Males Soul Quotes

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Whatever you are physically...male or female, strong or weak, ill or healthy--all those things matter less than what your heart contains. If you have the soul of a warrior, you are a warrior. All those other things, they are the glass that contains the lamp, but you are the light inside.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
I desire to be with you. I miss you. I feel lonely when I can't see you. I am obsessed with you, fascinated by you, infatuated with you. I hunger for your taste, your smell, the feel of your soul touching mine.
Jack Llawayllynn (Indulgence)
You are enough to drive a saint to madness or a king to his knees.
Grace Willows (To Kiss a King)
Jem seemed to look through her then, as if he were seeing something beyond her, beyond the corridor, beyond the Institute itself. "Whatever you are physically," he said, "male or female, strong or weak, ill or healthy--all those things matter less than what your heart contains. If you have the soul of a warrior, you are a warrior. All those other things, they are the glass that contains the lamp, but you are the light inside." He smiled them, seeming to have come back to himself, slightly embarrassed. "That's what I believe.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
Simon: 'You know men. We have delicate egos.' Clary: 'I wouldn't describe Jace's ego as delicate.' Simon: 'No, Jace's is sort of the antiaircraft artillery tank of male egos.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
She was a ray of sunshine, a warm summer rain, a bright fire on a cold winter’s day, and now she could be dead because she had tried to save the man she loved.
Grace Willows
He held up his index finger. 'Rule one: in any dispute between mates, the male is always to blame, even when he is clearly blameless. Rule two'—his middle finger joined the first—'whenever in doubt, refer to rule one.
C.L. Wilson (Lord of the Fading Lands (Tairen Soul, #1))
The two princes stared at each other, one gold and one silver, one her twin and one her soul-bonded. There was nothing friendly in the stares, nothing human - two Fae males locked in some unspoken dominance battle.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
His mate is the light that keeps that darkness at bay. She fills the hole that has been growing ever larger in his soul. When the bond is completed between mates, their very souls merge and the male will be able to leash the darker part of his nature and at last be at peace with his wolf.
Quinn Loftis (Blood Rites (The Grey Wolves, #2))
Visionary feminism is a wise and loving politics. It is rooted in the love of male and female being, refusing to privilege one over the other. The soul of feminist politics is the commitment to ending patriarchal domination of women and men, girls and boys. Love cannot exist in any relationship that is based on domination and coercion. Males cannot love themselves in patriarchal culture if their very self-definition relies on submission to patriarchal rules. When men embrace feminist thinking and practice, which emphasizes the value of mutual growth and self-actualization in all relationships, their emotional well-being will be enhanced. A genuine feminist politics always brings us from bondage to freedom, from lovelessness to loving.
bell hooks
Tempted to put too much faith in the great male mind, remember this: It looked at cats and declared them gods. It looked at women and asked, Are they human? And, once that nut had been cracked: But do they have souls?
Sigrid Nunez (The Friend)
The female heart is a labyrinth of subtleties, too challenging for the uncouth mind of the male racketeer. If you really want to possess a woman, you must think like her, and the first thing to do is to win over her soul. The rest, that sweet, soft wrapping that steals away your senses and your virtue, is a bonus.
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
Spiritual Partnership ... The new female and the new male are partners on a journey of spiritual growth. They want to make the journey. Their love and trust keep them together. Their intuition guides them. They consult with each other. They are friends. They laugh a lot. They are equals. That is what a spiritual partnership is: a partnership between equals for the purpose of spiritual growth.
Gary Zukav (Soul Stories)
There is an emotional promiscuity we’ve noticed among many good young men and women. The young man understands something of the journey of the heart. He wants to talk, to “share the journey.” The woman is grateful to be pursued, she opens up. They share the intimacies of their lives - their wounds, their walks with God. But he never commits. He enjoys her... then leaves. And she wonders, What did I do wrong? She failed to see his passivity. He really did not ever commit or offer assurances that he would. Like Willoughby to Marianne in Sense and Sensibility. Be careful you do not offer too much of yourself to a man until you have good, solid evidence that he is a strong man willing to commit. Look at his track record with other women. Is there anything to be concerned about there? If so, bring it up. Also, does he have any close male friends - and what are they like as men? Can he hold down a job? Is he walking with God in a real and intimate way? Is he facing the wounds of his own life, and is he also demonstrating a desire to repent of Adam’s passivity and/or violence? Is he headed somewhere with his life? A lot of questions, but your heart is a treasure, and we want you to offer it only to a man who is worthy and ready to handle it well.
Stasi Eldredge (Captivating: Unveiling the Mystery of a Woman's Soul)
Oh honey, someday a real man is going to make you see stars and you won't even be looking at the sky." Excerpt from Grace Willow's Last Minute Bride
Grace Willows
​Courage is a virtue appreciated in a male but considered a defect in our gender. Bold women are a threat to a world that is badly out of balance, in favor of men.
Isabel Allende (Inés of My Soul)
if, in the beginning, there were so few people on the face of the earth, and now there are so many, where did all those new souls come from?" The answer is simple. In certain reincarnations, we divide into two. Our souls divide as do crystals and start, cells and plants." Our soul divides into two, and those souls are in turn transformed into two and so, within a few generations, we are scattered over a large part of the earth. We form part of what the Alchemists call the Anima Mundi, the sould of the world; the truth is that if the Anima Mundi were merely to keep dividing, it would keep growing, but it would also become gradually weaker. That is why, as well as dividing into two, we also find ourselves. And the process of finding ourselves is called love. Because when a sould divides, it always divides into a male part and a female part. In each life, we feel a mysterious boligation to find at least one of those soul mates. The greater love that seperated them feels pleased with the Love that brings them together again. But how will i know who my soul mate is? By taking risks. By rising failure, disappointment, disillusion, but never ceasing in your search for love. As long as you keep looking, you will triumph in the end.
Paulo Coelho (Brida)
Whatever you are physically, male or female, strong or weak, ill or healthy – all those things matter less than what your heart contains. If you have the soul of a warrior, you are a warrior. Whatever the color, the shape, the design of the shade that conceals it, the flame inside the lamp remains the same. You are that flame.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
Edward glanced at me, then back at Olaf. "The Greeks believed that once there were no male and female, that all souls were one. Then the souls were torn apart, male and female. The Greeks thought that when you found the other half of your soul, your soul mate, that it would be your perfect lover. But I think if you find your other half, you would be too much alike to be lovers, but you would still be soul mates.
Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
Ah, kindness. What a simple way to tell another struggling soul that there is love to be found in the world.
Alison Malee
I'm going to make love to you until you scream. Until you know you're mine. No man will ever touch you again. Only me. He stared through her soul with his hungry emerald eyes. I'll mark you so every man who sees you know who you belong to.
Gayle Donnelly (Infinite Betrayal (Blood Feud #1))
It bothers them that instead of taking on the role of abandoned lover, I have become a happy wife. They relish seeing strong women like you and me humiliated. They cannot forgive us that we triumphed where so many others fail...Courage is a virtue appreciated in a male but considered a defect in our gender. Bold women are a threat to a world that is out of balance, in favor of men. That is why they work so hard to mistreat and destroy us.
Isabel Allende (Inés of My Soul)
The Great Work is the uniting of opposites. It may mean the uniting of the soul with God, of the microcosm with the macrocosm, of the female with the male, of the ego with the non-ego—or what not.
Aleister Crowley (Magick Without Tears)
Learning to wear a mask (that word already embedded in the term “masculinity”) is the first lesson in patriarchal masculinity that a boy learns. He learns that his core feelings cannot be expressed if they do not conform to the acceptable behaviors sexism defines as male. Asked to give up the true self in order to realize the patriarchal ideal, boys learn self-betrayal early and are rewarded for these acts of soul murder.
bell hooks (The Will to Change: Men, Masculinity, and Love)
The artist is a servant who is willing to be a birthgiver. In a very real sense the artist (male or female) should be like Mary who, when the angel told her that she was to bear the Messiah, was obedient to the command. ...I believe that each work of art, whether it is a work of great genius, or something very small, comes to the artist and says, "Here I am. Enflesh me. Give birth to me." And the artist either says, "My soul doth magnify the Lord," and willingly becomes the bearer of the work, or refuses; but the obedient response is not necessarily a conscious one, and not everyone has the humble, courageous obedience of Mary. As for Mary, she was little more than a child when the angel came to her; she had not lost her child's creative acceptance of the realities moving on the other side of the everyday world. We lose our ability to see angels as we grow older, and that is a tragic loss.
Madeleine L'Engle (Walking on Water: Reflections on Faith and Art)
Observe the eyes, for they are the windows to her soul.
Habeeb Akande
Millions cheer the warrior spilling blood across the ring while the one who stands for peace is ridiculed and shamed. Must hearts forever suffer from ignorance and greed? Can bombs heal our souls or set our spirits free?
Aberjhani (Songs from the Black Skylark zPed Music Player)
The female form lends itself best to represent matter because both create life within themselves. The male form lends itself best to represent soul because both create life outside themselves.
Devdutt Pattanaik (The Pregnant King)
The female is, as it were, a mutilated male, and the catamenia are semen, only not pure; for there is only one thing they have not in them, the principle of soul.
Aristotle
It would be ridiculous to talk of male and female atmospheres, male and female springs or rains, male and female sunshine.... how much more ridiculous is it in relation to mind, to soul, to thought, where there is as undeniably no such thing as sex, to talk of male and female education and of male and female schools. [written with Elizabeth Cady Stanton]
Susan B. Anthony
They've read too many of those romances with alpha males striding their way through them. They think that beneath all that granite they're going to find a tender, injured soul crying out for their healing touch. Whereas I see someone whose mother didn't tell him to "make nice" enough when he was little. If he ever was little.
Hazel Osmond (Who's Afraid of Mr Wolfe?)
The deepest show of love is when you surrender your mind, body and soul to me to use as I please, trusting that when I take you to the brink of my self-control, I'll bring you back more whole than before.
Scarlet Wolfe (One Urge, One Plea, Keep Me Trilogy Set (One Urge, One Plea, Keep Me Trilogy, #1-3))
My heart wasn't ready to be pieced together again. He did it anyway. My soul wasn't prepared for heartbreak. He broke it anyway. My life wasn't ready to be given to a soul male. He stole it anyway.
Rachel Van Dyken (Pull (Seaside, #2))
There are yokels out there who think that if they touch a woman's behind and she doesn't complain, they've hooked her. Amateurs. The female heart is a labryinth of subtleties, too challenging for the uncouth mind of the male racketeer. If you really want to possess a woman, you must think like her, and the first thing to do is to win over her soul. The rest, that sweet, soft wrapping that steals away your senses and your virtue, is a bonus.
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
He was the protect at all costs, kind of man. She couldn’t deny an alpha male was her dream.
V. Theia (Finally Winter (Renegade Souls MC Romance Saga #5))
Actually, Da Vinci was in tune with the balance between male and female. He believed that a human soul could not be enlightened unless it had both male and female elements.
Dan Brown (The da Vinci Code (Robert Langdon, #2))
The soul needs meaning as much as the body needs food.
Richard Rohr (Adam's Return: The Five Promises of Male Initiation)
Women hate Beta males so much they'll assume $150K+ in student loans to go to college for 4-8 years to qualify for a 40-50 hour per week, soul-crushing job just to avoid marrying one.
Myron Gaines (Why Women Deserve Less)
You are enough to drive a saint to madness or a king to his knees Excerpt from To Kiss a King by Grace Willows Coming this summer to Amazon Kindle and paperback.
Grace Willows (To Kiss a King)
I’m rough with your body sometimes, but I’ll always be gentle with your soul. She bruises far more easily.
Brianna Hale (Control Freak)
When he pulled back, Blay frowned. "You're shaking." Was it possible he wasn't imagining this? "Am I?" "Yes." "I don't care. I love you. I love you so damned much, and I"m sorry that I wasn't male enough to admit--" Blay stopped him with a kiss. "You're plenty male enough now--the rest of it's in the past." "I just...God, I really am shaking, aren't I? Yeah. But it's okay--I've got you." Qhuinn turned his face into one of the male's palms. "You always have. You've always had me...and my heart. My soul. Everything.
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
We drive down the road in complete silence for a few miles listening to 50 Cent. As soon as he tells us that he's into having sex, he ain't into making love, Casey turns the volume down and begins telling me the following information: " I love you so much. We're going to have the best life together. I can't wait." Every word she says makes me feel a little more like faking a stroke and pretending to lose all memory of who I was, but it's not until she looks me in the eye and says in all seriousness, "You're my soul mate," that I realize I am not going to marry her.
Chad Kultgen (The Average American Male)
Walt Whitman (1819–1892). Leaves of Grass. 1900. To You WHOEVER you are, I fear you are walking the walks of dreams, I fear these supposed realities are to melt from under your feet and hands; Even now, your features, joys, speech, house, trade, manners, troubles, follies, costume, crimes, dissipate away from you, Your true Soul and Body appear before me, They stand forth out of affairs—out of commerce, shops, law, science, work, forms, clothes, the house, medicine, print, buying, selling, eating, drinking, suffering, dying. Whoever you are, now I place my hand upon you, that you be my poem; I whisper with my lips close to your ear, I have loved many women and men, but I love none better than you. O I have been dilatory and dumb; I should have made my way straight to you long ago; I should have blabb’d nothing but you, I should have chanted nothing but you. I will leave all, and come and make the hymns of you; None have understood you, but I understand you; None have done justice to you—you have not done justice to yourself; None but have found you imperfect—I only find no imperfection in you; None but would subordinate you—I only am he who will never consent to subordinate you; I only am he who places over you no master, owner, better, God, beyond what waits intrinsically in yourself. Painters have painted their swarming groups, and the centre figure of all; From the head of the centre figure spreading a nimbus of gold-color’d light; But I paint myriads of heads, but paint no head without its nimbus of gold-color’d light; From my hand, from the brain of every man and woman it streams, effulgently flowing forever. O I could sing such grandeurs and glories about you! You have not known what you are—you have slumber’d upon yourself all your life; Your eye-lids have been the same as closed most of the time; What you have done returns already in mockeries; (Your thrift, knowledge, prayers, if they do not return in mockeries, what is their return?) The mockeries are not you; Underneath them, and within them, I see you lurk; I pursue you where none else has pursued you; Silence, the desk, the flippant expression, the night, the accustom’d routine, if these conceal you from others, or from yourself, they do not conceal you from me; The shaved face, the unsteady eye, the impure complexion, if these balk others, they do not balk me, The pert apparel, the deform’d attitude, drunkenness, greed, premature death, all these I part aside. There is no endowment in man or woman that is not tallied in you; There is no virtue, no beauty, in man or woman, but as good is in you; No pluck, no endurance in others, but as good is in you; No pleasure waiting for others, but an equal pleasure waits for you. As for me, I give nothing to any one, except I give the like carefully to you; I sing the songs of the glory of none, not God, sooner than I sing the songs of the glory of you. Whoever you are! claim your own at any hazard! These shows of the east and west are tame, compared to you; These immense meadows—these interminable rivers—you are immense and interminable as they; These furies, elements, storms, motions of Nature, throes of apparent dissolution—you are he or she who is master or mistress over them, Master or mistress in your own right over Nature, elements, pain, passion, dissolution. The hopples fall from your ankles—you find an unfailing sufficiency; Old or young, male or female, rude, low, rejected by the rest, whatever you are promulges itself; Through birth, life, death, burial, the means are provided, nothing is scanted; Through angers, losses, ambition, ignorance, ennui, what you are picks its way.
Walt Whitman
Alas, it was never meant for us to hear. It was never meant for us to know. We ought never be taught to read. We fight through the constant male refractoriness of our surroundings; our souls are torn out of us with such shock that there isn't even any blood. Remember: I didn't and don't want to be a 'feminine' version or a diluted version or a special version or a subsidiary version or an ancillary version, or an adapted version of the heroes I admire. I want to be the heroes themselves.
Joanna Russ (The Female Man)
Sex and dominance. It’s what modern humans think vampire relationships are all about,” I said. “Their stories are full of crazed alpha-male vampires throwing women over their shoulders before dragging them off for dinner and a date.” “Dinner and a date?” Matthew was aghast. “Do you mean . . . ?” “Uh-huh. You should see what Sarah’s friends in the Madison coven read. Vampire meets girl, vampire bites girl, girl is shocked to find out there really are vampires. The sex, blood, and overprotective behavior all come quickly thereafter. Some of it is pretty explicit.” I paused. “There’s no time for bundling, that’s for sure. I don’t remember much poetry or dancing either.” Matthew swore. “No wonder your aunt wanted to know if I was hungry.” “You really should read this stuff, if only to see what humans think. It’s a public-relations nightmare. Far worse than what witches have to overcome.
Deborah Harkness (Shadow of Night (All Souls Trilogy, #2))
It was cold outside." Alden said as he pulled the chair out for me. "I thought Race was going to cry like a baby." Race laughed. "You're the one who was whining about the wind," he teased. "Being male, Im suprised either one of you had the good sence to come in out of the cold," Maddi said, pouring a tiny paper cup of ketchup on her hamburger.
Mary Lindsey (Shattered Souls (Souls, #1))
There are a number of things a woman can tell about a man who is roughly twenty-nine years old, sitting in the cab of a pickup truck at 3:37 in the afternoon on a weekday, facing the Pacific, writing furiously on the back of pink invoice slips. Such a man may or may not be employed, but regardless, there is mystery there. If this man is with a dog, then that's good, because it means he's capable of forming relationships. But if the dog is a male dog, that's probably a bad sign, because it means the guy is likely a dog, too. A girl dog is much better, but if the guy is over thirty, any kind of dog is a bad sign regardless, because it means he's stopped trusting humans altogether. In general, if nothing else, guys my age with dogs are going to be work. Then there's stubble: stubble indicates a possible drinker, but if he's driving a van or a pickup truck, he hasn't hit bottom yet, so watch out, honey. A guy writing something on a clipboard while facing the ocean at 3:37 P.M. may be writing poetry, or he may be writing a letter begging someone for forgiveness. But if he's writing real words, not just a job estimate or something business-y, then more likely than not this guy has something emotional going on, which could mean he has a soul.
Douglas Coupland (Hey Nostradamus!)
Like all male creatures Wimsey was a simple soul at bottom.
Dorothy L. Sayers (Have His Carcase (Lord Peter Wimsey, #7))
Penetrate her mind to give birth to her soul
Habeeb Akande
In every male languishes the soul of a feudal lord, a male chauvinist, which must be destroyed.
Thomas Sankara (Women's Liberation and the African Freedom Struggle)
He was so stark and male and beautiful that she hungered for him. Physically, to be sure. But also from someplace even more intimate, someplace where heart and soul melded into a yearning so strong, that she wanted to weep from it.
Dorien Kelly (The Last Bride in Ballymuir (Ballymuir, #1))
Stephen watched the three glasses being raised from the counter as his father and his two cronies drank to the memory of their past. An abyss of fortune or of temperament sundered him from them. His mind seemed older than theirs: it shone coldly on their strifes and happiness and regrets like a moon upon a younger earth. No life or youth stirred in him as it had stirred in them. He had known neither the pleasure of companionship with others nor the vigour of rude male health nor filial piety. Nothing stirred within his soul but a cold and cruel and loveless lust. His childhood was dead or lost and with it his soul capable of simple joys, and he was drifting amid life like the barren shell of the moon. Art thou pale for weariness Of climbing heaven and gazing on the earth, Wandering companionless...? He repeated to himself the lines of Shelley's fragment. Its alternation of sad human ineffectiveness with vast inhuman cycles of activity chilled him, and he forgot his own human and ineffectual grieving.
James Joyce (A Portrait of the Artist as a Young Man)
Punishment? You don’t have any right to punish me. And I can curse. I choose not to most of the time, but don’t think it doesn’t go through my head, asshole. I was trying to give you something. I was trying to give you my body.” “That’s where you fucked up, little girl. I don’t want your body. I want your soul. I want your everything. And I definitely want your orgasms. I want them all. I’ll be a greedy bastard, savoring them and hoarding them all for myself. You wanted to give me your body? I can buy that on a street corner, sweetheart. You’re the one who’s being selfish now.” “How is it selfish to offer to have sex? I don’t understand what you want.” “First off, I want you to stop hiding yourself from me. You’re the one making this tawdry by pretending it’s dirty and not worthy of the light of day.” “I didn’t mean it that way.” “We’re going to do this my way. We tried yours and it didn’t work, so I’m taking control. I should have done it in the first place.
Lexi Blake (A Dom is Forever (Masters and Mercenaries, #3))
Whatever we are physically... male or female, young or old, strong or weak, ill or healthy... Those things matter much less than what you have inside your heart. If you have the soul of a warrior, you are a warrior. All those other things are merely like the glass that contains a lamp... Useful, but you are the light inside. Shine, my friend. Shine.
José N. Harris
Sol in Leo She who is born when the sun is in Leo shall be naturally subtle and witty, and desirous of learning. Whatsoever the heareth or seeth if it seems to comprise any difficulty of matter immediately will she desire to know it. The magic sciences will do her great stead. She shall be familiar to and well beloved by princes. Her first child shall be a female, and the second a male. During her life she shall sustain many troubles and perils.
Deborah Harkness (The Book of Life (All Souls, #3))
I’m such a negative person, and always have been. Was I born that way? I don’t know. I am constantly disgusted by reality, horrified and afraid. I cling desperately to the few things that give me some solace, that make me feel good. I hate most of humanity. Though I might be very fond of particular individuals, humanity in general fills me with contempt and despair. I hate most of what passes for civilization. I hate the modern world. For one thing there are just too Goddamn many people. I hate the hordes, the crowds in their vast cities, with all their hateful vehicles, their noise and their constant meaningless comings and goings. I hate cars. I hate modern architecture. Every building built after 1955 should be torn down! I despise modern music. Words cannot express how much it gets on my nerves – the false, pretentious, smug assertiveness of it. I hate business, having to deal with money. Money is one of the most hateful inventions of the human race. I hate the commodity culture, in which everything is bought and sold. No stone is left unturned. I hate the mass media, and how passively people suck up to it. I hate having to get up in the morning and face another day of this insanity. I hate having to eat, shit, maintain the body – I hate my body. The thought of my internal functions, the organs, digestion, the brain, the nervous system, horrify me. Nature is horrible. It’s not cute and loveable. It’s kill or be killed. It’s very dangerous out there. The natural world is filled with scary, murderous creatures and forces. I hate the whole way that nature functions. Sex is especially hateful and horrifying, the male penetrating the female, his dick goes into her hole, she’s impregnated, another being grows inside her, and then she must go through a painful ordeal as the new being pushes out of her, only to repeat the whole process in time. Reproduction – what could be more existentially repulsive? How I hate the courting ritual. I was always repelled by my own sex drive, which in my youth never left me alone. I was constantly driven by frustrated desires to do bizarre and unacceptable things with and to women. My soul was in constant conflict about it. I never was able to resolve it. Old age is the only relief. I hate the way the human psyche works, the way we are traumatized and stupidly imprinted in early childhood and have to spend the rest of our lives trying to overcome these infantile mental fixations. And we never ever fully succeed in this endeavor. I hate organized religions. I hate governments. It’s all a lot of power games played out by ambition-driven people, and foisted on the weak, the poor, and on children. Most humans are bullies. Adults pick on children. Older children pick on younger children. Men bully women. The rich bully the poor. People love to dominate. I hate the way humans worship power – one of the most disgusting of all human traits. I hate the human tendency towards revenge and vindictiveness. I hate the way humans are constantly trying to trick and deceive one another, to swindle, to cheat, and take unfair advantage of the innocent, the naïve and the ignorant. I hate the vacuous, false, banal conversation that goes on among people. Sometimes I feel suffocated; I want to flee from it. For me, to be human is, for the most part, to hate what I am. When I suddenly realize that I am one of them, I want to scream in horror.
Robert Crumb
And what is my definition of feminism? It is not what we have between our legs but what we have between our ears. It’s a philosophical posture and an uprising against male authority. It’s a way of understanding human relations and a way to see the world. It’s a commitment to justice and a struggle for the emancipation of women, the LGBTQIA+ community, anyone oppressed by the system, including some men, and all others who want to join. Welcome! The greater our number the better.
Isabel Allende (The Soul of a Woman)
male vanity goes deeper and is costlier. Look at their military uniforms and medals, the pomp and solemnity with which they show off, the extreme measures they employ to impress women and make other men envious; their luxurious toys, like cars, and their toys of supremacy, like weapons.
Isabel Allende (The Soul of a Woman: Rebel Girls, Impatient Love, and Long Life)
Long before God the Father, there she was – God the Mother. Where did she vanish to, this great mother goddess? How did we women become so completely dispossessed? It wasn’t that I wanted to replace a male god with a female god; it wasn’t that I wanted to find a religion at all. I was simply looking for some sense that women might have worth. And I found it: there in the old stories of my own native land, I found it. Filled with images of women creating, women weaving the world into being, I took up knitting. Thread by thread, stitch by stitch, I began to knit myself back into being. I had never thought of myself as being a particularly creative soul, but I discovered that creativity was a wide-ranging affair. I simply thought about what brought me joy, and I began to cultivate it. I dug my hands into this strange foreign soil, and I began to grow things. I began to reacquaint myself with the soft animal object that was my body. Slowly, spending more and more time outside, focusing on the wisdom of my senses rather than on what was going on inside my head, I began to weave myself back into the fabric of the Earth. Some
Sharon Blackie (If Women Rose Rooted: A Journey to Authenticity and Belonging)
Eyes locked, they stared. She felt bleeding pain down to her soul.
Cristin Harber (Garrison's Creed (Titan, #2))
Having someone this male next to her made her soul feel exhilarated and convey brazenly suggestive, female, liberal ideas to her inner id.
Missy Lyons (Alien Promise)
A punching bag. The guy was pounding on a punching bag. That realization took about a nanosecond to register in her brain before the real important information came to the forefront: LoriSue, God bless her slutty little soul, had been absolutely correct. He was male-stripper material, and he’d been thoughtful enough to strip to a pair of athletic shorts on his very first night in the neighborhood.
Susan Donovan (Public Displays of Affection)
But there’s another way to look at it. Consider this: the pain doesn’t come from losing your soul mate, but from the disappointment that this guy wasn’t your soul mate. It’s sad, but it’s not catastrophic. And if you look at it this way—that in some regard, he failed to live up to your values and standards, so how could he have been your soul mate?—the pain is likely to be less severe. I don’t mean to minimize the amount it hurts. I’ve been there, believe me. But by grieving only for your disappointment and dashed expectations, you allow yourself to remain open to the next guy who comes along. It’s a much more manageable type of pain. We can now say more easily, “Although I’m hurt right now, this person wasn’t right for me. Now I can allow myself to find the right person.” This might sound like a small difference, but just allowing ourselves to take on this more correct understanding of what has happened can free us to move forward.
Matthew Hussey (Get the Guy: Learn Secrets of the Male Mind to Find the Man You Want and the Love You Deserve)
What matters most at the moment of heartbreak is the meaning we ascribe to our pain. We may feel devastated because we believe we’ve just lost our soul mate. And that’s often what we do feel in that moment. When we are deep in heartbreak we feel like we have lost the only person in the world for whom we are capable of feeling this level of emotion. We can’t imagine ever loving anyone else. If we invest in this belief, not only will it increase our suffering, it will also make it more difficult for anyone else to come into our life, because we feel like we’ve already lost The One. Nothing else seems to matter. We lose our drive, our ambition, and our ability to take even baby steps forward.
Matthew Hussey (Get the Guy: Learn Secrets of the Male Mind to Find the Man You Want and the Love You Deserve)
But the sight of the two people getting into the taxi and the satisfaction it gave me made me also ask whether there are two sexes in the mind corresponding to the two sexes in the body, and whether they also require to be united in order to get complete satisfaction and happiness? And I went on amateurishly to sketch a plan of the soul so that in each of us two powers preside, one male, one female; and in the man's brain the man predominates over the woman, and in the woman's brain the woman predominates over the man. The normal and comfortable state of being is that when the two live in harmony together, spiritually co-operating. If one is a man, still the woman part of his brain must have effect; and a woman also must have intercourse with the man in her. Coleridge perhaps meant this when he said that a great mind is androgynous. It is when this fusion takes place that the mind is fully fertilized and uses all its faculties. Perhaps a mind that is purely masculine cannot create, any more than a mind that is purely feminine, I thought.
Virginia Woolf (A Room of One’s Own)
I learned that we may meet a true love and that our lives may be transformed by such an encounter even when it does not lead to sexual pleasure, committed bonding, or even sustained contact. The myth of true love-that fairy-tale vision of two souls who meet, join, and live happily ever thereafter-is the stuff of childhood fantasy. Yet many of us, female and male, carry these fantasies into adulthood and are unable to cope with the reality of what it means to either have an intense life-altering connection that will not lead to an ongoing relationship or to be in a relationship. True love does not always lead to happily ever after, and even when it does sustaining love still takes work.
bell hooks (All About Love: New Visions)
So perhaps the reason I shuddered at the idea of writing something about 'Christian art' is that to paint a picture or to write a story or to compose a song is an incarnational activity. The artist is a servant who is willing to be a birth-giver. In a very real sense the artist (male or female) should be like Mary, who, when the angel told her that she was to bear the Messiah, was obedient to the command. Obedience is an unpopular word nowadays, but the artist must be obedient to the work, whether it be a symphony, a painting, or a story for a small child. I believe that each work of art, whether it is a work of great genius or something very small, comes to the artist and says 'Here I am. Enflesh me. Give birth to me.' And the artist either says 'My soul doth magnify the Lord' and willingly becomes the bearer of the work, or refuses; but the obedient response is not necessicarily a conscious one, and not everyone has the humble, courageous obedience of Mary.
Madeleine L'Engle
An abyss of fortune or of temperament sundered him from them. His mind seemed older than theirs: it shone coldly on their strifes and happiness and regrets like a moon upon a younger earth. No life or youth stirred in him as it had stirred in them. He had known neither the pleasure of companionship with others nor the vigour of rude male health nor filial piety. Nothing stirred within his soul but a cold and cruel and loveless lust. His childhood was dead or lost and with it his soul capable of simple joys and he was drifting amid life like the barren shell of the moon.
James Joyce
In 1924, Nikola Tesla was asked why he never married? His answer was this: "I had always thought of woman as possessing those delicate qualities of mind and soul that made her in her respects far superior to man. I had put her on a lofty pedestal, figuratively speaking, and ranked her in certain important attributes considerably higher than man. I worshipped at the feet of the creature I had raised to this height, and, like every true worshiper, I felt myself unworthy of the object of my worship. But all this was in the past. Now the soft voiced gentle woman of my reverent worship has all but vanished. In her place has come the woman who thinks that her chief success in life lies on making herself as much as possible like man - in dress, voice, and actions, in sports and achievements of every kind. The world has experience many tragedies, but to my mind the greatest tragedy of all is the present economic condition wherein women strive against men, and in many cases actually succeed in usurping their places in the professions and in industry. This growing tendency of women to overshadow the masculine is a sign of a deteriorating civilization. Practically all the great achievements of man until now have been inspired by his love and devotion to woman. Man has aspired to great things because some woman believed in him, because he wished to command her admiration and respect. For these reasons he has fought for her and risked his life and his all for her time and time again. Perhaps the male in society is useless. I am frank to admit that I don't know. If women are beginning to feel this way about it - and there is striking evidence at hand that they do - then we are entering upon the cruelest period of the world's history. Our civilization will sink to a state like that which is found among the bees, ants, and other insects - a state wherein the male is ruthlessly killed off. In this matriarchal empire which will be established, the female rules. As the female predominates, the males are at her mercy. The male is considered important only as a factor in the general scheme of the continuity of life. The tendency of women to push aside man, supplanting the old spirit of cooperation with him in all the affairs of life, is very disappointing to me." Galveston Daily News, Galveston, Texas, page 23. August 10, 1924.
Nikola Tesla
I define a nose, as follows,—intreating only beforehand, and beseeching my readers, both male and female, of what age, complexion, and condition soever, for the love of God and their own souls, to guard against the temptations and suggestions of the devil, and suffer him by no art or wile to put any other ideas into their minds, than what I put into my definition.—For by the word Nose, throughout all this long chapter of noses, and in every other part of my work, where the word Nose occurs,—I declare, by that word I mean a Nose, and nothing more, or less.
Laurence Sterne (The Life and Opinions of Tristram Shandy, Gentleman)
It’s the mornings after the spider-and-heights dreams that are the most painful, that it takes sometimes three coffees and two showers and sometimes a run to loosen the grip on his soul’s throat; and these post-dream mornings are even worse if he wakes unalone, if the previous night’s Subject is still there, wanting to twitter, or to cuddle and, like, spoon, asking what exactly is the story with the foggy inverted tumblers on the bathroom floor, commenting on his night-sweats, clattering around in the kitchen, making kippers or bacon or something more hideous and unhoneyed he’s supposed to eat with post-coital male gusto, the ones who have this thing about they call it Feeding My Man, wanting a man who can barely keep down A.M. honey-toast to east with male gusto, elbows out and sovelling, making little noises. Even when alone, unable to uncurl alone and sit slowly up and wing out the sheet and go to the bathroom, these darkest mornings start days that Orin can’t even bring himself for hours to think about how he’ll get through the day. These worst mornings with cold floors and hot windows and merciless light — the soul’s certainty that the day will have to be not traversed but sort of climbed, vertically, and then that going to sleep again at the end of it will be like falling, again, off something tall and sheer.
David Foster Wallace (Infinite Jest)
... those females least embedded in male “culture,” the least nice, those crass and simple souls who reduce fucking to fucking, who are too childish for the grown-up world of suburbs, mortgages, mops and baby shit, too selfish to raise kids and husbands, too uncivilized to give a shit for anyone’s opinion of them, too arrogant to respect Daddy, […] in short, those who, by the standards of our “culture” are SCUM … these females are cool and relatively cerebral and skirting asexuality.
Valerie Solanas (SCUM Manifesto)
The room had apparently been used as a prison by the Texarki before; the walls were filled with intricate but illiterate scratchings—faces, smiles and frowns, a sun, various interpretations of the male and female body. The wall looked to Blacktooth like the surface of a monk's brain, the scratchings on the soul that a man learns to live with and, usually, hopefully, eventually, to ignore.
Walter M. Miller Jr. (Saint Leibowitz and the Wild Horse Woman)
If love is understood as the meeting of two souls—not just a sexual, biological meeting of male and female hormones—then love can give you great wings, it can give you great insights into life. And lovers can become for the first time friends. Otherwise they have always been enemies in disguise.
Osho (Love, Freedom, and Aloneness: On Relationships, Sex, Meditation, and Silence)
That woman is a volcano on the point of eruption, with a libido of igneous magma yet the heart of an angel,' he said licking his lips. 'If I had to establish a true parallel, she reminds me of my succulent mulatto girl in Havana, who was very devout and always worshiped her saints. But since, deep down, I'm an old-fashioned gent who doesn't like to take advantage of women, I contend myself with a chaste kiss on the cheek. I'm not in a hurry, you see? All good things must wait. There are yokels out there who think that if they touch a woman's behind and she doesn't complain, they've hooked her. Amateurs. The female heart is a labyrinth of subtleties, too challenging for the uncouth mind of the male racketeer. If you really want to possess a woman, you must think like her, and the first thing to do is win over her soul. The rest, that sweet, soft wrapping that steals away your senses and your virtue, is a bonus
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
they want us to believe that the way we love is wrong “and a man who will lie down with a male in a woman’s bed both of them have made an abomination.” but conveniently forget how David’s and Jonathan’s souls were knit together, that the two of them had a bond between the two of them that was too strong to ignore that the two of them formed a covenant with one another. “the soul of Jonathan was knit to the soul of David, and Jonathan loved him as his own soul.” that David preferred the love of Jonathan to the love of any woman
Courtney Carola (Have Some Pride: A Collection of LGBTQ+ Inspired Poetry)
Whatever you are physically, male or female, strong or weak, ill or healthy, all those things matter less than what your heart contains. If you have the soul of a warrior, you are a warrior. Whatever the color, the shape, the design of the shade that conceals it, the flame inside the lamp remains the same. You are that flame.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
Whatever you are physically, male or female, strong or weak, ill or healthy - all those things matter less than what your heart contains. If you have the soul of a warrior, you are a warrior. Whatever the color, the shape, the design of the shade that conceals it, the flame inside the lamp remains the same. YOU are the flame. That's what I believe.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
A giant Pacific octopus—the largest of the world’s 250 or so octopus species—can easily overpower a person. Just one of a big male’s three-inch-diameter suckers can lift 30 pounds, and a giant Pacific octopus has 1,600 of them. An octopus bite can inject a neurotoxic venom as well as saliva that has the ability to dissolve flesh. Worst of all, an octopus can take the opportunity to escape from an open tank, and an escaped octopus is a big problem for both the octopus and the aquarium.
Sy Montgomery (The Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness)
About ten other young, male undergraduates regularly attended these sessions of midnight programming. “It was a whole subculture. It’s been popularized now, but it was a secret cult in my days,” said Alsing. “The game of programming—and it is a game—was so fascinating. We’d stay up all night and experience it. It really is like a drug, I think.” A few of his fellow midnight programmers began to ignore their girlfriends and eventually lost them for the sake of playing with the machine all night. Some started sleeping days and missed all their classes, thereby ruining their grades. Alsing and a few others flunked out of school.
Tracy Kidder (The Soul of A New Machine)
"Turn my back on the world..." the historian repeated softly and slowly, his head moving to face the mage. "Turn my back on the world!" Emotion rarely marred the surface of Astinus's cold voice, but now anger struck the placid calm of his soul like a rock hurled into still water. "I? Turn my back on the world?" Astinus's voice rolled around the library as the thunder had rolled previously. "I am the world, as you well know, old friend! Countless times I have been born! Countless deaths I have died! Every tear shed - mine have flowed! Every drop of blood spilled - mine has drained! Every agony, every joy ever felt has been mine to share! "I sit with my hand on the Sphere of Time, the sphere you made for me, old friend, and I travel the length and breadth of this world chronicling its history. I have committed the blackest deeds! I have made the noblest sacrifices. I am human, elf, and ogre. I am male and female. I have borne children. I have murdered children. I saw you as you were. I see you as you are. If I seem cold and unfeeling, it is because that is how I survive without losing my sanity! My passion goes into my words.
Margaret Weis
I need you, Desari. I was empty without you. And that kind of emptiness eats away at you, consumes you until your soul is dark and ugly and all that matters is sating your hunger. But nothing fills the void.Nothing. Year after year you endure the emptiness until life itself is a curse hardly to be borne. And all the while the darkness, the beast in you whispers, an insidious whisper promising power from the kill,promises that wear away your belief in God,in all the things that are right and true and good.The monster inside you,so black and hungry for life, grows and grows until it has consumed everything you ever were. That is the curse born by Carpathian males, Desari.
Christine Feehan (Dark Challenge (Dark, #5))
We’re more than male or female. More than our lips and tongues, more than our hearts and our lungs, more than the muscles that move beneath our skin and the blood that runs through our veins. We’re more than our arms and legs. More than our eyes. More than our feet and hands. We’re more than just a collection of bones, cobbled together by God or eons of evolution. We have souls. We have purpose. We’re more.
Amy Harmon (The Smallest Part)
Permit me to bypass the entire nature vs. nurture “is gender really built-in?” debate with one simple observation: Men and women are made in the image of God as men or as women. “So God created man in his own image, in the image of God he created him; male and female he created them” (Gen. 1:27). Now, we know God doesn’t have a body, so the uniqueness can’t be physical. Gender simply must be at the level of the soul, in the deep and everlasting places within us. God doesn’t make generic people; he makes something very distinct—a man or a woman. In other words, there is a masculine heart and a feminine heart, which in their own ways reflect or portray to the world God’s heart.
John Eldredge (Wild at Heart Revised and Updated: Discovering the Secret of a Man's Soul)
The characters populating male fantasies have little in common with those inhabiting female fantasies. In porn, the mind of a woman is usually empty of all thought and feeling – except for an overwhelming urge to have sex with plumbers, pizza boys, and her BFF. Women’s hopes and fears are irrelevant. Their skills are inconsequential, except for the admirable ability to satisfy multiple lovers simultaneously and an impressive capacity for moaning. Their bodies, on the other hand, are depicted in lavish, graphic detail. The heroes of romance novels often seem like members of a more evolved species. They are natural leaders, rich, powerful, and well-connected. Their minds are intelligent and savvy, though they are reticent about their abilities and hide their inner demons. Despite the fact that they are a five-star general or lord of southern England, they hide a troubled and tempestuous soul that can only be healed by the magical balm of a woman’s love.
Ogi Ogas (A Billion Wicked Thoughts: What the World's Largest Experiment Reveals about Human Desire)
Learning to wear a mask (that word already embedded in the term "masculinity") is the first lesson in patriarchal masculinity a boy learns. He learns that his core feelings cannot be expressed if they do not conform to the acceptable behaviors sexism defines as male. Asked to give up the true self in order to realize the patriarchal ideal, boys learn self-betrayal early and are rewarded for these acts of soul murder. Therapist John Bradshaw explains the splitting that takes place when a child learns that the way he organically feels is not acceptable. In response to this lesson that his true self is inappropriate and wrong, the boy learns to don a false self. Bradshaw explains, "The feeling that I have done something wrong, that I really don't know what it is, that there's something terribly wrong with my very being, leads to a sense of utter hopelessness. This hopelessness is the deepest cut of the mystified state. It means there is no possibility for me as I am; there is no way I can matter or be worthy of anyone's love as long as I remain myself. I must find a way to be someone else - someone who is lovable. Someone who is not me.
bell hooks (The Will to Change: Men, Masculinity, and Love)
Think of all the males and females of the animal and plant world, all the opposites in every aspect of life. They all need to be “married” in some fashion to promote life. Your marriage participates in this cosmic pattern and has a wealth of meaning that you will never grasp. When you make a sacrifice, you don’t just give something up, you acknowledge a realm greater than yourself. “Sacrifice” means “to make sacred.” You go beyond self. You make room for a greater mystery. You may experience this larger sense of sacrifice in ordinary deprivations, as you give up many freedoms and soften your willfulness.
Thomas Moore (Dark Nights of the Soul: A Guide to Finding Your Way Through Life's Ordeals)
His mind seemed older than theirs: it shone coldly on their strifes and happiness and regrets like a moon upon a younger earth. No life or youth stirred in him as it had stirred in them. He had known neither the pleasure of companionship with others nor the vigour of rude male health nor filial piety. Nothing stirred within his soul but a cold and cruel and loveless lust. His childhood was dead or lost and with it his soul capable of simple joys, and he was drifting amid life like the barren shell of the moon. Art thou pale for weariness Of climbing heaven and gazing on the earth, Wandering companionless…?
James Joyce (A Portrait of the Artist as a Young Man)
When we look closely, not only at what Jesus taught but at how he went about disseminating his message, time and again we find that what he was preaching was the gospel of a partnership society. He rejected the dogma that high-ranking men - in Jesus' day, priests, nobles, rich men, and kings - are the favorites of God. He mingled freely with women, thus openly rejecting the male-supremacist norms of his time. And in sharp contrast to the views of later Christian sages, who actually debated whether woman has an immortal soul, Jesus did not preach the ultimate dominator message: that women are spiritually inferior to men.
Riane Eisler (The Chalice and the Blade: Our History, Our Future (Updated With a New Epilogue))
According to Keltar legend, each Druid born into the clan was destined for a soul mate, a perfect match in heart and mind, as well as body, coming together with an explosive, incendiary passion that could not be denied. If the Keltar male exchanged the sacred Druid binding vows with his true love, and his mate willingly returned them, they could bind their souls together for all eternity, in this life and forever beyond. The vows linked them inextricably. ’Twas said if a Keltar gave the vows and they were not returned, he would be forever incomplete, missing a part of his heart, aching for the love of a woman he could never have, eternally bound to her, through this life and all his future existence, whether in the cycle of rebirth, heaven, hell, or even an eternal Unseelie prison. If aught must be lost . . . the legendary vows began, ’twill be my life for yours. . . .
Karen Marie Moning (Spell of the Highlander (Highlander, #7))
Fine. I understand,” she said with a little shrug, turning her head slightly so he couldn’t see her eyes. “If it’s really that important to you, I’ll go have sex with a human male first. Then I’ll know what I’m talking about before I broach the matter with you again.” Jacob felt the statement the same way he had felt the blast of Elijah’s intervention the first night he had touched her. It slammed into him with breathtaking brutality, destroying his sense of direction and balance. Rage surged through him, turning his eyes into glistening black voids. The idea of another man touching that precious skin, kissing her sweet, delicious mouth, was more than he could stand. What she was suggesting this time was too much. Beyond too much. “Over my dead body . . . over my obliterated soul will I ever allow such a thing.” The declaration was a cross between a growl and a soft roar. Bella could see him shaking from head to toe, could feel it vibrating through the door behind her. In all of an instant, the cool, sophisticated Jacob disappeared and a possessive beast reared its head in his place. Now that’s more like it, Isabella mused, with a mental smile. “But”—she blinked her wide eyes up at him in all innocence—“you just said—“ “I said forget it, Isabella!” the Enforcer exploded, the pressure of his hands on the door at her back making the wood pop and creak ominously. “No one is going to touch you, do you understand?
Jacquelyn Frank (Jacob (Nightwalkers, #1))
The necklace, Marcos,” she said firmly, leveling the gun at his heart once more. “I’ll take it now.” “It’s not here, querida. You waste your time.” Francesca lowered the gun to point at his groin. “Killing you would be too good. Perhaps I will simply have to deprive the female world of your ability to make love ever again. I am quite a good shot, I assure you.” She’d learned out of necessity. And though she never wanted to harm another human being, she had no compunction about making this man think she would do so if it meant she could save Jacques. His voice dropped to a growl. A hateful, angry growl. “You won’t get away with this. Whoever you are, Frankie, I will find you. I will find you and make you wish you’d never met me.” Her heart flipped in her chest. She ignored it. “I already wish that. Now give me the jewel before you lose the ability to ever have children.” Bitterness twisted inside her as she said those words. Ironic to threaten someone with something she would never wish on another soul. But she had to be hard, cold, ruthless – just like he was. He stared at her in impotent fury, his jaw grinding, his beautiful black eyes flashing daggers at her. Very slowly, he reached up with one hand and slipped his bowtie free of its knot. Then he jerked it loose and let it fall.
Lynn Raye Harris (The Devil's Heart)
Not a single family finds itself exempt from that one haunted casualty who suffered irreparable damage in the crucible they entered at birth. Where some children can emerge from conditions of soul-killing abuse and manage to make their lives into something of worth and value, others can’t limp away from the hurts and gleanings time decanted for them in flawed beakers of memory. They carry the family cross up the hill toward Calvary and don’t mind letting every other member of their aggrieved tribe in on the source of their suffering. There is one crazy that belongs to each of us: the brother who kills the spirit of any room he enters; the sister who’s a drug addict in her teens and marries a series of psychopaths, always making sure she bears their children, who carry their genes of madness to the grave. There’s the neurotic mother who’s so demanding that the sound of her voice over the phone can cause instant nausea in her daughters. The variations are endless and fascinating. I’ve never attended a family reunion where I was not warned of a Venus flytrap holding court among the older women, or a pitcher plant glistening with drops of sweet poison trying to sell his version of the family maelstrom to his young male cousins. When the stories begin rolling out, as they always do, one learns of feuds that seem unbrokerable, or sexual abuse that darkens each tale with its intimation of ruin. That uncle hates that aunt and that cousin hates your mother and your sister won’t talk to your brother because of something he said to a date she later married and then divorced. In every room I enter I can sniff out unhappiness and rancor like a snake smelling the nest of a wren with its tongue. Without even realizing it, I pick up associations of distemper and aggravation. As far as I can tell, every family produces its solitary misfit, its psychotic mirror image of all the ghosts summoned out of the small or large hells of childhood, the spiller of the apple cart, the jack of spades, the black-hearted knight, the shit stirrer, the sibling with the uncontrollable tongue, the father brutal by habit, the uncle who tried to feel up his nieces, the aunt too neurotic ever to leave home. Talk to me all you want about happy families, but let me loose at a wedding or a funeral and I’ll bring you back the family crazy. They’re that easy to find.
Pat Conroy (The Death of Santini: The Story of a Father and His Son)
The July 1848 Seneca Falls women’s rights convention—brought about by Elizabeth Cady Stanton and Lucretia Mott, among others—issued a “Declaration of Sentiments and Resolutions” that sanctified a movement’s creed: “We hold these truths to be self-evident: that all men and women are created equal.” The italics are mine; the vision the suffragists’. Susan B. Anthony, an essential figure, echoed the point down the years: “It was we, the people; not we, the white male citizens; nor yet we, the male citizens; but we, the whole people, who formed this Union,” she said in 1873 after she illegally cast a ballot for U. S. Grant for president. “And we formed it, not to give the blessings of liberty, but to secure them; not to the half of ourselves and the half of our posterity, but to the whole people—women as well as men.
Jon Meacham (The Soul of America: The Battle for Our Better Angels)
And do not try to be so brave. I am your lifemate.You cannot hide from me something as powerful as fear." "Trepidation," she corrected, nibbling at the pad of his thumb. "Is there a difference?" His pale eyes had warmed to molten mercury. Just that fast, her body ent liquid in answer. "You know very well there is." She laughed again, and the sound traveled down from his heart to pool in his groin, a heavy,familiar ache. "Slight, perhaps, but very important." "I will try to make you happy, Savannah," he promised gravely. Her fingers went up to brush at the thick mane of hair falling around his face. "You are my lifemate, Gregori. I have no doubt you will make me happy." He had to look away,out the window into the night. She was so good, with so much beauty in her, while he was so dark, his goodness drained into the ground with the blood of all the lives he had taken while he waited for her. But now,faced with the reality of her, Gregori could not bear her to witness the blackness within him, the hideous stain across his soul. For beyond his killing and law-breaking, he had committed the gravest crime of all. And he deserved the ultimate penalty, the forfeit of his life. He had deliberately tempered with nature.He knew he was powerful enough, knew his knowledge exeeded the boundaries of Carpathian law. He had taken Savannah's free will, manipulated the chemistry between them so that she would believe he was her true lifemate. And so she was with him-less than a quarter of a century of innocence pitted against his thousand years of hard study.Perhaps that was his punishment, he mused-being sentenced to an eternity of knowing Savannah could never really love him, never really accept his black soul.That she would be ever near yet so far away. If she ever found out the extent of his manipulation, she would despise him. Yet he could never,ever, allow her to leave him. Not if mortals and immortals alike were to be safe. His jaw hardened, and he stared out the window, turning slightly away from her. His mind firmly left hers, not wanting to alert her to the grave crime he had committed.He could bear torture and centuries of isolation, he could bear his own great sins, but he could not endure her loathing him. Unconsciously, he took her hand in his and tightened his grip until it threatened to crush her fragile bones. Savannah glanced at him, let out a breath slowly to keep from wincing, and kept her hand passively in his.He thought his mind closed to her.Didn't believe she was his true lifemate. He truly believed he had manipulated the outcome of their joining unfairly and that somewhere another Carpathian male with the chemistry to match hers might be waiting.Though he had offered her free access to his mind, had himself given her the power,to meld her mind with his,both as her wolf and as her healer before she was born,he likely didn't think a woman,a fledging, and one who was not his true lifemate, could possibly have the skill to read his innermost secrets.But Savannah could. And completing the ancient ritual of lifemates had only strengthened the bond.
Christine Feehan (Dark Magic (Dark, #4))
You are already part of a family," Desari reminded him,her body brushing his, her arms circling his waist from behind. She had materialized out of nowhere,her presence filling the healing chamber. She was there.Completing him. His air. His heart.The part of his soul that really lived and loved and mattered. Without conscious thought he sent up a quick prayer of thanks that he had been granted such a priceless treasure when he felt so undeserving of her. Julian loved the way she smelled. He inhaled, and her scent washed over him, clean and sexy. "This mess? With all these males?" Julian allowed a low, rumbling growl to escape. "This is no family. This is a man's nightmare." Desari deliberately moved against him, her body soft and pliant with invitation. "Is that what you think?" "What I think is"-Julian circled her slender throat with his large hand in mock threat- "you are deliberately tempting me when I have important, pressing business to atttend to.
Christine Feehan (Dark Challenge (Dark, #5))
The creative side of the female operates imperceptibly: its province is the potential man. When its play is unrestricted the level of the race is raised. One can always gauge the level of a period by the status of its womankind. Something more than freedom and opportunity are here involved because Woman's true nature never expressed itself in demands. Like water, woman always finds her own level. And like water also, she mirrors faithfully all that passes in the soul of man. What is called truly feminine therefore is only the deceptive masquerade which the uncreative male blindly accepts as the real show. It is the flattering substitute which the thwarted female offers in self-defense. It is the homosexual game which Narcissus exacts. It is most flagrantly revealed when the partners are extremely masculine and feminine. It can be mimicked most successfully in the shadow play of the avowed homosexuals. It reaches its blind culmination in the Don Juan. Here the pursuit of the unattainable reaches the burlesk proportions of a Chaplinesque pursuit. The end is always the same: Narcissus drowning in his own image.
Henry Miller (Sexus (The Rosy Crucifixion, #1))
Do you know what day it is?” she asked, peering at him. “Don’t you?” “Here in Spindle Cove, we ladies have a schedule. Mondays are country walks. Tuesdays, sea bathing. Wednesdays, you’d find us in the garden.” She touched the back of her hand to his forehead. “What is it we do on Mondays?” “We didn’t get to Thursdays.” “Thursdays are irrelevant. I’m testing your ability to recall information. Do you remember Mondays?” He stifled a laugh. God, her touch felt good. If she kept petting and stroking him like this, he might very well go mad. “Tell me your name,” he said. “I promise to recall it.” A bit forward, perhaps. But any chance for formal introductions had already fallen casualty to the powder charge. Speaking of the powder charge, here came the brilliant mastermind of the sheep siege. Damn his eyes. “Are you well, miss?” Colin asked. “I’m well,” she answered. “I’m afraid I can’t say the same for your friend.” “Bram?” Colin prodded him with a boot. “You look all of a piece.” No thanks to you. “He’s completely addled, the poor soul.” The girl patted his cheek. “Was it the war? How long has he been like this?” “Like this?” Colin smirked down at him. “Oh, all his life.” “All his life?” “He’s my cousin. I should know.” A flush pressed to her cheeks, overwhelming her freckles. “If you’re his cousin, you should take better care of him. What are you thinking, allowing him to wander the countryside, waging war on flocks of sheep?” Ah, that was sweet. The lass cared. She would see him settled in a very comfortable asylum, she would. Perhaps Thursdays would be her day to visit and lay cool cloths to his brow. “I know, I know,” Colin replied gravely. “He’s a certifiable fool. Completely unstable. Sometimes the poor bastard even drools. But the hell of it is, he controls my fortune. Every last penny. I can’t tell him what to do.” “That’ll be enough,” Bram said. Time to put a stop to this nonsense. It was one thing to enjoy a moment’s rest and a woman’s touch, and another to surrender all pride. He gained his feet without too much struggle and helped her to a standing position, too. He managed a slight bow. “Lieutenant Colonel Victor Bramwell. I assure you, I’m in possession of perfect health, a sound mind, and one good-for-nothing cousin.” “I don’t understand,” she said. “Those blasts…” “Just powder charges. We embedded them in the road, to scare off the sheep.” “You laid black powder charges. To move a flock of sheep.” Pulling her hand from his grip, she studied the craters in the road. “Sir, I remain unconvinced of your sanity. But there’s no question you are male.” He raised a brow. “That much was never in doubt.” Her only answer was a faint deepening of her blush. “I assure you, all the lunacy is my cousin’s. Lord Payne was merely teasing, having a bit of sport at my expense.” “I see. And you were having a bit of sport at my expense, pretending to be injured.” “Come, now.” He leaned forward her and murmured, “Are you going to pretend you didn’t enjoy it?” Her eyebrows lifted. And lifted, until they formed perfect twin archer’s bows, ready to dispatch poison-tipped darts. “I’m going to pretend I didn’t hear that.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
O my body! I dare not desert the likes of you in other men and women, nor the likes of the parts of you, I believe the likes of you are to stand or fall with the likes of the soul, (and that they are the soul,) I believe the likes of you shall stand or fall with my poems, and that they are my poems, Man’s, woman’s, child’s, youth’s, wife’s, husband’s, mother’s, father’s, young man’s, young woman’s poems, Head, neck, hair, ears, drop and tympan of the ears, Eyes, eye-fringes, iris of the eye, eyebrows, and the waking or sleeping of the lids, Mouth, tongue, lips, teeth, roof of the mouth, jaws, and the jaw-hinges, Nose, nostrils of the nose, and the partition, Cheeks, temples, forehead, chin, throat, back of the neck, neck-slue, Strong shoulders, manly beard, scapula, hind-shoulders, and the ample side-round of the chest, Upper-arm, armpit, elbow-socket, lower-arm, arm-sinews, arm-bones, Wrist and wrist-joints, hand, palm, knuckles, thumb, forefinger, finger-joints, finger-nails, Broad breast-front, curling hair of the breast, breast-bone, breast-side, Ribs, belly, backbone, joints of the backbone, Hips, hip-sockets, hip-strength, inward and outward round, man-balls, man-root, Strong set of thighs, well carrying the trunk above, Leg fibres, knee, knee-pan, upper-leg, under-leg, Ankles, instep, foot-ball, toes, toe-joints, the heel; All attitudes, all the shapeliness, all the belongings of my or your body or of any one’s body, male or female, The lung-sponges, the stomach-sac, the bowels sweet and clean, The brain in its folds inside the skull-frame, Sympathies, heart-valves, palate-valves, sexuality, maternity, Womanhood, and all that is a woman, and the man that comes from woman, The womb, the teats, nipples, breast-milk, tears, laughter, weeping, love-looks, love-perturbations and risings, The voice, articulation, language, whispering, shouting aloud, Food, drink, pulse, digestion, sweat, sleep, walking, swimming, Poise on the hips, leaping, reclining, embracing, arm-curving and tightening, The continual changes of the flex of the mouth, and around the eyes, The skin, the sunburnt shade, freckles, hair, The curious sympathy one feels when feeling with the hand the naked meat of the body, The circling rivers the breath, and breathing it in and out, The beauty of the waist, and thence of the hips, and thence downward toward the knees, The thin red jellies within you or within me, the bones and the marrow in the bones, The exquisite realization of health; O I say these are not the parts and poems of the body only, but of the soul, O I say now these are the soul!
Walt Whitman (I Sing the Body Electric)
There was a moment of stillness before something in him seemed to snap. she pounced on her with a sort of tigerish delight, and clamped his mouth over hers. She squeaked in surprise, wriggling in his hold, but his arms clamped around her easily, his muscles as solid as oak. He kissed her possessively, almost roughly at first, gentling by voluptuous degrees. Her body surrendered without giving her brain a chance to object, applying itself eagerly to every available inch of him. The luxurious male heat and hardness of him satisfied a wrenching hunger she hadn't been aware of until now. It also gave her the close-but-not-close-enough feeling she remembered from before. Oh, how confusing this was, this maddening need to crawl inside his clothes, practically inside his skin. She let her fingertips wander over his cheeks and jaw, the neat shape of his ears, the taut smoothness of his neck. When he offered no objection, she sank her fingers into his thick, vibrant hair and sighed in satisfaction. He searched for her tongue, teased and stroked intimately until her heart pounded in a tumult of longing, and a sweet, empty ache spread all through her. Dimly aware that she was going to lose control, that she was on the verge of swooning, or assaulting him again, she managed to break the kiss and turn her face away with a gasp. "Don't," she said weakly. His lips grazed along her jawline, his breath rushing unsteadily against her skin. "Why? Are you still worried about Australian pox?" Slowly it registered that they were no longer standing. Gabriel was sitting on the ground with his back against the grass-covered mound, and- heaven help her- she was in his lap. She glanced around them in bewilderment. How had this happened? "No," she said, bewildered and perturbed, "but I just remembered that you said I kissed like a pirate." Gabriel looked blank for a moment. "Oh, that. That was a compliment." Pandora scowled. "It would only be a compliment if I had a beard and a peg leg." Setting his mouth sternly against a faint quiver, Gabriel smoothed her hair tenderly. "Forgive my poor choice of words. What I meant to convey was that I found your enthusiasm charming." "Did you?" Pandora turned crimson. Dropping her head to his shoulder, she said in a muffled voice, "Because I've worried for the past three days that I did it wrong." "No, never, darling." Gabriel sat up a little and cradled her more closely to him. Nuzzling her cheek, he whispered, "Isn't it obvious that everything about you gives me pleasure?" "Even when I plunder and pillage like a Viking?" she asked darkly. "Pirate. Yes, especially then." His lips moved softly along the rim of her right ear. "My sweet, there are altogether too many respectable ladies in the world. The supply has far exceeded the demand. But there's an appalling shortage of attractive pirates, and you do seem to have a gift for plundering and ravishing. I think we've found you're true calling." "You're mocking me," Pandora said in resignation, and jumped a little as she felt his teeth gently nip her earlobe. Smiling, Gabriel took her head between his hands and looked into her eyes. "Your kiss thrilled me beyond imagining," he whispered. "Every night for the rest of my life, I'll dream of the afternoon in the holloway, when I was waylaid by a dark-haired beauty who devastated me with the heat of a thousand troubled stars, and left my soul in cinders. Even when I'm an old man, and my brain has fallen to wrack and ruin, I'll remember the sweet fire of your lips under mine, and I'll say to myself, 'Now, that was a kiss.'" Silver-tongued devil, Pandora thought, unable to hold back a crooked grin. Only yesterday, she'd heard Gabriel affectionately mock his father, who was fond of expressing himself with elaborate, almost labyrinthine turns of phrase. Clearly the gift had been passed down to his son.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))