Gallagher House Quotes

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Abby must have been the one who found the safe house, because Townsend didn't like it. "The building across the street is under construction," he snarled as soon as we'd carried our bags inside. "The elevator has key card access, and I've hacked into the surveillance cameras from every system on the block," Abby argued. "We have a three-hundred-sixty-degree visual." "Excellent." Townsend dropped his bag. "Now the circle can see us from every angle." "Don't mind Agent Townsend, girls," Abby told us. "He's a glass-half-empty kind of spy." "Also known as the good kind," he countered. Abby huffed.
Ally Carter (Out of Sight, Out of Time (Gallagher Girls, #5))
So long as you minded your manners and kept your weapons concealed, they let you enter and leave in peace. Those who broke the one house rule of “No Spill Blood” quickly found themselves leaving in pieces.’ (Gallagher)
Sherrilyn Kenyon (A Dark-Hunter Christmas (Dark-Hunter #2.5; Were-Hunters, #0.6))
...In Jack Nasar's research on American's taste in homes, only one group preferred the modernist house: architects.
Winifred Gallagher (House Thinking: A Room-by-Room Look at How We Live (P.S.))
Downloading's the same as what I used to do. I used to tape the charts of the songs I liked [off the radio]. I don't mind it. I hate all these big, silly rock stars who moan. At least they're fuckin' downloading your music, you cunt, and paying attention, know what I mean? You should fuckin' appreciate that, what are you moaning about? You've got fuckin' five big houses, so shut up.
Liam Gallagher
From 2000 to 2007 the United States developed close to four million acres of farmland, spending billions tilling it and filling it with fast, cheap tract houses for first-time buyers.
Leigh Gallagher (The End of the Suburbs: Where the American Dream Is Moving)
Brenna’s lorry wasn’t parked in the street. The dog was nowhere to be seen. Apparently even Betty had deserted him in his hour of need. The only choice left was a quick and cowardly retreat. “What was I thinking?” he stopped short and clapped a hand to his forehead. “I’m supposed to be helping Aidan . . . at the house. Slipped my mind.” As quickly as he could manage, he untangled his arm, gently nudging her hand away, as he might a puppy who was inclined to nip. Down, girl. “Things are always slipping my mind, so I don’t suppose he’ll be surprised that I’m late.
Nora Roberts (Tears of the Moon (Gallaghers of Ardmore, #2))
Whether it is the immigrant family with an enormous council house or a horribly misguided decision to take the Union Flag down from a council building, these instances are news precisely because they are as rare as hen’s teeth. In the hands of an editor like Gallagher, however, they are served up as though commonplace, as proof that ‘we’ are somehow being overwhelmed by ‘them’. It’s heady stuff and leads to people like Bob not even realising that they have developed pungent opinions while possessed of precisely no proof to support them.
James O'Brien (How To Be Right… in a World Gone Wrong)
Under Stars The sleep of this night deepens because I have walked coatless from the house carrying the white envelope. All night it will say one name in its little tin house by the roadside. I have raised the metal flag so its shadow under the roadlamp leaves an imprint on the rain-heavy bushes. Now I will walk back thinking of the few lights still on in the town a mile away. In the yellowed light of a kitchen the millworker has finished his coffee, his wife has laid out the white slices of bread on the counter. Now while the bed they have left is still warm, I will think of you, you who are so far away you have caused me to look up at the stars. Tonight they have not moved from childhood, those games played after dark. Again I walk into the wet grass toward the starry voices. Again, I am the found one, intimate, returned by all I touch on the way.
Tess Gallagher (Midnight Lantern: New and Selected Poems)
Evan was attracted to technology early on, building his first computer in sixth grade and experimenting with Photoshop in the Crossroads computer lab. He would later describe the computer teacher, Dan, as his best friend. Evan dove into journalism as well, writing for the school newspaper, Crossfire. One journalism class required students to sell a certain amount of advertising for Crossfire as part of their grade. Evan walked around the neighborhood asking local businesses to buy ads; once he had exceeded his sales goals, he helped coach his peers on how to pitch businesses and ask adults for money. By high school, the group of 20 students Evan had started with in kindergarten had grown to around 120. Charming, charismatic, and smart, Evan threw parties at his dad’s house that were “notorious” in his words. Evan’s outsized personality could rub people the wrong way at times, but his energy, organizing skills, and enthusiasm made him an exceptional party thrower. He possessed a bravado that could be frustrating and off-putting but was great for convincing everyone that the night’s party was going to be the greatest of all time. Obsessed with the energy drink Red Bull and the lifestyle the brand cultivated, Evan talked his way into an internship at the company as a senior in high school. The job involved throwing parties and other events sponsored by Red Bull. Clarence Carter, the head of the company’s security team, would give Evan advice that would stand him well in the years to come: pay attention to who helps you clean up after the party. Later recalling the story, Evan said, “When everyone is tired and the night is over, who stays and helps out? Because those are your true friends. Those are the hard workers, the people that believe that working hard is the right thing to do.
Billy Gallagher (How to Turn Down a Billion Dollars: The Snapchat Story)
Books were to my family's house like beds and stoves, the most basic items, necessary for survival
Nora Gallagher
Something else too. Private Gallagher sees it first, points–slowly, but emphatically. On the other side of the green is exactly what the sergeant told them to look for: a big detached house, two storeys, standing in its own grounds. It’s a mini-mansion of modern design, masquerading as a country house of an earlier age–but given away by its anachronistic excess. It’s a Frankenstein’s monster of a house, with a half-timbered front, Gothic arches on the ground-floor windows, pilasters framing the front door, gables adhering like barnacles to the roof ridge. The sign on the gate says WAINWRIGHT HOUSE. “Good
M.R. Carey (The Girl With All the Gifts)
As everyone streamed into the house, the music blared and the liquor flowed. All of the furniture in the house had been taken out and replaced with bars or dance floors. The outside deck was covered in people, bars, and heat lamps. People who hadn’t been lucky enough to be invited snuck into the party through a hole in the fence. Inside, partygoers talked with old classmates, danced, and scoured the crowd for a midnight kiss. Upstairs, Evan had created a sectioned-off VIP area, with more bars and friends. It was a house party on steroids, with one hundred, maybe two hundred people crammed into Snapchat’s new headquarters to sip champagne and ring in the New Year. John Spiegel stopped by the party, saying hi and congratulating Evan, Bobby, David, Daniel, and Evan’s girlfriend at the time. He chatted with some of Evan’s friends he had met over the years, sharing a sense of bewilderment over how quickly his son’s crazy scheme had taken off. John had worked his way up a very traditional ladder, climbing from the law review to a Supreme Court clerkship to becoming an extremely successful litigator. Evan had eschewed a bachelor’s degree from Stanford to focus on his seemingly quixotic business. Everything seemed to be going perfectly.
Billy Gallagher (How to Turn Down a Billion Dollars: The Snapchat Story)
All told, there must have been more than a hundred people there, milling about between the makeshift tricycle track in the parking lot and the fraternity house. The freshmen had come sporting a variety of attire, from the East Coasters in polos to Southern Californians in tank tops, most trying too hard to look cool and casual at the same time. All the brothers were wearing yellow t-shirts for rush; the front depicted Curious George passed out next to a tipped-over bottle of ether. The lower right side of the back showed a small anchor with the fraternity’s letters, KΣ, on each side—it was Evan’s signature. The anchor was his way of saying, “This is an Evan Spiegel production.” Evan was born on June 4, 1990, to a pair of highly successful lawyers. His mother, Melissa Thomas, graduated from Harvard Law School and practiced tax law as a partner at a prominent Los Angeles firm before resigning to become a stay-at-home mother when Evan was young. His father, John Spiegel, graduated from Stanford and Yale Law School and became a partner at Munger, Tolles & Olson, an elite firm started by Berkshire Hathaway’s Charlie Munger. His clients included Warner Bros. and Sergey Brin.
Billy Gallagher (How to Turn Down a Billion Dollars: The Snapchat Story)
Evan was born on June 4, 1990, to a pair of highly successful lawyers. His mother, Melissa Thomas, graduated from Harvard Law School and practiced tax law as a partner at a prominent Los Angeles firm before resigning to become a stay-at-home mother when Evan was young. His father, John Spiegel, graduated from Stanford and Yale Law School and became a partner at Munger, Tolles & Olson, an elite firm started by Berkshire Hathaway’s Charlie Munger. His clients included Warner Bros. and Sergey Brin. Evan and his two younger sisters, Lauren and Caroline, grew up in Pacific Palisades, an upper-class neighborhood bordering Santa Monica in western Los Angeles. John had the kids volunteer and help build homes in poor areas of Mexico. When Evan was in high school, Melissa and John divorced after nearly twenty years of marriage. Evan chose to live with his father in a four-million-dollar house in Pacific Palisades, just blocks from his childhood home where his mother still lives. John let young Evan decorate the new home with the help of Greg Grande, the set designer from Friends. Evan decked out his room with a custom white leather king-size bed, Venetian plaster, floating bookshelves, two designer desk chairs, custom closets, and, of course, a brand new computer.
Billy Gallagher (How to Turn Down a Billion Dollars: The Snapchat Story)
The fraternity’s leadership did a membership review, interviewing every member and weeding out any brothers who were deemed unfit to be a part of the house. Evan and Reggie were picked as two bad apples and kicked out of the fraternity. Reggie’s expulsion came as no surprise to anyone who’d been paying attention. He was known principally for getting wasted, breaking things, and leaving a mess in the kitchen. His room, which reeked of weed and tobacco, was filled with cups and plates from the house’s kitchen that he hadn’t bothered to return. He never showed up for house meetings or lent a hand on house cleans or party setups. Although he was very book smart and super friendly to everyone, he was a downright nuisance to live with. Evan’s case was not so clear-cut—ask ten people why he got kicked out and you’ll get ten different answers. Some say he was a willing scapegoat, volunteering to be kicked out because he knew he wouldn’t have the house for his senior year anyway. Others say he was scapegoated because he had angered younger guys by pushing for parties while the house was on probation. Others say Evan deserved to be kicked out because he didn’t want to fight hard enough get the house back, and he had been taking too cavalier an attitude toward the trouble the fraternity faced. No matter the reason, Evan was out. Guys in the fraternity blamed him for their house being taken away. Friends who he thought would have his back didn’t. Bad news came in threes for Evan. He had already lost Future Freshman. He lost the fraternity. Then, his girlfriend Lily told him she’d had enough and dumped him after two-plus years of dating.
Billy Gallagher (How to Turn Down a Billion Dollars: The Snapchat Story)
Evan looked tired and miserable, his shoulders slumped in the chair, his eyes sullen and searching for the ground. “I regret inviting him to my house. I regret spending that time with him at my house. I regret giving him so many chances. He exploited my attempts at generosity … the generosity was giving Reggie an opportunity to work on something like this … for experience that he didn’t have.” “Do you regret Reggie sharing his idea with you?” There was no pause this time. “No.” These depositions did significant damage to Snapchat, both in the case and in the court of public opinion. Someone leaked videos of the depositions to Business Insider, making Evan and Bobby look bad for cutting Reggie out of the company and initially lying in response to deposition questions about Reggie’s level of involvement. After these disastrous depositions, Evan and Bobby replaced Cooley with David Quinn and the team at Quinn Emanuel Urquhart & Sullivan, the same firm where Lee and his partners got their start. It was also the firm that represented the Winklevoss twins in their infamous suit against Mark Zuckerberg and Facebook. David Quinn was tenacious in and out of the courtroom, running Ironman triathlons in his free time. Evan and Bobby were convinced Quinn Emanuel could use their experience from the most infamous startup lawsuit of all time to help them defeat Reggie. Quinn Emmanuel was much more aggressive than Cooley had been. They filed a sea of requests for documents, depositions, and subpoenas. They tried to dismiss the case and remove it to federal court, and they sought contempt sanctions and a restraining order against Reggie and Lee Tran & Liang.
Billy Gallagher (How to Turn Down a Billion Dollars: The Snapchat Story)
spoke to the DCI and bigged it up a little. A lot actually. He called a superintendent to give the green light. You’ll need to speak to him when you’re
Charlie Gallagher (The Deadly Houses (Maddie Ives #6))
The French Revolution was another. The nobles couldn’t compete in the new economy based on trade instead of land. They were afraid of becoming peasant farmers with houses they couldn’t maintain, so they enforced their privileges until the rest revolted.
Karl K. Gallagher (Torchship Trilogy)
people, people in every room: Clare, Viviana, Clare’s new father Gordon, Teo’s parents, my parents, Rose sleeping her fragrant sleep a few feet away. “We’ll get hotel rooms,” everyone had offered, but we told them all, “No. Stay.” Sometimes, I think I would like to have us under one roof, all of us, everybody here, which makes no sense, of course. No house is big enough to hold us, with all of our tensions, all our wariness and histories. But imagine the nights, those separate breathings, everyone within my reach and safe, everyone together. I stand here on this spring day in the center of my life. Chaos, din, and beauty. For a moment, I am still. Then “Cornelia,” cuts across the noise, and because one of them is calling me, I go. Acknowledgments I am so grateful to the following people: Brilliant agent and true friend Jennifer Carlson, whose instincts, heart, and good sense never stop amazing me; My editor, Laurie Chittenden, kind, tenacious, and wise, for making me feel that my books and I were born under a lucky star; Everyone at Morrow, especially Lisa Gallagher, Lynn Grady, Will Hinton, Tavia Kowalchuck, Debbie Stier, Sharyn Rosenblum, Dee Dee DeBartlo, Emily Fink, and Mike Brennan; Susan Davis, Dan Fertel, Annie Pilson (seeker of blooming hydrangeas, mellow light, and the perfect shot), and my sister Kristina de los Santos, the sharp and generous early readers without whom I
Marisa de los Santos (Belong to Me)
least I know what I’m not ordering you not to do.’ Chapter 28 George was in the foyer of the hospital when his phone rang. It was Ali. ‘What’s up, Ali?’ ‘George, I’m done up at the house, but I’ve just had a rather
Charlie Gallagher (Then She Ran (Langthorne #6))
There are probably no white journalists in America who would say they chose their houses because they were in white neighborhoods, but that, in effect, is what they do. Peter Brown of the Orlando Sentinel looked up the zip codes of 3,400 journalists, and found that they cluster in upscale neighborhoods, far from inner cities. More than one-third of Washington Post reporters live in just four fancy D.C. suburbs. Television personality Chris Matthews routinely promotes integration, and Ted Koppel hectored whites who live apart from blacks. Where do they live? Mr. Matthews in 95-percent white Chevy Case, and Mr. Koppel in Potomac, also in Maryland, which had a black population of 3.9 percent. Perhaps these men thought they lived inside their television sets. Sociologist Charles Gallagher of La Salle University has noted that television advertising is a 'carefully manufactured racial utopia [...] that is far afield of reality,' where everyone has black and Hispanic neighbors with whom they discuss which brand of toothpaste is best. Jerome D. Williams, a professor of advertising and African American studies at the University of Texas at Austin also laughs at advertisers' depictions of American life, adding that 'if you look at the United States in terms of where we live and who our friends are and where we go to church, we live in different worlds.
Jared Taylor (White Identity: Racial Consciousness in the 21st Century)