Fury Best Quotes

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Maybe there were no villains in my mother’s story at all. Just men and women, trying to do their best by each other. And failing.
John Boyne (The Heart's Invisible Furies)
The best work that anybody ever writes is the work that is on the verge of embarrassing him, always.
Arthur Miller
I'd have wasted a lot of time and trouble before I learned that the best way to take all people, black or white, is to take them for what they think they are, then leave them alone.
William Faulkner (The Sound and the Fury)
Everyone knows revenge is a dish best served when you've had enough time to build up enough vitriol and fury.
Sophie Kinsella (Twenties Girl)
I didn't wait for him to stretch out his hand before I went to him. And looking up into his face I said, "I want to paint you." He gently lifted me into his arms. "Nude would be best," he said in my ear.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Because: Love Never Dies, What is Within is More Important than What is Without, The Best is Not Always the Most Obvious and Once You've Loved Truly, Thor, then You Know the Way
Cressida Cowell (How to Fight a Dragon’s Fury (How To Train Your Dragon, #12))
Voldemort’s fury at the fall of his last, best lieutenant exploded with the force of a bomb.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
...my father, [was] a mid-level phonecompany manager who treated my mother at best like an incompetent employee. At worst? He never beat her, but his pure, inarticulate fury would fill the house for days, weeks, at a time, making the air humid, hard to breathe, my father stalking around with his lower jaw jutting out, giving him the look of a wounded, vengeful boxer, grinding his teeth so loud you could hear it across the room ... I'm sure he told himself: 'I never hit her'. I'm sure because of this technicality he never saw himself as an abuser. But he turned our family life into an endless road trip with bad directions and a rage-clenched driver, a vacation that never got a chance to be fun.
Gillian Flynn (Gone Girl)
Anyway, I don’t care, because I’m chilling. In the pool, floating face down. Living my best life.
Rina Kent (God of Fury (Legacy of Gods, #5))
Well, Bud," he said, looking at me, "I'll be damned if you don't go to a lot of trouble to have your fun. Kidnapping, then fighting. What do you do on your holidays? Burn houses?
William Faulkner (The Sound and the Fury)
Living with life is very hard. Mostly we do our best to stifle life--to be tame or to be wanton. To be tranquillised or raging. Extremes have the same effect; they insulate us from the intensity of life. And extremes--whether of dullness or fury--successfully prevent feeling. I know our feelings can be so unbearable that we employ ingenious strategies--unconscious strategies--to keep those feelings away. We do a feelings-swap, where we avoid feeling sad or lonely or afraid or inadequate, and feel angry instead. It can work the other way, too--sometimes you do need to feel angry, not inadequate; sometimes you do need to feel love and acceptance, and not the tragic drama of your life. It takes courage to feel the feeling--and not trade it on the feelings-exchange, or even transfer it altogether to another person. You know how in couples one person is always doing all the weeping or the raging while the other one seems so calm and reasonable? I understood that feelings were difficult for me although I was overwhelmed by them.
Jeanette Winterson (Why Be Happy When You Could Be Normal?)
The best way to walk into a nightmare is with a smile.
Kaza Kingsley (The Three Furies (Erec Rex, #4))
[The ones made for music are the most beloved of all. Their bodies a container for the spirit within; the best of them is music, the rest only instrument of flesh and bone.]
Lauren Groff (Fates and Furies)
Dear fucking God, I know you’re out there somewhere and I beg you, take this arsehole and give my son a normal lover. Just once, I want fucking normal. First I get a psycho son. Okay, fine. Love that. Best challenge of my life and pretty sure I passed it. I didn’t need to have my daughter with a psycho boyfriend. And now, it’s the psycho’s psycho fucking cousin. What the fuck have I done to deserve
Rina Kent (God of Fury (Legacy of Gods, #5))
Fury wagged his tail and smiled wickedly, then tried to look up Bride’s dress. Vane caught him quickly by the neck. “Stop!” he snarled mentally to Fury. “Or I’ll rip your head off.” Bride frowned at them. “Don’t you like my wolf?” “Yeah,” Van said, patting him roughly on the head. “He’s my new best friend.” “I’m your only friend, dickhead.” Vane balled his fist in the wolf’s fur as a warning to him. “You know you have to be firm with wolves. Let them know who the alpha is.” “Your father?” Vane smacked Fury’s head. “Ow!”
Sherrilyn Kenyon (Night Play (Dark-Hunter, #5; Were-Hunter, #1))
Because it was the right thing?" "Oh shit, I hope not." "Afraid of becoming noble?" he asked, his eyes twinkling. "That too. But basically, that's the worst reason I can think of for killing. 'That its the right thing to do'. You kill out of outrage or fury or to keep from dying or something like it, that's fine. Hell, kill them rather than bother with them - or be bothered by them. But if you're killing them because 'its the right thing to do', its only the right thing because you've done so many wrong things up until then to make that spot. It's not the right thing to do. It's the best of the last of your choices." "That's the longest I've ever heard you talk at one time." "That's because you never ask me about my hair.
John Steakley (Armor)
How should I know?" said Alice, surprised at her own courage. "It's no business of mine." The Queen turned crimson with fury, and, after glaring at her for a moment like a wild beast, began screaming "Off with her head! Off with--" "Nonsense!" said Alice, very loudly and decidedly, and the Queen was silent.
Lewis Carroll (Alice’s Adventures in Wonderland / Through the Looking-Glass)
You and I have been happy; we haven't been happy just once, we've been happy a thousand times. . . Forget the past-what you can of it, and turn about and swim back home to me, to your haven forever and ever-even though it may seem a dark cave at times and lit with torches of fury; it is the best refuge for you-turn gently in the water through which you move and sail back.
F. Scott Fitzgerald
We should resist such inertial thinking; indeed, we should urge its opposite – deep time as a radical perspective, provoking us to action not apathy. For to think in deep time can be a means not of escaping our troubled present, but rather of re-imagining it; countermanding its quick greeds and furies with older, slower stories of making and unmaking. At its best, a deep time awareness might help us see ourselves as part of a web of gift, inheritance and legacy stretching over millions of years past and millions to come, bringing us to consider what we are leaving behind for the epochs and beings that will follow us.
Robert Macfarlane (Underland: A Deep Time Journey)
You and I have been happy; we haven’t been happy just once, we’ve been happy a thousand times. The chances that spring, that’s for everyone, like in the popular songs, may belong to us too – the chances are pretty bright at this time because as usual, I can carry most of contemporary literary opinion, liquidated, in the hollow of my hand – and when I do, I see the swan floating on it and – I find it to be you and you only…. Forget the past – what you can of it, and turn about and swim back home to me, to your haven for ever and ever – even though it may seem a dark cave at times and lit with torches of fury; it is the best refuge for you – turn gently in the waters through which you move and sail back…
F. Scott Fitzgerald (Dear Scott, Dearest Zelda: The Love Letters of F. Scott and Zelda Fitzgerald)
Dear friend…' The Witcher swore quietly, looking at the sharp, angular, even runes drawn with energetic sweeps of the pen, faultlessly reflecting the author’s mood. He felt once again the desire to try to bite his own backside in fury. When he was writing to the sorceress a month ago he had spent two nights in a row contemplating how best to begin. Finally, he had decided on “Dear friend.” Now he had his just deserts. 'Dear friend, your unexpected letter – which I received not quite three years after we last saw each other – has given me much joy. My joy is all the greater as various rumours have been circulating about your sudden and violent death. It is a good thing that you have decided to disclaim them by writing to me; it is a good thing, too, that you are doing so so soon. From your letter it appears that you have lived a peaceful, wonderfully boring life, devoid of all sensation. These days such a life is a real privilege, dear friend, and I am happy that you have managed to achieve it. I was touched by the sudden concern which you deigned to show as to my health, dear friend. I hasten with the news that, yes, I now feel well; the period of indisposition is behind me, I have dealt with the difficulties, the description of which I shall not bore you with. It worries and troubles me very much that the unexpected present you received from Fate brings you worries. Your supposition that this requires professional help is absolutely correct. Although your description of the difficulty – quite understandably – is enigmatic, I am sure I know the Source of the problem. And I agree with your opinion that the help of yet another magician is absolutely necessary. I feel honoured to be the second to whom you turn. What have I done to deserve to be so high on your list? Rest assured, my dear friend; and if you had the intention of supplicating the help of additional magicians, abandon it because there is no need. I leave without delay, and go to the place which you indicated in an oblique yet, to me, understandable way. It goes without saying that I leave in absolute secrecy and with great caution. I will surmise the nature of the trouble on the spot and will do all that is in my power to calm the gushing source. I shall try, in so doing, not to appear any worse than other ladies to whom you have turned, are turning or usually turn with your supplications. I am, after all, your dear friend. Your valuable friendship is too important to me to disappoint you, dear friend. Should you, in the next few years, wish to write to me, do not hesitate for a moment. Your letters invariably give me boundless pleasure. Your friend Yennefer' The letter smelled of lilac and gooseberries. Geralt cursed.
Andrzej Sapkowski (Krew elfów (Saga o Wiedźminie, #1))
Pimps make the best librarians. Psycho killers, the worst. Ditto con men. Gangsters, gunrunners, bank robbers- adept at crowd control, at collaborating with a small staff, at planning with deliberation and executing with contained fury- all possess the librarian's basic skill set.
Avi Steinberg (Running the Books: The Adventures of an Accidental Prison Librarian)
I’m not complaining, Princess. You’re the best obsession I’ve ever had.
J.S. Scott (A Dangerous Fury (The Sentinel Demons, #3))
How did we get here? I’ve asked myself that question many times over the past several days. It’s so easy to get caught up in the chaos of our wants, desires, and forgets that there are consequences to each of our choices. I sit with my best warriors realizing the path that we are on and have no idea how to jump off. I ask myself again, how did we get here? I know the answer, but I am not ready to face my own selfishness.
Quinn Loftis (Fate and Fury (The Grey Wolves, #6))
Once, when I was a child, I dreamed that Grimbeard the Ghastly, on the deck of his ship The Endless Journey, threw the sword Endeavor up into the air. Up and up it spun, through the inky blackness, across the cavernous span of a hundred years, until, entirely of its own accord, my own left hand sprang out of space and stars and never-ending time and caught it. Now that I am so very old, I am dreaming once again. And in my dream, I am the one throwing the sword. It is spinning now, in the black starlit waters of my dream, right above your head, dear reader. A sword that may look second-best, and secondhand, but but carries the memories of a thousand lost fights, a history lesson in itself. Reach out, and catch it by the hilt. Swear by its name, Endeavor, to do your utmost to make the world a better place than when you arrived in it. For look! There will be dragons all around you, as camouflaged as a Stealth Dragon.
Cressida Cowell (How to Fight a Dragon’s Fury (How To Train Your Dragon, #12))
Modern culture rejects this belief in a great cosmic plan. We are not actors in any larger-than-life drama. Life has no script, no playwright, no director, no producer – and no meaning. To the best of our scientific understanding, the universe is a blind and purposeless process, full of sound and fury but signifying nothing. During our infinitesimally brief stay on our tiny speck of a planet, we fret and strut this way and that, and then are heard of no more. Since there is no script, and since humans fulfil no role in any great drama, terrible things might befall us and no power will come to save us or give meaning to our suffering. There won’t be a happy ending, or a bad ending, or any ending at all. Things just happen, one after the other. The modern world does not believe in purpose, only in cause. If modernity has a motto, it is ‘shit happens’.
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
One, the search for the fang-free dragon taught me that fear and intimidation might not be the best way to train dragons. "Two, the sword: that sometimes best is second-best. "Three, the shield: that sometimes freedom must be fought for. "Four, the ticking-thing: that when you fight for your friend, you are also fighting for yourself. "Five, the ruby heart’s stone: that love never dies. "Six, the arrow from the land-that-does-not-exist: that you must make things right in the Old World before you go looking for the New, and sometimes the things that you are looking for are right at home. "Seven, the key-that-opens-all-locks: that accidents happen for a reason. "Eight, the Throne: that power can corrupt. "Nine, the Crown: that you have to keep on trying even though you are beaten before you even star. "And Ten, the dragon Jewel," finished Hiccup. "You need to know what it is to be a slave, before you can be a King.
Cressida Cowell (How to Fight a Dragon’s Fury (How To Train Your Dragon, #12))
When you have to fight, attack is your best defense.
Sam Fury (The Self-Defense Handbook: The Best Street Fighting Moves and Self-Defense Techniques)
Pimps make the best librarians. Psycho killers, the worst. Ditto conmen. Gangsters, gun runners, bank robbers – adept at crowd control, at collaborating with a small staff, at planning with deliberation and executing with contained fury – all possess the librarian’s basic skill set. Scalpers and loan sharks certainly have a role to play. But even they lack that something, the je ne sais quoi, the elusive it. What would a pimp call it? Yes: the love.
Avi Steinberg (Running the Books: The Adventures of an Accidental Prison Librarian)
By the second week of the Trump presidency, everybody in the White House seemed to be maintaining their own list of likely leakers and doing their best to leak before being leaked about.
Michael Wolff (Fire and Fury: Inside the Trump White House)
As winter went on, longer than long, we both freaked out. My mania grew to insane proportions. I sat in the study room at night, wildly typing out Dali-esque short stories. I sat at my desk in our room, drinking tea, flying on speed. She'd bang into the room in a fury. Or, she'd bang into the room, laughing like a maniac. Or, she'd bang into the room and sit under the desk eating Nutter-Butters. She was a sugar freak. She'd pour packets of sugar down her throat, or long Pixie-Stix. She was in constant motion. At first I wondered if she too had some food issues, subsisting mostly on sugar and peanut butter-and-jelly sandwiches on Wonder Bread, but my concern (as she pointed out) was “total transference, seriously, Max. Maybe you're just hungry.” Some Saturdays, we'd go to town together, buy bags and bags of candies, Tootsie Rolls (we both liked vanilla best; she always smelled delicious and wore straight vanilla extract as perfume, which made me hungry), and gummy worms and face- twisting sour things and butterscotch. We'd lie on our backs on the beds, listening to The Who and Queen, bellowing, “I AM THE CHAMPION, YES I AM THE CHAMPION” through mouths full of sticky stuff, or we'd swing from the pipes over the bed and fall shrieking to the floor.
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
I used to dream of finding someone who would love me like a prince in a fairy tale so I could be their princess. But I don't love you like a princess. There isn't anything soft or sweet or easy about us. It's wild and unpredictable. It hurts more than any pain I've ever felt and consumes me more completely than anything I ever could have predicted. You make my heart race with all the best kinds of fear and my gut clench with the angriest butterflies I've ever known. I have hated you more than I even knew I could hate a man and I think if I love you with as much fury then I'll burn up in it.
Caroline Peckham (Fated Throne (Zodiac Academy, #6))
One, the search for the fang-free dragon taught me that fear and intimidation might not be the best way to train dragons. Two, the sword: that sometimes best is second-best. Three, the shield: that sometimes freedom must be fought for. Four, the ticking-thing: that when you fight for your friend, you are also fighting for yourself. Five, the ruby heart’s stone: that love never dies. Six, the arrow from the land-that-does-not-exist: that you must make things right in the Old World before you go looking for the New, and sometimes the things that you are looking for are right at home. Seven, the key-that-opens-all-locks: that accidents happen for a reason. Eight, the Throne: that power can corrupt. Nine, the Crown: that you have to keep on trying even though you are beaten before you even star. And Ten, the dragon Jewel," finished Hiccup. "You need to know what it is to be a slave, before you can be a King.
Cressida Cowell (How to Fight a Dragon’s Fury (How To Train Your Dragon, #12))
Bastien rolled his eyes, "Calm down, Hauk. All you're going to do is hurt yourself." He glared at Bastien. "If you want to see exactly how angry someone can get, tell them to calm down when they're already pissed off!" Bellowing, he tried his best to break free. "Is that helping? I just gotta know." "When I get loose, Cabarro, your ass is the first one I'm kicking." "Oh good. Hope you get out soon. Been awhile since I had a good ass-kicking." Bastien made a kissy face at him. "Says the man who's so bruised, he looks like a two-year old banana." "Now that's just mean and hurtful." "Telise! He's awake again." She moved forward and kicked Hauk in the face. "I wouldn't do that," Bastien warned. "Don't motivate the Andarion for murder. It ain't going to work out well for any of us. 'Specially me, since mine's the first ass he's planning to come after.
Sherrilyn Kenyon (Born of Fury (The League: Nemesis Rising, #6))
Copy these sentences,' he drawled from across the table, handing me a piece of paper. I looked at them and read perfectly. 'Rhysand is a spectacular person. Rhysand is the centre of my world. Rhysand is the best lover a female can ever dream of.' I set down the paper, wrote out the three sentences, and handed it to him.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
MEN WAGE WARS for profit and principle, but they fight them for land and women. Sooner or later, the other causes and compelling reasons drown in blood and lose their meaning. Sooner or later, death and survival clog the senses. Sooner or later, surviving is the only logic, and dying is the only voice and vision. Then, when best friends die screaming, and good men maddened with pain and fury lose their minds in the bloody pit, when all the fairness and justice and beauty in the world is blown away with arms and legs and heads of brothers and sons and fathers, then, what makes men fight on, and die, and keep on dying, year after year, is the will to protect the land and the women.
Gregory David Roberts (Shantaram)
...we can best understand the furies of war and politics by remembering that almost the whole of each party believes absolutely in its picture of the opposition, that it takes as fact, not what is, but what it supposes to be the fact.
Walter Lippmann (Public Opinion)
Syn grunted and pushed his ass back for more. Furi knew the man was thriving under his words of praise. Syn was that type of man. He had to be the best at everything he did. He was a bottom, so he was gonna be the best bottom Furi ever had. “No
A.E. Via (Embracing His Syn)
Well,” Antillus Raucus said. “There it is.” “Brilliant last words,” Phrygius said beside him. “We’ll put them on your memorium. Right next to, ‘He died stating the obvious.’ ” “Ah,” Lord Placida said. “It begins.” “See?” Phrygius said. “Sandos knows how to go out with style.” “You want to go out with style, I’ll strangle you with your best silk tunic,” growled Antillus.
Jim Butcher (First Lord's Fury (Codex Alera, #6))
I learned that the best way to take all people, black or white, is to take them for what they think they are, then leave them alone. That was when I realised that a nigger is not a person so much as a form of behavior; a sort of obverse reflection of the white people he lives among.
William Faulkner (The Sound and the Fury)
Life has no script, no playwright, no director, no producer - and no meaning. To the best of our scientific understanding, the universe is a blind and purposeless process, full of sound and fury but signifying nothing. During our infinitesimally brief stay on our tiny speck of a planet, we fret and strut this way and that, and then are heard of no more... terrible things might befall us and no power will come to save us or give meaning to our suffering. There won't be a happy ending, or a bad ending, or any ending at all. Things just happen, one after the other.
Yuval Noah Harari (Homo Deus A Brief History of Tomorrow By Yuval Noah Harari & How We Got to Now Six Innovations that Made the Modern World By Steven Johnson 2 Books Collection Set)
The best of women (I have heard my grandmother say) are hypocrites. We don't know how much they hide from us: how watchful they are when they seem most artless and confidential: how often those frank smiles, which they wear so easily, are traps to cajole or elude or disarm-I don't mean in your mere coquettes, but your domestic models, and paragons of female virtue. Who has not seem a woman hide the dulness of a stupid husband or coax the fury of a savage one? We accept this amiable slavishness, and praise a woman for it; we call this pretty treachery truth. A good housewife is of necessity a humbug.
William Makepeace Thackeray (Vanity Fair)
Maybe I need to lighten the burden. Cut something out. Cutting the game out wasn’t possible, because after all, that is the one thing I can pretty much say is my best chance at success. And I can’t cut out my father. Not now…not after he’s trying to get sober and trying to make amends. So, that leaves Sutton,
Sawyer Bennett (Alex (Cold Fury Hockey, #1))
The main purpose of music education in childhood is to provide an effective outlet for feelings. A child's life is so full of restrictions, regulations, and frustrations that outlets of release become essential. Music is one of the best avenues of release: It gives sound to fury, shape to joy, and relief to tension. Parents
Haim G. Ginott (Between Parent and Child: Revised and Updated)
Maybe there were no villains in my mother's story at all. Just men and women, trying to do their best by each other. And failing.
John Boyne (The Heart's Invisible Furies)
Rhysand is a spectacular person. Rhysand is the center of my world. Rhysand is the best lover a female can ever dream of.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Had her best friend really lied to her; manipulated her; isolated her; schemed to end her marriage? And now, planned an actual murder?
Alex Michaelides (The Fury)
Fury is the best fuel of all. It is so clean, so marvelous, so ruthless. Eye for eye, tooth for tooth, rage against evil is better than sorrow. Sorrow can’t balance the scales.
Lilith Saintcrow (Dead Man Rising (Dante Valentine, #2))
When it came to monsters, she’d known the very best.'...this is a proper quote from the book by the way, the beginning and end one isn't.
Shehanne Moore (The Unraveling of Lady Fury)
The ones made for music are the most beloved of all. Their bodies a container for the spirit within; the best of them is music, the rest only instrument of flesh and bone.
Lauren Groff (Fates and Furies)
The anger and fury and heat and need—years of it leading to this moment when we finally knew what we were and who we lived for. Red. Out of all the colors, I liked red the best.
Penelope Douglas (Kill Switch (Devil's Night, #3))
Competitive capitalism is the best economic system in the world, but it is constantly being undermined by greedy monopolists.
Mary Pilon (The Monopolists: Obsession, Fury, and the Scandal Behind the World's Favorite Board Game)
I never said anything more. it doesn't do any good. I've found that when a man gets into a rut the best thing you can do is let him stay there.
William Faulkner (The Sound and the Fury)
I know it. My…my best friend was murdered right there.
John Boyne (The Heart's Invisible Furies)
The arses of some of the best men and women in Dublin have sat in them,’ he told her. ‘Sit yourself down there, sweetheart, and if you catch any diseases I promise to pay the vet bill myself.
John Boyne (The Heart's Invisible Furies)
Bannon described Trump as a simple machine. The On switch was full of flattery, the Off switch full of calumny. The flattery was dripping, slavish, cast in ultimate superlatives, and entirely disconnected from reality: so-and-so was the best, the most incredible, the ne plus ultra, the eternal. The calumny was angry, bitter, resentful, ever a casting out and closing of the iron door.
Michael Wolff (Fire and Fury: Inside the Trump White House)
If she captured Tamlin’s power once, who’s to say she can’t do it again?” It was the question I hadn’t yet dared voice. “He won’t be tricked again so easily,” he said, staring up at the ceiling. “Her biggest weapon is that she keeps our powers contained. But she can’t access them, not wholly—though she can control us through them. It’s why I’ve never been able to shatter her mind—why she’s not dead already. The moment you break Amarantha’s curse, Tamlin’s wrath will be so great that no force in the world will keep him from splattering her on the walls.” A chill went through me. “Why do you think I’m doing this?” He waved a hand to me. “Because you’re a monster.” He laughed. “True, but I’m also a pragmatist. Working Tamlin into a senseless fury is the best weapon we have against her. Seeing you enter into a fool’s bargain with Amarantha was one thing, but when Tamlin saw my tattoo on your arm … Oh, you should have been born with my abilities, if only to have felt the rage that seeped from him.” I didn’t want to think much about his abilities. “Who’s to say he won’t splatter you as well?” “Perhaps he’ll try—but I have a feeling he’ll kill Amarantha first. That’s what it all boils down to, anyway: even your servitude to me can be blamed on her. So he’ll kill her tomorrow, and I’ll be free before he can start a fight with me that will reduce our once-sacred mountain to rubble.” He picked at his nails. “And I have a few other cards to play.” I lifted my brows in silent question. “Feyre, for Cauldron’s sake. I drug you, but you don’t wonder why I never touch you beyond your waist or arms?” Until tonight—until that damned kiss. I gritted my teeth, but even as my anger rose, a picture cleared. “It’s the only claim I have to innocence,” he said, “the only thing that will make Tamlin think twice before entering into a battle with me that would cause a catastrophic loss of innocent life. It’s the only way I can convince him I was on your side. Believe me, I would have liked nothing more than to enjoy you—but there are bigger things at stake than taking a human woman to my bed.” I knew, but I still asked, “Like what?” “Like my territory,” he said, and his eyes held a far-off look that I hadn’t yet seen. “Like my remaining people, enslaved to a tyrant queen who can end their lives with a single word. Surely Tamlin expressed similar sentiments to you.” He hadn’t—not entirely. He hadn’t been able to, thanks to the curse. “Why did Amarantha target you?” I dared ask. “Why make you her whore?” “Beyond the obvious?” He gestured to his perfect face. When I didn’t smile, he loosed a breath. “My father killed Tamlin’s father—and his brothers.” I started. Tamlin had never said—never told me the Night Court was responsible for that. “It’s a long story, and I don’t feel like getting into it, but let’s just say that when she stole our lands out from under us, Amarantha decided that she especially wanted to punish the son of her friend’s murderer—decided that she hated me enough for my father’s deeds that I was to suffer.” I might have reached a hand toward him, might have offered my apologies—but every thought had dried up in my head. What Amarantha had done to him … “So,” he said wearily, “here we are, with the fate of our immortal world in the hands of an illiterate human.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Aren’t you a little young to be a captain? Not that I’m sure you weren’t wonderful at it,” I added hastily, “but Frank’s got to be your same age, and Mr. Graces and Mr. Liu are both older than you. How on earth did it happen?” He shut down. It was like a curtain being pulled across a window. This was a subject he definitely did not wish to discuss. “The title is honorary,” he said, not meeting my gaze. “I can’t stop them calling me that, even though I’ve asked them not to. I was the highest-ranking officer to survive the…accident.” Accident? I supposed this was another one of those things he didn’t want to tell me because it would make me hate him. Recognizing that dropping that particular topic-for now at least-would probably be best. I said, “John, I can warn you about the Furies. And I know exactly where the coffin is. All you have to do is take me back to Isla Huesos-just this one time, to help Alex-and I’ll never mention going there again. I’ll even,” I said, reaching up to straighten the collar of his leather jacket, which had gone askew, “forgive you for the waffles-“ John seized me by both shoulders, pulling me towards him so abruptly that Hope gave an alarmed flap of her wings. “Pierce,” he said. “Do you mean that?” When I pushed back some of the hair that had tumbled into my face and raised my dark eyes to meet his light ones, I saw that he was staring down at me with an intensity that burned. “You’ll never mention going back to Isla Huesos again if I take you there right now, this once, to talk to your cousin Alex?” he demanded. “You’ll give…cohabitation another chance?” His sudden fierceness was making me nervous. “Of course, John,” I said. “But it’s not like I have a choice.” “What if you did?” he asked, his grip tightening. I blinked. “But I can’t. You said-“ He gave me a little shake. “Never mind what I said. What if I was wrong?” I reached up to lay a hand on his cheek. It felt a little scratchy, because he hadn’t shaved. I didn’t care about stubble. What I cared about was the desperate need I saw in his eyes. The need for me. “I’d come back,” I said, simply, “to stay with you.” A second later, the late-and everything around it-was gone.
Meg Cabot (Underworld (Abandon, #2))
Emotional Shades of Meaning There are hundreds of emotions, ranging in degree and sometimes with only subtle differences between them. For instance, anger can range from mild irritation or annoyance to rage and fury; sadness can range from feeling a little blue to utter despair and hopelessness. It's important to understand the distinctions among emotions as well as to be able to assess how you feel. Because you feel annoyed with someone doesn't mean you should fly into a rage and swear never to speak to them again. Because you feel sad about something that happened today doesn't mean the world will end and you should give up all hope of ever feeling better. Emotion dysregulation is a hallmark of BPD, and children raised by a parent with it may not have had the best emotional role model to learn from.
Kimberlee Roth (Surviving a Borderline Parent: How to Heal Your Childhood Wounds and Build Trust, Boundaries, and Self-Esteem)
But the way my mother told it, he wasn’t necessarily the villain of the piece. Maybe there were no villains in my mother’s story at all. Just men and women, trying to do their best by each other. And failing.
John Boyne (The Heart's Invisible Furies)
How was my day? It was a lifetime. It was the best of times and the worst of times. I was both lonely and never alone. I was simultaneously bored out of my skull and completely overwhelmed. I was saturated with touch—desperate to get the baby off of me and the second I put her down I yearned to smell her sweet skin again. This day required more than I’m physically and emotionally capable of, while requiring nothing from my brain. I had thoughts today, ideas, real things to say and no one to hear them. I felt manic all day, alternating between love and fury. At least once an hour I looked at their faces and thought I might not survive the tenderness of my love for them. The next moment I was furious. I felt like a dormant volcano, steady on the outside but ready to explode and spew hot lava at any moment. And then I noticed that Amma’s foot doesn’t fit into her Onesie anymore, and I started to panic at the reminder that this will be over soon, that it’s fleeting—that this hardest time of my life is supposed to be the best time of my life. That this brutal time is also the most beautiful time. Am I enjoying it enough? Am I missing the best time of my life? Am I too tired to be properly in love? That fear and shame felt like adding a heavy, itchy blanket on top of all the hard. But I’m not complaining, so please don’t try to fix it. I wouldn’t have my day or my life any other way. I’m just saying—it’s a hell of a hard thing to explain—an entire day with lots of babies. It’s far too much and not even close to enough. But
Glennon Doyle Melton (Love Warrior)
Our baby gives herself to me completely. There is no hesitation, no reservation, no holding back, no coldness, no craft, no tremor or fear in her love. Although our relationship may encompass tears, frustration, even fury, it is an utterly reliable bond. As it grows, her love is literally unadulterated. Her love is wholly of the child, pure in its essence as children are in their direct passions. Children do not love wisely, but perhaps they love the best of all.
Louise Erdrich (The Blue Jay's Dance: A Birth Year)
Everything you hate about yourself could be loved. They’re the best part about you. Your mind is beautiful, Dimitri.” It almost hurts to see the flash of hope in his eyes, all that fury melting away. “But your heart is ugly and twisted.
Angel Lawson (Lords of Wrath (Royals of Forsyth University, #2))
I'm sorry," she whispers. "You're sorry? You've been dating Toph for the last month,and you're sorry?" "It just happened.I meant to tell you, I wanted to tell you-" "But you lost control over your mouth? Because it's easy,Bridge. Talking is easy. Look at me! I'm talking right-" "You know it wasn't that easy! I didn't mean for it to happen,it just did-" "Oh,you didn't mean to wreck my life? It just 'happened'?" Bridge stands up from behind her drums. It's impossible,but she's taller than me now. "What do you mean,wreck your life?" "Don't play dumb,you know exactly what I mean. How could you do this to me?" "Do what? It's not like you were dating!" I scream in frustration. "We certainly won't be now!" She sneers. "It's kind of hard to date someone who's not interested in you." "LIAR!" "What,you ditch us for Paris and expect us to put our lives on hold for you?" My jaw drops. "I didn't ditch you. They sent me away." "Ooo,yeah.To Paris.Meanwhile,I'm stuck here in Shitlanta, Georgia, at the same shitty school,doing shitty babysitting jobs-" "If babysitting my brother is so shitty, why do you do it?" "I didn't meant-" "Because you want to turn him against me, too? Well.Congratulations, Bridge. It worked. My brother loves you and hates me. So you're welcome to move in when I leave again,because that's what you want, right? My life?" She shakes with fury. "Go to hell." "Take my life.You can have it. Just watch out for the part where my BEST FRIEND SCREWS ME OVER!" I knock over a cymbal stand,and the brass hits the stage with an earsplitting crash that reverberates through the bowling alley. Matt calls my name.Has he been calling it this entire time? He grabs my arm and leads me around the electrical cords and plugs and onto the floor and away,away,away. Everyone in the bowling alley is staring at me.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Living with life is very hard. Mostly we do our best to stifle life - to be tame or to be wanton. To be tranquillised or raging. Extremes have the same effect; they insulate us from the intensity of life. And extremes - whether of dullness or fury - successfully prevent feeling.
Jeanette Winterson (Why Be Happy When You Could Be Normal?)
It has been a long time since I've been in France. I miss the food like a phantom limb.' ... 'I shall bring you our best dishes,' he promised. 'And the wine to pair with them," she said. He feigned exasperation. 'But of course, he said, 'would I blaspheme?'... She ate, her eyes half closed. All along, she'd known Lotto was with her, across the table, enjoying her food with her. He would've loved this night. Her dress, the food, the wind. The lust welled in her until it was almost unbearable. If she looked up, she knew she would see only an empty chair. She would not look up.
Lauren Groff (Fates and Furies)
Might, fury, decisive force, the willingness to smite; how her father had loved such terms and ideas, and how shallow they began to look when you saw them played out time and time again over the centuries and millennia by a thousand different species. This is how power works, how force and authority assert themselves, this is how people are persuaded to behave in ways that are not objectively in their best interests, this is the kind of thing you need to make people believe in, this is how the unequal distribution of scarcity comes into play, at this moment and this, and this...
Iain M. Banks (Matter (Culture, #8))
Take terrorism, one example among the methods used in that struggle. We know that leftist tradition condemns terrorism and political assassination. When the colonized uses them, the leftist colonizer becomes unbearably embarrassed. He makes an effort to separate them from the colonized's voluntary action; to make an epiphenomenon out of his struggle. They are spontaneous outbursts of masses too long oppressed, or better yet, acts by unstable, untrustworthy elements which the leader of the movement has difficulty in controlling. Even in Europe, very few people admitted that the oppression of the colonized was so great, the disproportion of forces so overwhelming, that they had reached the point, whether morally correct or not, of using violent means voluntarily. The leftist colonizer tried in vain to explain actions which seemed incomprehensible, shocking and politically absurd. For example, the death of children and persons outside of the struggle, or even of colonized persons who, without being basically opposed, disapproved of some small aspect of the undertaking. At first he was so disconcerted that the best he could do was to deny such actions; for they would fit nowhere in his view of the problem. That it could be the cruelty of oppression which explained the blind fury of the reaction hardly seemed to be an argument to him; he can't approve acts of the colonized which he condemns in the colonizers because these are exactly why he condemns colonization. Then, after having suspected the information to be false, he says, as a last resort, that such deeds are errors, that is, they should not belong to the essence of the movement. He bravely asserts that the leaders certainly disapprove of them. A newspaper-man who always supported the cause of the colonized, weary of waiting for censure which was not forthcoming, finally called on certain leaders to take a public stand against the outrages, Of course, received no reply; he did not have the additional naïveté to insist.
Albert Memmi (The Colonizer and the Colonized)
Language spoken by parents to each other: fluent Korean. I grew up hearing marriage as a foreign language—literally and figuratively. I grew up hearing the sound of Korean as a language of Korean-bound han syndrome, disappointment, fury, resignation, the sense of being trapped forever, resentment, guilt. Every other word: a door slammed.
Seo-Young Chu (The Best American Nonrequired Reading 2018: New Fiction, Poetry, and Category-Defying Literary Gems)
Anger and resentment can stop you in your tracks. That's what I know now. It needs nothing to burn but the air and the life that it swallows and smothers. It's real, though - the fury, even when it isn't. It can change you... turn you... mold you and shape you into something you're not. The only upside to anger, then... is the person you become. Hopefully someone that wakes up one day and realizes they're not afraid to take the journey, someone that knows that the truth is, at best, a partially told story. That anger, like growth, comes in spurts and fits, and in its wake, leaves a new chance at acceptance, and the promise of calm. Then again, what do I know? I'm only a child.
Mike Binder
…and the mousesized mousecolored spinster trembling and aghast at her own temerity, staring across it at the childless bachelor in whom ended that long line of men who had had something in them of decency and pride even after they had begun to fail at the integrity and the pride had become mostly vanity and selfpity: from the expatriate who had to flee his native land with little else except his life yet who still refused to accept defeat, through the man who gambled his life and his good name twice and lost twice and declined to accept that either, and the one who with only a clever small quarterhorse for tool avenged his dispossessed father and grandfather and gained a principality, and the brilliant and gallant governor and the general who though he failed at leading in battle brave and gallant men at least risked his own life too in the failing, to the cultured dipsomaniac who sold the last of his patrimony not to buy drink but to give one of his descendants at least the best chance in life he could think of.
William Faulkner (The Sound and the Fury)
More wallowing. Talking, smiling, laughing, caring, texting, liking, being. Existing. Day in and day out, I have to exist. To be out there and fucking stay there. In the middle of people with blurry faces and names and personalities. All day, I tell myself that I belong with them and that I’m not in fact battling with incessant nausea that saturates my lungs with every breath. That’s what I do best. Pretend. Swallow it all down. Smile. Again and again and fucking again until I can crawl back to my studio, stare at my soul in the form of a blank canvas, then shower longer than necessary. I scrub myself clean, turning my skin as red as a tomato, and that’s the only way I can tune out for the day.
Rina Kent (God of Fury (Legacy of Gods, #5))
playwright, no director, no producer – and no meaning. To the best of our scientific understanding, the universe is a blind and purposeless process, full of sound and fury but signifying nothing. During our infinitesimally brief stay on our tiny speck of a planet, we fret and strut this way and that, and then are heard of no more. Since there is no script, and since humans fulfil no role in any great drama, terrible things might befall us and no power will come to save us or give meaning to our suffering. There won’t be a happy ending, or a bad ending, or any ending at all. Things just happen, one after the other. The modern world does not believe in purpose, only in cause. If modernity has a motto, it is ‘shit happens’.
Yuval Noah Harari (Homo Deus: A Brief History of Tomorrow)
Doomed and knew it, accepted the doom without either seeking or fleeing it. Loved her brother despite him, loved not only him but loved in him that bitter prophet and inflexible corruptless judge of what he considered the family's honor and its doom, as he thought he loved but really hated in her what he considered the frail doomed vessel of its pride and the foul instrument of its disgrace, not only this, she loved him not only in spite of but because of the fact that he himself was incapable of love, accepting the fact that he must value above all not her but the virginity of which she was custodian and on which she placed no value whatever: the frail physical stricture which to her was no more than a hangnail would have been. Knew the brother loved death best of all and was not jealous, would (and perhaps in the calculation and deliberation of her marriage did) have handed him the hypothetical hemlock. Was two months pregnant with another man's child which regardless of what its sex would be she had already named Quentin after the brother whom they both (she and her brother) knew was already the same as dead...
William Faulkner (The Sound and the Fury)
Had it not been Nature's intent that man possess this feeling of superiority, she would not have created him stronger than the beings she destines to belong to him at those moments. The debility to which Nature condemned woman incontestably proves that her design is for man, who then more than ever enjoys his strength, to exercise it in all the violent forms that suit him best, by means of tortures, if he be so inclined, or worse. Would pleasure's climax be a kind of fury were it not the intention of this mother of humankind that behavior during copulation be the same as behavior in anger? What well-made man, in a word, what man endowed with vigorous organs does not desire, in one fashion or in another, to molest his partner during his enjoyment of her?
Marquis de Sade (Philosophy in the Bedroom)
Then it was horn time. Time for the big solo. Sonny lifted the trumpet - One! Two! - He got it into sight - Three! We all stopped dead. I mean we stopped. That wasn't Sonny's horn. This one was dented-in and beat-up and the tip-end was nicked. It didn't shine, not a bit. Lux leaned over-you could have fit a coffee cup into his mouth. "Jesus God," he said. "Am I seeing right?" I looked close and said: "Man, I hope not." But why kid? We'd seen that trumpet a million times. It was Spoof's. Rose-Ann was trembling. Just like me, she remembered how we'd buried the horn with Spoof. And she remembered how quiet it had been in Sonny's room last night... I started to think real hophead thoughts, like - where did Sonny get hold of a shovel that late? and how could he expect a horn to play that's been under the ground for two years? and - That blast got into our ears like long knives. Spoof's own trademark! Sonny looked caught, like he didn't know what to do at first, like he was hypnotized, scared, almighty scared. But as the sound came out, rolling out, sharp and clean and clear - new-trumpet sound - his expression changed. His eyes changed: they danced a little and opened wide. Then he closed them, and blew that horn. Lord God of the Fishes, how he blew it! How he loved it and caressed it and pushed it up, higher and higher and higher. High C? Bottom of the barrel. He took off, and he walked all over the rules and stamped them flat. The melody got lost, first off. Everything got lost, then, while that horn flew. It wasn't only jazz; it was the heart of jazz, and the insides, pulled out with the roots and held up for everybody to see; it was blues that told the story of all the lonely cats and all the ugly whores who ever lived, blues that spoke up for the loser lamping sunshine out of iron-gray bars and every hop head hooked and gone, for the bindlestiffs and the city slicers, for the country boys in Georgia shacks and the High Yellow hipsters in Chicago slums and the bootblacks on the corners and the fruits in New Orleans, a blues that spoke for all the lonely, sad and anxious downers who could never speak themselves... And then, when it had said all this, it stopped and there was a quiet so quiet that Sonny could have shouted: 'It's okay, Spoof. It's all right now. You get it said, all of it - I'll help you. God, Spoof, you showed me how, you planned it - I'll do my best!' And he laid back his head and fastened the horn and pulled in air and blew some more. Not sad, now, not blues - but not anything else you could call by a name. Except... jazz. It was Jazz. Hate blew out of that horn, then. Hate and fury and mad and fight, like screams and snarls, like little razors shooting at you, millions of them, cutting, cutting deep... And Sonny only stopping to wipe his lip and whisper in the silent room full of people: 'You're saying it, Spoof! You are!' God Almighty Himself must have heard that trumpet, then; slapping and hitting and hurting with notes that don't exist and never existed. Man! Life took a real beating! Life got groined and sliced and belly-punched and the horn, it didn't stop until everything had all spilled out, every bit of the hate and mad that's built up in a man's heart. ("Black Country")
Charles Beaumont (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
And they spoke of their Antigonie, who they called Go, as if she were a friend. Leo hadn't yet written any music, but he had made drawings on butcher paper stolen from the kitchen. They curled around his walls, intricate doodles, extensions of the boy's own lean, slight body. The shape of Leo's jaw in profile, devestating. The way he gnawed his fingernails to the crescents, the fine shining hairs down the center of his nape, the smell of him, up close, pure and clean, bleaching. The ones made for music are the most beloved of all. Their bodies a container for the spirit within; the best of them is music, the rest only instrument of flesh and bone. The weather conspired. Snow fell softly in the windows. It was too cold to be out for long. The world colorless, a dreamscape, a blank page, the linger of woodsmoke on the back of the tongue.
Lauren Groff (Fates and Furies)
For me, going high usually involves taking a pause before I react. It is a form of self-control, a line laid between our best and worst impulses. Going high is about resisting the temptation to participate in shallow fury and corrosive contempt and instead figuring out how to respond with a clear voice to whatever is shallow and corrosive around you. It’s what happens when you take a reaction and mature it into a response. Because here’s the thing: Emotions are not plans. They don’t solve problems or right any wrongs. You can feel them—you will feel them, inevitably—but be careful about letting them guide you. Rage can be a dirty windshield. Hurt is like a broken steering wheel. Disappointment will only ride, sulking and unhelpful, in the back seat. If you don’t do something constructive with them, they’ll take you straight into a ditch.
Michelle Obama (The Light We Carry: Overcoming in Uncertain Times)
It had personally pained Trump not to be able to give it to him. But if the Republican establishment had not wanted Trump, they had not wanted Christie almost as much. So Christie got the job of leading the transition and the implicit promise of a central job—attorney general or chief of staff. But when he was the federal prosecutor in New Jersey, Christie had sent Jared’s father, Charles Kushner, to jail in 2005. Charlie Kushner, pursued by the feds for an income tax cheat, set up a scheme with a prostitute to blackmail his brother-in-law, who was planning to testify against him. Various accounts, mostly offered by Christie himself, make Jared the vengeful hatchet man in Christie’s aborted Trump administration career. It was a kind of perfect sweet-revenge story: the son of the wronged man (or, in this case—there’s little dispute—the guilty-as-charged man) uses his power over the man who wronged his family. But other accounts offer a subtler and in a way darker picture. Jared Kushner, like sons-in-law everywhere, tiptoes around his father-in-law, carefully displacing as little air as possible: the massive and domineering older man, the reedy and pliant younger one. In the revised death-of-Chris-Christie story, it is not the deferential Jared who strikes back, but—in some sense even more satisfying for the revenge fantasy—Charlie Kushner himself who harshly demands his due. It was his daughter-in-law who held the real influence in the Trump circle, who delivered the blow. Ivanka told her father that Christie’s appointment as chief of staff or to any other high position would be extremely difficult for her and her family, and it would be best that Christie be removed from the Trump orbit altogether.
Michael Wolff (Fire and Fury: Inside the Trump White House)
Hold thy desperate hand: Art thou a man? thy form cries out thou art: Thy tears are womanish; thy wild acts denote The unreasonable fury of a beast: Unseemly woman in a seeming man! Or ill-beseeming beast in seeming both! Thou hast amazed me: by my holy order, I thought thy disposition better temper’d. Hast thou slain Tybalt? wilt thou slay thyself? And stay thy lady too that lives in thee, By doing damned hate upon thyself? Why rail’st thou on thy birth, the heaven, and earth? Since birth, and heaven, and earth, all three do meet In thee at once; which thou at once wouldst lose. Fie, fie, thou shamest thy shape, thy love, thy wit; Which, like a usurer, abound’st in all, And usest none in that true use indeed Which should bedeck thy shape, thy love, thy wit: Thy noble shape is but a form of wax, Digressing from the valour of a man; Thy dear love sworn but hollow perjury, Killing that love which thou hast vow’d to cherish; Thy wit, that ornament to shape and love, Misshapen in the conduct of them both, Like powder in a skitless soldier’s flask, Is set afire by thine own ignorance, And thou dismember’d with thine own defence. What, rouse thee, man! thy Juliet is alive, For whose dear sake thou wast but lately dead; There art thou happy: Tybalt would kill thee, But thou slew’st Tybalt; there are thou happy too: The law that threaten’d death becomes thy friend And turns it to exile; there art thou happy: A pack of blessings lights up upon thy back; Happiness courts thee in her best array; But, like a misbehaved and sullen wench, Thou pout’st upon thy fortune and thy love: Take heed, take heed, for such die miserable. Go, get thee to thy love, as was decreed, Ascend her chamber, hence and comfort her: But look thou stay not till the watch be set, For then thou canst not pass to Mantua; Where thou shalt live, till we can find a time To blaze your marriage, reconcile your friends, Beg pardon of the prince, and call thee back With twenty hundred thousand times more joy Than thou went’st forth in lamentation. Go before, nurse: commend me to thy lady; And bid her hasten all the house to bed, Which heavy sorrow makes them apt unto: Romeo is coming.
William Shakespeare (Romeo and Juliet)
In the court of Nero, a person of learning, of unquestioned merit, and of unsuspected loyalty, was put to death for no other reason, than that he had a pedantic countenance which displeased the emperor. This very monster of mankind appeared in the beginning of his reign to be a person of virtue. Many of the greatest tyrants on the records of history have begun their reigns in the fairest manner. But the truth is, this unnatural power corrupts both the heart and the understanding. And to prevent the least hope of amendment, a king is ever surrounded by a crowd of infamous flatterers, who find their account in keeping him from the least light of reason, till all ideas of rectitude and justice are utterly erased from his mind. When Alexander had in his fury inhumanly butchered one of his best friends and bravest captains; on the return of reason he began to conceive an horror suitable to the guilt of such a murder. In this juncture his council came to his assistance. But what did his council? They found him out a philosopher who gave him comfort. And in what manner did this philosopher comfort him for the loss of such a man, and heal his conscience, flagrant with the smart of such a crime? You have the matter at length in Plutarch. He told him, "that let a sovereign do what he wilt, all his actions are just and lawful, because they are his.
Edmund Burke (The Works of the Right Honourable Edmund Burke, Vol. 01 (of 12))
They are both silent, doubt and grief and fury scuttling between them like beetles in search of a meal. Tetsuo and the girl stare at each other with such deep familiarity that Key feels forgotten, alone—almost ashamed of the dreams that have kept her alive for a decade. They have never felt so hopeless, or so false. “Her name is Key,” Tetsuo says, in something like defeat. He turns away, though he makes no move to leave. “She will be your new caretaker.
Joe Hill (The Best American Science Fiction and Fantasy 2015 (The Best American Series))
I had a queer time with Aunt today, and, as I got the best of it, I'll tell you about it," began Jo, who dearly loved to tell stories. "I was reading that everlasting Belsham, and droning away as I always do, for Aunt soon drops off, and then I take out some nice book, and read like fury till she wakes up. I actually made myself sleepy, and before she began to nod, I gave such a gape that she asked me what I meant by opening my mouth wide enough to take the whole book in at once.
Louisa May Alcott (Little Women (Little Women #1))
Why is it so warm in here, when winter is in full blast out there?' 'Magic.' 'Obviously,' I set down my teaspoon and sipped, nearly sighing at the rush of heat and smoky, rich flavour. 'But why?' Rhys scanned the wind tearing through the peaks. 'You heat a house in the winter- why shouldn't I heat this place as well? I'll admit I don't know why my predecessors built a palace fit for the Summer Court in the middle of a mountain range that's mildly warm at best, but who am I to question?
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Do these past days mean nothing?” he asked, so gently that my weak self curled around his words. But I would no longer be weak. I tapped into that power in my veins and a shimmering wall of flames sprang up between us. Amar jumped back, shocked and then…amused. “A little ruthlessness is to be admired, but it’s cruel to play with a powerless heart.” “Crueler still to promise equality and hide a person’s true self.” “I thought it was best for you,” he repeated. “Strange how something that only affected me was decided by you.” Amar’s smile turned cold. “My promises were true. You seek to punish an illusion without fully knowing. What were your kisses, then? Vengeance?” The wall of flames shimmered away. Anger still flared inside me, but now it was mixed with something else. Something I couldn’t push away, despite fury. Want. “They were nothing,” I lied. “They meant nothing.” I didn’t look at him. And then, a bloom of cold erupted beside me and Amar was at my side. His fingers traced a secret calligraphy along my arms. “Nothing at all?” My heart twisted. I reached forward, my hands tangling in his hair as I kissed him. It was a kiss meant to devour, to summon war. And when I broke it, my voice was harsh: “My kisses mean nothing.” “Cruel queen,” he murmured, tilting my head back. His lips skimmed down my neck. Amar’s hands gripped my waist, before tracing the outline of my hips. Heat flared through my body. But just as I pulled him closer, a sudden clash echoed in the hallway, and we sprang apart.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
Shortly after Lewandowski, with whom Hicks had an on-and-off romantic relationship, was fired in June 2016 for clashing with Trump family members, Hicks sat in Trump Tower with Trump and his sons, worrying about Lewandowski’s treatment in the press and wondering aloud how she might help him. Trump, who otherwise seemed to treat Hicks in a protective and even paternal way, looked up and said, “Why? You’ve already done enough for him. You’re the best piece of tail he’ll ever have,” sending Hicks running from the room.
Michael Wolff (Fire and Fury: Inside the Trump White House)
Her best friend did a reading of a breathtaking piece Florence had written for her year-book page. ‘It may seem that life is difficult at times but it’s really as simple as breathing in and out,’ she read. ‘Rip open hearts with your fury and tear down egos with your modesty. Be the person you wish you could be, not the person you feel you are doomed to be. Let yourself run away with your feelings. You were made so that someone could love you. Let them love you.” Excerpt From Everything I Know About Love Dolly Alderton This material may be protected by copyright.
Dolly Alderton (Everything I Know About Love)
Saedii’s eyes flash, and she pushes herself out of my arms with a snarl. I watch her turn back to her reflection, seething, busying herself with her braids with shaking hands. But I can see the truth behind the ice of her eyes, feel it inside her head, flooding through her despite her best attempts to keep it dammed in. The Syldrathi mating instinct. The almost-irresistible attraction they feel to people their souls are fated to be with. Kal feels it for Aurora. He once told me that love was a drop in the ocean of what he felt for her. And looking into Saedii’s eyes now, thinking about all the times she could have killed me, should’ve killed me … Maker, what an idiot I’ve been… . “How long?” I ask. She says nothing. I step up behind her, searching her reflection. “Saedii, how long?” She holds my stare, fury and sorrow and hateful, defiant adoration washing through her thoughts. In her mind’s eye, I see an image of me aboard the Andarael, in the depths of the Unbroken fighting pit with a dead drakkan behind me, staring up at her, bloodied but victorious. “Yeah,” I murmur. “I mean, that would’ve gotten a nun’s motor running, so I can’t really blame you.
Amie Kaufman (Aurora's End (The Aurora Cycle, #3))
Wolves stood outside our fires, and humans were terrified,” answered Ahanu. “Yet our warrior-fathers did not kill them. The wolves came from Mother Earth. They were part of us. So, we brought what we feared to the warmth of the flame. Before the fire, we trained them. We loved them. We bred them to be useful to our tribes. Over the many years, what had frightened us now became our greatest allies. Together, these dogs and we people fought against the darkness of the wood.” Theo blinked, trying to understand. He looked at the golden puppy on the ground, running through the feet and legs of the adults. Then to Ahanu. “But, sir, why do you tell me this?” Theo asked. “This dog, who shall be under your care, belongs to the best of humankind’s creation. For man transformed that which he feared into something which could love him. The dog, Theo, is the great witness to the one truth. There is but the one truth. Four words like my tale. The truth is this: Love triumphs over fear. Remember what I say for I know you. Do not ask me how I know that you live in a storm of fury . . .” Then he said softly, intimately, “. . . and fear. But take heart, for love has overcome the wild world. Dogs were once wolves.
Steven James Taylor (the dog)
There were inquiries, Congressional hearings, books, exposés and documentaries. However, despite all this attention, it was still only a few short months before interest in these children dropped away. There were criminal trials, civil trials, lots of sound and fury. All of the systems—CPS, the FBI, the Rangers, our group in Houston—returned, in most ways, to our old models and our ways of doing things. But while little changed in our practice, a lot had changed in our thinking. We learned that some of the most therapeutic experiences do not take place in “therapy,” but in naturally occurring healthy relationships, whether between a professional like myself and a child, between an aunt and a scared little girl, or between a calm Texas Ranger and an excitable boy. The children who did best after the Davidian apocalypse were not those who experienced the least stress or those who participated most enthusiastically in talking with us at the cottage. They were the ones who were released afterwards into the healthiest and most loving worlds, whether it was with family who still believed in the Davidian ways or with loved ones who rejected Koresh entirely. In fact, the research on the most effective treatments to help child trauma victims might be accurately summed up this way: what works best is anything that increases the quality and number of relationships in the child’s life.
Bruce D. Perry (The Boy Who Was Raised As a Dog: And Other Stories from a Child Psychiatrist's Notebook)
Modern culture rejects this belief in a great cosmic plan. We are not actors in any larger-than-life drama. Life has no script, no playwright, no director, no producer – and no meaning. To the best of our scientific understanding, the universe is a blind and purposeless process, full of sound and fury but signifying nothing. During our infinitesimally brief stay on our tiny speck of a planet, we fret and strut this way and that, and then are heard of no more. Since there is no script, and since humans fulfil no role in any great drama, terrible things might befall us and no power will come to save us or give meaning to our suffering. There won’t be a happy ending, or a bad ending, or any ending at all. Things just happen, one after the other. The modern world does not believe in purpose, only in cause. If modernity has a motto, it is ‘shit happens’. On the other hand, if shit just happens, without any binding script or purpose, then humans too are not confined to any predetermined role. We can do anything we want – provided we can find a way. We are constrained by nothing except our own ignorance. Plagues and droughts have no cosmic meaning – but we can eradicate them. Wars are not a necessary evil on the way to a better future – but we can make peace. No paradise awaits us after death – but we can create paradise here on earth and live in it for ever, if we just manage to overcome some technical difficulties.
Yuval Noah Harari (Homo Deus: A Brief History of Tomorrow)
Because it was the right thing?" "Oh shit, I hope not." "Afraid of becoming noble?" he asked, his eyes twinkling. "That too. But basically, that's the worst reason I can think of for killing. 'That its the right thing to do'. You kill out of outrage or fury or to keep from dying or something like it, that's fine. Hell, kill them rather than bother with them - or be bothered by them. But if you're killing them because 'its the right thing to do', its only the right thing because you've done so many wrong things up until then to make that spot. It's not the right thing to do. It's the best of the last of your choices." "That's the longest I've ever heard you talk at one time." "That's because you never ask me about my hair.
John Steakley (Armor)
Everyone knew there had never been a cowardly Confederate soldier and they found this statement peculiarly irritating. He always referred to the soldiers as “our brave boys” or “our heroes in gray” and did it in such a way as to convey the utmost in insult. When daring young ladies, hoping for a flirtation, thanked him for being one of the heroes who fought for them, he bowed and declared that such was not the case, for he would do the same thing for Yankee women if the same amount of money were involved. Since Scarlett’s first meeting with him in Atlanta on the night of the bazaar, he had talked with her in this manner, but now there was a thinly veiled note of mockery in his conversations with everyone. When praised for his services to the Confederacy, he unfailingly replied that blockading was a business with him. If he could make as much money out of government contracts, he would say, picking out with his eyes those who had government contracts, then he would certainly abandon the hazards of blockading and take to selling shoddy cloth, sanded sugar, spoiled flour and rotten leather to the Confederacy. Most of his remarks were unanswerable, which made them all the worse. There had already been minor scandals about those holding government contracts. Letters from men at the front complained constantly of shoes that wore out in a week, gunpowder that would not ignite, harness that snapped at any strain, meat that was rotten and flour that was full of weevils. Atlanta people tried to think that the men who sold such stuff to the government must be contract holders from Alabama or Virginia or Tennessee, and not Georgians. For did not the Georgia contract holders include men from the very best families? Were they not the first to contribute to hospital funds and to the aid of soldiers’ orphans? Were they not the first to cheer at “Dixie” and the most rampant seekers, in oratory at least, for Yankee blood? The full tide of fury against those profiteering on government contracts had not yet risen, and Rhett’s words were taken merely as evidence of his own bad breeding. He not only affronted the town with insinuations of venality on the part of men in high places and slurs on the courage of the men in the field, but he took pleasure in tricking the dignified citizenry into embarrassing situations. He could no more resist pricking the conceits, the hypocrisies and the flamboyant patriotism of those about him than a small boy can resist putting a pin into a balloon. He neatly deflated the pompous and exposed the ignorant and the bigoted, and he did it in such subtle ways, drawing his victims out by his seemingly courteous interest, that they never were quite certain what had happened until they stood exposed as windy, high flown and slightly ridiculous.
Margaret Mitchell (Gone with the Wind)
Griff entered the cave, sword in hand. He had no desire to frighten Astelle, but he had to be prepared for anything. She jumped up from her fireside position with a small stifled scream at his entry, then continued to back fearfully towards the shadowed wall. She was quite alone. Griff could sense no other presence – only hers, and the wonder of it. He sheathed his sword, and gazed upon his long-lost love. Her hair had lost all trace of colour while still retaining the texture of youth, giving the appearance of white silk. There was a pulsating light of a blue-lilac shade which clung to the crown of her head, reflecting in the hair – a soul – a lost spirit – someone who had loved her. She was almost as pale as death, for Torking took far too much blood from her, too frequently. She was also much thinner than she should have been, but for all of this, she was still the most beautiful sight of his life. Her body was ravaged with Torking's bites and claw-marks. She was still wearing his old cloak which Griff instantly recognised, though it was little more than a rag, wrapped around her body and tied on one shoulder. Her beautiful dark eyes, those which had so haunted his dreams, seemed over-large in her pale face, as she stared at him with a mingling of shock, disbelief and joy. Griff took a few hesitant steps towards her, unsure of his reception. ‘Astelle?’ His voice grated with emotion. How often had she yearned to hear him speak her name exactly in that way? ‘Astelle – is it really you?’ He was just as divinely handsome as she remembered, and he looked so fine – he looked magnificent in Gremlen battledress. In the flickering torchlight, the blue krulmesh armour glittered over the black leather tunic. The emerald sheen in his raven hair was vivid as ever. Best of all, his dark forest-green eyes were shining with love, and she suddenly understood that Griff was a hundred times more beautiful than Torking, for his eyes held everything that was good, fine and noble. Astelle's heart almost stopped beating as she gazed at him. Her eyes filled with tears, and her lip trembled as she tried to whisper his name.
Bernie Morris (The Fury of the Fae)
The unknown is terribly tempting, and danger even more so. But in its contempt for the instinct of the individual, modern society has done its best to eliminate both of these phenomena : certainly, under present conditions, the unknown no longer exists except for those whose emotions are easily intoxicated, and as for danger, everything visibly assumes an inoffensive hue each day. And yet in love—love of all kinds, whether it is this physical fury, or this spectre, or this diamond-like genie who murmurs to me a name equivalent to coolness—in all love there resides an outlaw principle, an irrepressible sense of delinquency, contempt for prohibitions and a taste for havoc. Confine this hundred-headed passion within the boundaries of your estates, if you will, or requisition whole palaces for it : nothing can stop it surging forth elsewhere, always elsewhere, there where its appearance is least expected, where its splendour is an outburst. Best of all, love thrusts up shoots where no one plants it : how vulgarity convulses it ! it is liable to give sudden wanton twitches. There are maniacs possessed by the street's haunting memory, and only there can they experience the full flow of their nature.
Louis Aragon (Paris Peasant)
The Hamians!' The centurion‟s voice was little better than a squeak. Julius snorted his disdain. 'What about the Hamians? Useless bow-waving women. All they‟re good for is hunting game. There‟s a war on, in case you hadn‟t noticed. We need infantrymen, big lads with spears and shields to strengthen our line. Archers are no bloody use in an infantry cohort.' He raised his meaty fist. 'No, mate, you‟re going to get what‟s coming your way.' The other man gabbled desperately, staring helplessly at the poised fist. 'There‟s two centuries of them, two centuries. Take them and the Tungrians and that‟s two hundred and fifty men.' Marcus spoke, having stood quietly in the background so far. 'So we could make a century of the best of them, dump the rest on the Second Cohort when we catch up with them and take back the century he sold them in return.' Julius turned his head to look at the younger man, keeping the transit officer clamped in place with seemingly effortless strength. 'Are you mad? There won‟t be a decent man among them. They‟ll be arse-poking, make-up-wearing faggots, the lot of them. All those easterners are, it‟s in the blood. They‟ll mince round the camp holding hands and tossing each other off in the bathhouse.
Anthony Riches (Arrows of Fury (Empire #2))
Sebastian encountered Cam in the hallway outside the reading room. “Where is he?” he demanded without preamble. Stopping before him with an expressionless face, Cam said shortly, “He’s gone.” “Why didn’t you follow him?” White-hot fury blazed in Sebastian’s eyes. This news, added to the frustration of his vow of celibacy, was the last straw. Cam, who had been exposed to years of Ivo Jenner’s volcanic temper, remained unruffled. “It was unnecessary in my judgment,” he said. “He won’t return.” “I don’t pay you to act on your own damned judgment. I pay you to act on mine! You should have dragged him here by the throat and then let me decide what was to be done with the bastard.” Cam remained silent, sliding a quick, subtle glance at Evie, who was inwardly relieved by the turn of events. They were both aware that had Cam brought Bullard back to the club, there was a distinct possibility that Sebastian might actually have killed him— and the last thing Evie wanted was a murder charge on her husband’s head. “I want him found,” Sebastian said vehemently, pacing back and forth across the reading room. “I want at least two men hired to look for him day and night until he is brought to me. I swear he’ll serve as an example to anyone who even thinks of lifting a finger against my wife.” He raised his arm and pointed to the doorway. “Bring me a list of names within the hour. The best detectives available— private ones. I don’t want some idiot from the New Police, who’ll foul this up as they do everything else. Go.” Though Cam undoubtedly had a few opinions to offer on the matter, he kept them to himself. “Yes, my lord.” He left the room at once, while Sebastian glared after him. Seeking to calm his seething temper, Evie ventured, “There is no need to take your anger out on Cam. He—” “Don’t even try to excuse him,” Sebastian said darkly. “You and I both know that he could have caught that damned gutter rat had he wanted to. And I’ll be damned if I’ll tolerate your calling him by his first name— he is not your brother, nor is he a friend. He’s an employee, and you’ll refer to him as ‘Mr. Rohan’ from now on.” “He is my friend,” Evie replied in outrage. “He has been for years!” “Married women don’t have friendships with young unmarried men.” “Y-you dare to insult my honor with the implication that… that…” Evie could hardly speak for the multitude of protests that jammed inside her. “I’ve done nothing to merit such a lack of tr-tr-trust!” “I trust you. It’s everyone else that I hold in suspicion.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Get off your horse, Jack." "Why don't you just ride outta here, missy, and I'll forget this ever happened." Willow's voice trembled with fury. "Get off your horse," she repeated. "Slow and easy." Still grinning his contempt, he did as he asked. "That's good. Now, real slow like, take your gunbelt off and toss it my way." "Like hell!" A shot rang out and nicked a chunk of leather from his boot. Cursing, he unbuckled his gun and tossed it at her mare's feet. "Now,strip them britches off, underwear, too," she ordered. "You little shi-" Bang! Jack's hat whizzed off his head. He dropped his pants in a puddle over his boots, trying his best to shelter his privates from her view. "My,my,Jack." Willow laughed humorlessly. "Is that puny thing you're trying to hide the same thing you were threatening me with?" If looks could kill, Willow would have been dead and buried ten times over, then and there. "Take them confounded boots off so's you can get your pants clear off," she ordered in mock exasperation. He wheeled around, gaining a modicum of privacy while he complied. "You're puny all over, Jack. You got the boniest bee-hind I ever did see. You sure you ain't picked up a worm somewheres?" "You're gonna pay for this,you little slut!" "Shut your filthy mouth and pick them pants off the ground and toss 'em over here at my horse's feet. Then you can put your boots back on." He gave the pants a toss, put his boots on, and turned around to face her, cuping his privates in his hands. "Okay,Jack, finish the job. You've been real generous but I'm a greedy cuss. Give me the shirt off your back, too." Cursing, he again turned around and obeyed. "Oh,ah,Jack, you better reach behind you there,and get your hat. I'll let you keep it. We wouldn't want your bald spot to get sunburned." Scofield now stood in nothing but his boots, using his hat to shield his lower half. Humiliated, the gunslinger's eyes burned with bloody intent. Willow suddenly regretted her damnable quick temper and realized the folly of her reckless retaliation. No doubt,the heinous man would seek revenge. But the damage was done and the man was so mad that backing off now would be the same as signing her death warrant. "Step away from your horse and start walking toward the ranch, Scofield." "You're out of your mind!" "Maybe,but I bet you'll think twice before threatening to poke that puny thing at another lady." "You? A lady? Ha!" Willow's temper flared anew. "Walk, Jack. Real fast. Cuz if you don't, I'm gonna use your puny thing for target practice." Her bullet kicked up the dust at his feet and started him on his way.
Charlotte McPherren (Song of the Willow)
What? Oh, I’m sorry; I didn’t mean to come on so jaded. What scene? This one, the rain, those geese up there with their hard-luck stories . . . this, this same world. They all tried to do something with it. Dante did his best to build himself a hell because a hell presuppose a heaven. Baudelaire scarfed hashish and looked inside. Nothing there. Nothing but dreams and delusion. They all were driven by the need for something else. But when the drive was over, and the dreaming and the deluding worn out, they all ended up with the same dull old scene. But, look, you see, Viv, they had an advantage with their scene, they had something we’ve lost . . .” I waited for her to ask what that something was, but she only sat silently, her hands folded on the black overcoat. “. . . They had a limitless supply of tomorrows to work with. If you didn’t make your dream today, well, there was always more days coming, more dreams full of more sound and fury and future: what if today was a hassle? There was always tomorrow to find the River Jordan, or Valhalla, or that special providence in the fall of a sparrow . . . we could believe in the Great Gettin’-up Morning coming someday because if it didn’t make it today there was always tomorrow.” “And there isn’t any more?” I looked up at her and grinned. “What do you think?
Ken Kesey (Sometimes a Great Notion)
Your true savage, reserved, dignified, and courteous, knows how to mask his feelings, even in the face of the most desperate assault upon them; your civilized man is forever yielding to them. Civilization, in fact, grows more and more maudlin and hysterical; especially under democracy it tends to degenerate into a mere combat of crazes; the whole aim of practical politics is to keep the populace alarmed (and hence clamorous to be led to safety) by an endless series of hobgoblins, most of them imaginary. Wars are no longer waged by the will of superior men, capable of judging dispassionately and intelligently the causes behind them and the effects flowing out of them. They are now begun by first throwing a mob into a panic; they are ended only when it has spent its ferine fury. Here the effect of civilization has been to reduce the noblest of the arts, once the repository of an exalted etiquette and the chosen avocation of the very best men of the race, to the level of a riot of peasants. All the wars of Christendom are now disgusting and degrading; the conduct of them has passed out of the hands of nobles and knights and into the hands of mob-orators, money-lenders, and atrocity-mongers. To recreate one’s self with war in the grand manner, as Prince Eugene, Marlborough and the Old Dessauer knew it, one must now go among barbarian peoples.
H.L. Mencken (In Defense of Women)
Some martial arts, or combat sports at least, offer a career path that includes fame and riches. An Olympic gold medal, perhaps. But that is not true of ours. I train martial arts because they can offer moments of utter transcendence. The ineffable made manifest. This is traditionally described as “beyond words” or “indescribable” but, as a martial artist and a writer, that would feel like a cop-out. I will take this feeling and wrestle it down onto the page, or at least give it my best shot. It is a moment when every atom in your body is exactly where it should be. Every step you have taken on life’s path makes sense, and is part of a coherent story. The pain of every mistake is made worthwhile by the lessons contained within. There is a feeling of physical power without limit; strength without stiffness; flow without randomness; precision without pedantry; focus without blinkers; breadth and depth; massive destructive capability, but utter gentleness; self-awareness without self-consciousness; force without fury; your body alive as it has never been, all fear and pain burned away in a moment of absolute clarity; certainty without dogma; and an overpowering love, even for your enemies, that enables you to destroy them without degrading them. For a religious person it is the breath of God within you; for an atheist it is a moment of attaining perfection as a human being.
Guy Windsor (Swordfighting, for Writers, Game Designers and Martial Artists)
Syn pulled his boxers on and quietly left the bedroom, walking angrily to the kitchen. He turned the corner and wanted to throw a shit-fit at the sight before him. Day was standing at his stove loading some type of egg dish onto a plate before turning and setting it in front of God. God folded down one side of his newspaper, peering at Syn from behind it. “Well good morning, sunshine,” Day said way too cheerily for five-fucking-a.m. “We brought breakfast.” Syn clenched his jaw, trying not to yell at his superior officers. “Have you two lost your fuckin’ minds? Come on. It’s, it’s ... early.” Syn turned his wrist, forgetting he didn’t have his watch on yet. “Damn, you guys are always at the office, or at a crime scene, or over fucking here at god-awful hours.” “Oh, it’s early?” Day said disbelievingly. God shrugged like he hadn’t realized either. “Seriously. When the fuck do you guys sleep?” “Never,” God said nonchalantly. “When do you fuck?” Syn snapped. “Always,” Day quipped. “Just did thirty minutes ago. Nice couch by the way, real comfy, sorry for the stain.” Syn tiredly flipped Day off. “Don’t be pissed,” Day sing-songed. “A dab of Shout will get that right out.” Syn rubbed angrily at his tired eyes, growling, “Day.” “He’s not in a joking mood, sweetheart,” God said from behind his paper. “You know we didn’t fuck on your couch so calm the hell down. Damn you’re moody in the morning. Unless ... We weren’t interrupting anything, were we? So, how’s porn boy?” God’s gruff voice filled the kitchen, making Syn cringe. “First of all. Don’t fucking call him that, ever, and damnit God. Lower your voice. Shit. He’s still asleep,” Syn berated his Lieutenant, who didn’t look the slightest bit fazed by Syn’s irritation. “You guys could let him sleep, he’s had a rough night, ya know.” Day leaned his chest against God’s large back, draping his arms over his shoulders. “Oh damn, what kind of friends are we? It was rough, huh?” Day looked apologetic. “Yes, it was, Day. He just–” “Try water-based lube next time,” Day interrupted, causing God to choke on his eggs. “Day, fuck.” Syn tried not to grin, but when he thought about it, it really was funny. “I knew I’d get you to smile. Have some breakfast Sarge, we gotta go question the crazy chicks. You know how much people feel like sharing when they’ve spent a night in jail.” “Damn. Alright, just let me–” “Wow. Something smells great.” Furi’s deep voice reached them from down the hall as he made his way to the kitchen. “You cook babe? Who knew? I’ll have the Gladiator portion.” Furi used his best Roman accent as he sauntered into the kitchen with his hands on hips and his head high. Syn turned just as Furi noticed God and Day. “Oh, fuck, shit, Jesus Christ!” Furi stumbled, his eyes darting wildly between all of them. “Damn, I’m so sorry.” Furi looked at Syn trying to gauge exactly how much he’d fucked up just now. Syn smiled at him and Furi immediately lost the horrified expression. Syn held his hand out and mouthed to him 'it's okay.
A.E. Via
How was my day? It was a lifetime. It was the best of times and the worst of times. I was both lonely and never alone. I was simultaneously bored out of my skull and completely overwhelmed. I was saturated with touch—desperate to get the baby off of me and the second I put her down I yearned to smell her sweet skin again. This day required more than I’m physically and emotionally capable of, while requiring nothing from my brain. I had thoughts today, ideas, real things to say and no one to hear them. I felt manic all day, alternating between love and fury. At least once an hour I looked at their faces and thought I might not survive the tenderness of my love for them. The next moment I was furious. I felt like a dormant volcano, steady on the outside but ready to explode and spew hot lava at any moment. And then I noticed that Amma’s foot doesn’t fit into her Onesie anymore, and I started to panic at the reminder that this will be over soon, that it’s fleeting—that this hardest time of my life is supposed to be the best time of my life. That this brutal time is also the most beautiful time. Am I enjoying it enough? Am I missing the best time of my life? Am I too tired to be properly in love? That fear and shame felt like adding a heavy, itchy blanket on top of all the hard. But I’m not complaining, so please don’t try to fix it. I wouldn’t have my day or my life any other way. I’m just saying—it’s a hell of a hard thing to explain—an entire day with lots of babies. It’s far too much and not even close to enough.
Glennon Doyle Melton (Love Warrior)
More helicopters hovered to the south, and a large troop carrier lifted off the ground a mile ahead. These weren’t the same helicopters Rick had left behind in Tennessee. These were new ones from North Carolina. They must have had a plan, but Rick wasn’t in any hurry to run to his doom. He slowed down to seventy miles per hour and looked at Renee. “I love you, too,” he said. Renee’s heart lurched into her throat. The reserved look on his face was something she wasn’t used to seeing. “Do you think this is it?” “I don’t know.” He looked again at the fuel gauge. She put her hand over the gauge, covering it from his view. “Do you remember what you told me once?” Rick smiled. “That, sometimes, it’s best not to know.” “Just don’t quit on me. Don’t make this a worthless gesture.” Renee forced him to look at her. Rick feared running out of fuel in the middle of these mountains. He feared the fury of the Firebird’s losing power, rolling to a stop, becoming helpless, and giving all these patrolmen a chance to catch up to them and gun them down like Bonnie and Clyde. Surely, they would use lethal force and nothing else. But as long as that engine ran and Rick was behind the wheel, they had a chance to live. And every second of life mattered. “OK, just hang on,” he said, meeting her gaze. He reached over and kissed her gently. Renee relished the kiss, closing her eyes and then opening them wide to take in the mountains. Did it hurt, getting shot? She wondered if she’d know when the last drop of blood flowed out of her body. What would happen to Rick? Would he be with her? Would they know each other without bodies? The mountains sure were beautiful.
Rich Hoffman (Tail of the Dragon)
You don't get to ask questions,' I said, and he looked up at me, exhaustion and pain lining his face, my blood shining on his lips. Part of me hated the words, for acting like this while he was wounded, but I didn't care. 'You only get to answer them. And nothing more.' Wariness flooded his eyes, but he nodded, biting off another mouthful of the weed and chewing. I stared down at him, the half-Illyrian warrior who was my soul-bonded partner. 'How long have you know that I'm your mate?' Rhys stilled. The entire world stilled. He swallowed. 'Feyre.' 'How long have you know that I'm your mate.' 'You... You ensnared the Suriel?' How he'd pieced it together, I didn't give a shit. 'I said you don't get to ask questions.' I thought something like panic might have flashed over his features. He chewed again on the plant- as if it instantly helped, as if he knew that he wanted to be at his full strength to face this, face me. Colour was already blooming on his cheeks, perhaps from whatever healing was in my blood. 'I suspected for a while,' Rhys said, swallowing once more. 'I knew for certain when Amarantha was killing you. And when we stood on the balcony Under the Mountain- right after we were freed, I felt it snap into place between us. I think when you were Made, it... it heightened the smell of the bond. I looked at you then and the strength of it hit me like a blow.' He'd gone wide-eyed, had stumbled back as if shocked- terrified. And had vanished. That had been over half a year ago. My blood pounded in my ears. 'When were you going to tell me?' 'Feyre.' 'When were you going to tell me?' 'I don't know. I wanted to yesterday. Or whenever you'd noticed that it wasn't just a bargain between us. I hoped you might realise when I took you to bed, and-' 'Do the others know?' 'Amren and Mor do. Azriel and Cassian suspect.' My face burned. They knew- they- 'Why didn't you tell me?' 'You were in love with him; you were going to marry him. And then you... you were enduring everything and it didn't feel right to tell you.' 'I deserved to know.' 'The other night you told me you wanted a distraction, you wanted fun. Not a mating bond. And not to someone like me- a mess.' So the words I'd spat after the Court of Nightmares had haunted him. 'You promised- you promised no secrets, no games. You promised.' Something in my chest was caving in on itself. Some part of me I'd thought long gone. 'I know I did,' Rhys said, the glow returning to his face. 'You think I didn't want to tell you? You think I liked hearing you wanted me only for amusement and release? You think it didn't drive me out of my mind so completely that those bastards shot me out of the sky because I was too busy wondering if I should just tell you, or wait- or maybe take whatever pieces that you offered me and be happy with it? Or that maybe I should let you go so you don't have a lifetime of assassins and High Lords hunting you down for being with me?' 'I don't want to hear this. I don't want to hear you explain how you assumed that you knew best, that I couldn't handle it-' 'I didn't do that-' 'I don't want to hear you tell me that you decided I was to be kept in the dark while you friends knew, while you all decided what was right for me-' 'Feyre-' 'Take me back to the Illyrian camp. Now.' He was panting in great, rattling gulps. 'Please.' But I stormed to him and grabbed his hand. 'Take me back now.' And I saw the pain and sorrow in his eyes. Saw it and didn't care, not as that thing in my chest was twisting and breaking. Not as my heart- my heart- ached, so viciously that I realised it'd somehow been repaired in these past few months. Repaired by him. And now it hurt. Rhys saw all that and more on my face, and I saw nothing but agony in his as he rallied his strength, and, grunting in pain, winnowed us into the Illyrian camp.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
I don’t know how much time passed while we danced, spinning power between us like it was just another game. He tossed the ball of ice my way and I shattered it. “What were you thinking when you broke that?” he asked. Even though I saw him across the room, I could feel his voice at my ear, low and burning. “You.” He laughed and continued to conjure things out of the air and throw them to me. Amar’s movements were graceful, spinning. All his power seemed concentrated and sinewy as the muscle that corded his arms and shoulders. Mine felt strange. Lumbering. But instinctual all the same. I’d never felt this way before, as if there was an unexplored dimension in my body full of silver light, ready to be devastating. The power in my veins terrified me. Not just because I knew it was real, but because I wanted it. I reveled in it even as I glared at Amar across the room. He must have known because he grinned each time we sparred. He flung a chakra of flames in my direction and I turned it to a great wave of water to rush at him. Without blinking, he flattened the whole wave to a plane of ice and slid forward, graceful and serpentine. “You enjoy it, don’t you?” “You know the answer.” “I want to hear it from your lips.” “We don’t always get what we want,” I said. “Tell me, this ability of mine was not something the moon prevented you from revealing, was it?” This time, he had the grace to look guilty. “No. But such things need a foundation before they can be known. I thought it was best for you. It was a protective measure too. Untested power is a dangerous thing.” Another flash of fury shot through me. I thought it was best for you. The light in our room clung to him in silver wisps. Amar pushed his hands through the curls of his hair and in that moment, he looked so…lost. In spite of myself, I wanted to ease that pain from his face. To make him smile. I was weak before him. “This is why you couldn’t move the thread,” he said. “You need to believe in it. Believe in you.” Amar twisted his fingers and the silk of my sari changed…from yellow to deepest blue, flecked with stars. “My star-touched queen,” he said softly, as if he was remembering something from long ago. “I would break the world to give you what you want.” I touched my sari and the stars faded. “I want you to leave,” I said, not looking at him. When I looked up, he was gone.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
Feyre,' he said, his voice hoarse. As if he'd been screaming. 'Yes,' I said. He studied my face- the taloned hand at my throat. And released me immediately. I lay there, staring up at where he now knelt on the bed, rubbing his hands over his face. My traitorous eyes indeed dared to look lower than his chest- but my attention snagged on the twin tattoos on each of his knees: a towering mountain crowned by three stars. Beautiful- but brutal, somehow. 'You were having a nightmare,' I said, easing into a sitting position. Like some dam had been cracked open inside me, I glanced at my hand- and willed it to vanish into shadow. It did. Half a thought scattered the darkness again. His hands, however, still ended in long, black talons- and his feet... they ended in claws, too. The wings were out, slumped down behind him. And I wondered how close he'd been to fully shifting into that beast he'd once told me he hated. He lowered his hands, talons fading into fingers. 'I'm sorry.' 'That's why you're staying here, not at the House. You don't want others seeing this.' 'I normally keep it contained to my room. I'm sorry it woke you.' I fisted my hands in my lap to keep from touching him. 'How often does it happen?' Rhys's violet eyes met mine, and I knew the answer before he said, 'As often as you.' I swallowed hard. 'What did you dream of tonight?' He shook his head, looking toward the window- to where snow had dusted the nearby rooftops. 'There are memories from Under the Mountain, Feyre, that are best left unshared. Even with you.' He'd shared enough horrific things with me that they had to be... beyond nightmares, then. But I put a hand on his elbow, naked body and all. 'When you want to talk, let me know. I won't tell the others.' I made to slither off the bed, but he grabbed my hand, keeping it against his arm. 'Thank you.' I studied the hand, the ravaged face. Such pain lingered there- and exhaustion. The face he never let anyone see. I pushed up onto my knees and kissed his cheek, his skin warm and soft beneath my mouth. It was over before it started, but- but how many nights had I wanted someone to do the same for me? His eyes were a bit wide as I pulled away, and he didn't stop me as I eased off the bed. I was almost out the door when I turned back to him. Rhys still knelt, wings drooping across the white sheets, head bowed, his tattoos stark against his golden skin. A dark, fallen prince.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
In the shock of the moment, I gave some thought to renting a convertible and driving the twenty-seven hundred miles back alone. But then I realized I was neither single nor crazy. The acting director decided that, given the FBI’s continuing responsibility for my safety, the best course was to take me back on the plane I came on, with a security detail and a flight crew who had to return to Washington anyway. We got in the vehicle to head for the airport. News helicopters tracked our journey from the L.A. FBI office to the airport. As we rolled slowly in L.A. traffic, I looked to my right. In the car next to us, a man was driving while watching an aerial news feed of us on his mobile device. He turned, smiled at me through his open window, and gave me a thumbs-up. I’m not sure how he was holding the wheel. As we always did, we pulled onto the airport tarmac with a police escort and stopped at the stairs of the FBI plane. My usual practice was to go thank the officers who had escorted us, but I was so numb and distracted that I almost forgot to do it. My special assistant, Josh Campbell, as he often did, saw what I couldn’t. He nudged me and told me to go thank the cops. I did, shaking each hand, and then bounded up the airplane stairs. I couldn’t look at the pilots or my security team for fear that I might get emotional. They were quiet. The helicopters then broadcast our plane’s taxi and takeoff. Those images were all over the news. President Trump, who apparently watches quite a bit of TV at the White House, saw those images of me thanking the cops and flying away. They infuriated him. Early the next morning, he called McCabe and told him he wanted an investigation into how I had been allowed to use the FBI plane to return from California. McCabe replied that he could look into how I had been allowed to fly back to Washington, but that he didn’t need to. He had authorized it, McCabe told the president. The plane had to come back, the security detail had to come back, and the FBI was obligated to return me safely. The president exploded. He ordered that I was not to be allowed back on FBI property again, ever. My former staff boxed up my belongings as if I had died and delivered them to my home. The order kept me from seeing and offering some measure of closure to the people of the FBI, with whom I had become very close. Trump had done a lot of yelling during the campaign about McCabe and his former candidate wife. He had been fixated on it ever since. Still in a fury at McCabe, Trump then asked him, “Your wife lost her election in Virginia, didn’t she?” “Yes, she did,” Andy replied. The president of the United States then said to the acting director of the FBI, “Ask her how it feels to be a loser” and hung up the phone.
James B. Comey (A Higher Loyalty: Truth, Lies, and Leadership)
me to be honest about his failings as well as his strengths. She is one of the smartest and most grounded people I have ever met. “There are parts of his life and personality that are extremely messy, and that’s the truth,” she told me early on. “You shouldn’t whitewash it. He’s good at spin, but he also has a remarkable story, and I’d like to see that it’s all told truthfully.” I leave it to the reader to assess whether I have succeeded in this mission. I’m sure there are players in this drama who will remember some of the events differently or think that I sometimes got trapped in Jobs’s distortion field. As happened when I wrote a book about Henry Kissinger, which in some ways was good preparation for this project, I found that people had such strong positive and negative emotions about Jobs that the Rashomon effect was often evident. But I’ve done the best I can to balance conflicting accounts fairly and be transparent about the sources I used. This is a book about the roller-coaster life and searingly intense personality of a creative entrepreneur whose passion for perfection and ferocious drive revolutionized six industries: personal computers, animated movies, music, phones, tablet computing, and digital publishing. You might even add a seventh, retail stores, which Jobs did not quite revolutionize but did reimagine. In addition, he opened the way for a new market for digital content based on apps rather than just websites. Along the way he produced not only transforming products but also, on his second try, a lasting company, endowed with his DNA, that is filled with creative designers and daredevil engineers who could carry forward his vision. In August 2011, right before he stepped down as CEO, the enterprise he started in his parents’ garage became the world’s most valuable company. This is also, I hope, a book about innovation. At a time when the United States is seeking ways to sustain its innovative edge, and when societies around the world are trying to build creative digital-age economies, Jobs stands as the ultimate icon of inventiveness, imagination, and sustained innovation. He knew that the best way to create value in the twenty-first century was to connect creativity with technology, so he built a company where leaps of the imagination were combined with remarkable feats of engineering. He and his colleagues at Apple were able to think differently: They developed not merely modest product advances based on focus groups, but whole new devices and services that consumers did not yet know they needed. He was not a model boss or human being, tidily packaged for emulation. Driven by demons, he could drive those around him to fury and despair. But his personality and passions and products were all interrelated, just as Apple’s hardware and software tended to be, as if part of an integrated system. His tale is thus both instructive and cautionary, filled with lessons about innovation, character, leadership, and values.
Walter Isaacson (Steve Jobs)
Excuse me, sir.” One the young officers put his hand up to stop them. “Are you Furious Barkley?” “Maybe. Maybe not. Is there a problem, officers?” Doug stepped in front of Furi. “Damn straight there’s a problem.” Syn stepped inside the door, yanking his dark aviator glasses off his face. The scowl he wore told Furi this was not a pleasant coincidence. “Thanks guys, you can go.” Furi stood with his mouth hanging open while Syn dismissed the officers. “Seriously, Starsky. You gonna track my boy down every time he leaves the house?” Doug said angrily, still blocking Furi. “He’s not your boy. And what I do regarding Furi is none of your goddamn business.” Syn’s clenched jaw made his words sound like an evil hiss. He shouldered past Doug and got directly in Furi’s face. “When I’ve been calling him for over six hours and he hasn’t picked up or returned any of my calls, I’ll send a fuckin’ SWAT team to find him if I want to.” Syn spun and pointed his finger in Doug’s face, “That’s my say, not yours.” Syn’s voice was rising with his growing temper, and all eyes were on them. “Okay, let’s get out of here.” Furi pushed at both men, urging them out the door. As soon as they were out in the brisk fall air, Syn rounded on Furi, pushing their chest together. “Where have you been, Furious? I’ve been going crazy trying to check on you, and you’re sitting here casually eating pancakes,” Syn growled. “Hey, back up, man.” Doug tried to wedge in between Furi and Syn. Syn looked up in annoyance. “Doug, I swear, if you touch me, I’m gonna ensure that you never regain the use of that hand.” “Okay, okay.” Furi put both hands flat on Syn’s chest, feeling his rapid heartbeat underneath all that muscle. Fuck. He really was scared. What was I thinking turning off my phone with everything that’s going on? “Syn. I’m so sorry. I turned my phone off because–” “You don’t owe him an explanation. You’re a grown man, Furious. You were having a business meeting; he has no right to demand you be available to him at all times, just like Patrick.” Furi and Syn both snapped at Doug. But Furi took control. “Hey! Don’t you ever say that again. This man is nothing like that asshole.” Furi shook his head at the absurdity of Doug’s accusation. “Don’t even say his name in the same sentence as Patrick’s.” Doug looked at Furi as if he were a stranger. “Doug, you don’t know everything that’s been going on. But I promise I’ll catch you up, okay? Then you’re going to feel pretty shitty about what you just said about Syn.” Furi nodded his head. “Go home. I’ll call you when I’m back at Syn’s place.” “You’re staying with him?” Doug yelled. “Doug. You know it’s not safe at my place,” Furi said softly, his eyes pleading with his friend for him to understand. “Then you should come to stay with me. I don’t trust this guy!” “This is fuckin’ crazy,” Syn snarled. “I know you’re his friend, but you’re sounding more pissed than a friend should be.” “Don’t try to read me, Detective. Furi is my best friend, and I’ve had his back since the first day he got here.” Doug wasn’t backing down from Syn’s intimidating posture. Syn’s dark glasses were back on, creating a perfectly badass look with his black leather coat and boots. All the hardware Syn had tucked under his arms and the shiny badge hanging around his neck was a sight right out of a sexy cop porno.
A.E. Via
[from 'Mad Max: Fury Road' review in 'We're Not Ugly People'] Miller has also remembered to make the film directly about things, not all subtext begging for explication. The scarcity of water, oil wars, the arms trade, and female emancipation jostle for space with the customized vehicles, coming in and out of focus with the blitz. But when it comes to political subtext, it must be acknowledged that Immortan Joe's demise was predictable from his water-distribution method. Pouring thousands of gallons of water on people's heads from a great height is not the best way to keep them pacified. Better to sell it to them in plastic bottles for ninety-nine cents each.
A.S. Hamrah (The Earth Dies Streaming)
The more she’d learned of the ways that societies and civilisations tended to develop, and the more examples of other great leaders were presented to her, the less, in many ways, she had thought of her father. She had realised that he was just another strong man, in one of those societies, at one of those stages, in which it was easier to be the strong man than it was to be truly courageous. Might, fury, decisive force, the willingness to smite; how her father had loved such terms and ideas, and how shallow they began to look when you saw them played out time and time again over the centuries and millennia by a thousand different species. This is how power works, how force and authority assert themselves, this is how people are persuaded to behave in ways that are not objectively in their best interests, this is the kind of thing you need to make people believe in, this is how the unequal distribution of scarcity comes into play, at this moment and this, and this . .
Iain M. Banks (Matter (Culture, #8))
Stretching his legs toward the fire, Ranulf massaged his aching knee and watched the children as they ate their fill, probably for the first time in their lives. IT was Wednesday fast day, but he'd made a conscious decision to violate the prohibition against eating flesh; he could always do penance once he got back to his own world. Now it seemed more important to feed Simon and Jennet the best meal he could, and the innkeeper had served up heaping portions of salted pork, a thick pottage of peas and beans, and hot, flat cakes of newly baked bread, marked with Christ's Cross. To Ranulf, it was poor fare, and he ended up sharing most of it with Loth. But Simon and Jennet savored every mouthful, scorning spoons and scooping the food up with their fingers, as if expecting to have their trenchers snatched away at any moment. And Ranulf learned more than night about hunger and need than in all of his twenty-five years. What would become of them? How could they hope to reach Cantebrigge? And if by God's Grace, they somehow did, what if this uncle of their was not there? They'd never seen the man, knew only what their father had told them, that soon after Simon's birth, a peddler had brought them a message from Jonas, saying he'd settled in Cantebrigge. That confirmed Ranulf's suspicions: two brothers fleeing serfdom, one hiding out in the Fens, the other taking the bolder way, for an escaped villein could claim his freedom if he lived in a chartered borough for a year and a day. It was a pitiful family history, an unwanted glimpse into a world almost as alien to Ranulf as Cathay. But like it or not, he was caught up now in this hopeless odyssey of Abel the eelman's children. In an unusually morose and pessimistic mood, he wondered how many Simons and Jennets would be lost to the furies unleashed by Geoffrey the Mandeville's rebellion.
Sharon Kay Penman (When Christ and His Saints Slept (Plantagenets #1; Henry II and Eleanor of Aquitaine, #1))
In the United States, warlike valor is little prized; the courage that is best known and most esteemed is that which makes one brave the furies of the ocean to arrive sooner in port, to tolerate without complaint the miseries of the wilderness, and the solitude, more cruel than all its miseries; the courage that renders one almost insensitive to the sudden reversal of a painfully acquired fortune and immediately prompts new efforts to construct a new one. Courage of this kind is principally necessary to the maintenance and prosperity of the American association, and it is particularly honored and glorified by it. One cannot show oneself to be lacking it without dishonor.
Alexis de Tocqueville (Democracy in America)
I don’t want to hear this. I don’t want to hear you explain how you assumed that you knew best, that I couldn’t handle it—
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
In the early days of the transition, Bannon had encouraged the Trump team to read David Halberstam’s The Best and the Brightest.
Michael Wolff (Fire and Fury: Inside the Trump White House)
WHOA—WAIT!” Harper begged. “What the fuck is going on, Harps?” Reef lay there, giving Aya his best look of seething fury. “You know this person?” Kino asked. “Yeah. He's my friend. Can you… erm, not kill him please, Mr Aya?
E.V. Drake (The Scribemaster Chronicles)
advocating that France go to war—almost any war, but best of all a war against Britain—believing it would be a safety valve for the popular fury against the nobility.
Michael Gross (Flight of the WASP: The Rise, Fall, and Future of America’s Original Ruling Class)
Roland Bainton in his effort to make the best of Luther declared that Luther's view of the Jews "was entirely religious and by no means racial."'`' True; the crackpot version of social Darwinism that gave rise to "racial" anti-Semitism was a creation of the nineteenth and twentieth centuries. Luther hated the Jews because they rejected Christ. But his fury was no less cruel and vicious because its underlying motives were different or because his suggestions for carrying his cruelty to some final solution were less comprehensive and efficient. His fury culminated in his vicious book of 1543, On the Jews and Their Lies. In late 1542 Pope Paul III had issued a call for the great reforming council to assemble at Trent beginning in 1545. It was to become a Catholic and papal triumph. What Trent would become was unclear in 1542, but Luther could see clearly enough that it represented a defeat for the evangelical cause. Through these years his attacks on foes of all kinds became even more vulgar and inflammatory because, as Heiko Oberman has said, he felt his work threatened on every Personal issues may also have been an influence. His beloved daughter Magdalena died in his arms on September 20, 1542. Afterward his grief was intense, and he spoke feelingly of the terror before death while affirming his trust in Christ.-'' This combination of woes may have driven him to lash out at someone, and the Jews were there, testifying to his worst fear, that Jesus had not risen from the dead, and that Chrisitians would enjoy no victory over the grave. Whatever the cause, his outrageous attack in On the Jews and Their Lies represents one of those rhetorical horrors that may be explained in the various ways that we explain the cruelties that human beings inflict on others when the tormentors feel their own place in the universe threatened with annihilation. Yet explanation cannot finally excuse the horror. After raging against the Jews for dozens of pages of tedious vehemence, Luther recommended what should be done with them: Their synagogues should be burned down; their books should be taken from them, "not leaving them one leaf"; they should be "forbidden on pain of death to praise God, to give thanks, to pray, and to teach publicly among us and in our country"; and they should "be forbidden to utter the name of God within our hearing."22 Christians were guilty for not taking vengeance against the Jews for having killed Christ and for having killed innocent Christians for three hundred years after the Crucifixion, for not "striking them to death."23
Richard Marius (Martin Luther: The Christian between God and Death)
As Melville’s rather puerile sketches in Yankee Doodle and the political chapters of Mardi had made clear, he was, at best, a halfhearted political satirist. Politics never engaged him deeply. Passage of the Fugitive Slave Law did not incite him to loud outrage as it did contemporaries such as Emerson, who declared that “I wake in the morning with a painful sensation” at the smell of “infamy in the air,” or Harriet Beecher Stowe, who wrote Uncle Tom’s Cabin in hot fury at what she regarded as Webster’s perfidy.
Andrew Delbanco (Melville: His World and Work)
Julia believed in the Fates (let’s face it, Julia believed in everything and anything). She believed they had “their eye on you,” and if they didn’t, then they were certainly looking for you, so it was best not to draw attention to yourself. They had been in the car once, stuck in traffic and running late to catch a ferry, and Jackson said, “It’s fine, I’m sure we’re going to make it,” and Julia had ducked down dramatically in the passenger seat as if she were being shot at and hissed, “Shush, they’ll hear us.” “Who will hear us?” Jackson puzzled. “The Fates.” Jackson had actually glanced in his rearview mirror as if they might be traveling in the car behind. “Don’t tempt them,” Julia said. And once on a plane that had been bucking with turbulence, he had held her hand and said, “It won’t last long,” and had been subjected to the same histrionic performance, as if the Fates were riding on the wing of the 747. “Don’t put your head above the parapet,” Julia said. Jackson had innocently inquired whether the Fates were the same thing as the Furies, and Julia said darkly, “Don’t even go there.
Kate Atkinson (When Will There Be Good News? (Jackson Brodie, #3))
I asked him how he kept his temper when customers were unreasonable. "Oh, that's all in the day's work," he said. "I know they don't mean it. It's not the gentlemen who are snappish, it's their empty stomachs. . . "It is not the gentlemen," he went on, "that break a waiter's heart; it's the kitchen. That's where our trouble is. It's cooks that ruin eating-houses. A cook who has a grudge against a head-waiter can cost his governor pounds and pounds a day. It's all in his hands; he can spoil things, or he can keep them back till the customers bang out in a fury. . . . Gentlemen who blame waiters for being slow don't remember that the food has got to be cooked and served up, and that the waiter doesn't do either. "But there;" Mr. Duckie said, "an empty stomach can't remember everything. I often think this would be a better-tempered and happier world if we ate a little all the time instead of saving up our appetites for real meals. But speaking as a waiter, I can see it's best as it is.
Edward Verrall Lucas (Over Bemerton's, An Easy-Going Chronicle)
When Thelma and Louise came out in 1991, there was a moral panic that feminists were going to go on murderous crime sprees. It was years before I would learn that feminists dimply wanted what everyone wanted: to be loved and respected, to spend some quality time with their best friends, and to maybe fuck Brad Pitt in his prime.
Geraldine DeRuiter (If You Can't Take the Heat: Tales of Food, Feminism, and Fury)
They glare at each other, fury working its way under her skin. What does he know, anyway? If she wasn’t on her best behavior, she’d settle this in the way they do in her favourite novels: hand-to-hand combat. No mercy—nothing but the firm hand of justice. But as it is she ignores the boy and makes herself a cup of tea, slamming the cupboard doors with as much anger as she can muster.
Georgia Summers (The City of Stardust)
Grief is a violent emotion, a sort of acid that eats away at the best parts of us. The bereaved are in agony, yearning for someone to blame, and if they cannot find a culprit, they turn their fury upon themselves.
Laura Purcell (The Poison Thread)
But to name what I consider the best approach to interpreting violent texts it would be this: Read it slow. Read the biblical text slowly and carefully.
Matthew J. Lynch (Flood and Fury: Old Testament Violence and the Shalom of God)
Fireheart’s claws felt rooted to the Thunderpath as he stared at the cat who had cast a menacing shadow over his life for so long. There was no need for any pretense of shared Clan loyalty now. Tigerclaw was an outcast, the enemy of all cats who followed the warrior code. The fiery evening sun bled through the tips of the trees, its orange rays glowing on the dark pelt of the massive tabby. Across the silence of the deserted Thunderpath, Tigerclaw sneered at Fireheart. “Is chasing puny cats to their deaths the best you can do to defend your territory?” Fireheart’s mind cleared in a heartbeat, leaving his body pulsing with strength and cold fury. He stared straight into Tigerclaw’s eyes as the thundering of another monster stirred his ear fur. He held his ground as it whipped by him, another roaring at its heels. But Fireheart felt no fear. In the fleeting gap between the two monsters he focused on Tigerclaw and sprang.
Erin Hunter (Rising Storm)
he thinks the best Sarah J. Maas book is A Court of Thorns and Roses. Nobody thinks that! How is that even possible? It’s obviously A Court of Mist and Fury.
C.M. Stunich (If You Don't Love Me We Both Die)
On my honor, I will do my best to do my duty to God and my country, to obey the Scout Law, to help other people at all times, to keep myself physically strong, mentally awake, and morally straight, except in instances where my morals are corrupted by unusually attractive medical bots willing me toward the Florence Nightingale effect, after which time I shall be rendered utterly inept.
Christopher Hopper (Fire and Fury (Ruins of the Earth #6))
The Wayfarer. Let me be an innocent wayfarer traversing the roads of life without preconceived notions. Without an ounce of anger toward the men I meet along the way Without judging them for who they are Embracing everyone as equals Lending a helping hand to needy Cherishing whatever little love bestowed upon me. Carrying with me only the fragrance of the best moments Let me walk unhindered by emotions. My joy shall come from the walk itself rather than from the expectations in my mind. My joy shall soar from every step taken. Let me be the humble wanderer in nature’s abode. Loving all, living every moment I shall not differentiate pleasure and pain, for they are brothers entwined. I shall not worry while I’m teary-eyed. I shall not hurry while I’m fury-eyed. Patience and silence—the two essentials of eternal wisdom I shall master them or die trying while I walk the promenade of life!
Udayakumar D.S. (FT Legacy 1: Who is Frank Twine?)
His answers to interview questions are insufferable to listen to, and he thinks the best Sarah J. Maas book is A Court of Thorns and Roses. Nobody thinks that! How is that even possible? It’s obviously A Court of Mist and Fury.
C.M. Stunich (If You Don't Love Me We Both Die)
Yes,” I hear myself saying. “They call me Winnie Whore, you know. Fucking boys is what I do best.” The breath he takes in is long and labored and it rumbles in the back of his throat. I tremble beneath him, not from the cold. Never from the cold. I sense the rising fury in his body, the tremor before the earthquake.
Nikki St. Crowe (The Never King (Vicious Lost Boys, #1))
When were you going to tell me?” “I don’t know. I wanted to yesterday. Or whenever you’d noticed that it wasn’t just a bargain between us. I hoped you might realize when I took you to bed, and—” “Do the others know?” “Amren and Mor do. Azriel and Cassian suspect.” My face burned. They knew—they— “Why didn’t you tell me?” “You were in love with him; you were going to marry him. And then you … you were enduring everything and it didn’t feel right to tell you.” “I deserved to know.” “The other night you told me you wanted a distraction, you wanted fun. Not a mating bond. And not to someone like me—a mess.” So the words I’d spat after the Court of Nightmares had haunted him. “You promised—you promised no secrets, no games. You promised.” Something in my chest was caving in on itself. Some part of me I’d thought long gone. “I know I did,” Rhys said, the glow returning to his face. “You think I didn’t want to tell you? You think I liked hearing you wanted me only for amusement and release? You think it didn’t drive me out of my mind so completely that those bastards shot me out of the sky because I was too busy wondering if I should just tell you, or wait—or maybe take whatever pieces that you offered me and be happy with it? Or that maybe I should let you go so you don’t have a lifetime of assassins and High Lords hunting you down for being with me?” “I don’t want to hear this. I don’t want to hear you explain how you assumed that you knew best, that I couldn’t handle it—” “I didn’t do that—” “I don’t want to hear you tell me that you decided I was to be kept in the dark while your friends knew, while you all decided what was right for me—” “Feyre—” “Take me back to the Illyrian camp. Now.” He was panting in great, rattling gulps. “Please.” But I stormed to him and grabbed his hand. “Take me back now.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Likewise, in the eleventh-hour simulations atop the rocket at the Cape. Al showed only one sign of stress: the cycles—Smilin’ Al/Icy Commander—now came one on top of the other, in the same place, and alternated so suddenly that the people around him couldn’t keep track. They learned a little more about the mysterious Al Shepard here in the eleventh hour. Smilin’ Al was a man who wanted very much to be liked, even loved, by those around him. He wanted not just their respect but also their affection. Now, in April, on the eve of the great adventure, Smilin’ Al was more jovial and convivial than ever. He did his José Jiménez routine. His great grin spread wider and his great beer-call eyes beamed brighter than ever before. Smilin’ Al was crazy about a comedy routine that had been developed by a comedian named Bill Dana. It concerned the Cowardly Astronaut and was a great hit. Dana portrayed the Cowardly Astronaut as a stupid immigrant Mexican named José Jiménez, whose tongue wrapped around the English language like a taco. The idea was to interview Astronaut Jiménez like a news broadcaster. You’d say things like: “What has been the most difficult part of astronaut training, José?” “Obtaining de maw-ney, señor.” “The money? What for?” “For de bus back to Mejico, you betcha, reel queeck, señor.” “I see. Well, now, José, what do you plan to do once you’re in space?” “Gonna cry a lot, I theeeenk.” Smilin’ Al used to crack up over this routine. He liked to do the José Jiménez part; and if he could get someone to feed him the straight lines, he was in Seventh Heaven, Smilin’ Al version. Feed him the lines for his José Jiménez knock-off, and he’d treat you like the best beer-call good buddy you ever had. Of course, the Cowardly Astronaut routine was also a perfectly acceptable way for bringing up, on the oblique, as it were, the subject of the righteous stuff that the first flight into space would require. But that was probably unconscious on Al’s part. The main thing seemed to be the good fun, the camaraderie, the closeness and blustery affection of the squadron on the eve of battle. In these moments you saw Smilin’ Al supreme. And in the next moment— —some poor Air Force lieutenant, thinking this was the same Smilin’ Al he had been joking and carrying on with last night, would sing out, “Hey, Al! Somebody wants you on the phone!”—and all at once there would be Al, seething with an icy white fury, hissing out: “If you have something to tell me, Lieutenant … you will call me ‘Sir’!” And the poor devil wouldn’t know what hit him. Where the hell did that freaking arctic avalanche come from? And then he would realize that … all at once the Icy Commander was back in town.
Tom Wolfe (The Right Stuff)
I want to paint you.” He gently lifted me into his arms. “Nude would be best,” he said in my ear.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Ezra Klein’s Why We’re Polarized; George Packer’s Last Best Hope: America in Crisis and Renewal; Evan Osnos’s Wildland: The Making of America’s Fury; Yascha Mounk’s The Great Experiment: Why Diverse Democracies Fall Apart and How They Can Endure; Suzanne Mettler and Robert Lieberman’s Four Threats: The Recurring Crises of American Democracy; Steven Levitsky and Daniel Ziblatt’s How Democracies Die; Bill Bishop and Robert Cushing’s The Big Sort: Why the Clustering of Like-Minded America Is Tearing Us Apart; and Michael Sandel’s Democracy’s Discontent: America in Search of a Public Philosophy. I also suggest you read the January/February 2022 issue of the Atlantic. For contrast, and decidedly more upbeat, is Robert Putnam’s The Upswing: How America Came Together a Century Ago and How We Can Do It Again. The public hearings held by the Select Committee to Investigate the January 6th Attack on the United States Capitol should be required viewing and are readily available online.
Richard N. Haass (The Bill of Obligations: The Ten Habits of Good Citizens)
Life of a Man is Precious just as a precious stone of Diamond,Note that Diamond is evolved only when it faces the Fury of the Heat which it can't Bear,Similarly a Man's life gets Deemed as Precious only when he Boldly faces the Deep Oceans of Sorrow,Dreadfulness and Fear which He too Can't Bear,For Who Faces all these Realizes that this journey was the best part than the success of reaching the Final Destination
Abhishek Sundarraman
Blessings indeed, Old One!" Garish's roguish smile spread warmly. "I've never enjoyed an adventure more! Are you sure you weren't born a wood nymph? That fairy steps seemed to come quite naturally to you!" "Yes and I think the soldiers are still running Master, while being tormented by your tiny furies!" Godfrey smiled. Edgerton/Assassins of Dreamsongs 177 He sought his best beggar’s smile, trying to suck up to him, as he had seen many village parasites do. "I have no doubt!" Arkin levitated softly down to the ground, beside them. The small, white bearded Wizard once again planted his staff and it quickly turned into a wooden walking stick, the glow fading around him. "Tis a chilly night, for a fairy dance! But it was a good one!" "Aye! But a fortunate one for me!" Garish patted him on the shoulder. The old, white haired Wizard swept aside the large limb of a tree, to reveal the Sword of Damen and a shield. Humphrey began to giggle and looked at Godfrey. "I knew we could do it! I just knew it!" "I had no doubt," Godfrey grinned back at him, "they were most fortunate to have us along." Arkin growled at them, remembering his dip in the river. Then he smiled at them, making them both cower. "You've done well beggars, better than I thought you would, I must admit!" Godfrey giggled with delight but Humphrey merely stared back at him, waiting for another magical spell to be thrown or another painful shoe to drop. Once again he saw himself as a mouse, scampering the cliffs that were much too big for him. "Thank you my friends." Garish laughed, donning his armor. Then he ruffled their hair, as he might have a pet dog, breaking the daze Humphrey was in.
John Edgerton (ASSASSINS OF DREAMSONGS)
Shut the fuck up and mind your own business, Bren.” Before Furi could put up any kind of guard, Brenden had his hands around his throat and shoved him until his back slammed into the stainless steel refrigerator. “You think you can talk to me that way, you little shit?” Brenden snarled, spittle flying from his mouth. His hands twisting and burning the skin around Furi’s neck. “Get off me,” Furi gasped, trying unsuccessfully to pry the thick fingers off. His husband and brother-in-law had both been linebackers in college. Neither minded using their brawn and strength on him, and often. Brenden brought his knee up fast, kneeing him so hard in the groin Furi thought death would be better than the pain. Brenden stepped back and let Furi drop to the hard granite floor, slapping him hard in the back of the head before strolling off as if he owned the world. Furi couldn’t hear what the hell his husband was saying because his ears were ringing and his eyes were so filled with tears he thought best to just keep them shut. “Patrick,” Furi groaned, clutching at his balls, knowing nothing would stop the throbbing. “Don’t talk like a big boy if you don’t have the balls to back it up, darlin,” his husband said nonchalantly.
A.E. Via
Furi wasn’t going to start this relationship the same way. Syn was a bottom, the best kind of bottom. One that needed his top to take him where he could be completely carefree, allowing himself to soar. “Bottoming
A.E. Via (Embracing His Syn)
Will you be my best man?” Furi didn’t answer. He stared at his best friend for a few long seconds before he stood up and Doug knew what Furi wanted to do. He grabbed him and hugged him tight right there in the middle of the restaurant. He kissed Doug on the cheek when he pulled back. “Fuck yeah! I’d be honored, man.” They
A.E. Via (Embracing His Syn)
Best man gets to plan the bachelor party, right?” Furi grinned devilishly. “Wonderful. I got a gay man throwing my bachelor party. I
A.E. Via (Embracing His Syn)
Best man gets to plan the bachelor party, right?” Furi grinned devilishly. “Wonderful. I got a gay man throwing my bachelor party. I can’t wait.” Doug shook his head. Furi
A.E. Via (Embracing His Syn)
Uncle Mort wouldn’t say another word about the next phase of the plan until they collected the rest of their party, an event that Lex was simultaneously really anticipating and really dreading. On the one hand, she’d get to see her friends again. She could stock up on some of Elysia’s soul-restoring hugs and maybe feel a little less horrid about all that unpleasant business of starting a war. On the other, nastier hand, unless Ferbus had drunk himself into oblivion since the last time she saw him, he’d notice that his best friend had been turned into some sort of ghostish creature. And he’d blame Lex with the fury of a thousand orange-haired dragons. And he’d be correct in doing so. Which meant there was a very good chance that Lex would be receiving a kick to the face or a knee to the gut, or he might just go balls-out and rip out her circulatory system. It would be interesting to see what approach he would take, but not so interesting that Lex was looking forward to finding out
Gina Damico (Rogue (Croak, #3))
Two more of the gamers Claire had gifted with the invitation stumbled by; one grabbed Claire's arm and planted a sloppy wet kiss on her cheek. "We passed out copies," he said, and giggled. "Hope that was okay. Great party!" Shane sighed and moved him off with one hand on his shoulder. "Yeah, yeah, whatever. Naked Vulcan chick in the next room. Better hurry." The gamers sobered up fast, and moved on. Monica's glossy, perfect lips were open, her eyes wide. "You?" she said. "You did this? These idiots made flyers! They put them all over campus! This was supposed to be the best people!" "Don't worry," Eve said sweetly. "We're here." She smiled, which in that lipstick was Wicked-Witch-of-the-West evil. "Air kiss!" She mwahed the air somewhere near Monica's cheek. "Lovely party. Shame about the furniture. Ta!" She sashayed on, Michael on her arm, as if she was the Queen of Everything, never mind Morganville. Claire got out her camera and got a picture of the murderous fury on Monica's face as she watched her go. "You treacherous little bitch!" Monica snarled. Claire lowered the phone and met her eyes for a long second. She wasn't scared, not anymore. "You got your friends to roofie me and told them I wanted it rough. All I did was recycle your invitation. Let's call it even." "Let's call it not!" Shane leaned forward, dropped his voice so that Monica had to work to hear it, and said, "Calm down. You get blotchy when you're angry. And if you call my girlfriend a bitch one more time, I won't be so nice about it.
Rachel Caine (Midnight Alley (The Morganville Vampires, #3))
There are circumstances which can only be created and remedied in a crucible of fury, fire, and destruction like the serotinous cones of the Jack Pine and Lodgepole Pine trees. Only after exposed to extreme heat and enormous pressures will the cone open to begin anew and flourish amongst the cleansed but desolate landscape. Also, like the unpredictable restrained power of a dormant volcano storing it's potential energy over long periods of time gives way to this planets most enchanting display of scenic beauty to stark nightmarish backdrops. Egos are like wildfires to me because they start small but uncontrolled they will get out-of-hand and devour without prejudice. However, egotistical people are part of life and the best defense is a good offense with fire breaks dug in advance anticipation and left in place for when the right conditions present themselves where you must decide to fight that fire or be consumed by it.
Donavan Nelson Butler
Sometimes Dad breaks his own rule. Every once in a while his anger over what one of us has done wrong will get the best of him. When this happens, the worst part isn’t his fury; it’s the apology that always comes on its heels.
Aaron Hartzler (Rapture Practice: A True Story About Growing Up Gay in an Evangelical Family)
The Best and the Brightest. (One of the
Michael Wolff (Fire and Fury: Inside the Trump White House)
Bannon, who styled himself as a kind of black hole of silence, had also become a sort of official black-hole voice, everybody’s Deep Throat. He was witty, intense, evocative, and bubbling over, his theoretical discretion ever giving way to a constant semipublic commentary on the pretensions and fatuousness and hopeless lack of seriousness of most everyone else in the White House. By the second week of the Trump presidency, everybody in the White House seemed to be maintaining their own list of likely leakers and doing their best to leak before being leaked about. But another likely leak source about his angst in the White House was Trump himself. In his calls throughout the day and at night from his bed, he frequently spoke to people who had no reason to keep his confidences. He was a river of grievances—including about what a dump the White House was on close inspection—examples of which many recipients of his calls promptly spread throughout the ever attentive and merciless gossip world.
Michael Wolff (Fire and Fury: Inside the Trump White House)
Donald Trump’s marriage was perplexing to almost everybody around him—or it was, anyway, for those without private jets and many homes. He and Melania spent relatively little time together. They could go days at a time without contact, even when they were both in Trump Tower. Often she did not know where he was, or take much notice of that fact. Her husband moved between residences as he would move between rooms. Along with knowing little about his whereabouts, she knew little about his business, and took at best modest interest in it. An absentee father for his first four children, Trump was even more absent for his fifth, Barron, his son with Melania. Now on his third marriage, he told friends he thought he had finally perfected the art: live and let live—“Do your own thing.
Michael Wolff (Fire and Fury: Inside the Trump White House)
And Murdoch, finally arriving at the party he was in more than one way sorely late to, was as subdued and thrown as everyone else, and struggling to adjust his view of a man who, for more than a generation, had been at best a clown prince among the rich and famous.
Michael Wolff (Fire and Fury: Inside the Trump White House)
It was part hortatory, part personal testimony, part barstool blowhard, a rambling, disjointed, digressive, what-me-worry approach that combined aspects of cable television rage, big-tent religious revivalism, Borscht Belt tummler, motivational speaking, and YouTube vlogging. Charisma in American politics had come to define an order of charm, wit, and style—a coolness. But another sort of American charisma was more in the Christian evangelical vein, an emotional, experiential spectacle. The Trump campaign had built its central strategy around great rallies regularly attracting tens of thousands, a political phenomenon that the Democrats both failed to heed and saw as a sign of Trump’s limited appeal. For the Trump team, this style, this unmediated connection—his speeches, his tweets, his spontaneous phone calls to radio and television shows, and, often, to anyone who would listen—was revelatory, a new, personal, and inspirational politics. For the other side, it was clownishness that, at best, aspired to the kind of raw, authoritarian demagoguery that had long been discredited by and assigned to history and that, when it appeared in American politics, reliably failed.
Michael Wolff (Fire and Fury: Inside the Trump White House)
David Halberstam’s The Best and the Brightest.
Michael Wolff (Fire and Fury: Inside the Trump White House)
This battle fares like to the morning’s war, When dying clouds contend with growing light; What time the shepherd, blowing of his nails, Can neither call it perfect day, nor night. Nor sways it this way, like a mighty sea Forc’d by the tide to combat with the wind; Nor sways it that way, like the self-same sea Forc’d to retire by fury of the wind: Sometime, the flood prevails, and then, the wind: Now, one the better; then, another, best; Both tugging to be victors, breast to breast, Yet neither conqueror, nor conquerèd: So is the equal poise of this fell war.’ —KING HENRY VI (PART III).
Winston S. Churchill (The World Crisis Volume I: 1911-1914)
Not to be provok'd is best: But if mov'd, never correct till the Fume is spent; For every Stroke our Fury strikes, is sure to hit our selves at last.
William Penn (Some Fruits of Solitude (1905))
Cool. I know an awesome spot called Henry’s. They have the absolute best beer selections and the wings are great. They also have darts and pool.” Furi stopped talking when he noticed Syn looking a little pale. “Hey, what’s up?” “Uh, nothing.” They were in Syn’s old faithful truck and Furi sat silently watching the man next to him. “We going or what?” Furi narrowed his eyes, staring at the side of Syn’s face. His jaw was clenched and his neck was flushed. What the hell? “Yeah. Let’s go.” “Okay.” Syn thought he was going to be sick. It was just his goddamn luck that Furi would suggest the one place where half the department liked to hang out. Hell, even his Lieutenants frequented this place. It would be cruel to subject Furi to Day’s inappropriateness so soon. Syn wasn’t necessarily afraid of being with a man; he just wasn’t the type to make his personal life public. Or am I scared? Fuck. Syn didn’t think Furi would go for keeping them a secret. The man had made that quite clear when they were in the alley. Syn gripped the steering wheel and willed his foot to press the accelerator. Maybe … just maybe, there wouldn’t be anyone familiar there. Syn drove under the speed limit and felt Furious’ probing eyes on the side of his face. He tried to smile and keep his jaw from showing his nervous tick. Despite his efforts, they got there in what felt like record time. Furious got out and waited for Syn to slowly make his way toward the entrance. “Are you sure everything is alright?” Furious asked, annoyed. “I’m good. Really. Good. Perfect,” Syn said, mentally kicking himself for sounding like an idiot. Furi took his hand in his and it took every ounce of Syn's willpower not to pull his hand back. Of course he’d be into PDA. Furious pulled open the door and walked in as if he hadn’t a care in the world. It was almost nine p.m. and the though it wasn’t packed, there were quite a few people there. Syn tried not to look around, keeping his eyes on the back of Furious’ head as he led them to a booth; thankfully located in the back of the bar, where it was a little bit darker. Syn made sure to sit so he was facing the door while Furi sat opposite of him. Furi didn’t speak. He picked up one of the menus and started to look through it. “First time out with a man?” Syn's head snapped his up from hiding behind his menu. “Uh. Yeah, but ya know.” “No, I don’t know,” Furi answered quickly. “If you didn’t want to come out, why didn’t you just say so? You look like you're about to pull a disguise out of your coat. Or do you plan to just stay hidden behind your menu all fucking evening?” “Furious.” “Although that’s going to make eating really difficult. Should I be prepared for you to fake a stomach ache?” “Enough,” Syn barked, Furious’ dark eyes widening at his tone. “Look, cut me some slack alright? I am not new to dating men. I’m new to dating: period. Just about all of my adult life I’ve focused on being a cop, a damn good cop. I had little time for anything else in my life including dates. Dating takes time and patience, two things I didn't have. I was prepared to accept being alone the rest of my life until I saw you. I wanted you, and I was more than willing to take the time and effort to be with you. So forgive me if I don’t do everything exactly right on our first date.” “I’m not expecting you to. I haven’t dated in years myself. But one thing I’m not concerned about is being ashamed.” Furi looked Syn dead in the eye. Syn didn’t have a chance to respond, the waitress came to set a pail of peanuts on the table. Speaking in a cheerful voice: “What can I get you guys to drink?
A.E. Via
I now understand what it is like to be in the court of the Tudors,” reflected Bannon. On the campaign trail, he recalled, Newt Gingrich “would come with all these dumb ideas. When we won he was my new best friend. Every day a hundred ideas. When”—by spring in the White House—“I got cold, when I went through my Valley of Death, I saw him one day in the lobby and he looks down, avoiding my eyes with a kind of mumbled ‘Hey, Steve.’ And I say, ‘What are you doing here, let’s get you inside,’ and he says, ‘No, no, I’m fine, I’m waiting for Dina Powell.’” Having attained the unimaginable—bringing a fierce alt-right, antiliberal ethnopopulism into a central place in the White House—Bannon found himself face to face with the untenable: undermined by and having to answer to rich, entitled Democrats.
Michael Wolff (Fire and Fury: Inside the Trump White House)
Trump craved media approval. But, as Bannon emphasized, he was never going to get the facts right, nor was he ever going to acknowledge that he got them wrong, so therefore he was not going to get that approval. This meant, next best thing, that he had to be aggressively defended against the media’s disapproval.
Michael Wolff (Fire and Fury: Inside the Trump White House)
The Best and the Brightest
Michael Wolff (Fire and Fury: Inside the Trump White House)
But, as Bannon emphasized, he was never going to get the facts right, nor was he ever going to acknowledge that he got them wrong, so therefore he was not going to get that approval. This meant, next best thing, that he had to be aggressively defended against the media’s disapproval.
Michael Wolff (Fire and Fury: Inside the Trump White House)
Theory 4: But then there was the those-that-know-him-best theory, some version of which most Trumpers would come to embrace. He was just star-fucking.
Michael Wolff (Fire and Fury: Inside the Trump White House)
You shouldn’t pay any attention to what she says,” Kendra says firmly, nodding at Elisa sprawled out on the terrace chair. “She’s just a nasty bitch. Ignore her.” Elisa hears this, as she’s meant to. “And you,” she calls to Kendra, swiveling on her chair to face inside the dining room, “you think you are so pretty, so beautiful, because all the boys want you. Well, they only want you because you are different. They think you are esotica. Exotic.” Kendra looks as if Elisa just slapped her in the face, and Paige draws in her breath sharply. “Are you kidding me?” Paige snaps at Elisa. “What did you just call her?” Her hands clenched into fists, Paige marches around the table in Elisa’s direction; skinny Elisa flinches at the sight of 140 pounds of super-confident, sporty, protein-fed American girl heading toward her with fury in her eyes. I nip around the table from the other side and head Paige off before she backhands Elisa like Serena Williams hits a tennis ball, and sends her flying across the terrace and into the olive grove beyond. I’m not an etiquette expert, but I can’t help feeling that knocking our hostess’s daughter over a stone balcony might not be considered the most appropriate way to celebrate the first full day of our summer course. “Paige, leave it! She’s just jealous,” I say swiftly. “Ignore her. She’s having a go at us because she’s pissed off that Luca likes foreign girls--he doesn’t want her.” Elisa grabs her cigarettes and her phone, jumps up, and, sneering at us all, storms off the terrace, muttering, “Vaffanculo!” as she flees the wrath of Killer Barbie. That’s right--run away. To me, “exotic” sounds nice, like a compliment: out-of-the-ordinary, glamorous, exciting. But Kendra clearly hasn’t taken it that way, nor did Paige. I want to ask them why, but it’s Kelly, of all people, who saves the moment by saying meditatively: “You know, we should make a note of all the mean things Elisa says to us in Italian. That way, we’ll learn all the best swearwords.
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
What is poetry’s role when the world is burning? Encroaching environmental disaster and the relentless wars around the world have had, it seems, a paralyzing, sterilizing effect on much American poetry. It is less the magnitude of the crises than our apparent immunity to them, this death on which we all thrive, that is spinning our best energies into esoteric language games, or complacent retreats into nostalgias of form or subject matter, or shrill denunciations of a culture whose privileges we are not ready to renounce—or, more accurately, do not even know how to renounce. There is some fury of clarity, some galvanizing combination of hope and lament, that is much needed now, but it sometimes seems that we—and I use the plural seriously, I don’t exempt myself—are anxiously waiting for the devastation to reach our very streets, as it one day will, it most certainly will.
Christian Wiman (My Bright Abyss: Meditation of a Modern Believer)
Vengeance is a dish best served with steaming fury.
Gyron Force, Riot Squard / The League series
When you ask Web sophisticates why people are so vicious on the Internet, you get a set of stock responses. The very question is naïve. What do you expect? The world is full of angry people who don’t have a life. The Web offers a perfect outlet where they can be anonymous, important, and powerful, and attack others without fear of retribution. The Web has given them a voice when before they had none. These are people who find meaning in their lives by connecting with similar people on the net, who seek a sense of purpose and fulfillment online that they can’t achieve in the real world. Finally, the nature of the Internet, we are told, is also to blame — it’s a place where the human id runs amok, it’s a playground for disturbed people, it’s an echo chamber for the uninformed. We are advised that Internet nastiness is white noise, best ignored. It has little effect in the real world. While many these explanations are undoubtedly true, none go deep enough. None explain why the Web is a place where some human beings devote enormous effort to attacking strangers who have done nothing to them personally.
Douglas Preston (Trial by Fury: Internet Savagery and the Amanda Knox Case)
I made Captain Intimidation blush! Best day ever.
Bridget Blackwood (A Scarlet Fury (World in Shadows, #2))
From the Bridge” by Captain Hank Bracker Pebbles, Rocks & Mountains Rocks can be formed in many different ways and are found in just about every corner of our planet, the Moon, up in space and who knows where else. Now pebbles are the mini-me’s of rocks and generally are about one to three inches in size. Geologists will tell you that they are about 5 millimeters in diameter, but who’s counting? In fact there are two beaches that are made up entirely of pebbles such as the Shingle Beach in Somerset, England. Generally pebbles are found along rivers, streams and creeks whereas mountains are usually a part of a chain that was created along geothermal fault lines. The process of Mountain formation is associated with movements of the earth's crust, which is referred to as plate tectonics. See; now that I looked it up, I know these things! What I’m about to say has absolutely nothing to do with geology and everything to do about human nature. In the course of events we never trip over mountains and seldom over rocks, but tripping over pebbles is another thing. Marilyn French, a writer and feminist scholar is credited with saying, “Men (she should have included Women) stumble over pebbles, never over mountains.” She was the lady (I should have said woman) whose provocative 1977 novel, “The Women's Room” captured the frustration and fury of a generation of women fed up with society's traditional conceptions of their roles (and this is true). However, this has nothing to do with the feminist movement and is simply a metaphor. Of course we’re not going to trip over mountains, not unless we are bigger than the “Jolly Green Giant!” and so it’s usually the little things that trip us up and cause us problems. What comes to mind is found on page 466 of The Exciting Story of Cuba. This is a book that won two awards by the “Florida Authors & Publishers Association” and yet there are small mistakes. They weren’t even caused by me or my team and yet there they are, getting bigger and bigger every time I look at them. Now I’m not about to tell you what they are, since that would take the fun out of it, but if you look hard enough in the book, you’ll succeed in discovering them! I will however tell you that one of these mistakes was caused by a computer program called “Word.” It’s wonderful that this program has a spell check and can even correct my grammar, but it can’t read my mind. In its infernal wisdom, the program was so insistent that it was right and that I was wrong that it changed the spelling of, in this case, the name of a person in the middle of the night. It happened while I was sleeping! I would have seen it if it had been as big as a mountain, however being just a little pebble it escaped my review and even escaped the eagle eyes of Lucy who still remains the best proof reader and copy editor that I know. When you discover what I missed please refrain from emailing me, although, normally, I would really enjoy hearing from you! I unfortunately already know most of the errors in the book, for which I take full responsibility. The truth of it is that my mistakes leave me feeling stupid and frustrated. Now, you may disagree with me however I don’t think that I am really all that stupid, but when you write hundreds of thousands of words, a few of them might just slip between the cracks. None of us are infallible and we all make mistakes. I sometimes like to say that “I once thought that I had made a mistake, but then found out that I was mistaken.” And so it is; if you think about it, it’s the pebbles that create most of our problems, not the rocks and certainly not the mountains. I’ll let you know as soon as my other books, Suppressed I Rise – Revised Edition; Seawater One…. And Words of Wisdom, “From the Bridge” are available. It’s Seawater One that has the naughty bits in it… but that just spices it up. Now with that book you can really tell me what you think….
Hank Bracker
Life is like a storm. At its worst, it's full of blinding fury, rage, and destruction. However, at its best, it is full of striking beauty and wonder.
Tanner Walling
I want to paint you.' He gently lifted me into his arms. 'Nude would be best,' he said in my ear.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Why do you think I'm doing this?' He waved a hand to me. 'Because you're a monster.' He laughed. 'True, but I'm also a pragmatist. Working Tamlin into a senseless fury is the best weapon we have against her. Seeing you enter into a fool's bargain with Amarantha was one thing, but when Tamlin saw my tattoo on your arm... Oh, you should have been born with my abilities, if only to have felt the rage that seeped from him.' I didn't want to think much about his abilities. 'Who's to say he won't splatter you as well?' 'Perhaps he'll try- but I have a felling he'll kill Amarantha first. That's what it all boils down to, anyway: even your servitude to me can be blamed on her. So he'll kill her tomorrow, and I'll be free before he can start a fight with me that will reduce our once-sacred mountain to rubble.' He picked at his nails. 'And I have a few other cards to play.' I lifted my brows in silent question. 'Feyre, for Cauldron's sake. I drug you, but you don't wonder why I never touch you beyond your waist or arm?' Until tonight- until the damned kiss. I gritted my teeth, but even as my anger rose, a picture cleared. 'It's the only claim I have to innocence,' he said, 'the only thing that will make Tamlin think twice before entering into a battle with me that would cause a catastrophic loss of innocent life. It's the only way I can convince him I was on your side. Believe me, I would have liked nothing more than to enjoy you- but there are bigger things at stake than taking a human woman to my bed.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
The best route to a so-called ‘good’ sex life is to honour the idea that great sex will almost certainly be the occasional ecstatic exception in a life otherwise filled with compromise and frustrated desire.
The School of Life (Calm: Educate Yourself in the Art of Remaining Calm, and Learn how to Defend Yourself from Panic and Fury)
Dear Ms Brusso, I can only imagine how difficult yesterday was for you. I wanted to again convey my sympathy for you and your family on the terrible loss of Julia. Please know that in the short time we knew her we all found her to be an intelligent and lovely young woman. I hesitate to give you this information but my wife insisted I text you. She feels that, as a mother of daughters herself, she understands your desire to know all that you can about your daughter’s life. This may mean nothing at all but I did see Julia with an older man over lunch one day. It wasn’t on a day she was working for us, but rather a Sunday. She was in the city for lunch with the man and my wife and I happened to run into her near the restaurant where we were meeting friends. I assumed the man was her father but Julia introduced him to us as her former high-school drama teacher. I’m sure it was just a friendly visit but I thought I would let you know about it. Best wishes, Colin Rider I knew it, I knew it, I think, feeling fury course through my body. I had been right all along.
Nicole Trope (My Daughter's Secret)
And though I never let it show, I used to dream of finding someone who would love me like a prince in a fairy tale so I could be their princess. But I don't love you like a princess. There isn't anything soft or sweet or easy about us. It's wild and unpredictable. It hurts more than any pain I've ever felt and consumes me more completely than anything I ever could have predicted. You make my heart race with all the best kinds of fear and my gut clench with the angriest butterflies I've ever known. I have hated you more than I even knew I could hate a man and I think if I love you with as much fury then I'll burn up in it.
Caroline Peckham (Fated Throne (Zodiac Academy, #6))
It’s a situationship. A deal at best and a whoring contract at worse.
Rina Kent (God of Fury (Legacy of Gods, #5))
He gently lifted me into his arms. “Nude would be best,” he said in my ear.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
The Vigga-Wolf screamed with fury and delight to be out of the horrid wagon and once again at her work, which was murder, and her hobby, too. Also murder. She didn’t know or care why this bastard had a bull’s head. Folk all have their own different heads don’t they? She slipped under his axe, ripped it from his fists, smashed off one of his horns with it, then flung it at the rabbit girl on the wall and split her skull in half. Then she clawed the bull’s guts out with her fists, snarling, weeping, spraying drool, snuffling for the good meat, the nice bits, the tasty morsels. People’s heads might all be different but their insides are much alike. Her jaws snapped shut on a woman with a piggy head, got head and arm together, squeezing, squeezing. The arm snapped first, went floppy as a sock of porridge, and she squealed piggy squeals and beat away with a shield, clobbered with the rim as the Vigga-Wolf snarled in frustration, the bits of arm still wedged in her teeth, and wriggled her head to get the best grip, biting, twisting, biting, wrenching, biting. Squeals became screams then crack the skull popped and the Vigga-Wolf sucked the meat out and ugh, what a horrid salty mouthful. She choked and coughed and ripped at the foul-tasting pig bitch with her back claws and tore her so hard the other arm came off then flung what was left into the bull-man who was struggling up wailing with guts all hanging out and the pair of them went reeling across the yard all the horrid bad meat mashed up together.
Joe Abercrombie (The Devils (The Devils, #1))
Brennan’s best small role is in Fritz Lang’s Fury (May 29, 1936), another MGM production. Brennan plays “Bugs” Meyers, a deputy who locks up Joe Wilson (Spencer Tracy), falsely accused of murder, and is almost lynched. Brennan’s portrayal goes way beyond the scope of what is actually in the film’s script. He plays a new modern type, an ordinary man suddenly elevated to importance because he plays a small but highly visible part in a widely publicized crime story. In short scenes, Bugs’s ego expands as he becomes recognized as an “authority” on what happened. Brennan’s conception of the character is profoundly original. Bugs becomes a creation of publicity—and, suddenly, a figure of significance to himself—and his enjoyment of his new, expanded role, is palpable in the joy that suffuses Bugs’s face with the excitement of being—or rather acting like—he is in the know.
Carl Rollyson (A Real American Character: The Life of Walter Brennan (Hollywood Legends))
What they came to realize was that the newest, most automated, most expedient tool is not always the best choice. Although I’m sure they would bristle at being likened to the Luddites, their decision to forgo the latest technology, at least in some stages of their work, was an act of rebellion resembling that of the old English machine-breakers, if without the fury and the violence. Like the Luddites, they understood that decisions about technology are also decisions about ways of working and ways of living—and they took control of those decisions rather than ceding them to others or giving way to the momentum of progress. They stepped back and thought critically about technology.
Nicholas Carr (The Glass Cage: How Our Computers Are Changing Us)
They’re trying to make us the best and strongest males that they can. They, as females, are the guardians of our lineage. We, as males, are the carriers of the future. And if we’re not worthy, they would rather we be removed from the lineage than have us taint it.” “You know, I can never be that mother.” He kissed her slowly. “I know, Sumi. You will be a far better mother than either of them. Mu mia shames all those who have come before her. And I live for the chance to return your daughter to you.” Sumi frowned at his word choice and what it implied. “Our daughter, you mean.” A strange look crossed his features. One that stabbed her hard until he spoke to explain it. “You would share your precious Kalea with me? Allow her to call me Father?” Tears choked her at his earnest, bashful questions. It was as if he couldn’t believe she’d allow him to claim Kalea as his. “Of course I would. How could you doubt that, Dancer?
Sherrilyn Kenyon (Born of Fury (The League, #6))
Mikhail, drink!” Jacques materialized beside the bed, caught his older brother to him, his face a mask of fury. “Kućak!--stars, Eric, why did you allow him to go without aid? You’re lucky Gregori isn’t here, both of you.” “He thought only of the woman,” Eric said in self-defense. Jacques swore softly. “She is safe in her room, Mikhail. You must drink for both of you. One cannot exist without the other. If you do not survive, you doom her to death, or at best a half-life.” Jacques swallowed his anger, took a deep calming breath, used his teeth to tear open his wrist and thrust it to his brother’s mouth. “Saasz hän ku andam szabadon--take what I freely offer. My life is your life, my blood your blood. Together we are strong.” He used the formal words, meaning every one of them. He would have given his life for their leader. The others began the ritual healing chant. They spoke in a hypnotic rhythm, and the ancient tongue was beautiful.
Christine Feehan (Dark Prince (Dark, #1))
Like a pimp convincing a young girl that her parents have it out for her, and the pimp has her best interest in mind, Satan pulls on Eve’s heart strings and convinces her that if she comes to work for him, he’ll give her everything she ever wanted. The pimp doesn’t tell the girl that in order for her to get what the pimp’s offering, she has to give up everything she’s been given. The pimp doesn’t tell her that she’s trading the boundaries set by the one who loves her for a bondage to one who doesn’t. The pimp convinces her she’s better off with him, than with her parents.
Jeremy J. Lundmark (The Fury of God: We Cannot Truly Understand God's Love Until We Fully Understand His Fury)
What do you say we dispense with these childish games?" Aidan said. "Come to me, Diego, and remember the man you once were." His voice was so compelling, so enthralling, so hypnotic, that the vampire nearly stepped forward. Then Diego snarled, the sound harsh and ugly in contrast to Aidan's voice. "I will kill you, then the boy, and take your woman." His smile was grotesque. "She will suffer long and much for your sins." Aidan shrugged carelessly. "Should you do the impossible and defeat me, my lifemate will choose to follow me, and you will have no chance to get her in your hands. The child will be safe, because there is another hunter in this area, one far greater than myself. You cannot defeat me. No one can defeat him." He said it complacently, with complete confidence. The vampire screamed again, a hysterical fury that threatened to consume them both. "Gregori! How dare he come to this land? What gives him the right? That is a perfect example of Mikhail's hypocrisy." Then the voice turned appeasing, cunning. "Gregori is not like you, Aidan. You are a fair man. Morality rules your actions. Misguided your hunting may be, but nevertheless you do as you do because you think you must." The vampire looked around and lowered his voice. "Gregori is a cold-blooded killer. He feels no remorse. I have heard tales, rumors, that others swear are true. The healer has killed illegally. Pretending to be the best of our people, he is the worst, and Mikhail sanctions this abomination.
Christine Feehan (Dark Gold (Dark, #3))
My sometime friend Belacqua enlivened the last phase of his solipsism, before he toed the line and began to relish the world, with the belief that the best thing he had to do was to move constantly from place to place. He did not know how this conclusion had been gained, but that it was not thanks to his preferring one place to another he felt sure. He was pleased to think that he could give what he called the Furies the slip by merely setting himself in motion.
Samuel Beckett (More Pricks Than Kicks)
The president fundamentally wants to be liked” was Katie Walsh’s analysis. “He just fundamentally needs to be liked so badly that it’s always … everything is a struggle for him.” This translated into a constant need to win something—anything. Equally important, it was essential that he look like a winner. Of course, trying to win without consideration, plan, or clear goals had, in the course of the administration’s first nine months, resulted in almost nothing but losses. At the same time, confounding all political logic, that lack of a plan, that impulsivity, that apparent joie de guerre, had helped create the disruptiveness that seemed to so joyously shatter the status quo for so many. But now, Bannon thought, that novelty was finally wearing off. For Bannon, the Strange-Moore race had been a test of the Trump cult of personality. Certainly Trump continued to believe that people were following him, that he was the movement—and that his support was worth 8 to 10 points in any race. Bannon had decided to test this thesis and to do it as dramatically as possible. All told, the Senate Republican leadership and others spent $ 32 million on Strange’s campaign, while Moore’s campaign spent $ 2 million. Trump, though aware of Strange’s deep polling deficit, had agreed to extend his support in a personal trip. But his appearance in Huntsville, Alabama, on September 22, before a Trump-size crowd, was a political flatliner. It was a full-on Trump speech, ninety minutes of rambling and improvisation—the wall would be built (now it was a see-through wall), Russian interference in the U.S. election was a hoax, he would fire anybody on his cabinet who supported Moore. But, while his base turned out en masse, still drawn to Trump the novelty, his cheerleading for Luther Strange drew at best a muted response. As the crowd became restless, the event threatened to become a hopeless embarrassment. Reading his audience and desperate to find a way out, Trump suddenly threw out a line about Colin Kaepernick taking to his knee while the national anthem played at a National Football League game. The line got a standing ovation. The president thereupon promptly abandoned Luther Strange for the rest of the speech. Likewise, for the next week he continued to whip the NFL. Pay no attention to Strange’s resounding defeat five days after the event in Huntsville. Ignore the size and scale of Trump’s rejection and the Moore-Bannon triumph, with its hint of new disruptions to come. Now Trump had a new topic, and a winning one: the Knee.
Michael Wolff (Fire and Fury: Inside the Trump White House)
Why? You’ve already done enough for him. You’re the best piece of tail he’ll ever have,” sending Hicks running from the room.
Michael Wolff (Fire and Fury: Inside the Trump White House)
You’d best pray it’s the Darkness that has driven you mad, boy, because if it’s not, you’ll pay for these bruises with some of your own!” He pinned the boy to the ground with one hand braced on a shoulder and continued, “I’m not going to hurt you. Just calm down and let’s see if we can relieve you.” The boy relaxed, calming except for his heaving chest as he fought for air. Robin’s mind raced through his options, coming up blank. “Cat-mint…” the boy muttered. “Tincture of angelica. Blue chalcedony, jet, bronzite, amber—do you have any on you?” “No,” Robin said, confused. The boy moaned. “Trifolium, then. There’s bound to be trifolium…” The boy’s head fell back into the dirt. “Trifolium? I don’t know…” “Clover,” the boy ordered, scorn dripping from his voice. “I’m speaking of clover.” Robin paced along the road looking for a clump of clover, unsure whether to laugh or snarl. “Do you at least know your Greek sigils?” the boy muttered weakly. “The banishing sigil performed with clover…” Greek, he thought resentfully rubbing his jaw. “I know sigils,” he said, amending silently, if I can remember the Greek ones from the schoolroom. If he got the scamp past this spell of poisoning, he was going to thrash him. And where had he got into such Darkness in the first place? Burroughs, Patricia. This Crumbling Pageant (The Fury Triad Book 1) (pp. 23-24). Story Spring Publishing, LLC. Kindle Edition.
Patricia Burroughs (This Crumbling Pageant (The Fury Triad #1))
We are horror-struck,” Garrison wrote of the rebellion. In America’s “fury against the revolters,” who would remember the “wrongs” of slavery? Garrison would, and he listed them. But he could not condone the strategy of violence. He did not realize that some, if not most, enslavers would die rather than set their wealth free. Garrison pledged his undying commitment to his philosophy: that the best way to “accomplish the great work of national redemption” was “through the agency of moral power,” that is, of moral persuasion.
Ibram X. Kendi (Stamped from the Beginning: The Definitive History of Racist Ideas in America)
As the writer himself knew, the best art will always exceed the artist who creates it. Transcendence isn’t just an aesthetic experience for readers; it can be one for writers, too.
William Faulkner (The Sound and the Fury)
I'm the girl no one ever loved, Darius," she said. "No one but Darcy, my whole life. And though I never let it show, I used to dream of finding someone who would love me like a prince in a fairy tale so I could be their princess. But I don't love you like a princess. There isn't anything soft or sweet or easy about us. It's wild and unpredictable. It hurts more than any pain I've ever felt and consumes me more completely than anything I ever could have predicted. You make my heart race with all the best kinds of fear and my gut clench with the angriest butterflies I've ever known. I have hated you more than I even knew I could hate a man and I think if I love you with as much fury then I'll burn up in it.
Caroline Peckham (Fated Throne (Zodiac Academy, #6))
I'm the girl no one ever loved, Darius," she said. "No one but Darcy, my whole life. And though I never let it show, I used to dream of finding someone who would love me like a prince in a fairy tale so I could be their princess. But I don't love you like a princess. There isn't anything soft or sweet or easy about us. It's wild and unpredictable. It hurts more than any pain I've ever felt and consumes me more completely than anything I ever could have predicted. You make my heart race with all the best kinds of fear and my gut clench with the angriest butterflies I've ever known. I have hated you more than I even knew I could hate a man and I think if I love you with as much fury then I'll burn up in it." "So you don't want to let yourself love me?" I asked, looking down at her as she stopped barely a meter from me and the heavens raged in fury at the way we were defying them.
Caroline Peckham (Fated Throne (Zodiac Academy, #6))
A growl rips free of my chest as I grip her hair. “Feckin’ Christ Jesus,” I groan. Her lips go still on my pulse. … Shit. I immediately loosen the fist tangled in her locks. Did I do something wrong? Something definitely seems wrong. It’s obvious in the way she stiffens. “What did you say?” she whispers, her breath hot on my skin. Fuck. Fuck. What did I do? Was it the whole thou shalt not use the Lord’s name in vain business? Maybe Lark is super religious. I can’t remember if she or Sloane mentioned if the boarding school was some strict Catholic thing. Nuns. Were there nuns? I swallow. “Uh, I said ‘feckin’ Christ Jesus.’” “Growlier,” Lark snaps. “Feckin’ Christ Jesus.” There’s a single heartbeat of stillness in the world. And then Lark has backed away out of reach, the heat of her body gone, a chill left behind on my skin. Both of her hands cover her mouth but they can’t mask the shock in her eyes. Shock and … fury. “Oh my fucking God,” she hisses into her fingers. “What …? Was it the Jesus?” “No. No, it was not ‘the Jesus,’” she says with air quotes and a sneer as she leans close enough to jab a single finger into my chest. “It was ‘the Batman.’ The Budget Batman.” Lark takes a step back. Crosses her arms. Raises a single brow. My eyes narrow to thin slits. The words come out as a venomous hiss when I say, “Blunder Barbie.” “Oh. My. God. Ohmygodohmygodohmygod,” Lark says, flapping her hands like she’s trying to get any residue of me off of her. “You had your tongue in my mouth.” “I’d hate to remind us both, Blunder Barbie, but you kissed me.” “And you let me. You fucking knew it was me.” “Clearly, I did not, or I would have taken my chances with the fire escape.” “There is no fire escape.” “Pre-feckin’-cisely.” Lark rolls her eyes before they sharpen on me in a lethal glare. “You are such a liar. You were all up in my face that night. With a flashlight. One that you smacked on my head.” “Your face was plastered with makeup. And I didn’t smack—” “My concussed head. Where I needed fucking stitches which I never got because I had to walk home, thankyouverymuch. And then you growled at me like some rabid trash panda that was about to gnaw my leg off and tossed me in the trunk of your car, you fucking psycho.” “Oh I’m a feckin’ psycho, am I? You’re the one who jumped from a moving vehicle after you rammed some poor bloke into a lake and then fake teared up when I dropped his blimmin’ body at your feet. And they weren’t even good fake tears. They were sarcasm tears,” I snarl. I take a step closer and bend to meet her eye level, dabbing my eyes as I clear my throat for my best candy-sweet vocal impression. “Boo-hoo, I’m Blunder Barbie and I just feckin’ killed a man. My bad. But don’t worry, I’ll just get someone else to fix it so I can toddle on back to my perfect little life.
Brynne Weaver (Leather & Lark (Ruinous Love, #2))
When I finished breakfast I bought a cigar. The girl said a fifty cent one was the best, so I took one and lit it and went out to the street. I stood there and took a couple of puffs, then I held it in my hand and went on toward the corner. I passed a jeweller’s window, but I looked away in time. At the corner two bootblacks caught me, one on either side, shrill and raucous, like blackbirds. I gave the cigar to one of them, and the other one a nickel. Then they let me alone. The one with the cigar was trying to sell it to the other for the nickel.
William Faulkner (The Sound and the Fury)
In those unsettling early months, I’d like to think we were all logical, at least at first. We stripped the shelves of hand sanitizer and disinfecting wipes and bleach and toilet paper, as if we were all going to have either the world’s worst or the world’s best sex party.
Geraldine DeRuiter (If You Can't Take the Heat: Tales of Food, Feminism, and Fury)
nod and stare down at the Bible in my hands, letting the gift of her words wash over me. My mother had carried so much pain from her own loss. Maybe the exact things Patricia said I had inside me: traumatic grief, PCBD grief. Then, after I was born, it became anxiety. Maybe she’d had the feeling like she could explode. Maybe she’d had my fear and fury. And she hid it from me as best she could.
Tracy Deonn (Legendborn (Legendborn, #1))
Meditation was the last thing Obi-Wan wanted to do, soaked and still caught somewhere between panic and fury. But given that it was the last thing he wanted to do, it was probably the best thing for him. Many things in the Jedi Order were like that: the less he wanted to do them, the better they were for him.
Kiersten White (Star Wars: Padawan)
I thought he was a good man – kind, even-tempered, generous. The best of all of them in so many ways. But now when he enters a room, waves of fury explode around him and bounce off the walls.
Rachel Abbott (The Invitation (Stephanie King, #2))
First I get a psycho son. Okay, fine. Love that. Best challenge of my life and pretty sure I passed it. I didn’t need to have my daughter with a psycho boyfriend. And now, it’s the psycho’s psycho fucking cousin. What the fuck have I done to deserve that? Was I a mass murderer in a past life or something?
Rina Kent (God of Fury (Legacy of Gods, #5))
Her best friend did a reading of a breathtaking piece Florence had written for her year-book page. “It may seem that life is difficult at times but it’s really as simple as breathing in and out,” she read. “Rip open hearts with your fury and tear down egos with your modesty. Be the person you wish you could be, not the person you feel you are doomed to be. Let yourself run away with your feelings. You were made so that someone could love you. Let them love you.
Dolly Alderton (Everything I Know About Love)
O hour of all hours, the most bless'd upon earth, Blessed hour of our dinners! The land of his birth; The face of his first love; the bills that he owes; The twaddle of friends and the venom of foes; The sermon he heard when to church he last went; The money he borrow'd, the money he spent;— All of these things, a man, I believe, may forget, And not be the worse for forgetting; but yet Never, never, oh never! earth's luckiest sinner Hath unpunish'd forgotten the hour of his dinner! Indigestion, that conscience of every bad stomach, Shall relentlessly gnaw and pursue him with some ache Or some pain; and trouble, remorseless, his best ease, As the Furies once troubled the sleep of Orestes. We may live without poetry, music, and art: We may live without conscience, and live without heart; We may live without friends; we may live without books; But civilized man cannot live without cooks. He may live without books,—what is knowledge but grieving? He may live without hope,—what is hope but deceiving? He may live without love,—what is passion but pining? But where is the man that can live without dining?
Owen Meredith (Lucile)
Ah, so ye will escort me to my cousin’s then, will ye?” she said in a voice so sweet she was surprised it did not make her teeth ache. “Nay, they willnae,” drawled an all too familiar voice from behind her. Inwardly cursing, Bridget turned to face Cathal. “I have decided ’tis time for me to continue on my journey.” “And ye decided ye had to do it now? Right now? Without most of your belongings?” “Aye. I got to thinking—” “A dangerous thing for a lass to do. Ow!” Jankyn rubbed his stomach where Bridget had just hit him with her sack of belongings, and grinned at her. “Why are ye nay out with the others, howling at the moon?” “At least I am nay dancing beneath it.” He laughed when she blushed. “Ye were watching me?” “I heard ye singing.” “That was so rude.” If he had been drawn by her singing then he could not have seen her naked, Bridget mused, and relaxed. “I had left the camp to seek a few moments of privacy.” Cathal grasped Bridget by the arm, turning her attention back to him. “Why were ye leaving?” Bridget could feel the blunt truth on the tip of her tongue, but could not bring herself to speak it. It was as if she feared that, in speaking the words, the truth could no longer be ignored. That was absurd. She knew the truth. By the way the three men looked at her, they knew she had guessed all their secrets. It made no difference. She simply could not utter the dark, terrifying name aloud. In some odd, twisted way, she was actually concerned about offending them. “I decided I wasnae going to play your game any longer,” she replied. “I was going to my cousin’s.” “Alone? At night?” “Tis the best time for an escape.” But not here, she realized, and inwardly cursed her own stupidity. At Cambrun high noon on a sunny day would have been a better choice. “I have prepared for a visit with Barbara for months. I want to go to court, to see all the fine clothes, and to watch all the courtiers and their ladies. I want to sit down to a feast and listen to all the whispers about who is sinning with whom. I want to hear the minstrels sing and I want to dance with some fine, courtly gentlemon who will tell me all manner of sweet lies about how bonnie I am. I want—” A squeak of surpise and outrage escaped her when Cathal suddenly picked her up and slung her over his shoulder. The soft laughter of Jankyn and Raibeart only added to her anger over being so roughly handled. Bridget dropped her belongings and proceeded to pound her fists against his broad back. Cathal did not even flinch as he continued to take her back to her bedchamber and that, too, increased her fury. Under her breath she cursed him and his stubborness. “Tis nay just me who is blindly stubborn,” muttered Cathal as he entered the bedchamber and kicked the door shut behind him. “Tis ye who refuses to give up this plan to go to court. And for what? To hear empty flatteries and malicious tales?” He paused by the bed. “Undo your cloak.” Even as she blindly obeyed that terse command, Bridget wondered why she did so. Such quick obedience was not in her nature. She growled softly when her cloak was pulled from her and tossed to the floor. Before she could say anything, she was tossed down onto the bed. Her body was still bouncing slightly when Cathal sprawled on top of her, gently but firmly pinning her down. Bridget scowled at him, more angry than afraid, and tried not to let the beauty of his face distract her. She had a right to be angry and she would hold fast to that feeling no matter how warm and itchy he made her feel. “Ye are staying here,” Cathal said. “I am going to woo ye and then we will be married.” “Oh! What arrogance! Ye may woo me, but that doesnae necessarily mean ye will win me.” Bridget
Hannah Howell (The Eternal Highlander (McNachton Vampires, #1))