Garden Slab Quotes

Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.

Faith is not simply a private matter, or something we practice once a week at church. Rather, it should have a contagious effect on the broader world. Jesus used these images to illustrate his kingdom: a sprinkle of yeast causing the whole loaf to rise, a pinch of salt preserving a slab of meat, the smallest seed in the garden growing into a great tree in which birds of the air come to nest.

Even in “post-Christian” societies the gospel will continue to do its subversive work. Jesus used small things to describe his kingdom: a sprinkling of yeast that causes the whole loaf to rise, a pinch of salt that preserves a slab of meat, the smallest seed in the garden that grows into a great bush in which the birds of the air come to nest. Practices that used to be common—human sacrifice, slavery, duels to the death, child labor, exploitation of women, racial apartheid, debtors’ prisons, the killing of the elderly and incurably ill—have been banned, in large part because of a gospel stream running through cultures influenced by the Christian faith. Once salted and yeasted, society is difficult to un-salt and un-yeast.

Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike-topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunchbacked makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed from kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries’ vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers; heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters’ sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etoliated lacquerers; mottled-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men’s wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of the Last Chrysanthemum, where a puddle from last night’s rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.

Nine hundred species of native plants. I have a feeling you’re someone who will appreciate that we grow the real beauties here,” Eudora said. “Not the gaudy sun perennials that want to flash everything they’ve got like cheap hookers. You have to look hard to find the pockets of beauty in my garden.” “Your garden?” But Eudora was no longer listening. She strode ahead, slowing down when they entered an intimate fairy-tale forest. The path narrowed and switched to pale stone. Crazy paving, Tom would have called it—stone slabs haphazardly slotted together in a way that defied time, feet, and the extremes of weather. The formal, structured sweep of the Historic Gardens was replaced by a hint of controlled but wild beauty. Above the towering hemlocks, the clouds broke apart to reveal slashes of blue sky. Eudora was right—so many pockets of beauty if you looked hard enough: trailing catkins and clusters of reddish pitcher plants that looked like rhubarb stalks with curling ends. (Such fascination he’d had for carnivorous plants after Tom had shown him a picture of a Venus flytrap in Encyclopædia Britannica.) A dead stick jutted up through the leaves; the sign next to it read “Northern Catalpa.” He would research that on the Web when he got to the office. See if he could find a picture of it in full leaf. “Here, smell this.” Eudora had stopped by a small, unimpressive tree, but as Felix moved close, he spotted tiny pom-poms of reddish blooms. He had never seen anything quite so weird or wonderful. Ella should definitely plant one of those. “Hmm.” “Witch hazel.

the Chapel of the Angel, was not much larger than a generous garden shed, its floor inlaid with panels of orange, white, and black marble. Dead center was a square marble altar, a pedestal with a flat glass top covering a slab of stone the size of a chessboard. “That’s supposed to be a piece of the rolling stone which an angel pushed away,

I agreed I wouldn’t put any instruments on the burial slab but we can use the floor.” “You think this is a good candidate for the actual tomb?” Arthur asked. “Well, probably better than the Garden Tomb,” Neti answered, “and certainly Catholics and Orthodox Christians think this is the right place. The history goes back to the fourth century when Helena, the mother of Emperor Constantine, the first Roman emperor to accept Christianity, came to Jerusalem looking for the tomb. So, this is a smart woman by all accounts and maybe she could be described as the first anthropologist because what does she do? She asks the people in the area where they think Jesus was buried.

Jesus used small things to describe his kingdom: a sprinkling of yeast that causes the whole loaf to rise, a pinch of salt that preserves a slab of meat, the smallest seed in the garden that grows into a great bush in which the birds of the air come to nest. Practices that used to be common—human sacrifice, slavery, duels to the death, child labor, exploitation of women, racial apartheid, debtors’ prisons, the killing of the elderly and incurably ill—have been banned, in large part because of a gospel stream running through cultures influenced by the Christian faith. Once salted and yeasted, society is difficult to un-salt and un-yeast. Many

When I lay down on that clean concrete bed, I found the ideal place for an afternoon nap. On many baking afternoons that followed, if I saw that the morgue was not otherwise occupied, I would lie on the slab and savor its soothing coolness; sometimes in my dreams I would find myself in a garden full of blooming flowers.

The stone from quarries like the Kehoes’ had been carved into skyscrapers in New York and monuments in Washington, DC—places most people around here would never see. It had been used to build temples to the glory of commerce these folks didn’t enjoy, for centers of learning they wouldn’t attend, and for places of worship where they would never kneel. Stone from the next county had been crafted into state houses and courthouses across the country, and even sent to fix up the Pentagon after 9/11. The ground beneath them had been chiseled out and carted away for the far-off business of other places. Close to home, you didn’t see the pretty white stone from their hills turned into monuments to beauty or progress. It was the rubble lining your garden path or maybe, at the end of your days, a slab might mark the resting place of your bones.

Gabriel Solomon, our sandy-lashed, red-haired, soon-to-be-surgeon waiter, recited the night's menu: salad, broiled salmon, boiled red potatoes, sliced tomatoes and corn on the cob, all served family style. A vast slab of butter lay on a white plate next to baskets of bread- white Wonder bread and buttermilk biscuits, neither of which had ever touched our lips. There was a bottle of Hershey's chocolate syrup in the center of the table, a novelty for Jews who didn't mix dairy foods with meat. "The milk is from the farm's cows," Gabe explained. "It's pasteurized but it doesn't taste like city milk. If you'd like city milk, it will be delivered to you. But try the farm milk. Some guests love it. The children seem to enjoy it with syrup." Gabe paused. "I forgot to ask you, do you want your salad dressed or undressed?" Jack immediately replied, "Undressed of course," and winked. My mother worried about having fish with rolls and butter. "Fish is dairy," my father pronounced, immediately an expert on Jewish dietary laws. "With meat it's no butter and no milk for the children." Lil kept fidgeting in her straight-backed chair. "What kind of food is this?" she asked softly. "What do they call it?" "American," the two men said in unison. Within minutes Gabe brought us a bowl filled with iceberg lettuce, butter lettuce, red oak lettuce. "These are grown right here, in our own garden. We pick the greens daily. I brought you some oil and vinegar on the side, and a gravy boat of sour cream for the tomatoes. Take a look at these tomatoes." Each one was the size of a small melon, blood red, virtually seedless. Our would-be surgeon sliced them, one-two-three. We had not encountered such tomatoes before. "Beauties, aren't they?" asked Gabe. Jack held to certain eccentricities in his summer food. Without fail he sprinkled sugar over tomatoes, sugared his melons no matter how ripe and spread his corn with mustard- mustard!

However, the experience of the world as one individual is so fleeting it is barely even measurable; especially when held up against the great passage of time felt since Earth’s conception. As humans, we arrive and pass like a mayfly spiralling on a breath of wind for its single day of life in the sun. Our lives are so short when measured against something like the formation of a granite slab, lying out on my garden path; so short, in fact, that the revelation of this brevity can make you feel like your life is even a little pointless – but the other side of this, quite extraordinary, humbling, is to see your time as the most wonderful gift of all. And if it is so (which it really is) then, like the mayfly with only twenty-four hours to live, I am going to open my senses to everything that this day has to offer.