Gale Weathers Quotes

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We are the owls of the weather chaw. We take it blistering, We take it all. Roiling boiling gusts, We're the owls with the guts. For blizzards our gizzards Dr tremble with joy. An ice storm, a gale, how we love blinding hail. We fly forward and backward, Upside down and flat. Do we flinch? Do we wail? Do we skitter or scutter? No, we yarp one more pellet And fly straight for the gutter! Do we screech? Do we scream? Do we gurgle? Take pause? Not on your life! For we are the best Of the best of the chaws!
Kathryn Lasky (The Journey (Guardians of Ga'Hoole, #2))
Understand, for instance, that having a sad thought, even having a continual succession of sad thoughts, is not the same as being a sad person. You can walk through a storm and feel the wind but you know you are not the wind. That is how we must be with our minds. We must allow ourselves to feel their gales and downpours, but all the time knowing this is just necessary weather. When I sink deep, now, and I still do from time to time, I try and understand that there is another, bigger and stronger part of me that is not sinking. It stands unwavering.
Matt Haig (Reasons to Stay Alive)
His eyes ignited into a color found only in the heart of the sun. ‘‘Yes?’’ ‘‘Yes, already. I’ll marry you. Yes. Hell, yes. What am I, stupid?
Rachel Caine (Gale Force (Weather Warden, #7))
Hello again, I said to death. I was resigned, if not ready.
Rachel Caine (Gale Force (Weather Warden, #7))
This was a life, this was how people chose to live? Somewhere inside she could feel winds dying, the gales of her youth stifled. She was learning that in her life everything— health, happiness, even love—was subject to the landscape; the weathers of the world were inseparable from the weathers of her soul.
Anthony Doerr (The Shell Collector)
We seldom question the purpose of life when our world is sunny and bright. This question tends to hide itself during pleasant sailing, only rearing its face during the deepest and darkest travails, when the gales of storm weather have fallen.
Donald L. Hicks (The Divinity Factor)
When crew and captain understand each other to the core, It takes a gale and more than a gale to put their ship ashore; For the one will do what the other commands, although they are chilled to the bone; And both together can live through weather that neither could face alone. KIPLING
Lettie B. Cowman (Springs in the Valley: 365 Daily Devotional Readings)
We are warriors,” Devrin replied. “Our people are strong, accustomed to hardship, and will weather any storm. We may bend, but we do not break. We laugh into the gale and challenge it to do its worst. I believe with every fiber of my being that Llycaelon will survive even if the whole rest of the world falls.
Jenelle Leanne Schmidt (Minstrel's Call (The Minstrel's Song, #4))
Pastor Jón: God has the virtue that one can locate Him anywhere at all, in anything at all. Embi: In a nail, for instance? Pastor Jón, verbatim: In school debates the question was sometimes put whether God was not incapable of creating a stone so heavy that He couldn't lift it. Often I think the Almighty is like a snow bunting abandoned in all weathers. Such a bird is about the weight of a postage stamp. Yet he does not blow away when he stands in the open in a tempest. Have you ever seen the skull of a snow bunting? He wields this fragile head against the gale, with his beak to the ground, wings folded close to his sides and his tail pointing upwards; and the wind can get no hold on him, and cleaves. Even in the fiercest squalls the bird does not budge. He is becalmed. Not a single feather stirs. Embi: How do you know the bird is the Almighty, and not the wind? Pastor Jón: Because the winter storm is the most powerful force in Iceland, and the snow bunting is the feeblest of all God's conceptions.
Halldór Laxness (Under the Glacier)
The Three-Decker "The three-volume novel is extinct." Full thirty foot she towered from waterline to rail. It cost a watch to steer her, and a week to shorten sail; But, spite all modern notions, I found her first and best— The only certain packet for the Islands of the Blest. Fair held the breeze behind us—’twas warm with lovers’ prayers. We’d stolen wills for ballast and a crew of missing heirs. They shipped as Able Bastards till the Wicked Nurse confessed, And they worked the old three-decker to the Islands of the Blest. By ways no gaze could follow, a course unspoiled of Cook, Per Fancy, fleetest in man, our titled berths we took With maids of matchless beauty and parentage unguessed, And a Church of England parson for the Islands of the Blest. We asked no social questions—we pumped no hidden shame— We never talked obstetrics when the Little Stranger came: We left the Lord in Heaven, we left the fiends in Hell. We weren’t exactly Yussufs, but—Zuleika didn’t tell. No moral doubt assailed us, so when the port we neared, The villain had his flogging at the gangway, and we cheered. ’Twas fiddle in the forc’s’le—’twas garlands on the mast, For every one got married, and I went ashore at last. I left ’em all in couples a-kissing on the decks. I left the lovers loving and the parents signing cheques. In endless English comfort by county-folk caressed, I left the old three-decker at the Islands of the Blest! That route is barred to steamers: you’ll never lift again Our purple-painted headlands or the lordly keeps of Spain. They’re just beyond your skyline, howe’er so far you cruise In a ram-you-damn-you liner with a brace of bucking screws. Swing round your aching search-light—’twill show no haven’s peace. Ay, blow your shrieking sirens to the deaf, gray-bearded seas! Boom out the dripping oil-bags to skin the deep’s unrest— And you aren’t one knot the nearer to the Islands of the Blest! But when you’re threshing, crippled, with broken bridge and rail, At a drogue of dead convictions to hold you head to gale, Calm as the Flying Dutchman, from truck to taffrail dressed, You’ll see the old three-decker for the Islands of the Blest. You’ll see her tiering canvas in sheeted silver spread; You’ll hear the long-drawn thunder ’neath her leaping figure-head; While far, so far above you, her tall poop-lanterns shine Unvexed by wind or weather like the candles round a shrine! Hull down—hull down and under—she dwindles to a speck, With noise of pleasant music and dancing on her deck. All’s well—all’s well aboard her—she’s left you far behind, With a scent of old-world roses through the fog that ties you blind. Her crew are babes or madmen? Her port is all to make? You’re manned by Truth and Science, and you steam for steaming’s sake? Well, tinker up your engines—you know your business best— She’s taking tired people to the Islands of the Blest!
Rudyard Kipling
And here in Britain the wind moaned through the desolate woods, the skies wept, and wet gale-blown leaves pattered against the windows and stuck there, making little pathetic shadows against the steamy glass. There had been wild weather often enough in his own country, but that had been the wild weather of home; here was the wind and and rain and wet leaves of exile.
Rosemary Sutcliff (The Eagle of the Ninth)
She sometimes takes her little brother for a walk round this way," explained Bingo. "I thought we would meet her and bow, and you could see her, you know, and then we would walk on." "Of course," I said, "that's enough excitement for anyone, and undoubtedly a corking reward for tramping three miles out of one's way over ploughed fields with tight boots, but don't we do anything else? Don't we tack on to the girl and buzz along with her?" "Good Lord!" said Bingo, honestly amazed. "You don't suppose I've got nerve enough for that, do you? I just look at her from afar off and all that sort of thing. Quick! Here she comes! No, I'm wrong!" It was like that song of Harry Lauder's where he's waiting for the girl and says, "This is her-r-r. No, it's a rabbut." Young Bingo made me stand there in the teeth of a nor'-east half-gale for ten minutes, keeping me on my toes with a series of false alarms, and I was just thinking of suggesting that we should lay off and give the rest of the proceedings a miss, when round the corner there came a fox-terrier, and Bingo quivered like an aspen. Then there hove in sight a small boy, and he shook like a jelly. Finally, like a star whose entrance has been worked up by the personnel of the ensemble, a girl appeared, and his emotion was painful to witness. His face got so red that, what with his white collar and the fact that the wind had turned his nose blue, he looked more like a French flag than anything else. He sagged from the waist upwards, as if he had been filleted. He was just raising his fingers limply to his cap when he suddenly saw that the girl wasn't alone. A chappie in clerical costume was also among those present, and the sight of him didn't seem to do Bingo a bit of good. His face got redder and his nose bluer, and it wasn't till they had nearly passed that he managed to get hold of his cap. The girl bowed, the curate said, "Ah, Little. Rough weather," the dog barked, and then they toddled on and the entertainment was over.
P.G. Wodehouse
The exquisite sorrows with which they had been afflicted, made them think lightly of every succeeding woe. They had felt the sharpest darts in misfortune's quiver; Those which remained appeared blunt in comparison. Having weathered Fate's heaviest Storms, they looked calmly upon its terrors: or if ever they felt Afflictions casual gales, they seemed to them gentle as Zephyrs, which breathe over summer-seas.
Matthew Gregory Lewis (The Monk)
THE MEETING" "Scant rain had fallen and the summer sun Had scorched with waves of heat the ripening corn, That August nightfall, as I crossed the down Work-weary, half in dream. Beside a fence Skirting a penning’s edge, an old man waited Motionless in the mist, with downcast head And clothing weather-worn. I asked his name And why he lingered at so lonely a place. “I was a shepherd here. Two hundred seasons I roamed these windswept downlands with my flock. No fences barred our progress and we’d travel Wherever the bite grew deep. In summer drought I’d climb from flower-banked combe to barrow’d hill-top To find a missing straggler or set snares By wood or turmon-patch. In gales of March I’d crouch nightlong tending my suckling lambs. “I was a ploughman, too. Year upon year I trudged half-doubled, hands clenched to my shafts, Guiding my turning furrow. Overhead, Cloud-patterns built and faded, many a song Of lark and pewit melodied my toil. I durst not pause to heed them, rising at dawn To groom and dress my team: by daylight’s end My boots hung heavy, clodded with chalk and flint. “And then I was a carter. With my skill I built the reeded dew-pond, sliced out hay From the dense-matted rick. At harvest time, My wain piled high with sheaves, I urged the horses Back to the master’s barn with shouts and curses Before the scurrying storm. Through sunlit days On this same slope where you now stand, my friend, I stood till dusk scything the poppied fields. “My cob-built home has crumbled. Hereabouts Few folk remember me: and though you stare Till time’s conclusion you’ll not glimpse me striding The broad, bare down with flock or toiling team. Yet in this landscape still my spirit lingers: Down the long bottom where the tractors rumble, On the steep hanging where wild grasses murmur, In the sparse covert where the dog-fox patters.” My comrade turned aside. From the damp sward Drifted a scent of melilot and thyme; From far across the down a barn owl shouted, Circling the silence of that summer evening: But in an instant, as I stepped towards him Striving to view his face, his contour altered. Before me, in the vaporous gloaming, stood Nothing of flesh, only a post of wood.
John Rawson (From The English Countryside: Tales Of Tragedy: Narrated In Dramatic Traditional Verse)
We are the owls of the weather chaw. We take it blistering, We take it all. Roiling boiling gusts, We’re the owls with the guts. For blizzards our gizzards Do tremble with joy. An ice storm, a gale, how we love blinding hail. We fly forward and backward, Upside down and flat. Do we flich? Do we wail? Do we skitter or scutter? No, we yarp one more pellet And fly straight for the gutter! Do we screech? Do we scream? Do we gurgle? Take pause? Not on your life! For we are the best Of the best of the chaws!
Kathryn Lasky
The Gauls’ own ships were built and rigged in a different manner from ours. They were made with much flatter bottoms, to help them to ride shallow water caused by shoals or ebb-tides. Exceptionally high bows and sterns fitted them for use in heavy seas and violent gales, and the hulls were made entirely of oak, to enable them to stand any amount of shocks and rough usage. The cross-timbers, which consisted of beams a foot wide, were fastened with iron bolts as thick as a man’s thumb. The anchors were secured with iron chains instead of ropes. They used sails made of raw hides or thin leather, either because they had no flax and were ignorant of its use, or more probably because they thought that ordinary sails would not stand the violent storms and squalls of the Atlantic and were not suitable for such heavy vessels. In meeting them the only advantage our ships possessed was that they were faster and could be propelled by oars; in other respects the enemy’s were much better adapted for sailing such treacherous and stormy waters. We could not injure them by ramming because they were so solidly built, and their height made it difficult to reach them with missiles or board them with grappling-irons. Moreover, when it began to blow hard and they were running before the wind, they weathered the storm more easily; they could bring in to shallow water with greater safety, and when left aground by the tide had nothing to fear from reefs or pointed rocks – whereas to our ships all these risks were formidable.
Gaius Julius Caesar (The Conquest of Gaul)
For all his faults, Leifs was a unique composer, driven by the ambition to create an Icelandic sound that might intrigue and inspire the world by bringing to life the country’s literature, landscape, and vernacular songs. His friend, the writer and diplomat Kristján Albertsson, who was unusually cognizant of the composer’s strengths and weaknesses, wrote that Leifs’s purpose had been to give Iceland “a voice among the musics of the world, to let the cool, strong gale of the Icelandic weather rush into the world’s music—and to remind ourselves who we are, what we are, can be or become if we choose to be ourselves, true to our origins and character—and not simply epigones in the world of art.” In his best works, Leifs achieved his goal. They are born of a deep personal conviction and epitomize the unique soundscape of his country: roaring ocean, erupting mountains, cracking icebergs, trembling earth.
Árni Heimir Ingólfsson (Jón Leifs and the Musical Invention of Iceland)
For all his faults, Leifs was a unique composer, driven by the ambition to create an Icelandic sound that might intrigue and inspire the world by bringing to life the country’s literature, landscape, and vernacular songs. His friend, the writer and diplomat Kristján Albertsson, who was unusually cognizant of the composer’s strengths and weaknesses, wrote that Leifs’s purpose had been to give Iceland “a voice among the musics of the world, to let the cool, strong gale of the Icelandic weather rush into the world’s music—and to remind ourselves who we are, what we are, can be or become if we choose to be ourselves, true to our origins and character—and not simply epigones in the world of art.” In his best works, Leifs achieved his goal. They are born of a deep personal conviction and epitomize the unique soundscape of his country: roaring ocean, erupting mountains, cracking icebergs, trembling earth.
Árni Heimir Ingólfsson (Jón Leifs and the Musical Invention of Iceland)
how he would get to Tronjheim’s base—where the Urgals were breaking in. There was no time to climb down. He looked at the narrow trough to the right of the stairs, then grabbed one of the leather pads and threw himself down on it. The stone slide was smooth as lacquered wood. With the leather underneath him, he accelerated almost instantly to a frightening speed, the walls blurring and the curve of the slide pressing him high against the wall. Eragon lay completely flat so he would go faster. The air rushed past his helm, making it vibrate like a weather vane in a gale. The trough was too confined for him, and he was perilously close to flying out, but as long as he kept his arms and legs still, he was safe. It was a swift descent, but it still took him nearly ten minutes to reach the bottom. The slide leveled out at the end and sent him skidding halfway across the huge carnelian floor. When he finally came to a stop, he was too dizzy to walk. His first attempt to stand made him nauseated, so he curled up, head in his hands, and waited for things to stop spinning. When he felt better, he stood and warily looked around. The great chamber was completely deserted, the silence unsettling. Rosy light filtered down from Isidar Mithrim. He faltered—Where was he supposed to go?—and cast out his mind for the Twins. Nothing. He froze as loud knocking echoed through Tronjheim. An explosion split the air. A long slab of the chamber floor buckled and blew thirty feet up. Needles of rocks flew outward as it crashed down. Eragon stumbled back, stunned, groping for Zar’roc. The twisted shapes of Urgals clambered out of the hole in the floor. Eragon hesitated. Should he flee? Or should he stay and try to close the tunnel? Even if he managed to seal it before the Urgals attacked him, what if Tronjheim was already breached elsewhere? He could not find all the places in time to prevent the city-mountain from being captured. But if I run to one of Tronjheim’s gates and blast it open, the Varden could retake Tronjheim without having to siege it. Before he could decide, a tall man garbed entirely in black armor emerged from the tunnel and looked directly at him. It was Durza. The Shade carried his pale blade marked with the scratch from Ajihad. A black roundshield with a crimson ensign rested on his arm. His dark helmet was richly decorated, like a general’s, and a long snakeskin cloak billowed around him. Madness burned in his maroon eyes, the madness of one who enjoys power and finds himself in the position to use it.
Christopher Paolini (Eragon (The Inheritance Cycle, #1))
Dear Kitty, Another birthday has gone by, so now I’m fifteen. I received quite a lot of presents. All five parts of Sprenger’s History of Art, a set of underwear, a handkerchief, two bottles of yoghurt, a pot of jam, a spiced gingerbread cake, and a book on botany from Mummy and Daddy, a double bracelet from Margot, a book from the Van Daans, sweet peas from Dussel, sweets and exercise books from Miep and Elli and, the high spot of all, the book Maria Theresa and three slices of full-cream cheese from Kraler. A lovely bunch of peonies from Peter, the poor boy took a lot of trouble to try and find something, but didn’t have any luck. There’s still excellent news of the invasion, in spite of the wretched weather, countless gales, heavy rains, and high seas. Yesterday Churchill, Smuts, Eisenhower, and Arnold visited French villages which have been conquered and liberated. The torpedo boat that Churchill was in shelled the coast. He appears, like so many men, not to know what fear is—makes me envious! It’s difficult for us to judge from our secret redoubt how people outside have reacted to the news. Undoubtedly people are pleased that the idle (?) English have rolled up their sleeves and are doing something at last. Any Dutch people who still look down on the English, scoff at England and her government of old gentlemen, call the English cowards, and yet hate the Germans deserve a good shaking. Perhaps it would put some sense into their woolly brains. I hadn’t had a period for over two months, but it finally started again on Saturday. Still, in spite of all the unpleasantness and bother, I’m glad it hasn’t failed me any longer. Yours, Anne
Anne Frank (The Diary of a Young Girl)
The Seer's Map by Stewart Stafford Howling dog, thou cursèd hound, Plaguest thy master with baleful sound, The cur's yelps taint the air around; A dirge for all that hear thy wound. The rooftop magpie foretells: Herald of guests to visit soon, A noisy speech announceth, Companions of the afternoon. Lucky horseshoe and iron key, Bringeth good fortune to the finder, But spilling salt provokes fate, And draws the evil eye's reminder. A shoe upon the table laid, Tempts the dead to live anon, For this ungracious gesture waketh, Flesh and blood from skeleton. Who crosses the path of hare or priest, A perilous milestone on thy road, Their very presence signifies That gathering trouble doth forebode. A toad on thy merry travels, Brings sweet smiles and kindest charms, Keep one about thy person warm, To shelter safe from danger's harms. Red sky at night delights the eye, Of shepherd that beholds thy light, Thy colour doth betoken dawn Of weather fair and clear and bright. Red sky at morn troubles the heart, Of shepherd that surveys thy shade, Thy hue doth presage day Of stormy blast and tempest made. December's thunder balm, Speaks of harvest's tranquil mind, January's thunder, fierce! Warns of war and gales unkind. An itchy palm hints at gold To come into thy hand ere long, But if thou scratch it, thou dost lose The fair wind that blows so strong. A Sunday Christmas forewarns: Three signs of what the year shall hold; A winter mild, a Lenten wind, And summer dry, to then unfold. Good luck charm on New Year's Day Maketh fortune bloom all year, But to lose it or give it away, Thou dost invite ill-omened fear. © Stewart Stafford, 2023. All rights reserved.
Stewart Stafford
Violent Storm" Those who have chosen to pass the night Entertaining friends And intimate ideas in the bright, Commodious rooms of dreams Will not feel the slightest tremor Or be wakened by what seems Only a quirk in the dry run Of conventional weather. For them, The long night sweeping over these trees And houses will have been no more than one In a series whose end Only the nervous or morbid consider. But for us, the wide-awake, who tend To believe the worst is always waiting Around the next corner or hiding in the dry, Unsteady branch of a sick tree, debating Whether or not to fell the passerby, It has a sinister air. How we wish we were sunning ourselves In a world of familiar views And fixed conditions, confined By what we know, and able to refuse Entry to the unaccounted for. For now, Deeper and darker than ever, the night unveils Its dubious plans, and the rain Beats down in gales Against the roof. We sit behind Closed windows, bolted doors, Unsure and ill at ease While the loose, untidy wind, Making an almost human sound, pours Through the open chambers of the trees. We cannot take ourselves or what belongs To us for granted. No longer the exclusive, Last resorts in which we could unwind, Lounging in easy chairs, Recalling the various wrongs We had been done or spared, our rooms Seem suddenly mixed up in our affairs. We do not feel protected By the walls, nor can we hide Before the duplicating presence Of their mirrors, pretending we are the ones who stare From the other side, collected In the glassy air. A cold we never knew invades our bones. We shake as though the storm were going to hurl us down Against the flat stones Of our lives. All other nights Seem pale compared to this, and the brilliant rise Of morning after morning seems unthinkable. Already now the lights That shared our wakefulness are dimming And the dark brushes against our eyes.
Mark Strand (Reasons for Moving)
Observatories are built on mountains to raise them above the thick, turbulent lower levels of the atmosphere. In principle, the higher the telescope the better. In practice, the expense of building mountain roads and the severity of high-altitude weather inspires a willingness to compromise. Mauna Kea Observatory in Hawaii, which may be the highest observatory that will ever be built on Earth, stands at nearly 14,000 feet, where gale-force winds are common and the air so thin that higher brain functions are impaired by lack of oxygen. Astronomers quartered halfway down the mountain write themselves childishly simple instructions they hope their muddled brains will be able to obey when they go up to the dome to observe.
Timothy Ferris (The Red Limit: The Search for the Edge of the Universe)
In the days of sailing-ships, the English fleet operated against Brest making its base at Torbay and Plymouth. The plan was simply this: in easterly or moderate weather the blockading fleet kept its position without difficulty but in westerly gales, when too severe, they bore up for English ports, knowing that the French fleet could not get out till the wind shifted, which equally served to bring them back to their station. The advantage of geographical nearness to an enemy, or to the object of attack, is nowhere more apparent than in that form of warfare which has lately received the name of commerce-destroying, which the French call _guerre de course_.
Alfred Thayer Mahan (The Influence of Sea Power upon History: The Maritime Influence on Global History)
The Taranis Cèilidh by Stewart Stafford Lightning's jagged spear, Burning the horizon bright, Silhouetting empty tables, No picnics by the waterside. Waves sloshed against jetties, A displaced bath on all sides, Flailing tree chorus genuflected, To the foaming vat beside them. The roar of the gale rose and fell, Tempest's tongue agitated potently, Leaves surrendered in droves to it, Sleep deepened in the storm's fury. © Stewart Stafford, 2022. All rights reserved.
Stewart Stafford
In the Atlas of Swiss Ethnology, Elisabeth Liebl provides a synthesis of the relationships between the Wild Hunt and the weather.2 The passage of souls in perdition heralded bad weather. The apparition of the Türschtegjeg was accompanied by the roar of thunder and bolts of lightning, and when a strong autumn gale blows or a heavy winter storm rages, people in Switzerland still say “the Türscht is on the hunt.” People also say “it is as if the Türscht was hunting.”3 In the Thun region, the passage of the riders of the Furious Army is accompanied by rumblings. When the Waldhooli blows his horn, the weather is going to turn foul. On stormy nights, the grand duke (der wilde Geissler) leads the Wild Hunt.
Claude Lecouteux (Phantom Armies of the Night: The Wild Hunt and the Ghostly Processions of the Undead)
North Carolina and Virginia Boundary. 1 ° On the 27th of February, 1728, William Byrd, Will Dandridge, and Richard Fitzwilliam, as commissioners from Virginia, met Edward Moseley, C. Gale, Will Little and J. Lovick, as commissioners from North Carolina, at Corotuck Inlet, and began the survey on the 27th day of March, and continued it till the weather got "warm enough to give life and vigor to the rattlesnakes" in the beginning of April, when they stopped till September 20, when the survey was renewed; and after going a certain distance beyond their own inhabitants the North Carolina commissioners refused to proceed further, and protested against the Virginia commissioners proceeding further with it.
John Preston Arthur (Western North Carolina; a history (1730-1913))
We human pioneers of the “great camping trip,” as George Attla would dub it, will remain incorporated, as it were, in the fabric that weaves our history. But what of the four hundred pioneer dogs? Those wonders of God’s creation, who weathered Arctic gales, slept in snowbanks, suffered exhaustion, sore, raw feet, and, to some degree, human ignorance, and neglect. What of them? Leaders Genghis, Kiana, and Sonny. Others, who strained in wheel, team, and swing positions, and at times, in lead as well, were Kuchik, Koyuk, Snippy, Eska, Shiak, Flame, Bandit, Casper, and Crazy. Names listed on a sheet of paper seem such a hollow tribute to twelve of a person’s most loyal, tested friends. And hollow that tribute would be, if all twelve of them were not imprinted indelibly in my heart. Those twelve devoted, steadfast trail companions bestowed upon me the one true adventure of my life. In so doing, they became the pathfinders for all ensuing generations of endurance race dogs. Genghis, Kiana, Sonny, Kuchik, Koyuk, Snippy, Eska, Shiak, Flame, Bandit, Casper, and Crazy—a renewed and heartfelt salute.
Dan Seavey (The First Great Race: Alaska's 1973 Iditarod)
Winterland by Stewart Stafford Obelisk columns of a wintry afternoon, Bony fingers of nascent green in June, Pink snow clouds kissed by fading sun, Dark gold streets, hurry home as one. Shared body heat tenderises life so tough, Fusion shelter from gales so rough, Windows scream, a voyeur's peek inside, Lovers dismissed with wailing to chide. Darkness claims stragglers of day, Wrestles all an eye sees, stealing it away, Sleep whispers drowsy promises in our ears, We two, melding - strangers from our fears. © Stewart Stafford, 2023. All rights reserved.
Stewart Stafford
To heave to a convoy requires moral courage, for it is usually extremely difficult, if not impossible, to keep the ships together. I found, however, that by making the signal on low-power radio, ‘Heave to, keeping the wind on the bow’, it was possible to keep the convoy together, for as the wind shifted, ships automatically adjusted their heading, whereas if an attempt were made to heave to on a definite course, alterations would constantly be required which in such weather conditions were impossible to pass by flags. The communications experts disapproved of my breaking radio silence but it was only necessary to make one signal, and I believed that the risk was well worth taking, for the danger from the sea was far greater than from the enemy. During the worst gales many of the ships, particularly those in ballast, became unmanageable. The visibility would drop to about half a mile and control was quite impossible. In any case, the enemy could do little about it if they did hear the signal.
Peter Gretton (Convoy Escort Commander: A Memoir of the Battle of the Atlantic (Submarine Warfare in World War Two))
Glasgow can be uncommonly dreich, smirr blurring the architectural mishmash of the city's skyline. The east coast plays host to some truly cruel gales, eroding the sharp edges off fishermen's cottages in Fife and Angus. In the winter months it can feel like the country takes any opportunity to grind to a halt. The faintest threat of snow causes chaos across road, rail and air.
Gabriella Bennett (The Art of Coorie: How to Live Happy the Scottish Way)
A capital ship for an ocean trip Was the Walloping Window Blind—No gale that blew dismayed her crew Or troubled the captain’s mind. The man at the wheel was taught to feel Contempt for the wildest blow. And it often appeared, when the weather had cleared, That he’d been in his bunk below. —Charles Edward Carryl, Davy and the Goblin: A Nautical Ballad
Susan Wiggs (The Charm School (Calhoun Chronicles, #1))
He drags me outside where the weather is bone-achingly cold. Knelt on the gale-lashed sidewalk I spit out a gruel of blood and look up at the beleaguered Time Detective. “What’s this about?” His jaw line clenches, I just know that beneath the chronovisor is a stare completely divorced from reality. “You’re going to Moscow Novikov.
Chris Kelso (The Folger Variation (and other lies))
Think of mind as pure awareness, like an empty sky. Through the mind travel our thoughts, images, body awareness, memories, urges, dreams, and more—always moving and transforming, like weather in the atmosphere. This “weather” is our state of mind at any given time. When we are in reasonable mind it is just another day, and we don’t even notice the weather. The mind is hyper-rational, focused on the facts and tasks at hand. When we are in emotion mind, emotions are in control and storms blow in. Rationality flies away like leaves in an autumn gale. Under the influence of very strong emotions, thoughts jump from the past to the future and back to the present, and emotions and urges feel as unstable as tornados. The weather of wise mind is peaceful, even if a storm has recently passed by. Emotions may be present, like clouds in a blue sky, but the weather is calm. We are aware both of the facts of a situation and of our feelings about it. The mind is quiet and the attention is focused in the moment. Most of the time a part of your attention is quietly observing everything you are doing, even your own state of mind. To identify your state of mind, tune in to yourself from that observing part of you. How do you feel in your body? What are your thoughts like? Is emotion present? Can you name it? Do you feel any urges? Do you feel a loud intensity; a cool, logical focus; or a quiet inner knowing? Being able to look at your mind this way will help you identify your state of mind
Cedar R. Koons (The Mindfulness Solution for Intense Emotions: Take Control of Borderline Personality Disorder with DBT)
OH, NIETZSCHE The last Christmas Eve of the nineteenth century was very cold Piercing winds and snow stuffed themselves into the cracks of every door and window As professors of philosophy gathered in the Golden Hall Their nonsense and hollow academic jargon were winning applause Feeling a chill, professors furrowed their brows And refined ladies unconsciously pulled their collars closed No one paid attention to the chill, no one even responded But the howling wind outside the window Swept across Europe’s wide sky Outside, Nietzsche was wandering around in the wilderness His thoughts were accompanied by the snowy winds and howls of wolves In this frozen world his thoughts shed their skin again and again Like a bloody struggle to be free of incorporeal chains He relentlessly pursued the truth No one could understand his eccentric and arrogant disposition No one could answer his disdain for this world For only a blizzard of manuscripts accompanied him Weathered by a tormenting disease Nietzsche bitterly suffered from his solitary meditation His discontent with thoughts surged like gales blowing the heavy snow Sweeping the sky and earth with a wild fervor What a pure yet brutal world At that moment the bells of a new century were ringing The generation of heroes Nietzsche called “supermen” From “Martin Eden” penned by Jack London To the old man who went fishing with Hemingway Have already shocked the whole world Through so many sleepless nights he endured the torture of disease Yet nurtured the poetic longing of solitude and indifference An infant thought undergoes the trauma of birth To finally cry out in an earth-shattering voice Nietzsche, before the sunrise changed the world The entire sky shimmered with your incandescent thoughts The nearly extinguished candle was burning your final passion Nietzsche, oh Nietzsche, let us walk on together
Shi Zhi (Winter Sun: Poems (Volume 1) (Chinese Literature Today Book Series))
The apostle would have them go before the wind, and be carried with a full gale to heaven, which then is done when the soul, like a sail spread to the wind, is so filled with the truth and goodness of the promise, that it swells into an assured hope of what is promised, and rejoiceth in a certain expectation of what it shall have when it comes to the shore of eternity, though it be now tossed and weather-beaten with a thousand temptations and trials in its passage thither.
William Gurnall (The Christian in Complete Armour - The Ultimate Book on Spiritual Warfare)
the return of the Manx Shearwater. She was coming in from scallop dredging between Contrary Head and Jurby Point and instead of taking it easy on account of the weather, she was tearing across Peel Bay for all she was worth. A south-westerly gale was blowing and the sea was rough, but in her anxiety to make harbour she drove her bow into the steep waves until it vanished completely. Then she rose high in the air as though preparing to take a long jump for port.
George Bellairs (The Cursing Stones Murder (Inspector Littlejohn #23))
She is a child who's happiness is gauged by the strange weather between her parents, sometimes sunny but more often a gale.
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
IT HAD ALWAYS appeared to Jack Aubrey, ever since he was a little boy, that one of the purest joys in the world was sailing a small, well-conceived, weatherly boat: the purest form of sailing too, with the sheet alive in one’s hand, the tiller quivering under the crook of one’s knee and the boat’s instant response to the movement of either, and to the roll and the breeze. A more stirring, obvious joy, of course, in a moderate gale and a lively sea, but there was also a subtle delight in gliding over smooth water, coaxing every ounce of thrust from what light air there was: an infinitely varied joy.
Patrick O'Brian (The Thirteen-Gun Salute (Aubrey/Maturin #13))
My wife and I can't recall how many years we've been married, but we'll never forget our first backpacking trip together. We'd just begun dating and I was her trail-hardened outdoorsman, a knight in shining Cordura, the guy who could handle any wilderness emergency. She was my...well, let's just say I was bent on making a good impression. This was her first backpacking experience and I wanted to have many more with her as my hiking partner. I'd checked and double-checked everything--trail conditions, equipment, weather forecast. I even bought a new stove for the occasion. We set off under overcast skies with packs loaded and spirits high. There was precipitation in the forecast, but it was November and too early for snow, I assured her. (Did I mention that we were just a few miles south of Mount Washington, home to the worst, most unpredictable weather in the Northeast?) As we climbed the few thousand feet up a granite ridge, the trail steadily steepened and we strained a bit under our loads. On top, a gentle breeze pushed a fluffy, light snowfall. The flakes were big and chunky, the kind you chase with your mouth open. Certainly no threat, I told her matter-of-factly. After a few miles, the winds picked up and the snowflakes thickened into a swirling soup. The trail all but dissolved into a wall of white, so I pulled out my compass to locate the three-sided shelter that was to be our base for the night. Eventually we found it, tucked alongside a gurgling freshet. The winds were roaring no, so I pitched our tent inside the shelter for added protection. It was a tight fit, with the tent door only two feet from the log end-wall, but at least we were out of the snowy gale. To ward off the cold and warm my fair belle, I pulled my glittering stove from its pouch, primed it, and confidently christened the burner with a match. She was awestruck by my backwoods wizardry. Color me smug and far too confident. That's when I noticed it: what appeared to be water streaming down the side of the stove. My new cooker's white-gas fuel was bathing the stove base. It was also drenching the tent floor between us and the doorway--the doorway that was zipped tightly shut. A headline flashed through my mind: "Brainless Hikers Toasted in White Mountains." The stove burst into flames that ran up the tent wall. I grabbed a wet sock, clutched the stove base with one hand, and unzipped the tent door with the other. I heaved the hissing fireball through the opening, assuming that was the end of the episode, only to hear a thud as it hit the shelter wall before bouncing back inside to melt some more nylon. My now fairly unimpressed belle grabbed a pack towel and doused the inferno. She breathed a huge sigh of relief, while I swallowed a pound of three of pride. We went on to have a thoroughly disastrous outing. The weather pounded us into submission. A full day of storm later with no letup in sight, we decided to hike out. Fortunately, that slippery, slithery descent down a snowed-up, iced-over trail was merely the end of our first backpacking trip together and not our relationship. --John Viehman
Karen Berger (Hiking & Backpacking A Complete Guide)