Garbage Band Quotes

First of all, accept that something is wrong with you. It’s a good start. Something has always been wrong with me, too. We’re in a club of sorts, the lunatic fringe who are proud to band together. There’s a joyous road to ruin out there, and if you let me be your garbage guru, I’ll teach you how to succeed in insanity and take control of your low self-esteem. Personality disorders are a terrible thing to waste.

I’d come across a strap-on penis. It seemed pretty old and was Band-Aid colored, about three inches long and not much bigger around than a Vienna sausage, which was interesting to me. You’d think that if someone wanted a sex toy she’d go for the gold, sizewise. But this was just the bare minimum, like getting AAA breast implants. Who had this person been hoping to satisfy, her Cabbage Patch doll? I thought about taking the penis home and mailing it to one of my sisters for Christmas but knew that the moment I put it in my knapsack, I’d get hit by a car and killed. That’s just my luck. Medics would come and scrape me off the pavement, then, later, at the hospital, they’d rifle through my pack and record its contents: four garbage bags, some wet wipes, two flashlights, and a strap-on penis.

Michael leaned in, his voice turning low and heavy. “And how about me?” I swallowed, still studying my drink. What song described him? What band? That was like trying to pick one food to eat for the rest of your life. “Disturbed,” I said, naming the band and still looking down at the glass. He said nothing. Only remained still before finally sitting back and tipping his drink up to his lips. Butterflies swarmed in my stomach, and I kept my breathing even. “Drowning Pool, Three Days Grace, Five Finger Death Punch,” I continued, “Thousand Foot Krutch, 10 Years, Nothing More, Breaking Benjamin, Papa Roach, Bush…” I paused, exhaling nice and slow despite the way my heart drummed. “Chevelle, Skillet, Garbage, Korn, Trivium, In This Moment…” I drifted off, peace settling over me as I looked up at him. “You’re in everything.

The travelers emerged into a spacious square. In the middle of this square were several dozen people on a wooden bandstand like in a public park. They were the members of a band, each of them as different from one another as their instruments. Some of them looked round at the approaching column. Then a grey-haired man in a colorful cloak called out and they reached for their instruments. There was a burst of something like cheeky, timid bird-song and the air – air that had been torn apart by the barbed wire and the howl of sirens, that stank of oily fumes and garbage – was filled with music. It was like a warm summer cloud-burst ignited by the sun, flashing as it crashed down to earth. People in camps, people in prisons, people who have escaped from prison, people going to their death, know the extraordinary power of music. No one else can experience music in quite the same way. What music resurrects in the soul of a man about to die is neither hope nor thought, but simply the blind, heart-breaking miracle of life itself. A sob passed down the column. Everything seemed transformed, everything had come together; everything scattered and fragmented -home, peace, the journey, the rumble of wheels, thirst, terror, the city rising out of the mist, the wan red dawn – fused together, not into a memory or a picture but into the blind, fierce ache of life itself. Here, in the glow of the gas ovens, people knew that life was more than happiness – it was also grief. And freedom was both painful and difficult; it was life itself. Music had the power to express the last turmoil of a soul in whose blind depths every experience, every moment of joy and grief, had fused with this misty morning, this glow hanging over their heads. Or perhaps it wasn't like that at all. Perhaps music was just the key to a man's feelings, not what filled him at this terrible moment, but the key that unlocked his innermost core. In the same way, a child's song can appear to make an old man cry. But it isn't the song itself he cries over; the song is simply a key to something in his soul.

What you don’t even realize now—what you will only come to understand in time, but lucky for you, I’m here to tell you—is you’re not going to give two shits about this band in a few years. In fact, I guarantee that this group that you admire so much and that you are putting all of your love and dedication and devotion into will be nothing more than an obsession you will be immensely embarrassed of having had. One day you’ll be in college, maybe you’ll be at a party, and someone will say, ‘Hey, do you remember The Ruperts? How shitty was their music?’ and you will have a moment of crisis: Do you admit your former love for them, or do you concede, because you know in your heart that this person is right? And guess what you’ll say? You’ll say, ‘Yeah, their music was utter. Putrid.Garbage.

1. You CHEATED to WIN the avant-garde art competition!! 2. You totally RUINED my birthday party by SABOTAGING the chocolate fountain!! 3. You competed in the TALENT SHOW and landed a RECORD DEAL even though your application was INCOMPLETE (like, WHO names their band Actually, I’m Not Really Sure Yet?)!! 4. You WON the “Holiday on Ice” show, and EVERYBODY knows that you CAN’T ice-skate! 5. You TOILET-PAPERED my house!!!! 6. You tricked me into DIGGING through a DUMPSTER filled with GARBAGE in my designer dress at the Sweetheart Dance! 7. You actually KISSED my FBF (future boyfriend), BRANDON!! 8. You pretended to be seriously HURT during dodgeball so that I would get DETENTION (which, BTW, could totally RUIN my chances of getting into an Ivy League university)! 9. You put a nasty STINK BUG in my hair!! And the HORRIBLE THING that I just found out TODAY . . . 10. You’ve completely RUINED my reputation and HUMILIATED me, because now the ENTIRE school is passing around that AWFUL video of me having a meltdown about the bug that YOU put in my hair.

In the cavernous hangar known as Building 254 we pull on our Sokol suits... The chest opening is then sealed through a disconcertingly low-tech process of gathering the edges of the fabric together and securing them with elastic bands... Once I got to the space station, I learned the Russians use the exact same rubber bands to seal their garbage bags in space.

Of course, as the writer Upton Sinclair once observed, it is difficult to get someone to understand something when their salary depends on them not understanding it. “If people start believing this random-walk garbage and switch to index funds, a lot of $80,000-a-year portfolio managers and analysts will be replaced by $16,000-a-year computer clerks. It just can’t happen,” one anonymous mutual fund manager griped to the Wall Street Journal in 1973.31

AFTER THE CALL from Weather, Lucas showered and shaved, put a Band-Aid and some antiseptic on his index finger, above the knuckle, where he’d picked up a splinter earlier in the day, and put on some fresh clothes. He took ten minutes to vacuum up an accumulation of Asian ladybugs that had found their way through the windowless addition, and bagged up the garbage and trash. He called Jimi to tell her he’d be gone for a short time, no more than a few days.

It’s really important not to get upset because then the voices will get the upper hand and take over your mind. Things are needy. They take up space. They want attention, and they will drive you mad if you let them. So just remember, you’re like the air traffic controller—no wait, you’re like the leader of a big brass band made up of all the jazzy stuff of the planet, and you’re floating out there in space, standing on this great garbage heap of a world, with your hair slicked back and your natty suit and your stick up in the air, surrounded by all the eager things, and for one quick, beautiful moment, all their voices go silent, waiting till you bring your baton down. Music or madness. It’s totally up to you.

I am, but I don’t like being controlled. Not anymore.” He leans forward. “You know exactly how I feel about Freund and his merry band of drug dealers. I don’t want that garbage anywhere near me.

Apocalyptic Negroes in a stream Of moving torches, marching from the slums, Beating a band of garbage pails for drums, Marching, with school-age children in their arms, Advancing on the suburbs and the farms, To integrate the schools and burn the houses...

you’re like the leader of a big brass band made up of all the jazzy stuff of the planet, and you’re floating out there in space, standing on this great garbage heap of a world, with your hair slicked back and your natty suit and your stick up in the air, surrounded by all the eager things, and for one quick, beautiful moment, all their voices go silent, waiting till you bring your baton down. Music or madness. It’s totally up to you.

It's really important not to get upset because then the voices will get the upper hand and take over your mind. Things are needy. They take up space. They want attention, and they will drive you mad if you let them. So just remember, you're like the air traffic controller-no wait, you’re like the leader of a big brass band made up of all the jazzy stuff of the planet, and you’re floating out there in space, standing on this great garbage heap of a world, with your hair slicked back and your natty suit and your stick up in the air, surrounded by all the eager things, and for one quick, beautiful moment, all their voices go silent, waiting till you bring your baton down. Music or madness. It’s totally up to you.

The craze surrounding the Beatles—as well as demonstrations and a near-riot by hundreds of kids in Leipzig in October 1965 after authorities there banned almost all the local Beat bands—elicited commentary directly from head of state Walter Ulbricht during a meeting of the Central Committee of the Communist Party: I am of the opinion, comrades, that we should put an end to the monotony of the Yeah Yeah Yeah and whatever else it’s called. Must we really copy every piece of garbage that comes from the West?

...while riot grrrl is part of the punk rock/alternative rock feminism of the 1990s, it's by no means the majority of it. Despite the slogan, not every girl was a riot grrrl, and there's a huge swath of awesome women in '90s music who aren't riot grrrls. In no particular order: L7, Hole, PJ Harvey, Belly, Throwing Muses, Seven Year Bitch, Babes in Toyland, Liz Phair, Bjork, Juliana Hatfield, Gwen Stefani/No Doubt, Shirley Manson/Garbage, the Breeders, Luscious Jackson, Elastica, Sleater-Kinney, and may more women were part of either the alternative or indie rock music scene. Beyond that, the decade was pretty amazing for singer-songwriters like Tori Amos, Sarah McLachlan, Jewel, Fiona Apple, Alanis Morissette, Tracy Chapman, and Melissa Etheridge; for the R&B and hip-hop artists like Salt-n-Peppa, Queen Latifah, TLC, En Vogue, and Missy Elliott; and, at the tail end of the decade, all the pop you could ever want with the Spice Girls, Britney Spears, Christina Aguilera, and Destiny's Child. So, if you read this book, then run to Spotify to listen to riot grrrl bands, and find they're not for you, remember: there's more than one way to be a girl, and there's more than one kind of music to power you to your goals. What you listen to will never be as important as what you do.

The bassoon is absurd... it takes like an hour to assemble one. They're enormous and are made of Lincoln Logs, aluminum twigs, and paper towel tubes. There are these tiny double wooden reeds that you have to soak and trim and tend to all the time. There's a strap that you actually have to sit on when you play so the whole thing doesn't fall on the floor like a bundle of garbage.

He’s disgusted and suspicious. They had Gebert down there, slapping him around and squealing and yelling at him. If you’re so sure violence is inferior technique, you should have seen that exhibition; it was wonderful. They say it works sometimes, but even if it does, how could you depend on anything you got that way? Not to mention that after you had done it a few times any decent garbage can would be ashamed to have you found in it. But