G Cole Quotes

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Nix to Declan: Begin transcript— Testing. Hello, hellooo, anybody out there? Check, check, one, two. Soft pee. Puh, puh. Resonance! Sooooooft pee. Alpha bravo disco tango duck. This is Nïx! I’m the Ever-Knowing One, a goddess incandescent, incomparable, and irresistible. But enough about what you think of me. It’s a beautiful day in New Orleans. The wind is out of the east at a steady five knots and clouds look like rabbits … But enough about what you think of me! Now, down to business— Squirrel! Where was I? [Long pause] Why am I in Regin’s car? Bertil, you crawl right back out of that bong this minute! Oh, I remember! I am hereby laying down this track for Magister Declan Chase. If you are a mortal of the recorder peon class, know that Dekko and I go waaaaay back, and he’ll go berserk (snicker snicker) if he doesn’t receive this transmittal. … Chase, riddle me this: what’s beautiful but monstrous, long of tooth but sharp of tooth and soft of mind, and can never ever tell a lie? That’s right. The Enemy of Old can be very useful to you. So use him already. P.S. Your middle name’s about to be spelled r-e-g-r-e-t. And with that, I must bid you adieu. Don’t worry, we’ll catch up very soon. … [Muffled] Who’s mummy’s wittle echolocator? That’s right—you are! —End transcript
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
He found her not even a block away from the house, sitting on a curb. As he approached, he saw her wiping her face with her forearm. Sabine was...crying? "What are you doing out here, cwena?" Over the past week, Rydstrom had been pleased when she'd worried about him, and gratified when she'd felt the sting of jealousy. Was he a terrible man to hope she was crying about him? She glared at him with her bottom lip quivering, allowing him to see her like this instead of using a mask. "I d-don't have anywhere else to g-go." Another swipe of her forearm over her eyes. "Lanthe's gone, and I c-can't get to her for six days. And I'm in a strange t-town and land, and Vrekeners are everywhere." Sabine hadn't even mentioned what they'd just gone through- "And you br-broke up with me!" she said, her tears falling faster. "Is that supposed to make me happy?" "Come inside, Sabine." "No! You t-told me not to." She sniffled, "You don't want me at your house." He swooped her up in his arms. "Will you shut up?" With his free hand, he brushed her tears. "I made it ten minutes before I came after you.
Kresley Cole (Kiss of a Demon King (Immortals After Dark, #6))
In spite of hopes to the contrary, pornography and mass culture are working to collapse sexuality with rape, reinforcing the patterns of male dominance and female submission so that many young people believe this is simply the way sex it. This means that many of the rapists of the future will believe they are behaving within socially accepted norms.
Susan G. Cole
Man is everywhere in chains, and his chains will not be broken till he feels that it is degrading to be a bondsman, whether to an individual or to a State. The disease of civilization is not so much the material poverty of the many as the decay of the spirit of freedom and self-confidence. The revolt that will change the world will spring, not from the benevolence that breeds "reform", but from the will to be free. Men will act together in the full consciousness of their mutual dependence; but they will act for themselves. Their liberty will not be given them from above; they will take it on their own behalf.
G.D.H. Cole
You can’t be racist if you’re a minority,” G-mo argues. “Prejudiced? Yes. But not racist. We ain’t got the power in this society to be racist.
Jay Coles (Tyler Johnson Was Here)
in many ways, Eric Gill’s typeface, a follower of Edward Johnston’s type for the London Underground, is an awkward mix of Geometric and Humanist ideas — from its circular “o” to its dynamic, calligraphic “a.” Uppercase widths vary wildly. The long-legged “R” causes spacing issues, especially in the lighter weights. And the “g” is an odd concoction that even Gill himself fittingly called a “pair of spectacles.” Still, there is lasting charm in this face, and it has become synonymous with British culture ever since it
Stephen Coles (The Anatomy of Type: A Graphic Guide to 100 Typefaces)
The way to instill social values, writes historian Susan G. Cole, is to eroticize them. Images that turn women into objects or eroticize the degradation of women have arisen to counterbalance women's recent self-assertion. They are welcome and necessary because the sexes have come too close for the comfort of the powerful [...]
Naomi Wolf (The Beauty Myth)
I-I’ll lay it on the l-line for you, b-babe. I t-trade illegal weapons for c-cash and d-drink far too m-much. I f-fuck sluts regularly and d-don’t commit to no one f-for long, maybe n-n-never will.” I made sure I had her full attention for the last part. “I-I’ve killed p-p-people. I-I’ve even l-liked it, and”—I knew I was bringing the final death blow—“I’ll d-do it again. Y-you want someone g-g-good to take c-care of you. I-it ain’t me, babe.
Tillie Cole (It Ain't Me, Babe (Hades Hangmen, #1))
For example, Shawn Cole, a professor at Harvard Business School, finds that Indian state-owned banks increase their lending to the politically important but relatively poor constituency of farmers by about 5 to 10 percentage points in election years.51 The effect is most pronounced in districts with close elections. The consequences of the lending are greater loan defaults and no measurable increase in agricultural output, which suggest that it really serves as a costly form of income redistribution.
Raghuram G. Rajan (Fault Lines: How Hidden Fractures Still Threaten The World Economy)
When a p-person dies, they g-go to the underworld where they’ll b-be judged on their lives and s-s-sent to either the Elysian F-Fields, which is like h-heaven, I sup-suppose. The river of for-forgetfulness, Lethe, where a soul d-drinks to forget their l-life, enabling them to be re-reborn. Or if a soul has l-lived a b-bad life, they’d be sent to T-Tartarus, which is like what y-you think of as Hell, the worst p-place p-possible. Hades r-rules over the whole thing, m-making sure it all g-goes r-right.
Tillie Cole (It Ain't Me, Babe (Hades Hangmen, #1))
Thus polyvictimization or complex trauma are "developmentally adverse interpersonal traumas" (Ford, 2005) because they place the victim at risk not only for recurrent stress and psychophysiological arousal (e.g., PTSD, other anxiety disorders, depression) but also for interruptions and breakdowns in healthy psychobiological, psychological, and social development. Complex trauma not only involves shock, fear, terror, or powerlessness (either short or long term) but also, more fundamentally, constitutes a violation of the immature self and the challenge to the development of a positive and secure self, as major psychic energy is directed toward survival and defense rather than toward learning and personal development (Ford, 2009b, 2009c). Moreover, it may influence the brain's very development, structure, and functioning in both the short and long term (Lanius et al., 2010; Schore, 2009). Complex trauma often forces the child victim to substitute automatic survival tactics for adaptive self-regulation, starting at the most basic level of physical reactions (e.g., intense states of hyperarousal/agitation or hypoarousal/immobility) and behavioral (e.g., aggressive or passive/avoidant responses) that can become so automatic and habitual that the child's emotional and cognitive development are derailed or distorted. What is more, self-integrity is profoundly shaken, as the child victim incorporates the "lessons of abuse" into a view of him or herself as bad, inadequate, disgusting, contaminated and deserving of mistreatment and neglect. Such misattributions and related schema about self and others are some of the most common and robust cognitive and assumptive consequences of chronic childhood abuse (as well as other forms of interpersonal trauma) and are especially debilitating to healthy development and relationships (Cole & Putnam, 1992; McCann & Pearlman, 1992). Because the violation occurs in an interpersonal context that carries profound significance for personal development, relationships become suspect and a source of threat and fear rather than of safety and nurturance. In vulnerable children, complex trauma causes compromised attachment security, self-integrity and ultimately self-regulation. Thus it constitutes a threat not only to physical but also to psychological survival - to the development of the self and the capacity to regulate emotions (Arnold & Fisch, 2011). For example, emotional abuse by an adult caregiver that involves systematic disparagement, blame and shame of a child ("You worthless piece of s-t"; "You shouldn't have been born"; "You are the source of all of my problems"; "I should have aborted you"; "If you don't like what I tell you, you can go hang yourself") but does not involve sexual or physical violation or life threat is nevertheless psychologically damaging. Such bullying and antipathy on the part of a primary caregiver or other family members, in addition to maltreatment and role reversals that are found in many dysfunctional families, lead to severe psychobiological dysregulation and reactivity (Teicher, Samson, Polcari, & McGreenery, 2006).
Christine A. Courtois (Treatment of Complex Trauma: A Sequenced, Relationship-Based Approach)
and when Mrs Thatcher came to the college for a scientific symposium Tyson was deputed to take her round the Common Room. This is hung with portraits and photographs of dead fellows, including one of the economist G. D. H. Cole. Tyson planned to take Mrs Thatcher up to it saying, ‘And this, Prime Minister, is a former fellow, G. D. H. Dole.’ Whereupon, with luck, Mrs Thatcher would have had to say, ‘Cole not Dole.’ In the event he did take her round but lost his nerve.
Alan Bennett (Writing Home)
The day I lost my job, self-degradation kicked in. I bought two bottles of red wine from the Off-License and went straight to my lodgings. Within an hour, I consumed a bottle of wine and made such a racket: laughing at my cynical jokes to others and singing like Nate King Cole. The homeowner wasn’t home, but some tenants became upset.
Lawrence G. Taylor (Making Sense of Past Time)
Fiona Zedde’s entire body of work), and Alyssa Cole’s body of work (Once Ghosted, Twice Shy and How to Find a Princess). There is sporadic representation of bi Black women, such as Talia Hibbert’s Take a Hint, Dani Brown. The self-published options, however, are broader. There’s Chencia C. Higgins’s Things Hoped For and Consolation Gifts, Meka James’s Being Hospitable, J. Nichole’s A Girl Like Me, Christina C. Jones’s Something Like Love, and G. L. Tomas’s Wander This World and The Love Bet.
Jessica P. Pryde (Black Love Matters: Real Talk on Romance, Being Seen, and Happy Ever Afters)
Very good, Cole. This is a dead man’s trigger.” David stood and slung the duffel bag strap over his shoulder. “If my thumb slips off this button, those explosives will go off, and it will turn your insides into a gelatinous goo. Keep in mind, there’s not enough explosive to hurt me, or even penetrate your body armor. I could be standing right next to you, and if I were shot or came to any harm, the explosion would liquefy your insides, leaving your hard outer shell, just like a Cadbury Creme Egg. You like Cadbury Creme Eggs, Cole?” David could see he was really scared now. Cole
A.G. Riddle (The Atlantis Gene (The Origin Mystery, #1))
He glanced back at Cole. “But you don’t want to be a Cadbury Creme Egg, do you Cole?
A.G. Riddle (The Atlantis Gene (The Origin Mystery, #1))
Never more than now had Thomas appreciated the sound of silence.
Michael Cole (HIVE (G.O.R.E Sector Book 1))
It’s your turn now. Thomas… save them. Save my team. Save the world.
Michael Cole (HIVE (G.O.R.E Sector Book 1))
Don’t know,” Thomas replied. “Looks like the chopper was burned.” Lex shrugged. “Well, there was a fire…” “It’d take more than a fire to do this,
Michael Cole (HIVE (G.O.R.E Sector Book 1))
Only when I see someone eat pineapple on pizza.
Michael Cole (HIVE (G.O.R.E Sector Book 1))
G.O.R.E. SECTOR.
Michael Cole (HIVE (G.O.R.E Sector Book 1))
BOOM! He was on his back again, knocked down by the shock of seeing the wasp explode seemingly out of nowhere. “Hang on, fellas. Falcon-One-Four here. Sorry we’re late.
Michael Cole (HIVE (G.O.R.E Sector Book 1))
Adrenaline hindered his accuracy, resulting in him landing only one grazing hit. The slide locked back, the Sergeant backpedaled
Michael Cole (HIVE (G.O.R.E Sector Book 1))
Thomas removed his hand and looked at his fingertips. They were caked with a watery, purple substance. “What is it?” Lex asked. “I don’t know.” Thomas used a handkerchief to wipe the stuff away, then stepped down.
Michael Cole (HIVE (G.O.R.E Sector Book 1))
The group shared a moment of humiliation. They had the most advanced technology in the world at their disposal, yet some small-town cop with a basic GPS and an iPhone was the one who discovered the wasps and the location of their nest.
Michael Cole (HIVE (G.O.R.E Sector Book 1))
Last thing you need is a buzz, Captain. Especially considering what we’re dealing with out here.
Michael Cole (HIVE (G.O.R.E Sector Book 1))
But what we need—what Captain Coltrane was great at—is someone who is more than a badass. We need someone who can keep a cool head under pressure. Someone who can think outside the box and point out the obvious when we get bogged down in the details.
Michael Cole (HIVE (G.O.R.E Sector Book 1))
Now’s not a time to fall for that conspiracy garbage,
Michael Cole (HIVE (G.O.R.E Sector Book 1))
They did not waste their lives on social media, fighting over dumb things. They did not have to concern themselves with government overreach or lack of action.
Michael Cole (HIVE (G.O.R.E Sector Book 1))
It was not for shallow reasons such as posting to social media,
Michael Cole (HIVE (G.O.R.E Sector Book 1))
almost all of whom were oversees.
Michael Cole (HIVE (G.O.R.E Sector Book 1))
Brandy forwarded a freshly penned limerick just emailed to him by the distinguished Wakean John Gordon: He left her the secondbest bed Before lying down with the dead; ‘Twas Will’s way to trumpet His Anne was a strumpet And to rue that the two of them wed. It seemed a spooky coincidence coming so suddenly after my writing about what is certainly an obscure subject, but then I remembered G. K. Chesterton wrote that “Coincidences are spiritual puns,” and somehow it made a strange sort of sense, somewhat like Finnegans Wake.
Bill Cole Cliett (A "Finnegans Wake" Lextionary: Let James Joyce Jazz Up Your Voca(l)bulary)