Future Tense Quotes

The past is always tense, the future perfect.

There is no past or future. Using tenses to divide time is like making chalk marks on water.

...the wicked lie, that the past is always tense and the future, perfect.

Like the wild beasts, she lives without a future. She inhabits only the present tense, a fugue of the continuous, a world of sensual immediacy as without hope as it is without despair.

...I begin with songs. They provide a sort of skeleton grammar for me to flesh out. Songs of longing for future tense, songs of regret for past tense, and songs of love for present tense.

starting at a certain point, the future is only a need to live in the past. To immediately redo the grammatical tenses.

They only heard Abel’s screams. That’s why Finch didn’t stop sawing when Macy coughed. Abel’s terror was a sound I will never forget. That, and the rip saw cutting through his bones.

All items listed above belong in the world In which all things are continuous, And are parts of the original dream which I am now trying to discover the logic of. This Is the process whereby pain of the past in its pastness May be converted into the future tense Of joy. I Am Dreaming of a White Christmas: The Natural History of a Vision (1974)

One of the major problems encountered in time travel is not that of becoming your own father or mother. There is no problem in becoming your own father or mother that a broad-minded and well-adjusted family can't cope with. There is no problem with changing the course of history—the course of history does not change because it all fits together like a jigsaw. All the important changes have happened before the things they were supposed to change and it all sorts itself out in the end. The major problem is simply one of grammar, and the main work to consult in this matter is Dr. Dan Streetmentioner's Time Traveler's Handbook of 1001 Tense Formations. It will tell you, for instance, how to describe something that was about to happen to you in the past before you avoided it by time-jumping forward two days in order to avoid it. The event will be descibed differently according to whether you are talking about it from the standpoint of your own natural time, from a time in the further future, or a time in the further past and is futher complicated by the possibility of conducting conversations while you are actually traveling from one time to another with the intention of becoming your own mother or father. Most readers get as far as the Future Semiconditionally Modified Subinverted Plagal Past Subjunctive Intentional before giving up; and in fact in later aditions of the book all pages beyond this point have been left blank to save on printing costs. The Hitchhiker's Guide to the Galaxy skips lightly over this tangle of academic abstraction, pausing only to note that the term "Future Perfect" has been abandoned since it was discovered not to be.

Macy said I was different, but I’m only different when I’m drunk. Strange thoughts come into my head then. Thoughts that don’t belong inside an ugly person’s head.

Chronocanine Envy: Sadness experienced when one realized that, unlike one's dog, one cannot live only in the present tense. As Kierkegaard said, "Life must be lived forward.

His knowledge is not like ours, which has three tenses: present, past, and future. God's knowledge has no change or variation.

The Hopi, an Indian tribe, have a language as sophisticated as ours, but no tenses for past, present and future. The division does not exist. What does this say about time? Matter, that thing the most solid and the well-known, which you are holding in your hands and which makes up your body, is now known to be mostly empty space. Empty space and points of light. What does this say about the reality of the world?

The culling bunker is from the old-world, a long time in the past. Babies don’t spread the infection anymore. Maybe they never did.

The One who lives outside of time invites you into a reality that is informed by His perfect plans to give you hope and a future. God speaks in the past tense about battles you’re currently fighting. And He buries the shame of yesterday in order to resurrect the moment you are in and sustain you in the season He is calling you to embrace.

Love', this English word: like other English words it has tense. 'Loved' or 'will love' or 'have loved'. All these tenses mean Love is time-limited thing. Not infinite. It only exist in particular period of time. In Chinese, love is '爱' (ai). It has no tense. No past and future. Love in Chinese means a being, a situation, a circumstance. Love is existence, holding past and future.

I love you in the future tense: I will love you, tomorrow and the day after and the day after that until there are no more days left for us.

The past, the present, and the future walked into a bar. It was tense.

And it occurs to me that there’s no real difference between us, the living and the dead; it’s just a matter of tense: past-dead and future-dead

What tense would you choose to live in? I want to live in the imperative of the future passive participle – in the ‘what ought to be.

This here will be the future tense and you will be able to do anything you will like in it.

Eternal life truly begins the moment you’re born again. It’s a present tense—not future tense—reality. If you’re a believer, eternal life is now!

Clean clothes. Gentle talk. Someone to wake up with. Maybe relationships would work if they were based on present-tense actions that never looked for a future beyond the next day.

Some of the best things are done by those with nowhere to turn, by those who don't have time, by those who truly understand the word helpless. they dispense no thought with the calculation of risk and profit, they take no thought for the future, they're forced to spearpoint into the present tense. Thrown over a precipice, you fall or else you fly; you clutch at any hope, however unlikely; however - if I may use such an overworked word - miraculous. What we mean by that is, Against all odds.

For he is in a past-tense, future-perfect kind of mood.

My father is both dead and alive. I do not have a grammar for him. He is in the past, present and future. Even if I had held his hand, and felt it slacken, as he exhaled his last breath, I would still, I believe, every time I refer to him, pause to search for the right tense. I suspect many men who have buried their fathers feel the same. I am no different. I live, as we all live, in the aftermath.

Fearlessness is what love seeks… Such fearlessness exists only in the complete calm that can no longer be shaken by events expected of the future… Hence the only valid tense is the present, the Now.

Habits are undeniably useful tools, relieving us of the need to run a complex mental operation every time we’re confronted with a new task or situation. Yet they also relieve us of the need to stay awake to the world: to attend, feel, think, and then act in a deliberate manner. (That is, from freedom rather than compulsion.) If you need to be reminded how completely mental habit blinds us to experience, just take a trip to an unfamiliar country. Suddenly you wake up! And the algorithms of everyday life all but start over, as if from scratch. This is why the various travel metaphors for the psychedelic experience are so apt. The efficiencies of the adult mind, useful as they are, blind us to the present moment. We’re constantly jumping ahead to the next thing. We approach experience much as an artificial intelligence (AI) program does, with our brains continually translating the data of the present into the terms of the past, reaching back in time for the relevant experience, and then using that to make its best guess as to how to predict and navigate the future. One of the things that commends travel, art, nature, work, and certain drugs to us is the way these experiences, at their best, block every mental path forward and back, immersing us in the flow of a present that is literally wonderful—wonder being the by-product of precisely the kind of unencumbered first sight, or virginal noticing, to which the adult brain has closed itself. (It’s so inefficient!) Alas, most of the time I inhabit a near-future tense, my psychic thermostat set to a low simmer of anticipation and, too often, worry. The good thing is I’m seldom surprised. The bad thing is I’m seldom surprised.

But surely to tell these tall tales and others like them would be to spread the myth, the wicked lie, that the past is always tense and the future, perfect.

Lincoln’s political grammar always gravitated to the future tense.

UP You wake up filled with dread. There seems no reason for it. Morning light sifts through the window, there is birdsong, you can't get out of bed. It's something about the crumpled sheets hanging over the edge like jungle foliage, the terry slippers gaping their dark pink mouths for your feet, the unseen breakfast--some of it in the refrigerator you do not dare to open--you will not dare to eat. What prevents you? The future. The future tense, immense as outer space. You could get lost there. No. Nothing so simple. The past, its density and drowned events pressing you down, like sea water, like gelatin filling your lungs instead of air. Forget all that and let's get up. Try moving your arm. Try moving your head. Pretend the house is on fire and you must run or burn. No, that one's useless. It's never worked before. Where is it coming form, this echo, this huge No that surrounds you, silent as the folds of the yellow curtains, mute as the cheerful Mexican bowl with its cargo of mummified flowers? (You chose the colours of the sun, not the dried neutrals of shadow. God knows you've tried.) Now here's a good one: you're lying on your deathbed. You have one hour to live. Who is it, exactly, you have needed all these years to forgive?

And it occurs to me that there’s no real difference between us, the living and the dead; it’s just a matter of tense: past-dead and future-dead.

Verb conjugation has become muddled, as well. Which is correct: “I am a neurosurgeon,” “I was a neurosurgeon,” or “I had been a neurosurgeon before and will be again”? Graham Greene once said that life was lived in the first twenty years and the remainder was just reflection. So what tense am I living in now? Have I proceeded beyond the present tense and into the past perfect? The future tense seems vacant and, on others’ lips, jarring.

Uncertainty is not chaos but rather the necessary habitat of the present tense. We choose the fallibility of shared promises and problem solving over the certain tyranny imposed by a dominant power or plan because this is the price we pay for freedom to will, which founds our right to the future tense. In the absence of this freedom, the future collapses into an infinite present of mere behavior, in which there can be no subjects and no projects: only objects.

It was a uniquely human problem, something no other animal had to put up with, this ability to suffer in multiple tenses – simultaneously to mourn the past, despair of the present and fear the future.

Don’t give up on your dream. If you do, you aren’t just giving up on its present-tense reality. You’re giving up on its future-tense potential. Were

Only in the present tense is the subject married to its verb. The action—all action, past and future—comes at the end. At the very end, when there is nothing left to do but act.

Prayer is asking God to do something, future tense; praise is believing that God has already done it, past tense.

Well, centrum means center,” said Jackie. “Permanebit is a future tense verb. ‘Remains’ is one translation. Or maybe ‘endures.’ Together it’d be something like, ‘the center will endure.’” I jerked my head up. “Hold,” I whispered, my voice cracking. “The center will hold.” Sydney’s last words. Not for Eddie, but for me.

America is a country in which the storm is essential to clear the way for the calm. Because Americans, obsessed with the present and future, have difficulty remembering the past, they will all believe that there has never been a time as uncivil and tense as this one.

Some of the best things are done by those with nowhere to turn, by those who don't have time, by those who truly understand the word helpless. They dispense no thought with the calculation of risk and profit, they take no thought for the future, they're forced to spearpoint into the present tense." - Margaret Atwood (The Blind Assassin)

Lilianna: Ask me again later. Tate: Okay Lil'Miss. Magic 8 Ball. Lilianna: Really, ask me again in a few weeks. I'll have a better read on the relationship in the present tense then. Tate: You'll have a better read on the present in the future. Yeah, I think that's called History class.

Alone among the animals, we suffer from the future perfect tense.

The past, the present, and the future walked into a bar. It was tense.

As mystery and miracles took charge of the past and present, prophesy took charge of the future and rounded the tenses of faith.

My past may discourage me and my future may frighten me, but “the life I now live” today can be enriching and encouraging because “Christ lives in me” (Gal. 2:20).

I escape disaster by writing a poem with a joke in it: The past, present, and future walk into a bar—it was tense.

I don't know what I would do without you. I don't know what I will do without you. I learned about the future tense, how anxiety is encoded into our sentences, our conditionals, our thoughts, how worry is encoded into language itself, into grammar.

I find that the only way I can survive is in the present tense. If I look at my past, I see loneliness. Loneliness and… and mistakes made of loneliness. If I look at my future, I see fear. Struggle. The possibility of much pain. And so I look only at now, at this present tense, and ask myself, what am I doing now? Who am I now?

Those were her best days, although there was always something feckless about her, something so slack and almost fearful in her too frequent smile, so that when you saw Mignon being happy, you always thought: "It can't last." She had the febrile gaiety of a being without a past, without a present, yet she existed thus, without memory or history, only because her past was too bleak to think of and her future too terrible to contemplate; she was the broken blossom of the present tense.

So what did you do when death came to your house? We continued in the same way as before. What is that, a failure of the imagination? Are you in denial? This is not wholly true; we continue in the same way as before but in parenthesis. My thinking has switched its grammar. The present continuous is its single operational tense. Uncertainty is our present and our future.

That’s how summer is: no past or future but all present tense, long twilights like vandals, breaking into new days.

Naturally Teseo had a joke about all the government promises to increase housing construction: “If there were no future tense in Spanish, Castro would be speechless.

There’s a language, I think it’s called Mescalero, in which verbs don’t change tenses. There’s no future or past tense in that language. I was thinking… if we could learn that language, we could live longer…

People are bound to remain anxious if there is a "should" in life. If there is an ideal that has to be fulfilled, how can you be at ease? How can you be at home? It is impossible to live anything totally because the mind is hankering for the future. And that future never comes—it cannot come. By the very nature of your desire it is impossible. When it comes you will start imagining other things, you will start desiring other things. You can always imagine a better state of affairs. And you can always remain in anxiety, tense, worried—that's how humanity has been living for centuries.

Most of us don’t live in the present tense. We dwell in a mental place where our regrets and grudges from our past compete with our fears about the future. Sometimes we barely notice what’s going on around us, we’re so busy time traveling.

Sometimes," he told her, leaning forward over the table, speaking without realizing how it would sound, "I begin with songs. They provide a sort of skeleton grammar for me to flesh out. Songs of longing for future tense, songs of regret for past tense, songs of love for the present." He blushed when he heard what he’d said, making it worse, but she took no offense; indeed, she seemed to miss any connection that might have been taken wrongly. Instead, she seemed struck by a coincidence and looked out the café window, her mouth open slightly. "Isn’t that interesting," she said, as though nothing else he’d told her so far had been, and continued thoughtfully, "I do the same thing. Have you noticed that lullabies nearly always use a lot of command form?

This should explain something I've been saying (and writing) for over ten years now: Science fiction is not about the future; it uses the future as a narrative convention to present significant distortions of the present. And both the significance of the distortion and the appropriateness of the convention lie precisely in that what we know of present science does not *deny* the possibility of these distortions eventually coming to pass. Science fiction is about the current world - the given world shared by writer and reader. But it is not a metaphor for the given world, nor does the catch-all term metonymy exhaust the relation between the given and science fiction's distortions of the given. Science fiction poises in a tense, dialogic, agonistic relation to the given, but there is very little critical vocaabulary currently to deal with this relationship of contestatory difference the SF figure establishes, maintains, expects, exploits, subverts and even - occasionally, temporarily - grandly destroys.

A partridge settled at the base of a holm oak. It was garden out of time, a garden against time, continually occupying the present tense, insinuating itself into the future by way of each new visitor, I understood how it worked now, how gardens self-seed.

At that stage of your life, there'll be no past or future for you; until I give you my breast, you'll have no memory of contentment in the past nor expectation of relief in the future. Once you begin nursing, everything will be in reverse, and all will be right with the world. NOW is the only moment you'll perceive; you'll live in the present tense. In many ways, it's an enviable state.

You were a language I learned by ear, syllables pressed into the curve of my neck, intonations traced along my spine. But love, I have forgotten how to conjugate us— the past imperfect, the future conditional, sentences unraveling into tenses that no longer hold.

The major problem is quite simply one of grammar, and the main work to consult in this matter is Dr. Dan Streetmentioner's Time Traveller's Handbook of 1001 Tense Formations. It will tell you for instance how to describe something that was about to happen to you in the past before you avoided it by time-jumping forward two days in order to avoid it. The event will be described differently according to whether you are talking about it from the standpoint of your own natural time, from a time in the further future, or a time in the further past and is further complicated by the possibility of conducting conversations whilst you are actually travelling from one time to another with the intention of becoming your own father or mother.

Almost by definition, secularism cannot be a future: it's a present-tense culture that over time disconnects a society from cross-generational purpose. Which is why there are no examples of sustained atheist civilizations. "Atheistic humanism" became inhumanism in the hands of the Fascists and Communists and, in its less malign form in today's European Union, a kind of dehumanism in which a present-tense culture amuses itself to extinction.

It's just me and the invader inside me and the dead - not just my family, but all the dead, all however-many-billion of them, reaching for me as I run. Reaching. Running. And it occurs to me that there's no real difference between us, the living and the dead; it's just a matter of tense: past-dead and future-dead.

Those three means are Mystery, Miracle, and Prophecy. The first two are incompatible with true religion, and the third ought always to be suspected. As mystery answered all general purposes, miracle followed as an occasional auxiliary. The former served to bewilder the mind, the latter to puzzle the senses. The one was the lingo, the other the legerdemain. As Mystery and Miracle took charge of the past and the present, Prophecy took charge of the future, and rounded the tenses of faith.

Perhaps the deepest indication of our slavery is the monetization of time. It is a phenomenon with roots deeper than our money system, for it depends on the prior quantification of time. An animal or a child has “all the time in the world.” The same was apparently true for Stone Age peoples, who usually had very loose concepts of time and rarely were in a hurry. Primitive languages often lacked tenses, and sometimes lacked even words for “yesterday” or “tomorrow.” The comparative nonchalance primitive people had toward time is still apparent today in rural, more traditional parts of the world. Life moves faster in the big city, where we are always in a hurry because time is scarce. But in the past, we experienced time as abundant. The more monetized society is, the more anxious and hurried its citizens. In parts of the world that are still somewhat outside the money economy, where subsistence farming still exists and where neighbors help each other, the pace of life is slower, less hurried. In rural Mexico, everything is done mañana. A Ladakhi peasant woman interviewed in Helena Norberg-Hodge’s film Ancient Futures sums it all up in describing her city-dwelling sister: “She has a rice cooker, a car, a telephone—all kinds of time-saving devices. Yet when I visit her, she is always so busy we barely have time to talk.” For the animal, child, or hunter-gatherer, time is essentially infinite. Today its monetization has subjected it, like the rest, to scarcity. Time is life. When we experience time as scarce, we experience life as short and poor. If you were born before adult schedules invaded childhood and children were rushed around from activity to activity, then perhaps you still remember the subjective eternity of childhood, the afternoons that stretched on forever, the timeless freedom of life before the tyranny of calendar and clocks. “Clocks,” writes John Zerzan, “make time scarce and life short.” Once quantified, time too could be bought and sold, and the scarcity of all money-linked commodities afflicted time as well. “Time is money,” the saying goes, an identity confirmed by the metaphor “I can’t afford the time.” If the material world

Long black hair and deep clean blue eyes and skin pale white and lips blood red she's small and thin and worn and damaged. She is standing there. What are you doing here? I was taking a walk and I saw you and I followed you. What do you want. I want you to stop. I breathe hard, stare hard, tense and coiled. There is still more tree for me to destroy I want that fucking tree. She smiles and she steps towards me, toward toward toward me, and she opens he r arms and I'm breathing hard staring hard tense and coiled she puts her arms around me with one hand not he back of my head and she pulls me into her arms and she holds me and she speaks. It's okay. I breathe hard, close my eyes, let myself be held. It's okay. Her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and my heart slows and I stop shaking an the Fury melts into her safety an she holds me and she says. Okay. Okay. Okay. Something else comes and it makes me feel weak and scared and fragile and I don't want to be hurt and this feeling is the feeling I have when I know I can be hurt and hurt deeper and more terribly than anything physical and I always fight it and control it and stop it but her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and if she let me go right now I would fall and the need and confusion and fear and regret and horror and shame and weakness and fragility are exposed to the soft strength of her open arms and her simple word okay and I start to cry. I start to cry. I want to cry. It comes in waves. THe waves roll deep and from deep the deep within me and I hold her and she holds me tighter and i let her and I let it and I let this and I have not felt this way this vulnerability or allowed myself to feel this way this vulnerability since I was ten years old and I don't know why I haven't and I don't know why I am now and I only know that I am and that it is scary terrifying frightening worse and better than anything I've ever felt crying in her arms just crying in her ams just crying. She guides me to the ground, but she doesn't let me go. THe Gates are open and thirteen years of addiction, violence, hell and their accompaniments are manifesting themselves in dense tears and heavy sobs and a shortness of breath and a profound sense of loss. THe loss inhabits, fills and overwhelms me. It is the loss of a childhood of being a Teeenager of normalcy of happiness of love of trust anon reason of God of Family of friends of future of potential of dignity of humanity of sanity f myself of everything everything everything. I lost everything and I am lost reduced to a mass of mourning, sadness, grief, anguish and heartache. I am lost. I have lost. Everything. Everything. It's wet and Lilly cradles me like a broken Child. My face and her shoulder and her shirt and her hair are wet with my tears. I slow down and I start to breathe slowly and deeply and her hair smells clean and I open my eyes because I want to see it an it is all that I can see. It is jet black almost blue and radiant with moisture. I want to touch it and I reach with one of my hands and I run my hand from the crown along her neck and her back to the base of her rib and it is a thin perfect sheer and I let it slowly drop from the tips of my fingers and when it is gone I miss it. I do it again and again and she lets me do it and she doesn't speak she just cradles me because I am broken. I am broken. Broken. THere is noise and voices and Lilly pulls me in tighter and tighter and I know I pull her in tighter and tighter and I can feel her heart beating and I know she can feel my heart beating and they are speaking our hearts are speaking a language wordless old unknowable and true and we're pulling and holding and the noise is closer and the voices louder and Lilly whispers. You're okay. You're okay. You're okay.

Demetrius the grammarian finding in the temple of Delphos a knot of philosophers set chatting together, said to them, “Either I am much deceived, or by your cheerful and pleasant countenances, you are engaged in no very deep discourse.” To which one of them, Heracleon the Megarean, replied: “ ’Tis for such as are puzzled about inquiring whether the future tense of the verb Ballo be spelt with a double L, or that hunt after the derivation of the comparatives Cheirou and Beltiou, and the superlatives Cheiriotou and Beliotou, to knit their brows whilst discoursing of their science; but as to philosophical discourses, they always divert and cheer up those that entertain them, and never deject them or make them sad.

My native tense is future conditional, a low simmer of unspecified worry being the usual condition.

The success of the future does not lie solely on the safety of the past, but relies broadly on the security of the present.

I ride the singular point of the present until the future is past tense.

there’s no real difference between us, the living and the dead; it’s just a matter of tense: past-dead and future-dead.

The tense of the body is the present indicative; but the soul has a memory and a present and a future. I have conceived some extremely recondite pains for Mr. Trellis. I will pierce him with a pluperfect.

But I do know that when you and I approach God for help, filled with our cares and distresses, our prayers are not confined to this calendar date, to this particular month and year. What may seem to be His silence and avoidance from where you sit today is already reverberating in future places. If not right here, if not right now, you can be sure His ability is taking visible, tangible shape somewhere, even if beyond the scope of your current sightline. You and I are living right this minute on a tiny dot of time within a vast sea of God-moments. And the ripple effect of today’s prayer, today’s faith—today’s now—spirals out in all directions for all eternity, bumping something here, affecting something there, all under God’s watchful eye and wisdom. Each time we turn to Him, each time we trust, each time we bring our all to the surpassing greatness of His all, we find ourselves instantly connected to every future time zone where His ability lives. We link up across generations where He is already working, present-tense, to make His glory known.

The things about you I appreciate May seem indelicate: I'd like to find you in the shower And chase the soap for half an hour. I'd like to have you in my power And see your eyes dilate. I'd like to have your back to scour And other parts to lubricate. Sometimes I feel it is my fate To chase you screaming up a tower Or make you cower By asking you to differentiate Nietzsche from Schopenhauer. I'd like successfully to guess your weight And win you at a fête. I'd like to offer you a flower. I like the hair upon your shoulders, Falling like water over boulders. I like the shoulders too: they are essential. Your collar-bones have great potential (I'd like your particulars in folders Marked Confidential). I like your cheeks, I like your nose, I like the way your lips disclose The neat arrangement of your teeth (Half above and half beneath) In rows. I like your eyes, I like their fringes. The way they focus on me gives me twinges. Your upper arms drive me berserk. I like the way your elbows work. On hinges … I like your wrists, I like your glands, I like the fingers on your hands. I'd like to teach them how to count, And certain things we might exchange, Something familiar for something strange. I'd like to give you just the right amount And get some change. I like it when you tilt your cheek up. I like the way you not and hold a teacup. I like your legs when you unwind them. Even in trousers I don't mind them. I like each softly-moulded kneecap. I like the little crease behind them. I'd always know, without a recap, Where to find them. I like the sculpture of your ears. I like the way your profile disappears Whenever you decide to turn and face me. I'd like to cross two hemispheres And have you chase me. I'd like to smuggle you across frontiers Or sail with you at night into Tangiers. I'd like you to embrace me. I'd like to see you ironing your skirt And cancelling other dates. I'd like to button up your shirt. I like the way your chest inflates. I'd like to soothe you when you're hurt Or frightened senseless by invertebrates. I'd like you even if you were malign And had a yen for sudden homicide. I'd let you put insecticide Into my wine. I'd even like you if you were Bride Of Frankenstein Or something ghoulish out of Mamoulian's Jekyll and Hyde. I'd even like you as my Julian Or Norwich or Cathleen ni Houlihan. How melodramatic If you were something muttering in attics Like Mrs Rochester or a student of Boolean Mathematics. You are the end of self-abuse. You are the eternal feminine. I'd like to find a good excuse To call on you and find you in. I'd like to put my hand beneath your chin, And see you grin. I'd like to taste your Charlotte Russe, I'd like to feel my lips upon your skin I'd like to make you reproduce. I'd like you in my confidence. I'd like to be your second look. I'd like to let you try the French Defence And mate you with my rook. I'd like to be your preference And hence I'd like to be around when you unhook. I'd like to be your only audience, The final name in your appointment book, Your future tense.

It was there, in Spain, that the right to the future tense was on the move, insisting that the operations of surveillance capitalism and its digital architecture are not, never were, and never would be inevitable. Instead, the opposition asserted that even Google’s capitalism was made by humans to be unmade and remade by democratic processes, not commercial decree. Google’s was not to be the last word on the human or the digital future.

Some of the best things are done by those with nowhere to turn, by those who don't have time, by those who truly understand the word helpless. They dispense with the calculation of risk and profit, they take no thought for the future, they're forced at spearpoint into the present tense. Thrown over a precipice, you fall or else you fly; you clutch at any hope, however unlikely; however - if I may use such an overworked word - miraculous. What we mean by that is, Against all odds.

Then the coxswain called out, 'Ready all!' Joe turned and faced the rear of the boat, slid his seat forward, sank the white blade of his oar into the oil-black water, tensed his muscles, and waited for the command that would propel him forward into the glimmering darkness.

I always thought that my future self would have ranks of books like my professor, all of them read and understood, an achievement in the past tense that proved I had become something. I now see that this was not what she showed me. She offered me instead the act of knowing, rather than the static fact of the known, a lifetime of enquiry. I don't want to sit like a brooding hen on the nest of my past achievements. I want to keep on going deep into the uncertain act of making, to see the unknown world stretch out before me and to devote myself to exploring it. So I begin again, just as I have before. I have learned to be grateful for these losses, painful and disorienting as they are. They make me small again. The next world is so tantalising, lying across a million unread pages, and in which I am nothing, nobody, new.

I can tell you that if there’s nothing wrong with you except fat it is easy to get thin. You eat and drink the same as always, only half. If you are handed a plate of food, leave half; if you have to help yourself, take half. After a while, if you are a perfectionist, you can consume half of that again … On the question of will-power, if that is a factor, you should think of will-power as something that never exists in the present tense, only in the future and the past. At one moment you have decided to do or refrain from an action and the next moment you have already done or refrained; it is the only way to deal with will-power.

I'll lean over your crib, lift your squalling form out, and sit in the rocking chair to nurse you. The word 'infant' is derived from the Latin word for 'unable to speak,' but you'll be perfectly capable of saying one thing: 'I suffer.,' and you'll do it tirelessly and without hesitation. I have to admire your utter commitment to that statement; when you cry, you'll become outrage incarnate, every fiber of your being employed in expressing that emotion. It's funny: when you're tranquil, you will seem to radiate light, and if someone were to paint a portrait of you like that, I'd insist they include the halo. But when you're unhappy, you will become a klaxon, built for radiating sound; a portrait of you then could simply be a fire alarm bell. At that stage of your life, there'll be no past or future for you; until I give you my breast, you'll have no memory of contentment in the past nor expectation of relief in the future. Once you begin nursing, everything will reverse, and all will be right with the world. NOW is the only moment you'll perceive; you'll live in the present tense. In many ways, it's an enviable state.

1. Resolve today to “switch on” your success mechanism and unlock your goal-achieving mechanism by deciding exactly what you really want in life. 2. Make a list of ten goals that you want to achieve in the foreseeable future. Write them down in the present tense, as if you have already achieved them. 3. Select the one goal that could have the greatest positive impact on your life if you were to achieve it, and write it down at the top of another piece of paper. 4. Make a list of everything you could do to achieve this goal, organize it by sequence and priority, and then take action on it immediately. 5. Practice mindstorming by writing out twenty ideas that could help you achieve your most important goal, and then take action on at least one of those ideas.

What is time? Who can explain this easily and briefly? Who can comprehend this even in thought so as to articulate the answer in words? Yet what do we speak of, in our familiar everyday conversation, more than of time? We surely know what we mean when we speak of it. We also know what is meant when we hear someone else talking about it. What then is time? Provided that no one asks me, I know. If I want to explain it to an inquirer, I do not know. But I confidently affirm myself to know that if nothing passes away, there is no past time, and if nothing arrives, there is no future time, and if nothing existed there would be no present time. Take the two tenses, past and future. How can they 'be' when the past is not now present and the future is not yet present? Yet if the present were always present, it would not pass into the past: it would not be time but eternity. If then, in order to be time at all, the present is so made that it passes into the past, how can we say that this present also 'is'? The cause of its being is that it will cease to be. So indeed we cannot truly say that time exists except in the sense that it tends toward non-existence.

Of course his drinking put a strain on me as a young person. It made me very tense and edgy. That happens when one lives with an alcoholic. My story in this sense is not unique. I’ve lived with many alcoholic men over the years, and each has taught me that it is useless to worry, fruitless to ask why, suicide to try to help them. They are who they are, for better and worse. Now I live alone. Happily. Gleefully, even. I’m too old to concern myself with other people’s affairs. And I no longer waste my time thinking ahead into the future, worrying about things that haven’t happened yet. But I worried all the time when I was young, not least of all about my future, and mostly with respect to my father—how long he had left to live, what he might do, what I would find when I got home from work each evening.

Indeed, he [Augustine] wrote, what we call three tenses are only one. Past, present, and future don't exist per se; they are all present in the mind - in our current memory of past events, in our current attention to the present, and in our current expectation of what's to come. "There are three tenses or times: the present of past things, the present of present things, and the present of future things".

Just because someone’s dead doesn’t mean you have to talk about them like they’re not there. He may be dead, but that doesn’t mean that he’s not a great man anymore. You don’t just add a past tense to something when someone dies. If he died a good man. Then that means that he still is a good man. Death doesn’t just change how a person was. They die the same way they always were. Just like a hero dies a hero, and an asshole, well, he dies an asshole.

The past shoves its way in. Sometimes Dad is sitting next to me, sometimes Mom, but most of the time it’s Sissy. The room turns red. I see the world through a diaphanous curtain of blood. The ward recedes behind the red curtain. It’s just me and the invader inside me and the dead—not just my family, but all the dead, all however-many-billion of them, reaching for me as I run. Reaching. Running. And it occurs to me that there’s no real difference between us, the living and the dead; it’s just a matter of tense: past-dead and future-dead.

She realized at once that he expected trouble and that he was used to handling deadly situations. It was the first time she’d actually seen him do it, despite their long history. It gave her a new, adult perspective on his lifestyle. No wonder he couldn’t settle down and become a family man. She’d been crazy to expect it, even in her fantasies. He was used to danger and he enjoyed the challenges it presented. It would be like housing a tiger in an apartment. She sighed as she saw the last tattered dream of a future with him going up in smoke. Tate looked through the tiny peephole and took his hand away from the pistol. He glanced at Cecily with an expression she couldn’t define before he abruptly opened the door. Colby Lane walked in, eyebrows raised, new scars on his face and bone weariness making new lines in it. “Colby!” Cecily exclaimed with exaggerated delight. “Welcome home!” Tate’s face contracted as if he’d been hit. Colby noticed that, and smiled at Cecily. “Am I interrupting something?” he asked, looking from one tense face to the other. “No,” Tate said coolly as he reholstered his pistol. “We were discussing security options, but if you’re going to be around, they won’t be necessary.” “What?” “I’m fairly certain that the gambling syndicate tried to kill her,” Tate said somberly, nodding toward Cecily. “A car almost ran her down in her own parking lot. She ended up in the hospital. And decided not to tell anyone about it,” he added with a vicious glare in her direction. “Way to go, Cecily,” Colby said glumly. “You could have ended up floating in the Potomac. I told you before I left to be careful. Didn’t you listen?” She shot him a glare. “I’m not an idiot. I can call 911,” she said, insulted. Colby was still staring at Tate. “You’ve cut your hair.” “I got tired of braids,” came the short reply. “I have to get back to work. If you need me, I’ll be around.” He paused at the doorway. “Keep an eye on her,” Tate told Colby. “She takes risks.” “I don’t need a big strong man to look out for me. I can keep myself out of trouble, thank you very much,” she informed Tate. He gave her a long, pained last look and closed the door behind him. As he walked down the staircase from her apartment, he couldn’t shake off the way she looked and acted. Something was definitely wrong with her, and he was going to find out what.

The major problem is quite simply one of grammar, and the main work to consult in this matter is Dr. Dan Streetmentioner’s Time Traveler’s Handbook of 1001 Tense Formations. ... Most readers get as far as the Future Semiconditionally Modified Subinverted Plagal Past Subjunctive Intentional before giving up; and in fact in later editions of the book all the pages beyond this point have been left blank to save on printing costs. ... The Hitchhiker’s Guide to the Galaxy skips lightly over this tangle of academic abstraction, pausing only to note that the term “Future Perfect” has been abandoned since it was discovered not to be. To resume: The Restaurant at the End of the Universe is one of the most extraordinary ventures in the entire history of catering. It is built on the fragmented remains of an eventually ruined planet which is (wioll haven be) enclosed in a vast time bubble and projected forward in time to the precise moment of the End of the Universe. This is, many would say, impossible. In it, guests take (willan on-take) their places at table and eat (willan on-eat) sumptuous meals while watching (willing watchen) the whole of creation explode around them. This, many would say, is equally impossible.

I do not fear that "future generations will not read novels," etc. It is probably a complete misunderstanding to conceive of serious art in categories of production, market, readers, supply and demand(...)art is not the fabrication of stories for readers but a spiritual cohabitation, something so tense and so separate from science, even contradictory to it, that there can be no competition between them. If someone fine, dignified, prolific, brilliant (this is how one ought to speak of artists this is the language art demands) is born in the future, if someone unique and unrepeatable is born, a Bach, a Rembrandt, then he will win people over, charm and seduce them...

The introduction of cinematography enabled us to corral time past and thus retain it not merely in the memory - at best, a falsifying receptacle - but in the objective preservative of a roll of film. But, if past, present and future are the dimensions of time, they are notoriously fluid. There is no tension in the tenses and yet they are always tremulously about to coagulate. The present is a liquid jelly which settles into a quivering, passive mass, the past, as soon as - if not sooner than - we are aware of it as present. Yet this mass was intangible and existed only conceptually until arrival of the preservative, cinema. The motion picture is usually regarded as only a kind of shadow play and few bother to probe the ontological paradoxes it presents. For it offers us nothing less than the present tense experience of time irrefutably past. So that the coil of film has, as it were, lassoed inert phenomena from which the present had departed, and when projected upon a screen, they are granted a temporary revivification. [...] The images of cinematography, however, altogether lack autonomy. Locking in programmed patterns, they merely transpose time past into time present and cannot, by their nature, respond to the magnetic impulses of time future for the unachievable future which does not exist in any dimension, but nevertheless organizes phenomena towards its potential conclusions. The cinematographic model is one of cyclic recurrences alone, even if these recurrences are instigated voluntarily, by the hand of man viz. the projectionist, rather than the hand of fate. Though, in another sense, the action of time is actually visible in the tears, scratches and thumbprints on the substance of the film itself, these are caused only by the sly, corrosive touch of mortality and, since the print may be renewed at will, the flaws of aging, if retained, increase the presence of the past only by a kind of forgery, as when a man punches artificial worm-holes into raw or smokes shadows of fresh pain with a candle to produce an apparently aged artefact. Mendoza, however, claimed that if a thing were sufficiently artificial, it became absolutely equivalent to the genuine.

Francisco, I did love you-' she said, and caught her breath, shocked, realizing that she had not intended to say it and, simultaneously, that this was not the tense she had wanted to use. 'But you do,' he said calmly, smiling. 'You still love me-even if there's one expression of it that you'll always feel and want, but will not give to me any longer. I'm still what I was, and you'll always see it, and you'll always grant me the same response, even if there's a greater one that you grant to another man. No matter what you feel for him, it will not change what you feel for me and it won't be treason to either, because comes from the same root, it's the same payment in answer to the same values. No matter what happens in the future, we'll always be what we were to each other, you and I, because you'll always love me.

Oscar’s breath warmed the back of her head, his lips brushing against her hair, loosened from a braid. He drew a lock away from her neck and kissed the skin just beneath her earlobe, against the throb of her quickening pulse. Like the blackness outside the dome of lamplight, there seemed to be nothing more in the world than his lips, his touch, and the flood of heat consuming her. With a gentle nudge, Oscar turned her toward him. He looked at her the way he had in the Grampains meadow-as if she was the most fascinating woman he’d ever seen. Under his gaze she felt fascinating, too. Capivating…wanted. He traced her jaw with his lips, kissing the angle of her neck ever so tenderly, as though he weren’t certain she wanted him, too. Camille closed the inch of space left between them, her body pressing against his. The muscles in his chest and arms tightened. He was wanted, and she needed to show him how much. No one was there to watch, no one to judge, or tell her the lips caressing her were unworthy of tasting her skin. With those very thoughts, Oscar’s grip loosened. His lips retreated. “This isn’t right,” he whispered, catching his breath. Camille stared at him, her hurt and disappointment plain on her face. “You’re engaged, Camille.” He looked around the room. His eyes rested on the bed. “I shouldn’t be here.” All of a sudden, Camille completely and fully detested Randall. Good, sweet, well-meaning Randall infuriated her with his mere existence, with his big sapphire ring and his marriage proposal and his bright, wealthy future as the savior of Rowen & Company. She didn’t want any of it if it meant she couldn’t have Oscar’s kisses, the return of his hands, and his body pressed close to her own. “I want you here,” she said, the words unable to express the desires stampeding her mind. Oscar licked his lips but stepped toward the doorway. “I can’t. If you’re going to marry Randall-“ Camille hushed him. “No, don’t. Please, don’t.” She didn’t want to hear Randall’s name coming from Oscar’s lips, not when she so desperately wanted to kiss them. “He’s not here. And you are, and…what if you stayed?” she asked, unable to believe the words had come from her mouth. He lost the tense hold of his shoulders and stared at her with disbelief. “Nothing improper, of course,” she added quickly. “What if you just stayed until…until I fell asleep?” Citrus and cloves charged through her sense with their dizzying effect as Oscar stepped back inside the room. He tilted his head and looked sideways at her. “Just until you fall asleep?” She nodded, her throat too tight with nerves to speak.

The major problem is quite simply one of grammar, and the main work to consult in this matter is Dr. Dan Streetmentioner’s Time Traveler’s Handbook of 1001 Tense Formations. It will tell you, for instance, how to describe something that was about to happen to you in the past before you avoided it by time-jumping forward two days in order to avoid it. The event will be described differently according to whether you are talking about it from the standpoint of your own natural time, from a time in the further future, or a time in the further past and is further complicated by the possibility of conducting conversations while you are actually traveling from one time to another with the intention of becoming your own mother or father. Most readers get as far as the Future Semiconditionally Modified Subinverted Plagal Past Subjunctive Intentional before giving up; and in fact in later editions of the book all the pages beyond this point have been left blank to save on printing costs. The Hitchhiker’s Guide to the Galaxy skips lightly over this tangle of academic abstraction, pausing only to note that the term “Future Perfect” has been abandoned since it was discovered not to be.

He got in beside her and impatiently reached for her seat belt, snapping it in place. “You always forget,” he murmured, meeting her eyes. Her breath came uneasily through her lips as she met that level stare and responded helplessly to it. He was handsome and sexy and she loved him more than her own life. She had for years. But it was a hopeless, unreturned adoration that left her unfulfilled. He’d never touched her, not even in the most innocent way. He only looked. “I should close my door to you,” she said huskily. “Refuse to speak to you, refuse to see you, and get on with my life. You’re a constant torment.” Unexpectedly he reached out and touched her soft cheek with just his fingertips. They smoothed down to her full, soft mouth and teased the lower lip away from the upper one. “I’m Lakota,” he said quietly. “You’re white.” “There is,” she said unsteadily, “such a thing as birth control.” His face was very solemn and his eyes were narrow and intent on hers. “And sex is all you want from me, Cecily?” he asked mockingly. “No kids, ever?” It was the most serious conversation they’d ever had. She couldn’t look away from his dark eyes. She wanted him. But she wanted children, too, eventually. Her expression told him so. “No, Cecily,” he continued gently. “Sex isn’t what you want at all. And what you really want, I can’t give you. We have no future together. If I marry one day, it’s important to me that I marry a woman with the same background as my own. And I don’t want to live with a young, and all too innocent, white woman.” “I wouldn’t be innocent if you’d cooperate for an hour,” she muttered outrageously. His dark eyes twinkled. “Under different circumstances, I would,” he said, and there was suddenly something hot and dangerous in the way he looked at her as the smile faded from his chiseled lips, something that made her heart race even faster. “I’d love to strip you and throw you onto a bed and bend you like a willow twig under y body.” “Stop!” she whispered theatrically. “I’ll swoon!” And it wasn’t all acting. His hand slid behind her nape and contracted, dragging her rapt face just under his, so close that she could smell the coffee that clung to his clean breath, so close that her breasts almost touched his jacket. “You’ll tempt me once too often,” he bit off. “This teasing is more dangerous than you realize.” She didn’t reply. She couldn’t. She was throbbing, aroused, sick with desire. In all her life, there had been only this man who made her feel alive, who made her feel passion. Despite the traumatic experience of her teens, she had a fierce physical attraction to Tate that she was incapable of feeling with any other man. She touched his lean cheek with cold fingertips, slid them back, around his neck into the thick mane of long hair that he kept tightly bound-like his own passions. “You could kiss me,” she whispered unsteadily, “just to see how it feels.” He tensed. His mouth poised just above her parted lips. The silence in the car was pregnant, tense, alive with possibilities and anticipation. He looked into her wide, pale, eager green eyes and saw the heat she couldn’t disguise. His own body felt the pressure and warmth of hers and began to swell, against his will. “Tate,” she breathed, pushing upward, toward his mouth, his chiseled, beautiful mouth that promised heaven, promised satisfaction, promised paradise. His dark fingers corded in her hair. They hurt, and she didn’t care. Her whole body ached. “Cecily, you little fool,” he ground out. Her lips parted even more. He was weak. This once, he was weak. She could tempt him. It could happen. She could feel his mouth, taste it, breathe it. She felt him waver. She felt the sharp explosion of his breath against her lips as he let his control slip. His mouth parted and his head bent. She wanted it. Oh, God, she wanted it, wanted it, wanted it…

Kruchina was an archaic word for grief, found mostly in the old folk songs and poems. Kruchina grief was not regular sadness or disappointment with everyday troubles, but rather the existential sorrow about a woman’s lot that never goes away, not even at the happiest of moments.    Masha remembered this song from one of the movies of her youth, when all the movies and books were about the war and patriotism, about the great sacrifice for the future. German soldiers were burning a Russian village. The children screamed, the helpless grandmas and grandpas shrieked, the animals and fowl scattered for their lives. A young German soldier broke into the last izba standing and found two women huddled on a bench. Except for a single candle, the house was dark and it was hard to see what was in the shadowy corner: a trunk or a cradle.    Before the soldiers could reload their guns, the women began to sing “Kruchina.” In the middle of this chaos, time stopped. The soldiers listened as the voices washed over their round helmets and tense shoulders, crept into their machine guns, and spread through their stiffened veins and cold stomachs, like mother’s milk.    Sveta might not have even seen the movie, but she and Masha always sang “Kruchina” when their hearts, one or both, were in the wrong place.

The Alpha and Omega “‘I am the Alpha and the Omega,’ says the Lord God, ‘who is, and who was, and who is to come, the Almighty.’” REVELATION 1:8 The third step of the secular version of the 12 Steps says, “We made a decision to turn our wills and our lives over to the care of God, as we understood him.” I don’t know about you, but when I got into recovery, I wasn’t looking for a God I could understand. I needed a God who was beyond my understanding, far beyond my limited, finite comprehension. I needed the one and only God—the Alpha and Omega, who is and was and is to come! As we make this difficult journey to recovery, we need a present-tense God who is to guide us in our everyday lives, giving us what we need to be victorious one day at a time. We also need a past-tense God who was there from the very beginning and who created us in his own image and likeness. We must have a future-tense God as well. Our God who is to come is able to make good on his promises to us. This is why Celebrate Recovery’s third step reads a little differently. It says, “We made a decision to turn our lives and our wills over to the care of God.” Our God is so much more than enough; he is incomprehensible. He helps us deal with our past, stay grounded in the present, and be filled with hope for the future. PRAYER Lord God, you are my everything. Thank you for touching my life from one end to the other. In Jesus’ name, Amen.

By contrast, condemnation will never call you to come into God’s presence. It will convince you that you have nowhere to go because of where you’ve been. One of my friends told me that the most prominent feature of depression is the unremitting belief that things will never get any better than they are right now. In the same way, one of the most prominent features of condemnation is the unshakable sensation that I’ll never change from who I am right now. I’ve always struggled with this; therefore, I’ll never conquer it. Condemnation is the older brother in the parable of the prodigal son. He wrongly believes—and wants to make you believe—that because you went to the pigpen, the pigpen should be your permanent mailing address. But it’s not his house we’re returning to or his rules we’re abiding by. The Father makes a different proclamation: This son of mine was dead and is alive again; he was lost and is found. (Luke 15:24, emphasis added) Now that’s more like it. The past is buried (he was dead); the present is resurrected (he is alive). That’s the way the Father speaks. He understands the correct usage of tenses. What was does not determine what will be, because God is in every moment, redeeming it for His glory. And it gets even better than that. Not only does the Spirit set us free from chains that have bound us to our past, but He actually unleashes the Father’s vision of our future into our present reality. That

short buzz followed, then silence. “They want to get rid of us,” said Trillian nervously. “What do we do?” “It’s just a recording,” said Zaphod. “We keep going. Got that, computer?” “I got it,” said the computer and gave the ship an extra kick of speed. They waited. After a second or so came the fanfare once again, and then the voice. “We would like to assure you that as soon as our business is resumed announcements will be made in all fashionable magazines and color supplements, when our clients will once again be able to select from all that’s best in contemporary geography.” The menace in the voice took on a sharper edge. “Meanwhile, we thank our clients for their kind interest and would ask them to leave. Now.” Arthur looked round the nervous faces of his companions. “Well, I suppose we’d better be going then, hadn’t we?” he suggested. “Shhh!” said Zaphod. “There’s absolutely nothing to be worried about.” “Then why’s everyone so tense?” “They’re just interested!” shouted Zaphod. “Computer, start a descent into the atmosphere and prepare for landing.” This time the fanfare was quite perfunctory, the voice now distinctly cold. “It is most gratifying,” it said, “that your enthusiasm for our planet continues unabated, and so we would like to assure you that the guided missiles currently converging with your ship are part of a special service we extend to all of our most enthusiastic clients, and the fully armed nuclear warheads are of course merely a courtesy detail. We look forward to your custom in future lives…. Thank you.

He's like a little boy again now for the first time in years because he's like let out of school, no job, the bills paid, nothing to do but gratefully amuse me, his eyes are shining -- In fact ever since he's come out of San Quentin there's been something hauntedly boyish about him as tho prison walls had taken all the adult dark tenseness out of him -- In fact every evening after supper in the cell he shared with the quiet gunman he'd bent his serious head to a daily letter or at least every-other-day letter full of philosophical and religious musings to his mistress Billie... And when you're in bed in jail after lights out and you're not sleepy there's ample time to just remember the world and indeed savor its sweetness if any (altho it's always sweet to remember it in jail tho harder in prison, as Genet shows) with the result that he'd not only come to a chastisement of his bashing bitternesses (and of course it's always good to get away from alcohol and excessive smoking for two years) (and all that regular sleep) he was just like a kid again, but as I say that haunting kidlikeness I think all ex cons seem to have when they've just come out -- In seeking to severely penalize criminals society by putting the criminals away behind safe walls actually provide them with the means of greater strength for future atrocities glorious and otherwise -- "Well I'll be damned" he keeps saying as he sees those bluffs and cliffs and hanging vines and dead trees, "you mean to tell me you ben alone here for three weeks, why I wouldn't dare that... must be awful at night ... looka that old mule down there... man, dig the redwood country way back in... reminds me of old Colorady b'god when I used to steal a car every day and drive out to hills like this with a fresh little high school sumptin" -- "Yum Yum, " says Dave Wain emphatically turning that big goofy look to us from his driving wheel with his big mad feverish shining eyes full of yumyum and yabyum too --