Gal Quotes

We've searched our database for all the quotes and captions related to Gal. Here they are! All 100 of them:

Never underestimate a girl’s love for her favorite band. Never think even for a minute, that she won’t defend them to her death. Because it’s not just the music that makes that band her favorite. It’s the guys, the gals. It’s the fans. People whom of which she has interacted with thanks to the band. That band might of saved her life, or just made her smile everyday. That band has never broke her heart and has yet to leave her. No wonder she finds such joy in her music.
Alex Gaskarth
I might be an assassin, but never let it be said I wasn't as gracious a hostess as the next gal.
Jennifer Estep (Spider's Bite (Elemental Assassin, #1))
Got any brothers or sisters?” “No.” “Not a real chatty gal, are ya?” “Exactly how am I supposed to expand on not having siblings? Should I cry?” He smiled as he held up a bottle, “Wine?
Shelly Laurenston (Here Kitty, Kitty! (Magnus Pack, #3))
Don’t make a feller wait too long. A feller waiting on a gal can get ornery’er than a huntin’ dog that’s tree’d it’s squirrel.
Colleen Houck
Oh God,” Jase groaned, rubbing a hand down his jaw. “She’s a friend, Dad.” “Uh-huh.” His father backed up, picking up the bucket. “Friends with a pretty gal like that, then you’re doing something wrong, son.
J. Lynn (Be with Me (Wait for You, #2))
I’ve been kissed by men who did a very good job. But they don’t give kissing their whole attention. They can’t. No matter how hard they try parts of their minds are on something else. Missing the last bus—or their chances of making the gal—or their own techniques in kissing—or maybe worry about jobs, or money, or will husband or papa or the neighbors catch on. Mike doesn’t have technique . . . but when Mike kisses you he isn’t doing anything else. You’re his whole universe . . . and the moment is eternal because he doesn’t have any plans and isn’t going anywhere. Just kissing you.
Robert A. Heinlein (Stranger in a Strange Land)
One gal drank a can of floor wax and topped it off with a cup of Clorox, trying to separate herself from the same world he was in.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
That the most excellent method he had found of going to GOD, was that of doing our common business without any view of pleasing men, [Gal. i. 10; Eph. vi. 5, 6.] and (as far as we are capable) purely for the love of GOD.
Brother Lawrence (The Practice of the Presence of God)
Friday is a purple-velvet-sofa day for some poor woman who's finally reclaimed her life. A purple velvet sofa is a gal's symbol of freedom.
Beth Hoffman (Saving CeeCee Honeycutt)
But here the correlation with Beauty and the Beast ends. In the fable, the beauty kisses the beast. In the Bible, the beauty does much more. He becomes the beast so the beast can become the beauty. Jesus changes places with us. We, like Adam, were under a curse, but Jesus "changed places with us and put himself under that curse" (Gal. 3:13).
Max Lucado (He Chose the Nails: What God Did to Win Your Heart)
Guys, gals, now hear this: No one wants to take away your hunting rifles. No one wants to take away your shotguns. No one wants to take away your revolvers, and no one wants to take away your automatic pistols, as long as said pistols hold no more than ten rounds. If you can't kill a home invader (or your wife, up in the middle of the night to get a snack from the fridge) with ten shots, you need to go back to the local shooting range.
Stephen King (Guns)
Sometimes, a gal just can't have too many men. Maya
Cynthia Eden
If I had to marry someone, it wouldn't be a bossy little gal with a tongue like barbed-wire and a mind about as narrow.
Jim Thompson (The Killer Inside Me)
Well, well. Lucinda Hutton. One flexible little gal.” He is reclining in his chair again. Both feet are flat on the floor and they point at me like revolvers in a Wild West shootout. “HR,” I clip at him. I’m losing this game and he knows it. Calling HR is virtually like tapping out. He picks up the pencil and presses the sharpened tip against the pad of his thumb. If a human could grin without moving their face, he just did it.
Sally Thorne (The Hating Game)
This had expectations written all over it. Expectations that I was going to fuck up royally because I wasn’t the kind of gal who wore designer nightwear and knew what all the forks were for. I was the kind of gal who thought the nightgown drawer was where old T-shirts went to die and who had only started using forks in the last century.
Karen Chance (Fury's Kiss (Dorina Basarab, #3))
I am in no way an adrenaline-seeker. I’m much more of an irritable bowel syndrome kind of gal, really. And rest assured, my bowels were highly irritated by all the stress.
Camille Perri (The Assistants)
Griff. I bet he's never met a gal like you before." "I should hope not," she replied glibly, but heat filled her cheeks. "Nature couldn't possibly make two mistakes like me." "You're not a mistake. Don't you ever think of yourself that way. You're exactly as you ought to be.
Kady Cross (The Girl in the Clockwork Collar (Steampunk Chronicles, #2))
Visi turime ką nors, ko niekad neužmirštame. Galbūt taip tampame labiau pažeidžiami, o gal atvirkščiai.
Sigitas Parulskis (Vėjas mano akys)
Sweetie, I’m not a flowers and chocolates kind of gal,” she said, leaning into him. “Well, maybe the chocolate.” “I was going to say.” — Krysta and Étienne
Dianne Duvall (Darkness Rises (Immortal Guardians, #4))
I've become convinced that genius is a vastly overrated commodity. I think this country is full of geniuses, guys and gals so bright they make your average card carrying MENSA member look like Fucko the Clown. And I think that most of them are teachers, living and working in small town obscurity because that's the way they like it.
Stephen King (Insomnia)
That’s the spirit of Nasty Gal: We want you to dress for yourself, and know that it’s not shallow to put effort into how you look. I’m telling you that you don’t have to choose between smart and sexy. You can have both. You are both.
Sophia Amoruso (#GIRLBOSS)
Velma you says? No Velma heah, brother. No hooch, no gals, no nothing. Jes' the scram, white boy, jes' the scram.
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
She was the kind of gal that if she set her sights on a man, he'd be running in the opposite direction real quick.
Johanna Lindsey (A Man to Call My Own)
Remember, any day not surrendered to the Spirit of God will likely be lived in the flesh (Gal. 5:16–17).
Beth Moore (A Heart Like His: Intimate Reflections on the Life of David)
I am one of the happiest gals you know because I choose it every single day. I choose to practice gratitude; I choose to surround myself with things and people who support positivity.
Rachel Hollis (Girl, Stop Apologizing: A Shame-Free Plan for Embracing and Achieving Your Goals)
a guardian ad litem... GAL is appointed by a court to be a child's advocate during legal proceedings that involve a minor. You don't have to be a lawyer to be trained as a GAL, but you have to have a moral compass and a heart. Which, actually probably renders most lawyers unqualified for the job.
Jodi Picoult (My Sister’s Keeper)
Why is it a girl has to be so silly to catch a husband?” “Ah specs it’s kase gempmums doan know whut dey wants. Dey jes’ knows whut dey thinks dey wants. An’ givin’ dem whut dey thinks dey wants saves a pile of mizry an’ bein’ a ole maid. An’ dey thinks dey wants mousy lil gals wid bird’s tastes an’ no sense at all. It doan make a gempmum feel lak mahyin’ a lady ef he suspicions she got mo’ sense dan he has.
Margaret Mitchell (Gone with the Wind)
The earthly form of Christ is the form that died on the cross. The image of God is the image of Christ crucified. It is to this image that the life of the disciples must be conformed; in other words, they must be conformed to his death (Phil 3.10, Rom 6.4) The Christian life is a life of crucifixion (Gal 2.19) In baptism the form of Christ's death is impressed upon his own. They are dead to the flesh and to sin, they are dead to the world, and the world is dead to them (Gal 6.14). Anybody living in the strength of Christ's baptism lives in the strength of Christ's death.
Dietrich Bonhoeffer (The Cost of Discipleship)
Gal tai erezija, bet man atrodo, Kad ne tikėjimas svarbu, ne maldos, O tai, kiek žmogui gero padarai. Tikėti lengva. Daug sunkiau gyventi.
Justinas Marcinkevičius (Mažvydas)
He was a gorgeous testament to the male gender, and I was an average looking gal that could bench press a Volkswagen. Nothing good could come of this.
Stacey Rourke (Embrace (Gryphon, #2))
Oh you five and ten cent women With nothin' in your heads I got a real gal I'm lovin' And Lord I'll love her till I'm dead Go away from my door and my window too Right now
Bob Dylan
To me, Lorelai was equal parts Gal About Town and The Mom, plus a magical mix of smarts and humor that made her totally unique.
Lauren Graham (Talking as Fast as I Can: From Gilmore Girls to Gilmore Girls (and Everything in Between))
She's a lot more than nice," Gran said with a leer, "after our last date, I came home with my face looking like a glazed donut. That gal's juices are flowing. She must be on some kind of hormone replacement therapy.
Nick Pageant (Beauty and the Bookworm (Beauty and the Bookworm #1))
I have to get used to it—to her, but she's put a light in him so I think I'm going to be a fan." "You're a stand-up gal, Swede." "If she screws him up, I'll peel the skin off her ass with a dull razor blade.
Nora Roberts (Chasing Fire)
We're sistas. We treat each other like sistas. That's the blessin'. That's the problem. We come together cause we're both bein' fucked over by the same people. We get close. And then we fall in love with each other cause us third world diva gals are beautiful and blessed like none other.
Leah Lakshmi Piepzna-Samarasinha
There was a sign, written in what appeared to be ashes on a piece of discarded desktop. It said SMART DRESSES FOR SMART GALS. WEAR UNTIL THIS LIFE NO LONGER FITS YOU. No one knew what it meant.
Kelly Barnhill (When Women Were Dragons)
Knew you the second you set foot on my property, kid. Even as young as you were, how could I not? Folks want to blame someone for gals like us. “Her daddy was unkind” or “some fella broke her heart” … Hogwash. You and me’ve always been like this. Always a little removed. Always… dreaming. Of higher, further, faster… more. Always more. We came into this world spittin’ mad, runnin’ full bore… To or from what, I ain’t never been able to tell. Over the years, I’ve come to think of these particular traits as the shared attributes of a chosen people… the Lord put us here to punch holes in the sky. And when the soul is born with that kind of purpose… It’ll damn sure find a way. We’re gonna get where we’re going, you and me. Death and indignity be damned… we’ll get there… …And we will be the stars we were always meant to be.
Kelly Sue DeConnick (Captain Marvel, Vol. 1: In Pursuit of Flight)
Vieną knygą perskaitęs gal ir nepasikeisi. Bet perskaitęs 100 tapsi kitu žmogumi. Pavojaus pavirsti knygų žiurke šiais laikais nėra. Gyvenimas per daug dinamiškas. Gera literatūra, kartu su audringa aplinka ir visa ko kaita, žmogų nuteikia žygiams, netikėtiems ir išmintingiems sudėtingų problemų sprendimams.
Algimantas Čekuolis
Don't know the manners of good society, eh? Well, I guess I know enough to turn you inside out, old gal—you sockdologizing old man-trap.
Tom Taylor (Our American Cousin)
Troy: "Then when I saw that gal [Alberta]...she firmed up my backbone. And I got to thinking that if I tried...I just might be able to steal second.
August Wilson (Fences (The Century Cycle, #6))
The old gal was only another lonely creature in a world that didn’t care
Charles Bukowski
Gin’s the toughest gal I know. Takes a licking and keeps on ticking, just like a Timex. Isn’t that right, Gin?
Jennifer Estep (Venom (Elemental Assassin, #3))
Who knew making a gal smile could leave a man feeling so accomplished?
Karen Witemeyer (More Than Meets the Eye (Patchwork Family, #1))
Remember that gal that gave up? Neither does anyone else. Unknown
Marie Forleo (Everything is Figureoutable)
bet aš jau nebeturiu atsarginių išėjimų, neturiu atsarginių jausmų, atsarginių dalių savo netobulam šikšnosparnio kūneliui, gal todėl tokia trumpa - svaigi ir vientisa - mano meilė, kuri nebegali nei ko prarasti, nei ko užkariauti
Jurgis Kunčinas (Tūla)
My only allegiance is to an empire that doesn’t exist yet, to the possibility of Gal’s future rule. Maybe that makes me a traitor. Maybe it forfeits my soul. But for him—for this disastrous boy sleeping next to me—I would, I will.
Emily Skrutskie (Bonds of Brass (The Bloodright Trilogy, #1))
„Kartais sergančiojo egzistencija tampa gal net vertesnė už įprastą sveikojo rutiną, nes staiga atsiradęs suvokimas, kad kiekviena diena yra didžiausia dovana, kokią tik įmanoma gauti, nuo buvimo pasaulyje nulupa daugybę nereikšmingų smulkmenų, kvailų įsitikinimų ir beprasmių įsipareigojimų.
Jurga Ivanauskaitė (Viršvalandžiai)
Lipstick was an easy answer to boredom. It was the most exciting thing you could do in the shortest amount of time because for a second, you got to convince yourself that you were the kind of gal who wears lipstick every day. You got to pout to yourself, and trick yourself that you were glamorous. Then in a second it was over, time to wipe it off and start again.
Ainslie Hogarth (The Lonely)
Reading for me, was like breathing. It was probably akin to masturbation for my brain. Getting off on the fantasy within the pages of a good novel felt necessary to my survival. If I wasn't asleep, knitting, or working, I was reading. This was for several reasons, all of them focused around the infititely superior and enviable lives of fictional heroines to real-life people. Take romans for instance. Fictional women in romance novels never get their period. They never have morning breath. They orgasm seventeen times a day. And they never seem to have jobs with bosses. These clean, well-satisfied, perm-minty-breathed women have fulfilling careers as florists, bakery owners, hair stylists or some other kind of adorable small business where they decorate all day. If they do have a boss, he's a cool guy (or gal) who's invested in the woman's love life. Or, he's a super hot billionaire trying to get in her pants. My boss cares about two things: Am I on time ? Are all my patients alive and well at the end of my shift? And the mend in the romance novels are too good to be true; but I love it, and I love them. Enter stage right the independently wealthy venture capitalist suffering from the ennui of perfection until a plucky interior decorator enters stage left and shakes up his life and his heart with perky catch phrases and a cute nose that wrinkles when she sneezes. I suck at decorating. The walls of my apartment are bare. I am allergic to most store-bought flowers. If I owned a bakery, I'd be broke and weigh seven hundred pounds, because I love cake.
Penny Reid (Beauty and the Mustache (Knitting in the City, #4; Winston Brothers, #0))
Homer say, Pretty gal go a river and see herself in water. Pretty gal drown when she go down to kiss herself.
Marlon James (The Book of Night Women)
Remember how Paul and Barnabas urged this upon the Jews of Antioch, 'persuading them to continue in the grace of God' (Acts 13:43; Gal. 5:4; Titus 2:11; 1 Peter 5:12).
Horatius Bonar (Follow The Lamb)
Another door on the right led to a half bathroom with a sign hanging on it that read: GUYS, GALS, & OUR NONBINARY PALS.
T.J. Klune (Under the Whispering Door)
GUYS, GALS, & OUR NONBINARY PALS.
T.J. Klune (Under the Whispering Door)
Ir pagalvojau, kas jį daro tokį gražų - proporcijos, bruožai, oda, kaulai po oda?.. O gal tik aš? Mano akys, mano vizija, mano įsitikinimas... Mano mintys.
Kevin Brooks
I flick my eyes to the spot on her shoulder where her freckles match the constellations in the sky, and I smile. I get lost in her skin, sipping my drink and mapping the stars on her arm while everyone else talks and eats and laughs around me.
Jennifer Dugan (Hot Dog Girl)
It feels ridiculous to say it now. For gods’ sake, we just caved into this. But two and a half years is more than enough to know, even if you’ve only been kissing for a microscopic portion of them, so it doesn’t feel shameful in the slightest to whisper, “I love you,” into the inches between us. And it feels a thousand times more ridiculous when Gal whispers, “I love you too,” back.
Emily Skrutskie (Bonds of Brass (The Bloodright Trilogy, #1))
Jeigu žmogus aštuoniasdešimt procentų sudarytas iš vandens, tai gal devyniasdešimt devyni procentai gyvenimo yra sapnas. Kas sudaro tą vieną procentą — štai dėl ko kankinosi Hamletas ir Sanča Pansa.
Sigitas Parulskis (Vėjas mano akys)
I’m a reasonably attractive young gal, great rack, nice legs, and never had any complaints in the sack. But I’d never been—cue sad music—in love before. And no one had ever been—cue sadder music—in love with me.
Alice Clayton (Screwdrivered (Cocktail, #3))
Greetings from sunny Seattle, where women are “gals,” people are “folks,” a little bit is a “skosh,” if you’re tired you’re “logy,” if something is slightly off it’s “hinky,” you can’t sit Indian-style but you can sit “crisscross applesauce,” when the sun comes out it’s never called “sun” but always “sunshine,” boyfriends and girlfriends are “partners,” nobody swears but someone occasionally might “drop the f-bomb,” you’re allowed to cough but only into your elbow, and any request, reasonable or unreasonable, is met with “no worries.” Have I mentioned how much I hate it here?
Maria Semple (Where'd You Go, Bernadette)
I loathe popular pulp, I loathe go-go gangs, I loathe jungle music, I loathe science fiction with its gals and goons, suspense and suspensories. I especially loathe vulgar movies—cripples raping nuns under tables, or naked-girl breasts squeezing against the tanned torsos of repulsive young males. And, really, I don't think I mock popular trash more often than do other authors who believe with me that a good laugh is the best pesticide.
Vladimir Nabokov (Strong Opinions)
I probably won’t play a song the same way tomorrow as I play it today. Only a pitchman says the same thing the same way twice, without varying a word. If music is a language, why don’t people use it with the same subtlety, nuance, and facility as they do the spoken language? Probably because they don’t verbalize with the same vocabulary and tone they once did. It has been said that a people’s character is reflected in their music. Our culture is a perfect example. If people here walk around using one-syllable words with no color, no variety, no shading, how can we expect our musical language to be any different? It’s like the emperor’s new clothes – sure they can sit and make wild noises on their synthesizers and call it music – who questions? But ask them to pull up a chair and play ‘Gal in Calico’ or Temptation,’ or even a straight dramatic version of ‘The Star-Spangled Banner’ and they can’t do it. They’re too pretentious. They can’t just play songs.
Anton Szandor LaVey (The Secret Life of a Satanist: The Authorized Biography of Anton LaVey)
I'm not stupid and I'm not brainy. I just lack execution sometimes. I'm more of a "I should have said that" kind of gal. But there will be other days when I'll have a comback that'll knock ya flat and you knows it brov! ha-ha!
Ellie Williams
A bacchant asks a madam (as drachmas pass hands): 'what carnal acts can a man transact?' A gal can grab a man's balls and wank a man's shaft; a man can grasp a gal's bra and spank a gal's ass. A clasp snaps apart, and a scant shawl falls.
Christian Bök (Eunoia)
Actually, I believe there are only two kinds of women in this world: Martha people and Oprah people. That doesn’t mean one can’t have an affinity for both of them, but my theory is that every chick is more firmly in one camp than the other. The typical Oprah woman is all self-actualized and best-life-y and Eat, Pray, Love. The Big O seems like the kind of gal who’d insist we all spend the afternoon wearing jammy pants. And how fun would that be?! But Martha? She’s not putting up with that nonsense, and that makes me adore her all the more. She’ll tell you what to eat, where to pray, and who to love, and I appreciate the guidance.
Jen Lancaster (The Tao of Martha: My Year of LIVING; Or, Why I'm Never Getting All That Glitter Off of the Dog)
Young men are all very well in their place, but it doesn’t do to drag them into everything, does it? Diana and I are thinking seriously of promising each other that we will never marry but be nice old maids and live together forever
L.M. Montgomery (Anne of Green Gables by L. M. Montgomery (Original Version))
Hva vil det forresten si å være gal? Vil det ikke si at man har finere og mer følsomme nerver enn andre vesener, at man har utviklet helt nye sjelelige organer, sjelelige antenner, at man kort sagt ser inn i en verden hvor alle andre er blinde? Kanskje det gale mennesket er et brytningfenomen, det første løst skisserte utkast til en ny mennesketype, en ny art på jorden?
André Bjerke (De dødes tjern)
Kay Cannon was a woman I’d known from the Chicago improv world. A beautiful, strong midwestern gal who had played lots of sports and run track in college, Kay had submitted a good writing sample, but I was more impressed by her athlete’s approach to the world. She has a can-do attitude, a willingness to learn through practice, and she was comfortable being coached. Her success at the show is a testament to why all parents should make their daughters pursue team sports instead of pageants. Not that Kay couldn’t win a beauty pageant - she could, as long as for the talent competition she could sing a karaoke version of ‘Redneck Woman’ while shooting a Nerf rifle.
Tina Fey
As if all that weren't enough, factor in the whole tedious millenial saga of female virtue, modesty, shame, repression, male ineptitude...in short, a cruel combo of anatomical inheritance and sexual inhibition for the gal set; a nature-culture one-two punch, right to the female pleasure principle.
Laura Kipnis (The Female Thing: Dirt, Sex, Envy, Vulnerability)
Why do I trust you?” Gal asks. My blood runs cold. But Gal’s tone isn’t cruel or calculating. It’s hopeful. Warming. He’s on to something. “Maybe you don’t trust me—I wouldn’t blame you if you didn’t, after everything—but I trust you with my life. I know I can trust you because you throw your life on the line to save me. Time and time again, no matter how little I deserve it. You’ve sacrificed everything for me.
Emily Skrutskie (Bonds of Brass (The Bloodright Trilogy, #1))
It was An­tho­ny Marston who dis­agreed with the ma­jor­ity. 'A bit un­sport­ing, what?' he said. 'Ought to fer­ret out the mys­tery be­fore we go. Whole thing's like a de­tec­tive sto­ry. Pos­itive­ly thrilling.' The judge said acid­ly: 'At my time of life, I have no de­sire for "thrills," as you call them.' An­tho­ny said with a grin: 'The le­gal life's narrow­ing! I'm all for crime! Here's to it.' He picked up his drink and drank it off at a gulp. Too quick­ly, per­haps. He choked -​ choked bad­ly. His face contort­ed, turned pur­ple. He gasped for breath -​ then slid down off his chair, the glass falling from his hand.
Agatha Christie (And Then There Were None)
One guy has his head on a table, eyes closed, vomit drooling from his mouth. Another pulls out his false teeth and clamps them on the ear of a gal at the next table. An immense woman in a purple jumpsuit is crying while another woman screams at her. And what I'm thinking is maybe it's time to halt all human reproduction. Let God or evolution or wathever put us here in the first place start again from scratch, because this isn't working.
Ron Rash (Burning Bright)
What I mean," I (Hank) said, "is that in every book I've read lately, the guys need to be saved by the gals. Every guy character seems written with a healthy dose of stupid, and the only way he could find his way out of a bucket is if a girl character shows him how. You haven't noticed that?" - p. 164, Vanishing Act, by Laura Martin.
Laura Martin (Vanishing Act (Float, #2))
That air of electric tension, of a great city on the edge of an abyss, is more noticeable than ever at the White Russian cabaret called, not inappropriately, "New York." You wouldn't know you were in China. An almond-eyed platinum-blonde has just finished wailing, with a Mott Street accent, "You're gonna lose your gal." ("Jane Brown's Body")
Cornell Woolrich (The Fantastic Stories of Cornell Woolrich (Alternatives SF Series))
Love embraces the totality of the other person. It is impossible to completely and effectively love someone without being included in that other person’s history. Our history has made us who we are. The images, scars, and victories that we live with have shaped us into the people we have become. We will never know who a person is until we understand where they have been. The secret of being transformed from a vulnerable victim to a victorious, loving person is found in the ability to open your past to someone responsible enough to share your weaknesses and pains. “Bear one another’s burdens, and so fulfill the law of Christ” (Gal. 6:2). You don’t have to keep reliving it. You can release it.
T.D. Jakes (Healing the Wounds of the Past)
I abhor men who cheat on their wives and despise women who sleep with married men.
Lisa Lim (Confessions of a Call Center Gal)
Over the last twelve chapters we have considered the crucial difference between servants and slaves- noting that while servants are hired, slaves are owned. Believers are not merely Christ’s hired servants; they are His slaves, belonging to Him as His possession. He is their Owner and Master, worthy of their unquestioned allegiance and absolute obedience. His Word is their final authority; His will their ultimate mandate. Having taken up their cross to follow Him, they have died to themselves and can now say with Paul, “I have been crucified with Christ; and it is no longer I who live nut Christ lives in me” (Gal. 2:20). As the apostle elsewhere explained, “[Christ] died for all, so that they who live might no longer live for themselves, but for Him who died and rose again on their behalf” (2 Cor. 5:15). In reality, all of life should be viewed from that perspective. As Christians, we are slaves of Christ. What a radical difference that truth should make in our daily lives! We no longer live for ourselves. Rather, we make it our aim to please the Master in everything.
John F. MacArthur Jr. (Slave: The Hidden Truth About Your Identity in Christ)
It is possible for Christ to be born in men’s lives, and when such an experience actually happens, a man is ‘in Christ’ —Christ is ‘formed’ in him [Gal. 4:18–19]. This presupposes that we take Christ into our hearts and make Him the living contemporary of our lives. He is not just a general truth or a fact in history, but the Savior of men everywhere and at all times.
Howard W. Hunter
Ruth’s adoption wasn’t too far from what today’s natural Jews must do, when they want to join the Messiah’s heavenly family: “but when the completion of the time came, God sent his Son, born of a woman, born a subject of the Law, to redeem the subjects of the Law, so that we could receive adoption as sons.” –Gal 4:4-5 Michael Ben Zehabe, Ruth: a woman’s guide to husband material, pg 43
Michael Ben Zehabe (Ruth: A Woman's Guide to Husband Material)
Naw, Ah ain’t no young gal no mo’ but den Ah ain’t no old woman neither. Ah reckon Ah looks mah age too. But Ah’m uh woman every inch of me, and Ah know it. Dat’s uh whole lot more’n you kin say. You big-bellies round here and put out a lot of brag, but ’tain’t nothin’ to it but yo’ big voice. Humph! Talkin’ ’bout me lookin’ old! When you pull down yo’ britches, you look lak de change uh life.
Zora Neale Hurston (Their Eyes Were Watching God)
LOOK, I’M ONLY IN THIS FOR THE PIZZA. The publisher was like, “Oh, you did such a great job writing about the Greek gods last year! We want you to write another book about the Ancient Greek heroes! It’ll be so cool!” And I was like, “Guys, I’m dyslexic. It’s hard enough for me to read books.” Then they promised me a year’s supply of free pepperoni pizza, plus all the blue jelly beans I could eat. I sold out. I guess it’s cool. If you’re looking to fight monsters yourself, these stories might help you avoid some common mistakes—like staring Medusa in the face, or buying a used mattress from any dude named Crusty. But the best reason to read about the old Greek heroes is to make yourself feel better. No matter how much you think your life sucks, these guys and gals had it worse. They totally got the short end of the Celestial stick. By the way, if you don’t know me, my name is Percy Jackson. I’m a modern-day demigod—the son of Poseidon. I’ve had some bad experiences in my time, but the heroes I’m going to tell you about were the original old-school hard-luck cases. They boldly screwed up where no one had screwed up before. Let’s pick twelve of them. That should be plenty. By the time you finish reading about how miserable their lives were—what with the poisonings, the betrayals, the mutilations, the murders, the psychopathic family members, and the flesh-eating barnyard animals—if that doesn’t make you feel better about your own existence, then I don’t know what will. So get your flaming spear. Put on your lion-skin cape. Polish your shield, and make sure you’ve got arrows in your quiver. We’re going back about four thousand years to decapitate monsters, save some kingdoms, shoot a few gods in the butt, raid the Underworld, and steal loot from evil people. Then, for dessert, we’ll die painful tragic deaths. Ready? Sweet. Let’s do this.
Rick Riordan (Percy Jackson's Greek Heroes)
There are some who are still weak in faith, who ought to be instructed, and who would gladly believe as we do. But their ignorance prevents them...we must bear patiently with these people and not use our liberty; since it brings to peril or harm to body or soul...but if we use our liberty unnecessarily, and deliberately cause offense to our neighbor, we drive away the very one who in time would come to our faith. Thus St. Paul circumcised Timothy (Acts 16:3) because simple minded Jews had taken offense; he thought: what harm can it do, since they are offended because of ignorance? But when, in Antioch, they insisted that he out and must circumcise Titus (Gal. 2:3) Paul withstood them all and to spite them refused to have Titus circumcised... He did the same when St. Peter...it happened in this way: when Peter was with the Gentiles he ate pork and sausages with them, but when the Jews came in, he abstained from this food and did not eat as he did before. Then the Gentiles who had become Christians though: Alas! we, too, must be like the Jews, eat no pork, and live according to the law of Moses. But when Paul learned that they were acting to the injury of evangelical freedom, he reproved Peter publicly and read him an apostolic lecture, saying: "If you, though a Jew, live like a Gentile, how can you compel the Gentiles to live like Jews?" (Gal. 2:14). Thus we, too, should order our lives and use our liberty at the proper time, so that Christian liberty may suffer no injury, and no offense be given to our weak brothers and sisters who are still without the knowledge of this liberty.
Martin Luther
Fuck, he couldn’t. But Brandon knew that he’d never forgive himself if he didn’t do everything in his power. Even if it failed, he had to try. It had to be worth it. “Jeff.” He swallowed his fear. “You asked me today if this relationship I’m in was the one…well it is. And the chick I’ve been seeing, the one from San Diego, she ain’t no gal. I can’t lose Nicky. I’m going to lose him. I got nothing if you don’t help.
James Buchanan (Cheating Chance (Taking the Odds, #1))
Ladies, what in the world is wrong with men? I mean besides all the really obvious stuff. They think they have the handle on everything. And if a lady gets in behind the wheel of a sports car, they act all crazy, like we don't belong. Same thing with motorcycles. Let a gal cruise down the highway on her hog and you'd think she was Lady Godiva for all the stares that she gets. I got news for you, just because we don't...doesn't mean that we can't. Seriously, boys, you can be replaced by a few inches of rubber and a couple of D-cell batteries, so I wouldn't be too cocky.
T.W. Brown (That Ghoul Ava & The Queen of the Zombies (That Ghoul Ava #2))
Women don't always want the right things in a man. And men don't have even an idea of what they want," she said. "Why, one minute their bodies tell them they want a wild woman that makes their blood rush. The next minute their good sense reminds them that they need a hard worker who is sturdy enough to help plow the field and birth the babies. They want a woman who'll mind their word and not be giving no jawing. But they also want a gal they can complain to when they are scared and unsure and who's smart enough to talk clear about the things goin' on." "So the wife has to be all those things?" "No, the wife is none of them," the old woman answered. "The wife is a wife and no further definition is necessary." Granny leaned forward in her chair to look more closely at Meggie. "Roe Farley married you and you were his wife. Nothing further even need to be said." Her face flushing with embarrassment, she glanced away. "But he doesn't... he didn't love me." "And did you think he would?" Momentarily Meggie was taken aback. "Well, yes." "Lord Almighty, child," Granny said. "Love ain't something that heaven hands out like good teeth or keen eyesight. Love is something two people make together." Shaking her head, the old woman leaned back in her chair once more and tapped on her pipe. "Love, oh, my, it starts out simple and scary with all that heavy breathing and in the bed sharing," she said. "You a-trembling when he runs his hands acrost your skin, him screaming out your name when he gets in the short rows. That's the easy part, Meggie. Every day thereafter it gets harder. The more you know him, the more he knows you, the longer you are a part of each other, the stronger the love is and the tougher it is to have it.
Pamela Morsi (Marrying Stone (Tales from Marrying Stone, #1))
Aš sėdžiu šį vakarą, rašau, ir galvoju. Tikrai pasakius, aš negalvoju. Aš ne galvojantis žmogus. Su galva toli nenueisi. Aš tik sėdžiu taip ir klausaus, kas ateina iš erdvių gilumos, bandydamas atspėti, kas yra tikrai svarbu. Ir lyg girdžiu, kad tikrumoje niekas nėra svarbu, kad viskas praeina, kad viskas yra lygiai svarbu, ir kad mes visi esam tik lašeliai pasaulio ir gyvenimo vandenyne - tik ašara ant Fatimos veido - ir kad visos mūsų galvos ir idėjos ir sistemos yra tik niekas, tik niekas. Niekas, palyginant su širdimi, švelniu geru žodžiu, švelniu palietimu, pabučiavimu, žmogaus su žmogumi susitikimu, atviru žodžių pasikeitimu, padrąsinimu ar draugyste. A, visi tie nedideli žmogiški jausmai, emocijos, padainavimai kartu, ar eini ir išgeri alaus su kuo, gal net ant peties, kaip sako, paverki gal net. A, kaip viskas tai svarbu, daug giliau ir svarbiau, negu visos politinės ir ekonominės sistemos.
Jonas Mekas (Laiškai iš Niekur)
Mattie,” he said silently to no one in the room, “you’re a little girl. But nobody stays a little girl or a little boy long—take me, for instance. All of a sudden little girls wear lipstick, all of a sudden little boys shave and smoke. So it’s a quick business, being a kid. Today you’re ten years old, running to meet me in the snow, ready, so ready, to coast down Spring Street with me; tomorrow you’ll be twenty, with guys sitting in the living room waiting to take you out. All of a sudden you’ll have to tip porters, you’ll worry about expensive clothes, meet girls for lunch, wonder why you can’t find a guy who’s right for you. And that’s all as it should be. But my point, Mattie—if I have a point, Mattie—is this: kind of try to live up to the best that’s in you. If you give your word to people, let them know that they’re getting the word of the best. If you room with some dopey girl at college, try to make her less dopey. If you’re standing outside a theater and some old gal comes up selling gum, give her a buck if you’ve got a buck—but only if you can do it without patronizing her. That’s the trick, baby. I could tell you a lot, Mat, but I wouldn’t be sure that I’m right. You’re a little girl, but you understand me. You’re going to be smart when you grow up. But if you can’t be smart and a swell girl, too, then I don’t want to see you grow up. Be a swell girl, Mat.
J.D. Salinger
Pavėlintąjį vasarojų seka piktžolės. Už ką jas pravardžiuoja "piktžolėmis", kad jos tokios pat žolės, kaip ir kitos? Dažnai gal dar naudingesnės, tik žmogus dar nemoka jomis pasinaudot ir, savo papratimu, ne save nupeikia, tik tai, ko jis netesi. <...> Mes pykstame and piktžolių, kam jos tokios vislios. Argi tai ne kvaila? Argi vislumas - eibė? Tai pavyzdys, kaip reikia gyventi, kad išliktumei. <...> Pačios sau paliktos, nesumaningo ar neapsukraus žmogaus "neglobojamos".
Juozas Tumas-Vaižgantas (Dėdės ir dėdienės)
The official line is that, after the war, women couldn't wait to leave the offices and assembly lines and government agencies. But the real story was that the economy couldn't have men coming home without women going home, not unless it wanted a lot of unemployed vets. So the problem became unemployed women. "How you gonna keep us down on the farm after we've seen the world,"' she ad-libs to the old World War I tune. 'Enter the women's magazines, and cookbook publishers, and all these advertising agencies carrying on about the scourge of germs in the toilet bowl, and scuffs on the kitchen floor, and, my favorite, house B.O. Enter chicken hash that takes two and a half hours to prepare. I can just hear them sitting around the conference tables. 'That'll keep the gals out of trouble.
Ellen Feldman (Next to Love)
But my point, Mattie—if I have a point, Mattie—is this: kind of try to live up to the best that’s in you. If you give your word to people, let them know that they’re getting the word of the best. If you room with some dopey girl at college, try to make her less dopey. If you’re standing outside a theater and some old gal comes up selling gum, give her a buck if you’ve got a buck — but only if you can do it without patronizing her. That’s the trick, baby.' -Last Day of the Last Furlough
J.D. Salinger
We had different lives. We come from different places." "Surely ye do. And you got different bodies, too. That's what marriage is about, Meggie-gal, making differences intertwine into something whole and new." Meggie didn't want to argue. "He didn't love me, Pa," she said. "I'll believe that when I see coons a-taking up farming," the old man answered. He raked his hair with his hands helplessly. "What do ye think love is, Meggie. Do you think it's heart pounding and breath stealing and verse reciting?" he asked. "Yes, ma'am, there is some of that involved, but mostly love is quiet and caring and friendlylike. It's wanting to tell that person something afore you whisper it to another soul. It's not being alone.
Pamela Morsi (Marrying Stone (Tales from Marrying Stone, #1))
In the wee small hours, California Highway One north of Half Moon Bay is about as desolate as it gets. The narrow, twisting road was etched from sheer cliff faces that towered above me on the right and dropped away a hundred feet to the Pacific Ocean on my left. A soggy wool blanket of San Francisco's famous fog hung a few feet above the roadway, obscuring the stars and dribbling tiny spots of mist on my windshield. My headlights bored through the gap between road and fog, drilling an endless tunnel through the darkness. So far as I could tell, there were only two other cars on the entire planet that night—actually, one car and a produce truck. They'd flashed by, one after the other, heading south just past Moss Beach. Their headlights glared in my eyes and made the road seem even narrower, but half an hour later, I was wishing for more signs of life just to help keep my drooping eyelids from slamming shut altogether. It was the wrong thing to wish for. She appeared suddenly out of the fog on the opposite side of the road. Only, she wasn't in a car. This gal was smack dab in the middle of the southbound lane and running for all she was worth. She wore a white dress and no coat, and that was about all I had time to take in before she was gone and I was alone in the endless tunnel again.
H.P. Oliver (Goodnight, San Francisco)
Do not keep talking to the Devil’s Advocate Guy or Gal aka DAG. I’m not against playing Devil’s Advocate, because a lot can be gleaned from it. However, when it comes to topics such as homophobia, sexism and racism, a particular kind of DAG tends to rear its ugly head. This person isn’t interested in having a fruitful discussion that will enrich everyone involved, nor do they have any intention to have an open and frank discussion about a difficult subject. This person is simply a shit-starter. Someone who is bored and wants to derail a conversation or has some inner rage that they are dying to unleash. During my days of blogging about race, I have encountered this person often. They start out as seemingly run-of-the-mill people, perhaps sharing slightly bias statistics but asking enough questions to seem like they are open to ideas. Eventually though, DAG will lose their cool, and reveal themselves for who they are.
Phoebe Robinson (You Can't Touch My Hair: And Other Things I Still Have to Explain)
Right, you see that girl over there, the one in that group that keeps looking right at you?'...'Right, let's say I'm convinced she's wearing black knickers - she looks like a black knickers kind of gal to me - and I'm so sure that's what she's wearing, so positive of that sartorial fact, I want to bet a million dollars on it. The trouble is, if I'm wrong, I'm wiped out. So I also bet she's wearing knickers that aren't black, but are any one of a whole basket of colours - let's say I put nine hundred and fifty thousand dollars on that possibility: that's the rest of the market; that's the hedge. This is a crude example, okay, in every sense, but hear me out. Now if I'm right, I make fifty K, but even if I'm wrong I'm going to lose fifty K, because I'm hedged. And because ninety-five per cent of my million dollars is not in use - I'm never going to be called on to show it: the only risk is in the spread - I can make similar bets with other people. Or I can bet it on something else entirely. And the beauty of it is I don't have to be right all the time - if I can just get the colour of her underwear right fifty-five per cent of the time I'm going to wind up very rich...
Robert Harris (The Fear Index)
The cover letter is all about what you want. Nasty Gal gets so many cover letters that detail a “passion for fashion” and then proceed to talk about how this job will help the applicant pursue her interests, gain more experience, and explore new avenues. If a cover letter starts out like this, I usually end up reading the first couple of sentences before hitting the delete button. Why? Because I don’t care about what a job will do for you and your personal development. I know that sounds harsh, but I don’t know you, so the fact that you want to work for my company does not automatically mean that I have an interest in helping you grow your career. I have a business that is growing by the day, so I want to know what you can do for me. It’s as simple as that.
Sophia Amoruso (#Girlboss)
Rea­sons Why I Loved Be­ing With Jen I love what a good friend you are. You’re re­ally en­gaged with the lives of the peo­ple you love. You or­ga­nize lovely ex­pe­ri­ences for them. You make an ef­fort with them, you’re pa­tient with them, even when they’re side­tracked by their chil­dren and can’t pri­or­i­tize you in the way you pri­or­i­tize them. You’ve got a gen­er­ous heart and it ex­tends to peo­ple you’ve never even met, whereas I think that ev­ery­one is out to get me. I used to say you were naive, but re­ally I was jeal­ous that you al­ways thought the best of peo­ple. You are a bit too anx­ious about be­ing seen to be a good per­son and you def­i­nitely go a bit over­board with your left-wing pol­i­tics to prove a point to ev­ery­one. But I know you re­ally do care. I know you’d sign pe­ti­tions and help peo­ple in need and vol­un­teer at the home­less shel­ter at Christ­mas even if no one knew about it. And that’s more than can be said for a lot of us. I love how quickly you read books and how ab­sorbed you get in a good story. I love watch­ing you lie on the sofa read­ing one from cover-to-cover. It’s like I’m in the room with you but you’re in a whole other gal­axy. I love that you’re al­ways try­ing to im­prove your­self. Whether it’s running marathons or set­ting your­self chal­lenges on an app to learn French or the fact you go to ther­apy ev­ery week. You work hard to be­come a bet­ter ver­sion of your­self. I think I prob­a­bly didn’t make my ad­mi­ra­tion for this known and in­stead it came off as ir­ri­ta­tion, which I don’t re­ally feel at all. I love how ded­i­cated you are to your fam­ily, even when they’re an­noy­ing you. Your loy­alty to them wound me up some­times, but it’s only be­cause I wish I came from a big fam­ily. I love that you al­ways know what to say in con­ver­sa­tion. You ask the right ques­tions and you know ex­actly when to talk and when to lis­ten. Ev­ery­one loves talk­ing to you be­cause you make ev­ery­one feel im­por­tant. I love your style. I know you think I prob­a­bly never no­ticed what you were wear­ing or how you did your hair, but I loved see­ing how you get ready, sit­ting in front of the full-length mir­ror in our bed­room while you did your make-up, even though there was a mir­ror on the dress­ing ta­ble. I love that you’re mad enough to swim in the English sea in No­vem­ber and that you’d pick up spi­ders in the bath with your bare hands. You’re brave in a way that I’m not. I love how free you are. You’re a very free per­son, and I never gave you the sat­is­fac­tion of say­ing it, which I should have done. No one knows it about you be­cause of your bor­ing, high-pres­sure job and your stuffy up­bring­ing, but I know what an ad­ven­turer you are un­der­neath all that. I love that you got drunk at Jack­son’s chris­ten­ing and you al­ways wanted to have one more drink at the pub and you never com­plained about get­ting up early to go to work with a hang­over. Other than Avi, you are the per­son I’ve had the most fun with in my life. And even though I gave you a hard time for al­ways try­ing to for al­ways try­ing to im­press your dad, I ac­tu­ally found it very adorable be­cause it made me see the child in you and the teenager in you, and if I could time-travel to any­where in his­tory, I swear, Jen, the only place I’d want to go is to the house where you grew up and hug you and tell you how beau­ti­ful and clever and funny you are. That you are spec­tac­u­lar even with­out all your sports trophies and mu­sic cer­tifi­cates and in­cred­i­ble grades and Ox­ford ac­cep­tance. I’m sorry that I loved you so much more than I liked my­self, that must have been a lot to carry. I’m sorry I didn’t take care of you the way you took care of me. And I’m sorry I didn’t take care of my­self, ei­ther. I need to work on it. I’m pleased that our break-up taught me that. I’m sorry I went so mental. I love you. I always will. I'm glad we met.
Dolly Alderton (Good Material)
You endure the weight of love by being rooted in God. Your life energy needs to come from God, not the person you are loving. The more difficult the situation, the more you are forced into utter dependence on God. That is the crucible of love, where self-confidence and pride are stripped away, because you simply do not have the power or wisdom or ability in yourself to love. You know without a shadow of a doubt that you can’t love. That is the beginning of faith—knowing you can’t love. Faith is the power for love. Paul the apostle tells us that the I beam or hidden structure of the Christian life is “faith working through love” (Gal. 5:6). Faith energizes love. We handle the weight of love by rooting ourselves in God. Our inability to sustain love drives us into dependence on God. Then faith becomes a continuous cry. Like the tax collector in the temple, we cry out, “God, be merciful to me, a sinner!” (Luke 18:13). In overwhelming situations where you are all out of human love, you discover that you are praying all the time because you can’t get from one moment to the next without God’s help. You realize you can’t do life on your own, and you need God and his love to be the center. You lean upon God because you can’t bear the weight of love. So faith is not a mountain to climb, but a valley to fall
Paul E. Miller (A Loving Life: In a World of Broken Relationships)
One wonders why no one in church history has ever been considered a heretic for being unloving. People were anathematized and often tortured and killed for disagreeing on matters of doctrine or on the authority of the church. But no one on record has ever been so much as rebuked for not loving as Christ loved. Yet if love is to be placed above all other considerations (Col. 3:14; 1 Peter 4:8), if nothing has any value apart from love (1 Cor. 13:1–3), and if the only thing that matters is faith working in love (Gal. 5:6), how is it that possessing Christlike love has never been considered the central test of orthodoxy? How is it that those who tortured and burned heretics were not themselves considered heretics for doing so? Was this not heresy of the worst sort? How is it that those who perpetrated such things were not only not deemed heretics but often were (and yet are) held up as “heroes of the faith”? If there is an answer to this question, I believe it lies in the deceptive power of the sword. While God uses the sword of governments to preserve law, order, and justice, as we have seen, there is a corrupting principality and power always at work. Much like the magical ring in Tolkien’s Lord of the Rings, the sword has a demonic power to deceive us. When we pick it up, we come under its power. It convinces us that our use of violence is a justified means to a noble end. It intoxicates us with the unquenchable dream of redemptive violence and blinds us to our own iniquities, thereby making us feel righteous in overpowering the unrighteousness of others. Most of the slaughtering done throughout history has been done by people who sincerely believed they were promoting “the good.” Everyone thinks their wars are just, if not holy. Marxists, Nazis, the Khmer Rouge, Islamic terrorists, and Christian crusaders have this in common.
Gregory A. Boyd (The Myth of a Christian Nation: How the Quest for Political Power Is Destroying the Church)
De echtgenote gaat voor hem staan en draait een rondje. Op hoge hakken kunnen haar benen de vergelijking met lang geleden doorstaan. Hun eerste kennismaking, de eerste dagen, de eerste weken. De tijd dat je een onbeschreven blad bent voor de ander, de vrijheid die dat met zich meebrengt, het geluk. Ergens in haar benen zit de vrijheid die Hofmeester is kwijtgeraakt, en weer heeft teruggevonden op Schiphol. Maar toen smaakte die vrijheid hem niet meer, beter gezegd, daar proefde hij de ware smaak van de vrijheid: gal. Ergens in haar benen zit de herinnering aan geluk. Mooi waren ze altijd al geweest, die benen, lang, slank en toch gespierd. Als ze indruk wilde maken deed ze een korte rok aan. Hij herinnert zich de blikken van de andere mannen, hij herinnert zich de eerste keer dat hij besefte dat hij kinderen had gekregen met een vrouw die eigenlijk te jong voor hem was, die niet bij zijn leeftijd noch zijn status paste. Haar stillevens stelde niet veel voor, maar als stilleven was ze zelf onovertroffen. De hel waren niet de anderen. Hij was het zelf. De hel zat diep in hem. Verankerd, verborgen en onzichtbaar, maar wel levend en warm. Gloeiend heet.
Arnon Grunberg (Tirza)
People who think that queer life consists of sex without intimacy are usually seeing only a tiny part of the picture, and seeing it through homophobic stereotype. The most fleeting sexual encounter is, in its way intimate. And in the way many gay men and lesbians live, quite casual sexual relations can develop into powerful and enduring friendships. Friendships, in turn, can cross into sexual relations and back. Because gay social life is not as ritualized and institutionalized as straight life, each relation is an adventure in nearly un-charted territory—whether it is between two gay men, or two lesbians, or a gay man and a lesbian, or among three or more queers, or between gay men and the straight women whose commitment to queer culture brings them the punishment of the "fag hag" label. There are almost as many kinds of relationship as there are people in combination. Where there are -patterns, we learn them from other queers, not from our-parents or schools or the state. Between tricks and lovers and exes and friends and fuckbuddies and bar friends and bar friends' tricks and tricks' bar friends and gal pals and companions "in the life," queers have an astonishing range of intimacies. Most have no labels. Most receive no public recognition. Many of these relations are difficult because the rules have to be invented as we go along. Often desire and unease add to their intensity, and their unpredictability. They can be complex and bewildering, in a way that arouses fear among many gay people, and tremendous resistance and resentment from many straight people. Who among us would give them up? Try standing at a party of queer friends and charting all the histories, sexual and nonsexual, among the people in the room. (In some circles this is a common party sport already.) You will realize that only a fine and rapidly shifting line separates sexual culture from many other relations of durability and care. The impoverished vocabulary of straight culture tells us that people should be either husbands and wives or (nonsexual) friends. Marriage marks that line. It is not the way many queers live. If there is such a thing as a gay way of life, it consists in these relations, a welter of intimacies outside the framework of professions and institutions and ordinary social obligations. Straight culture has much to learn from it, and in many ways has already begun to learn from it. Queers should be insisting on teaching these lessons. Instead, the marriage issue, as currently framed, seems to be a way of denying recognition to these relations, of streamlining queer relations into the much less troubling division of couples from friends.
Michael Warner (The Trouble with Normal: Sex, Politics, and the Ethics of Queer Life)
GET BEYOND THE ONE-MAN SHOW Great organizations are never one-man operations. There are 22 million licensed small businesses in America that have no employees. Forbes suggests 75 percent of all businesses operate with one person. And the average income of those companies is a sad $44,000. That’s not a business—that’s torture. That is a prison where you are both the warden and the prisoner. What makes a person start a business and then be the only person who works there? Are they committed to staying small? Or maybe an entrepreneur decides that because the talent pool is so poor, they can’t hire anyone who can do it as well as them, and they give up. My guess is the latter: Most people have just given up and said, “It’s easier if I just do it myself.” I know, because that’s what I did—and it was suicidal. Because my business was totally dependent on me and only me, I was barely able to survive, much less grow, for the first ten years. Instead I contracted another company to promote my seminars. When I hired just one person to assist me out of my home office, I thought I was so smart: Keep it small. Keep expenses low. Run a tight ship. Bigger isn’t always better. These were the things I told myself to justify not growing my business. I did this for years and even bragged about how well I was doing on my own. Then I started a second company with a partner, a consulting business that ran parallel to my seminar business. This consulting business quickly grew bigger than my first business because my partner hired people to work for us. But even then I resisted bringing other people into the company because I had this idea that I didn’t want the headaches and costs that come with managing people. My margins were monster when I had no employees, but I could never grow my revenue line without killing myself, and I have since learned that is where all my attention and effort should have gone. But with the efforts of one person and one contracted marketing company, I could expand only so much. I know that a lot of speakers and business gurus run their companies as one-man shows. Which means that while they are giving advice to others about how to grow a business, they may have never grown one themselves! Their one-man show is simply a guy or gal going out, collecting a fee, selling time and a few books. And when they are out speaking, the business terminates all activity. I started studying other people and companies that had made it big and discovered they all had lots of employees. The reality is you cannot have a great business if it’s just you. You need to add other people. If you don’t believe me, try to name one truly great business that is successful, ongoing, viable, and growing that doesn’t have many people making it happen. Good luck. Businesses are made of people, not just machines, automations, and technology. You need people around you to implement programs, to add passion to the technology, to serve customers, and ultimately to get you where you want to go. Consider the behemoth online company Amazon: It has more than 220,000 employees. Apple has more than 100,000; Microsoft has around the same number. Ernst & Young has more than 200,000 people. Apple calls the employees working in its stores “Geniuses.” Don’t you want to hire employees deserving of that title too? Think of how powerful they could make your business.
Grant Cardone (Be Obsessed or Be Average)