β
You love me. Real or not real?"
I tell him, "Real.
β
β
Suzanne Collins (Mockingjay (The Hunger Games, #3))
β
Happy Hunger Games! And may the odds be ever in your favor.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
You donβt forget the face of the person who was your last hope.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
Remember, we're madly in love, so it's all right to kiss me anytime you feel like it.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
... a mind needs books as a sword needs a whetstone, if it is to keep its edge.
β
β
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
β
I wish I could freeze this moment, right here, right now and live in it forever.
β
β
Suzanne Collins (Catching Fire (The Hunger Games, #2))
β
Never forget what you are, for surely the world will not. Make it your strength. Then it can never be your weakness. Armour yourself in it, and it will never be used to hurt you.
β
β
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
β
I am not pretty. I am not beautiful. I am as radiant as the sun.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
It takes ten times as long to put yourself back together as it does to fall apart.
β
β
Suzanne Collins (Mockingjay (The Hunger Games, #3))
β
When someone shows you who they are believe them the first time.
β
β
Maya Angelou
β
Destroying things is much easier than making them.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
Well, don't expect us to be too impressed. We just saw Finnick Odair in his underwear.
β
β
Suzanne Collins (Mockingjay (The Hunger Games, #3))
β
You know, you could live a thousand lifetimes and not deserve him.
β
β
Suzanne Collins (Catching Fire (The Hunger Games, #2))
β
In life, unlike chess, the game continues after checkmate.
β
β
Isaac Asimov
β
Bran thought about it. 'Can a man still be brave if he's afraid?'
'That is the only time a man can be brave,' his father told him.
β
β
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
β
You're still trying to protect me. Real or not real," he whispers.
"Real," I answer. "Because that's what you and I do, protect each other.
β
β
Suzanne Collins (Mockingjay (The Hunger Games, #3))
β
Stupid people are dangerous.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
When you play a game of thrones you win or you die.
β
β
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
β
I don't want to lose the boy with the bread.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again.
β
β
Suzanne Collins (Mockingjay (The Hunger Games, #3))
β
My nightmares are usually about losing you. I'm okay once I realize you're here.
β
β
Suzanne Collins (Catching Fire (The Hunger Games, #2))
β
Fire is catching! And if we burn, you burn with us!
β
β
Suzanne Collins (Mockingjay (The Hunger Games, #3))
β
Fear cuts deeper than swords.
β
β
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
β
I can feel Peeta press his forehead into my temple and he asks, 'So now that you've got me, what are you going to do with me?' I turn into him. 'Put you somewhere you can't get hurt.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
There are much worse games to play.
β
β
Suzanne Collins (Mockingjay (The Hunger Games, #3))
β
Some old wounds never truly heal, and bleed again at the slightest word.
β
β
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
β
I'm afraid that sometimes you'll play lonely games too. Games you can't win 'cause you'll play against you.
β
β
Dr. Seuss
β
Deep in the meadow, hidden far away
A cloak of leaves, a moonbeam ray
Forget your woes and let your troubles lay
And when it's morning again, they'll wash away
Here it's safe, here it's warm
Here the daisies guard you from every harm
Here your dreams are sweet and tomorrow brings them true
Here is the place where I love you.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
Youβve got about as much charm as a dead slug.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
Perhaps it's impossible to wear an identity without becoming what you pretend to be.
β
β
Orson Scott Card (Ender's Game (Ender's Saga, #1))
β
You here to finish me off, Sweetheart?
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
Daring ideas are like chessmen moved forward. They may be beaten, but they may start a winning game.
β
β
Johann Wolfgang von Goethe
β
So it's you and a syringe against the Capitol? See, this is why no one lets you make the plans.
β
β
Suzanne Collins (Catching Fire (The Hunger Games, #2))
β
And then he gives me a smile that just seems so genuinely sweet with just the right touch of shyness that unexpected warmth rushes through me.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
I realize only one person will be damaged beyond repair if Peeta dies. Me.
β
β
Suzanne Collins (Catching Fire (The Hunger Games, #2))
β
Winter is coming.
β
β
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
β
Yes, frosting. The final defense of the dying.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
Everybody has a secret world inside of them. I mean everybody. All of the people in the whole world, I mean everybody β no matter how dull and boring they are on the outside. Inside them they've all got unimaginable, magnificent, wonderful, stupid, amazing worlds... Not just one world. Hundreds of them. Thousands, maybe.
β
β
Neil Gaiman (The Sandman, Vol. 5: A Game of You)
β
Never forget what you are, for surely the world will not. Make it your strength. Then it can never be your weakness.
β
β
George R.R. Martin (A Song of Ice and Fire, 5-Book Boxed Set: A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, A Dance with Dragons (Song of Ice & Fire 1-5))
β
Time is a game played beautifully by children.
β
β
Heraclitus (Fragments)
β
May the odds be ever in your favor!
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
I always channel my emotions into my work. That way, I don't hurt anyone but myself.
β
β
Suzanne Collins (Catching Fire (The Hunger Games, #2))
β
You're a painter. You're a baker. You like to sleep with the windows open. You never take sugar in your tea. And you always double-knot your shoelaces.
β
β
Suzanne Collins (Mockingjay (The Hunger Games, #3))
β
When the snows fall and the white winds blow, the lone wolf dies but the pack survives.
β
β
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
β
I must have loved you a lot.
β
β
Suzanne Collins (Mockingjay (The Hunger Games, #3))
β
Some walks you have to take alone.
β
β
Suzanne Collins (Mockingjay (The Hunger Games, #3))
β
Most men would rather deny a hard truth than face it.
β
β
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
β
District 12: Where you can starve to death in safety.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
Death is so terribly final, while life is full of possibilities.
β
β
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
β
God does not play dice with the universe; He plays an ineffable game of His own devising, which might be compared, from the perspective of any of the other players [i.e. everybody], to being involved in an obscure and complex variant of poker in a pitch-dark room, with blank cards, for infinite stakes, with a Dealer who won't tell you the rules, and who smiles all the time.
β
β
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
The things we love destroy us every time, lad. Remember that.
β
β
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
β
Finnick?" I say, "Maybe some pants?"
He looks down at his legs as if noticing his outfit for the first time. Then he whips off his hospital gown leaving him in just his underwear. "Why? Do you find this" -- he strikes a ridiculously provocative pose -- "distracting?"
I laugh. Boggs looks embarrassed and Finnick looks more like the guy I met at the Quarter Quell
β
β
Suzanne Collins (Mockingjay (The Hunger Games, #3))
β
It crosses my mind that Cinna's calm and normal demeanor masks a complete madman.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
I clench his hands to the point of pain. "Stay with me."
His pupils contract to pinpoints, dialate again rapidly, and then return to something resembling normalcy. "Always," he murmurs.
β
β
Suzanne Collins (Mockingjay (The Hunger Games, #3))
β
Anyway, I keep picturing all these little kids playing some game in this big field of rye and all. Thousands of little kids, and nobody's around - nobody big, I mean - except me. And I'm standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff - I mean if they're running and they don't look where they're going I have to come out from somewhere and catch them. That's all I do all day. I'd just be the catcher in the rye and all. I know it's crazy, but that's the only thing I'd really like to be.
β
β
J.D. Salinger
β
Kind people have a way of working their way inside me and rooting there.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
Why is it that when one man builds a wall, the next man immediately needs to know what's on the other side?
β
β
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
β
Katniss, the girl who was on fire!
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
At some point, you have to stop running and turn around and face whoever wants you dead.The hard thing is finding the courage to do it.
β
β
Suzanne Collins (Catching Fire (The Hunger Games, #2))
β
The man who passes the sentence should swing the sword. If you would take a man's life, you owe it to him to look into his eyes and hear his final words. And if you cannot bear to do that, then perhaps the man does not deserve to die.
β
β
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
β
The bird, the pin, the song, the berries, the watch, the cracker, the dress that burst into flames. I am the mockingjay. The one that survived despite the Capitol's plans. The symbol of the rebellion.
β
β
Suzanne Collins (Catching Fire (The Hunger Games, #2))
β
For there to be betrayal, there would have to have been trust first.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
Here's some advice. Stay alive.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
Yes, and Iβm sure the arena will be full of bags of flour for me to chuck at people.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
Once youβve accepted your flaws, no one can use them against you.
β
β
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
β
Sometimes when I'm alone, I take the pearl from where it lives in my pocket and try to remember the boy with the bread, the strong arms that warded off nightmares on the train, the kisses in the arena.
β
β
Suzanne Collins (Mockingjay (The Hunger Games, #3))
β
Reparations,β said Jem very suddenly, setting down the pen he was holding.
Will looked at him in puzzlement. βIs this a game? We just blurt out whatever word comes next to mind? In that case mine is βgenuphobiaβ. It means an unreasonable fear of knees.β
βWhatβs the word for a perfectly reasonable fear of annoying idiots?β inquired Jessamine.
β
β
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
β
The mass of men lead lives of quiet desperation. What is called resignation is confirmed desperation. From the desperate city you go into the desperate country, and have to console yourself with the bravery of minks and muskrats. A stereotyped but unconscious despair is concealed even under what are called the games and amusements of mankind. There is no play in them, for this comes after work. But it is a characteristic of wisdom not to do desperate things..
β
β
Henry David Thoreau (Civil Disobedience and Other Essays)
β
We had to save you because you're the mockingjay, Katniss," says Plutarch. "While you live, the revolution lives.
β
β
Suzanne Collins (Catching Fire (The Hunger Games, #2))
β
Are you, are you coming to the tree?
Wear a necklace of rope, side by side with me.
Strange things did happen here.
No stranger would let it be if we met up
At midnight in the hanging tree.
β
β
Suzanne Collins (Mockingjay (The Hunger Games, #3))
β
Rue, who when you ask her what she loves most in the world, replies, of all things, βMusic.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
Technically, I am unarmed. But no one should ever underestimate the harm that fingernails can do. Especially if the target is unprepared.
β
β
Suzanne Collins (Mockingjay (The Hunger Games, #3))
β
I drag myself out of nightmares each morning and find there's no relief in waking.
β
β
Suzanne Collins (Mockingjay (The Hunger Games, #3))
β
And I have a tender spot in my heart for cripples and bastards and broken things.
β
β
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
β
Because when he sings...even the birds stop to listen.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
I think....you still have no idea. The effect you can have.
β
β
Suzanne Collins (Mockingjay (The Hunger Games, #3))
β
Closing my eyes doesn't help. Fire burns brighter in the darkness.
β
β
Suzanne Collins (Mockingjay (The Hunger Games, #3))
β
I'm coming back into focus when Caesar asks him if he has a girlfriend back home. Peeta hesitates, then gives an unconvincing shake of his head.
Handsome lad like you. There must be some special girl. Come on, whatβs her name?" says Caesar.
Peeta sighs. "Well, there is this one girl. Iβve had a crush on her ever since I can remember. But Iβm pretty sure she didnβt know I was alive until the reaping."
Sounds of sympathy from the crowd. Unrequited love they can relate to.
She have another fellow?" asks Caesar.
I donβt know, but a lot of boys like her," says Peeta.
So, hereβs what you do. You win, you go home. She canβt turn you down then, eh?" says Caesar encouragingly.
I donβt think itβs going to work out. Winning...wonβt help in my case," says Peeta.
Why ever not?" says Caesar, mystified.
Peeta blushes beet red and stammers out. "Because...because...she came here with me.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
What is honor compared to a woman's love? What is duty against the feel of a newborn son in your arms . . . or the memory of a brother's smile? Wind and words. Wind and words. We are only human, and the gods have fashioned us for love. That is our great glory, and our great tragedy.
β
β
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
β
So I only say, "So what should we do with our last few days?"
"I just want to spend every possible minute of the rest of my life with you," Peeta replies.
β
β
Suzanne Collins (Catching Fire (The Hunger Games, #2))
β
If I look back I am lost.
β
β
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
β
I really can't think about kissing when I've got a rebellion to incite.
β
β
Suzanne Collins (Catching Fire (The Hunger Games, #2))
β
Aim higher in case you fall short.
β
β
Suzanne Collins (Catching Fire (The Hunger Games, #2))
β
Ally." Peeta says the words slowly, tasting it. "Friend. Lover. Victor. Enemy. Fiancee. Target. Mutt. Neighbor. Hunter. Tribute. Ally. I'll add it to the list of words I use to try to figure you out. The problem is, I can't tell what's real anymore, and what's made up.
β
β
Suzanne Collins (Mockingjay (The Hunger Games, #3))
β
One more time? For the audience?" he says. His voice isn't angry. It's hollow, which is worse. Already the boy with the bread is slipping away from me.
I take his hand, holding on tightly, preparing for the cameras, and dreading the moment when I will finally have to let go.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
Really, the combination of the scabs and the ointment looks hideous. I can't help enjoying his distress.
"Poor Finnick. Is this the first time in your life you haven't looked pretty?" I say.
"It must be. The sensation's completely new. How have you managed it all these years?" he asks.
"Just avoid mirrors. You'll forget about it," I say.
"Not if I keep looking at you," he says.
β
β
Suzanne Collins (Catching Fire (The Hunger Games, #2))
β
livid, adj.
Fuck You for cheating on me. Fuck you for reducing it to the word cheating. As if this were a card game, and you sneaked a look at my hand. Who came up with the term cheating, anyway? A cheater, I imagine. Someone who thought liar was too harsh. Someone who thought devastator was too emotional. The same person who thought, oops, heβd gotten caught with his hand in the cookie jar. Fuck you. This isnβt about slipping yourself an extra twenty dollars of Monopoly money. These are our lives. You went and broke our lives. You are so much worse than a cheater. You killed something. And you killed it when its back was turned.
β
β
David Levithan (The Lover's Dictionary)
β
In the moment when I truly understand my enemy, understand him well enough to defeat him, then in that very moment I also love him. I think itβs impossible to really understand somebody, what they want, what they believe, and not love them the way they love themselves. And then, in that very moment when I love them.... I destroy them.
β
β
Orson Scott Card (Ender's Game (Ender's Saga, #1))
β
Peeta, how come I never know when you're having a nightmare?β I say.
βI don't know. I don't think I cry out or thrash around or anything. I just come to, paralyzed with terror,β he says.
βYou should wake me,β I say, thinking about how I can interrupt his sleep two or three times on a bad night. About how long it can take to calm me down.
βIt's not necessary. My nightmares are usually about losing you,β he says. βI'm okay once I realize you're here.
β
β
Suzanne Collins (Catching Fire (The Hunger Games, #2))
β
I can believe things that are true and things that aren't true and I can believe things where nobody knows if they're true or not.
I can believe in Santa Claus and the Easter Bunny and the Beatles and Marilyn Monroe and Elvis and Mister Ed. Listen - I believe that people are perfectable, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkled lemurs and bad ones who mutilate cattle and want our water and our women.
I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone's ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theaters from state to state.
I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste.
I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we'll all be wiped out by the common cold like martians in War of the Worlds.
I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman.
I believe that mankind's destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it's aerodynamically impossible for a bumble bee to fly, that light is a wave and a particle, that there's a cat in a box somewhere who's alive and dead at the same time (although if they don't ever open the box to feed it it'll eventually just be two different kinds of dead), and that there are stars in the universe billions of years older than the universe itself.
I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn't even know that I'm alive. I believe in an empty and godless universe of causal chaos, background noise, and sheer blind luck.
I believe that anyone who says sex is overrated just hasn't done it properly. I believe that anyone who claims to know what's going on will lie about the little things too.
I believe in absolute honesty and sensible social lies. I believe in a woman's right to choose, a baby's right to live, that while all human life is sacred there's nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system.
I believe that life is a game, that life is a cruel joke, and that life is what happens when you're alive and that you might as well lie back and enjoy it.
β
β
Neil Gaiman (American Gods (American Gods, #1))
β
Peeta, you said at the interview youβd had a crush on me forever. When did forever start?
Oh, letβs see. I guess the first day of school. We were five. You had on a red plaid dress and your hair...it was in two braids instead of one. My father pointed you out when we were waiting to line up."
Your father? Why?"
He said, βSee that little girl? I wanted to marry her mother, but she ran off with a coal miner.'"
What? Youβre making that up!"
No, true story. And I said, 'A coal miner? Why did she want a coal miner if she couldβve had you?' And he said, 'Because when he sings...even the birds stop to listen.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, itβs just not that good. Itβs trying to be good, it has potential, but itβs not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesnβt have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone Iβve ever met. Itβs gonna take awhile. Itβs normal to take awhile. Youβve just gotta fight your way through.
β
β
Ira Glass
β
Coach: "All right, Patch. let's say you're at a party. the room is full of girls of all shapes and sizes. You see blondes, brunettes, redheads, a few girl with black hair. Some are talkive, while other appear shy. You've one girl who fits your profile - attractive, intelligent and vulnerable. Dow do you let her know you're interested?"
Patch: "Single her out. Talk to her."
Coach: "Good. Now for the big question - how do you know if she's game or if she wants you to move on?"
Patch: "I study her. I figure out what she's thinking and feeling. She's not gonig to come right out and tell me, which is why i have to pay attention. Does she turn her body toward mine? Does she hold me eyes, then look away? Does she bite her lip and play with her hair, the way Nora is doing right now?
β
β
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
β
I'm going to wake Peeta," I say.
"No, wait," says Finnick. "Let's do it together. Put our faces right in front of his."
Well, there's so little opportunity for fun left in my life, I agree. We position ourselves on either side of Peeta, lean over until our faces are inches frim his nose, and give him a shake. "Peeta. Peeta, wake up," I say in a soft, singsong voice.
His eyelids flutter open and then he jumps like we've stabbed him. "Aa!"
Finnick and I fall back in the sand, laughing our heads off. Every time we try to stop, we look at Peeta's attempt to maintain a disdainful expression and it sets us off again.
β
β
Suzanne Collins (Catching Fire (The Hunger Games, #2))
β
Men always say that as the defining compliment, donβt they? Sheβs a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like sheβs hosting the worldβs biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I donβt mind, Iβm the Cool Girl.
Men actually think this girl exists. Maybe theyβre fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men β friends, coworkers, strangers β giddy over these awful pretender women, and Iβd want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men whoβd like to believe that this kind of woman exists and might kiss them. Iβd want to grab the poor guy by his lapels or messenger bag and say: The bitch doesnβt really love chili dogs that much β no one loves chili dogs that much! And the Cool Girls are even more pathetic: Theyβre not even pretending to be the woman they want to be, theyβre pretending to be the woman a man wants them to be. Oh, and if youβre not a Cool Girl, I beg you not to believe that your man doesnβt want the Cool Girl. It may be a slightly different version β maybe heβs a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe heβs a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesnβt ever complain. (How do you know youβre not Cool Girl? Because he says things like: βI like strong women.β If he says that to you, he will at some point fuck someone else. Because βI like strong womenβ is code for βI hate strong women.β)
β
β
Gillian Flynn (Gone Girl)
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NO. No no no. I don't want to screw you. I just love you. When did who you want to screw become the whole game? Since when is the person you want to screw the only person you get to love? It's so stupid, Tiny! I mean, Jesus, who even gives a fuck about sex?! People act like it's the most important thing humans do, but come on. How can our sentient fucking lives revolve around something slugs can do. I mean, who you want to screw and whether you screw them? Those are important questions, I guess. But they're not that important. You know what's important? Who would you die for? Who do you wake up at five forty-five in the morning for even though you don't even know why he needs you? Whose drunken nose would you pick?!
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John Green (Will Grayson, Will Grayson)
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That what I need to survive is not Gale's fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that.
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Suzanne Collins (Mockingjay (The Hunger Games, #3))
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If Peeta and I were both to die, or they thought we were....My fingers fumble with the pouch on my belt, freeing it. Peeta sees it and his hand clamps on my wrist. "No, I won't let you." "Trust me," I whisper. He holds my gaze for a long moment then lets go. I loosen the top of the pouch and pour a few spoonfuls of berries into his palm. Then I fill my own. "On the count of three?" Peeta leans down and kisses me once, very gently. "The count of three," he says. We stand, our backs pressed together, our empty hands locked tight. "Hold them out. I want everyone to see," he says. I spread out my fingers, and the dark berries glisten in the sun. I give Peeta's hand one last squeeze as a signal, as a good-bye, and we begin counting. "One." Maybe I'm wrong. "Two." Maybe they don't care if we both die. "Three!" It's too late to change my mind. I lift my hand to my mouth taking one last look at the world. The berries have just passed my lips when the trumpets begin to blare. The frantic voice of Claudius Templesmith shouts above them. "Stop! Stop! Ladies and gentlemen, I am pleased to present the victors of the 74th Hunger Games, Katniss Everdeen and Peeta Mellark! I give you - the tributes of District 12!
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Suzanne Collins (The Hunger Games (The Hunger Games, #1))
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I don't want you forgetting how different our circumstaces are. If you die, and I live, there's no life for me at all back in District Twelve. You're my whole life." Peeta says. "I would never be happy again. It's different for you. I'm not saying it wouldn't be hard. But there are other people who'd make your life worth living."
"No one really needs me," he says, and there's no selfpity in his voice. It's true his family doesn't need him. They will mourn him, as will a handfull of friends. But they will get on.... I realise only one person will be damaged beyond repair if Peeta dies. Me.
"I do," I say. "I need you.
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Suzanne Collins (Catching Fire (The Hunger Games, #2))
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No matter how old you are now. You are never too young or too old for success or going after what you want. Hereβs a short list of people who accomplished great things at different ages
1) Helen Keller, at the age of 19 months, became deaf and blind. But that didnβt stop her. She was the first deaf and blind person to earn a Bachelor of Arts degree.
2) Mozart was already competent on keyboard and violin; he composed from the age of 5.
3) Shirley Temple was 6 when she became a movie star on βBright Eyes.β
4) Anne Frank was 12 when she wrote the diary of Anne Frank.
5) Magnus Carlsen became a chess Grandmaster at the age of 13.
6) Nadia ComΔneci was a gymnast from Romania that scored seven perfect 10.0 and won three gold medals at the Olympics at age 14.
7) Tenzin Gyatso was formally recognized as the 14th Dalai Lama in November 1950, at the age of 15.
8) Pele, a soccer superstar, was 17 years old when he won the world cup in 1958 with Brazil.
9) Elvis was a superstar by age 19.
10) John Lennon was 20 years and Paul Mcartney was 18 when the Beatles had their first concert in 1961.
11) Jesse Owens was 22 when he won 4 gold medals in Berlin 1936.
12) Beethoven was a piano virtuoso by age 23
13) Issac Newton wrote Philosophiæ Naturalis Principia Mathematica at age 24
14) Roger Bannister was 25 when he broke the 4 minute mile record
15) Albert Einstein was 26 when he wrote the theory of relativity
16) Lance E. Armstrong was 27 when he won the tour de France
17) Michelangelo created two of the greatest sculptures βDavidβ and βPietaβ by age 28
18) Alexander the Great, by age 29, had created one of the largest empires of the ancient world
19) J.K. Rowling was 30 years old when she finished the first manuscript of Harry Potter
20) Amelia Earhart was 31 years old when she became the first woman to fly solo across the Atlantic Ocean
21) Oprah was 32 when she started her talk show, which has become the highest-rated program of its kind
22) Edmund Hillary was 33 when he became the first man to reach Mount Everest
23) Martin Luther King Jr. was 34 when he wrote the speech βI Have a Dream."
24) Marie Curie was 35 years old when she got nominated for a Nobel Prize in Physics
25) The Wright brothers, Orville (32) and Wilbur (36) invented and built the world's first successful airplane and making the first controlled, powered and sustained heavier-than-air human flight
26) Vincent Van Gogh was 37 when he died virtually unknown, yet his paintings today are worth millions.
27) Neil Armstrong was 38 when he became the first man to set foot on the moon.
28) Mark Twain was 40 when he wrote "The Adventures of Tom Sawyer", and 49 years old when he wrote "Adventures of Huckleberry Finn"
29) Christopher Columbus was 41 when he discovered the Americas
30) Rosa Parks was 42 when she refused to obey the bus driverβs order to give up her seat to make room for a white passenger
31) John F. Kennedy was 43 years old when he became President of the United States
32) Henry Ford Was 45 when the Ford T came out.
33) Suzanne Collins was 46 when she wrote "The Hunger Games"
34) Charles Darwin was 50 years old when his book On the Origin of Species came out.
35) Leonardo Da Vinci was 51 years old when he painted the Mona Lisa.
36) Abraham Lincoln was 52 when he became president.
37) Ray Kroc Was 53 when he bought the McDonalds Franchise and took it to unprecedented levels.
38) Dr. Seuss was 54 when he wrote "The Cat in the Hat".
40) Chesley "Sully" Sullenberger III was 57 years old when he successfully ditched US Airways Flight 1549 in the Hudson River in 2009. All of the 155 passengers aboard the aircraft survived
41) Colonel Harland Sanders was 61 when he started the KFC Franchise
42) J.R.R Tolkien was 62 when the Lord of the Ring books came out
43) Ronald Reagan was 69 when he became President of the US
44) Jack Lalane at age 70 handcuffed, shackled, towed 70 rowboats
45) Nelson Mandela was 76 when he became President
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Pablo