Gardens Of Versailles Quotes

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Which is how I come to be running through the gardens of the Palace of Versailles, dressed only as Nature intended.
Mackenzi Lee (The Gentleman's Guide to Vice and Virtue (Montague Siblings, #1))
America for Me 'Tis fine to see the Old World and travel up and down Among the famous palaces and cities of renown, To admire the crumblyh castles and the statues and kings But now I think I've had enough of antiquated things. So it's home again, and home again, America for me! My heart is turning home again and there I long to be, In the land of youth and freedom, beyond the ocean bars, Where the air is full of sunlight and the flag is full of stars. Oh, London is a man's town, there's power in the air; And Paris is a woman's town, with flowers in her hair; And it's sweet to dream in Venice, and it's great to study Rome; But when it comes to living there is no place like home. I like the German fir-woods in green battalions drilled; I like the gardens of Versailles with flashing foutains filled; But, oh, to take your hand, my dear, and ramble for a day In the friendly western woodland where Nature has her sway! I know that Europe's wonderful, yet something seems to lack! The Past is too much with her, and the people looking back. But the glory of the Present is to make the Future free-- We love our land for what she is and what she is to be. Oh, it's home again, and home again, America for me! I want a ship that's westward bound to plough the rolling sea, To the blessed Land of Room Enough, beyond the ocean bars, Where the air is full of sunlight and the flag is full of stars.
Henry Van Dyke
Pendants have for two thousand years reiterated the notion that women have a more lively spirit, men more solidity; that women have more delicacy in their ideas and men greater power of attention. A Paris idler who once took a walk in the Versailles Gardens concluded that, judging from all he saw, the trees grow ready trimmed.
Stendhal
The Summer Garden, perhaps the most beautiful garden in Petersburg, had the particular advantage of being almost next to the Embassy. Originally laid out by Leblond, in the manner of Versailles, its most remarkable feature was a series of fountains, with statuary depicting scenes from Aesop's Fables.
Alan Sheridan (Time and Place)
What do you want, Rachel?” he asks. “I want the world,” I reply. “I want to sail around Phuket Island, topless on a yacht. I want to fuck in the gardens at Versailles and get chased out by French police. I want to eat pizza by the hour and drink wine straight from the bottle, stumbling around the streets of Rome at two in the morning. I want to dance in a fountain, Jake. I want to be a doctor and travel the country watching men at the top of their game play hazardous sports. I want to feel their sweat and smell their blood on the ice. I want to live. And I never want to turn an opportunity down out of fear that I’m not conforming to that dream of normal. Because I’m not normal, Jake. We’re not normal. We’re extraordinary. Be extraordinary with me.
Emily Rath (Pucking Around (Jacksonville Rays, #1))
It was on 7 March 1936 that Hitler comprehensivelyviolated the Versailles Treaty by sending troops intothe industrial region of the Rhineland, which under Article 180 had been specifically designated ademilitarized zone. Had the German Army beenopposed by the French and British forces stationednear by, it had orders to retire back to base and sucha reverse would almost certainly have cost Hitler thechancellorship. Yet the Western powers, riven withguilt about having imposed what was described as a‘Carthaginian peace’ on Germany in 1919, allowedthe Germans to enter the Rhineland unopposed. ‘After all,’ said the influential Liberal politician andnewspaper director the Marquis of Lothian, who hadbeen Chancellor of the Duchy of Lancaster in RamsayMacDonald’s National Government, ‘they are onlygoing into their own back garden.’ When Hitler assured the Western powers in March 1936 thatGermany wished only for peace, Arthur Greenwood,the deputy leader of the Labour Party, told the Houseof Commons: ‘Herr Hitler has made a statement…holding out the olive branch… which ought to be takenat face value… It is idle to say that those statementsare insincere.’ That August Germany adopted compulsory two-year military service
Andrew Roberts (The Storm of War: A New History of the Second World War)
Never play the princess when you can be the queen: rule the kingdom, swing a scepter, wear a crown of gold. Don’t dance in glass slippers, crystal carving up your toes -- be a barefoot Amazon instead, for those shoes will surely shatter on your feet. Never wear only pink when you can strut in crimson red, sweat in heather grey, and shimmer in sky blue, claim the golden sun upon your hair. Colors are for everyone, boys and girls, men and women -- be a verdant garden, the landscape of Versailles, not a pale primrose blindly pushed aside. Chase green dragons and one-eyed zombies, fierce and fiery toothy monsters, not merely lazy butterflies, sweet and slow on summer days. For you can tame the most brutish beasts with your wily wits and charm, and lizard scales feel just as smooth as gossamer insect wings. Tramp muddy through the house in a purple tutu and cowboy boots. Have a tea party in your overalls. Build a fort of birch branches, a zoo of Legos, a rocketship of Queen Anne chairs and coverlets, first stop on the moon. Dream of dinosaurs and baby dolls, bold brontosaurus and bookish Belle, not Barbie on the runway or Disney damsels in distress -- you are much too strong to play the simpering waif. Don a baseball cap, dance with Daddy, paint your toenails, climb a cottonwood. Learn to speak with both your mind and heart. For the ground beneath will hold you, dear -- know that you are free. And never grow a wishbone, daughter, where your backbone ought to be.
Clementine Paddleford
I remember, for instance, the first time I went to the great palace of Versailles outside Paris and how, as I wandered around among all those gardens and fountains and statues, I had a sense that the place was alive with ghosts which I was just barely able to see, that somewhere just beneath the surface of all that was going on around me at that moment, the past was going on around me too with such reality and such poignance that I had to have somebody else to tell about it if only to reassure myself that I wasn’t losing my mind. I wanted and sorely needed to name to another human being the sights that I was seeing and the thoughts and feelings they were giving rise to. I thought that in a way I could not even surely know what I was seeing physically until I could speak of it to someone else, could not come to terms with what I was feeling as either real or unreal until I could put it into words and speak those words and hear other words in response to mine. But there was nobody to speak to, as it happened, and I can still remember the frustration of it: the sense I had of something trying to be born in me that could not be born without the midwifery of expressing it; the sense, it might not be too much to say, of my self trying to be born, of a threshold I had to cross in order to move on into the next room of who I had it in me just then to become. “in the beginning was the Word,” John writes, and perhaps part of what that means is that until there is a word, there can be no beginning. Frederick Buechner, A Room Called Remember, in an essay called The Speaking and Writing of Words.
Frederick Buechner (A Room Called Remember: Uncollected Pieces)
On account of their puny size and disappointing taste, in France wild pears are known as "poires d'angoisse" or pears of anguish. In Versailles, though, in the kitchen garden, pears are bred for pleasure. Of the five hundred pear trees, the best usually fruit in January--- the royal favorite, a type called "Bon Chrétien d'Hiver," or "Good Christian of Winter." Each pear is very large--- the blossom end engorged, the eye deeply sunk--- whilst the skin is a finely grained pale yellow, with a red blush on the side that has been touched by the sunlight. It is known for its brittle, lightly scented, almost translucent flesh that drips with a sugary juice; that soaks your mouth when your teeth sink into it. The gardener here, Jean-Baptiste de La Quintinie, says that when a pear is ripe its neck yields to the touch and smells slightly of wet roses. This winter they have not ripened, though, but have frozen to solid gold. Murders of crows sit on the branches of the pear trees, pecking at the rime of them. They have become fairy fruit; those dangling impossibilities. What would you give to taste one? Spring always comes, though. Is it not magic? The world's deep magic. March brings the vast respite of thaw, that huge unburdening, that gentling--- all winter's knives and jaws turning soft and blunt; little chunks of ice riding off on their own giddy melt; everything dripping and plipping and making little streams and rivulets; tender pellucid fingers feeling their way towards the sea; all the tiny busywork. And with the returning sun, too, sex. Tulips, first found as wild flowers in Central Asia--- named for the Persian word "tulipan," for turban--- thrust and bow in the warm soil of Versailles, their variegated "broken" petals licked with carmine flames. The early worm-catchers begin their chorus, skylarks and song thrushes courting at dawn. Catkins dangle like soft, tiny pairs of elven stockings. Fairy-sized wigs appear on the pussy willows. Hawthorn and sloe put on their powder and patches, to catch a bee's eye.
Clare Pollard (The Modern Fairies)
America for Me ‘Tis fine to see the Old World, and travel up and down Among the famous palaces and cities of renown, To admire the crumbly castles and the statues of the kings,— But now I think I’ve had enough of antiquated things. So it’s home again, and home again, America for me! My heart is turning home again, and there I long to be, In the land of youth and freedom beyond the ocean bars, Where the air is full of sunlight and the flag is full of stars. Oh, London is a man’s town, there’s power in the air; And Paris is a woman’s town, with flowers in her hair; And it’s sweet to dream in Venice, and it’s great to study Rome; But when it comes to living there is no place like home. I like the German fir-woods, in green battalions drilled; I like the gardens of Versailles with flashing fountains filled; But, oh, to take your hand, my dear, and ramble for a day In the friendly western woodland where Nature has her way! I know that Europe’s wonderful, yet something seems to lack: The Past is too much with her, and the people looking back. But the glory of the Present is to make the Future free,— We love our land for what she is and what she is to be. Oh, it’s home again, and home again, America for me! I want a ship that’s westward bound to plough the rolling sea, To the blessed Land of Room Enough beyond the ocean bars, Where the air is full of sunlight and the flag is full of stars. Henry Van
The American Poetry and Literacy Project (Songs for the Open Road: Poems of Travel and Adventure (Dover Thrift Editions: Poetry))
Way to understand the Founders’ vision and how it differed from other Enlightenment projects, specifically those of Revolutionary France ... one can be found in the differences between French and English gardens. For instance, the French gardens at Versailles, with their ornate, geometric, nature-defying designs, illustrate how the gardener imposes his vision on nature. Nature is brought to heel by reason. The classic English garden, on the other hand, was intended to let nature take its course, to let each bush, tree, and vegetable achieve its own ideal nature. The role of the English gardener was to protect his garden by weeding it, maintaining fences, and being ever watchful for predators and poachers. The American founders were gardeners, not engineers. The government of the Founders’ Constitution is more than merely a “night watchman state,” but not very much more. It creates the rules of the garden and the gardeners and little more. This does not mean the government cannot intervene in the society or the economy. It means that, when it does so, it should be to protect liberty, which Madison defined in Federalist No. 10 as “the first object of government”.
Jonah Goldberg (Suicide of the West: How the Rebirth of Tribalism, Populism, Nationalism, and Identity Politics is Destroying American Democracy)
For years I believed they loved me for my voice, my stage presence, my courageous life. ‘Incomparable,’ they said. ‘Divine.’ I am the goddesses on the ceilings of the antechambers at Versailles, the statues in the gardens. That’s what they see in me. The huntress. The peacemaker. The Amazon. The Muse. Victory. Glory. War. I am divine. But now I wonder if I was anything more than some exotic creature in the King’s pleasure gardens—not a lion, and surely not a baboon, but perhaps—yes—a giraffe. Unlikely. Ungainly. Unique. Beautiful in parts but not particularly attractive as a concept. Alien. But compelling, nevertheless.
Kelly Gardiner (Goddess)
At the end of his life, suffering from gout and no longer able to walk, he set down the How to Show the Gardens of Versailles, a manuscript that exists in six versions...The fourth version is particularly touching, as it is an autograph copy. It is humanizing to see the marble king's handwriting and I find it amusing to note the royal spelling errors - which were numerous in the days before standardization...I almost feel a twinge of tenderness toward the king who couldn't spell...
Alain Baraton (Gardener of Versailles: My Life in the World's Grandest Garden)
I often imagine what our lives would be like without trees. We won't even dwell on the fact that our atmosphere would be sorely lacking in oxygen...The tree gave human beings everything, but today it has received little in the way of thanks.
Alain Baraton (Gardener of Versailles: My Life in the World's Grandest Garden)
Everything that was once alive is now mechanical. Technology certainly brought a new ease and accuracy, but apart from these ultimately less important details, the new equipment has caused our quality of life to deteriorate. Technical progress in my profession has allowed for improved comfort, but not improved living, and it would be a serious error to confuse the two. You aren't happier in a leather armchair; you’re just better seated.
Alain Baraton (Gardener of Versailles: My Life in the World's Grandest Garden)
Visitors are informed, but what do they feel? I can't find the warmth of Versailles in such blandness, and I don't think tourist come here in search of information at all. The bus-loads of Japanese tourists and honest grandmothers don't visit the Queen's bedroom to learn about the particular type of canopy bed she slept in or the sort of wood it is made from; they come to relive a moment in the queen's life.
Alain Baraton (Gardener of Versailles: My Life in the World's Grandest Garden)
Peterhof (Petrodvorets). Nicknamed the “Russian Versailles,” the elaborate interiors, formal gardens, and beautiful fountains of Peter the Great’s summer palace live up to their moniker. This is St. Petersburg’s most famous imperial residence, located in the suburbs about 40 minutes away.
Fodor's Travel Publications Inc. (Fodor's Moscow & St. Petersburg (Full-color Travel Guide Book 10))
spent one week alone in the Hotel Maillot, after the parents' departure to New York in the room where my parents had spent four months. I went to see the Louvre - a unique experience - and Versailles. The palace was completely empty since the French had hidden all the treasures during the war. The palace itself and the gardens were grandiose, but no flowers in bloom, no fountains in action. I went to see the tomb of Napoleon, in the Dome des Invalides. It was that day of the week when the building was closed. I went to see the places that my high school French teacher, Miss Grunspan, had described.
Pearl Fichman (Before Memories Fade)
Arguably, Versailles amounted to a prototype Disney World.
Karen R. Jones & John Wills (The Invention of the Park: From the Garden of Eden to Disney's Magic Kingdom)
Finally, each night, the crowd gather at the king's antechamber to attend the dinner of the Royal Table. Another grand ritual: four soups--- his favorite being crayfish in a silver bowl--- sole in a small dish, fried eggs, a whole pheasant with redcurrant jelly, a whole partridge or duck (depending on the season) stuffed with truffles, salads, mutton, ham, pastry, fruit, compote, preserves, cakes. All stone-cold, for the kitchen is so far away that the king has never experienced a hot meal, and eaten largely with hands, for nor has he ever touched that new-fangled device the fork. For special occasions entire tiered gardens of desserts form pyramids on the table: precariously balanced exotic fruits, jellies, and sweet pastes; sorbets scented with amber and musk; the wonders of the ancient world recreated in spun-sugar and pâte morte; gingerbread palaces.
Clare Pollard (The Modern Fairies)
I want the world,” I reply. “I want to sail around Phuket Island, topless on a yacht. I want to fuck in the gardens at Versailles and get chased out by French police. I want to eat pizza by the hour and drink wine straight from the bottle, stumbling around the streets of Rome at two in the morning. I want to dance in a
Emily Rath (Pucking Around (Jacksonville Rays, #1))
I want the world,” I reply. “I want to sail around Phuket Island, topless on a yacht. I want to fuck in the gardens at Versailles and get chased out by French police. I want to eat pizza by the hour and drink wine straight from the bottle, stumbling around the streets of Rome at two in the morning. I want to dance in a fountain, Jake. I want to be a doctor and travel the country watching men at the top of their game play hazardous sports. I want to feel their sweat and smell their blood on the ice. I want to live. And I never want to turn an opportunity down out of fear that I’m not conforming to that dream of normal. Because I’m not normal, Jake. We’re not normal. We’re extraordinary. Be extraordinary with me.
Emily Rath (Pucking Around (Jacksonville Rays, #1))
Roses in particular have undergone so many changes that they have often lost their scent. They have become floral postcards, odorless invalids—visually perfect, but with none of the old emotion.
Alain Baraton (The Gardener of Versailles: My Life in the World's Grandest Garden)
Mystery men with strange persuasive powers, sometimes good but more often evil, are described and discussed in many books with no UFO or religious orientation. A dark gentleman in a cloak and hood is supposed to have handed Thomas Jefferson the design for the reverse side of the Great Seal of the United States (you will find this on a dollar bill). Julius Caesar, Napoleon, and many others are supposed to have had enigmatic meetings with these odd personages. These stories turn up in such unexpected places as Madame Du Barry’s memoirs. She claimed repeated encounters with a strange young man who would approach her suddenly on the street and give her startling prophecies about herself. He pointedly told her that the last time she would see him would serve as an omen for a sudden reversal of her fortunes. Sure enough, on April 27, 1774, as she and her ailing lover, King Louis XV, were heading for the palace of Versailles, the youthful mystery man appeared one final time. “I mechanically directed my eyes toward the iron gate leading to the garden,” she wrote. “I felt my face drained of blood as a cry of horror escaped my lips. For, leaning against the gate was that singular being.” The coach was halted, and three men searched the area thoroughly but could find no trace of him. He had vanished into thin air. Soon afterward Madame Du Barry’s illustrious career in the royal courts ended, and she went into exile. Malcolm X, the late leader of a black militant group, reported a classic experience with a paraphysical “man in black” in his autobiography. He was serving a prison sentence at the time, and the entity materialized in his prison cell: "As I lay on my bed, I suddenly became aware of a man sitting beside me in my chair. He had on a dark suit, I remember. I could see him as plainly as I see anyone I look at. He wasn’t black, and he wasn’t white. He was light-brown-skinned, an Asiatic cast of countenance, and he had oily black hair. I looked right into his face. I didn’t get frightened. I knew I wasn’t dreaming. I couldn’t move, I didn’t speak, and he didn’t. I couldn’t place him racially—other than I knew he was a non-European. I had no idea whatsoever who he was. He just sat there. Then, as suddenly as he had come, he was gone.
John A. Keel (Operation Trojan Horse (Revised Illuminet Edition))
Since my Arrival this time I have driven about Paris, more than I did before. The rural Scenes around this Town are charming. The public Walks, Gardens, &c. are extreamly beautifull. The Gardens of the Palais Royal, the Gardens of the Tuilleries, are very fine. The Place de Louis 15, the Place Vendome or Place de Louis 14, the Place victoire, the Place royal, are fine Squares, ornamented with very magnificent statues. I wish I had time to describe these objects to you in a manner, that I should have done, 25 Years ago, but my Head is too full of Schemes and my Heart of Anxiety to use Expressions borrowed from you know whom. To take a Walk in the Gardens of the Palace of the Tuilleries, and describe the Statues there, all in marble, in which the ancient Divinities and Heroes are represented with exquisite Art, would be a very pleasant Amusement, and instructive Entertainment, improving in History, Mythology, Poetry, as well as in Statuary. Another Walk in the Gardens of Versailles, would be usefull and agreable. But to observe these Objects with Taste and describe them so as to be understood, would require more time and thought than I can possibly Spare. It is not indeed the fine Arts, which our Country requires. The Usefull, the mechanic Arts, are those which We have occasion for in a young Country, as yet simple and not far advanced in Luxury, altho perhaps much too far for her Age and Character. I could fill Volumes with Descriptions of Temples and Palaces, Paintings, Sculptures, Tapestry, Porcelaine, &c. &c. &c. -- if I could have time. But I could not do this without neglecting my duty. The Science of Government it is my Duty to study, more than all other Studies Sciences: the Art of Legislation and Administration and Negotiation, ought to take Place, indeed to exclude in a manner all other Arts. I must study Politicks and War that my sons may have liberty to study Painting and Poetry Mathematicks and Philosophy. My sons ought to study Mathematicks and Philosophy, Geography, natural History, Naval Architecture, navigation, Commerce and Agriculture, in order to give their Children a right to study Painting, Poetry, Musick, Architecture, Statuary, Tapestry and Porcelaine.
John Adams
Since my Arrival this time I have driven about Paris, more than I did before. The rural Scenes around this Town are charming. The public Walks, Gardens, &c. are extreamly beautifull. The Gardens of the Palais Royal, the Gardens of the Tuilleries, are very fine. The Place de Louis 15, the Place Vendome or Place de Louis 14, the Place victoire, the Place royal, are fine Squares, ornamented with very magnificent statues. I wish I had time to describe these objects to you in a manner, that I should have done, 25 Years ago, but my Head is too full of Schemes and my Heart of Anxiety to use Expressions borrowed from you know whom. To take a Walk in the Gardens of the Palace of the Tuilleries, and describe the Statues there, all in marble, in which the ancient Divinities and Heroes are represented with exquisite Art, would be a very pleasant Amusement, and instructive Entertainment, improving in History, Mythology, Poetry, as well as in Statuary. Another Walk in the Gardens of Versailles, would be usefull and agreable. But to observe these Objects with Taste and describe them so as to be understood, would require more time and thought than I can possibly Spare. It is not indeed the fine Arts, which our Country requires. The Usefull, the mechanic Arts, are those which We have occasion for in a young Country, as yet simple and not far advanced in Luxury, altho perhaps much too far for her Age and Character. I could fill Volumes with Descriptions of Temples and Palaces, Paintings, Sculptures, Tapestry, Porcelaine, &c. &c. &c. -- if I could have time. But I could not do this without neglecting my duty. The Science of Government it is my Duty to study, more than all other Studies Sciences: the Art of Legislation and Administration and Negotiation, ought to take Place, indeed to exclude in a manner all other Arts. I must study Politicks and War that my sons may have liberty to study Painting and Poetry Mathematicks and Philosophy. My sons ought to study Mathematicks and Philosophy, Geography, natural History, Naval Architecture, navigation, Commerce and Agriculture, in order to give their Children a right to study Painting, Poetry, Musick, Architecture, Statuary, Tapestry and Porcelaine.
John Adams