Ga Best Quotes

Adjusting her frames, Dagmar said, “It’s time for you to stop talking.” “I don’t want to.” “But you will stop talking.” “We’re on my territory now, Beast. You can’t strut around here and pretend you rule all—” “Quiet.” “But—” She raised her right forefinger. “She—” Dagmar raised that damn forefinger higher. “It’s just—” Now she brandished both forefingers. “Stop.” He gave Dagmar his best pout, which she completely ignored, turning her back on him to again face Annwyl. “Think there might be some place private we can talk, my lady?” Gwenvael’s mouth dropped open. “Did you just dismiss—” Dagmar held up that damn forefinger again but didn’t even bother to look at him when she did. Annwyl’s grin was wide and bright. A smile Gwenvael hadn’t seen from her in far too long. “Right this way, Lady Dagmar.” “Thank you.” Dagmar brusquely snapped her fingers at Gwenvael. “And don’t forget to bring my bags up once I get a room, Defiler.” Annwyl fairly glowed as she followed Dagmar from the room, her smile growing by the second. Gwenvael faced his sister. “It’s Ruiner, which is a vast difference.So get it right!” he yelled at the empty doorway.

We are the owls of the weather chaw. We take it blistering, We take it all. Roiling boiling gusts, We're the owls with the guts. For blizzards our gizzards Dr tremble with joy. An ice storm, a gale, how we love blinding hail. We fly forward and backward, Upside down and flat. Do we flinch? Do we wail? Do we skitter or scutter? No, we yarp one more pellet And fly straight for the gutter! Do we screech? Do we scream? Do we gurgle? Take pause? Not on your life! For we are the best Of the best of the chaws!

. “And I stole some oxen jerky out of Bercelak’s bag. He makes the best oxen jerky.” “Bercelak the Vengeful cooks?” “Aye. And he’s surprisingly good at it, too!

This wasn’t what she expected. Never, in her wildest dreams. This... this was the Blood Queen of Garbhán Isle? Scourge of the Madron lands? Destroyer of Villages? Demon Killer of Women and Children? She who had blood pacts with the darkest of gods? This was Annwyl the Bloody? Talaith watched, fascinated, as Annwyl held onto Morfyd the Witch’s wrists. Morfyd — the Black Witch of Despair, Killer of the Innocent, Annihilator of Souls, and all around Mad Witch of Garbhán Isle or so she was called on the Madron lands — had actually tried to sneak up on Annwyl to put ointment on the nasty wound the queen had across her face. But as soon as the warrior saw her, she squealed and grabbed hold of her. Now Annwyl lay on her back, Morfyd over her, trying her best to get Annwyl to stop being a ten year old. “If you just let me—” “No! Get that centaur shit away from me, you demon bitch!” “Annwyl, I’m not letting you go home to my brother looking like that. You look horrific.” “He’ll have to love me in spite of it. Now get off!” ... “Ow!” “Crybaby.” No, this isn’t what Talaith expected. Annwyl the Blood Queen was supposed to be a vicious, uncaring warrior bent on revenge and power. She let her elite guard rape and and pillage wherever they went, and she used babies as target practice while their mothers watched in horror. That’s what she was supposed to be and that’s what Talaith expected to find. Instead, she found Annwyl. Just Annwyl. A warrior who spent most of her resting time reading or mooning over her consort. She was silly, charming, very funny, and fiercely protective of everyone. Her elite guard, all handpicked by Annwyl, were sweet, vicious fighters and blindingly loyal to their queen.

She and Brastias walked off, but as soon as Fearghus released Annwyl she yelled after them, “We’ll do our best to be good little monarchs.” Morfyd swung around so fast, fangs showing, that Annwyl stumbled back and then dodged behind Fearghus. “My, aren’t we the brave queen, my love.” “Shut up, mate.

Celyn merely snarled and stalked away. "You best go to him, sister, and soothe his hurt feelings." "Why should I?" "You know how men are. If you treat them nice and buy them gifts, they will suck your pussy like champion.

Fear of the unknown is a horror writer's best friend!

Mijn vrienden zeggen altijd dat het wel zal komen. Dat ik de beste man ga vinden van hen allemaal. Omdat ik dat verdien. Wat zou het prachtig zijn als mensen ook echt krijgen wat ze verdienen, denk ik.

Best. Ik train wel. Maar ik ga naar dat klote-Capitool, al moet ik er een team voor afslachten en er zelf heen vliegen,' zegt Johanna. 'Misschien beter om daar niet over te beginnen tijdens de training,' zeg ik. 'Maar het is goed om te weten dat ik een lift heb.

For when the world one knew began to crumble away bit by bit, when not only your memories but the memories that others might have of you grew dim with time and distance, when, indeed, you began to fade into a nothingness in the minds of the owls that you loved best, well, perhaps that was when legends could become real.

Danny Boy, you are not going to patent the gadget. What would it get you? Seventeen years at the most…and no years at all in three-fourths of the world. If you did patent, or try to, Edison, and P.G. and E…and Standard would tie you up with injunctions and law suits and claimed infringements and I don’t know what all. But you said yourself that you could put one of your gadgets in a room with the best research team G.A. has to offer and the best they could do would be to melt it down and the worse would be that they would blow themselves up. You said that. Did you mean it?” “Certainly. If they don’t know how I insert the—” “Hush! I don’t want to know. And walls have ears. We don’t make any fancy announcements; we simply start manufacturing. Wherever power is cheapest today. Where is that?

Rea­sons Why I Loved Be­ing With Jen I love what a good friend you are. You’re re­ally en­gaged with the lives of the peo­ple you love. You or­ga­nize lovely ex­pe­ri­ences for them. You make an ef­fort with them, you’re pa­tient with them, even when they’re side­tracked by their chil­dren and can’t pri­or­i­tize you in the way you pri­or­i­tize them. You’ve got a gen­er­ous heart and it ex­tends to peo­ple you’ve never even met, whereas I think that ev­ery­one is out to get me. I used to say you were naive, but re­ally I was jeal­ous that you al­ways thought the best of peo­ple. You are a bit too anx­ious about be­ing seen to be a good per­son and you def­i­nitely go a bit over­board with your left-wing pol­i­tics to prove a point to ev­ery­one. But I know you re­ally do care. I know you’d sign pe­ti­tions and help peo­ple in need and vol­un­teer at the home­less shel­ter at Christ­mas even if no one knew about it. And that’s more than can be said for a lot of us. I love how quickly you read books and how ab­sorbed you get in a good story. I love watch­ing you lie on the sofa read­ing one from cover-to-cover. It’s like I’m in the room with you but you’re in a whole other gal­axy. I love that you’re al­ways try­ing to im­prove your­self. Whether it’s running marathons or set­ting your­self chal­lenges on an app to learn French or the fact you go to ther­apy ev­ery week. You work hard to be­come a bet­ter ver­sion of your­self. I think I prob­a­bly didn’t make my ad­mi­ra­tion for this known and in­stead it came off as ir­ri­ta­tion, which I don’t re­ally feel at all. I love how ded­i­cated you are to your fam­ily, even when they’re an­noy­ing you. Your loy­alty to them wound me up some­times, but it’s only be­cause I wish I came from a big fam­ily. I love that you al­ways know what to say in con­ver­sa­tion. You ask the right ques­tions and you know ex­actly when to talk and when to lis­ten. Ev­ery­one loves talk­ing to you be­cause you make ev­ery­one feel im­por­tant. I love your style. I know you think I prob­a­bly never no­ticed what you were wear­ing or how you did your hair, but I loved see­ing how you get ready, sit­ting in front of the full-length mir­ror in our bed­room while you did your make-up, even though there was a mir­ror on the dress­ing ta­ble. I love that you’re mad enough to swim in the English sea in No­vem­ber and that you’d pick up spi­ders in the bath with your bare hands. You’re brave in a way that I’m not. I love how free you are. You’re a very free per­son, and I never gave you the sat­is­fac­tion of say­ing it, which I should have done. No one knows it about you be­cause of your bor­ing, high-pres­sure job and your stuffy up­bring­ing, but I know what an ad­ven­turer you are un­der­neath all that. I love that you got drunk at Jack­son’s chris­ten­ing and you al­ways wanted to have one more drink at the pub and you never com­plained about get­ting up early to go to work with a hang­over. Other than Avi, you are the per­son I’ve had the most fun with in my life. And even though I gave you a hard time for al­ways try­ing to for al­ways try­ing to im­press your dad, I ac­tu­ally found it very adorable be­cause it made me see the child in you and the teenager in you, and if I could time-travel to any­where in his­tory, I swear, Jen, the only place I’d want to go is to the house where you grew up and hug you and tell you how beau­ti­ful and clever and funny you are. That you are spec­tac­u­lar even with­out all your sports trophies and mu­sic cer­tifi­cates and in­cred­i­ble grades and Ox­ford ac­cep­tance. I’m sorry that I loved you so much more than I liked my­self, that must have been a lot to carry. I’m sorry I didn’t take care of you the way you took care of me. And I’m sorry I didn’t take care of my­self, ei­ther. I need to work on it. I’m pleased that our break-up taught me that. I’m sorry I went so mental. I love you. I always will. I'm glad we met.

Lorcan heard the moan of the soldier pinned to the floor beneath his boot. With a sneer, he pushed his foot down harder on his neck. The worthless little bastard had failed him. He’d come back without the bitch. He glanced over his shoulder at his lieutenants. They watched him, trying their best to hide their fear. But he could smell it. He looked back at the lowering suns. “I want my sister.” He growled the words low. “I want my sister!” He slammed his foot down, snapping the man’s neck and crushing his jaw. “Now get out of my sight!” He heard them run from the room. They better run. He would have his sister. He would see the bitch dead if he had to destroy half the world to get to her.

From the moment any of us utter our first goo-goo's and ga-ga's, we are as good as gone. At that precise instant, any possibility that It will ever arise in us is irrevocably crushed. If any proof is needed, consider how immune to strong emotion our society has grown. At your next visit to the local funeral parlor, glance at the mourners, who can more properly be defined as spectators. Notice how they smell, how well-dressed and dignified they are. This is because viewing the dead has become overwhelmingly acceptable as a social function. Yes, even the corpse is part of the festivities, lying there as the guest of honor, laid out in his best clothes, pumped full of chemicals and smeared with make-up as the patrons file by and nurse their long buried consciences with silk handkerchiefs.

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For some time now, the conventional wisdom at most agencies has been to partner with experts in specific fields—social networking, gaming, mobile, or any other discipline—in order to “get the best people for the job.” But given the success of AKQA, R/GA, and so many other innovators, perhaps it can be argued that to be truly holistic in our approach, it’s better to grow innovations from one’s own stem cells, so to speak, than to try to graft on capabilities on an ad-hoc basis. Some would no doubt argue that it makes the most economic sense to hire experts to execute as needed, rather than taking on more overhead in an increasingly competitive marketplace. But it should be pointed out that it’s hard to have the original ideas themselves if your own team doesn’t have a firm grasp of the technologies. Without a cross-disciplinary team of in-house experts, who knows what opportunities you—and by extension, your clients—may miss. “It comes down to the brains that you have working with you to make it a reality,” John Butler, cofounder of Butler, Shine, Stern & Partners, tells me. “The history of the ad agency is the Bernbach model—the writer and art director sitting in a room together coming up with an idea,” he says, referring to legendary adman Bill Bernbach, cofounder of DDB and the man who first combined copywriters and art directors as two-person teams. Now, all that’s changed. “[Today, there are] fifteen people sitting in a room. Media is as much a part of the creative department as a writer or an art director. And we have account planners—we call them ‘connection planners’—in the room throwing around ideas,” he says. “That facilitates getting to work that is about the experience, about ways to compel consumers to interact with your brand in a way that they become like free media” by actively promoting the brand for you. If his team worked on the old Bernbach model, Butler adds, they would never have created something like those cool MINI billboards that display messages to drivers by name that I described in the last chapter. The idea actually spun out of a discussion about 3-D glasses for print ads. “Someone in the interactive group said, ‘We can probably do that same thing with [radio frequency identification] technology.’” By using transmitters built into the billboards, and building RFID chips into MINI key fobs, “when a person drives by, it will recognize him and it will spit out a message just for him.” He adds with considerable understatement: “Through having those capabilities, in-house engineers, technical guys who know the technology and what’s available, we were able to create something that was really pretty cool.

Ljudi mogu imati svakva duboko usađena verovanja o svetu koja im postanu vrlo neprikladna kada ih treba primeniti na vlastiti život, Maloko dopušta da mu mora lstane na put ličnoj koristi. Ili čak praktičnosti. Čovek koji zaista veruje u nešto preko tačke u kojoj ga to košta redak je i opasan.

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Pekwa Nicholas Mohlala BA GA MOHLALA IN SCHOONOORD HISTORY SOURCES AND RESEARCHERS Our sources for our ongoing research on the history of Ba Ga Mohlala in Schoonoord The main sources that we use in our ongoing researches on the history of Ba Ga Mohlala in Schoonoord are government official records, archival records, and oral evidence. There are few archival records on the history on the history of Ba Ga Mohlala in general, Banareng, and Batlokwa Ba Lethebe. There are also very few published documents (especially books and others forms of researched publications) on Ba Ga Mohlala in general, Banareng, and Batlokwa Ba Lethebe, and this is one of the principal motivations for the need to record the history of Ba Ga Mohlala in general, Banareng, and Batlokwa Ba Lethebe. Therefore, the bulk of secondary are the available general works of South African History, and most of such works deal scantily with the history of Ba Ga Mohlala, Banareng, and Batlokwa Ba Lethebe, that is because those general works mainly deal with South African tribes in general rather  than Ba Ga Mohlala, Banareng, and Batlokwa Ba Lethebe in particular. As such those sources are used to contextualize the history of Ba Ga Mohlala, Banareng, and Batlokwa Ba Lethebe, and are mostly used to develop theorical framework. Oral evidence forms an important part of our researches. That is because most of the history of clans, and tribes in South Africa, such as Ba Ga Mohlala, Banareng, and Batlokwa Ba Lethebe was not written and it is expected that very few written records do exist on their history. As a result, the few written records which are available are used in conjunction with oral evidence. Most importantly, the other sources which have been mentioned thus far are used to corroborate oral information, and vice versa. Thus, the combination of all these sources result in a more balanced and objective study of the history of Ba Ga Mohlala, Banareng, and Batlokwa Ba Lethebe. Because oral information is one of the core sources of our studies in the history of Ba Ga Mohlala, Banareng, and Batlokwa Ba Lethebe, best practices in oral research are thoroughly  followed in order to achieve the best possible outcome possible. Like any other forms of collecting evidence, and as well as other sources of information, oral evidence has its own problem areas and some benefits, and there are also processes of dealing with those problem areas. There are three main problem areas of oral history. Firstly, the limitations of the interviewee which include, unreliability of memory, deliberate falsification, unfairness through vindictiveness, excessive discretion, superficiality and gossip, oversimplification, distortion of interviewee's role, lack of perspective, distortion due to to personal feelings, self-consciousness, influence of hindsight, and repetition of published evidence. Secondly, the interviewer has limitations which include, unrepresantative sampling, biased questioning, difference and bias towards the intreviews, and interviews as a replacement for reading documents. The third and last problem areas of oral is about the limitations inherent in the nature of intetviewing itself which include, misinterpretation of what the interviewee have said, inability of oral history to verified by others, interview transcripts missing the essence of the interview, impossibility of true communication, and dependence on survivors and those who agree to be interviewed.

Ik zeg dat we elkaar morgen weer zien of misschien boven op de rots, vanavond; dat ze best een keer bij ons thuis kan komen als ze dat wil. Maar zij zegt alleen 'dat zien we nog wel' en ik denk dat ze daar alles mee bedoelt. Dan knik ik maar. En ga. Ik draai me nooit om om te zwaaien. Verdwijn gewoon de trap op naar het huis en opa, en op dat moment is alles precies zoals het moet. Het is eigenlijk best lekker om soms ook alleen te kunnen zijn.

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With wealth comes corruption, indolence, a reluctance to make sacrifices, and a weakening of the feeling of patriotism. Power falls into the hands of the ignorant many. Instead of the destinies of the country being swayed by the wisest and best, a fickle multitude, swayed by interested demagogues, assumes the direction of affairs, and the result is inevitable—wasted powers, gross mismanagement, final ruin.

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Kow can be an asshole when crossed, but fucking with Gracie’s best friend just to hurt her? Prompting her to leave us behind for Vancouver when she could have gone to university in Montréal? I didn’t speak to him for six months afterward.

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Over the years, my family and I have communicated and miscommunicated. But sometimes we found the best answer was simple sho ga nai, just letting something go. Ultimately, I'm grateful to for the struggles and the setbacks we shared together, as they have made us into who we are today. Without those times of turmoil and change, the ups and downs, we would not be able to learn and grow or enrich our lives. The struggles will become your story, And that's the beauty of kintsugi. Your cracks can become the most beautiful part of you.

Fred Layman, (AKA The Club Doctor) is a veteran golf course and clubs in transition operations director/consultant. The Way I See It The Height of a Kite One sunny day, a mother and her son were outside flying a kite. The son loved watching the kite glide through the sky and cheered as it flew higher and higher. Eventually, the kite reached the end of its string and could not go any higher. After pleading with his mom to break the string, she finally agreed and cut the string to release the kite. Shortly after, a gust of wind made the kite spiral uncontrollably, and it crashed to the ground. As the son looked very sad and disappointed, the mother explained, “Just like the kite, we may reach a certain level in life and feel like things may be holding us back, such as friends, family, or rules. We feel the desire to become free from those strings, but it’s important to remember that those strings will help us remain stable and fly higher than we can without them.” Here’s the way I see it: Dan Pearce once said it best, “Who do you want to surround yourself with? People who can pull you up to their level of greatness? Or people who will happily pull you down to theirs?” Fred W. Layman III, USPTA Elite, Director of Operations The Windermere Club, is the president of an Augusta, GA based Club Consulting Company, Fred Layman Ventures.