Memory Cushion Quotes

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Friends give you a cushion for the fall, even when you think you don’t need or want one.
J.D. Robb (Memory in Death (In Death, #22))
Women can go mad with insomnia. The sleep-deprived roam houses that have lost their familiarity. With tea mugs in hand, we wander rooms, looking on shelves for something we will recognize: a book title, a photograph, the teak-carved bird -- a souvenir from what place? A memory almost rises when our eyes rest on a painting's grey sweep of cloud, or the curve of a wooden leg in a corner. Fingertips faintly recall the raised pattern on a chair cushion, but we wonder how these things have come to be here, in this stranger's home. Lost women drift in places where time has collapsed. We look into our thoughts and hearts for what has been forgotten, for what has gone missing. What did we once care about? Whom did we love? We are emptied. We are remote. Like night lilies, we open in the dark, breathe in the shadowy world. Our soliloquies are heard by no one.
Cathy Ostlere (Lost: A Memoir)
Amazing Peace: A Christmas Poem Thunder rumbles in the mountain passes And lightning rattles the eaves of our houses. Flood waters await us in our avenues. Snow falls upon snow, falls upon snow to avalanche Over unprotected villages. The sky slips low and grey and threatening. We question ourselves. What have we done to so affront nature? We worry God. Are you there? Are you there really? Does the covenant you made with us still hold? Into this climate of fear and apprehension, Christmas enters, Streaming lights of joy, ringing bells of hope And singing carols of forgiveness high up in the bright air. The world is encouraged to come away from rancor, Come the way of friendship. It is the Glad Season. Thunder ebbs to silence and lightning sleeps quietly in the corner. Flood waters recede into memory. Snow becomes a yielding cushion to aid us As we make our way to higher ground. Hope is born again in the faces of children It rides on the shoulders of our aged as they walk into their sunsets. Hope spreads around the earth. Brightening all things, Even hate which crouches breeding in dark corridors. In our joy, we think we hear a whisper. At first it is too soft. Then only half heard. We listen carefully as it gathers strength. We hear a sweetness. The word is Peace. It is loud now. It is louder. Louder than the explosion of bombs. We tremble at the sound. We are thrilled by its presence. It is what we have hungered for. Not just the absence of war. But, true Peace. A harmony of spirit, a comfort of courtesies. Security for our beloveds and their beloveds. We clap hands and welcome the Peace of Christmas. We beckon this good season to wait a while with us. We, Baptist and Buddhist, Methodist and Muslim, say come. Peace. Come and fill us and our world with your majesty. We, the Jew and the Jainist, the Catholic and the Confucian, Implore you, to stay a while with us. So we may learn by your shimmering light How to look beyond complexion and see community. It is Christmas time, a halting of hate time. On this platform of peace, we can create a language To translate ourselves to ourselves and to each other. At this Holy Instant, we celebrate the Birth of Jesus Christ Into the great religions of the world. We jubilate the precious advent of trust. We shout with glorious tongues at the coming of hope. All the earth's tribes loosen their voices To celebrate the promise of Peace. We, Angels and Mortal's, Believers and Non-Believers, Look heavenward and speak the word aloud. Peace. We look at our world and speak the word aloud. Peace. We look at each other, then into ourselves And we say without shyness or apology or hesitation. Peace, My Brother. Peace, My Sister. Peace, My Soul.
Maya Angelou (Amazing Peace: A Christmas Poem)
She didn't talk about it: if this past year has taught her one thing, it is to live in the present. She immersed herself in every moment, refusing to cloud it by considering the cost. The fall would come - it always did - but she usually collected enough memories to cushion it a little.
Jojo Moyes (The Last Letter from Your Lover)
I’m so fucking tired of this,” I whisper. Ruby’s crouching on the floor in front of me, her hands on my shoulders, the first time she’s ever touched me. “What are you tired of?” she asks. “Hearing him, seeing him, everything I do being laced with him.” We’re quiet. My breathing steadies and she stands, her hands dropping away from me. Gently, she says, “If you think back to the first incident—” “No, I can’t.” I throw my head against the back of the chair, press myself into the cushion. “I can’t go back there.” “You don’t have to go back,” she says. “You can stay in the room. Just think of one moment, the first one between the two of you that could be considered intimate. When you look back on that first memory, who was the initiator, you or him?” She waits, but I can’t say it. Him. He called me up to his desk and touched me while the rest of the class did their homework. I sat beside him, stared out the window, and let him do what he wanted. And I didn’t understand it, didn’t ask for it. I exhale, hang my head. “I can’t.” “That’s fine,” she says. “Take it slow.” “I just feel . . .” I press the heels of my hands into my thighs. “I can’t lose the thing I’ve held on to for so long. You know?” My face twists up from the pain of pushing it out. “I just really need it to be a love story. You know? I really, really need it to be that.” “I know,” she says. “Because if it isn’t a love story, then what is it?” I look to her glassy eyes, her face of wide-open empathy. “It’s my life,” I say. “This has been my whole life.” She stands over me as I say I’m sad, I’m so sad, small, simple words, the only ones that make sense as I clutch my chest like a child and point to where it hurts.
Kate Elizabeth Russell (My Dark Vanessa)
Sitting in his old schoolroom on the sofa with little cushions on the arms and looking into Natasha's wildly eager eyes, Rostov was carried back into that world of home and childhood which had no meaning for anyone else, but gave him some of the greatest pleasure in his life.
Leo Tolstoy (War and Peace)
When Khubchand, his beloved, blind, bald, incontinent seventeen-year-old mongrel, decided to stage a miserable, long-drawn-out death, Estha nursed him through his final ordeal as though his own life somehow depended on it. In the last months of his life, Khubchand, who had the best of intentions but the most unreliable of bladders, would drag himself to the top-hinged dog-flap built into the bottom of the door that led out into the back garden, push his head through it and urinate unsteadily, bright yellowly, inside Then with bladder empty and conscience clear he would look up at Estha with opaque green eyes that stood in his grizzled skull like scummy pools and weave his way back to his damp cushion, leaving wet footprints on the floor. As Khubchand lay dying on his cushion, Estha could see the bedroom window reflected in his smooth, purple balls. And the sky beyond. And once a bird that flew across. To Estha - steeped in the smell of old roses, blooded on memories of a broken man - the fact that something so fragile, so unbearably tender had survived, had been allowed to exist, was a miracle. A bird in flight reflected in an old dog's balls. It made him smile out loud.
Arundhati Roy (The God of Small Things)
The Magpie Poet The magpie poet lined his poems, with a nest of shiny objects: engagement rings returned by ex-lovers, lipstick and keys found beneath his couch's cushions, even shards of his mom's silver hand mirror, too filled with images to discard. His nest of luminous memories held his yellow eye, his offspring. More importantly, it held him. Each poem he wrote was a pro tem refuge he could hide in, a safe house to rest his head after another sleepless night.
Beryl Dov
... a tiny room, furnished in early MFI, of which every surface was covered in china ornaments and plaster knick-knacks whose only virtue was that they were small, and therefore of limited individual horribleness. Cumulatively, they were like an infestation. Little vases, ashtrays, animals, shepherdesses, tramps, boots, tobys, ruined castles, civic shields of seaside towns, thimbles, bambis, pink goggle-eyed puppies sitting up and begging, scooped-out swans plainly meant to double as soap dishes, donkeys with empry panniers which ought to have held pin-cushions or perhaps bunches of violets -- all jostled together in a sad visual cacophony of bad taste and birthday presents and fading holiday memories, too many to be loved, justifying themselves by their sheer weight of numbers as 'collections' do.
Cynthia Harrod-Eagles (Blood Lines (Bill Slider, #5))
Do you get it now,Becks?" Jack wrapped a finger around a long strand of my hair, and we were quiet as it slipped through his grip. "You haven't moved on?" He chuckled. "I have a lifetime of memories made up of chestnut wars and poker games and midnight excursions and Christmas Dances...It's all you. It's only ever been you.I love you." The last part seemed to escape his lips unintentionally, and afterward he closed his eyes and put his head in his hands,as if he had a sudden headache. "I've gotta not say that out loud." The sight of how messed up he was made me want to wrap my arms around him and fold him into me and cushion him from everything that lay ahead. Instead,I reached for his hand. Brought it to my lips. Kissed it. He raised his head and winced. "You shouldn't do that," he said, even though he didn't pull his hand away. "Why?" "Because...it'll make everything worse...If you don't feel-" His voice cut off as I kissed his hand again, pausing with his fingers at my lips. He let out a shaky sigh and his hair flopped forward. Then he looked at my lips for a long moment. "What if...?" I bit my lower lip. "What?" "What if we could be like this again?" He leaned in closer with a smile, and as he did,he said, "Are you going to steal my soul?" "Um...it's not technically your soul that..." I couldn't finish my sentence. His lips brushed mine, and I felt the whoosh of transferring emotions,but it wasn't as strong as the last time. The space inside me was practically full again. The Shades were right. Six months was just long enough to recover. He kept his lips touching mine when he asked, "Is it okay?" Okay in that I wasn't going to suck him dry anymore. Not okay in that my own emotions were in hyperdrive. Only our lips touched.Thankfully there was space between us everywhere else. He took my silence to mean it was safe. We held our lips together, tentative and still. But he didn't let it stay that casual for long.He pressed his lips closer, parting his mouth against mine. I shivered,and he put his arms around me and pulled me closer so that our bodies were touching in so many places. He pulled back a little.His breath was on my lips. "What is it?" I asked. "I dreamed of you every night." He briefly touched his lips to mine again. "It felt so real.And when I'd wake up the next morning,it was like your disappearance was fresh. Like you'd left me all over again." I lowered my chin and tucked my head into his chest. "I'm sorry." He sighed and tightened his grip around me. "It never got easier.But the dreams themselves." I felt him shake his head. "It's like I had a physical connection to you. They were so real. Every night,you were in my room with me. It was so real." I tilted my head back so I could face him again, realizing for the first time how difficult it must've been for Jack. I kissed his chin, his cheek, and then his lips. "I'm sorry," I said again. He shook his head. "It's not your fault I dreamed of you, Becks.I just want to know if it was as real as it felt." "I don't know," I said. But I told him about the book I'd read on Orpheus and Eurydice, and my theory that it was her connection to Orpheus that saved her.
Brodi Ashton (Everneath (Everneath, #1))
Then her affection was in the soft sofa cushions, clean linens, and good meals; her memory in well-stocked storeroom cabinets and the pantry; her intelligence in the order and healthfulness of her home; her good humor in its light and air. She lived her life not only through her own body but through the house as an extension of her body; part of her relation to those she loved was embodied in the physical medium of the home she made.
Cheryl Mendelson (Home Comforts: The Art and Science of Keeping House)
Ben was reminded of his boss, one of the senior architects at the firm, who liked to say that buildings had “multiple lives,” perhaps as a way to cushion the news whenever a beloved building lost the bid for preservation and was slated to be redone. It was his boss’s theory of architectural reincarnation that inspired Ben’s own habit of including some homage to the former building—perhaps a pattern in the stone or a shape of a window—within his designs for any replacement. He liked the notion that even buildings could have memories, and could, in turn, be remembered.
Nikki Erlick (The Measure)
so as to form a narrow passage which I would be further helped to roof snugly with the divan’s bolsters and close up at the ends with a couple of its cushions. I then had the fantastic pleasure of creeping through that pitch-dark tunnel, where I lingered a little to listen to the singing in my ears—that lonesome vibration so familiar to small boys in dusty hiding places—and then, in a burst of delicious panic, on rapidly thudding hands and knees I would reach the tunnel’s far end, push its cushion away, and be welcomed by a mesh of sunshine on the parquet under the canework of a Viennese chair and two gamesome flies settling by turns.
Vladimir Nabokov (Speak, Memory: An Autobiography Revisited)
Her real secret was that she identified herself with her home. Of course, this did not always turn out well. A controlling woman might make her home suffocating. A perfectionist’s home might be chilly and forbidding. But it is more illuminating to think about what happened when things went right. Then her affection was in the soft sofa cushions, clean linens, and good meals; her memory in well-stocked storeroom cabinets and the pantry; her intelligence in the order and healthfulness of her home; her good humor in its light and air. She lived her life not only through her own body but through the house as an extension of her body; part of her relation to those she loved was embodied in the physical medium of the home she made. My
Cheryl Mendelson (Home Comforts: The Art and Science of Keeping House)
Here’s an experiment worth conducting. Sneak into the home of a NASA skeptic in the dead of night and remove all technologies from the home and environs that were directly or indirectly influenced by space innovations: microelectronics, GPS, scratch-resistant lenses, cordless power tools, memory-foam mattresses and head cushions, ear thermometers, household water filters, shoe insoles, long-distance telecommunication devices, adjustable smoke detectors, and safety grooving of pavement, to name a few. While you’re at it, make sure to reverse the person’s LASIK surgery. Upon waking, the skeptic embarks on a newly barren existence in a state of untenable technological poverty, with bad eyesight to boot, while getting rained on without an umbrella because of not knowing the satellite-informed weather forecast for that day.
Neil deGrasse Tyson (Space Chronicles: Facing the Ultimate Frontier)
At the sound of her uncle’s voice coming from the back door, Jay threw Violet off his lap. Violet giggled as she hit the cushions on the back of the couch. “What are you doing?” she complained. “It’s just Uncle Stephen.” Jay sat up. “I know, but ever since the Homecoming Dance, I feel like he’s always watching us. I just don’t want him to think we’re doing anything we shouldn’t be.” The Homecoming Dance. It had been almost three months since that night, but the memories still made Violet shudder. Not a day went by that she wasn’t grateful Jay was still alive. Grateful the bullet from the killer’s gun had only grazed his shoulder, despite the fact that the man-one of her uncle’s own officers-had been aiming directly for Jay’s heart. If her uncle hadn’t shown up at the dance when he did, firing the fatal shot that took the killer down, neither she nor Jay would have made it out of there alive. Jay had always liked her uncle before then, but now it was something closer to worship.
Angie Frazier (Everlasting (Everlasting, #1))
Sarah rode with him and felt her body rejoice, felt her senses whirl and sing with pleasure. She was exquisitely conscious, to her fingernails aware of the shattering intimacy of their joining. Eyes closed, hearing suspended, her world condensed just to him and her, and another world came alive, a landscape filled with feeling, with heat and longing, with sensation and power and the promise of glory. He moved within her and she rode out each thrust, met and matched him, welcomed and reluctantly released him again. Pleasure and delight bloomed, welled, then spilled through her. The momentary pain had faded so fast it was already a dim memory, overwhelmed by the solid and immediate reality of him hard and strong and so elementally male, joining so deeply and inexorably with her. His fingers slid from hers, sliding down and around to one globe of her bottom. He tilted her hips, and she gasped as the altered position let him penetrate her more deeply still. The reined power behind each deliberate thrust sent a thrill arcing through her. A primitive sense of danger, the recognition of vulnerability; he was so much stronger than she, his body so much harder, so much more powerful than hers. Yet he was careful. The realization slid through her, but she couldn't focus enough to think, then the heat of their passion rose another degree and claimed her. Sent fire and a hungry, ravenous need sliding through her veins, making her writhe, making her gasp. It inexorably branded desire deep into her flesh, marking and searing, until she burned. Until her body was aflame, until the flames coalesced and concentrated, burning deeper and hotter until she sobbed and clung and desperately urged him on, and he rode her faster, harder, deeper. Until with a rush, all heat and yearning, she found herself clinging to that final, dizzying peak. Felt him thrust one last time and shatter her, felt the furnace within her that he'd stoked and fed rupture, felt glory pour forth and sear her veins. And rush through her. She spiraled through a void, cushioned in heated bliss, her mind disconnected. Dimly, she heard him groan, long-drawn and guttural, was distantly aware that, joined deeply with her, he went rigid in her arms. She felt, from far away, the warmth of his seed spill inside her. Buoyed by glory, cocooned in golden rapture, she smiled.
Stephanie Laurens (The Taste of Innocence (Cynster, #14))
She started to head out, but she passed her room. It was the same as she'd left it: a pile of cushions by her bed for Little Brother to sleep on, a stack of poetry and famous literature on her desk that she was supposed to study to become a "model bride," and the lavender shawl and silk robes she'd worn the day before she left home. The jade comb Mulan had left in exchange for the conscription notice caught her eye; it now rested in front of her mirror. Mulan's gaze lingered on the comb, on its green teeth and the pearl-colored flower nestled on its shoulder. She wanted to hold it, to put it in her hair and show her family- to show everyone- she was worthy. After all, her surname, Fa, meant flower. She needed to show them that she had bloomed to be worthy of her family name. But no one was here, and she didn't want to face her reflection. Who knew what it would show, especially in Diyu? She isn't a boy, her mother had told her father once. She shouldn't be riding horses and letting her hair loose. The neighbors will talk. She won't find a good husband- Let her, Fa Zhou had consoled his wife. When she leaves this household as a bride, she'll no longer be able to do these things. Mulan hadn't understood what he meant then. She hadn't understood the significance of what it meant for her to be the only girl in the village who skipped learning ribbon dances to ride Khan through the village rice fields, who chased after chickens and helped herd the cows instead of learning the zither or practicing her painting, who was allowed to have opinions- at all. She'd taken the freedom of her childhood for granted. When she turned fourteen, everything changed. I know this will be a hard change to make, Fa Li had told her, but it's for your own good. Men want a girl who is quiet and demure, polite and poised- not someone who speaks out of turn and runs wild about the garden. A girl who can't make a good match won't bring honor to the family. And worse yet, she'll have nothing: not respect, or money of her own, or a home. She'd touched Mulan's cheek with a resigned sigh. I don't want that fate for you, Mulan. Every morning for a year, her mother tied a rod of bamboo to Mulan's spine to remind her to stand straight, stuffed her mouth with persimmon seeds to remind her to speak softly, and helped Mulan practice wearing heeled shoes by tying ribbons to her feet and guiding her along the garden. Oh, how she'd wanted to please her mother, and especially her father. She hadn't wanted to let them down. But maybe she hadn't tried enough. For despite Fa Li's careful preparation, she had failed the Matchmaker's exam. The look of hopefulness on her father's face that day- the thought that she'd disappointed him still haunted her. Then fate had taken its turn, and Mulan had thrown everything away to become a soldier. To learn how to punch and kick and hold a sword and shield, to shoot arrows and run and yell. To save her country, and bring honor home to her family. How much she had wanted them to be proud of her.
Elizabeth Lim (Reflection)
ESTABLISH STABLE ANCHORS OF ATTENTION Mindfulness meditation typically involves something known as an anchor of attention—a neutral reference point that helps support mental stability. An anchor might be the sensation of our breath coming in and out of the nostrils, or the rising and falling of our abdomen. When we become lost in thought during practice, we can return to our anchor, fixing our attention on the stimuli we’ve chosen. But anchors can also intensify trauma. The breath, for instance, is far from neutral for many survivors. It’s an area of the body that can hold tension related to a trauma and connect to overwhelming, life-threatening events. When Dylan paid attention to the rising and falling of his abdomen, he would be swamped with memories of mocking faces while walking down the hallway. Other times, feeling a constriction of his breath in the chest echoed a feeling of immobility, which was a traumatic reminder. For Dylan, the breath simply wasn’t a neutral anchor. As a remedy, we can encourage survivors to establish stabilizing anchors of attention. This means finding a focus of attention that supports one’s window of tolerance—creating stability in the nervous system as opposed to dysregulation. Each person’s anchor will vary: for some, it could be the sensations of their hands resting on their thighs, or their buttocks on the cushion. Other stabilizing anchors might include another sense altogether, such as hearing or sight. When Dylan and I worked together, it took a while until he could find a part of his body that didn’t make him more agitated. He eventually found that the sense of hearing was a neutral anchor of attention. At my office, he’d listen for the sound of the birds or the traffic outside, which he found to be stabilizing. “It’s subtle,” he said to me, opening his eyes and rubbing the back of his neck with his hand. “But it is a lot less charged. I’m not getting riled up the same way, which is a huge relief.” In sessions together, Dylan’s anchor was a spot he’d rest his attention on at the beginning of a session or a place to return to if he felt overwhelmed. If he practiced meditation at home—I’d recommended short periods if he could stay in his window of tolerance—he used hearing as an anchor, or “home base” as he called it. “I finally feel like I can access a kind of refuge,” he said quietly, placing his hand on his belly. “My body hasn’t felt safe in so long. It’s a relief to finally feel like I’m learning how to be in here.” Anchors of attention you can offer students and clients practicing mindfulness—besides the sensation of the breath in the abdomen or nostrils—include different physical sensations (feet, buttocks, back, hands) and other senses (seeing, smelling, hearing). One client of mine had a soft blanket that she would touch slowly as an anchor. Another used a candle. For some, walking meditation is a great way to develop more stable anchors of attention, such as the feeling of one’s feet on the ground—whatever supports stability and one’s window of tolerance. Experimentation is key. Using subtler anchors does come with benefits and drawbacks. One advantage to working with the breath is that it is dynamic and tends to hold our attention more easily. When we work with a sense that’s less tactile—hearing, for instance—we may be more prone to drifting off into distraction. The more tangible the anchor, the easier it is to return to it when attention wanders.
David A. Treleaven (Trauma-Sensitive Mindfulness: Practices for Safe and Transformative Healing)
A tree is a memory keeper. Tangled beneath our roots, hidden inside our trunks, are the sinews of history, the ruins of wars nobody came to win, the bones of the missing. The water sucked up through our boughs is the blood of the earth, the tears of the victims, and the ink of truths yet to be acknowledged. Humans, especially the victors who hold the pen that writes the annals of history, have a penchant for erasing as much as documenting. It remains to us plants to collect the untold, the unwanted. Like a cat that curls up on its favourite cushion, a tree wraps itself around the remnants of the past. When Lawrence Durrell, having fallen in love with Cyprus, decided to plant cypresses behind his house and took his spade to the soil, he found skeletons in his garden. Little did he know that this was by no means unusual. All around the world, wherever there is, or has ever been, a civil war or an ethnic conflict, come to the trees for clues, because we will be the ones that sit silently in communion with human remains.
Elif Shafak (The Island of Missing Trees)
Extended kinship groups - sometimes located on one plantation, more commonly extended over several - became the central units of slave life, ordering society, articulating values, and delineating identity by defining the boundaries of trust. They also became the nexus for incorporating the never-ending stream of arrivals from the seaboard states into the new society, cushioning the horror of the Second Middle Passage, and socializing the deportees to the realities of life on the plantation frontier. Playing the role of midwives, the earlier arrivals transformed strangers into brothers and sisters, melding the polyglot immigrants into one. In defining obligations and responsibilities, the family became the centerpole of slave life. The arrival of the first child provided transplanted slaves with the opportunity to link the world they had lost to the world that had been forced upon them. In naming their children for some loved one left behind, pioneer slaves restored the generational linkages for themselves and connected their children with grandparents they would never know. Some pioneer slaves reached back beyond their parents' generation, suggesting how slavery's long history on mainland North America could be collapsed by a single act. Along the same mental pathways that joined the charter and migration generations flowed other knowledge. Rituals carried from Africa might be as simple as the way a mother held a child to her breast or as complex as a cure for warts. Songs for celebrating marriage, ceremonies for breaking bread, and last rites for an honored elder survived in the minds of those forced from their seaboard homes, along with the unfulfilled promise of the Age of Revolution and evangelical awakenings. Still, the new order never quite duplicated the old. Even as transplanted slaves strained their memories to reconstruct what they had once known, slavery itself was being recast. The lush thicket of kin that deportees like Hawkins Wilson remembered had been obliterated by the Second Middle Passage. Although pioneer slaves worked assiduously to knit together a new family fabric, elevating elderly slaves into parents and deputizing friends as kin, of necessity they had to look beyond blood and marriage. Kin emerged as well from a new religious sensibility, as young men and women whose families had been ravaged by the Second Middle Passage embraced one another as brothers and sisters in Christ. A cadre of black evangelicals, many of who had been converted in the revivals of the late eighteenth century, became chief agents of the expansion of African-American Christianity. James Williams, a black driver who had been transferred from Virginia to the Alabama blackbelt, was just one of many believers who was 'torn away from the care and discipline of their respective churches.' Swept westward by the tide of the domestic slave trade, they 'retained their love for the exercises of religion.
Ira Berlin (Generations of Captivity: A History of African-American Slaves)
Epilogue: "I don't need these. Not any of this." "I want this camel. This is all I'm taking just to remember him by." "Sometimes you hold on to a big thing, an overwhelming thing because you believe if you let it go you'll use the memories tucked into its walls, its boxes, its cushions and seams. You can't see the way out from under it and so you ignore the idea of parting with it and let it bend and break even further. What if you let the thing go and you lose a piece of the person who left it to you? Then circumstances tip or you get a push and you gather the courage to do it and it's easier than you anticipate. You hang on to something small. You tuck a camel in a rolling cart, some fabric scraps in a garbage bag, and you promise to find a place for it. You keep what you can carry and you make it enough.
Elizabeth Passarella (It Was an Ugly Couch Anyway: And Other Thoughts on Moving Forward)
Gil handed Henny one of the cushions and a one-pound coffee can from under the seat. Henny was very suspicious. “What’s this for?” he asked. “Why are you giving me this stuff?” “The cushion is for your sitter,” Gil said, “and the can is for the water.” “What water?” said Henny. He didn’t look too good. “Well, there’s bound to be a little extra water with the three of us sitting here,” said Gil. “And your friend hasn’t done much rowing. He splashes a bit over the side.” Henny glared at me. “Quit it,” he said. “Just quit splashing water into the boat.” I tried to be smooth. By the time we got out into the river, I was doing better. “Two steps forward, one step backward,” said Gil. “We aren’t making much progress against this current.” “I’ll go out a little farther,” I said. “Maybe the current won’t be so strong out there.” I felt very good about things. My rowing was getting better. We were closer to the bowl. The crew was busy and in high spirits. Gil was reading from The Journals of Lewis and Clark. Henny was searching his photographic memory for loose information. “Says here that one time, the expedition had nothing to eat but bear fat and candles,” said Gil. “Now that’s real interesting.” Henny sighed. “Sometimes they ate buffalo humps, and wolf meat, and a root called Wappato. Wappato is supposed to taste like potatoes. Boy, am I hungry. Did anybody bring a snack?” “There might be a few crackers under your seat,” said Gil. “Then again, there might not be.” “There is a box of Wheat Thins,” said Henny after he rummaged around under the seat. “It is soggy, dirty, crushed, and unfit for human consumption.” “I never eat them,” said Gil. “I feed them to the kingfishers. But if you’re really hungry, they’re better than candles.” Henny waved the box in the air. “Is anything going to go right on this trip?” he said. A sea gull swooped down and almost got the box. The crew was starting to feel the hardships. Desperation and hunger had set in. I figured the people from my island would look to the turtle for an answer to this situation, so I tried to do the same. The only thing I could come up with was that the armor on a turtle was much better protection than an old rowboat.
Brenda Z. Guiberson (Turtle People)
Kimberly Mira blinked into the dark and sniffed the air. Clean cotton sheets? A soft mattress cushioned her back. Her skin grew goose bumps as the wind howled outside. This wasn't heaven. Her skin felt grimy and her head pounded like she'd drunk too much last night. Flashes of an out-of-control fire replayed in her mind. She sucked in her breath like she needed to hold as much oxygen in as possible. She told herself to be normal and that the intense fire was in her mind's eye. Eventually she relaxed her body. Another memory surfaced as she closed her eyes and remembered falling into depths
Victoria Pinder (Stormy Peril (Frosted Game of Hearts, #2))
A tree is a memory keeper. Tangled beneath our roots, hidden inside our trunks, are the sinews of history, the ruins of wars nobody came to win, the bones of the missing. The water sucked up through our boughs is the blood of the earth, the tears of the victims, and the ink of truths yet to be acknowledged. Humans, especially the victims who hold the pen that writes the annals of history, have a penchant for erasing as much as documenting. It remains to us plants to collect the untold, the unwanted. Like a cat that curls up on its favourite cushion, a tree wraps itself around the remnants of the past.
Elif Shafak (The Island of Missing Trees)
I have a memory foam cushion. After hours of intense pressure it forgets everything!
Neil Leckman
Meanwhile, on Dudley Road, stalks of rhubarb grew behind the blue-painted shed and roses bloomed on a bush above the cellar window. The swing set creaked. The stones in the garden path wobbled underneath my feet and there were pink sprigged cushions on the white wicker chairs on the porch. Inside, everything was pink and green, green and pink: the walls in my bedroom the color of the center of a raspberry thumbprint cookie, the floors the color of the sliver of green in after-dinner mints; the floor in my parents' bedroom the same, and the walls a smudged baby pink.
Charlotte Silver (Charlotte Au Chocolat: Memories of a Restaurant Girlhood)
A cushion whizzed across the room into his face. A tag began. Sikes on the table was laying down laws of equipment at the top of his voice. "Well, I'm going to take nothing but socks. I'm going to stuff my pack absolutely bung full of socks. Man alive, I tell you nothing matters except socks. If you can keep on getting clean socks every—I'm going to stuff in socks enough to last me—" [1] [1] A very short time afterwards, while the incident was fresh in his memory, Sabre heard that Sikes took out eleven pairs of socks and was killed, at Mons, in the pair he landed in.
A.S.M. Hutchinson (If Winter Comes)
Aubade with Pericardium and Visitor" What a wreck the sky is this morning, slashed through the middle and all bloody at the seams. When the new moon falls on the first of the month it seems unlucky, such absorbing darkness it’s hard to get out of bed. I open my mouth to test a thought by voicing it without a boundary of truth, and the heart in its watery pillowslip clenches to cushion itself from harm. Early I slipped outside and there was a fish on a line beside the coppery lake and a snake waited, his black body thick as a wrist. It was such an easy meal he swallowed it whole, jaw hinged open wide while his body molded around it; I mean the fins bulged in his throat as it slid down. Songs ought to be sung, and when possible, stories ought to be told as they happened, not from the shortest distance, not unattached, not asleep. Today I rose in the wreck but I didn’t know what to keep, the memory or what it left behind: you, small chair; you, empty belly; you, knock on the dark door.
Charlotte Boulay (Foxes on the Trampoline: Poems)
A tree is a memory keeper. Tangled beneath our roots, hidden inside our trunks, are the sinews of history, the ruins of wars nobody came to win, the bones of the missing. The water sucked up through our boughs is the blood of the earth, the tears of the victims, and the ink of truths yet to be acknowledged. Humans, especially the victors who hold the pen that writes the annals of history, have a penchant for erasing as much as documenting. It remains to us plants to collect the untold, the unwanted. Like a cat that curls up on its favourite cushion, a tree wraps itself around the remnants of the past.
Elif Shafak (The Island of Missing Trees)