Third Dimension Quotes

Life is about taking the time to recognize things that we already know and finding out the mysteries behind the innocence of their appearance. Life is a patient quest for second or third dimensions. (“Just a bit of a chat, please”)

Stolen moments” create a feeling of enjoyment in our “intensive time” awareness. The glow and the intensity of those instants can guide us throughout a whole lifetime. They can expose a second or a third dimension of the daily events and shed an expounding light on all the little details we encounter. ("Stolen moments" )

Since many are confronted with an eerie void, lacking essential qualities in their daily repertoire and suffering from missing out on a second or third dimension in their lives, they feel disjointed and disgruntled, unconsciously struggling to find out a kind of strategy to “construct” or to "reconstruct" their living. (“Bread and Satellite”)

When we feel devastated sometimes by the deafening noise of the daily commotion, the voices of the sea may help us to elope into a haven of new dimensions. Through our "third ear," we can hear inspirational sounds in the symphony of our expectations while discovering uncharted alleys in the chaos of our mind. ("Voices of the sea")

The here and the beyond are enough, but there were a few angels for whom it was not enough: who demanded a third dimension--who sought fusions, communes, who ate each other and created sex.

A man breaking his journey between one place and another at a third place of no name, character, population or significance, sees a unicorn cross his path and disappear. That in itself is startling, but there are precedents for mystical encounters of various kinds, or to be less extreme, a choice of persuasions to put it down to fancy; until--"My God," says a second man, "I must be dreaming, I thought I saw a unicorn." At which point, a dimension is added that makes the experience as alarming as it will ever be. A third witness, you understand, adds no further dimension but only spreads it thinner, and a fourth thinner still, and the more witnesses there are the thinner it gets and the more reasonable it becomes until it is as thin as reality, the name we give to the common experience... "Look, look!" recites the crowd. "A horse with an arrow in its forehead! It must have been mistaken for a deer.

Granted, there is always much that is hidden, and we must not forget that the writing of history - however dryly it is done and however sincere the desire for objectivity - remains literature. History's third dimension is always fiction

Science spotlights three dimensions of nature that point to God. The first is the fact that nature obeys laws. The second is the dimension of life, of intelligently organized and purpose-driven beings, which arose from matter. The third is the very existence of nature. But it is not science alone that guided me. I have also been helped by a renewed study of the classical philosophical arguments.

Myth basically serves four functions. The first is the mystical function,... realizing what a wonder the universe is, and what a wonder you are, and experiencing awe before this mystery....The second is a cosmological dimension, the dimension with which science is concerned – showing you what shape the universe is, but showing it in such a way that the mystery again comes through.... The third function is the sociological one – supporting and validating a certain social order.... It is the sociological function of myth that has taken over in our world – and it is out of date.... But there is a fourth function of myth, and this is the one that I think everyone must try today to relate to – and that is the pedagogical function, of how to live a human lifetime under any circumstances.

Dr Sass…maintained that in paradise, until the time of the fall, the whole world was flat, the back-curtain of the Lord, and that it was the devil who invented a third dimension. Thus are the words ‘straight’, ‘square’, and ‘flat’ the words of noblemen, but the apple was an orb, and the sin of our first parents, the attempt at getting around God. I myself much prefer the art of painting to sculpture

Our eyes also fool us into thinking we can see depth. The retinas of our eyes are two-dimensional, but because we have two eyes separated by a few inches, the left and right brain merge these two images, giving us the false sense of a third dimension.

When we talk of "exploring the mystical," we are not trying to dig into creation, because if you dig into creation, it will only get more complex. It will not bring clarity; it will only bring more complexity. That is why the yogis looked in a different direction. We looked inward. If you look inward, a different dimension opens up. Now instead of things getting more complex, you get to clarity. It is because of this that we say that those who look inward have a third eye. They see things that others cannot see. They have brought a new clarity to life.

We are like people drawn inside of a square on a piece of paper. We cannot get out of the black lines, we exhaust ourselves by examining every part of the square, hoping to find a fissure. Until one of us suddenly understands, because he was predestined to understand, that within the plane of the paper escape is impossible. That the exit, simple and open wide, is perpendicular to the paper, in a third dimension that up until that moment was inconceivable.

We may have very good reason for saying that we are ourselves beings of four   dimensions and are turned towards the third dimension with only one of our sides, i.e. with only a small part of our being. Only this part of us lives in three dimensions, and we are conscious only of this part as our body. The greater part of our being lives in the fourth dimension, but we are unconscious of this greater part of ourselves. Or it would be still more true to say that we live in a four-dimensional world, but are conscious of ourselves only in a three-dimensional world. This means that we live in one kind of conditions, but imagine ourselves to be in another.

Just like a human foetus, while in the uterus, retrieves and assimilates the components that allow its physical body to become whole and fit to emerge into the outer reality, the third dimension serves the purpose of shamanic pregnancy, which is about retrieving and integrating the fragmented pieces of the soul, finally giving birth to the multidimensional self.

the third dimension is the ultimate of freedom—which is knowing that you are not the body, knowing that you are not the mind, knowing that you are only pure consciousness. That knowledge comes through meditation. It separates you from the body, it separates you from the mind, and ultimately only you are there as pure consciousness, as pure awareness. That is spiritual freedom.

I dont apply rationality to everything I do , that would be boring.. I like to drink my coffee piping hot ,black with chocolate chips in it, I like to keep my pencils in the fridge so they write darker...I like to sleep with crystals and Lemurians under my illow because I believe it makes my mind receptive to parallel dimensions and magical realms and truths. I believe it opens my third eye, ajna chakra. sometimes I even go to bed with an amethyst upon my third eye, secured by a bandana

From a shamanic perspective, the psychic blockade that prevents otherwise intelligent adults from considering the future of our world - our obvious lack of future, if we continue on our present path - reveals an occult dimension. It is like a programming error written into the software designed for the modern mind, which has endless energy to spend on the trivial and treacly, sports statistic or shoe sale, but no time to spare for the torments of the Third World, for the mass extinction of species to perpetuate a way of life without a future, for the imminent exhaustion of fossil fuel reserves, or for the fine print of the Patriot Act. This psychic blockade is reinforced by a vast propaganda machine spewing out crude as well as sophisticated distractions, encouraging individuals to see themselves as alienated spectators of their culture, rather than active participants in a planetary ecology.

The third dimension is that the rebel is not interested in domination over others. He has no lust for power, because that is the ugliest thing in the world. The lust for power has destroyed humanity and has not allowed it to be more creative, to be more beautiful, to be more healthy, to be more wholesome. And it is this lust for power that ultimately leads to conflicts, competitions, jealousies, and finally to wars. Lust for power is the foundation of all wars. If you look at human history, the whole of it is nothing but a history of wars, man killing man. Reasons have changed, but the killing continues.

I'm Perfect at Feelings,
 so I have no problem telling you
 why you cried over the third lost
 metal or the mousetrap. I knew
 that orgasms weren't your fault 
and that feeling of keeping solid
 in yourself but wanting an ecstatic
 black hole was just bad beauty. 

 Certain loves were perfect
 in the daytime and had every 
right to express carnally behind
 the copy machine and there are 
no hard feelings for the boozy 
sodomy and sorry XX daisy chain,
 whenever it felt right for you.

 And when the moment of soft 
levitation with erasing hands 
made you feel dirty, like
 the main person to think up love
 in the first place, I knew that.
 It's okay, you're an innocent
 with the brilliance of an animal stuffing yourself sick on a kill.
 Don't, don't feel like the runt alien 
on my ship: I get you. I know
 the dimensions of your wishing 
and losing and don't think you
 a glutton with petty beefs. But
 even I, who know your triggers,

 your emblematic sacs of sad fury,
 I understand why the farthest fat trees 
sliver down with your disappointment 
and why the big sense of the world,
 wrong before you, shrugs but
 somewhere grasps your spinning,
 stunning, alone. But you have me.

Imagine fish swimming in a shallow pond, just below the lily pads, thinking that their “universe” is only two-dimensional. Our three-dimensional world may be beyond their ken. But there is a way in which they can detect the presence of the third dimension. If it rains, they can clearly see the shadows of ripples traveling along the surface of the pond. Similarly, we cannot see the fifth dimension, but ripples in the fifth dimension appear to us as light.

All the while I had been in San Juan I'd condemned it without really disliking it. I felt that sooner or later I would see that third dimension, that depth that makes a city real and that you never see until you've been there awhile.

Imagine fish swimming in a shallow pond. they might never suspect the presence of a third dimension, because their eyes point to the side, and they can only swim forward and backward, left and right. A third dimension to them might appear impossible. But then imagine it rains on the pond. Although they cannot see the third dimension, they can clearly see the shadows of the ripples on the surface of the pond. In the same way, Kaluza's theory explained the light as ripples traveling on the fifth dimension.

The social dimension of reticence and nonacknowledgment is most developed in forms of politeness and deference. We don't want to tell people what we think of them, and we don't want to hear from them what they think of us, though we are happy to surmise their thoughts and feelings, and to have them surmise ours, at least up to a point. We don't, if we are reasonable, worry too much what they may say about us behind our backs, just as we often say things about a third party that we wouldn't say to his face. Since everyone participates in these practices, they aren't, or shouldn't be, deceptive. Deception is another matter, and sometimes we have reason to object to it, though sometimes we have no business knowing the truth, even about how someone really feels about us.

You are not a small and unimportant creature confined to the form of this physical body, contrary to popular belief. At the core of your being you are pure awareness, and this awareness is the same source from which everything in the Universe arises, exists as, and returns to. Consciousness is the dimension of yourself that you have forgotten you are, and of which you long to return to.

Collins had exposed the fallacy of modern aesthetics to me, "… the whole argument from significant form stands or falls by volume. If you allow Cézanne to represent a third dimension on his two-dimensional canvas, then you must allow Landseer his gleam of loyalty in the spaniel's eye" ... but it was not until Sebastian, idly turning the pages of Clive Bell’s Art, read "'Does anyone feel the same kind of emotion for a butterfly or a flower that he feels for a cathedral or a picture?' Yes, I do," that my eyes were opened.

The little Hexagon meditated on this a while and then said to me; "But you have been teaching me to raise numbers to the third power: I suppose three-to-the-third must mean something in Geometry; what does it mean?" "Nothing at all," replied I, "not at least in Geometry; for Geometry has only Two Dimensions." And then I began to shew the boy how a Point by moving through a length of three inches makes a Line of three inches, which may be represented by three; and how a Line of three inches, moving parallel to itself through a length of three inches, makes a Square of three inches every way, which may be represented by three-to-the-second. xxx Upon this, my Grandson, again returning to his former suggestion, took me up rather suddenly and exclaimed, "Well, then, if a Point by moving three inches, makes a Line of three inches represented by three; and if a straight Line of three inches, moving parallel to itself, makes a Square of three inches every way, represented by three-to-the-second; it must be that a Square of three inches every way, moving somehow parallel to itself (but I don't see how) must make Something else (but I don't see what) of three inches every way—and this must be represented by three-to-the-third." "Go to bed," said I, a little ruffled by this interruption: "if you would talk less nonsense, you would remember more sense.

If the third dimension and perceptions of sacredness are an important part of human nature, then the scientific community should accept religiosity as a normal and healthy aspect of human nature—an aspect that is as deep, important, and interesting as sexuality or language (which we study intensely). Here’s another treasonous thought: If religious people are right in believing that religion is the source of their greatest happiness, then maybe the rest of us who are looking for happiness and meaning can learn something from them, whether or not we believe in God. That’s the topic of the final chapter.

There are four independent brain circuits that influence our lasting well-being, Davidson explained. The first is “our ability to maintain positive states.” It makes sense that the ability to maintain positive states or positive emotions would directly impact one’s ability to experience happiness. These two great spiritual leaders were saying that the fastest way to this state is to start with love and compassion. The second circuit is responsible for “our ability to recover from negative states.” What was most fascinating to me was that these circuits were totally independent. One could be good at maintaining positive states but easily fall into an abyss of a negative state from which one had a hard time recovering. That explained a lot in my life. The third circuit, also independent but essential to the others, is “our ability to focus and avoid mind-wandering.” This of course was the circuit that so much of meditation exists to develop. Whether it was focusing on one’s breath, or a mantra, or the analytic meditation that the Dalai Lama did each morning, this ability to focus one’s attention was fundamental. The fourth and final circuit is “our ability to be generous.” That was amazing to me: that we had an entire brain circuit, one of four, devoted to generosity. It is no wonder that our brains feel so good when we help others or are helped by others, or even witness others being helped, which Ekman had described as the elevation that is one dimension of joy. There was strong and compelling research that we come factory equipped for cooperation, compassion, and generosity.

Third is Omega, the relative density of the universe. If Omega were too small, then the universe would have expanded and cooled too fast.

To put that threefold summary into three phases, there was to Jesus, first, a Spirit dimension, second, a wisdom dimension, and, third, a justice dimension.

The Nature of this realm is not Peace - it's Balance.

We are so fascinated by the complexity and beauty of the various forms in nature, that we have been led away from the formless dimension of Consciousness that lies at our very center. When you look at a person, you see many differences in their unique form, and often we compare, contrast, and judge one another because of the forms that we inhabit. But if you look beyond the various qualities and characteristics of form, and look another person in the eyes, you see a Being, and it is this Being that lies beneath the surface of form that connects us all. That is why the eyes are often referred to as the gateway to the soul, because they allow us to see and feel the presence of another Being, and realize our oneness.

You can awaken the energy worker in you; you can become an energy worker. Such a person uses his or her body to clear, balance and harmonize the unseen energies of the Universe. Those energies come from beyond the third dimension and use the physical body as the instrument through which to facilitate the greatest good for the greatest number of beings and the planet.

...The spiritual Oriental teachers say a person has three forms of mind,'' Beatrice was explaining to him once, while they were on break between one lesson and another at university, ''which are the dense mind, the subtle level and the ultra-subtle mind. Primary Consciousness, or the dense mind, is that existential, Sartrean mind which is related to our senses and so it is guided directly by human primitive instincts; in Sanskrit, this is referred to as ālaya-vijñāna which is directly tied to the brain. The subtle mind comes into effect when we begin to be aware of our true nature or that which in Sanskrit is called Ātman or self-existent essence that eventually leads us to the spiritual dimension. Ultimately there is the Consciousness-Only or the Vijñapti-Mātra, an ultra-subtle mind which goes beyond what the other two levels of mind can fabricate, precisely because this particular mind is not a by-product of the human brain but a part of the Cosmic Consciousness of the Absolute, known in Sanskrit as Tathāgatagarbha, and it is at this profound level of Consciousness that we are able to achieve access to the Divine Wisdom and become one with it in an Enlightened State.'' ''This spiritual subject really fascinates me,'' the Professor would declare, amazed at the extraordinary knowledge that Beatrice possessed.'' ''In other words, a human being recognises itself from its eternal essence and not from its existence,'' Beatrice replied, smiling, as she gently touched the tip of his nose with the tip of her finger, as if she was making a symbolic gesture like when children are corrected by their teachers. ''See, here,'' she had said once, pulling at the sleeve of his t-shirt to make him look at her book. ''For example, in the Preface to the 1960 Notes on Dhamma, the Buddhist philosopher from the University of Cambridge, Ñāṇavīra Thera, maintains those that have understood Buddhist teachings have gone way beyond Existential Thought. And on this same theme, the German scholar of Buddhist texts, Edward Conze, said that the possible similarity that exists between Buddhist and Existential Thought lies only on the preliminary level. He said that in terms of the Four Noble Truths, or in Sanskrit Catvāri Āryasatyāni, the Existentialists have only the first, which teaches everything is ill. Of the second - which assigns the origin of ill to craving - they have a very imperfect grasp. As for the third and fourth, which consist of letting go of craving, and the Noble Eightfold Path that leads to liberation from the cycle of rebirth in the form of Nirvāṇa - these are unheard of. Knowing no way out, the Existentialists are manufacturers of their own woes...

• A dynamic relationship exists between physical, emotional, mental and spiritual energy. • Changes in any one dimension of energy affect all dimensions. 22. Energy capacities follow developmental lines. • First level of development is physical. • Second level of development is emotional/social. • Third level of development is cognitive/mental. • Fourth level of development is moral/spiritual.

He is checking his e-mails for the third time that day. What an enchanting new medium, so captivatingly noncommittal! Words appear from nowhere and vanish into thin air, lacking the least physical dimension.

Your true being, as Consciousness, is ever at peace, ever at rest, eternally existing in the dimension of here and now. It is the formless and eternal quality within you that expresses itself through the world of form.

In summary, the rather obscure laws of the weather are easy to understand once we view the earth from space. Thus the solution to the problem is to go up into space, into the third dimension. Facts that were impossible to understand in a flat world suddenly become obvious when viewing a three-dimensional earth. Similarly, the laws of gravity and light seem totally dissimilar. They obey different physical assumptions and different mathematics. Attempts to splice these two forces have always failed. However, if we add one more dimension, a fifth dimension, to the previous four dimensions of space and time, then the equations governing light and gravity appear to merge together like two pieces of a jigsaw puzzle. Light, in fact, can be explained as vibrations in the fifth dimension. In this way, we see that the laws of light and gravity become simpler in five dimensions.

I don't know how you hear music. I imagine that if you like music at all then it has, in your head, some kind of third dimension to it, a dimension suggesting space as well as surface, depth of field as well as texture. Speaking for myself, I used to hear "buildings"... three-dimensional forms of architectural substance and tension. I did not "see" these buildings in the classic synaesthetic way so much as sense them. These forms had "floors", "walls", "roofs", "windows", "cellars". They expressed volume. Music to me has always been a handsome three-dimensional container, a vessel, as real in its way as a Scout hut or a cathedral or a ship, with an inside and an outside and subdivided internal spaces. I'm absolutely certain that this "architecture" had everything to do with why music has always exerted such a hold over me. I think music was the structure in which I learned to contain and then examine emotion.

This witnessing consciousness, this formless dimension of yourself, is the awareness in which your experience happens, yet it remains untouched by this experience at all times. It is similar to the background of white on which you are reading these words. This white background allows any and every word to exist within it, yet it is not confined to any of these words. Similarly, your awareness allows any and every form to exist within it, but it is not bound to any of these forms.

God is not, like creatures, made up of parts. God is spirit, without bodily dimensions. Firstly, no body can cause change without itself being changed. Secondly, things with dimensions are potential of division. But the starting-point for all existence must be wholly real and not potential in any way: though things that get realized begin as potential, preceding them is the source of their realization which must already be real. Thirdly, living bodies are superior to other bodies; and what makes a body living is not the dimensions which make it a body (for then everything with dimensions would be living), but something more excellent like a soul. The most excellent existent of all then cannot be a body. So when the scriptures ascribe dimensions to God they are using spatial extension to symbolize the extent of God's power; just as they ascribe bodily organs to God as metaphors for their functions, and postures like sitting or standing to symbolize authority or strength.

How then should the state deal with terrorism? A successful counter-terrorism struggle should be conducted on three fronts. First, governments should focus on clandestine actions against the terror networks. Second, the media should keep things in perspective and avoid hysteria. The theatre of terror cannot succeed without publicity. Unfortunately, the media all too often provides this publicity for free. It obsessively reports terror attacks and greatly inflates their danger, because reports on terrorism sell newspapers much better than reports on diabetes or air pollution. The third front is the imagination of each and every one of us. Terrorists hold our imagination captive, and use it against us. Again and again we rehearse the terrorist attack on the stage of our mind – remembering 9/11 or the latest suicide bombings. The terrorists kill a hundred people – and cause 100 million to imagine that there is a murderer lurking behind every tree. It is the responsibility of every citizen to liberate his or her imagination from the terrorists, and to remind ourselves of the true dimensions of this threat. It is our own inner terror that prompts the media to obsess about terrorism, and the government to overreact. The success or failure of terrorism thus depends on us. If we allow our imagination to be captured by the terrorists, and then overreact to our own fears – terrorism will succeed. If we free our imagination from the terrorists, and react in a balanced and cool way – terrorism will fail.

The original purpose of third dimension was to explore the vast variety that polarity can provide. Just imagine the amazing variety we have explored around the extremes of polarity. This cycle has ended, and we are winding up the way we did things in third dimension. Things have changed, the rules have changed, and it’s not the same game we’ve been playing for eons. This means that our way of thinking (good versus evil), our way of doing (one person above another), and our way of being (everyone for him- or herself) are changing.

Living in this world with all its travail, so caught up in misery, sorrow and violence, is it possible to bring the mind to a state that is highly sensitive and intelligent? That is the first and an essential point in meditation. Second: a mind that is capable of logical, sequential perception; in no way distorted or neurotic. Third: a mind that is highly disciplined. The word 'discipline' means 'to learn', not to be drilled. Discipline is an act of learning - the very root of the word means that. A disciplined mind sees everything very clearly, objectively, not emotionally, not sentimentally. Those are the basic necessities to discover that which is beyond the measure of thought, something not put together by thought, capable of the highest form of love, a dimension that is not the projection of one's own little mind.

The problem of evil is unanswerable if one believes that there is only one god and that he is omnipotent as well as infinitely good, merciful, and just. But as soon as one denies one or more of these premises, the problem disappears. The belief in two great gods, one good and one evil, is merely one way of doing that. Polytheism is another. Belief in only one god who is omnipotent but not infinitely good, just, and merciful is a third way. Belief in a god who has these moral qualities but who is not omnipotent is a fourth. Belief in no god at all, a fifth.

When I was a child, I always hated being used in my father's sermons, shrunk to a symbol to illustrate some larger lesson, flattened out to give other people comfort or instruction or even a laugh. It did some violence to my third dimension; it made it difficult for me to breathe. 'That's not me,' I would think, listening to some fable where a stick figure of myself moved automatically toward a punishing moral. 'That has nothing to do with me at all.' If I had a soul, I thought, it was that resistance, which would never let another human being have the last word on me.

Recognising such dimensions implicit to the reading experience can distract from the immediacy of our response; it can substitute literary archaeology for novelistic reality. That is one pole. But the other extreme is equally limiting. By failing to realise the issues involved in communicating with fictional modes that are different to our own, in effect we do not read in the fullest sense. Between intellectual pedantry and cultivated ignorance I would pose a third approach to reading—that of the informed imagination. After occupying this position true evaluation can begin.

Remarkably, studies of visual perception have found that two-dimensional images projected onto the retina only achieve full dimensionality as a result of our perception: we infer the third dimension of depth. Sadly, though, as the urgency to expedite all communicative transactions usurps out customary patterns of exchange, perception is accelerated as well. There does not seem to be a great deal of time left over to infer--or interpret, or imagine--much of anything at all. In the end, of course, there is nothing real about this at all, except for our propensity to let it happen.

Increasingly, Jung came to see that while his father and his uncles, six of whom were pastors, spoke to him about dogma and belief, he was more concerned with experience, with what he would later call gnosis, discovering the distinction in the ancient Gnostic Christian sects of the second and third centuries AD. He was convinced his father had no real experience of a living God, and after his first Communion proved to be an empty affair (“So that’s that” is how he described it), Jung realized that the Church was the last place he might find the answers to the questions that plagued him.

the 27 candidates for whom I could readily distinguish the racial policies of their hometowns, one-third were identified with sundown towns. Starting at the beginning of the century, these include Republican William McKinley, who grew up in Niles, Ohio, where “a sign near the Erie Depot,” according to historian William Jenkins, “warned ‘niggers’ that they had better not ‘let the sun set on their heads.’” McKinley defeated Democrat William Jennings Bryan, who grew up in Salem, Illinois, which for decades “had signs on each main road going into town, telling the blacks, that they were not allowed in town after sundown,

We end up populating what we call the intelligentsia with people who are delusional, literally mentally deranged, simply because they never have to pay for the consequences of their actions, repeating moderniest slogans stripped of all depth...The principle of intervention, like that of healers, is first do not harm; even more we will argue, those who don't take risks should never be involved in decision making (p.10). Their three flaws 1) they think in statics not dynamics 2) they think in low, not high dimensions 3) they think in terms of actions, never interactions....The first flaw is they are incapable in thinking in second steps and unaware of the need of them...The second flaw is that they are also incapable of distinguishing between multidimensional problems and their single dimensional representations. The third flaw is they can't forecast the evolution of those one helps by attaching, or the magnification one gets from feedback. (p.9)

The Ancestral Trail was split into two-halves of 26 issues each. The first half takes place in the Ancestral World and describes Richard's struggle to restore good to the world. After the initial international run, which sold over 30 million copies worldwide, Marshall Cavendish omitted the second part of the trilogy and used the third part (future) for the second series that followed. This part of the series, written up by Ian Probert and published in 1994, takes place in the Cyber Dimension. It deals with Richard's attempts to return home. Each issue centered on an adventure against a particular adversary, and each issue ended on a cliffhanger. The Ancestral Trail was illustrated by Julek and Adam Heller. Computer-generated graphics were provided by Mehau Kulyk for issues #27 through #52.

In this chapter, we’ve considered six psychological tendencies that exacerbate intertribal conflict. First, human tribes are tribalistic, favoring Us over Them. Second, tribes have genuine disagreements about how societies should be organized, emphasizing, to different extents, the rights of individuals versus the greater good of the group. Tribal values also differ along other dimensions, such as the role of honor in prescribing responses to threats. Third, tribes have distinctive moral commitments, typically religious ones, whereby moral authority is vested in local individuals, texts, traditions, and deities that other groups don’t recognize as authoritative. Fourth, tribes, like the individuals within them, are prone to biased fairness, allowing group-level self-interest to distort their sense of justice. Fifth, tribal beliefs are easily biased. Biased beliefs arise from simple self-interest, but also from more complex social dynamics. Once a belief becomes a cultural identity badge, it can perpetuate itself, even as it undermines the tribe’s interests. Finally, the way we process information about social events can cause us to underestimate the harm we cause others, leading to the escalation of conflict.

It was this other side of Avery - the fact that he so visibly had an other side - that was helping me finally understand all three of the dimensions in Kafka: that a man could be a sweet, sympathetic, comically needy victim and a lascivious, self-aggrandizing, grudge-bearing bore, and also, crucially, a third thing: a flickering consciousness, a simultaneity of culpable urge and poignant self-reproach, a person in process.

First, when we request a change in our nonphysical energy-body, it will immediately respond to our focused request or demand. Second, when we make a request to raise our vibratory rate or move inward, our consciousness automatically propels us into a higher-frequency area of the universe. And third, our internal frequency always corresponds to the frequency rate of the new dimension or environment that we are experiencing.

The baby boomers have been responsible for the most dramatic sundering of Western civilization since the Protestant Reformation. If that is hard to accept, it is only because the boomer revolution has been so comprehensive that it has become almost impossible to imagine what life was like before it. The rise of television, for example, has so altered the human mind as much as the printing press did, and one of the ways it has altered it has been to make sustained concentration virtually impossible for those raised in its atmosphere, the way a third dimension is unthinkable for the inhabitants of Flatland. The result has been generations of young people who lack a grounding in the basic facts of history, which can’t possibly be absorbed by video. To cover their tracks even further, the boomers have stuffed their heirs with sufficient pseudo-knowledge to make them feel as if they know enough about the past to judge themselves superior to it.

In a sense, it seems I am drowning; already half-drowned to the ordinary dimensions of space and time, I know that I must drown, as it were, completely in order to come out on the other side of things (like Alice with her looking-glass or Perseus with his mirror). I must drown completely and come out on the other side, or rise to the surface after the third time down, not dead to this life but with a new set of values, my treasures dredged from the depth. I must be born again or break utterly.

The infinite seeks manifestation. It projects itself as the point, defined by its position, one coordinate. Further seeking fulfillment, the point extends outward to become the line, now adding the concept of reference to another, creating length, reaching to infinity. But by manifesting a third point, and forming the triangle, the point has defined itself in relation to two others, and it has become a self-contained unit, the plane, fully independent in two dimensions, at rest in perfect harmony.

September 10, 1965 Dear Francesca, Enclosed are two photographs. One is the shot I took of you in the pasture at sunrise. I hope you like it as much as I do. The other is of Roseman Bridge before I removed your note tacked to it. I sit here trolling the gray areas of my mind for every detail, every moment, of our time together. I ask myself over and over, “What happened to me in Madison County, Iowa?” And I struggle to bring it together. That’s why I wrote the little piece, “Falling from Dimension Z,” I have enclosed, as a way of trying to sift through my confusion. I look down the barrel of a lens, and you’re at the end of it. I begin work on an article, and I’m writing about you. I’m not even sure how I got back here from Iowa. Somehow the old truck brought me home, yet I barely remember the miles going by. A few weeks ago, I felt self-contained, reasonably content. Maybe not profoundly happy, maybe a little lonely, but at least content. All of that has changed. It’s clear to me now that I have been moving toward you and you toward me for a long time. Though neither of us was aware of the other before we met, there was a kind of mindless certainty humming blithely along beneath our ignorance that ensured we would come together. Like two solitary birds flying the great prairies by celestial reckoning, all of these years and lifetimes we have been moving toward one another. The road is a strange place. Shuffling along, I looked up and you were there walking across the grass toward my truck on an August day. In retrospect, it seems inevitable—it could not have been any other way—a case of what I call the high probability of the improbable. So here I am walking around with another person inside of me. Though I think I put it better the day we parted when I said there is a third person we have created from the two of us. And I am stalked now by that other entity. Somehow, we must see each other again. Any place, anytime. Call me if you ever need anything or simply want to see me. I’ll be there, pronto. Let me know if you can come out here sometime—anytime. I can arrange plane fare, if that’s a problem. I’m off to southeast India next week, but I’ll be back in late October. I Love You, Robert P. S., The photo project in Madison County turned out fine. Look for it in NG next year. Or tell me if you want me to send a copy of the issue when it’s published. Francesca Johnson set her brandy glass on the wide oak windowsill and stared at an eight-by-ten black-and-white photograph of herself.

(On choosing to write the book in third person, and using his name Norman as the nom de plume) NOW, OUR MAN of wisdom had a vice. He wrote about himself. Not only would he describe the events he saw, but his own small effect on events. This irritated critics. They spoke of ego trips and the unattractive dimensions of his narcissism. Such criticism did not hurt too much. He had already had a love affair with himself, and it used up a good deal of love. He was no longer so pleased with his presence. His daily reactions bored him. They were becoming like everyone else’s. His mind, he noticed, was beginning to spin its wheels, sometimes seeming to repeat itself for the sheer slavishness of supporting mediocre habits. If he was now wondering what name he ought to use for his piece about the fight, it was out of no excess of literary ego. More, indeed, from concern for the reader’s attention. It would hardly be congenial to follow a long piece of prose if the narrator appeared only as an abstraction: The Writer, The Traveler, The Interviewer. That is unhappy in much the way one would not wish to live with a woman for years and think of her as The Wife. Nonetheless, Norman was certainly feeling modest on his return to New York and thought he might as well use his first name — everybody in the fight game did. Indeed, his head was so determinedly empty that the alternative was to do a piece without a name. Never had his wisdom appeared more invisible to him and that is a fair condition for acquiring an anonymous voice.

The New Man means to develop all the three dimensions of being, all the three doors to God: the head, the dimension of thinking, logic and reason, the heart - the dimension of joy, trust, intuition, relationships, beauty, creativity and a sense of unity in love and the being, the dimension of meditation, silence, emptiness and oneness with life. The first level of the head is the dimension of ideas, intellect, hypothesis, theories, logic, analysis, rationality and dualistic thinking. The first level is the level of the mind, which means a continuous oscillation like a pendulum between the mind's memories of the past and the ideas, dreams and expectations of the future. The second level of the heart is the dimension of joy, acceptance, trust, understanding, trust, friendship, intuition, empathy, creativity, compassion, humor, playfulness and a sense of unity in love. The third level of being is the dimension of presence, awareness, meditation, silence, emptiness and wholeness. The third level is our connection with our inner life source.

What, then, is active imagination? In practice it’s exactly what Jung did in his visions and conversations with inner figures such as Philemon, Ka, and Salome mentioned above: entering a fantasy and talking with one’s “self”—at least a part of oneself “normally” left unconscious—asking questions and receiving knowledge that one—“you”—did not know. In many ways, it’s something we engage in often already, but in a shallow, fleeting way, when we “ask ourselves” what we think or will do about a situation. More abstractly, it’s a method of consciously entering into a dialogue with the unconscious, which triggers the transcendent function, a vital shift in consciousness, brought about through the union of the conscious and unconscious minds. Unexpected insights and self-renewal are some of the results of the transcendent function. It achieves what I call that elusive “Goldilocks” condition, the “just right” of having the conscious and unconscious minds work together, rather than being at odds. In the process it produces a third state more vivid and “real” than either; in it we recognize what consciousness should be like and see our “normal” state as at best a muddling through. We’ve already seen how the transcendent function helped Jung when faced with the dilemma of having to choose between science and the humanities. Then it operated through a dream, producing the mandala-like symbol of the giant radiolarian. In the simplest sense, the transcendent function is our built-in means of growth, psychological and spiritual—it’s “transcendent” only in the sense that it “transcends” the frequent deadlock between the conscious and unconscious minds—and is a development of what Jung earlier recognized as the “prospective tendencies in man.

why Newton’s apple fell. The apple isn’t moving at all at the start of the process, so why would changing the shape of space make it move? The wonderful answer is that massive objects don’t just warp space, they warp space and time. In Einstein’s world, space and time are united into the single entity, spacetime. In principle we should think of spacetime as a four-dimensional object – but that’s hard to envisage, so what we tend to do is to just use two space dimensions and one of time. (The third space dimension hasn’t gone away, we just don’t need to think of it.) When we speak of warping space or time, what happens is that the axis is no longer straight, but starts to curve.

There are three kinds of gifts. The first is the gift of material resources.The second is the gift of knowledge, the gift of the Dharma. The third, the highest kind of gift, is the gift of non-fear. Avalokiteshvara Bodhisattva is someone who can help us liberate ourselves from fear. This is the heart of the Prajñaparamita. The most precious gift that Avalokitesvara can offer us is the gift of non-fear. People are afraid of losing their identity, of dying, of becoming nothing. When you give the kind of teaching and practice and insight that helps people touch their ultimate dimension, they lose all their fear. But you need to have that gift of non-fear within you in order for you to be able to offer it to others.

When Adolf Hitler heard of the Japanese attack on Pearl Harbor, he slapped his hands together in glee and exclaimed, “Now it is impossible to lose the war. We now have an ally, Japan, who has never been vanquished in three thousand years.” Germany and Japan were threatening the world with massive land armies. But Hitler and Hirohito had never taken the measure of the man in the White House. A former assistant secretary of the navy, Franklin D. Roosevelt had his own ideas about the shape and size of the military juggernaut he would wield. FDR’s military experts told him that only huge American ground forces could meet the threat. But Roosevelt turned aside their requests to conscript tens of millions of Americans to fight a traditional war. The Dutchman would have no part in the mass WWI-type carnage of American boys on European or Asian killing fields. Billy Mitchell was gone, but Roosevelt remembered his words. Now, as Japan and Germany invested in yesterday, FDR invested in tomorrow. He slashed his military planners’ dreams of a vast 35-million-man force by more than half. He shrunk the dollars available for battle in the first and second dimensions and put his money on the third. When the commander in chief called for the production of four thousand airplanes per month, his advisers wondered if he meant per year. After all, the U.S. had produced only eight hundred airplanes just two years earlier. FDR was quick to correct them. The

Seeing the possibilities: It would be much easier to let go of outcomes if every choice turned out well. And why shouldn’t it? In the one reality there are no wrong turns, only new turns. But the ego personality likes things to be connected. Coming in second today is better than coming in third yesterday, and tomorrow I want to come in first. This kind of linear thinking reflects a crude conception of progress. Real growth happens in many dimensions. What happens to you can affect how you think, feel, relate to others, behave in a given situation, fit into your surroundings, perceive the future, or perceive yourself. All these dimensions must evolve in order for you to evolve. Try to see the possibilities in whatever happens.

At the foundation of Hegel’s thought was his understanding of dialectic, according to which all things unfold in a continuing evolutionary process whereby every state of being inevitably brings forth its opposite. The interaction between these opposites then generates a third stage in which the opposites are integrated —they are at once overcome and fulfilled— in a richer and higher synthesis, which in turn becomes the basis for another dialectical process of opposition and synthesis... Hegel’s overriding impulse was to comprehend all dimensions of existence as dialectically integrated in one unitary whole. In Hegel’s view, all human thought and all reality is pervaded by contradiction, which alone makes possible the development of higher states of consciousness and higher states of being.

Or think of the tale of the blind men who encounter an elephant for the first time. One wise man, touching the ear of the elephant, declares the elephant is flat and two-dimensional like a fan. Another wise man touches the tail and assumes the elephant is like rope or a one-dimensional string. Another, touching a leg, concludes the elephant is a three-dimensional drum or a cylinder. But actually, if we step back and rise into the third dimension, we can see the elephant as a three-dimensional animal. In the same way, the five different string theories are like the ear, tail, and leg, but we still have yet to reveal the full elephant, M-theory. Holographic Universe As we mentioned, with time new layers have been uncovered in string theory. Soon after M-theory was proposed in 1995, another astonishing discovery was made by Juan Maldacena in 1997. He jolted the entire physics community by showing something that was once considered impossible: that a supersymmetric Yang-Mills theory, which describes the behavior of subatomic particles in four dimensions, was dual, or mathematically equivalent, to a certain string theory in ten dimensions. This sent the physics world into a tizzy. By 2015, there were ten thousand papers that referred to this paper, making it by far the most influential paper in high-energy physics. (Symmetry and duality are related but different. Symmetry arises when we rearrange the components of a single equation and it remains the same. Duality arises when we show that two entirely different theories are actually mathematically equivalent. Remarkably, string theory has both of these highly nontrivial features.)

The Portal Potion Success! After weeks and weeks of trying, I’ve finally discovered the correct ingredients for the potion I’d hoped to create for my son! With just a few drops, the potion turns any written work into a portal to the world it describes. Even with my ability to create portals to and from the Otherworld, I never thought it would be possible to create a substance that allowed me passage to any world I wished. My son will get to see the places and meet the characters he’s spent his whole childhood dreaming about! And best of all, I’ll get to watch his happiness soar as it happens! The ingredients are much simpler than I imagined, but difficult to obtain. Their purposes are more metaphysical than practical, so it took some imagination to get the concoction right. The first requirement is a branch from the oldest tree in the woods. To bring the pages to life, I figured the potion would need the very thing that brought the paper to life in the first place. And what else has more life than an ancient tree? The second ingredient is a feather from the finest pheasant in the sky. This will guarantee your potion has no limits, like a bird in flight. It will ensure you can travel to lands far and wide, beyond your imagination. The third component is a liquefied lock and key that belonged to a true love. Just as this person unlocked your heart to a life of love, it will open the door of the literary dimensions your heart desires to experience. The fourth ingredient is two weeks of moonlight. Just as the moon causes waves in the ocean, the moonlight will stir your potion to life. Last, but most important, give the potion a spark of magic to activate all the ingredients. Send it a beam of joy straight from your heart. The potion does not work on any biographies or history books, but purely on works that have been imagined. Now, I must warn about the dangers of entering a fictional world: 1. Time only exists as long as the story continues. Be sure to leave the book before the story ends, or you may disappear as the story concludes. 2. Each world is made of only what the author describes. Do not expect the characters to have any knowledge of our world or the Otherworld. 3. Beware of the story’s villains. Unlike people in our world or the Otherworld, most literary villains are created to be heartless and stripped of all morals, so do not expect any mercy should you cross paths with one. 4. The book you choose to enter will act as your entrance and exit. Be certain nothing happens to it; it is your only way out. The

Is it life?" he answered, "I would rather be without it," he said, "for there is queer small utility in it. You cannot eat it or drink it or smoke it in your pipe, it does not keep the rain out and it is a poor armful in the dark if you strip it and take it to bed with you after a night of porter when you are shivering with the red passion. It is a great mistake and a thing better done without, like bed-jars and foreign bacon... Many a man has spent a hundred years trying to get the dimensions of it and when he understands it at last and entertains the certain pattern of it in his head, by the hokey he take to his bed and dies! He dies like a poisoned sheepdog. There is nothing so dangerous, you can't smoke it, nobody will give you tuppence-halfpenny for the half of it and it kills you in the wind-up. It is a queer contraption, very dangerous, a certain death-trap.

The extermination of the Jews has sometimes been seen as a kind of industrialized, assembly-line kind of mass murder, and this picture has at least some element of truth to it. No other genocide in history has been carried out by mechanical means - gassing - in specially constructed facilities like those in operation at Auschwitz or Treblinka. At the same time, however, these facilities did not operate efficiently or effectively, and if the impression given by calling them industrialized is that they were automated or impersonal, then it is a false one. Men such as Hess and Stangl and their subordinates tried to insulate themselves from the human dimensions of what they were doing by referring to their victims as 'cargo' or 'items.' Talking to Gerhard Stabenow, the head of the SS Security Service in Warsaw, in September 1942, Wilm Hosenfeld noted how the language Stabenow used distanced himself from the fact that what he was involved in was the mass murder of human beings: 'He speaks of the Jews as ants or other vermin, of their 'resettlement', that means their mass murder, as he would of the extermination of the bedbugs in the disinfestation of a house.' But at the same time such men were not immune from the human emotions they tried so hard to repress, and they remembered incidents in which individual women and children had appealed to their conscience, even if such appeals were in vain. The psychological strain that continual killing of unarmed civilians, including women and children, imposed on such men was considerable, just as it had been in the case of the SS Task Forces, whose troops had been shooting Jews in their hundreds of thousands before the first gas vans were deploted in an attempt not only to speed up the killing but also to make it somehow more impersonal.

Yet study after study has shown that most people do think they’re above average along various dimensions, ranging from athletic ability to social skills. And this sort of self-appraisal can firmly resist evidence. One study of fifty people found that on average they rated their driving skill toward the “expert” end of the spectrum—which would be less notable were it not for the fact that all fifty had recently been in car accidents, and two-thirds of them had been deemed responsible for the accidents by police. If there is anything we’re more impressed by than our competence, it’s our moral fiber. One finding among many that drive this point home is that the average person believes he or she does more good things and fewer bad things than the average person. Nearly half a millennium after Montaigne died, science has validated the logic behind his perhaps too modest remark: “I consider myself an average man except for the fact that I consider myself an average man.

After a short moment to collect my thoughts I went into the vertiginous opening of Asbestos and Fibre. Then as the first movement settled into its more reflective phase, I became increasingly relaxed, so much so that I found myself playing most of the first movement with my eyes closed. As I began the second movement, I opened my eyes again and found the afternoon sunshine streaming through the window behind me, throwing my shadow sharply across the keyboard. Even the demands of the second movement, however, did nothing to alter my calm. Indeed, I realised I was in absolute control of every dimension of the composition. I recalled how worried I had allowed myself to become over the course of the day and now felt utterly foolish for having done so. Moreover, now that I was in the midst of the piece, it seemed inconceiveable that my mother would not be moved by it. The simple fact was, I had no reason whatsoever to feel anything other than utter confidence concerning the evening's performance. It was as I was entering the sublime melancholy of the third movement that I became aware of a noise in the background. At first I thought it was connected with the soft pedal, and then that it was something to do with the floor. It was a faint, rhythmic noise that would stop and start, and for some time I tried not to pay any attention to it. But it continued to return, and then, during the pianissimo passages mid-way through the movement, I realised that someone was digging outside not far away.

Or think of the tale of the blind men who encounter an elephant for the first time. One wise man, touching the ear of the elephant, declares the elephant is flat and two-dimensional like a fan. Another wise man touches the tail and assumes the elephant is like rope or a one-dimensional string. Another, touching a leg, concludes the elephant is a three-dimensional drum or a cylinder. But actually, if we step back and rise into the third dimension, we can see the elephant as a three-dimensional animal. In the same way, the five different string theories are like the ear, tail, and leg, but we still have yet to reveal the full elephant, M-theory. Holographic Universe As we mentioned, with time new layers have been uncovered in string theory. Soon after M-theory was proposed in 1995, another astonishing discovery was made by Juan Maldacena in 1997. He jolted the entire physics community by showing something that was once considered impossible: that a supersymmetric Yang-Mills theory, which describes the behavior of subatomic particles in four dimensions, was dual, or mathematically equivalent, to a certain string theory in ten dimensions. This sent the physics world into a tizzy. By 2015, there were ten thousand papers that referred to this paper, making it by far the most influential paper in high-energy physics. (Symmetry and duality are related but different. Symmetry arises when we rearrange the components of a single equation and it remains the same. Duality arises when we show that two entirely different theories are actually mathematically equivalent. Remarkably, string theory has both of these highly nontrivial features.) As we saw, Maxwell’s equations have a duality between electric and magnetic fields—that is, the equations remain the same if we reverse the two fields, turning electric fields into magnetic fields. (We can see this mathematically, because the EM equations often contain terms like E2 + B2, which remain the same when we rotate the two fields into each other, like in the Pythagorean theorem). Similarly, there are five distinct string theories in ten dimensions, which can be proven to be dual to each other, so they are really a single eleven-dimensional M-theory in disguise. So remarkably, duality shows that two different theories are actually two aspects of the same theory. Maldacena, however, showed that there was yet another duality between strings in ten dimensions and Yang-Mills theory in four dimensions. This was a totally unexpected development but one that has profound implications. It meant that there were deep, unexpected connections between the gravitational force and the nuclear force defined in totally different dimensions. Usually, dualities can be found between strings in the same dimension. By rearranging the terms describing those strings, for example, we can often change one string theory into another. This creates a web of dualities between different string theories, all defined in the same dimension. But a duality between two objects defined in different dimensions was unheard of.

No, seriously," Mark continued. "Once you've been involved for a while, do your charity work in some third world toilet, they start letting you in on some of the bigger secrets to Responsivism, and how the knowledge will save you." "Go on," Juan said to indulge him. Murph might be flakey, but he had a topflight mind. "Ever heard of 'brane theory?" He'd already talked with Eric about it so only Stone didn't return a blank stare. "It's right up there with string theory as a way of unifying all four forces in the universe, something Einstein couldn't do. In a nutshell, it says our four-dimensional universe is a single membrane, and that there are others existing in higher orders of space. These are so close to ours that zero-point matter and energy can pass between them and that gravitation forces in our universe can leak out. It's all cutting-edge stuff." "I'll take your word for it," Cabrillo said. "Anyway, "brane theory started to get traction among theoreti cal physicists in the mid-nineties, and Lydell Cooper glommed on to it, too. He took it a step further, though. It wasn't just quantum particles passing in and out of our universe. He believed that an intelligence from another 'brane was affecting people here in our dimension. This intelligence, he said, shaped our day-to-day lives in ways we couldn't sense. It was the cause of all our suffering. Just before his death, Cooper started to teach techniques to limit this influence, ways to protect ourselves from the alien power." "And people bought this crap?" Max asked, sinking deeper into depression over his son. "Oh yeah. Think about it from their side for a second. It's not a believer's fault that he is unlucky or depressed or just plain stupid. His life is being messed with across dimensional membranes It's an alien influence that cost you that promotion or prevented you from dating the girl of your dreams. It's a cosmic force holding you back, not your own ineptitude. If you believe that, then you don't have to take responsibility for your life. And we all know nobody takes responsibility for himself anymore. Responsivism gives you a ready-made excuse for your poor life choices.

The New Man is the most important things that is happening in the world today. The new man will have to find new forms of communication, working together and sharing, because the old man and the old society will not disappear immediately. The old man will also put up a fight. The new man is a new humanity. Up to now, man has lived a pathological life, a neurotic life, a destructive life. During modern times, during the last 3000 years, there have been 6000 wars. You can not call this humanity healthy. Once in a while a Buddha, a Jesus, a Socrates, appeared, but each person is born to be a Buddha. How can I become the new man? The new man means a new consciousness, a new being. Humanity can not be saved if the new man does not arrive. Before it was not a necessity, but now it is absolutely necessary because now the war technology can destroy the whole earth. if not the new man arrives, if not people become more aware, awake and conscious, then this earth will not survive. The New Man means to develop all the three dimensions of being, all the three doors to God: the head, the dimension of thinking, logic and reason, the heart, the dimension of joy, trust, intuition, relationships, beauty, creativity and a sense of unity in love and the being, the dimension of meditation, silence, emptiness and oneness with life. The first level of the head is the dimension of ideas, intellect, hypothesis, theories, logic, analysis, rationality and dualistic thinking. The first level is the level of the mind, which means a continuous oscillation like a pendulum between the mind's memories of the past and the ideas, dreams and expectations of the future. The second level of the heart is the dimension of joy, acceptance, trust, understanding, trust, friendship, relationships, intuition, empathy, creativity, compassion, humor, playfulness and a sense of unity in love. The third level of being is the dimension of presence, awareness, meditation, silence, emptiness and wholeness. The third level is our connection with our inner life source. The new man means awareness, consciousness, love and creativity. The new man means meditation, to be in contact with our own inner source of silence. And if more people become meditative, the earth becomes filled with the fragrance of the new man.

I have come to think of the UFO problem in terms of three distinct levels. The first level is physical. We now know that the UFO behaves like a region of space, of small dimensions (about ten meters), within which a very large amount of energy is stored. This energy is manifested by pulsed light phenomena of intense colors and by other forms of electromagnetic radiation. The second level is biological. Reports of UFOs show all kinds of psychophysiological effects on the witnesses. Exposure to the phenomenon causes visions, hallucinations, space and time disorientation, physiological reactions (including temporary blindness, paralysis, sleep cycle changes), and long-term personality changes. The third level is social. Belief in the reality of UFOs is spreading rapidly at all levels of society throughout the world. Books on the subject continue to accumulate. Documentaries and major films are being made by men and women who grew up with flying-saucer stories. Expectations about life in the universe have been revolutionized. Many modern themes in our culture can be traced back to the "messages from space" coming from UFO contactees of the forties and fifties. The experience of a close encounter with a UFO is a shattering physical and mental ordeal. The trauma has effects that go far beyond what the witnesses recall consciously. New types of behavior are conditioned, and new types of beliefs are promoted. Aside from any scientific consideration, the social, political, and religious consequences of the experience are enormous if they are considered over the timespan of a generation. Faced with the new wave of experiences of UFO contact that are described in books like Communion and Intruders and in movies like Close Encounters of the Third Kind, our religions seem obsolete. Our idea of the church as a social entity working within rational structures is obviously challenged by the claim of a direct communication in modern times with visible beings who seem endowed with supernatural powers. This idea can shake our society to the very roots of its culture. Witnesses are no longer afraid to come forward with personal stories of abductions, of spiritual exchanges with aliens, even of sexual interaction with them. Such reports are folklore in the making. I have discovered that they form a striking parallel to the tales of meetings with elves and jinn of medieval times, with the denizens of "Magonia," the land beyond the clouds of ancient chronicles. But they are something else, too: a portent of important things to come.

*There is only one God*. Whatever exists is *ipso facto* individual; to be one it needs no extra property and calling it one merely denies that it is divided. Simple things are neither divided nor divisible; composite things do not exist when their parts are divided. So existence stands or falls with individuality, and things guard their unity as they do their existence. But what is simply speaking one can yet in certain respects be many: an individual thing, essentially undivided, can have many non-essential properties; and a single whole, actually undivided, can have potentially many parts. Only when one is used to count with does it presuppose in what it counts some extra property over and above existence, namely, quantity. The one we count with contrasts with the many it counts in the way a unity of measurement contrasts with what it measures; but the individual unity common to everything that exists contrasts with plurality simply by lacking it, as undividedness does division. A plurality is however *a* plurality: though simply speaking many, inasmuch as it exists, it is, incidentally, one. A continuum is homogeneous: its parts share the form of the whole (every bit of water is water); but a plurality is heterogeneous: its parts lack the form of the whole (no part of the house is a house). The parts of a plurality are unities and non-plural, though they compose the plurality not as non-plural but as existing; just as the parts of a house compose the house as material, not as not houses. Whereas we define plurality in terms of unity (many things are divided things to each of which is ascribed unity), we define unity in terms of division. For division precedes unity in our minds even if it doesn’t really do so, since we conceive simple things by denying compositeness of them, defining a point, for example, as lacking dimension. Division arises in the mind simply by negating existence. So the first thing we conceive is the existent, then―seeing that this existent is not that existent―we conceive division, thirdly unity, and fourthly plurality. There is only one God. Firstly, God and his nature are identical: to be God is to be this individual God. In the same way, if to be a man was to be Socrates there would only be one man, just as there was only one Socrates. Moreover, God’s perfection is unlimited, so what could differentiate one God from another? Any extra perfection in one would be lacking in the other and that would make him imperfect. And finally, the world is one, and plurality can only produce unity incidentally insofar as it too is somehow one: the primary and non-incidental source of unity in the universe must himself be one. The one we count with measures only material things, not God: like all objects of mathematics, though defined without reference to matter, it can exist only in matter. But the unity of individuality common to everything that exists is a metaphysical property applying both to non-material things and to God. But what in God is a perfection has to be conceived by us, with our way of understanding things, as a lack: that is why we talk of God as lacking a body, lacking limits and lacking division.

Making the most of an experience: Living fully is extolled everywhere in popular culture. I have only to turn on the television at random to be assailed with the following messages: “It’s the best a man can get.” “It’s like having an angel by your side.” “Every move is smooth, every word is cool. I never want to lose that feeling.” “You look, they smile. You win, they go home.” What is being sold here? A fantasy of total sensory pleasure, social status, sexual attraction, and the self-image of a winner. As it happens, all these phrases come from the same commercial for razor blades, but living life fully is part of almost any ad campaign. What is left out, however, is the reality of what it actually means to fully experience something. Instead of looking for sensory overload that lasts forever, you’ll find that the experiences need to be engaged at the level of meaning and emotion. Meaning is essential. If this moment truly matters to you, you will experience it fully. Emotion brings in the dimension of bonding or tuning in: An experience that touches your heart makes the meaning that much more personal. Pure physical sensation, social status, sexual attraction, and feeling like a winner are generally superficial, which is why people hunger for them repeatedly. If you spend time with athletes who have won hundreds of games or with sexually active singles who have slept with hundreds of partners, you’ll find out two things very quickly: (1) Numbers don’t count very much. The athlete usually doesn’t feel like a winner deep down; the sexual conqueror doesn’t usually feel deeply attractive or worthy. (2) Each experience brings diminishing returns; the thrill of winning or going to bed becomes less and less exciting and lasts a shorter time. To experience this moment, or any moment, fully means to engage fully. Meeting a stranger can be totally fleeting and meaningless, for example, unless you enter the individual’s world by finding out at least one thing that is meaningful to his or her life and exchange at least one genuine feeling. Tuning in to others is a circular flow: You send yourself out toward people; you receive them as they respond to you. Notice how often you don’t do that. You stand back and insulate yourself, sending out only the most superficial signals and receive little or nothing back. The same circle must be present even when someone else isn’t involved. Consider the way three people might observe the same sunset. The first person is obsessing over a business deal and doesn’t even see the sunset, even though his eyes are registering the photons that fall on their retinas. The second person thinks, “Nice sunset. We haven’t had one in a while.” The third person is an artist who immediately begins a sketch of the scene. The differences among the three are that the first person sent nothing out and received nothing back; the second allowed his awareness to receive the sunset but had no awareness to give back to it—his response was rote; the third person was the only one to complete the circle: He took in the sunset and turned it into a creative response that sent his awareness back out into the world with something to give. If you want to fully experience life, you must close the circle.

Simply raising the theme of animals in the Third Reich means that our narrative is no longer only an account of what human beings have done to one another, but also about our relations with the natural world. If,viewed against the magnitude and terror of historical events, our personal lives appear almost trivial, the lives of animals may seem more so, and even to raise the subject can at first seem either insensitive or pedantic. At the same time, this new dimension places the events in an even vaster perspective still, one in which even the greatest battles and horrendous crimes can begin to fade into insignificance. This is the standpoint of evolutionary time, in which humankind itself may be no more than a relatively brief episode. Perhaps the focus on animals may help us to find a more harmonious balance between the personal, historic, and cosmic levels, on which, simultaneously we conduct our lives.

For example, many of us have been raised to believe that empathy and sympathy are desirable traits to develop. Because we all have a natural spiritual ability known as clairsentience (the ability to ‘read’ energy by feeling the emotions of others), it is very easy to fall into empathy and sympathy and feel the pain of others in our body. For many of us (especially the healers and nurturers among us), the moment we hear that someone is upset or unwell, we immediately want to ‘fix’ their problem. So we move in a bit closer to them, ask what’s wrong, encourage the person to share more details, so we can really understand the problem, and in the process we align ourselves and our energy with theirs. We feel them and their problem. Before we know it, we don’t feel so good ourselves anymore. We match that person’s problem and their issue is now in our space, and we’re feeling the effects of it too. When you don’t have a point of reference for where you begin and end, you simply don’t know where you are, and consequently you don’t know whether you are reacting to your own emotions or someone else’s emotions.

Jung famously said that about a third of his cases weren’t suffering from some clinically definable illness, but from a sense of meaninglessness and aimlessness. Jung believed he could help them find some meaning. It had been his own quest, and understandably he felt he could help others in theirs. In a way, one could say Jung built his Tower so he would have a safe space for himself and some selected others to go crazy, without having to deal with the incomprehension of outsiders. Most people who visited the Tower certainly felt it had an unusual atmosphere. Jung had some strange relationship with his pots and utensils; he spoke with them, believing they had souls, and required his guests to as well, and he insisted that the stove in his Küsnacht study was human.39 He also felt the same about a bronze box that stored his tobacco, and even named it Habbakuk. 40 It isn’t surprising to read that at the Tower Jung could immerse himself deeply in active imagination, often sitting for long periods in utter stillness, in a room set apart for this, where he painted his fantasies on the wall. He would see images and faces in stone and then slowly carve them; one stone in particular, a huge “perfect cube” Jung received from a quarry by mistake, became a favorite, and over the years Jung worked on it, carving on its surface alchemical, Greek, and Latin sayings.41

Both my friend and I follow politics. We’re both smart. (He’s smarter.) Neither of us lied about our reaction to Trump’s speech. But we saw entirely different movies playing on the same screen at the same time. If you think this different-movies situation is rare, you’re living in what I call the second dimension. In the third dimension, where persuasion rules, it is entirely normal and routine for different movies to play on the same screen at the same time.

And what of colonizing additional dimensions beyond the third? Colonize Time. Why not?” “Because, sir,” objected Dr. Templeton Blope, of the University of the Outer Hebrides, “—we are limited to three.” “Quaternionist talk,” shouted his collegial nemesis Hastings Throyle. “Everything, carnal and spiritual, invested in the given three dimensions—for what use, as your Professor Tate famously asked, are any more than three?” “Ever so frightfully sorry. The given world, in case you hadn’t noticed. Planet Earth.” “Which not so long ago was believed to be a plane surface.” So forth. A recurring argument. Quaternionism in this era still enjoyed the light and warmth of a cheerful noontide. Rival systems might be acknowledged now and then, usually for some property considered bothersome, but those of the Hamiltonian faith felt an immunity to ever being superseded, children imagining they would live forever—though the sizable bloc of them aboard the Malus were not quite certain what the closely guarded Mission Document meant when it described the present journey as being taken “at right angles to the flow of time.

Plato theorized that the world could be described in three dimensions. The first dimension is the world of the ideal forms (which is the primary reality). The second is the material world created by God. The third is psychological, which is a reflection of the ideal through material.

John Vernall lifted up his head, the milk locks that had given him his nickname stirring in the third floor winds, and stared with pale grey eyes out over Lambeth, over London. Snowy's dad had once explained to him and his young sister Thursa how by altering one's altitude, one's level on the upright axis of this seemingly three-planed existence, it was possible to catch a glimpse of the elusive fourth plane, the fourth axis, which was time. Or was at any rate, at least in Snowy's understanding of their father's Bedlam lectures, what most people saw as time from the perspective of a world impermanent and fragile, vanished into nothingness and made anew from nothing with each passing instant, all its substance disappeared into a past that was invisible from their new angle and which thus appeared no longer to be there. For the majority of people, Snowy realised, the previous hour was gone forever and the next did not exist yet. They-were trapped in their thin, moving pane of Now: a filmy membrane that might fatally disintegrate at any moment, stretched between two dreadful absences. This view of life and being as frail, flimsy things that were soon ended did not match in any way with Snowy Vernall's own, especially not from a glorious vantage like his current one, mucky nativity below and only reefs of hurtling cloud above. His increased elevation had proportionately shrunken and reduced the landscape, squashing down the buildings so that if he were by some means to rise higher still, he knew that all the houses, churches and hotels would be eventually compressed in only two dimensions, flattened to a street map or a plan, a smouldering mosaic where the roads and lanes were cobbled silver lines binding factory-black ceramic chips in a Miltonic tableau. From the roof-ridge where he perched, soles angled inwards gripping the damp tiles, the rolling Thames was motionless, a seam of iron amongst the city's dusty strata. He could see from here a river, not just shifting liquid in a stupefying volume. He could see the watercourse's history bound in its form, its snaking path of least resistance through a valley made by the collapse of a great chalk fault somewhere to the south behind him, white scarps crashing in white billows a few hundred feet uphill and a few million years ago. The bulge of Waterloo, off to his north, was simply where the slide of rock and mud had stopped and hardened, mammoth-trodden to a pasture where a thousand chimneys had eventually blossomed, tarry-throated tubeworms gathering around the warm miasma of the railway station. Snowy saw the thumbprint of a giant mathematic power, untold generations caught up in the magnet-pattern of its loops and whorls. On the loose-shoelace stream's far side was banked the scorched metropolis, its edifices rising floor by floor into a different kind of time, the more enduring continuity of architecture, markedly distinct from the clock-governed scurry of humanity occurring on the ground. In London's variously styled and weathered spires or bridges there were interrupted conversations with the dead, with Trinovantes, Romans, Saxons, Normans, their forgotten and obscure agendas told in stone. In celebrated landmarks Snowy heard the lonely, self-infatuated monologues of kings and queens, fraught with anxieties concerning their significance, lives squandered in pursuit of legacy, an optical illusion of the temporary world which they inhabited. The avenues and monuments he overlooked were barricades' against oblivion, ornate breastwork flung up to defer a future in which both the glorious structures and the memories of those who'd founded them did not exist.

In the third dimension this feeling is more aggressive and eagerly feeds off pain and euphoric happiness. In other words, humans are forced to live in the middle of two opposite dreamed energies.

In the third dimension the traps that get the human being are both pain and happiness,

...because you have been purifying your fields for many incarnations so you no longer belong in the heavy density of the third dimension and you find it difficult to tolerate. But you have one last mission here and you are on the verge of knowing…follow your heart and your instincts.

Tripolar spirituality is not a desirable consequence or an optional third way; it is not an extra or additive dimension. Rather, it is a radical alternative to both monopolar and bipolar spirituality. When love for God and neighbor are interdependent and inseparable, a pivotal redirection results, and an acute deviation from social norms ensues. Committing oneself to tripolar spirituality is making a painful decision to depart from cultural mandates and to risk countercultural actions motivated by a new agenda that becomes the prime factor revolutionizing one’s life.

Free will won’t need to continue in the same way it has by exploring the deepest, darkest shadow, as was possible in the polarity expression of third dimension. Those who do not want to give up the game (of polarity) certainly

Co-existing is like interacting and living with beings of the other dimension.

He repeats two times, as if for emphasis, that he was either in the body or out of the body, making it all sound like something akin to an out-of-body experience. It is also worth noting that Paul makes a reference to being “caught up to the third heaven.” This distinction is important because in Jewish tradition the third heaven is the abode of God. In the Hebrew Bible, there are different categories or classes of heaven. The first heaven is up in the clouds, or in other words, the Earth’s atmosphere. The second heaven would be beyond the Earth’s immediate atmosphere, or as we would call it today, outer space. This is the place where the celestial bodies, such as the sun, moon, other planets, and stars reside. The third heaven is said to be a spiritual realm, or another dimension completely outside of space and time.

The wonder is that it becomes possible to see several of these layers at the same time when the ‘seeingness’ has matured. You can even accept the physical world in your dream at a certain point in the opening process. The magnificence of the world is such in this eruption of colors that it causes the heart to open. Often beauty is at the edge of what can bearable. Life is a constant mystery, and it's great fun. On the other side of the astral realms, there is another dimension named by Western occultists devachan and by Hindu tradition svarga-loka or realm of gods. A completely different set of lights is again perceived in this universe. These are to the astral colors what day is to night. Instead of your friend's face, another face appears. When performing eye contact exercises, this is one of the most common experiences: the face of the friend sitting in front of you disappears, and another face can be seen instead. When you practice on your own, facing a mirror, it is your own face that will vanish and be replaced by another. These faces correspond mainly to four possibilities: A spirit guide A past life A sub-personality An entity. Spirit guides: it is not uncommon for your spirit guides to manifest in this way to the person you are practicing with. When you progress, you will gain the ability to manifest your guides actively on your own power in a manner that will be visible to others, even if their vision is limited. In reality, eye contact is one of the easiest and most straightforward ways of seeing spirit guides. A variant of this phenomenon also happens when a spiritual teacher listens to a conversation. If you become very still, stop blinking, and practice our sight approach when you look at them, you will sometimes see their face vanish and be replaced by their teachers or some higher being behind them. Another likelihood when the face changes, is that in a past life, you see an image of yourself or the person with whom you work. The mask may also be yours or your friend's sub-personality. All in all, this is not so different from what was mentioned in the above bullet point, if one considers that the circumstances of past lives have built up sub-personalities. An entity's face indicates a being connected to you. An object can be regarded as a parasite that is not physical. Just as some physical parasites can bind to various parts of your body, so can your power be bound to some non-physical forces or energy. WHAT TO DO WITH YOUR EXPERIENCES Here's a suggestion, if you fully understand it, which can save you a lot of trouble: I strongly recommend you don't try to analyze too much of what you see.

Entrepreneurs who lead late-stage startups must maintain balance while pursuing opportunity, which requires them to set goals for speed and scope that are sufficiently ambitious yet achievable. By “speed,” I mean the pace of expansion of the venture’s core business—that is, its original product offered solely in its home market. “Scope” is a broader concept that encompasses four dimensions. The first three—geographic reach, product line breadth, and innovation—collectively define the range of the startup’s product market: How many additional customer segments will be targeted, and which of their needs will be addressed? The fourth dimension, vertical integration, refers to the range of activities that the startup will perform in-house rather than outsourcing to third parties.

To a highly literate and mechanized culture the movie appeared as a world of triumphant illusions and dreams that money could buy. It was at this moment of the movie that cubism occurred, and it has been described by E. H. Gombrich (Art and Illusion) as “the most radical attempt to stamp out ambiguity and to enforce one reading of the picture — that of a man-made construction, a colored canvas.” For cubism substitutes all facets of an object simultaneously for the “point of view” or facet of perspective illusion. Instead of the specialized illusion of the third dimension on canvas, cubism sets up an interplay of planes and contradiction or dramatic conflict of patterns, lights, textures that “drives home the message” by involvement. This is held by many to be an exercise in painting, not in illusion. In other words, cubism, by giving the inside and outside, the top, bottom, back, and front and the rest, in two dimensions, drops the illusion of perspective in favor of instant sensory awareness of the whole. Cubism, by seizing on instant total awareness, suddenly announced that the medium is the message. Is it not evident that the moment that the sequence yields to the simultaneous, one is in the world of the structure and of configuration? Is that not what has happened in physics as in painting, poetry, and in communication? Specialized segments of attention have shifted to total field, and we can now say, “The medium is the message” quite naturally.

I rolled around and hit my face to wake myself up, but the pain proved that everything was real - because pain is another word for reality. The surfaces were hard, indeed. My eyes were wide open and lucid, but fear had deformed everything, it had driven me into the hallucination and delirium. I stood up, shook the industrial refuse from my clothes, and went back, my heart beating more strongly than it should have, to the door gaping open in the great building's wall. I knew full well that on the outside, the building was perfectly rectangular, that there was no way for the door to open into a room, and yet it led into a virtual depth, as inexplicable as the depth of a photograph, or the depths of perspective that create a third, and false, dimension in paintings on a wall. If you could go inside a trompe l'oeil mural, you wouldn't descend into its fraudulent depths, you would only get smaller as you moved along unseen lines of perspective. You wouldn't move through constantly changing spaces, with porphyry arches and columns and unintelligible Biblical images opening and closing behind you; rather, they would change their shapes constantly, rectangles would become parallelograms and trapezoids, the arcs of circles would change into hyperbolas, and circle into ellipses, becoming thinner and thinner as they tried to look deeper and farther away. I often thought that the world, along its three dimensions, is an equally deceiving trompe l'oeil for the infinitely more complex eye of our mind, with its two cerebral hemispheres taking in the world at slightly different angles, such that, by combining rational analysis and mystical sensibility, speech and song, happiness and depression, the abject and the sublime, it will make the amazing rosebud of the fourth dimension open before us, with its pearly petals, with its full depth, with its cubic surface, with its hypercubic volume. As though an embryo didn't grow in its mother's womb but arrived, from far away, and only the illusion of perspective made it seem to grow, like a wayfarer approaching along an empty road. A wayfarer who, after he passes through the iliac portal, continues his illusory rise, first an infant, then a child, then an adolescent, and in the end, when he is face-to-face with you and looks you in the eyes, he smiles at you like a friend from the other side of the mirror, having found you again, at last.

Levenda’s study is broad and deep, a life’s work that runs to volumes. What distinguishes it from other efforts, such as those of Pasolini, is not merely its comprehensiveness. Rather, it is Levenda’s realization that a matrix of politics and violence is incapable of explaining the demented century that shuddered to an end in Manhattan, not so long ago. What’s needed is a third dimension, and that dimension, he tells us, is “the occult.” By this, Levenda means something broader than a mix of magic and religion. When he writes of the occult, he means to include whatever is secret, hidden, or unknown. Add this dimension to those of politics and violence, and the century shivers into focus. Sinister Forces is about evil in what is now the digital age: Evil 2.0.

Said the Prophet, on him be peace: ‘On the Day of Resurrection, three people will find themselves on a ridge of black musk. They will have no reckoning to fear, nor any cause for alarm while human accounts are being settled. First, a man who recites the Quran to please God, Great and Glorious is He, and who leads the Prayer to people’s satisfaction. Second, a man who gives the Call to Prayer in a Mosque, inviting people to God, Great and Glorious is He, for the sake of His good pleasure. Third, a man who has a hard time making a living in this world, yet is not distracted from the work