โ
A gambler, a convict, a wayward son, a lost Grisha, a Suli girl who had become a killer, a boy from the Barrel who had become something worse.
โ
โ
Leigh Bardugo (Six of Crows (Six of Crows, #1))
โ
Until this moment, Wylan hadn't quite understood how much they meant to him. His father would have sneered at these thugs and thieves, a disgraced soldier, a gambler who couldn't keep out of the red. But they were his first friends, his only friends, and Wylan knew that even if he'd had his pick of a thousand companions, these would have been the people he chose.
โ
โ
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
โ
A long time ago I learned not to explain things to people. It misleads them into thinking they're entitled to know everything I do. โ[Sara]
โ
โ
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
โ
You have no finesse,โ a gambler at the Silver Garter once said to him. โNo technique.โ
โSure I do,โ Kaz had responded. โI practice the art of โpull his shirt over his head and punch till you see blood.
โ
โ
Leigh Bardugo (Six of Crows (Six of Crows, #1))
โ
I'm a gambler, a farmboy, and I'm here to take command of your bloody army!
--Mat Cauthon
โ
โ
Robert Jordan (The Fires of Heaven (The Wheel of Time, #5))
โ
Not all addictions are rooted in abuse or trauma, but I do believe they can all be traced to painful experience. A hurt is at the centre of all addictive behaviours. It is present in the gambler, the Internet addict, the compulsive shopper and the workaholic. The wound may not be as deep and the ache not as excruciating, and it may even be entirely hiddenโbut itโs there. As weโll see, the effects of early stress or adverse experiences directly shape both the psychology and the neurobiology of addiction in the brain.
โ
โ
Gabor Matรฉ (In the Realm of Hungry Ghosts: Close Encounters with Addiction)
โ
[Cannery Row's] inhabitants are, as the man once said, 'whores, pimps, gamblers, and sons of bitches,' by which he meant everybody. Had the man looked through another peephole he might have said, 'saints and angels and martyrs and holy men,' and he would have meant the same thing.
โ
โ
John Steinbeck (Cannery Row (Cannery Row, #1))
โ
You're a liar!"
He turned around, his black eyes snapping. "I'm also a thief, a gambler, a cheat, and a murdered. But this happens to be one of the rare times when I'm telling the truth. Go home. Consider yourself lucky. You've got a chance to start fresh. Not everyone can say the same.
โ
โ
Becca Fitzpatrick (Silence (Hush, Hush, #3))
โ
I didn't want to give you the one last part of myself that I couldn't take back. And then you were gone... And I realized it was already yours. It had been since the beginning. Except that I hadn't told you. It drove me mad, the thought that you would never know.
โ
โ
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
โ
People really do like seeing their best friends humiliated; a large part of the friendship is based on humiliation; and that is an old truth,well known to all intelligent people.
โ
โ
Fyodor Dostoevsky (The Gambler)
โ
I'd rather be insane with you than sane without you.
- Jake to Lydia
โ
โ
Lisa Kleypas (Where's My Hero? (The Gamblers of Craven's, #2.5; Brotherhood - MacAllister's, #4.5; Splendid, #3.5))
โ
Gamblers and lovers really play to lose.
โ
โ
Lawrence Durrell (The Alexandria Quartet (The Alexandria Quartet, #1-4))
โ
Separately they had different strengths. Together they were complete.
โ
โ
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
โ
Cannery Row in Monterey in California is a poem, a stink, a grating noise, a quality of light, a tone, a habit, a nostalgia, a dream. Cannery Row is the gathered and scattered, tin and iron and rust and splintered wood, chipped pavement and weedy lots and junk heaps, sardine canneries of corrugated iron, honky tonks, restaurants and whore houses, and little crowded groceries, and laboratories and flophouses. Its inhabitant are, as the man once said, "whores, pimps, gambler and sons of bitches," by which he meant Everybody. Had the man looked through another peephole he might have said, "Saints and angels and martyrs and holymen" and he would have meant the same thing.
โ
โ
John Steinbeck (Cannery Row (Cannery Row, #1))
โ
Where were all the women gamblers? It wasn't as if being a woman wasn't a huge risk all by itself. Twenty-eight percent of female homocide victims were killed by husbands or lovers.
Which, come to think of it, was probably why there weren't any women gamblers. Living with men was enough of a gamble.
โ
โ
Jennifer Crusie (Bet Me)
โ
Yamamoto was considered, both in Japan and the United States, as intelligent, capable, aggressive, and dangerous. Motivated by his skill as a poker player and casino gambler, he was continually calculating odds on an endless variety of options. He played bridge and chess better than most good players. Like most powerful leaders he was articulate and persuasive, and once in a position of power he pushed his agenda relentlessly. Whether he would push his odds successfully in the Pacific remained to be seen.
โ
โ
Dale A. Jenkins (Diplomats & Admirals: From Failed Negotiations and Tragic Misjudgments to Powerful Leaders and Heroic Deeds, the Untold Story of the Pacific War from Pearl Harbor to Midway)
โ
But gamblers know how a man can sit for almost twenty-four hours at cards, without looking to right, or to left.
โ
โ
Fyodor Dostoevsky (The Gambler)
โ
He loves her like a gambler loves a fast racehorse or a desperate man loves whiskey. That kind of love eats a man up.
โ
โ
Dorothy Allison (Bastard Out of Carolina)
โ
Derek's breath touched Sara's throat in unsteady urges. "Sometimes," he whispered, "I'm so close to you ... and I'm still not close enough. I want to share your breath ... every beat of your heart."
He cradled her head in both his hands, his mouth hot on her neck. "Sometimes," he murmured, "I want to punish you a little."
"Why?"
"For making me want you until I ache with it. For the way I wake at night just to watch you sleeping." His face was intense and passionate above her, his green eyes sharp in their brightness. "I want you more each time I'm with you. It's a fever that never leaves me. I can't be alone without wondering where you are, when I can have you again." His lips possessed hers in a kiss that was both savage and tender, and she opened to him eagerly.
โ
โ
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
โ
Ennui has made more gamblers than avarice, more drunkards than thirst, and perhaps as many suicides as despair.
โ
โ
Gautama Buddha
โ
If you gamble long enough, you'll always lose -- the gambler is always ruined.
โ
โ
Michael Crichton (The Lost World (Jurassic Park, #2))
โ
As long as the red dice are in the air, the gambler has hope. And hope is a wonderful thing to be addicted to.
โ
โ
Norm Macdonald (Based on a True Story)
โ
But I am, personally, not a gambler. I wouldnโt spend ยฃ1 on the lottery, let alone take a punt on a pregnancy. The stakes are far, far too high. I canโt agree with a society that would force me to bet on how much I could love under duress.
โ
โ
Caitlin Moran (How to Be a Woman)
โ
But like a gambler at a slot machine, hoping the next spin would change her life for the better, she closed in before she lost her nerve. Taking his hand, she pulled him toward her, near enough to feel his body against her. She looked up at him, tilting her head slightly as she leaned in. Mike, recognizing what was happening but still having trouble believing it, tilted his head and closed his eyes, their faces drawing near.
โ
โ
Nicholas Sparks (The Guardian)
โ
But the men and women who rise to greatness are the risk takers, the gamblers. Those who take all or nothing.
โ
โ
Taran Matharu (The Novice (Summoner, #1))
โ
Good morrow, High Lord Weiramon, and all you other High Lords and Ladies. I'm a gambler, a farmboy, and I'm here to take command of your bloody army! The bloody lord Dragon Reborn will be with us as soon as he flaming takes care of one bloody little matter!
โ
โ
Robert Jordan (The Fires of Heaven (The Wheel of Time, #5))
โ
Sooner or later everyone was driven to love someone they could never have.
โ
โ
Lisa Kleypas (Then Came You (The Gamblers of Craven's, #1))
โ
She felt him tremble with the force of his need. He spoke just beneath her ear, his voice thick with tormented pleasure. "You have to leave, Sara ... because I want to hold you like this until your skin melts into mine. I want you in my bed, the smell of you on my sheets, your hair spread across my pillow. I want to take your innocence. God! I want to ruin you for anyone else.
โ
โ
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
โ
No. But I understand her. Life makes people what they are.
โ
โ
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
โ
He was the kind of young man whose handsome face has brought him plenty of success in the past and is now ever-ready for a new encounter, a fresh-experience, always eager to set off into the unknown territory of a little adventure, never taken by surprise because he has worked out everything in advance and is waiting to see what happens, a man who will never overlook any erotic opportunity, whose first glance probes every woman's sensuality, and explores it, without discriminating between his friend's wife and the parlour-maid who opens the door to him. Such men are described with a certain facile contempt as lady-killers, but the term has a nugget of truthful observation in it, for in fact all the passionate instincts of the chase are present in their ceaseless vigilance: the stalking of the prey, the excitement and mental cruelty of the kill. They are constantly on the alert, always ready and willing to follow the trail of an adventure to the very edge of the abyss. They are full of passion all the time, but it is the passion of a gambler rather than a lover, cold, calculating and dangerous. Some are so persistent that their whole lives, long after their youth is spent, are made an eternal adventure by this expectation. Each of their days is resolved into hundreds of small sensual experiences - a look exchanged in passing, a fleeting smile, knees brushing together as a couple sit opposite each other - and the year, in its own turn, dissolves into hundreds of such days in which sensuous experience is the constantly flowing, nourishing, inspiring source of life.
โ
โ
Stefan Zweig (The Burning Secret and other stories)
โ
I wanted to fathom her secrets; I wanted her to come to me and say: "I love you," and if not that, if that was senseless insanity, then...well, what was there to care about? Did I know what I wanted? I was like one demented: all I wanted was to be near her, in the halo of her glory, in her radiance, always, for ever, all my life. I knew nothing more!
โ
โ
Fyodor Dostoevsky (The Gambler)
โ
He hesitated till the last moment, but finally dropped them in the box, saying, "I shall win!"--the cry of a gambler, the cry of the great general, the compulsive cry that has ruined more men than it has ever saved.
โ
โ
Honorรฉ de Balzac (Pรจre Goriot)
โ
Do you know that one day I'll kill you? I won't do it because I'm no longer in love with you, or because I'm jealous, butโI'll just kill you for no better reason that I sometimes long to devour you.
โ
โ
Fyodor Dostoevsky (The Gambler)
โ
Clinging to him desperately, Sara kept her mouth at his ear. "Listen to me." All she could do was play her last card. Her voice trembled with emotion. "You can't change the truth. You can act as though you're deaf and blind, you can walk away from me forever, but the truth will still be there, and you can't make it go away. I love you." She felt an involuntary tremor run through him. "I love you," she repeated. "Don't lie to either of us by pretending you're leaving for my good. All you'll do is deny us both a chance at happiness. I'll long for you every day and night, but at least my conscience will be clear. I haven't held anything back from you, out of fear or pride or stubbornness." She felt the incredible tautness of his muscles, as if he were carved from marble. "For once have the strength not to walk away,"she whispered. "Stay with me. Let me love you, Derek.
โ
โ
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
โ
Mr. Suttree it is our understanding that at curfew rightly decreed by law and in that hour wherein night draws to its proper close and the new day commences and contrary to conduct befitting a person of your station you betook yourself to various low places within the shire of McAnally and there did squander several ensuing years in the company of thieves, derelicts, miscreants, pariahs, poltroons, spalpeens, curmudgeons, clotpolls, murderers, gamblers, bawds, whores, trulls, brigands, topers, tosspots, sots and archsots, lobcocks, smellsmocks, runagates, rakes, and other assorted and felonious debauchees.
I was drunk, cried Suttree.
โ
โ
Cormac McCarthy (Suttree)
โ
if she had ordered me to throw myself down then, I would have done it! If she had said it only as a joke, said it with contempt, spitting on me--even then I would have jumped!
โ
โ
Fyodor Dostoevsky (The Gambler)
โ
Know that I've forgotten precisely nothing; but I've driven it all out of my head for a time, even the memories--until I've radically improved my circumstances. Then... then you'll see, I'll rise from the dead!
โ
โ
Fyodor Dostoevsky (The Gambler)
โ
Only someone who had experienced such bitter despair would be able to recognize it in another.
โ
โ
Lisa Kleypas (Then Came You (The Gamblers of Craven's, #1))
โ
Russians alone are able to combine so many opposites in themselves at one and the same time.
โ
โ
Fyodor Dostoevsky (The Gambler)
โ
I think you'll have to marry me, Miss Fielding."
"To save your reputation?"
Derek grinned, bending to kiss the flash of pale throat revealed by the robe. "Someone has to make a respectable man of me.
โ
โ
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
โ
He'll survive," he answered her. "Just as he's survived everything else in his life. But he'll never be the same.
โ
โ
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
โ
I'm not here now. This isn't happening. You're just visiting a dream of mine.
โ
โ
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
โ
Ersken gathered the dice, put them in the cup they had used for play, and tucked it inside one bound Rat's shirt.
"Let that be a lesson to you not to gamble," he told the Rat soberly. "The trickster asks you pay for any luck you may have, one way or another."
"Bless the boy, he's a priest with it," one of the Goddess warriors said with a grin. "After this, laddie, what's say I take you home and rub some of that off yez?"
Ersken actually winked at her! "Forgive me, gracious warrior, but my woman would turn me into something unnatural if I took you up on your kind offer," he replied as if he truly regretted it. "She's a mage and I'd best stay devoted.
โ
โ
Tamora Pierce (Bloodhound (Beka Cooper, #2))
โ
gambler, a convict, a wayward son, a lost Grisha, a Suli girl who had become a killer, a boy from the Barrel who had become something worse. Inej
โ
โ
Leigh Bardugo (Six of Crows (Six of Crows, #1))
โ
Nothing could be more absurd than moral lessons at such a moment! Oh, self-satisfied people: with what proud self-satisfaction such babblers are ready to utter their pronouncements! If they only knew to what degree I myself understand all the loathsomeness of my present condition, they wouldn't have the heart to teach me.
โ
โ
Fyodor Dostoevsky (The Gambler)
โ
Besides being blind to lots of good things, the GDP also benefits from all manner of human suffering. Gridlock, drug abuse, adultery? Goldmines for gas stations, rehab centers, and divorce attorneys. If you were the GDP, your ideal citizen would be a compulsive gambler with cancer whoโs going through a drawn-out divorce that he copes with by popping fistfuls of Prozac and going berserk on Black Friday. Environmental pollution even does double duty: One company makes a mint by cutting corners while another is paid to clean up the mess. By contrast, a centuries-old tree doesnโt count until you chop it down and sell it as lumber.
โ
โ
Rutger Bregman (Utopia for Realists: And How We Can Get There)
โ
She had never experienced the pain of unsatisfied desire before. It hurt. It hurt like nothing she'd ever felt, and there seemed to be no remedy.
โ
โ
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
โ
Nations, like individuals, cannot become desperate gamblers with impunity. Punishment is sure to overtake them sooner or later.
โ
โ
Charles Mackay (Extraordinary Popular Delusions and the Madness of Crowds)
โ
a decision without an alternative is a desperate gamblerโs throw,
โ
โ
Peter F. Drucker (The Effective Executive)
โ
He did not smile. "I don't believe in anything, but I'm too much of a gambler not to be affected by a lot of things.
โ
โ
Dashiell Hammett (The Dain Curse, The Glass Key, and Selected Stories)
โ
Whoโs to say that gamblers donโt really understand it better than anyone else? Isnโt everything worthwhile a gamble? Canโt good come around sometimes through some strange back doors?
โ
โ
Donna Tartt (The Goldfinch)
โ
To know when to quit. Whether to give up--this is often the question facing the gambler. No one is taught the art of walking away. And the anguish of deciding if I should keep playing is hardly unusual. Will I be able to quit honorably? or am I the type who waits stubbornly for something to happen? something like, for instance, the end of the world? or whatever it might be, maybe my own sudden death, in which case my decision to give up would be beside the point.
โ
โ
Clarice Lispector (A Breath of Life)
โ
The concept of disease is fast replacing the concept of responsibility. With increasing zeal Americans use and interpret the assertion "I am sick" as equivalent to the assertion "I am not responsible": Smokers say they are not responsible for smoking, drinkers that they are not responsible for drinking, gamblers that they are not responsible for gambling, and mothers who murder their infants that they are not responsible for killing. To prove their point โ and to capitalize on their self-destructive and destructive behavior โ smokers, drinkers, gamblers, and insanity acquitees are suing tobacco companies, liquor companies, gambling casinos, and physicians.
โ
โ
Thomas Szasz
โ
I want to give you whatever elusive, impossible, goddamned mysterious thing it is you need in order to be happy. Does that frighten you? Well, it frightens the hell out of me. Don't you think I'd stop feeling this way if I could? It's not as if you're the easiest woman in the world toโ" He checked himself suddenly.
โ
โ
Lisa Kleypas (Then Came You (The Gamblers of Craven's, #1))
โ
Say farewell to luck when winning. It is the way of the gamblers of reputation. Quite as important as a gallant advance is a well-planned retreat. Lock up your winnings when they are enough, or when great. Continuous luck is always suspect; more secure is that which changes. Though half bitter and half sweet, it is more satisfying to the taste. The more luck pyramids, the greater the danger of slip and collapse. For luck always compensates her intensity by her brevity. Fortune wearies of carrying anyone long upon her shoulders.
โ
โ
Baltasar Graciรกn (The Art of Worldly Wisdom: A Pocket Oracle)
โ
She was everything he'd ever wanted, beauty and fire arching against
his despoiling hands.
โ
โ
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
โ
Quit while youโre ahead.
All the best gamblers do.
โ
โ
Baltasar Graciรกn
โ
ุฅููู ูุง ุฃุฑู ูู ุฃู ู
ูุงู ุดูุฆุงู ุณูุงู ุ ู ูู ู
ุง ุนุฏุงู ููู ุนูุฏู ุณูุงุก .
ูู
ุงุฐ ุฃุญุจู ุ ู ููู ุฃุญุจู ุ ูุง ุฃุฏุฑู .
ูุฏ ูุง ุชููููู ู
ู ุงูุฌู
ุงู ุนูู ุดูุก ุงูุจุชุฉ .
ูู ุชุชุตูุฑูู ุฃููู ูุง ุฃุนุฑู ุฃุฃูุช ุฌู
ููุฉ ุฃู
ูุง ุ ุญุชู ู
ู ูุงุญูุฉ ุฌู
ุงู ุงููุฌู ุ
ุฃู
ุง ููุจู ูุณูุฆ ููุง ุดู ุ ู ุฃู
ุง ููุฑู ูู
ู ุงูุฌุงุฆุฒ ุฌุฏุงู ุฃู ูููู ู
ุฌุฑุฏุงู ู
ู ูู ุฑูุนุฉ ู ูุจู .
โ
โ
Fyodor Dostoevsky (The Gambler)
โ
I'm accustomed to being top man. I been a bull goose catskinner for every gyppo logging operation in the Northwest and bull goose gambler all the way from Korea, was even bull goose pea weeder on that pea farm at Pendleton -- so I figure if I'm bound to be a loony, then I'm bound to be a stompdown dadgum good one.
โ
โ
Ken Kesey (One Flew Over the Cuckoo's Nest)
โ
He was so far from the gallant knights in her romantic fantasies ... He was tarnished, scarred, imperfect.
Deliberately he had destroyed any illusions she might have had about him, exposing his mysterious past for the ugly horror that it was. His purpose had been to drive her away. But instead she felt closer to him, as if the truth had bonded them in a new intimacy.
โ
โ
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
โ
Can I possibly not understand myself that I'm a lost man? But--why can't I resurrect? Yes! it only takes being calculating and patient at least once in your life and--that's all! It only takes being steadfast at least once, and in an hour I can change my whole destiny!
โ
โ
Fyodor Dostoevsky (The Gambler)
โ
Its inhabitants are, as the man once said, โwhores, pimps, gamblers, and sons of bitches,โ by which he meant Everybody. Had the man looked through another peephole he might have said, โSaints and angels and martyrs and holy men,โ and he would have meant the same thing.
โ
โ
John Steinbeck
โ
You've always asked me to wait, as if we had time in abundance. But time is too precious, Perry. We've wasted years, when we could have been with each other. Don't you understand how much even one day of loving each other is worth? Some people are separated by distances they can never cross. All they can do is dream about each other for a lifetime, never having what they want most. How foolish, how wasteful to have love within your reach and not take it!" She clamped her teeth on her trembling bottom lip to steady herself
โ
โ
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
โ
The word courage is very interesting. It comes from a Latin root cor, which means โheart.โ So to be courageous means to live with the heart. And weaklings, only weaklings, live with the head; afraid, they create a security of logic around themselves. Fearful, they close every window and doorโwith theology, concepts, words, theoriesโand inside those closed doors and windows, they hide. The way of the heart is the way of courage. It is to live in insecurity; it is to live in love, and trust; it is to move in the unknown. It is leaving the past and allowing the future to be. Courage is to move on dangerous paths. Life is dangerous, and only cowards can avoid the dangerโbut then, they are already dead. A person who is alive, really alive, vitally alive, will always move into the unknown. There is danger there, but he will take the risk. The heart is always ready to the the risk, the heart is a gambler. The head is a businessman. The head always calculatesโit is cunning. The heart is noncalculating. This
โ
โ
Osho (Courage: The Joy of Living Dangerously (Osho Insights for a New Way of Living))
โ
It's curious and ridiculous how much the gaze of a prudish and painfully chaste man touched by love can sometimes express and that precisely at a moment when the man would of course sooner be glad to fall through the earth than to express anything with a word or a look.
โ
โ
Fyodor Dostoevsky (The Gambler)
โ
You could be a gambler. A thief, for all I know. Besidesโโ He captured her hand and stopped
her from walking on, holding her in place.
โBesides what, you insufferable prude?โ
โPrude, eh? Do you need another kiss to remind you what a prude I am?โ
โDonโt you dare.โ
โThen donโt call me names.โ
โYou started it.
โ
โ
Gaelen Foley (The Duke (Knight Miscellany, #1))
โ
Iโm going toโฆย Iโll find a way to make amends, Da. I want to be a better person, a better son.โ
โI didnโt raise you to be a gambler, Jesper. I certainly didnโt raise you to be a criminal.โ
Jesper released a bitter huff of laughter. โI love you, Da. I love you with all my lying, thieving, worthless heart, but yes, you did.โ
โWhat?โ sputtered Colm.
โYou taught me to lie.โ
โTo keep you safe.โ
Jesper shook his head. โI had a gift. You should have let me use it.โ
Colm banged his fist against the table. โItโs not a gift. Itโs a curse. It would have killed you the same way it killed your mother.โ
So much for the truth. Jesper strode to the door. If he didnโt get shut of this place, he was going to jump right out of his skin. โIโm dying anyway, Da. Iโm just doing it slow.
โ
โ
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
โ
Another mistaken notion connected with the law of large numbers is the idea that an event is more or less likely to occur because it has or has not happened recently. The idea that the odds of an event with a fixed probability increase or decrease depending on recent occurrences of the event is called the gambler's fallacy. For example, if Kerrich landed, say, 44 heads in the first 100 tosses, the coin would not develop a bias towards the tails in order to catch up! That's what is at the root of such ideas as "her luck has run out" and "He is due." That does not happen. For what it's worth, a good streak doesn't jinx you, and a bad one, unfortunately , does not mean better luck is in store.
โ
โ
Leonard Mlodinow (The Drunkard's Walk: How Randomness Rules Our Lives)
โ
No, it was not the money that I valuedโwhat I wanted was to make all this mob of Heintzes, hotel proprietors, and fine ladies of Baden talk about me, recount my story, wonder at me, extol my doings, and worship my winnings.
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Fyodor Dostoevsky (The Gambler)
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These impossible women! How they do get around us!
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Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
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At the risk of descending to unscientific generalizations, 90 percent of Texans give the other 10 percent a bad name." - Attributed to John H. "Doc" Holliday
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Mary Doria Russell (Doc)
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But basically courage is risking the known for the unknown, the familiar for the unfamiliar, the comfortable for the uncomfortable, arduous pilgrimage to some unknown destination. One never knows whether one will be able to make it or not. It is gambling, but only the gamblers know what life is. THE
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Osho (Courage: The Joy of Living Dangerously (Osho Insights for a New Way of Living))
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She was aware of the movement of his lips as he pressed soundless words in her palm. He released her, and the look he gave her seemed to reveal the depths of his lustful, longing, bitter soul. "Good-bye, Miss Fielding," he said hoarsely.
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Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
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Whatever distinguishes one lump of flesh from another when we're alive, we're all the same once we're dead. Just used-up shells.
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Fyodor Dostoevsky (Notes from the Underground / The Gambler)
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You should hate me," she said brokenly. "You should leave meโ"
"Hush." His grip tightened, just short of bruising her. "Do you think so little of me? Damn you." He crushed his lips in her hair. "You don't understand anything about me. Did you think I wouldn't want to help you? That I would abandon you if I knew?"
"Yes," she whispered.
"Damn you," he repeated, his voice choked with anger and love. He forced her face upward. The hopelessness in her eyes caused a cold pressure to squeeze around his heart.
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Lisa Kleypas (Then Came You (The Gamblers of Craven's, #1))
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Dangers have their appeal because in danger your day-to-day, ordinary consciousness cannot function. Danger goes deep. Your mind is not needed; you become a no-mind. You are! You are conscious, but there is no thinking. That moment becomes meditative. Really, in gambling, gamblers are seeking a meditative state of mind. In danger โ in a fight, in a duel, in wars โ man has always been seeking meditative states.
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Osho (The Book of Secrets: 112 Meditations to Discover the Mystery Within)
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And what if I don't want to win you?" The hand at her back pressed her closer and a warmth entered his eyes. "Well then, we have a problem," he declared gruffly.ย "Because you already have.
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Sarah Curtis (All In (The Gamblers, #1))
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And it all flew away like a dream--even my passion, and yet it really was strong and true, but...where has it gone now? Indeed the thought occasionally flits through my head: "Didn't I go out of my mind then and spend the whole time sitting in a madhouse somewhere, and maybe I'm sitting there now--so that for me it was all a seeming and only seems to this day.
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Fyodor Dostoevsky (The Gambler)
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What did he mean, 'insatiable lust'?"
She hastened to explain. "Well, 'insatiable' means unable to satisfy-"
"I know that," he said in a biting tone. "Why did he say that about you?"
Sara rolled her eyes and shrugged. "It was nothing. I merely tried to kiss him once the way you kissed me..." Her voice faded as she realized that her parents were watching the pair of them in dumbfounded silence.
Isaac was the fist to speak, a smile twitching the corners of his mouth. "I've seen and heard enough, Mr. Craven. If you and my daughter are already talking about 'insatiable lust,' I think I'd better give you my approval... and hope for a quick wedding.
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Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
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Sara grinned at that. โA long time ago I learned not to explain things to people. It misleads them into thinking theyโre entitled to know everything I do.
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Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
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ุฅู ุงูู
ุฑุก ููุฌุฏ ูุฐุฉ ูู ุฃุฏูู ุฏุฑุฌุฉ ู
ู ุฏุฑุฌุงุช ุงูุงูุญุทุงุท ู ุงูู
ุฐูุฉ
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Fyodor Dostoevsky (The Gambler)
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You aristocratic ladies and your gold-plated twats. You always think it's such a honor for me to touch you." He surveyed her with mocking green eyes. "You think you're the first high-kick wench I've ever had? I used to have blue-blooded bitches like you pay me to do this. You've gotten it for free.
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Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
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Dearest Lily." Penelope took her hand and pressed it between her own. "Since I was a little girl, I've always thought of you as the most beautiful, most courageous, most everything. But not practical. Never practical.
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Lisa Kleypas (Then Came You (The Gamblers of Craven's, #1))
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Who is he anyhow, an actor?"
"No."
"A dentist?"
"...No, he's a gambler." Gatsby hesitated, then added cooly: "He's the man who fixed the World Series back in 1919."
"Fixed the World Series?" I repeated.
The idea staggered me. I remembered, of course, that the World Series had been fixed in 1919, but if I had thought of it at all I would have thought of it as something that merely happened, the end of an inevitable chain. It never occurred to me that one man could start to play with the faith of fifty million people--with the singlemindedness of a burglar blowing a safe.
"How did he happen to do that?" I asked after a minute.
"He just saw the opportunity."
"Why isn't he in jail?"
"They can't get him, old sport. He's a smart man.
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F. Scott Fitzgerald (The Great Gatsby)
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He spoke just beneath her ear, his voice thick with tormented pleasure. "You have to leave, Sara ... because I want to hold you like this until your skin melts into mine. I want you in my bed, the smell of you on my sheets, your hair spread across my pillow. I want to take your innocence. God! I want to ruin you for anyone else."
Blindly Sara flattened her hand on his cheek, against the scratch of newly grown beard. "What if I want the same?" she whispered.
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Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
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I love you," he told her, wiping impatiently at the tears that kept trickling down his face. "I couldn't say it before. I couldn't --" He clenched his trembling jaw, trying to control the hot flow of tears. It only made them worse. Giving up, he buried his face in her hair. "Bloody hell," he muttered.
Sara had never seen him so undone, had never imagined it possible. Stroking his dark head, she whispered meaningless words, trying to give him comfort.
"I love you," he repeated hoarsely, burrowing against her. "I would have given my life to have one more day with you, and tell you that.
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Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
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And yet, they hesitated. The knowledge that they might never see each other again, that some of themโmaybe all of themโmight not survive this night hung heavy in the air. A gambler, a convict, a wayward son, a lost Grisha, a Suli girl who had become a killer, a boy from the Barrel who had become something worse.
Inej looked at her strange crew, barefoot and shivering in their soot-stained prison uniforms, their features limned by the golden light of the dome, softened by the mist that hung in the air.
What bound them together? Greed? Desperation? Was it just the knowledge that if one or all of them disappeared tonight, no one would come looking? Inejโs mother and father might still shed tears for the daughter theyโd lost, but if Inej died tonight, there would be no one to grieve for the girl she was now. She had no family, no parents or siblings, only people to fight beside. Maybe that was something to be grateful for, too.
It was Jesper who spoke first. โNo mourners,โ he said with a grin. โNo funerals,โ they replied in unison. Even Matthias muttered the words softly.
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Leigh Bardugo (Six of Crows (Six of Crows, #1))
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Well, what, what new thing can they say to me that I don't know myself? And is that the point? The point here is that--one turn of the wheel, and everything changes, and these same moralizers will be the first (I'm sure of it) to come with friendly jokes to congratulate me. And they won't all turn away from me as they do now. Spit on them all! What am I now? Zรฉro. What may I be tomorrow? Tomorrow I may rise from the dead and begin to live anew! I may find the man in me before he's lost!
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Fyodor Dostoevsky (The Gambler)
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Oh, very simple," Derek jeered. "It doesn't matter that I was born a bastard. She deserves nothing better than a man with a false name, fine clothes, and a sham accent. It's not important that I have no family and no religion. I don't believe in sacred causes, or honor, or unselfish motives. I can't be innocent enough for her. I never was. But why should that matter to her?
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Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
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You'll be my wife," he said inexorably.
"You want to own me!" she accused, trying to crawl away from him.
"Yes." He flung her down on the bed and flattened his weight on her. As he spoke, his hot breath fanned
her mouth and chin. "Yes. I want other people to look at you and know you're mine. I want you to take
my name and my money. I want you to
live with me. I want to be inside you . . . part of your thoughts . . . your body . . . all of you. I want you to
trust me. I want to give you whatever elusive, impossible, goddamned mysterious thing it is you need in
order to be happy. Does that frighten
you? Well, it frightens the hell out of me. Don't you think I'd stop feeling this way if I could? It's not as if
you're the easiest woman in the world!!
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Lisa Kleypas (Then Came You (The Gamblers of Craven's, #1))
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The Times carried detailed descriptions of Saraโs ivory gown and the five-carat blue diamond on her finger, the Cravensโ reported opinions of the play, and speculation on whether Derek was truly a โreformed rake.โ โThereโs not a word of truth in any of it,โ Derek said. โExcept the part where they said you were resplendent.โ โThank you, kind sir.โ Sara set down the paper and reached over to toy with one of the large soapy feet propped on the porcelain rim of the tub. She wriggled his big toe playfully. โWhat about the part that says youโre reformed?โ โIโm not. I still do everything I used to doโฆexcept now only with you.โ โAnd quite impressively,โ she replied, her tone demure.
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Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
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Then it happened. One night as the rain beat on the slanted kitchen roof a great spirit slipped forever into my life. I held his book in my hands and trembled as he spoke to me of man and the world, of love and wisdom, pain and guilt, and I knew I would never be the same. His name was Fyodor Mikhailovich Dostoyevsky. He knew more of fathers and sons than any man in the world, and of brothers and sisters, priests and rogues, guilt and innocence. Dostoyevsky changed me. The Idiot, The Possessed, The Brothers Karamazov, The Gambler. He turned me inside out. I found I could breathe, could see invisible horizons. The hatred for my father melted. I loved my father, poor, suffering, haunted wretch. I loved my mother too, and all my family. It was time to become a man, to leave San Elmo and go out into the world. I wanted to think and feel like Dostoyevsky. I wanted to write.
The week before I left town the draft board summoned me to Sacramento for my physical. I was glad to go. Someone other than myself could make my decisions. The army turned me down. I had asthma. Inflammation of the bronchial tubes.
โThatโs nothing. Iโve always had it.โ
โSee your doctor.โ
I got the needed information from a medical book at the public library. Was asthma fatal? It could be. And so be it. Dostoyevsky had epilepsy, I had asthma. To write well a man must have a fatal ailment. It was the only way to deal with the presence of death.
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John Fante (The Brotherhood of the Grape)
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The world, my friend Govinda, is not imperfect, or on a slow path towards perfection: no, it is perfect in every moment, all sin already carries the divine forgiveness in itself, all small children already have the old person in themselves, all infants already have death, all dying people the eternal life. It is not possible for any person to see how far another one has already progressed on his path; in the robber and dice-gambler, the Buddha is waiting; in the Brahman, the robber is waiting. In deep meditation, there is the possibility to put time out of existence, to see all life which was, is, and will be as if it was simultaneous, and there everything is good, everything is perfect, everything is Brahman. Therefore, I see whatever exists as good, death is to me like life, sin like holiness, wisdom like foolishness, everything has to be as it is, everything only requires my consent, only my willingness, my loving agreement, to be good for me, to do nothing but work for my benefit, to be unable to ever harm me. I have experienced on my body and on my soul that I needed sin very much, I needed lust, the desire for possessions, vanity, and needed the most shameful despair, in order to learn how to give up all resistance, in order to learn how to love the world, in order to stop comparing it to some world I wished, I imagined, some kind of perfection I had made up, but to leave it as it is and to love it and to enjoy being a part of it.
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Hermann Hesse (Siddhartha)
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Sometimes it happens that the most insane thought, the most impossible conception, will become so fixed in one's head that at length one believes the thought or the conception to be reality. Moreover, if with the thought or the conception there is combined a strong, a passionate, desire, one will come to look upon the said thought or conception as something fated, inevitable, and foreordainedโsomething bound to happen. Whether by this there is connoted something in the nature of a combination of presentiments, or a great effort of will, or a self-annulment of one's true expectations, and so on, I do not know;
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Fyodor Dostoevsky (The Gambler)
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Then what do you want?" she asked softly.
He shook his head without answering. But Sara knew. He wanted to be safe. If he were rich and powerful enough, he would never be hurt, lonely, or abandoned. He would never have to trust anyone. She continued to stroke his hair, playing lightly with the thick raven locks. 'Take a chance on me," she urged. "Do you really have so much to lose?"
He gave a harsh laugh and loosened his arms to release her. "More than you know."
Clinging to him desperately, Sara kept her mouth at his ear. "Listen to me." All she could do was play her last card. Her voice trembled with emotion. "You can't change the truth. You can act as though you're deaf and blind, you can walk away from me forever, but the truth will still be there, and you can't make it go away. I love you." She felt an involuntary tremor run through him. "I love you," she repeated. "Don't lie to either of us by pretending you're leaving for my good. All you'll do is deny us both a chance at happiness. I'll long for you every day and night, but at least my conscience will be clear. I haven't held anything back from you, out of fear or pride or stubbornness." She felt the incredible tautness of his muscles, as if he were carved from marble. "For once have the strength not to walk away," she whispered. "Stay with me. Let me love you, Derek."
He stood there frozen in defeat, with all the warmth and promise of her in his arms ... and he couldn't allow himself to take what she offered. He'd never felt so worthless, so much a fraud. Perhaps for a day, a week, he could be what she wanted. But no longer than that. He had sold his honor, his conscience, his body, anything he could use to escape the lot he'd been given in life. And now, with all his great fortune, he couldn't buy back what he'd sacrificed. Were he capable of tears, he would have shed them. Instead he felt numbing coldness spread through his body, filling up the region where his heart should have been. It wasn't difficult to walk away from her. It was appallingly easy.
Sara made an inarticulate sound as he extricated himself from her embrace. He left her as he had left the others, without looking back.
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Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
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(Ezekial saw the wheel
(Way up in the middle of the air --
(O Ezekial saw the wheel
(Way in the middle of the air!
(Now the big wheel runs by faith
(And the little wheel runs by the grace of God --
(The above made up by professional hope experts, you might say, because willful, voluntary, intentional hope was the only kind they had in anything like long supply. Faith is not, contrary to the usual ideas, something that turns out to be right or wrong, like a gambler's bet; it's an act, an intention, a project, something that makes you, in leaping into the future, go so far, far, far ahead that you shoot clean out of Time and right into Eternity, which is not the end of time or a whole lot of time or unending time, but timelessness, that old Eternal Now. So that you end up living not in the future ((in your intentional "act of faith")) but in the present. After all.
(Courage is willful hope.)
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Joanna Russ (On Strike Against God)
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If I'd been a cowboy, it might've ended well.
Somewhere on the ramble, I'm sure I'd have to sell
My guns along the highway. My coins to the table
To make a gambler's double, I'd double debts to pay.
Prob'ly shrink and slink away, It mightn't've ended well.
What If I'd been a sailor? I think it might've ended well.
From August to May
For a searat of man drifting through eternal blue, aboard the finest Debris.
I might've called the shanties. From daybreak to storm's set, lines stay Taught, over rhythm unbroken.
But, oh, there's a schism unspoken, a mighty calling of the lee.
An absentminded Pirate, unaccustomed to the sea;
To the land, a traitor. I think it mightn't've ended well.
What might've worked for me? What might've ended well?
Soldier, to bloody sally forth through hell?
Teacher of glorious stories to tell?
Man of gold, or stores to sell?
Lover to a gentle belle?
Maybe a camel;
A seashell.
What mightn't've been a life where it mightn't've ended well?
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Dylan Thomas
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A man who lives a part, not to others but alone, is exposed to obvious psychological dangers. In itself the practice of deception is not particularly exacting. It is a matter of experience, a professional expertise. It is a facility most of us can acquire. But while a confidence trickster, a play actor or a gambler can return from his performance to the ranks of his admirers, the secret agent enjoys no such relief. For him, deception is first a matter of self defense. He must protect himself not only from without, but from within, and against the most natural of impulses. Though he earn a fortune, his role may forbid him the purchase of a razor. Though he be erudite, it can befall him to mumble nothing but banalities. Though he be an affectionate husband and father, he must within all circumstances without himself from those with whom he should naturally confide. Aware of the overwhelming temptations which assail a man permanently isolated in his deceit, Limas resorted to the course which armed him best. Even when he was alone, he compelled himself to live with the personality he had assumed. It is said that Balzac on his deathbed inquired anxiously after the health and prosperity of characters he had created. Similarly, Limas, without relinquishing the power of invention, identified himself with what he had invented. The qualities he had exhibited to Fiedler: the restless uncertainty, the protective arrogance concealing shame were not approximations, but extensions of qualities he actually possessed. Hence, also, the slight dragging of the feet, the aspect of personal neglect, the indifference to food, and an increasing reliance on alcohol and tobacco. When alone, he remained faithful to these habits. He would even exaggerate them a little, mumbling to himself about the iniquities of his service. Only very rarely, as now, going to bed that evening, did he allow himself the dangerous luxury of admitting the great lie that he lived.
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John Le Carrรฉ (The Spy Who Came In from the Cold (George Smiley, #3))
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Just try to suppose that I may not know how to behave with dignity. That is, perhaps I'm a dignified man, but I don't know how to behave with dignity. Do you understand that it may be so? All Russians are that way, and you know why? Because Russians are too richly and multifariously endowed to be able to find a decent form for themselves very quickly. It's a matter of form. For the most part, we Russians are so richly endowed that it takes genius for us to find a decent form. Well, but most often there is no genius, because generally it rarely occurs. It's only the French, and perhaps some few other Europeans, who have so well-defined a form that one can look extremely dignified and yet be a most undignified man. That's why form means so much to them. A Frenchman can suffer an insult, a real, heartfelt insult, and not wince, but a flick on the nose he won't suffer for anything, because it's a violation of the accepted and time-honored form of decency. That's why our young ladies fall so much for Frenchmen, because they have good form. In my opinion, however, there's no form there, but only a rooster, le coq gaulois. However, that I cannot understand, I'm not a woman. Maybe roosters are fine. And generally I'm driveling, and you don't stop me. Stop me more often; when I talk with you, I want to say everything, everything, everything. I lose all form. I even agree that I have not only no form, but also no merits. I announce that to you. I don't even care about any merits. Everything in me has come to a stop now. You yourself know why. I don't have a single human thought in my head. For a long time I haven't known what's going on in the world, either in Russia or here. I went through Dresden and don't remember what Dresden is like. You know yourself what has swallowed me up. Since I have no hope and am a zero in your eyes, I say outright: I see only you everywhere, and the rest makes no difference to me. Why and how I love you--I don't know. Do you know, maybe you're not good at all? Imagine, I don't even know whether you're good or not, or even good-looking? Your heart probably isn't good; your mind isn't noble; that may very well be.
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Fyodor Dostoevsky (The Gambler)
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I did dream about you," she confessed.
Derek smoothed his hand over her chestnut hair and brought her head closer to his. "What was I doing in your dreams?" he asked against her lips.
"Chasing me," she admitted in a mortified whisper.
A delicious grin curved his mouth. "Did I catch you?"
Before she could reply his lips were on hers. His mouth twisted gently, his tongue hunting for an intimate taste of her. Closing her eyes, Sara made no protest as he took her wrists in his hands and twined her arms around his neck. He stretched one of his legs out to rest his foot on the seat. Caught in the lee of his powerful thighs, she had no choice but to let her body rest on the hard length of his. Leisurely he fondled and kissed her, wringing succulent delight from every nerve. As he began to slide his hand into her bodice, the thick wool fabric of her gown resisted his efforts. Foiled in his attempt to reach her breasts, he pushed a lock of hair aside and dragged his mouth over her throat. She stiffened, unable to hold back a whimper of pleasure. The carriage swayed and jolted suddenly, forcing their bodies closer with the impact.
Derek felt himself approaching a flashpoint beyond which there was no return. With a tortured groan he pried Sara's voluptuous body away from his and held her away, while he struggled to emerge from a scarlet fog of desire. "Angel," he said hoarsely, nudging her toward the opposite seat. "You... you'd better go over there."
Bemused, Sara nearly toppled to the floor from his gentle push. "But why?"
Derek lowered his head and tunneled his fingers into his black hair. He started as he felt her hand brush the nape of his neck. "Don't touch me," he said, more roughly than he intended. Raising his head, he stared into Sara's perplexed face with a crooked smile. "Sorry," he muttered. "But if you don't move away, sweet, you're going to be lifting your heels for me right here.
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Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))