Gap Between Fingers Quotes

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Someone asked me what home was, and all I could think of were the stars on the tip of your tongue, the flowers sprouting from your mouth, the roots entwined in the gaps between your fingers, the ocean echoing inside of your rib cage.
E.E. Cummings
Someone asked me what home was, and all I could think of were the stars on the tip of your tongue, the flowers sprouting from your mouth, the roots entwined in the gaps between your fingers, the ocean echoing inside of your rib cage.
Ec
Of whom and of what can I say: "I know that"! This heart within me I can feel, and I judge that it exists. This world I can touch, and I likewise judge that it exists. There ends all my knowledge, and the rest is construction. For if I try to seize this self of which I feel sure, if I try to define and to summarize it, it is nothing but water slipping through my fingers. I can sketch one by one all the aspects it is able to assume, all those likewise that have been attributed to it, this upbringing, this origin, this ardor or these silences, this nobility or this vileness. But aspects cannot be added up. This very heart which is mine will forever remain indefinable to me. Between the certainty I have of my existence and the content I try to give to that assurance the gap will never be filled.
Albert Camus (The Myth of Sisyphus and Other Essays)
In a story you only had to wish, you only had to write it down and you could have the world...It seemed so obvious now that it was too late: a story was a form of telepathy. By means of inking symbols onto a page, she was able to send thoughts and feelings from her mind to her reader's. It was a magical process, so commonplace that no one stopped to wonder at it. Reading a sentence and understanding it were the same thing; as with the crooking of a finger, nothing lay between them. There was no gap during which the symbols were unraveled.
Ian McEwan (Atonement)
You see my five fingers, but somebody can see the five gaps between my fingers. Ordinarily you will not see the gaps, you will see five fingers. But the gaps are more real: fingers may come and go, gaps will remain. Between sounds of music there are gaps of silence. The authentic music consists not of sounds,but of the gaps. Sounds come and go; those gaps remain. And music can make you aware of those gaps more beautifully than anything else; hence I have to say that music comes next to silence.
Osho
I am still frozen when he reaches out and brushes a finger over the three lines etched into the surface of my ring, then twists one of his own rings to reveal a cleaner but identical set of lines. The Archive’s insignia. When I don’t react—because no fluid lie came to me and now it’s too late—he closes the gap between us, close enough that I can almost hear the bass again, radiating off his skin. His thumb hooks under the cord around my throat and guides my key out from under my shirt. It glints in the twilight. Then he fetches the key from around his own neck. “There,” he says cheerfully. “Now we’re on the same page.
Victoria Schwab (The Archived (The Archived, #1))
This heart within me I can feel, and I judge that it exists. This world I can touch, and I likewise judge that it exists. There ends all my knowledge, and the rest is construction. For if I try to seize this self of which I feel sure, if I try to define and to summarize it, it is nothing but water slipping through my fingers. I can sketch one by one all the aspects it is able to assume, all those likewise that have been attributed to it, this up bringing, this origin, this ardor or these silences, this nobility or this vileness. But aspects cannot be added up. This very heart which is mine will forever remain indefinable to me. Between the certainty I have of my existence and the content I try to give to that assurance, the gap will never be filled. Forever I shall be a stranger to myself. In psychology as in logic, there are truths but no truth. Socrates' "Know thyself" has as much value as the "Be virtuous" of our confessionals. They reveal a nostalgia at the same time as an ignorance. They are sterile exercises on great subjects. They are legitimate only in precisely so far as they are approximate.
Albert Camus (The Myth of Sisyphus and Other Essays)
You killed him." I held up my index finger and my thumb, slowly closing the gap between them, peering over at Dre through the tiny slit that remained. "Little bit." "I don't think you can kill someone a little bit." "Oh, well then, a lot bit. I killed him a lot bit.
T.M. Frazier (Preppy: The Life & Death of Samuel Clearwater, Part One (King, #5))
He slept under the sky, holding her hand, filling the gaps between her fingers and losing himself inside the soul in the course of counting the stars, she was hiding inside her eyes.
Akshay Vasu
That is not what “positive reappraisal” means; it’s not as simple as “look on the bright side” or “find the silver lining” or “enjoy the journey.” Nor is it about not feeling frustrated by the persistent gap between what is and what could or should be. Nor does it mean sticking your fingers in your ears and going, “La la la, nothing is wrong, everything is fine!
Emily Nagoski (Burnout: The Secret to Unlocking the Stress Cycle)
Have you ever imagined walking with me? A long walk on an empty road, on a cold night. Where there is no one around, except us. My hand touches yours, in the name of sweet accidents. The stars decide to shine and the galaxies decide to burst inside me, instead of the sky. And all of a sudden, my hands try to play with your fingers. Until my fingers fill the gaps between yours.
Akshay Vasu
Oh, oh. My heart starts that quivering, fluttering thing it does whenever he hints at his desire for me. Lacing his fingers through mine, he moves to close the gap between us. I know he’s only holding my hand, but it’s the manner in which his fingers curl around mine, and the way his eyes bore into me that makes it seem much more intimate.
Siobhan Davis ™ (Beyond Reach (True Calling #2))
Please. Let me get this out while I still have the courage to say it.” The troubled crease deepened between his brows. “My life’s complicated, Lia. There are so many things I can’t explain to you. Things you wouldn’t even want to know. But there’s one thing you could never call me.” He set the bottle and basket down on a patch of grass. “The one thing you can never call me is repulsed by you.” I swallowed. He closed what gap was left between us, and I had to lift my chin to see him. He looked down at me. “Because ever since that first day I met you, I’ve gone to sleep every single night thinking about you, and every morning when I wake, my first thoughts are of you.” He stepped impossibly closer and lifted his hands, cupping my face, his touch so gentle it was barely there. “When I’m not with you, I wonder where you are. I wonder what you’re doing. I think about how much I want to touch you. I want to feel your skin, your hair, run every dark strand through my fingers. I want to hold you, your hands, your chin.” His face drew nearer, and I felt his breath on my skin. “I want to pull you close and never let you go,” he whispered. We
Mary E. Pearson (The Kiss of Deception (The Remnant Chronicles, #1))
Raw emotions and the need to hold him close overwhelmed me. Every part of ached for him-my mind, my soul and my body. Without hesitation, i closed the gap between us and pressed my lips eagerly to his. Noah's hands were everywhere, my hair, my face, my back, and for the love of all things holy, my breasts. My hands roamed his glorious body just as greedily. After drugging me with delicious kisses for not nearly long enough, his warm lips skimmed my throat and kissed down the center of my breasts, causing me to arch my back and lose my ever loving mind. Without meaning to, i moaned and whispered his name when his hands wandered to my thighs and set my world and blood on fire. Noah eased me back into the bed and my hair sprawled all around me. "I love how you smell," he whispered as he suckled my earlobe. "I love how beautiful you are." I reclaimed his lips and hooked a leg around his as we moved in rhythm with each other. In between frantic kisses, i whispered the words, "I love you". Because i did. Noah listened to me. He made me laugh and he made me feel special. He was strong and warm and caring and...everything. I loved him. I loved him more than i'd ever loved another person in my life. Every muscle in my body froze when Noah stopped kissing and stare down at me with wide eyes. He caressed my cheek twice over and tilted his head. "Make love to me, Echo. I've never made love." No way. Noah's experienced reputation walked down the hallway before he did. "But..." Noah cut me off with a kiss. "Yes, but never love. Just girls who didn't mean anything" You..." His tongue teased my bottom lip, thawing my body. "Are everything. I got tested over winter break and i'm clean and i've got protection." He reached to the side of the bed and magically produced a small orange square. I froze again. Sensing my hesitation, Noah kissed my lips slowly while stroking my cheek. "And since break?" I asked. "There's been no one," he whispered against my lips. "I met you soon after and i could never think of touching anyone else." I loved him and we were together. I entwined my fingers in his hair and pulled his head back to mine, but the second his hand touched the waist of my jeans, my heart shook and my hands snapped out to stop him. "Please. Wait. Noah..." Oh, God, i was actually going to say it. "I'm a virgin." Now Noah froze. "But you were with Luke." A faint smile grew on my lips. I was typically the tongue-tied one and found it amusing to see him confused for once. "That's why we broke up. I wasn't ready." He shifted his body off of mine and tuckled me close against his warmth. I laid my head on his chest and listened to the comforting sound of his beating heart. Noah ran his hand through my hair. "I'm glad you told me. This needs to be right for you and i'll wait, for as long as you need.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
I think I better leave.” “No.” That one word stopped her dead cold. “Come here.” “Why?” “Because.” As if it was enough of an answer. She shook her head. “It’s only going to confuse things. You don’t want anything serious, and I’m not going to be some late night booty call.” He shot off the bed and was in front of her in seconds. “That offends me.” “Sorry.” She tried to put some space between them, but he just continued to close the gap. “I’m just being honest. Am I wrong?” He grasped her head, threading his fingers through her hair. “I’ll let you know after.” “After what?” “After this.” He kissed her
Elayne DiSano (For Her Honor (Mountain Skulls MC, #2))
By the smug smile on his face, I’d say he’s enjoying me fumbling over myself. He closes the gap between us, his chest against mine. The urge to reach up and pull on his blond hair has my fingers twitching.
Eden Finley (Fake Out (Fake Boyfriend, #1))
Susan was haunted by the gap between the sensation of three boys climbing her torso like a tree, combing sticky fingers through her hair, muttering into her ears—and the constraint of adulthood: How are you, honey? You look a little tired. Is there anything I can do? How about a hug for your old mom? If she’d had an inkling, back then, of the ache this constraint would cause her, she would never—not once!—have said, “Let go of me, boys, I just need a minute,” and shaken them off. She would have held still and let them pick her clean, understanding that there would be nothing better to save herself for.
Jennifer Egan (The Candy House)
Finally, he moved. He slid forward, closing the gap between them. When he was a step away, she squeezed her eyes shut, bracing for the killing blow. A moment passed. Careful, gentle fingers touched her chin and tilted her face up. She squeezed her eyes tighter. "Piper." He exhaled slowly. "Piper, you need to try not to be afraid. I need your help." His touch fell from her cheek then wrapped gently around her uninjured wrist. He pulled her arm up and pressed her hand to the horns on the side of his head. "You know me, Piper. Remember? You weren't this scared before. I need you to be strong this time too." She shivered at his alien voice. Her shaking fingers touched the smooth, cool horns. "Please, Piper." he whispered. "I can't use glamour because my wing is dislocated. I need your help to fix it." A silent pause. "I won't hurt you, I promise.
Annette Marie (Chase the Dark (Steel & Stone, #1))
We have seen that imagining an act engages the same motor and sensory programs that are involved in doing it. We have long viewed our imaginative life with a kind of sacred awe: as noble, pure, immaterial, and ethereal, cut off from our material brain. Now we cannot be so sure about where to draw the line between them. Everything your “immaterial” mind imagines leaves material traces. Each thought alters the physical state of your brain synapses at a microscopic level. Each time you imagine moving your fingers across the keys to play the piano, you alter the tendrils in your living brain. These experiments are not only delightful and intriguing, they also overturn the centuries of confusion that have grown out of the work of the French philosopher René Descartes, who argued that mind and brain are made of different substances and are governed by different laws. The brain, he claimed, was a physical, material thing, existing in space and obeying the laws of physics. The mind (or the soul, as Descartes called it) was immaterial, a thinking thing that did not take up space or obey physical laws. Thoughts, he argued, were governed by the rules of reasoning, judgment, and desires, not by the physical laws of cause and effect. Human beings consisted of this duality, this marriage of immaterial mind and material brain. But Descartes—whose mind/body division has dominated science for four hundred years—could never credibly explain how the immaterial mind could influence the material brain. As a result, people began to doubt that an immaterial thought, or mere imagining, might change the structure of the material brain. Descartes’s view seemed to open an unbridgeable gap between mind and brain. His noble attempt to rescue the brain from the mysticism that surrounded it in his time, by making it mechanical, failed. Instead the brain came to be seen as an inert, inanimate machine that could be moved to action only by the immaterial, ghostlike soul Descartes placed within it, which came to be called “the ghost in the machine.” By depicting a mechanistic brain, Descartes drained the life out of it and slowed the acceptance of brain plasticity more than any other thinker. Any plasticity—any ability to change that we had—existed in the mind, with its changing thoughts, not in the brain. But now we can see that our “immaterial” thoughts too have a physical signature, and we cannot be so sure that thought won’t someday be explained in physical terms. While we have yet to understand exactly how thoughts actually change brain structure, it is now clear that they do, and the firm line that Descartes drew between mind and brain is increasingly a dotted line.
Norman Doidge (The Brain That Changes Itself: Stories of Personal Triumph from the Frontiers of Brain Science)
And under the cicadas, deeper down that the longest taproot, between and beneath the rounded black rocks and slanting slabs of sandstone in the earth, ground water is creeping. Ground water seeps and slides, across and down, across and down, leaking from here to there, minutely at a rate of a mile a year. What a tug of waters goes on! There are flings and pulls in every direction at every moment. The world is a wild wrestle under the grass; earth shall be moved. What else is going on right this minute while ground water creeps under my feet? The galaxy is careening in a slow, muffled widening. If a million solar systems are born every hour, then surely hundreds burst into being as I shift my weight to the other elbow. The sun’s surface is now exploding; other stars implode and vanish, heavy and black, out of sight. Meteorites are arcing to earth invisibly all day long. On the planet, the winds are blowing: the polar easterlies, the westerlies, the northeast and southeast trades. Somewhere, someone under full sail is becalmed, in the horse latitudes, in the doldrums; in the northland, a trapper is maddened, crazed, by the eerie scent of the chinook, the sweater, a wind that can melt two feet of snow in a day. The pampero blows, and the tramontane, and the Boro, sirocco, levanter, mistral. Lick a finger; feel the now. Spring is seeping north, towards me and away from me, at sixteen miles a day. Along estuary banks of tidal rivers all over the world, snails in black clusters like currants are gliding up and down the stems of reed and sedge, migrating every moment with the dip and swing of tides. Behind me, Tinker Mountain is eroding one thousandth of an inch a year. The sharks I saw are roving up and down the coast. If the sharks cease roving, if they still their twist and rest for a moment, they die. They need new water pushed into their gills; they need dance. Somewhere east of me, on another continent, it is sunset, and starlings in breathtaking bands are winding high in the sky to their evening roost. The mantis egg cases are tied to the mock-orange hedge; within each case, within each egg, cells elongate, narrow, and split; cells bubble and curve inward, align, harden or hollow or stretch. And where are you now?
Annie Dillard (Pilgrim at Tinker Creek)
Anyway, that guy. This is all his damned fault. It's his fault I'm bent over the edge of the bed with my red satin panties hanging from my one ankle. It's his fault I've got a little hot, gooey cum dripping from my chin. It's his fault my heart is still pounding from my first non-DIY orgasm. My first thundering, shuddering orgasm that I didn't tease out with my wet, dripping fingers, the corner of the dryer or 'Jumbo', the 7-inch ribbed black dildo I keep as my shameful little secret, tucked in the gap between my mattress and the headboard. ... Fuck you, Michael Cera. Fuck you hard. Sincerely, Jill Travers
Aya Fukunishi (Hung)
Mind the Gap You are the kiss which manifests In the locus where heaven meets earth. You are the kiss which traverses the gap between God's and Adam's finger -- a verdant oasis on the intersection of infinite smallness and infinite greatness, the living earth in the cosmic graveyard of stars, the period beneath the scythe of the question, the period beneath the needle of exclamation, the tortoise and hare point where parallel lines meet in this universe of infinite questions without answers, in this universe of infinite wonder with exclamation, in this universe of infinite mystery where we ask 'Why is there something and not nothing?' And behold the answer in a kiss.
Beryl Dov
This has rather shaken you up, hasn’t it?” “Oh, don’t,” snapped Edwin, throat scratched with guilt. “Don’t go being nice, how can you constantly be like this, when it’s your arm and your visions and somebody else’s bloody mess—and I made it worse— and Reggie might be dead, and here we are dancing like sodding debutantes around the fact that you might be next, and who knows what—” “Edwin. Shut up,” Robin suggested. Edwin did, gratefully. He snagged two fingers through a gap in the trellis, sagging the weight of his arm there, trying to formulate an apology. Robin put his hand between Edwin’s shoulder blades, patted twice, then let it stay. “I hope that wasn’t you trying to be comforting,” Robin said after a moment. “Because you’re dashed miserable at it, if so.
Freya Marske (A Marvellous Light (The Last Binding, #1))
A shadow appeared on the awnings further up the land, gliding across each rectangle of canvas towards my table, sinking in the sag, rising again at the edge, and moving on to the next with a flicker of dislocation, then gliding onwards. As it crossed the stripe of sunlight between two awnings, it threaded the crimson beak of a stork through the air, a few inches above the gap; then came a long white neck, the swell of snowy breast feathers and the six-foot motionless span of its white wings and the tips of the black flight feathers upturned and separated as fingers in the lift of the air current. The white belly followed, tapering, and then, trailing behind, the fan of its tail and long parallel legs of crimson lacquer, the toes of each of them closed and streamlined, but the whole shape flattening, when the band of sunlight was crossed, into a two-dimensional shadow once more, enormously displayed across the rectangle of cloth, as distinct and nearly as immobile, so languid was its flight, as an emblematic bird on a sail; then sliding across it and along the nearly still corridor of air between the invisible eaves and the chimneys, dipping along the curl of the lane like a sigh of wonder, and, at last, a furlong away slowly pivoting, at a gradual tilt, out of sight. A bird of passage like the rest of us.
Patrick Leigh Fermor (The Broken Road: From the Iron Gates to Mount Athos)
He takes me by the hand to the bathroom in the hallway. He turns the knob in the tub, and a rush of water shoots from the showerhead. We both shed our clothes in silent unison. There's no need for words right now. Callum steps in the shower before I can get a proper look at him. It doesn't matter how many times I see him naked. I'm forever in awe. Under the brightness of the overhead light and the sheen of water, he is stunning. Like always. I claw at the wet muscle in front of me, and he captures my mouth in his. We're kissing so hard, so rabidly that I can hardly breathe. The only air I get is through tiny gaps between our mouths when our movements are too rough. I breathe, he breathes, and we do it over and over. He's grabbing my waist, the fleshy curve of my hips, my generously rounded backside. I give his chiseled chest one last eager grope with both hands. And then I always stroke along his always impressive length, speeding up with every groan and grunt he gives me. It's two minutes until he's done for. I rinse my hand in the stream surrounding us, but then he grips my hips and directs me to sit on the ledge at the far end of the shower. I watch him kneel down in front of me, biting my lip to suppress a groan. The water is lukewarm right now and that's a good thing. I'll need to cool off soon. He pushes his face between my legs and works his magic. Endless swirls and licks and sucks. I'm howling. It echoes against the walls of the bathroom, the only appropriate soundtrack to the filthy actions taking place in this steamy haven. Legs shaking and muscles twitching, I explode. He doesn't dare let up, digging his fingers in my thighs.
Sarah Smith (Simmer Down)
The crowd as silent,holding their breaths.Hot wind rustled in the trees as the ax gleamed in the sun.Luce could feel that the end was coming,but why? Why had her soul dragged her here? What insight abouther past,or the curse, could she possibly gain from having her head cut off? Then Daniel dropped the ax to the ground. "What are you doing?" Luce asked. Daniel didn't answer.He rolled back his shoulders, turned his face toward the sky, and flung out her arms. Zotz stepped forward to interfere,but when he touched Daniel's shoulder,he screamed and recoiled as if he'd been burned. And then- Daniel's white wings unfurled from his shoulders.As they extended fully from his sides,huge and shockingly bright against the parched brown landscape, they sent twenty Mayans hurtling backward. Shouts rang out around the cenote: "What is he?" "The boy is winged!" "He is a god! Sent to us by Chaat!" Luce thrashed against the ropes binding her wrists and her ankles.She needed to run to Daniel.She tried to move toward him,until- Until she couldn't move anymore. Daniel's wings were so bright they were almost unbearable. Only, now it wasn't just Daniel's wings that were glowing. It was...all of him. His entire body shone.As if he'd swallowed the sun. Music filled the air.No,not music, but a single harmonious chord.Deafening and unending,glorious and frightening. Luce had heard it before...somewhere. In the cemetery at Sword&Cross, the last night she'd been there,the night Daniel had fought Cam,and Luce hadn't been allowed to watch.The night Miss Sophia had dragged her away and Penn had died and nothing had ever been the same.It had begun with that very same chord,and it was coming out of Daniel.He was lit up so brightly,his body actually hummed. She swayed where she stood,unable to take her eyes away.An intense wave of heat stroked her skin. Behind Luce,someone cried out.The cry was followed by another,and then another,and then a whole chorus of voices crying out. Something was burning.It was acrid and choking and turned her stomach instantly. Then,in the corner of her vision,there was an explosion of flame, right where Zotz had been standing a moment before. The boom knocked her backward,and she turned away from the burning brightness of Daniel,coughing on the black ash and bitter smoke. Hanhau was gone,the ground where she'd stood scorched black.The gap-toothed man was hiding his face,trying hard not to look at Daniel's radiance.But it was irresistible.Luce watched as the man peeked between his fingers and burst into a pillar of flame. All around the cenote,the Mayans stared at Daniel.And one by one,his brilliance set them ablaze.Soon a bright ring of fire lit up the jungle,lit up everyone but Luce. "Ix Cuat!" Daniel reached for her. His glow made Luce scream out in pain,but even as she felt as if she were on the verge of asphyxiation, the words tumbled from her mouth. "You're glorious." "Don't look at me," he pleaded. "When a mortal sees an angel's true essence, then-you can see what happened to the others.I can't let you leave me again so soon.Always so soon-" "I'm still here," Luce insisted. "You're still-" He was crying. "Can you see me? The true me?" "I can see you." And for just a fraction of a second,she could.Her vision cleared.His glow was still radiant but not so blinding.She could see his soul. It was white-hot and immaculate,and it looked-there was no other way to say it-like Daniel. And it felt like coming home.A rush of unparalleled joy spread through Luce.Somewhere in the back of her mind,a bell of recognition chimed. She'd seen him like this before. Hadn't she? As her mind strained to draw upon the past she couldn't quite touch,the light of him began to overwhelm her. "No!" she cried,feeling the fire sear her heart and her body shake free of something.
Lauren Kate (Passion (Fallen, #3))
A splash of light snuck beneath the a dressing room door. He heard a groan. A shuffle. A bump. A heavy sigh. "Uh, too tight." He walked toward the back, stopping outside the dressing room. The door was cracked a fraction. He rested a shoulder against the wall, and glanced inside. Grace as Catwoman blew his mind. A feline fantasy. The three-way mirror tripled his pleasure. He viewed her from every angle. Hot, sleek, fierce. The lady could fight Batman in her skintight black leather catsuit and come out the winner. After a moment she scrunched her nose, slapped her palms against her thighs. Stuck out her tongue at her reflection in the mirrors. He saw what had her so frustrated. Sympathized with her disappointment. Her costume didn't fit. The front zipper hadn't fully cleared her cleavage, which was deep and visible. She wore no bra. She gave a little hop, and her breasts bounced. Full and plump. He felt a tug at his groin. Superhero lust. He cleared his throat and made his presence known. She caught his image in the corner of the glass, and reached for the fitting room chair, positioning it between them. Like that would keep him from her. He should've looked away, but couldn't. He sensed her embarrassment. Her panic. Flight? She had nowhere to go. He blocked the door. He wasn't leaving until they'd talked. "Archibald's going to love your costume," he initiated. She didn't find him funny. Her gaze narrowed behind the molded cat-eye mask with attached ears. Her fingers clenched in her elbow-length gloves. Inspired by the movie The Dark Knight, she'd added a whip and a gun holster. Her thigh-high stiletto boots were killer, adding five inches to her height. Her image would stick with him forever. She backed against the center mirror, and nervously fingered the open flaps over her breasts. A yank on the zipper broke the tab. The metal teeth parted, and the gap widened, revealing the round inner curves of her breasts. A hint of her nipples. Dusky pink. All the way down to the dent of her navel.
Kate Angell (The Cottage on Pumpkin and Vine)
The captain? Sophia stood staring numbly after him. Had he just said he’d introduce her to the captain? Of someone else was the captain, then who on earth was this man? One thing was clear. Whoever he was, he had her trunks. And he was walking away. Cursing under her breath, Sophia picked up her skirts and trotted after him, dodging boatmen and barrels and coils of tarred rope as she pursued him down the quay. A forest of tall masts loomed overhead, striping the dock with shadow. Breathless, she regained his side just as he neared the dock’s edge. “But…aren’t you Captain Grayson?” “I,” he said, pitching her smaller trunk into a waiting rowboat, “am Mr. Grayson, owner of the Aphrodite and principle investor in her cargo.” The owner. Well, that was some relief. The tavern-keeper must have been confused. The porter deposited her larger truck alongside the first, and Mr. Grayson dismissed him with a word and a coin. He plunked one polished Hessian on the rowboat’s seat and shifted his weight to it, straddling the gap between boat and dock. Hand outstretched, he beckoned her with an impatient twitch of his fingers. “Miss Turner?” Sophia inched closer to the dock’s edge and reached one gloved hand toward his, considering how best to board the bobbing craft without losing her dignity overboard. The moment her fingers grazed his palm, his grin tightened over her hand. He pulled swiftly, wrenching her feet from the dock and a gasp from her throat. A moment of weightlessness-and then she was aboard. Somehow his arm had whipped around her waist, binding her to his solid chest. He released her just as quickly, but a lilt of the rowboat pitched Sophia back into his arms. “Steady there,” he murmured through a small smile. “I have you.” A sudden gust of wind absconded with his hat. He took no notice, but Sophia did. She noticed everything. Never in her life had she felt so acutely aware. Her nerves were draw taut as harp strings, and her senses hummed. The man radiated heat. From exertion, most likely. Or perhaps from a sheer surplus of simmering male vigor. The air around them was cold, but he was hot. And as he held her tight against his chest, Sophia felt that delicious, enticing heat burn through every layer of her clothing-cloak, gown, stays, chemise, petticoat, stockings, drawers-igniting desire in her belly. And sparking a flare of alarm. This was a precarious position indeed. The further her torso melted into his, the more certainly he would detect her secret: the cold, hard bundle of notes and coin lashed beneath her stays. She pushed away from him, dropping onto the seat and crossing her arms over her chest. Behind him, the breeze dropped his hat into a foamy eddy. He still hadn’t noticed its loss. What he noticed was her gesture of modesty, and he gave her a patronizing smile. “Don’t concern yourself, Miss Turner. You’ve nothing in there I haven’t seen before.” Just for that, she would not tell him. Farewell, hat.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Some things should never be said. Not out loud in clear, simple words. You talk around them. You leave gaps and blanks. You use other words and talk in curves and arcs for the worst things because you need to keep them like mist. Words are dangerous. Like a spell, if you name the mist, call out all of the words that describe it sharp and clear, you turn it solid, into something that no one should ever hold in their hands. Better that it stays like water, slipping between your fingers.
Alexia Casale
The door to my father’s study swung open silently, thanks to new hinges. The entire office had been decimated, but Galen had painstakingly restored it, carefully putting the few things that had survived back in their rightful places. Papa’s desk had been destroyed, but it had been replaced with an almost identical one; other than the fact that the scent of my father--and the feel of years of joy--could never be returned, all was as it should be. Except for one bookcase. I hadn’t noticed because no one entered this room anymore, but Galen would have known where the replacement case belonged--on the inside wall, adjacent to the door. Now it was on an outside wall. My heart thudding, I curiously approached it. Setting the lantern on the floor, I took hold of the bookcase and pulled, but it would not shift. Odd-it had always been freestanding, but was now anchored to the wall. My excitement mounting, I grabbed armfuls of books, haphazardly strewing them on the floor. The back of the case was solid wood, but I pushed between the shelves, trying to make something budge. Nothing yielded. I paused, listening for movement from upstairs, then stuck my head and shoulders into each and every section to knock softly on the backing. With a tiny, exhilarated laugh, I realized the bottom section was hollow. Determination revived, I shoved with all my weight against the wood, kicking over some of the volumes piled behind me as I grappled for leverage. My hands slipped, and my shoulder hit the left side, earning a groan--not from me, but from the bookcase. The right edge shifted toward me, just enough for me to fit my fingers behind and force it open. The gap I had created was large enough for me to squirm through, and I found myself sitting on the dirt floor of a small room behind the wall. It was partially below ground, cool, but not drafty; in fact, it was difficult to breathe in the small, dark, dusty space. I leaned back through the opening in the bookcase and grabbed the lantern. When I could at last see what the room contained, I grinned. Before me were stacked weapons of every sort--daggers, long-knives, swords, bows and arrows, lances, whips--legions and legions of glorious weapons.
Cayla Kluver (Sacrifice (Legacy, #3))
Fernando crouches next to one of the beds and takes out a box. He digs inside it for a few seconds, then picks up a small, round disc. It is made of a pale metal that I saw often in Erudite headquarters but have never seen anywhere else. He carries it toward me on his palm. When I reach for it, he jerks it away from me. “Careful!” he says. “I brought this from headquarters. It’s not something we invented here. Were you there when they attacked Candor?” “Yes,” I say. “Right there.” “Remember when the glass shattered?” “Were you there?” I say, narrowing my eyes. “No. They recorded it and showed the footage at Erudite headquarters,” he says. “Well, it looked like the glass shattered because they shot at it, but that’s not really true. One of the Dauntless soldiers tossed one of these near the widows. It emits a signal that you can’t hear, but that will cause glass to shatter.” “Okay,” I say. “And how will that be useful to us?” “You may find that it’s rather distracting for people when all their windows shatter at once,” he says with a small smile. “Especially in Erudite headquarters, where there are a lot of windows.” “Right,” I say. “What else have you got?” says Christina. “The Amity will like this,” Cara says. “Where is it? Ah. Here.” She picks up a black box made of plastic, small enough for her to wrap her fingers around it. At the top of the box are two pieces of metal that look like teeth. She flips a switch at the bottom of the box, and a thread of blue light stretches across the gap between the teeth. “Fernando,” says Cara. “Want to demonstrate?” “Are you joking?” he says, his eyes wide. “I’m never doing that again. You’re dangerous with that thing.” Cara grins at him, and explains, “If I touched you with this stunner right now, it would be extremely painful, and then it would disable you. Fernando found that out the hard way yesterday. I made it so that the Amity would have a way of defending themselves without shooting anyone.” “That’s…” I frown. “Understanding of you.” “Well, technology is supposed to make life better,” she says. “No matter what you believe, there’s a technology out there for you.” What did my mother say, in that simulation? “I worry that your father’s blustering about Erudite has been to your detriment.” What if she was right, even if she was just a part of a simulation? My father taught me to see Erudite a particular way. He never taught me that they made no judgments about what people believed, but designed things for them within the confines of those beliefs. He never told me that they could be funny, or that they could critique their own faction from the inside. Cara lunges toward Fernando with the stunner, laughing when he jumps back. He never told me that an Erudite could offer to help me even after I killed her brother.
Veronica Roth (Insurgent (Divergent, #2))
My walk to Alex’s study is like the green mile. I wonder what he’s going to say. This isn’t going to be fun. I step inside his study, but no one announces me, and he doesn’t notice. So I just stare. He’s writing something. With a quill and ink. The well is sitting next to his right hand. He’s so intent on whatever he’s writing he keeps at it for thirty seconds before he sees me. Long enough for me to see the way he narrows his eyes when he’s concentrating and the way he purses his lips. Long enough for me to wonder what it would be like to kiss him. Oh God, where did that come from? I hate him. Hate him. There’s no way I could possibly want to kiss him. He looks up at that instant, and I do my best to just smile right at him and not give away my thoughts. “Please sit,” he says, rising. I nod and sit down in the same fancy chair as before. The door stays open. I sit as erect as possible, my hands in my lap, my ankles crossed beneath me. Victoria must be rubbing off on me. Alex comes around to the front of his desk and rests on it, crossing one ankle over the other as he leans back. “What you did was overstepping your bounds.” I clench my teeth, hard, to stop from snapping back. I have to see where he’s going with this before I get angry. “You went behind my back and orchestrated one of the most ill-planned, riskiest schemes I’ve ever seen. I am shocked.” “But--” He puts his hand up to silence me. “I won’t tell you what I had to do to convince her father to consent to the new arrangement. You are lucky Mr. Rallsmouth will have the means necessary to support Miss Emily, as she will not be receiving a thing from her father from here on out.” All I hear is convince her father. So it worked?” A grin spreads across my features and I jump to my feet. “She’s going to marry Mr. Rallsmouth?” Alex pushes off the desk behind him and stands in front of me. “Have you not heard a word I said? You made grievous errors of judgment. You--” “But I was right! And thanks to me, she’s going to marry the love of her life!” He’s standing right in front of me, inches away. “You were not right! You interfered and it was not your place!” I clench my fists as my anger flares to match his. “You think nothing is my place because I’m some lowly, untitled girl! But someone had to do it, and you didn’t care to!” “You should not have gotten involved!” he growls. “You should not have forced me to!” I say, jabbing my finger into his chest. “You should have been there for her when she needed you!” In an instant, he closes the gap between us. His lips hit mine so fast I can’t even close my eyes. His hands find a place on either side of my face and pull me close, and for two-point-five seconds, I’m lost somewhere between closing my eyes and standing there, frozen. Somehow the eyes win out and I shut them, and my knees start to buckle as I press my lips into to his. I stop breathing and grip his sleeves with both hands to keep from falling straight over. His lips are warm and soft and… And then I realize what’s going on. Who I’m kissing. You’re not a lady, he’s said. It stings as much now as it did the moment he said it. He thinks I’m unworthy. What am I doing? I reel back and knock into the wall with a loud crash that makes him jerk his eyes open. “I, uh…” I stutter, then spin around so fast my skirts twist around my legs and I have to wait for them to swing around again before dashing out of the room.
Mandy Hubbard (Prada & Prejudice)
He’d broken the man’s bone. And now he should break his fingers and both of his arms and both of his legs as instructed by the drawings. He should do it now, while the man was out. He already had the man’s right arm wrapped in towels, bridging the gap between two blocks of wood. He should break it. How would BoneMan know? He hadn’t seen any closed- circuit camera.
Ted Dekker (BoneMan's Daughters)
Mending Wall Something there is that doesn't love a wall, That sends the frozen-ground-swell under it, And spills the upper boulders in the sun; And makes gaps even two can pass abreast. The work of hunters is another thing: I have come after them and made repair Where they have left not one stone on a stone, But they would have the rabbit out of hiding, To please the yelping dogs. The gaps I mean, No one has seen them made or heard them made, But at spring mending-time we find them there. I let my neighbor know beyond the hill; And on a day we meet to walk the line And set the wall between us once again. We keep the wall between us as we go. To each the boulders that have fallen to each. And some are loaves and some so nearly balls We have to use a spell to make them balance: 'Stay where you are until our backs are turned!' We wear our fingers rough with handling them. Oh, just another kind of out-door game, One on a side. It comes to little more: There where it is we do not need the wall: He is all pine and I am apple orchard. My apple trees will never get across And eat the cones under his pines, I tell him. He only says, 'Good fences make good neighbors.' Spring is the mischief in me, and I wonder If I could put a notion in his head: 'Why do they make good neighbors? Isn't it Where there are cows? But here there are no cows. Before I built a wall I'd ask to know What I was walling in or walling out, And to whom I was like to give offense. Something there is that doesn't love a wall, That wants it down.' I could say 'Elves' to him, But it's not elves exactly, and I'd rather He said it for himself. I see him there Bringing a stone grasped firmly by the top In each hand, like an old-stone savage armed. He moves in darkness as it seems to me, Not of woods only and the shade of trees. He will not go behind his father's saying, And he likes having thought of it so well He says again, 'Good fences make good neighbors.
Robert Frost
Of whom and of what indeed can I say: 'I know that This heart within me I can feel, and I judge that it exist This world I can touch, and I likewise judge that it exist There ends all my knowledge, and the rest is construction For if I try to seize this self of which I feel sure, if I try t define and to summarize it, it is nothing but water slipping through my fingers. I can sketch one by one all the aspect it is able to assume, all those likewise that have been attr buted to it, this upbringing, this origin, this ardour or these silences, this nobility or this vileness. But aspects cannot be added up. This very heart which is mine will for ever remain indefinable to me. Between the certainty I have of my existence and the content I try to give to that assurance, the gap will never be filled. For ever I shall be a stranger to myself. In psychology as in logic, there are truths but no truth. Socrates' 'Know thyself has as much value as the be virtuous of our confessionals. They reveal a nostalgia at the same time as an ignorance. They are sterile exercises on great subjects. They are legitimate only precisely in so far as they are approximate.
Albert Camus (The Myth of Sisyphus and Other Essays)
Long divorced, a real estate agent whose social life included lovers (occasionally married), Susan was haunted by the gap between the sensation of three boys climbing her torso like a tree, combing sticky fingers through her hair, muttering into her ears—and the constraint of adulthood: How are you, honey? You look a little tired. Is there anything I can do? How about a hug for your old mom? If she’d had an inkling, back then, of the ache this constraint would cause her, she would never—not once!—have said, “Let go of me, boys, I just need a minute,” and shaken them off. She would have held still and let them pick her clean, understanding that there would be nothing better to save herself for.
Jennifer Egan (The Candy House)
Never quite understand what I was meant to settle for instead. That was the way it was. You could never ask why. You have to work it out in between the gaps, in the silence, between each careful mouthful of chewing Sunday dinner or run your finger tips along the wall paper and underneath the aging drawn liner in the bedrooms. Like that time I introduced her to Alfie, "Well that's fine Ena, if that's who you settle for" she said in the kitchen on the morning of my wedding with a faint scent of betrayal. Through I could never understand how I could I have disappointment her so much if I never was shown another way.
Mona Arshi (Somebody Loves You)
Advantages of the ASP I have already explained how the ASP is advantageous with regard to its compactness and ease of carry, but there are other advantages. Carrying an impact weapon gives you the ability to counter a threat with less than lethal force, which may save you a long stint in prison. The compact ASP has advantages over the 28-inch stick of the traditional Filipino martial arts. When you are chest-to-chest against an opponent, it's difficult to hit him decisively with a 26-28 inch long stick. Filipino martial artists practice raising the arm and twisting the wrist to snap the tip into an opponent's head, but these flicking strikes can't be counted on to drop an attacker. Also, because of the stick's light weight, space and distance are needed to wind up and generate power. At very close range the short, heavy stick –such as a blackjack, sap, or an 8-inch steel bar-- is a better weapon. The striking tip of the ASP is made of steel, and the middle section is high-grade aluminum. This solid construction means that the ASP hits hard. The unexpanded ASP can be used like a metal yawara (palm stick), which is devastating in close. The Knife The second weapon in Steel Baton EDC is a knife carried at the neck. The knife should be compact and relatively light so that it is comfortable enough for neck carry. Get a light beaded chain that will break away, so that you aren't strangled with your own neck lanyard. The knife should have a straight handle without loops or fingerholes, because you want to be able to access the knife with either hand in an instant, without having to thread your fingers into holes or work to secure a grip. Avoid folding knives. You want a knife that you can draw in an instant. No matter how much you practice drawing and opening your knife, or even if you get an automatic (switchblade) or assisted opener, you will always be slower getting the folding knife open and into action, particularly under stress. Keep in mind that “under stress” may mean somebody socking you in the face repeatedly. Once again, you want open carry. Open carry is almost always legal and is more easily accessible if you are under attack. You can get a neodymium magnet and put it in the gap between the seam of your shirt, in between the buttons. The magnet will attract the steel blade of your knife so that the knife will stay centered and not flop around if you're moving. My recommended knives for neck carry are the Cold Steel Super Edge and the Cold Steel Hide Out. The Super Edge is small, light, and inconspicuous. It also comes in useful as a day-to-day utility tool, opening packages, trimming threads, removing tags, and so on. Get the Rambo knife image out of your mind. You only need a small knife to deter an attacker, because nobody wants to get cut. And if your life is on the line, you can still do serious damage with a small blade.
Darrin Cook (Steel Baton EDC: 2nd Edition)
way from the US to Nigeria only to suffocate between a couple of containers. Could there be a shittier obituary? Reilly was seeing stars now, struggling to force his body back through the gap. He found the edge of the container with prying fingers, using his arm strength to pull himself obliquely sideways. Finally his head cleared
Jason Kasper (Covert Kill (Shadow Strike, #3))
There's a story written in us, added to with each conception' it remembers and it changes us' we move to something from something.' Abbess Glass held her two hands before her side by side, palms out, thumbs folded in, very close together so that the narrowest of gaps stood between the index finger of both.'Life.' She raised one hand a fraction.'Death.' She raised the other to match it.'We spend all our years on the short journey across this gap. But look' the gap is narrow if you cross it, but follow it and it's long. As long as you like. You and I journey across the gap, but as a people we follow it. The Ancestor stands at both ends. The Ancestor watches us from before the flight' before the shiphearts first beat their rhythm. That is the Ancestor of singular form, the origin, the alpha. Along our journey we have become many and varied. The Ancestor watches us from the start and from the end, from beyond the death of stars, in the cold dark of beyond. That is the Ancestor of singular mind, the destination, the omega.'The Ancestor is meaning in chaos, memory in time, and that is holy. The ritual that Sister Wheel teaches is part of that memory' our connection to it, and it is important, whatever you think about the person who delivers the message. But what I really care about is the knowing behind it. We are many parts of the one. We are the steps, the Ancestor is the journey.
Mark Lawrence (Red Sister (Book of the Ancestor, #1))
My day just splits again, and I am at the table sitting with the girls, Jenny is hearing me say all this… I am saying at lunch to all of them not leaving out one gross detail- and Jenny said- ‘Damn I have loaded in my undies right now just leasing to this crap.’ Liv and Maddie are kissing like to ribbed- hot- b*tch dogs in heat over it, so yeah, it's hot. I said- ‘I am coming – OH-hh-Aaa- UM-mmm-COME-meeting!!!’ So loud that I know that the rooms in the apartments could hear me, one even said back to my god- yet Miss Wilddickersion is eighty-eight I know who you are… a girl over there, rolled my eyes feeling so award.’ I am so going to hell for this- I said out loud. Do you ever look back over the crap you say, and say what the freak was I thinking? I just had the thought of this crap I am saying. Jenny said- nope not really- my dad hears me coming all the time so- like last night he said- ‘Stop it! You’re going to go throw your bedroom floor girl, and it’s four in the morning! ‘Yet I hear their freaking headboard hitting my wall- but- but that’s okay?’ I said about to have the old b*tch over in the next apart room there getting off too- ‘We all do’ -said Maddie and Olivia. Have you ever had the cops come, over that crap? Jenny said- ‘Well- freak know- Maybe…? I’ve done an officer here at the school, said Jenny proudly, so the whole cafeteria could hear her. Hey- Jenny- no one cares to hear about you being a slutty ho,’ Said- Marcel, yelling it at a table or two away. Maddie- ‘So was it that good?’ ‘It’s good under the hood.’ Said Maddie, I said the same thing too, in a different way, I said- ‘If you know what you’re doing down there.’ Jenny- ‘I- am- the- one that showed you-you b*tch, and your sis too.’ It’s all good! I speak! Not sure if I am going to keep my nasty pizza down at this point really, I don’t want to have thoughts played around in my mind freaking and fingering my brain. I put my feet up all girly and per-die on the table, and he sits accused from me to check me out so why not give him what he wants, and I don’t give a crap if I am in a skirt, I spread them out sloughing like a dude, and Marcel turns bright red, I want him to see that, I was not wearing annoying underneath I know that someone took a picture of my p*ssy and all of his freaked-up face- yep jaw-dropping moments, good thing I shaved it! The teaching that was looking over us freaking fainted at the sight of my va-jay-jay, is that a good thing? Oliva was saying please don’t fart- please don’t fart- she had the set on the other side of me, yet she was all pressed up to Maddie, so I knew he could see all of this- YOU-NO! I said- ‘Dude shut up! You’re freaking me over, and I put my one hand down between my legs, and start to play with myself, caressing it all around, sometimes up and down or in a little circular pattern, making lots of sounds. I even put my long fingers down inside and feel all the wetness and wroth, and I hear voices coming out of me, so he could see the come on my fingers unstop of my dark purple nail polish, and I come right in front of everyone, but it was only for him to see.’ Jenny- ‘do I see a d*ick; you need one to freak that p*ssy? I said- ‘Nah- dude that’s just my heart throbbing clit, and I get written up by another old b*tch teach, that must have a hairy one, or something like that- she has always been up against my ass hole.’ ‘Sometimes you are as blunt as the butt end of a fork, freaking strapping you in the one boob!’ said- Oliva. I see Marcel in the lunch line making a cute almost kiss-ie face at me, and I rankle up my nose and turn my head off to the right side and shake it in a short fast yet deliberate quiver. I walk up to where more than friends and at this point, I hug him and the cafeteria gaps, he kisses me in front of everyone, and I look up before walking and saying with flirty eyes- (You’re such a weirdo!)
Marcel Ray Duriez (Nevaeh Dreaming of you Play with Me)
Through the other he could see the hazy, white-topped hills of Fife in the distance, the austere, dark blue calm of the Forth, and the snow-specked slate rooftops of Leith. In between there was a corpse in blood-drenched pyjama trousers, with most of its nose bitten off, two severed fingers stuffed up what remained of its nostrils, the rest of its face a swollen mass of bruising, and a wide gash around half the circumference of its neck. It was lying on the missing door, which sat at thirty degrees to the horizontal, propped up by the twisted metal frame of what had recently been a cheesy smoked-glass coffee table. The blood had run off the door and collected on the polished wood below, and might have lapped its way gently down to meet the postman’s spew if much of it had not drained through a gap in the floorboards, from where it ran along an electrical flex into the main-door flat underneath, dripping off the end of the living room light-fitting. The police would find the unconscious Mrs Angus a few hours later amidst the damp fragments of a broken tea-set, and once revived she would swear never to let her clairvoyant sister-in-law bring the ouija board round again, before phoning a Catholic priest to come out and exorcise the place. And so what if she was C of S, when it came to this sort of thing, nothing less than a Tim would do.
Christopher Brookmyre (Quite Ugly One Morning (Jack Parlabane #1))
I took out my laptop, and my fingers began to dance on the keyboard. I wish I knew how to write! I wish I knew how to live! The gap between the movement of my fingers and what I was feeling so intensely in that moment was so huge that I could see the knots in the formation of each sentence being written. Then, in the process of untying the knots, I would get so entangled that I would lose my grip on what exactly I was feeling. There was a tiff going on between my living and my being. I would write and delete, again write and again delete. Each time I felt I was being untruthful. Every time the word 'Kashmir' would appear in front of my eyes, I wondered why this word seemed to be so distant. I left my Kashmir. I tried to write Shabeer's Kashmir or tried to narrate from Mushtaq's point of view. Why had my Kashmir faded so much?
Manav Kaul (Rooh, A Novel)
into how embarrassing this is, how much that shame turns me on, while Roman undresses in front of me. I have to watch him through the gap left by my own legs. I’ve had plenty of dreams about this moment, but none of them come close to the reality of his muscled, naked body or the perfection of his thick cock. Eight inches and proud, standing out from his body. I lick my lips. He sees it. Roman comes to the bed and grips my thighs, his thumbs digging into the back, and opens me another stretching inch. He teases between my legs, running his fingers over my slit and then down to my other hole. A single touch there sends a shock through my entire body, and he laughs. “So much to learn,” he says, and I don’t know if he means me or him or both of us, but I’ll take it. I’ll take all of it, no matter how dirty, how depraved… He climbs over me on the bed and his thickness presses against my opening. His muscles work against mine as he enters me, so slowly it’s tortuous, until the head is inside. Then he stops. I’m squirming, panting, mewling, but he doesn’t move. He puts a hand under my chin and pushes my chin up. The sensation of it there, so close to my neck, has me moaning. “Tell me,” he commands. “Do you want more?” I let out a whimpering please and that’s all it takes to unleash him.
Amelia Wilde (Crush on You (Bliss Brothers, #1))
My ribs tessellated with the gaps between his, and my hands hooked onto the webs between his fingers.
Nicola Dinan (Bellies)
Bel chose, and she chose right this time. Head and heart and gut. She closed the gap between her and Rachel, eyes fixing on the key, watering because she couldn't blink, blink and everything might disappear. Bel reached out, fingers gliding through the air, a shiver as she touched the skin of Rachel's palm. Warm, not cold. She closed Rachel's hand around the key, into a fist. Skin to skin, bone to bone. Held it there, tight. Eyes on her mom's. She chose her.
Holly Jackson
The sharp, tangy smell of her sex smacked me in the face, and when I pushed a finger between her legs it came away soaked.
Kelli Wolfe (Babysitter Harem: Mia: Age Gap MFFF Menage Erotica)
Hey,” Lo breathed, brushing his fingers against my chin. He gently tilted my head towards him, and his parted lips looked ready to kiss me. I waited for him to close the gap between us, but instead of taking me in his arms and mimicking the film, he spoke. “In a competition between me and this...” He jabbed his finger towards the movie. “I’ll win. Every time.
Krista Ritchie (Ricochet (Addicted, #2))
It takes some digging to locate a pulse. I catch a sudden sob in my throat then press two fingers into his jugular notch. It's faint, fluttery. He breathes, long gaps between sharp inhales. One of his hands clenches into a fist then relaxes. I pull my phone from the pocket of my silk jumpsuit and unlock it. My thumb twitches, hovering over the numbers. I won't dial. I won't call for help
Amy Stuart (A Death at the Party)
She gulped, "Mother, I’m serious." Mabel pleaded with her eyes, "she doesn’t look well." "Your sister is a fantasist and a brat," Clara responded. "What?" Mabel was surprised at her cold-hearted response. She knew her mother wasn’t one to mince words, but the harshness of these was even worse than she expected. "She always fills her head with nonsense, and when it doesn’t come to fruition, she implodes. She’s been like that since she was a child. You should know it as well as I do." Clara said sternly. "But mother!" Mabel argued, desperate for her mother to see how her daughter needed help. "Don’t mother me!" Clara spat, "you’re just as bad!" Mabel recoiled as her mother spoke. "You pander to her. You spoil her. You make such a fuss over her when she tantrums. This is what happens when you raise a child like that." Clara pointed her finger like a dagger of blame. "When in reality, you’re doing it because you want to feel needed. She would have been better off if you’d just left her to herself." "Get your own life," she said firmly, leaving a millisecond gap between each word before dismissing her daughter from the table. Mabel was furious. She lifted herself out of her seat and started to storm out of the kitchen before turning back, "Just so you know," she got her mother’s attention, "neither of us asked to be here." Mabel spat. Clara shrugged, "no one does.
Ida O'Flynn
He reached out—almost like he wanted to make sure I was real—and slid his fingers across my cheek and curved his hand around my neck. He’d barely begun to draw me towards him when I rushed to close the space between us, reaching his lips with a yearning I didn’t know I had in me.
Jordan Electra (His Muse: A Curvy Girl, Age Gap, Insta Love Romance (World Curves Romances Book 1))
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CGM devices
She felt his fingers splay on her back, sending little rays of warmth up her skin. “May I?” he asked. Oh, she knew what he was asking. He wanted to kiss her, but it was so much more than that. He might as well have asked, may I steal your heart?, because that was what he was doing. The French Fox had captured her, taken her captive. He waited for her response, patient as no untried youth could ever be. She found that her heart still pounded from anxiousness, but also from the elation and the thrill of being in a man’s arms—a handsome man. A man she desired. “Yes, you may,” she answered him, eager for the feel of his lips on hers. She did not wait for him to kiss her. She rose on tiptoes and bridged the gap between them, pressing her lips softly to his, feeling the shock of heat flare between them.
Anna Campbell (A Grosvenor Square Christmas)
The two left wheels of Tara and Abelard’s carriage lurched off the ground as the driver swung them into the narrow gap between a large driverless wagon and a mounted courier. Tara scrambled to the elevated side of the passenger cabin, eyes wide, and shot an angry look at Abelard when he chortled. The airborne wheels returned to the cobblestones with a bone-jarring thud. Tara’s teeth clapped together so hard her jaw ached. “Is our driver insane?” He brought one finger to his lips. “Don’t let him hear you. Cabbies in Alt Coulumb are touchy, with reason. The Guild has zero tolerance for accidents.” “They fire you if you have a wreck?” “It involves fire, yes. Trust me, there’s no safer place on the road in Alt Coulumb than in a cab.” “Especially when there are cabs on the road,” she noted as they cut off a one-horse hatchback, which careened out of control into a delivery wagon.
Max Gladstone (Three Parts Dead (Craft Sequence, #1))
Yet another reason Jamie was willing to pay out for expensive, hard-capped boots. You never knew where you’d be stepping. Right in the centre of the settlement a side-path led down a narrow little alley between the backs of two squats made out of shipping pallets, and opened into a little square where three tents all opened towards each other. Two of them looked ancient, propped up by sticks and other rigid objects, tied off and hanging from the bridge overhead with their support strings.  But the third tent looked pretty new.  It was a modest green and orange striped thing — big enough to fit no more than two people. But it matched the description that Reggie had given. He said that it looked too nice to be there, and this one did.  ‘Grace?’ Jamie called softly. Roper was right at her shoulder. She could smell the cigarettes on his breath. There was no answer. She stepped forward a little. ‘Grace? Are you in there? Can you hear me?’ There was an equal chance that the tent was empty, or that Grace was strung out and unresponsive. Either way, she needed to take a look. Jamie glanced at Roper, whose face she couldn’t read. His nose was wrinkled in disgust, but his flushed cheeks told her that he was as nervous as she was.  As much as she hated to generalise — confronting homeless people was never an easy thing to do. They could be unpredictable at best, and it was always smart to tread lightly. She steadied her heart, took a breath and then clenched her hand to stop it from shaking. The zipper toggle hung at the top of the entrance, shimmering gently in the half-light. Jamie couldn’t tell if it was from movement inside, or from vibrations coming through the other squats around them.  She swallowed and reached for it, taking it lightly between her fingers, not wanting to startle whoever was inside. Roper’s breath was short and sharp in her ear. ‘Grace?’ she tried again, but there was no response. She tugged left and the zipper began to unfurl, grinding its way along the teeth. Roper exhaled behind her, filling the already ripe gap with hot air.  Jamie craned her neck to look through the widening gap as the flap began to fold down, but inside was shaded and dark. The smell of urine wafted out and stung her nostrils. She was aware of her boots in the mud, aware of the sounds around her, of the closeness of Roper as he looked over her head.  Everything was still, the zipper not seeming to move at all.
Morgan Greene (Bare Skin (DS Jamie Johansson #1))
Rushing out the door on his way back to the street, he ran into someone with his shoulder. Turning to apologize to them, he stopped, horrified at what he saw. It was the white-eyed man he’d met a week ago. “Watch your back.” He said standing there just long enough for Raven to take in the meat between his teeth, the milky, nearly opaque color of his eyes and the madness within them. Then, after only a few seconds, he was gone, vanished into the crowd as if he had never existed. Certain his mind was playing tricks and tired of being terrified for his sanity, he headed down the street as fast as he could in pursuit. As he rushed through the tightly packed crowd, he saw others like the man he’d just seen, and each of their white eyes gazed blankly into his. A woman here, a hunched drifter there, shapes and faces that shifted and darted all around him. “Watch your back.” They hissed, and he tried to move faster, his heart racing and the nerves of his body jangling painfully with fear as he fought to get beyond them. Hands reached out for his clothes, pulling him in different directions as they tugged and he struggled to be free. Their fingers felt like talons clasped into the folds and gaps of his clothing, ripping and popping stitches in their fervor to gain some small grasp on his flesh beneath his jacket. Along with the horror of their cold, dead eyes, he could smell some strangeness—a sickly sweet smell of rot and decay only barely closeted by preserving fluids. The smell dug into his sinuses as their fingers and hands dug at him. He gagged, his teeth clenched tight as he exerted energy he didn’t really have. He pushed away from them and on through the empty space he saw at the end of this group of pedestrians. Many of whom mingled with what he now felt must be the dead, wholly unaware of why he flailed and pushed against them.
Amanda M. Lyons
Maddie darted a nervous glance in his direction. Her green eyes were bright. Too bright. He frowned. She’d been crying. He leaned closer to her, reaching across the table to close the gap between them. His thumb stroking her hand, he asked, “Are you all right, Maddie?” The muscles in her neck worked as she swallowed. “Sure, I’m great.” Before he could press, Gracie butted in and plopped a plate down in front of Maddie with about half of the cake. She pulled her hand away from him and her fingers traced the faded, blue flowered porcelain edge. “Thank you, this looks delicious.” Mitch glowered at Gracie, mentally listing the different ways he could wring her neck. Maddie
Jennifer Dawson (Take a Chance on Me (Something New, #1))
HOW TO WHISTLE REALLY LOUDLY A wolf whistle is a really good way to get someone’s attention — or to really annoy them. 1. Wash your hands. Place the tips of your thumb and index finger together to form an O shape. 2. Put these fingers into your mouth as far as the first joint. Point the nails of these fingers toward the middle of your tongue. 3. Close and tighten your lips around your fingers, so that air can only escape through the gap between them. 4. Press your tongue against the back of your bottom teeth. 5. Breathe out steadily, using your tongue to direct the air through the gap between your fingers. Pull down with your fingers pressing on your bottom lip. 6. Keep practicing, moving your fingers, lips, and tongue just a tiny bit at a time until you hear a whistle.
Juliana Foster (The Girls' Book: How to Be the Best at Everything)
Someone asked me what home was and all I could think of were the stars on the tip of your tongue, the flowers sprouting from your mouth, the roots entwined in the gaps between your fingers, the ocean echoing inside of your ribcage.
E.E. Cummings
Cass leaned over the side of the Rialto Bridge, the wind lifting her auburn hair away from her face. Wispy clouds swirled low in the sky. “Cass.” The word fluttered on the breeze. She turned. Falco stood at her side, his square jaw backlit by the sun, his mouth curving into the lopsided smile she loved. “I thought you…?” Cass couldn’t finish. Left. He had left her, weeks ago. “I came back for you,” he said. He stroked her face with his hands, one fingertip tracing the smattering of freckles across the bridge of her nose. She wobbled in her chopines and he reached out to steady her, his hand lingering on her arm. The platform overshoes made her taller than Falco, but he didn’t seem to notice. Tilting his head toward her, he pulled her body in close to his. Cass trembled as he closed the gap between them. Their lips met. Hungry. Wanting. Falco’s hands wrapped around her waist, caressing her through the layered fabric of her dress. Her body went weak, and she gripped the stone railing of the bridge to keep from pitching over into the water. Her other hand found his hair. She twisted it around her fingers. “Come with me,” he whispered. Cass didn’t even ask where they were going.
Fiona Paul (Belladonna (Secrets of the Eternal Rose, #2))
I know how strong you are, Cassandra, but I hate the thought of leaving your side even for an instant. Perhaps we’re crazy to fight the Order by ourselves. Perhaps you should remain here and I should take the pages we have to the Senate and ask them to hear my testimony.” Cass’s mother had stolen pages from the Book of the Eternal Rose and left them in the Caravello tomb for Cass to find, but they weren’t enough to implicate Dubois or Belladonna. Cass shook her head vehemently. “Don’t be ridiculous. Dubois owns the Senate. They wouldn’t hear your testimony. They’d probably execute you immediately.” Leaning close to Luca, she ran her fingers through his hair and then pressed her lips to his cheek. “I risked the world to get you back.” She thought of Siena and Agnese. “I have lost everything else that matters. I will not lose you too.” Luca turned toward her. Cradling her face with one hand, he closed the gap between them until his forehead rested against hers. “I never imagined you…” “What?” Cass whispered, the soft word melding with Luca’s breath. The sharp smell of the theriac balm tickled her nose. She could see the beginnings of a beard already growing out on his cheeks. “Wouldn’t want you to die?” He leaned away so that he could look into her eyes. “That you would look at me as you are, and speak in this manner. Not as if you’d feel responsible if something happened to me, but as if you’d feel…lost.” Cass felt her heart opening. It was like Luca had put into words something she hadn’t been able to herself. “Without you, I would be lost,” she admitted. He tilted her chin upward. Softly, he pressed his lips to hers. Reaching up into her bonnet, he buried one of his hands in her hair. Without breaking the embrace, she yanked the hat from her head. Luca’s grasp tightened on her hair, and pleasure raced through her body. He tried to pull her into his lap using only his good arm, but ended up half dragging her across the wooden crate. The medicinal ointments went flying onto the floor, the containers rolling across the wet stones with a clatter.
Fiona Paul (Starling (Secrets of the Eternal Rose, #3))
Of whom and of what indeed can I say: “I know that!” This heart within me I can feel, and I judge that it exists. This world I can touch, and I likewise judge that it exists. There ends all my knowledge, and the rest is construction. For if I try to seize this self of which I feel sure, if I try to define and to summarize it, it is nothing but water slipping through my fingers. I can sketch one by one all the aspects it is able to assume, all those likewise that have been attributed to it, this upbringing, this origin, this ardor or these silences, this nobility or this vileness. But aspects cannot be added up. This very heart which is mine will forever remain indefinable to me. Between the certainty I have of my existence and the content I try to give to that assurance, the gap will never be filled. Forever I shall be a stranger to myself. In psychology as in logic, there are truths but no truth. Socrates’ “Know thyself” has as much value as the “Be virtuous” of our confessionals. They reveal a nostalgia at the same time as an ignorance. They are sterile exercises on great subjects. They are legitimate only in precisely so far as they are approximate.
Albert Camus (The Myth of Sisyphus (Vintage International))
Please tell me what to do to save you.” There was desperation in her voice. “You can stop it.” “I can’t, Mikhail. Stop this, you’re scaring me.” She pressed as hard as she was capable, but the blood continued to flow between her fingers. “Your tongue has the power to heal; so does the saliva in your mouth.” His voice was dark, hypnotic. He leaned back as if his strength was waning. “But do not counteract my choice unless you live also, because I refuse to go back to a world of darkness.” Frantically she bent her head to his chest, swept her tongue over the edges of the wound, sealing the gap as if it had never been. The revulsion was in her brain, but not in her body. Something wild lifted its head; her eyes went slumberous and sensual. Heat coiled, and spread. Her body hungered, craved him. She heard the ebb and flow of the blood in his veins, the drumbeat of his heart, like a call. She wanted more, needed the erotic ecstasy only he could provide. Mikhail’s hands were in her hair, bunching, dragging her head back, exposing her throat. His mouth moved over her soft skin, her frantic pulse. “Are you sure, Raven?” He whispered it so sensually her body went liquid in answer. “I want you to be completely sure. You must be certain this is your choice.” She circled his neck with her arms, cradled his head. “Yes.” The memory of his mouth moving against her, the white-hot pleasure piercing her very soul, made heat pool low and wicked in her abdomen. She wanted this, even needed this.
Christine Feehan (Dark Prince (Dark, #1))
See ya later, big guy,” I say as I teeter on my tall heels in front of him and pat his chest. “You know, you’d be a lot hotter if you were just a smidge.” I hold up my pointer finger and thumb, pinching them so there’s a tiny gap between my fingers. “Less grumpy.” “Noted,” he says, and even though he fights it, I can see it: the tiniest hint of a smile, the whisper of it on the edges of his lips. “Get home safe, princess.
Morgan Elizabeth (Passenger Princess)
Susan was haunted by the gap between the sensation of three boys climbing her torso like a tree, combing sticky fingers through her hair, muttering into her ears-and the constraint of adulthood: How are you, honey? You look a little tired. Is there anything I can do? How about a hug for your old mom? If she'd had an inkling, back then, of the ache this constraint would cause her, she would never-not once! have said, "Let go of me, boys, I just need a minute," and shaken them off. She would have held still and let them pick her clean, understanding that there would be nothing better to save herself for.
Jennifer Egan (The Candy House)