Addiction Funny Quotes

I felt empty and sad for years, and for a long, long time, alcohol worked. I’d drink, and all the sadness would go away. Not only did the sadness go away, but I was fantastic. I was beautiful, funny, I had a great figure, and I could do math. But at some point, the booze stopped working. That’s when drinking started sucking. Every time I drank, I could feel pieces of me leaving. I continued to drink until there was nothing left. Just emptiness.

I'm a dog lover and sex addict. Those two things are unrelated.


Be careful not to appear obsessively intellectual. When intelligence fills up, it overflows a parody.

Funny how someone can be so beautiful and totally fucked up at the same time.

If you want to find out if someone is a true bookworm or not, give them a thousand page novel and see what happens.

Funny how addiction was socially acceptable—even a status symbol—when it made people extroverts rather than introverts

The only way to make sure that the Hand didn't get to you would have been to kill your brother. I could've done it, but I didn't. I just gave him some drugs." "You gave an addict in rehab drugs, and you want credit for it?" "Of course it sounds bad when you put it that way.

Drug addicts are so funny that way. Just spinning around, lost in their own little world. Doing so much, accomplishing so little. How sad.

Suburban generic, right down to the coffee shop sharing the parking lot, so the yuppies could have their frothy caffeine fixes before they even left the property. Funny how addiction was socially acceptable-even a status symbol-when it made people extroverts rather than introverts

What a funny turn of phrase, she thought. Licking your wounds would only make them worse, no? The mouth was filled with so much bacteria. But Sadie knew it was easy to get addicted to the taste of your own carnage.

Once I started I couldn’t put it down. It was so addictive . . . like a train wreck.

I would miss having Nic in my life. I would miss his funny phone messages and his humor, the stories, our talks, our walks, watching movies with him, dinners together, and the transcendent feeling between us that is love. I would miss all of it. I miss it now. And here it sinks in: I don't have it now. I have not had it whenever Nic has been on drugs. Nic is absent, only his shell remains. I have been afraid - terrified - to lose Nic, but I have lost him.

They are funny little representatives of simplicity, of awareness. No one is more aware of themselves as these children are. They have nothing, have no one but us, have seemingly no reason to be hopeful...yet they are. They choose to be happy even though the obviously easier choice would be to be frightened or sad and they have real reason to be those things as well. But they have life and faith and hope and love and they choose those things. Their innocence is addicting, their hope is catching and I'm happy to be surrounded by them.

Using Facebook is like taking a Dyson to your spare time.

You could say that Facebook is doing a far more effective job than religion at teaching us to 'love thy neighbor,' connecting us with random strangers and 'friends' from distant lands.

Beauty or meaning is not intrinsic too suffering. But if you can take the suffering and find the parts that are funny or profound, you can curate your world into something that might be entertaining for someone for a while. Eventually, maybe, that time will have been useful. More useful than, like, working in a bank.

Facebook has been spreading across the continents faster than a highly contagious Asian bird flu!

The average man thinks about sex every tits seconds.

Tempted to type meaningless twaddle all the time on Twitter...with alliteration, no less!

Facebook is big. Bigger than Justin Bieber or Ashton Kutcher's Twitter following. Hell, it's even bigger than obesity and possibly just as lethal!

I said to my friend, "Why do you smoke (cigarettes)?" He replied, "Because I like to put myself on the line for the welfare and safety of others." I astonishingly said, "Sorry, I didn't get your point." He replied, "I want a cigarette-free world. Therefore, I am trying my best to end all the cigarettes from the world.

The ringtone was a dead giveaway, emphasis on dead . . . creepy organ music. She didn’t even have to glance at the image of fanged bunny slippers on the screen to know who was calling. She just sighed, thumbed it on, and held it to her ear. “Claire! I need you here immediately. Something’s wrong with Bob.” Myrnin, her mad-scientist, blood-addicted boss, sounded actually shaken. “I can’t get him to eat his insects, and I used his favorites. He just sits there.” “Bob,” she repeated, looking at Shane in wide-eyed disbelief. “Bob the spider.” “Just because he’s a spider doesn’t mean he deserves any less concern! Claire, you have a way with him. He likes you.” Just what she needed. Bob the spider liked her. “You do realize that he’s a year old, at least. And spiders don’t live that long.” “You think he’s dead?” Myrnin sounded horrified. So wrong. “Is he curled up?” “No. He’s just quiet.” “Well, maybe he’s not hungry.” “Will you come?” Myrnin asked. He sounded calmer now, but also oddly needy. “It’s been very lonely here these past few days. I’d like your company, at least for a little while.” When she hesitated, he used the pity card. “Please, Claire.” “Fine,” she sighed. “I’m bringing Shane.” After a second of silence, he said, flatly, “Goody,” and hung up.

They traversed the lounge, side-stepping the occasional onanist and paying no heed to the slack-jawed, giggling addicts. A few feet away, a young woman had put her tattooed posterior on display. Aurora noticed her tattoos were dynamic, changing like a slideshow each time her bottom was slapped.

I flopped on the overstuffed kitchen couch and watched him go. I wondered what would happen to all his films and photographs in the upstairs closet - the documentaries on homelessness and drug addiction, the funny short subjects, the half-finished romantic comedy, the boxes of slice-of-life photographs that spoke volumes about the human condition. I wondered how you stop caring about what you've ached over, sweated over. (Thwonk)

The room they had reached served as an impromptu drug-lounge in which a hundred naked addicts engaged in communal sex. One of them drew nearer and spontaneously relieved himself all over Aurora’s shoes. ‘You’re welcome,’ the addict said proudly, buttoning up his soiled jeans and walking away like a champ. A nearby woman saw the whole thing and smirked. ‘You’re one lucky lady, you know that?’ she smiled toothlessly. The remnants of today’s orgy were still visible in her mouth. ‘I wouldn’t piss on you if you were on fire.

I liked my face. Ethan liked my face. A lot of people liked my face. Besides, makeup was really just glorified face paint.

New Rule: Stop pretending your drugs are morally superior to my drugs because you get yours at a store. This week, they released the autopsy report on Anna Nicole Smith, and the cause of death was what I always thought it was: mad cow. No, it turns out she had nine different prescription drugs in her—which, in the medical field, is known as the “full Limbaugh.” They opened her up, and a Walgreens jumped out. Antidepressants, anti-anxiety pills, sleeping pills, sedatives, Valium, methadone—this woman was killed by her doctor, who is a glorified bartender. I’m not going to say his name, but only because (a) I don’t want to get sued, and (b) my back is killing me. This month marks the thirty-fifth anniversary of a famous government report. I was sixteen in 1972, and I remember how excited we were when Nixon’s much ballyhooed National Commission on Drug Abuse came out and said pot should be legalized. It was a moment of great hope for common sense—and then, just like Bush did with the Iraq Study Group, Nixon took the report and threw it in the garbage, and from there the ’70s went right into disco and colored underpants. This week in American Scientist, a magazine George Bush wouldn’t read if he got food poisoning in Mexico and it was the only thing he could reach from the toilet, described a study done in England that measured the lethality of various drugs, and found tobacco and alcohol far worse than pot, LSD, or Ecstasy—which pretty much mirrors my own experiments in this same area. The Beatles took LSD and wrote Sgt. Pepper—Anna Nicole Smith took legal drugs and couldn’t remember the number for nine-one-one. I wish I had more time to go into the fact that the drug war has always been about keeping black men from voting by finding out what they’re addicted to and making it illegal—it’s a miracle our government hasn’t outlawed fat white women yet—but I leave with one request: Would someone please just make a bumper sticker that says, “I’m a stoner, and I vote.

There is something about yourself that you don't know. Something that you will deny even exists until it's too late to do anything about it. It's the only reason you get up in the morning, the only reason you suffer the shitty boss, the blood, the sweat and the tears. This is because you want people to know how good, attractive, generous, funny, wild and clever you really are. "Fear or revere me, but please think I'm special." We share an addiction. We're approval junkies. We're all in it for the slap on the back and the gold watch. The "hip, hip, hoo-fucking-rah." Look at the clever boy with the badge, polishing his trophy. Shine on, you crazy diamond. Cos we're just monkeys wrapped in suits, begging for the approval of others.

Jamie spied a Hershey's almond bar still in its wrapper lying in the corner of the landing. He picked it up and tore open one corner. "Was it bitten into?" asked Claudia. "No," Jamie smiled. "Want half?" "You better not touch it," Claudia warned. "It's probably poisoned or filled with marijuana, so you'll eat it and become either dead or a dope addict". Jamie was irritated. "Couldn't it just happen that someone dropped it?" "I doubt that. Who would drop a whole candy bar and not know it? That's like leaving a statue in a taxi".

A lot of people here some South in your mouth, and they automatically think you're dumb. They think if you talk funny, you are funny. – Lloyd Hand

Slavery often masquerades as freedom.

Why is it so hard for many erotica authors to admit that erotica is porn? Everyone loves porn!

Drug addicts are so funny that way. Just spinning around, lost in their own little world. Doing so much, accomplishing so little.

Here's a note to the parents of addicted children: choose your music carefully. Avoid Louis Armstrong's "What a Wonderful World", from the Polaroid or Kodak or whichever commercial, and the songs "Turn Around" and "Sunrise, Sunset" and - there are thousands more. Avoid Cyndi Lauper's "Time After Time," and this one, Eric Clapton's song about his son. Leonard Cohen's "Hallelujah" sneaked up on me one time. The music doesn't have to be sentimental. Springsteen can be dangerous. John and Yoko. Bjork. Dylan. I become overwhelmed when I hear Nirvana. I want to scream like Kurt Cobain. I want to scream at him. Music isn't all that does it. There are millions of treacherous moments. Driving along Highway 1, I will see a peeling wave. Or I will reach the fork where two roads meet near Rancho Nicasio, where we veered to the left in carpool. A shooting star on a still night at the crest of Olema Hill. With friends, I hear a good joke - one that Nic would appreciate. The kids do something funny or endearing. A story. A worn sweater. A movie. Feeling wind and looking up, riding my bike. A million moments.

Still, I knew rehab was important. So I listened. I went to every class. I held hands with strangers. With suburban mummies who’d gotten addicted to prescription pills, and a preacher’s son who’d fallen into the arms of heroin, and a Russian oligarch’s daughter who, like me, had snorted pounds and pounds of cocaine to numb the feeling that the world was closing in on you from all angles. I wrote letters to my family and friends. Angry letters. Apologetic letters. Funny letters. Then I burned them all. I couldn’t write Stardust shite, though. Everything I had to say to her—every single groveling word—had to be said in person.

Are you thinking what i'm thinking, That you thinked that i Thinked, That you could think what i may think in the future? You may think what i think? May our problem is think to much? Or thinking is an addiction? Funny think..

A few are addicted to mud. They wallow in it constantly.” “They can’t have many friends.” “That’s the funny thing! They have almost as many friends as the clean people. The trouble is, the friends are all the same kind of people.

“Sit with me,” Isaiah says. As I move to rest next to him, he stops me. “Not there. Here.” He motions to the spot between his legs. Awkwardly, I settle in front of him. Isaiah, the king of secure, waves off any distance between us as he gathers me into the safe shelter of his body. The blood pulses faster in my veins. I like being this close to him. Maybe a little too much. “You’re beautiful.” His breath tickles the skin behind my ear, and the small hairs stand on end with the joyous sensation. “You’re smart and funny. I love how your eyes shine when you laugh.” He glides his fingers against my skin causing an addictive tingling. “I love how you lace your fingers and brush your hair from your face when you’re nervous. I love how you offer yourself so completely to me—no fear. You’re loyal and strong.” “I’m not strong.” I cut him off. The panic attacks confirm that. Unable to be near him anymore, I attempt to untangle myself from him, but Isaiah becomes a solid wall around me and I jerk in his arms in protest. His tender hold tightens, and the words feel like poetry because of the deep, soothing way he speaks. “You’re wrong. I see you exactly as you are.”

You know why they invited us, Miles. Because they’re both addicted to being universally loved. And they’re good at it. Good enough that they don’t realize you don’t get to be loved by people whose hearts you completely fucking destroy. They think they’re being the bigger people right

What had she been doing? {...] Generally, obsessively, licking her wounds. What a funny turn of phrase, she thought. Licking your wounds would only make them worse, no? The mouth was filled with so much bacteria. But Sadie knew it was easy to get addicted to the taste of your own carnage.

Art is dead. Art is dead. Art is dead. Art is dead. Entertainers like to seem complicated But we're not complicated I can explain it pretty easily Have you ever been to a birthday Party for children? And one of the children won't stop screaming 'Cause he's just a little Attention attractor When he grows up To be a comic or actor He'll be rewarded for never maturing For never under- Standing or learning That every day Can't be about him There's other people You selfish asshole I must be psychotic I must be demented To think that I'm worthy Of all this attention Of all of this money, you worked really hard for I slept in late while you worked at the drug store My drug's attention, I am an addict But I get paid to indulge in my habit It's all an illusion, I'm wearing make-up, I'm wearing make-up Make-up, make-up, make-up, make... Art is dead So people think you're funny, how do we get those people's money? I said art is dead We're rolling in dough, while Carlin rolls in his grave His grave, his grave The show has got a budget The show has got a budget And all the poor people way more deserving of the money Won't budge it 'Cause I wanted my name in lights When I could have fed a family of four For forty fucking fortnights Forty fucking fortnights I am an artist, please God forgive me I am an artist, please don't revere me I am an artist, please don't respect me I am an artist, you're free to correct me A self-centred artist Self-obsessed artist I am an artist I am an artist But I'm just a kid I'm just a kid I'm just a kid Kid And maybe I'll grow out of it.

I think that I'm thinking in something you're thinking, My thinking is addicting and is becoming in thinking. This quoting doesn't make anying sensing. Mying braining ising confusing. Ming Crushing Ing Loveing, Ing don'ting knowing thing personing evening, The problem is that we think... funny thing! Making nothing of something, Than something of nothing!

I hated how sometimes life threw you a curveball—how you thought you were going to make some money selling a stolen tiger to make your dad proud, but then all the sudden there were drugs instead of money and then you were probably going to relapse mostly because you didn’t want to disappoint your best friend who had recently drawn a very funny cartoon about an octopus on your ass cheeks that would not come off your body no matter how hard you scrubbed.

Addiction has ruined so much of my life it’s not funny. It’s ruined relationships. It’s ruined the day-to-day process of being me. I have a friend who doesn’t have any money, lives in a rent-controlled apartment. Never made it as an actor, has diabetes, is constantly worried about money, doesn’t work. And I would trade places with him in a second. In fact, I would give up all the money, all the fame, all the stuff, to live in a rent-controlled apartment—I’d trade being worried about money all the time to not have this disease, this addiction. And not only do I have the disease, but I also have it bad. I have it as bad as you can have it, in fact. It’s backs-to-the-wall time all the time. It’s going to kill me (I guess something has to). Robert Downey Jr., talking about his own addiction, once said, “It’s like I have a gun in my mouth with my finger on the trigger, and I like the taste of the metal.” I got it; I understand that.

when I was the proud owner of eight houses. I had become addicted to finding broken-down, slummy houses in London and making structural alterations, decorating and furnishing them. When the second war came and I had to pay war damage insurance on all these houses, it was not so funny. However, in the end they all showed a good profit when I sold them. It had been an enjoyable hobby while it lasted–and I am always interested to walk past one of ‘my’ houses, to see how they are being kept up, and to guess the sort of person who is living in them now. On

This disease … the big horrible thing. Addiction has ruined so much of my life it’s not funny. It’s ruined relationships. It’s ruined the day-to-day process of being me. I have a friend who doesn’t have any money, lives in a rent-controlled apartment. Never made it as an actor, has diabetes, is constantly worried about money, doesn’t work. And I would trade places with him in a second. In fact, I would give up all the money, all the fame, all the stuff, to live in a rent-controlled apartment—I’d trade being worried about money all the time to not have this disease, this addiction.

That night, I dream. And when I wake up I remember watching a film with Nannan about a ventriloquist who went mad, his dummy coming to life and speaking for itself. My dream is like the end of the film where the ventriloquist and the dummy are in the madhouse, all these mad devil-faces pressed against the iron bars of the cell door, laughing as the dummy gets up off his chair and walks towards the ventriloquist who screams. The dummy strangles him. I can’t remember in the dream if I was the ventriloquist or the dummy. I’m in a funny mood all day. I don’t say much. I don’t feel like it.

The person who experiences disruption of bonding recoils and withdraws emotionally. He does not experience his need, the hunger for love. Instead, he buries his needs deep inside, so he can no longer be hurt. This withdrawal is called defensive devaluation. Defensive devaluation is a protective device that makes love bad, trust unimportant, and people “no darn good” anyway. People who have been deeply hurt in their relationships will often devalue love so it doesn’t hurt so much. And they often become resigned to never loving again. People who are unbonded do funny things in relationships: They don’t look for safe people: there’s no hunger. They don’t recognize safe people: no one is safe. They don’t reach out to safe people: why get hurt again? Although unbonded people often have friends and families, their isolation is deep and can cause many serious problems. A person who cannot bond may suffer from addictions, depression, emptiness, excessive caretaking, fear of being treated like an object, fears of closeness, feelings of guilt, feelings of unreality, idealism, lack of joy, loss of meaning, negative bonds, outbursts of anger, panic, shallow relationships, or thought problems such as confusion, distorted thinking, and irrational fears.

I started by collecting copies of all the novels and short stories featuring him and piled them up beside my bed. I wanted to get to the very heart of what Dame Agatha thought of him and what he was really like, and to do that, I had to read every word his creator had ever written about him. I didn’t want my Poirot to be a caricature, something made up in a film or television studio, I wanted him to be real, as real as he was in the books, as real as I could possibly make him. The first thing I realised was that I was a slightly too young to play him. He was a retired police detective in his sixties when he first appeared in The Mysterious Affair at Styles, while I was in my early forties. Not only that, he was also described as a good deal fatter than I was. There was going to have to be some considerable padding, not to mention very careful make-up and costume, if I was going to convince the world that I was the great Hercule Poirot. Even more important, the more I read about him, the more convinced I became that he was a character that demanded to be taken seriously. He wasn’t a silly little man with a funny accent, any more than Sherlock Holmes was just a morphine addict with a taste for playing the violin. There was a depth and quality to the Poirot that Dame Agatha had created – and that was what I desperately wanted to bring to the screen.

People who are unbonded do funny things in relationships: They don’t look for safe people: there’s no hunger. They don’t recognize safe people: no one is safe. They don’t reach out to safe people: why get hurt again? Although unbonded people often have friends and families, their isolation is deep and can cause many serious problems. A person who cannot bond may suffer from addictions, depression, emptiness, excessive caretaking, fear of being treated like an object, fears of closeness, feelings of guilt, feelings of unreality, idealism, lack of joy, loss of meaning, negative bonds, outbursts of anger, panic, shallow relationships, or thought problems such as confusion, distorted thinking, and irrational fears.

It’s funny: Since years ago, when I was in my 40s and trying to get into shape, I went on this high protein diet, at the time called the Zone, and it really fucked up my digestion. It didn’t work well for me, so I abandoned it for a high fiber vegetable diet, and I kind of became over the years something of a pescatarian. I don’t eat dairy, I’m also gluten free, because of minor allergies, the kind that don’t make me sick but were enough to get off the stuff. And I’m a sugar addict. Back before my 60th, that was the big one, giving up processed sugar completely. That was the hardest. I was at 4th of July with my family, and all the pies come out—seven, eight really tasty pies—and I’m watching everybody cutting their slices, and a friend of mine tells me that this is like my version of porn. I’m watching everybody chowing down on these creme pies, [in a raspy voice] “Yeah, have another slice, go for it.” I’m not touching it. But I’m taking pleasure watching everybody. And there’s some truth in that, I was almost salivating and grinning.

Funny, how things didn’t hurt as much now. The magic of touching her.

What happened to the troubled young reporter who almost brought this magazine down The last time I talked to Stephen Glass, he was pleading with me on the phone to protect him from Charles Lane. Chuck, as we called him, was the editor of The New Republic and Steve was my colleague and very good friend, maybe something like a little brother, though we are only two years apart in age. Steve had a way of inspiring loyalty, not jealousy, in his fellow young writers, which was remarkable given how spectacularly successful he’d been in such a short time. While the rest of us were still scratching our way out of the intern pit, he was becoming a franchise, turning out bizarre and amazing stories week after week for The New Republic, Harper’s, and Rolling Stone— each one a home run. I didn’t know when he called me that he’d made up nearly all of the bizarre and amazing stories, that he was the perpetrator of probably the most elaborate fraud in journalistic history, that he would soon become famous on a whole new scale. I didn’t even know he had a dark side. It was the spring of 1998 and he was still just my hapless friend Steve, who padded into my office ten times a day in white socks and was more interested in alphabetizing beer than drinking it. When he called, I was in New York and I said I would come back to D.C. right away. I probably said something about Chuck like: “Fuck him. He can’t fire you. He can’t possibly think you would do that.” I was wrong, and Chuck, ever-resistant to Steve’s charms, was as right as he’d been in his life. The story was front-page news all over the world. The staff (me included) spent several weeks re-reporting all of Steve’s articles. It turned out that Steve had been making up characters, scenes, events, whole stories from first word to last. He made up some funny stuff—a convention of Monica Lewinsky memorabilia—and also some really awful stuff: racist cab drivers, sexist Republicans, desperate poor people calling in to a psychic hotline, career-damaging quotes about politicians. In fact, we eventually figured out that very few of his stories were completely true. Not only that, but he went to extreme lengths to hide his fabrications, filling notebooks with fake interview notes and creating fake business cards and fake voicemails. (Remember, this was before most people used Google. Plus, Steve had been the head of The New Republic ’s fact-checking department.) Once we knew what he’d done, I tried to call Steve, but he never called back. He just went missing, like the kids on the milk cartons. It was weird. People often ask me if I felt “betrayed,” but really I was deeply unsettled, like I’d woken up in the wrong room. I wondered whether Steve had lied to me about personal things, too. I wondered how, even after he’d been caught, he could bring himself to recruit me to defend him, knowing I’d be risking my job to do so. I wondered how I could spend more time with a person during the week than I spent with my husband and not suspect a thing. (And I didn’t. It came as a total surprise). And I wondered what else I didn’t know about people. Could my brother be a drug addict? Did my best friend actually hate me? Jon Chait, now a political writer for New York and back then the smart young wonk in our trio, was in Paris when the scandal broke. Overnight, Steve went from “being one of my best friends to someone I read about in The International Herald Tribune, ” Chait recalled. The transition was so abrupt that, for months, Jon dreamed that he’d run into him or that Steve wanted to talk to him. Then, after a while, the dreams stopped. The Monica Lewinsky scandal petered out, George W. Bush became president, we all got cell phones, laptops, spouses, children. Over the years, Steve Glass got mixed up in our minds with the fictionalized Stephen Glass from his own 2003 roman à clef, The Fabulist, or Steve Glass as played by Hayden Christiansen in the 2003

These stunning global improvements have already been tested, vetted and proven effective: 1. To feed the world, easily. Yet grains waste in warehouses to ensure “Profitable Supply and Demand Ratios.” 2. To power the world endlessly, freely, without pollution or waste. Yet basic subsidies are given to polluting, exploiting, un-replenishable resources to ensure power remains in the hands of the controllers. 3. To end all armed conflict and usher in an era of global prosperity. Yet childish leaders propagate “The Demonic Other” to ensure they remain in power. 4. To improve global quality of life by a factor of 3x to 8x in under a decade. Yet it is suppressed to ensure that the elite remain an Elite and separate ruling class. 5. To end drug addictions and social inequality. Yet drugs are industriously pumped into ghettos to breed despair and ensure that ordinary people remain in conflict with each other. 6. To radically reduce crime worldwide. Yet again, suppressed to ensure the reign of an elite prison complex. 7. To reduce the work week by over 50%. Suppressed to occupy the masses with trifling banality. 8. To globally stabilize and secure the world’s clean drinking water supply, EASILY. Suppressed to retain control over the world’s most impoverished. All of these “Trigger Ready Solutions” are suppressed by humans to ensure their power and control over other Humans. They argue about currency manipulation while poisoning the collective air and water to a level where the oceans have little left to give. Absolving themselves of all crimes, preaching kindness and forgiveness, they race into battle against the OTHER while denouncing greed and indoctrinating youth to find it funny to say, “He who dies with the most toys wins.

No,” he says slowly. “But if you’re trying to convince me to move out, getting a puppy is not the way to do it.” “So you’re just using me for my dog?” I ask, risking a glance over at him. “And your big,” his eyes drop to my arms, “beachfront access.” His grin is addicting and I can’t help smiling back. He might not know he’s doing it, but Sean is flirting with me. I’ve gone to bed with people with less encouragement. “That’s why I got it,” I say fluttering my eyelashes. “My beachfront brings all the boys to my yard.

She is amazingly hot. She seduces me all the time. I can't stop looking at her. She wants me all the time. She keeps me awake all my wandering nights. She bewitches me in myriad unknown ways. She is my Coffee!

Should we follow her? She's weird. She just scraped penguin poop into a test tube and she speaks like she's been smoking it." "You're a tree-foot-tall adult with an unhealthy addiction to imaginary horse pies. And I'm a six-foot-tall regenerating lizard with a lightning-imbued hammer. Let's not point too many fingers at weirdos.

Just talk to him! I want to scream at the female. She’s not a china doll; stop trying to control her every move, I chastise the man.  Romances are so funny and yet addicting in that way.

To most teenagers, college kids, and addicts, the fact that I was getting paid to party was pretty badass. The fact that I always knew where the party was, and people were always calling me for their fix, made others want to be around me. I carried myself confidently and got a lot of girls (regardless of what I felt like on the inside). I was fun and funny and therefore got invited to a lot of things.

If I’m recovering from anything, I’m recovering from trying to recover from anything.

Before we get started, I need to warn you that this book is going to talk about suicide, including detailing suicidal methods. It’s going to detail experience of sexual assault. It’s also going to talk about addiction, including references to cocaine and alcohol abuse. It’s going to examine self-harm and depression. It’s going to be honest about some of the darkest things it’s possible to feel. It’s also going to (try to) be funny. I

Because they’re both addicted to being universally loved. And they’re good at it. Good enough that they don’t realize you don’t get to be loved by people whose hearts you completely fucking destroy. They think they’re being the bigger people right now. But they don’t get to be the bigger people. For the next few years, they have to live with being the assholes.

Did anyone stay in their twenties after high school or did everyone just pass GO to collect a 401k and diapers?

One of my favorite sayings was relativistic and I would say it every time someone made a funny face at me after I cursed. “People could have decided that 'microwave' was the f-word and everyone would get royally offended each time the word ‘microwave’ slipped from someone’s mouth. It’s absurd,” I would tell them. So, I determined that all words were made equal in my mind, and that I would take offense to none of them. Still, my decision did not change the paradigms of others’ realities. People continued to be offended, and I continued to “not give a microwave” about it. I not only constructed my opinion about which words were good or bad around relativism and postmodernism, but my entire reality.

He has that power over people. It’s insane, and I realize how much I love the guy. That’s the funny thing right: He’ll probably never love me.

God prepared a table before me in the presence of my insecurity, in the presence of my deficits, in the presence of my addictions, in the presence of my confusions, in the presence of what I have lost, in the presence of the threat that I won't make it, in the presence of my enemies, I am looking straight ahead.

What was the point when I knew King wasn’t gon’ let me go to that damn party? It was funny saying let when I was grown. “Yeah, Peach, you got to stand up to King

I’m talking about you, you idiot. You have seen you, right?” [...] “Of course I have. I saw myself last Wednesday. My hair was doing this woo-woo thing,” I say, but only because I’m panicking. My palms have gone all sweaty and my mouth has dried to a crisp. It’s like my saliva has disappeared down into my hands. And all because he said I had nice lips. “Can you give me a demonstration of this woo-woo?” “Well, my fringe was kind of going out here like – Christ, what am I doing? Don’t ask me to do stupid things.” “Why?” “Because I might do them.

OK, so … hugging. How does that go? You sort of … stretch your arms out …” He does so too robotically, too broadly. It looks kind of like he’s trying to find a boulder to slot into the space he’s made between his chest and his hands. He looks like Donkey Kong, I think, and then I giggle. “What? I’m getting this soooo right. I just have to clamp these things around you, now …

I love you,” he says, though once he’s done it I can see he isn’t happy with it. He shakes his head and clicks his fingers, then puts his hand on his chest as he makes the declaration. “I love you.” “The second one,” I tell him, mainly because the second one gave me goose bumps. “Definitely.” “Or I could do it on one knee? Maybe add a bit of poetry? My love is a rare rose that blooms at the sight of you …” he offers, but of course we’re both trying not to laugh now. Something as terrifying as love, and somehow I’m relaxed enough to laugh. “But that’s not really me, right? If I was going to go with the honest version, it’d be more like this: my love is like a giant rampaging mutant from another dimension, intent on actually ingesting you in case you had any ideas about running away.

Sarah often thought it funny how she would think of the characters as if they were real people who had really lived, occupying this very world with the same strength of mind and passion as their creator.

was glad to be off the hook, which had been the second time that week as she had recently broke an addiction from fishing on the nearby bay

Cat was no novice, but the term “sexual satisfaction” didn’t even come close to what Wilson McKay had done to her. It was magnificent. It was mind-bending. It was addictive. Wilson was almost blind with exhaustion, but he’d never felt better in his life. Just at the point of falling asleep, he felt Cat’s backside snuggling closer into his lap. “Uh…Wilson?” “Hmmm?” “Could we do that again?” He laughed out loud. It started like a rumble down deep in his belly and came up his throat in husky ripples, until the sound, like a blowout, burst behind Cat’s head. His laughter was infectious. A little embarrassed, she frowned, but when he buried his face against the back of her neck and kept laughing, she rolled out from beneath his grasp and punched him on the shoulder. Wilson had never, in his entire life as an adult, experienced this much passion and fun at the same time. He laughed until his belly hurt, and when he tried to pull her back down to him, she wouldn’t relent. “It wasn’t that funny,” Cat muttered. “On the contrary,” Wilson said. “You just weren’t looking at the request from my point of view. I was just lying there thinking that I’d never felt so used up and satisfied in my life, and then you’re asking about a repeat performance.

I realise something. My ‘fuck it, I just want to get smashed’ moments are usually about boredom and pleasure-seeking. When I get drunk, it’s a choice. For so many others, it’s about obliteration — a way to block out the pain. Yet, despite the tragic circumstances that cause already vulnerable people to seek solace in a bottle or through a needle, as a community we still treat addiction as if it’s a character failing. How often do we turn our heads as we judge the unpleasant-smelling man staggering through the train carriage? It’s funny how we view public drunkenness as socially unpalatable if it’s an old man drinking Scotch from a brown paper bag, but it’s a bit of fun if it’s a group of young women causing a commotion on a hen’s night. It makes me wish, once again, that I’d shown more compassion to my granddad. I was young, but I still judged him.

Funny how addiction was socially acceptable—even a status symbol—when it made people extroverts rather than introverts.

I think that I'm thinking in something you're thinking, My thinking is addicting and is becoming in thinking. This quoting doesn't make anying sensing. Mying braining ising confusing. Ming Crushing Ing Loveing, Ing don'ting knowing thing personing evening, The problem is that we think... funny thing! Making nothing of something, Rather something of nothing!

Fran,” dad says lifting his eyes from the map as he nonchalantly drops the A-bomb on me. “It’s extra-terrestrial.” “Wait… what?” I can’t believe what I just heard. “You mean aliens, right?” My breath seizes. “From another world?” FUNNY, ADDICTIVE DRAMA

Fran,” dad says lifting his eyes from the map as he nonchalantly drops the A-bomb on me. “It’s extra-terrestrial.” “Wait… what?” I can’t believe what I just heard. “You mean aliens, right?” My breath seizes. “From another world?” FUNNY, ADDICTIVE DRAMA "Dancing on My Own.

He presses his mouth to mine. I nearly pass out from the surge of passion that washes through me. “What I’m telling you is…" he tightens his grip around my arms. "You belong to me," he whispers.” FUNNY, ADDICTIVE DRAMA "Dancing on My Own.

My heart is pounding so crazy fast, I can barely breathe. I feel faint. And Just as I think he’s going for my lips. I brace myself for a hot, wet, romantic kiss. He leans in and presses his lips to my forehead. “Ready to go?” he asks.” FUNNY, ADDICTIVE DRAMA "Dancing on My Own.

You know what I think really makes me an addict?" she asked. "It's not how many drugs I took or how much I drank. It's not even the lying." "What?" She inhaled so deeply that her lungs burned. "I find what gives me pleasure and I do it until it gives me pain," she said. "Every time." Charlie looked at her with his funny half smile. "Yeah, but how else would you know when to stop?

You know why they invited us, Miles. Because they're both addicted to being universally loved. And they're good at it. Good enough that they don't realize you don't get to be loved by people whose hearts you completely fucking destroy. They think they're being the bigger people right now. But they don't get to be the bigger people. For the next few years, they have to live with being the assholes.