poppies.
But when it came right down to it, the sink of my wrist looked so white and defenseless that I couldn't do it. It was as if what I wanted to kill wasn't in that skin or the thin blue pulse that jumped under my thumb, but somewhere else, deeper, more secret, and a whole lot harder to get at.
β
β
Sylvia Plath (The Bell Jar)
β
It was like that all the time, in those years: an endless trip, a gaudy voyage. But powers decay. Time leaches the colors from the best of visions. The world becomes grayer. Entropy beats us down. Everything fades. Everything goes. Everything dies.
β
β
Robert Silverberg (Dying Inside)
β
He was being about as protective as a can-opener.
β
β
Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
β
The only ethical principle which has made science possible is that the truth shall be told all the time. If we do not penalize false statements made in error, we open up the way for false statements by intention. And a false statement of fact, made deliberately, is the most serious crime a scientist can commit.
β
β
Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
β
Placetne, magistra?"
"Placet.
β
β
Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
β
Damen had half expected a gaudy parade costume, but Laurent had always defined himself against the opulence of the court. And he did not need gilt to be recognised under a parade standard, only the uncovered bright of his hair.
β
β
C.S. Pacat (Captive Prince (Captive Prince, #1))
β
Words of Emancipation didn't arrive until the middle of June so they called it Juneteenth. So that was it, the night of Juneteenth celebration, his mind went on. The celebration of a gaudy illusion.
β
β
Ralph Ellison (Juneteenth)
β
It is said that love and a cough cannot be hid.
β
β
Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
β
I know what you're thinking - that anybody with proper sensitive feelings would rather scrub floors for a living. But I should scrub floors very badly, and I write detective stories rather well. I don't see why proper feelings should prevent me from doing my proper job.
β
β
Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
β
Sad; so sad, those smoky-rose, smoky-mauve evenings of late autumn, sad enough to pierce the heart. The sun departs the sky in winding sheets of gaudy cloud; anguish enters the city, a sense of the bitterest regret, a nostalgia for things we never knew, anguish of the turn of the year, the time of impotent yearning, the inconsolable season.
β
β
Angela Carter (Saints and Strangers)
β
Because hereβs the thing about detailsβthey can also be a distraction. Add too many and it obscures the brutal truth about a situation. They become the gaudy necklace that hides the tracheotomy scar.
β
β
Riley Sager (Final Girls)
β
It is not materialism that is the chief curse of the world, but idealism. Men get into trouble by taking all their gaudy visions and hallucinations seriously.
β
β
H.L. Mencken (A Second Mencken Chrestomathy)
β
From man's blood-sodden heart are sprung
Those branches of the night and day
Where the gaudy moon is hung.
What's the meaning of all song?
"Let all things pass away.
β
β
W.B. Yeats
β
...one's family is made up of supporting players in one's personal drama. One never supposes that they starred in some possibly gaudy and certainly deeply felt show of their own.
β
β
Robertson Davies (Murther and Walking Spirits (Toronto Trilogy, #1))
β
All the children seem to be coming out quite intelligent, thank goodness. It would have been such a bore to be the mother of morons, and itβs an absolute toss-up, isnβt it? If one could only invent them, like characters in books, it would be much more satisfactory to a well-regulated mind.
β
β
Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
β
I wonder if Gaudi was collecting pieces
of broken tiles,
trying to mend his shattered heart,
his crushed soul,
his splintered being,
his overwhelming sorrow for the unrequited love.
β
β
Tatjana Ostojic (Cacophony of My Soul: When Love Becomes Poetry)
β
He had the appeal of a very young dog of a very large breed -- a kind of amiable absurdity.
β
β
Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
β
To subdue one's self to one's own ends might be dangerous, but to subdue one's self to other people's ends was dust and ashes. Yet there were those, still more unhappy, who envied even the ashy saltness of those dead sea apples.
β
β
Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
β
What do angels look like? I saw one today wering gaudy jewelry, spoke with a thick Spanish accent, quoted 'Chakespeare.' She said, 'All the world's a stage and sometimes you just gotta roll with los punches.
β
β
Monique Duval (The Persistence of Yellow: Book of Recipes for Life)
β
There's something hypnotic about the word tea.
β
β
Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
β
Give thy thoughts no tongue, Nor any unproportioned thought his act. Be thou familiar, but by no means vulgar; Those friends thou hast, and their adoption tried, Grapple them to thy soul with hoops of steel, But do not dull thy palm with entertainment Of each new-hatched unfledged comrade. Beware Of entrance to a quarrel, but being in, Bearβt that thβopposΓ¨d may beware of thee. Give every man thy ear, but few thy voice; Take each manβs censure, but reserve thy judgement. Costly thy habit as thy purse can buy, But not expressed in fancy; rich, not gaudy; For the apparel oft proclaims the man, And they in France of the best rank and station Are most select and generous, chief in that. Neither a borrower nor a lender be, For loan oft loses both itself and friend, And borrowing dulls the edge of husbandry. This above all: to thine own self be true; And it must follow, as the night the day, Thou canst not then be false to any man.
β
β
William Shakespeare (Hamlet)
β
A good editor is like tinsel to a Christmas Tree...they add the perfect amount of sparkle without being gaudy.
β
β
Bobbi Romans
β
...photographs of girl-children; some gaudy moth or butterfly, still alive, safely pinned to the wall.
β
β
Vladimir Nabokov (Lolita)
β
The first thing a principle does is to kill somebody.
--Gaudy Night
β
β
Dorothy L. Sayers
β
And then, at night, the lit lamp and the drawn curtain, with the flutter of the turned page and soft scrape of pen on paper the only sounds to break the silence between quarter- and quarter-chime.
β
β
Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
β
I entirely agree that a historian ought to be precise in detail; but unless you take all the characters and circumstances into account, you are reckoning without the facts. The proportions and relations of things are just as much facts as the things themselves.
β
β
Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
β
Tom was like the rest of the respectable boys, in that he envied Huckleberry his gaudy outcast condition, and was under strict orders not to play with him. So he played with him every time he got a chance. Huckleberry
β
β
Mark Twain (Tom Sawyer Collection - All Four Books (Black Horse Classics))
β
There was the gaudy patch of sunflowers beside the west gate of the palace of the Prince of Ombria, that did nothing all day long but turn their golden-haired, thousand-eyed faces to follow the sun.
β
β
Patricia A. McKillip (Ombria in Shadow)
β
It's disquieting to reflect that one's dreams never symbolize one's real wishes, but always something Much Worse... If I really wanted to be passionately embraced by Peter, I should dream of dentists or gardening. I wonder what unspeakable depths of awfulness can only be expressed by the polite symbol of Peter's embraces?
β
β
Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
β
I do know the worst sin--perhaps the only sin--passion can commit, is to be joyless.
β
β
Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
β
I have never seen a more sublime demonstration of the totalitarian mind, a mind which might be linked unto a system of gears where teeth have been filed off at random. Such snaggle-toothed thought machine, driven by a standard or even by a substandard libido, whirls with the jerky, noisy, gaudy pointlessness of a cuckoo clock in Hell.
The boss G-man concluded wrongly that there were no teeth on the gears in the mind of Jones. 'You're completely crazy,' he said.
Jones wasn't completely crazy. The dismaying thing about classic totalitarian mind is that any given gear, thought mutilated, will have at its circumference unbroken sequences of teeth that are immaculately maintained, that are exquisitely machined.
Hence the cuckoo clock in Hell - keeping perfect time for eight minutes and twenty-three seconds, jumping ahead fourteen minutes, keeping perfect time for six seconds, jumping ahead two seconds, keeping perfect time for two hours and one second, then jumping ahead a year.
The missing teeth, of course, are simple, obvious truths, truths available and comprehensible even to ten-year-olds, in most cases.
The wilful filling off a gear teeth, the wilful doing without certain obvious pieces of information -
That was how a household as contradictory as one composed of Jones, Father Keeley, Vice-Bundesfuehrer Krapptauer, and the Black Fuehrer could exist in relative harmony -
That was how my father-in-law could contain in one mind an indifference toward slave women and love fora a blue vase -
That was how Rudolf Hess, Commandant of Auschwitz, could alternate over the loudspeakers of Auschwitz great music and calls for corpse-carriers -
That was how Nazi Germany sense no important difference between civilization and hydrophobia -
That is the closest I can come to explaining the legions, the nations of lunatics I've seen in my time.
β
β
Kurt Vonnegut Jr. (Mother Night)
β
The sofa clattered back into motion and came after her but was confined to the shed. It stopped in the doorway, glaring at her and shaking threatening tassels--if an object without eyes can be said to glare. Sophronia felt sorry for the chaise longue, but she wasn't going to risk being caught in order to mollify a gaudy piece of furniture.
β
β
Gail Carriger (Curtsies & Conspiracies (Finishing School, #2))
β
I thought it would be easy, lying in the tub and seeing the redness flower from my wrists, flush after flush through the clear water, till I sank to sleep under a surface gaudy as poppies.
β
β
Sylvia Plath (The Bell Jar)
β
At three in the morning the gaudy paint is off that old whore, the world, and she has no nose and a glass eye. Gaiety becomes hollow and brittle, as in Poe's castle surrounded by the Red Death. Horror is destroyed by boredom. Love is a dream.
β
β
Stephen King (βSalemβs Lot)
β
The gaudy colouring with which she veiled her unhappiness afforded as little real comfort as the gay uniform of the soldier when it is drawn over his mortal wound.
β
β
Walter Scott (The Heart of Mid-Lothian)
β
Behold the Drojim Palace," King Urgit said extravagantly to Sadi, "the hereditary home of the House of Urga."
"A most unusual structure, You Majesty," Sadi murmured.
"That's a diplomatic way to put it." Urgit looked critically at his palace. "It's gaudy, ugly, and in terribly bad taste. It does, however, suit my personality almost perfectly.
β
β
David Eddings (Demon Lord of Karanda (The Malloreon, #3))
β
But suppose one doesn't quite know which one wants to put first. Suppose," said Harriet, falling back on words which were not her own, "suppose one is cursed with both a heart and a brain?"
"You can usually tell," said Miss de Vine, "by seeing what kind of mistakes you make. I'm quite sure that one never makes fundamental mistakes about the thing one really wants to do. Fundamental mistakes arise out of lack of genuine interest. In my opinion, that is.
β
β
Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
β
That evening, as I watched the sunsetβs pinwheels of apricot and mauve slowly explode into red ribbons, I thought: The sensory misers will inherit the earth, but first they will make it not worth living on. When you consider something like death, after which (there being no news flash to the contrary) we may well go out like a candle flame, then it probably doesnβt matter if we try too hard, are awkward sometimes, care for one another too deeply, are excessively curious about nature, are too open to experience, enjoy a nonstop expense of the senses in an effort to know life intimately and lovingly. It probably doesnβt matter if, while trying to be modest and eager watchers of lifeβs many spectacles, we sometimes look clumsy or get dirty or ask stupid questions or reveal our ignorance or say the wrong thing or light up with wonder like the children we all are. It probably doesnβt matter if a passerby sees us dipping a finger into the moist pouches of dozens of ladyβs slippers to find out what bugs tend to fall into them, and thinks us a bit eccentric. Or a neighbor, fetching her mail, sees us standing in the cold with our own letters in one hand and a seismically red autumn leaf in the other its color hitting our sense like a blow from a stun gun, as we stand with a huge grin, too paralyzed by the intricately veined gaudiness of the leaf to move.
β
β
Diane Ackerman (A Natural History of the Senses)
β
There is only one kind of wisdom that has any social value, and that is the knowledge of one's own limitations.
β
β
Dorothy L. Sayers
β
You may say you wonβt interfere with another personβs soul, but you doβmerely by existing. The snag about it is the practical difficulty, so to speak, of not existing.
β
β
Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
β
One of the first evidences of a real lady, is that she should be modest. By modesty we mean that she shall not say, do, nor wear anything that would cause her to appear gaudy, ill-bred, or unchaste. There should be nothing about her to attract unfavorable attention, nothing in her dress or manner that would give a man an excuse for vulgar comment. When we dress contrary to the rule of modesty we give excuse for unwholesome thoughts in the mind of those who look upon us, and every girl who oversteps these bounds makes herself liable to misunderstanding and insult, though she may be innocent of any such intention.
β
β
Margaret Hale
β
And when I looked up and saw you as you were, in no gaudy robes and bearing no solemn goblet - suddenly I had hope.'
'I did not see you looking,' said Mirasol.
'I did no want you to see,' said the Master.'And I looked away quickly, because I knew the hope was false. I knew - I think I knew - that it was not really about hope, it was about looking at you. And so I looked at Horuld, and at his sword, and reminded myself that they were about to kill me.
β
β
Robin McKinley (Chalice)
β
This was the Karachi now β barbed wires protecting consulates, the pretentious covering themselves with faces of those who were hiding behind those barbed wires. This was Karachi β gaudy and luxurious, with a faΓ§ade of glamor, ignoring the truth underneath. But Sophie was no cynic, and still loved the city she had returned to. βYou canβt hate whatβs yours,β she smiled to herself.
β
β
Umair Naeem (Drowning Shadows)
β
For the Bible, despite all its contradictions and absurdities, its barbarisms and obscenities, remains grand and gaudy stuff, and so it deserves careful study and enlightened exposition. It is not only lovely in phrase; it is also rich in ideas, many of them far from foolish. One somehow gathers the notion that it was written from end to end by honest menβinspired, perhaps, but nevertheless honest. When they had anything to say they said it plainly, whether it was counsel that enemies be slain or counsel that enemies be kissed. They knew how to tell a story, and how to sing a song, and how to swathe a dubious argument in specious and disarming words.
β
β
H.L. Mencken (H.L. Mencken on Religion)
β
It's tucked away in a quiet corner, shadowed and obscured, no part of the Nightside's usual bright gaudy neon noir. It doesn't advertise and it doesn't care if you habitually pass by on the other side. It's just there for when you need it. Dedicated to the patron saint of lost causes, St. Jude's is an old old place... St. Jude's isn't a place for comfort for frills and fancies and the trappings of religion. just a place where you can talk to your god and sometimes get an answer.
β
β
Simon R. Green (Agents of Light and Darkness (Nightside, #2))
β
Lisbon, to me,
is the Lisbon of Pessoa.
Just like London is Woolfβs,
or rather, Mrs. Dallowayβs.
Barcelona is GaudΓ's
and Rome is da Vinciβs.
You see them in every crevice
and hear their echoes
in every cathedral.
Iβd like to be the child,
or rather, the mother of a city
but I neither have a home
nor a resting place.
My race is humankind.
My religion is kindness.
My work is love
and, well, my city
is the walls of your heart.
β
β
Kamand Kojouri
β
But what I do love about this road is how the gaudy becomes grand, how tastelessness is a way of everyday life
β
β
Michael Zadoorian (The Leisure Seeker)
β
A gaudy dress and gentle air May slightly touch the heart; But it's innocence and modesty That polishes the dart.
β
β
Robert Burns (Poems and Songs of Robert Burns)
β
Females of domestic reputation lounged upon the balconies they passed with faces gotten up in indigo and almagre gaudy as the rumps of apes and they peered from behind their fans with a kind of lurid coyness like transvestites in a madhouse.
β
β
Cormac McCarthy (Blood Meridian: Or the Evening Redness in the West)
β
The stars burned with a lidless fixity and they drew nearer in the night until toward dawn he was stumbling among the whinstones of the uttermost ridge to heaven, a barren range of rock so enfolded in that gaudy house that stars lay awash at his feet and migratory spalls of burning matter crossed constantly about him on their chartless reckonings.
β
β
Cormac McCarthy (Blood Meridian: Or the Evening Redness in the West)
β
What'll Geoffrey do when you pull off your First, my child?" demanded Miss Haydock.
"Well, Eve -- it will be awkward if I do that. Poor lamb! I shall have to make him believe I only did it by looking fragile and pathetic at the viva.
β
β
Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
β
I suppose one oughtnβt to marry anybody, unless oneβs prepared to make him a full-time job.β
βProbably not; though there are a few rare people, I believe, who donβt look on themselves as jobs but as fellow creatures.
β
β
Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
β
Like many visitors, they had been unnerved by the inimitable creepiness of the Holy Sepulchre, a grimly gaudy, theopathical Turkish bathhouse where their childhood saints glared like demented spooks from every moldering wall.
β
β
Robert Stone (Damascus Gate)
β
He let his lips form a half-smile. βYou arenβt going to offer me one of your gaudy Veretian handkerchiefs?β βYou could use the clothing youβre wearing. Itβs about the same size.β βYour poor Veretian sensibilities. All those wrists and ankles.β βAnd arms and thighs and every other part.β βMy
β
β
C.S. Pacat (Kings Rising (Captive Prince, #3))
β
Lord, teach us to take our hearts and look them in the face, however difficult it may be.
β
β
Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
β
Harriet had long ago discovered that one could not like people any the better, merely because they were ill, or deadβstill less because one had once liked them very much.
β
β
Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
β
At times I feel your voice is reaching me from far away, while I am prisoner of a gaudy and unlivable present, when all forms of human society have reached an extreme of their cycle and there is no imagining what new forms they may assume. And I hear, from your voice, the invisible reasons which make cities live, through which perhaps, once dead, they will come to life again.
β
β
Italo Calvino (Invisible Cities)
β
Thatβs what happens in our hearts. The holes do not disappear, but scar tissue grows and becomes part of who we are. The same takes place in nature. As the famous Spanish architect Antoni Gaudi observed, 'There are no straight lines or sharp corners in nature.' The most stable structures in natureβ like trees or spiderwebsβ have angular and curved lines. As our hearts grow larger, and we learn that scar tissue is not so ugly after all, we accommodate what we had thought would be unendurable. And we realize that the wisdom we have gained would not have been possible without the losses we have known, even those that seemed impossible to bear.
β
β
Daniel Gottlieb (The Wisdom We're Born with: Restoring Our Faith in Ourselves)
β
Yet here, Laertes? Aboard, aboard, for shame!
The wind sits in the shoulder of your sail,
And you are stay'd for. There, my blessing with thee.
And these few precepts in thy memory
See thou character. Give thy thoughts no tongue,
Nor any unproportion'd thought his act.
Be thou familiar, but by no means vulgar.
Those friends thou hast, and their adoption tried,
Grapple them to thy soul with hoops of steel;
But do not dull thy palm with entertainment
Of each new-hatch'd, unfledged comrade. Beware
Of entrance to a quarrel; but being in,
Bear't that the opposed may beware of thee.
Give every man thy ear, but few thy voice;
Take each man's censure, but reserve thy judgment.
Costly thy habit as thy purse can buy,
But not express'd in fancy; rich, not gaudy;
For the apparel oft proclaims the man,
And they in France of the best rank and station
Are of a most select and generous, chief in that.
Neither a borrower nor a lender be;
For loan oft loses both itself and friend,
And borrowing dulls the edge of husbandry.
This above all: to thine own self be true,
And it must follow, as the night the day,
Thou canst not then be false to any man.
Farewell. My blessing season this in thee!
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William Shakespeare
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She resented the way in which he walked in and out of her mind as if it was his own flat.
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Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
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Women always studied other women, and did so far more critically than men ever did. Men didnβt notice the run in their stocking, the lipstick on their teeth, the dated, outgrown haircut, the skirt that pulled unflattering across the hips, the paste earrings that were a touch too gaudy. Violet registered every flaw and knew every flaw that was being noted about her.
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Tracy Chevalier (A Single Thread)
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Why did I laugh tonight? No voice will tell
No God, no demon of severe response
Deigns to reply from heaven or from hell
Then to my human heart I turn at once:
Heart, thou and I are here, sad and alone,
Say, why did I laugh? O mortal pain!
O darkness! darkness! Forever must I moan
To question heaven and hell and heart in vain?
Why did I laugh? I know this being's lease
My fancy to it's utmost blisses spreads
Yet would I on this very midnight cease
And all the world's gaudy ensigns see in shreds
Verse, fame and beauty are intense indeed
But death intenser, death is life's high meed.
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John Keats
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Thereβs something hypnotic about the word βteaβ. Iβm asking you to enjoy the beauties of the English countryside; to tell me your adventures and hear mine; to plan a campaign involving the comfort and reputation of two-hundred people; to honor me with your sole presence and to bestow upon me the illusion of paradise, and I speak as though the pre-eminent object of all desire were a pot of boiled water and a plateful of synthetic pastries in Ye Olde Worlde Tudor Tea Shoppe.
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Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
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The mellow bells, soaring and singing in tower and steeple, told of time's flight through an eternity of peace; and Great Tom, tolling his nightly hundred-and-one, called home only the rooks from off Christ Church Meadow.
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Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
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They cultivated normality till it stood out of them all over in knobs, like the muscles upon professional strong men, and scarcely looked normal at all. And they talked interminably and loudly. From their bouncing mental health ordinary ill-balanced mortals shrank in alarm.
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Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
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You'd think (losing his job and degree for having made false claims as a researcher) would be a lesson to him," said Miss Hillyard. "It didn't pay, did it? Say he sacrificed his professional honour for the women and children we hear so much about -- but in the end it left him worse of."
But that," said Peter, "was only because he committed the extra sin of being found out.
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Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
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Once I ventured the guess that men worked in response to a vague inner urge for self-expression. But that was probably a shaky theory, for some men who work the hardest have nothing to express. A hypothesis with rather more plausibility in it now suggests itself. It is that men work simply in order to escape the depressing agony of contemplating life β that their work, like their play, is a mumbo-jumbo that serves them by permitting them to escape from reality. Both work and play, ordinarily, are illusions. Neither serves any solid or permanent purpose. But life, stripped of such illusions, instantly becomes unbearable. Man cannot sit still, contemplating his destiny in this world, without going frantic. So he invents ways to take his mind off the horror. He works. He plays. He accumulates the preposterous nothing called property. He strives for the coy eyewink called fame. He founds a family, and spends his curse over others. All the while the thing that moves him is simply the yearning to lose himself, to forget himself, to escape the tragic-comedy that is himself. Life, fundamentally, is not worth living. So he confects artificialities to make it so. So he erects a gaudy structure to conceal the fact that it is not so.
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H.L. Mencken
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She had her imageβ¦ and anything added to that would be mere verse-making. Something might come of it some day. In the meanwhile she had got her mood on to paperβand this is the release that all writers, even the feeblest, seek for as men seek for love; and, having found it, they doze off happily into dreams and trouble their hearts no further.
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Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
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Isn't the writing of good prose an emotional excitement?"
"Yes, of course it is. At least, when you get the thing dead right and know it's dead right, there's no excitement like it. It's marvelous. It makes you feel like God on the Seventh Day β for a bit, anyhow.
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Dorothy L. Sayers
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The young were always theoretical; only the middle-aged could realize the deadliness of principles. To subdue oneβs self to oneβs own ends might be dangerous, but to subdue oneβs self to other peopleβs ends was dust and ashes. Yet there were those, still more unhappy, who envied even the ashy saltiness of those dead sea apples.
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Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
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Detachment is a rare virtue, and very few people find it lovable, either in themselves or in others. If you ever find a person who likes you in spite of it-still more, because of it-that liking has very great value, because it is perfectly sincere, and because, with that person, you will never need to be anything but sincere yourself.
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Dorothy L. Sayers
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I imagine you come across a number of people who are disconcerted by the difference between what you do feel and what they fancy you ought to feel. It is fatal to pay the smallest attention to them.β
βYes,β said Harriet, βbut I am one of them. I disconcert myself very much. I never know what I do feel.β
βI donβt think that matters, provided one doesnβt try to persuade oneβs self into appropriate feelings.
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Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
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Humboldt's glorious descriptions are & will for ever be unparalleled: but even he with his dark blue skies & the rare union of poetry with science which he so strongly displays when writing on tropical scenery, with all this falls far short of the truth,he averred." The delight one experiences in such times bewilders the mind; if the eye attempts to follow the flight of a gaudy butter-fly, it is arrested by some strange tree or fruit; if watching an insect one forgets it in the stranger flower it is crawling over; if turning to admire the splendor of the scenery, the individual character of the foreground fixes the attention. The mind is a chaos of delight, out of which a world of future & more quiet pleasure will arise. I am at present fit only to read Humboldt; he like another sun illuminates everything I behold.
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Charles Darwin
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I'd always thought it was gaudy, but standing there watching him beside the gold and glass shrine, I realised that his was a candlelight faith. It didn't work in the clear unforgiving light in London or Scandinavia, where even the dust in the cathedrals showed. But in the warm dimness and the shadows, what would have been tasteless at home made sense. The shrine looked like an oil painting made into real substance. So did he. England's was a reading religion, one it was difficult to understand at the bleak unimpressive first glance, one that needed books to explain itself. But his was images and images, the same as the old stages, in a place where not everyone could read and good light was expensive.
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Natasha Pulley (The Bedlam Stacks)
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There was music from my neighbor's house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while his two motor-boats slit the waters of the Sound, drawing aquaplanes over cataracts of foam. On week-ends his Rolls-Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains. And on Mondays eight servants, including an extra gardener, toiled all day with mops and scrubbing-brushes and hammers and garden-shears, repairing the ravages of the night before.
Every Friday five crates of oranges and lemons arrived from a fruiterer in New York--every Monday these same oranges and lemons left his back door in a pyramid of pulpless halves. There was a machine in the kitchen which could extract the juice of two hundred oranges in half an hour if a little button was pressed two hundred times by a butler's thumb.
At least once a fortnight a corps of caterers came down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsby's enormous garden. On buffet tables, garnished with glistening hors-d'oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold. In the main hall a bar with a real brass rail was set up, and stocked with gins and liquors and with cordials so long forgotten that most of his female guests were too young to know one from another.
By seven o'clock the orchestra has arrived, no thin five-piece affair, but a whole pitful of oboes and trombones and saxophones and viols and cornets and piccolos, and low and high drums. The last swimmers have come in from the beach now and are dressing up-stairs; the cars from New York are parked five deep in the drive, and already the halls and salons and verandas are gaudy with primary colors, and hair shorn in strange new ways, and shawls beyond the dreams of Castile. The bar is in full swing, and floating rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and enthusiastic meetings between women who never knew each other's names.
The lights grow brighter as the earth lurches away from the sun, and now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher. Laughter is easier minute by minute, spilled with prodigality, tipped out at a cheerful word. The groups change more swiftly, swell with new arrivals, dissolve and form in the same breath; already there are wanderers, confident girls who weave here and there among the stouter and more stable, become for a sharp, joyous moment the centre of a group, and then, excited with triumph, glide on through the sea-change of faces and voices and color under the constantly changing light.
Suddenly one of the gypsies, in trembling opal, seizes a cocktail out of the air, dumps it down for courage and, moving her hands like Frisco, dances out alone on the canvas platform. A momentary hush; the orchestra leader varies his rhythm obligingly for her, and there is a burst of chatter as the erroneous news goes around that she is Gilda Gray's understudy from the FOLLIES. The party has begun.
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F. Scott Fitzgerald (The Great Gatsby)
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Among the swirling daffodils the old labrador lay out in the teeth of the gale. Her head was raised, her ears were pricked; alertly she snuffed the air; she watched the world turn, the new season approach. Looking at her Janet thought in sharp sorrow, βI will never see this again,β for now the labrador could scarcely walk; her hind legs were emaciated and she had to be helped in and out and up and down the stairs. Yet she was crouched there, unafraid, welcoming with dignity of whatever was to come, among the reckless, gaudy flowers whose time was even briefer. βFair daffodils, we weep to see you haste away so soon.β Fair labrador. Sometimes Janet thought that lifeβs sole purpose was to teach one how to die. As in most spheres, so in this, animals did better than people
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Elspeth Barker (O Caledonia)
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Oh yes," said Randolph stretching his legs , lighting a mentholated cigarette, "do not take it seriously, what you see here: it's only a joke played on myself by myself... it amuses and horrifies... a rather gaudy grave, you might say. There is no daytime in this room, or night, the seasons are changeless here, and the years, and when I die, if indeed I haven't already, then let me be dead drunk and curled, as in my mother's womb, in the warm blood of darkness. Wouldn't that be an ironic finale for one who, deep in his goddamned soul, sought sweetly the clean-limbed life? bread and water, a simple roof to share with some beloved, nothing more.
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Truman Capote (Other Voices, Other Rooms)
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To other cities, other machines, other forests of buildings of concrete where other men and women missed the stars at night and tended small plants on windowsills and kept tiny dogs and took them for walks along corridors in the endless procession of boxes and intersections and lights; where they rented space in other peoples's property so they had somewhere to sleep so they could get up and perform profit-related tasks they neither understood nor cared about, simply so they would be given the tokens of exchange they needed in order to rent the space in which they slept and snarled and watched television until finally some of them slipped out of the window and ran howling down the dark streeets, throwing off a numbness handed down from a society that was itself trapped in fracture and betrayal and despair; the lonely insane in a culture turning into a Christmas bauble, gaudy beauty wrapped around an emptiness coalescing faster and faster into parking lots and malls and waiting areas and virtual chat rooms--non places where nobody knew anything about anybody anymore.
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Michael Marshall Smith
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Prison Moon
Four a.m. work duty and I begin
my solitary trudge from outer compound
to main building. A shivering guard,
chilled in his lonely outpost, strip searches
me until content that my inconsequential nudity.
poses no threat and then whispers
the secret code that allows me admittance
into the open quarter-mile walkway.
I chuff my way into another day
as ice glints on the razor wire
and the rifles note my numbed passage,
silent but for my huffs and scuffle
on the cracked, slippery sidewalk
A new moon, veiled in wispy fog
and beringed in glory, hangs over the prison,
its gaudy glow taunting the halogen spotlights.
The moonβs creamy pull upsets
some liquid equilibrium within me
and like tides, wolves and all manner
of madmen, I surrender disturbed by the certainty that under
the bony luminescence of a grinning moon
The lunar deliriums grip me
and I howl--once, then again, and
surely somewhere an unbound sleeper stirs,
penitence is dying a giddy death.
I shake myself sane
and as the echoes hang
in the frigid air I explain
to the wild-eyed guard that convicts,
like all animals under the leash,
must bay at the beauty beyond them.
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Jorge Antonio Renaud
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Images surround us; cavorting broadcast in the minds of others, we wear the motley tailored by their bad digestions, the shame and failure, plague pandemics and private indecencies, unpaid bills, and animal ecstasies remembered in hospital beds, our worst deeds and best intentions will not stay still, scolding, mocking, or merely chattering they assail each other, shocked at recognition. Sometimes simplicity serves, though even the static image of Saint John Baptist received prenatal attentions (six months along, leaping for joy in his mother's womb when she met Mary who had conceived the day before): once delivered he stands steady in a camel's hair loincloth at a ford in the river, morose, ascetic on locusts and honey, molesting passers-by, upbraiding the flesh on those who wear it with pleasure. And the Nazarene whom he baptized? Three years pass, in a humility past understanding: and then death, disappointed? unsuspecting? and the body left on earth, the one which was to rule the twelve tribes of Israel, and on earth, left crying out - My God, why dost thou shame me? Hopelessly ascendent in resurrection, the image is pegged on the wind by an epileptic tentmaker, his strong hands stretch the canvas of faith into a gaudy caravanserai, shelter for travelers wearied of the burning sand, lured by forgetfulness striped crimson and gold, triple-tiered, visible from afar, redolent of the east, and level and wide the sun crashes the fist of reality into that desert where the truth still walks barefoot.
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William Gaddis (The Recognitions)
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a woman may achieve greatness, or at any rate great renown, by merely being a wonderful wife and mother, like the mother of the Gracchi; whereas the men who have achieved great renown by being devoted husbands and fathers might be counted on the fingers of one hand. Charles I was an unfortunate king, but an admirable family man. Still, you would scarcely class him as one of the worldβs great fathers, and his children were not an unqualified success. Dear me! Being a great father is either a very difficult or a very sadly unrewarded profession. Wherever you find a great man, you will find a great mother or a great wife standing behind himβor so they used to say. It would be interesting to know how many great women have had great fathers and husbands behind them.
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Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))