Further Husband Quotes

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Cat cleared her throat in the tense silence that followed. “Uh, before this goes any further, let’s at least introduce ourselves to your friend. I’m Cat, and this is my husband, Bones. We’re part of Mencheres’ twisted little fang family.
Jeaniene Frost (Eternal Kiss of Darkness (Night Huntress World, #2))
Grandfather used to call the rain 'the erotic ritual between heaven and Earth.' The rain represented the seeds sown in the Earth’s womb by heaven, her roaring husband, to further life. Rainy encounters between heaven and Earth were sexual love on a cosmic scale. All of nature became involved. Clouds, heaven’s body, were titillated by the storm. In turn, heaven caressed the Earth with heavy winds, which rushed toward their erotic climax, the tornado. The grasses that pop out of the Earth’s warm center shortly after the rain are called the numberless children of Earth who will serve humankind’s need for nourishment. The rainy season is the season of life. Yes, it had rained the night before.
Malidoma Patrice Somé (Of Water and the Spirit: Ritual, Magic, and Initiation in the Life of an African Shaman (Compass))
Further communication with her husband seemed hopeless. Between them yawned the chasm that divides those who have consumed champagne before breakfast from those who have not.
Helen Cresswell (Bagthorpes Haunted: Being the Sixth Part of the Bagthorpe Saga)
Live or die, but don't poison everything... Well, death's been here for a long time -- it has a hell of a lot to do with hell and suspicion of the eye and the religious objects and how I mourned them when they were made obscene by my dwarf-heart's doodle. The chief ingredient is mutilation. And mud, day after day, mud like a ritual, and the baby on the platter, cooked but still human, cooked also with little maggots, sewn onto it maybe by somebody's mother, the damn bitch! Even so, I kept right on going on, a sort of human statement, lugging myself as if I were a sawed-off body in the trunk, the steamer trunk. This became perjury of the soul. It became an outright lie and even though I dressed the body it was still naked, still killed. It was caught in the first place at birth, like a fish. But I play it, dressed it up, dressed it up like somebody's doll. Is life something you play? And all the time wanting to get rid of it? And further, everyone yelling at you to shut up. And no wonder! People don't like to be told that you're sick and then be forced to watch you come down with the hammer. Today life opened inside me like an egg and there inside after considerable digging I found the answer. What a bargain! There was the sun, her yolk moving feverishly, tumbling her prize -- and you realize she does this daily! I'd known she was a purifier but I hadn't thought she was solid, hadn't known she was an answer. God! It's a dream, lovers sprouting in the yard like celery stalks and better, a husband straight as a redwood, two daughters, two sea urchings, picking roses off my hackles. If I'm on fire they dance around it and cook marshmallows. And if I'm ice they simply skate on me in little ballet costumes. Here, all along, thinking I was a killer, anointing myself daily with my little poisons. But no. I'm an empress. I wear an apron. My typewriter writes. It didn't break the way it warned. Even crazy, I'm as nice as a chocolate bar. Even with the witches' gymnastics they trust my incalculable city, my corruptible bed. O dearest three, I make a soft reply. The witch comes on and you paint her pink. I come with kisses in my hood and the sun, the smart one, rolling in my arms. So I say Live and turn my shadow three times round to feed our puppies as they come, the eight Dalmatians we didn't drown, despite the warnings: The abort! The destroy! Despite the pails of water that waited, to drown them, to pull them down like stones, they came, each one headfirst, blowing bubbles the color of cataract-blue and fumbling for the tiny tits. Just last week, eight Dalmatians, 3/4 of a lb., lined up like cord wood each like a birch tree. I promise to love more if they come, because in spite of cruelty and the stuffed railroad cars for the ovens, I am not what I expected. Not an Eichmann. The poison just didn't take. So I won't hang around in my hospital shift, repeating The Black Mass and all of it. I say Live, Live because of the sun, the dream, the excitable gift.
Anne Sexton (The Complete Poems)
And consider this: the angel appeared to Mary first, not to her husband-to-be, Joseph. 'She had no status or honor apart from him,' yet Gabriel came to Mary—further proof of how much God values women.
Liz Curtis Higgs (The Women of Christmas: Experience the Season Afresh with Elizabeth, Mary, and Anna)
There is a predictable theme as to what upsets our matriarchs. Usually, matriarchs are known for their unified support. When it comes to kingdom matters, however, they are willing to drive out Abraham's son. (Ge 21:10) They are willing to reject Isaac's son. (Ge 27:6-13) In other words, they are not afraid to reject royalty ('shepherd-like acquaintances') to further God's kingdom goals. (Re 20:4-6)
Michael Ben Zehabe (Song of Songs: The Book for Daughters)
Well, my dear sisters, the gospel is the good news that can free us from guilt. We know that Jesus experienced the totality of mortal existence in Gethsemane. It's our faith that he experienced everything- absolutely everything. Sometimes we don't think through the implications of that belief. We talk in great generalities about the sins of all humankind, about the suffering of the entire human family. But we don't experience pain in generalities. We experience it individually. That means he knows what it felt like when your mother died of cancer- how it was for your mother, how it still is for you. He knows what it felt like to lose the student body election. He knows that moment when the brakes locked and the car started to skid. He experienced the slave ship sailing from Ghana toward Virginia. He experienced the gas chambers at Dachau. He experienced Napalm in Vietnam. He knows about drug addiction and alcoholism. Let me go further. There is nothing you have experienced as a woman that he does not also know and recognize. On a profound level, he understands the hunger to hold your baby that sustains you through pregnancy. He understands both the physical pain of giving birth and the immense joy. He knows about PMS and cramps and menopause. He understands about rape and infertility and abortion. His last recorded words to his disciples were, "And, lo, I am with you always, even unto the end of the world." (Matthew 28:20) He understands your mother-pain when your five-year-old leaves for kindergarten, when a bully picks on your fifth-grader, when your daughter calls to say that the new baby has Down syndrome. He knows your mother-rage when a trusted babysitter sexually abuses your two-year-old, when someone gives your thirteen-year-old drugs, when someone seduces your seventeen-year-old. He knows the pain you live with when you come home to a quiet apartment where the only children are visitors, when you hear that your former husband and his new wife were sealed in the temple last week, when your fiftieth wedding anniversary rolls around and your husband has been dead for two years. He knows all that. He's been there. He's been lower than all that. He's not waiting for us to be perfect. Perfect people don't need a Savior. He came to save his people in their imperfections. He is the Lord of the living, and the living make mistakes. He's not embarrassed by us, angry at us, or shocked. He wants us in our brokenness, in our unhappiness, in our guilt and our grief. You know that people who live above a certain latitude and experience very long winter nights can become depressed and even suicidal, because something in our bodies requires whole spectrum light for a certain number of hours a day. Our spiritual requirement for light is just as desperate and as deep as our physical need for light. Jesus is the light of the world. We know that this world is a dark place sometimes, but we need not walk in darkness. The people who sit in darkness have seen a great light, and the people who walk in darkness can have a bright companion. We need him, and He is ready to come to us, if we'll open the door and let him.
Chieko N. Okazaki
Fifteen years of yes's had beaten Mrs. Gilbert. Fifteen further years of that incessant unaffirmative affirmative, accompanied by the perpetual flicking of ash-mushrooms from thirty-two thousand cigars, had broken her. To this husband of hers she made the last concession of married life, which is more complete, more irrevocable, than the first—she listened to him. She told herself that the years had brought her tolerance—actually they had slain what measure she had ever possessed of moral courage.
F. Scott Fitzgerald (The Beautiful and Damned)
Persons Are Turned against Themselves Evil also turns a person against herself so that self is used against self. The case of the woman who received a dismissal letter from her pastor comes to mind again. The psychological decompensation she suffered was successfully used by her husband to intercede with a psychiatrist of his choosing to commit her to the mental unit of a hospital for an extended involuntary stay, which further worsened her condition. Additional examples abound. Some patients report cults using induced hypnotic states to encourage a subject's dissociated hands and arms to do something hurtful to someone else. In such cases, the subject is encouraged to watch the hand that is hers but not hers (because it is dissociated from her). The end result is often extreme guilt. self-loathing, and distrust of one's self and motives.An incestuous parent may use a child's own natural bodily responses to repeated sexual stimulation to make the point that the child really "wants and enjoys“ what is being forced upon her.
J. Jeffrey Means (Trauma and Evil: Healing the Wounded Soul)
On the lowest level, this loss of soul turns the man into the hen-pecked husband who lives with his wife as though she were his mother upon whom he is solely dependent in all things having to do with emotions and the inner life. But even the relatively positive case where the woman is the mistress of the inner domain and mother of the home who simultaneously has the responsibility for dealing with all the man's questions and problems having to do with emotions and the inner life, even this leads to a lack of emotional vitality and sterile one-sidedness in the man. He discharges only the "outer" and "rational" affairs of life, profession, politics, etc. Owing to his loss of soul, the world he has shaped becomes a patriarchal world that, in its soullessness, presents an unprecedented danger for humanity. In this context we cannot delve further into the significance of a full development of the archetypal feminine potential for a new, future society.
Erich Neumann (The Fear of the Feminine and Other Essays on Feminine Psychology)
Supposing We Really Found Him? It is always shocking to meet life where we thought we were alone. ‘Look out!’ we cry, ‘it’s alive’. And therefore this is the very point at which so many draw back—I would have done so myself if I could—and proceed no further with Christianity. An ‘impersonal God’—well and good. A subjective God of beauty, truth and goodness, inside our own heads—better still. A formless life-force surging through us, a vast power which we can tap—best of all. But God Himself, alive, pulling at the other end of the cord, perhaps approaching at an infinite speed, the hunter, king, husband—that is quite another matter. There comes a moment when the children who have been playing at burglars hush suddenly: was that a real footstep in the hall? There comes a moment when people who have been dabbling in religion (‘Man’s search for God!’) suddenly draw back. Supposing we really found Him? We never meant it to come to that! Worse still, supposing He had found us?
C.S. Lewis (A Year with C. S. Lewis: Daily Readings from His Classic Works)
One of her parlour borders, Miss Harriet Smith, married a local farmer, Robert Martin, and is very happily settled. They have three daughters and a son, but the doctor has told her it is unlikely that further children can be expected and she and her husband are anxious to have another son as playmate to their own. Mr and Mrs Knightley of Donwell Abbey are the most important couple in Highbury, and Mrs Knightley is a friend of Mrs Martin and has always taken a keen interest in her children.
P.D. James (Death Comes to Pemberley)
When Stephen talked about stalking chamois his whole expression changed. The features became more aquiline, the nose sharpened, the chin narrowed, and his eyes-steel blue - somehow took on the cold brilliance of a northern sky. I am being very frank about my husband. He attracted me at those times, and he repelled me too. This man, I told myself when I first met him, is a perfectionist. And he has no compassion. Gratified like all women who find themselves sought after and desired - a mutual love for Sibelius had been our common ground at our first encounter - after a few weeks in his company I shut my eyes to further judgment, because being with him gave me pleasure. It flattered my self-esteem. The perfectionist, admired by other women, now sought me. Marriage was in every sense a coup. It was only afterwards that I knew myself deceived. ("The Chamois")
Daphne du Maurier (Echoes from the Macabre: Selected Stories)
Women don't always want the right things in a man. And men don't have even an idea of what they want," she said. "Why, one minute their bodies tell them they want a wild woman that makes their blood rush. The next minute their good sense reminds them that they need a hard worker who is sturdy enough to help plow the field and birth the babies. They want a woman who'll mind their word and not be giving no jawing. But they also want a gal they can complain to when they are scared and unsure and who's smart enough to talk clear about the things goin' on." "So the wife has to be all those things?" "No, the wife is none of them," the old woman answered. "The wife is a wife and no further definition is necessary." Granny leaned forward in her chair to look more closely at Meggie. "Roe Farley married you and you were his wife. Nothing further even need to be said." Her face flushing with embarrassment, she glanced away. "But he doesn't... he didn't love me." "And did you think he would?" Momentarily Meggie was taken aback. "Well, yes." "Lord Almighty, child," Granny said. "Love ain't something that heaven hands out like good teeth or keen eyesight. Love is something two people make together." Shaking her head, the old woman leaned back in her chair once more and tapped on her pipe. "Love, oh, my, it starts out simple and scary with all that heavy breathing and in the bed sharing," she said. "You a-trembling when he runs his hands acrost your skin, him screaming out your name when he gets in the short rows. That's the easy part, Meggie. Every day thereafter it gets harder. The more you know him, the more he knows you, the longer you are a part of each other, the stronger the love is and the tougher it is to have it.
Pamela Morsi (Marrying Stone (Tales from Marrying Stone, #1))
Katrina hated to see the widows in black. They struck her as relics of their own making, frozen in permanent deference to reckless or foolish or simply unfortunate men who were nonetheless dead and sealed away in the earth forever. Husbands never wore black. Husbands were never confined to that kind of passive declaration, were never compelled to sulk across the world for the remainder of their lives, walking signposts of mourning. Husbands were permitted rage, permitted wrath, permitted to avenge their loss by marching out and inflecting on others the very same carnage once inflicted on them. It seemed to Karina further proof that wartime was the only time the world became as simple and carnivorously liberating as it must exist at all times in men's minds. Some of the women she met never used their own names again - she knew them only as Widow This or Widow That - but she'd never met a Widower Anything.
Omar El Akkad (American War)
Touching the copper of the ankh reminded me of another necklace, a necklace long since lost under the dust of time. That necklace had been simpler: only a string of beads etched with tiny ankhs. But my husband had brought it to me the morning of our wedding, sneaking up to our house just after dawn in a gesture uncharacteristically bold for him. I had chastised him for the indiscretion. "What are you doing? You're going to see me this afternoon... and then every day after that!" "I had to give you these before the wedding." He held up the string of beads. "They were my mother's. I want you to have them, to wear them today.” He leaned forward, placing the beads around my neck. As his fingers brushed my skin, I felt something warm and tingly run through my body. At the tender age of fifteen, I hadn't exactly understood such sensations, though I was eager to explore them. My wiser self today recognized them as the early stirrings of lust, and . . . well, there had been something else there too. Something else that I still didn't quite comprehend. An electric connection, a feeling that we were bound into something bigger than ourselves. That our being together was inevitable. "There," he'd said, once the beads were secure and my hair brushed back into place. "Perfect.” He said nothing else after that. He didn't need to. His eyes told me all I needed to know, and I shivered. Until Kyriakos, no man had ever given me a second glance. I was Marthanes' too-tall daughter after all, the one with the sharp tongue who didn't think before speaking. (Shape-shifting would eventually take care of one of those problems but not the other.) But Kyriakos had always listened to me and watched me like I was someone more, someone tempting and desirable, like the beautiful priestesses of Aphrodite who still carried on their rituals away from the Christian priests. I wanted him to touch me then, not realizing just how much until I caught his hand suddenly and unexpectedly. Taking it, I placed it around my waist and pulled him to me. His eyes widened in surprise, but he didn't pull back. We were almost the same height, making it easy for his mouth to seek mine out in a crushing kiss. I leaned against the warm stone wall behind me so that I was pressed between it and him. I could feel every part of his body against mine, but we still weren't close enough. Not nearly enough. Our kissing grew more ardent, as though our lips alone might close whatever aching distance lay between us. I moved his hand again, this time to push up my skirt along the side of one leg. His hand stroked the smooth flesh there and, without further urging, slid over to my inner thigh. I arched my lower body toward his, nearly writhing against him now, needing him to touch me everywhere. "Letha? Where are you at?” My sister's voice carried over the wind; she wasn't nearby but was close enough to be here soon. Kyriakos and I broke apart, both gasping, pulses racing. He was looking at me like he'd never seen me before. Heat burned in his gaze. "Have you ever been with anyone before?" he asked wonderingly. I shook my head. "How did you ... I never imagined you doing that...” "I learn fast.” He grinned and pressed my hand to his lips. "Tonight," he breathed. "Tonight we ...” "Tonight," I agreed. He backed away then, eyes still smoldering. "I love you. You are my life.” "I love you too." I smiled and watched him go.
Richelle Mead (Succubus Blues (Georgina Kincaid, #1))
Fifteen years of yes's had beaten Mrs. Gilbert. Fifteen further years of that incessant unaffirmative affirmative, accompanied by the perpetual flicking of ash-mushrooms from thirty-two thousand cigars, had broken her. To this husband of hers she made the last concession of married life, which is more complete, more irrevocable, than the first—she listened to him. She told herself that the years had brought her tolerance—actually they had slain what measure she had ever possessed of moral courage. She
F. Scott Fitzgerald (The Beautiful and Damned)
Nightbitch resolved to demand things- all sorts of things. To ask. To not assume she had to cook the dinner and do the night-nights and clean the house and pay the bills and buy the presents and send the cards and schedule to appointments and keep track of every last thing all by herself. This was, after all, a partnership, wasn’t it? This was, after all, the modern era, empowerment and feminism and all that, and she had not been taking advantage of any of it because, she discovered as she thought further, she did not have a job. Or, rather, she did not have a job that paid any money whatsoever; in fact, it was a drain on money, represented negative money, this mothering job. Because her husband paid for their lives, paid for the privilege she had of staying home each and every day devoting herself completely to motherhood and nothing else, she had felt, ever since she stepped down from her position at the gallery, that she was in no place to demand anything, He worked all week, and she felt it was too much to ask him to lift a finger on the weekend, because she had automatically devalued her work from the start. She had been, she saw now, inculcated by a culture that told her, Look, it’s cute you’re a mom, and go do your thing, but, honestly, it’s not that hard; you’re probably not all that smart or interesting , but good for you for feeling fulfilled by mothering.
Rachel Yoder (Nightbitch)
His mouth stroked over her face, his breath rushing across her skin in hot drifts that made her quiver. “Evie…during the past few days I’ve had nothing to do but lie in this bed and think about things that I’ve spent my entire life trying to avoid. I once told you that I wasn’t meant for a wife and family. That I wouldn’t have any interest in a child, if you…” He hesitated for a long moment. “But…the truth is…I want you to have my baby. I didn’t know how much, until I thought that I would never have the opportunity. I thought—” He broke off, a self-mocking smile touching his lips. “Damn it. I don’t know how to be a husband, or a father. But since your standards in both areas seem to be relatively low, I may have half a chance at pleasing you.” He grinned at her mock frown, then sobered. “There are many ways I can prevent you from conceiving. But if or when you ever decide that you’re ready, I want you to tell me—” Evie stopped him with her mouth. In the blazing minutes that followed, no further words were possible.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
To Kathleen’s surprise, West didn’t leave. He returned to the house and went to his room. At least, she thought darkly, he’d made no further attempt to mount a horse while he was drunk, which she supposed put him above her late husband in terms of intelligence.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
During the 1980s, in California, a large number of Cambodian women went to their doctors with the same complaint: they could not see. The women were all war refugees. Before fleeing their homeland, they had witnessed the atrocities for which the Khmer Rouge, which had been in power from 1975 to 1979, was well known. Many of the women had been raped or tortured or otherwise brutalized. Most had seen family members murdered in front of them. One woman, who never again saw her husband and three children after soldiers came and took them away, said that she had lost her sight after having cried every day for four years. She was not the only one who appeared to have cried herself blind. Others suffered from blurred or partial vision, their eyes troubled by shadows and pains. The doctors examined the women - about a hundred and fifty in all - found that their eyes were normal. Further tests showed that their brains were normal as well. If the women were telling the truth - and there were some who doubted this, who thought the women might be malingering because they wanted attention or were hoping to collect disability - the only explanation was psychosomatic blindness. In other words, the women's minds, forced to take in so much horror and unable to take more, had managed to turn out the lights.
Sigrid Nunez (The Friend)
I don't have children. I can't say I'd feel the same way if one of them was killed. And I don't have the answers-believe me, if I did, I'd be a lot richer-but you know, I'm starting to think that's okay. Maybe instead of looking for answers, we ought to be asking some questions instead. Like: What's the lesson we're teaching here? What if it's different every time? What if justice isn't equal to due process? Because at the end of the day, this is what we're left with: a victim, who's become a file to be dealt with, instead of a little girls, or a husband. An inmate who doesn't want to know the name of a correctional officer's child because that makes the relationship too personal. A warden who carries out executions even if he doesn't think they should happen in principle. And and ACLU lawyer who's suppose to go to the office, close the case, and move on. What we're left with is death, with the humanity removed from it." I hesitated a moment. "So you tell me...did this execution really make you feel safer? Did it bring us all together? Or did it drive us further apart?
Jodi Picoult
We are repeatedly left, in other words, with no further focus than ourselves, a source from which self-pity naturally flows. Each time this happens I am struck again by the permanent impassibility of the divide. Some people who have lost a husband or a wife report feeling that person's presence, receiving that person's advice. Some report actual sightings, what Freud described in "Mourning and Melancholia" as "a clinging to the object through the medium of a hallucinatory wishful psychosis." Others describe not a visible apparition but just a "very strongly felt presence.
Joan Didion
Her husband was really deserving of her; independent of his peerage, his wealth, and his attachment, being to a precision the most charming young man in the world. Any further definition of his merits must be unnecessary; the most charming young man in the world is instantly before the imagination of us all.
Jane Austen (Northanger Abbey)
Lost in the stormy kiss, Elizabeth felt her legs gliding down his as he gently lowered her against him until her feet touched the floor. But when his fingers pulled at the ribbon that held her gown in place at her shoulder, she jerked free of his kiss, automatically clamping her hand over his. “What are you doing?” she asked in a quaking whisper. His fingers stilled, and Ian lifted his heavy-lidded gaze to hers. The question took him by surprise, but as he stared into her green eyes Ian saw her apprehension, and he had a good idea what was causing it. “What do you think I’m doing?” he countered cautiously. She hesitated, as if unwilling even to accuse him of such an unspeakable act, and then she admitted in a small, reluctant voice, “Disrobing me.” “And that surprises you?” “Surprises me? Of course it does. Why wouldn’t it?” Elizabeth asked, more suspicious than ever of what Lucinda had told her. Quietly he said, “What exactly do you know about what takes place between a husband and wife in bed?” “You-you mean ‘as it pertains to the creation of children’?” she said, quoting his words to her the day she agreed to become betrothed to him. He smiled with tender amusement at her phrasing. “I suppose you can call it that-for now.” “Only what Lucinda told me.” He waited to hear an explanation, and Elizabeth reluctantly added, “She said a husband kisses his wife in bed and that it hurts the first time, and that is how it is done.” Ian hesitated, angry with himself for not having followed his own instincts and questioned her further when she seemed fully informed and without maidenly qualms about lovemaking. As gently as he could, he said, “You’re a very intelligent young woman, love, not an overly fastidious spinster like your former duenna. Now, do you honestly believe the rules of nature would be completely set aside for people?
Judith McNaught (Almost Heaven (Sequels, #3))
He left for his day at the library. Today is research day. When he got there, he went directly to the microfiche machine and began looking through the newspaper obituaries for married men who died between 1980 and 1983. Their widows would be due for a little romance by now. He stayed there for hours, searching for her. His meticulous search netted seven names that merited further investigation. If some husband died and it made the first five pages of the paper, well, that meant a definite bonus because the dead man was powerful and with power came money. Their widows made excellent prospects for his future plans.
Jean Holloway (Black Jack (DECK of CARDZ, #2))
Now I know that, when you lose a child, it’s not the same as losing a contemporary, even a beloved husband or wife. When you lose a child, you grieve as a child grieves, which is to say, you grieve backward. You don’t get better as time passes, you get worse. Time does not take you closer to acceptance, only further from the one you love.
Jacquelyn Mitchard (The Good Son)
Consider these traditional theories of domestic abuse: - Learned helplessness suggest that abused women learn to become helpless under abusive conditions; they are powerless to extricate themselves from such relationships and/or unable to make adaptive choices - The cycle of violence describes a pattern that includes a contrition or honeymoon phase. The abusive husband becomes contrite and apologetic after a violent episode, making concerted efforts to get back in his wife’s good graces. - Traumatic bonding attempts to explain the inexplicable bond that is formed between a woman and her abusive partner - The theory of past reenactments posits that women in abusive relationships are reliving unconscious feelings from early childhood scenarios. My research results and experience with patients do not conform to these concepts. I have found that the upscale abused wife is not a victim of learned helplessness. Rather, she makes specific decisions along the path to be involved in the abusive marriage, including silent strategizing as she chooses to stay or leave the marriage. Nor does the upscale abused wife experience the classic cycle of violence, replete with the honeymoon stage, in which the husband courts his wife to seek her forgiveness. As in the case of Sally and Ray, the man of means actually does little to seek his wife’s forgiveness after a violent episode. Further, the upscale abused wife voices more attachment to her lifestyle than the traumatic bonding with her abusive mate. And very few of the abused women I have met over the years experienced abuse in their childhoods or witnessed it between their parents. In fact, it is this lack of experience with violence, rage, and abuse that makes this woman even more overwhelmed and unclear about how to cope with something so alien to her and the people in her universe.
Susan Weitzman (Not To People Like Us: Hidden Abuse In Upscale Marriages)
I’d made him arroz con pollo that night, and I specifically didn’t take my apron off when I brought it up. I wanted him to see me as harmless and domestic. I thought I’d get further if I didn’t threaten him. It grated on my nerves to have to ask him how I could spend my own money. But I didn’t see another choice. “Sure,” he said. “I think it’s a smart thing to do. You’ll get better, and who knows, you might even star in a picture one day.” I would star. I wanted to punch his lights out.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
Parents still bring up their daughters with a view to marriage rather than to furthering her personal development; she sees so many advantages in it that she herself wishes for it; the result is that she is often less specially trained, less solidly grounded than her brothers, she is less deeply involved in her profession. In this way she dooms herself to remain in it its lower level, to be inferior; and the vicious circle is formed : this professional inferiority reinforces her desire to find a husband.
Simone de Beauvoir (The Second Sex)
It’s like I’m suddenly a hormonally charged teenager or living in a bad romance novel: I suddenly can’t stop myself from noticing every man around me. Which means that Darcy, Samantha, and Michael are probably right. Plus, there was that disturbing dream about Voldemort this morning. I need to lose my gay-husband virginity before I lose my mind entirely. I need to find someone to sleep with me. And the fact that I don’t have the faintest idea how to make that happen is just further proof that it needs to. —SINGLE-MINDED
Lisa Daily (Single-Minded)
MADAME DE SAINT-ANGE — [...] And is there anything more ridiculous than to see a maiden of fifteen or sixteen, consumed by desires she is compelled to suppress, wait, and, while waiting, endure worse than hell's torments until it pleases her parents, having first rendered her youth miserable, further to sacrifice her riper years by immolating them to their perfidious cupidity when they associate her, despite her wishes, with a husband who either has nothing wherewith to make himself loved, or who possesses everything to make himself hated?
Marquis de Sade (Philosophy in the Boudoir)
She stared at him, at his face. Simply stared as the scales fell from her eyes. "Oh, my God," she whispered, the exclamation so quiet not even he would hear. She suddenly saw-saw it all-all that she'd simply taken for granted. Men like him protected those they loved, selflessly, unswervingly, even unto death. The realization rocked her. Pieces of the jigsaw of her understanding of him fell into place. He was hanging to consciousness by a thread. She had to be sure-and his shields, his defenses were at their weakest now. Looking down at her hands, pressed over the nearly saturated pad, she hunted for the words, the right tone. Softly said, "My death, even my serious injury, would have freed you from any obligation to marry me. Society would have accepted that outcome, too." He shifted, clearly in pain. She sucked in a breath-feeling his pain as her own-then he clamped the long fingers of his right hand about her wrist, held tight. So tight she felt he was using her as an anchor to consciousness, to the world. His tone, when he spoke, was harsh. "Oh, yes-after I'd expended so much effort keeping you safe all these years, safe even from me, I was suddenly going to stand by and let you be gored by some mangy bull." He snorted, soft, low. Weakly. He drew in a slow, shallow breath, lips thin with pain, but determined, went on, "You think I'd let you get injured when finally after all these long years I at last understand that the reason you've always made me itch is because you are the only woman I actually want to marry? And you think I would stand back and let you be harmed?" A peevish frown crossed his face. "I ask you, is that likely? Is it even vaguely rational?" He went on, his words increasingly slurred, his tongue tripping over some, his voice fading. She listened, strained to catch every word as he slid into semi delirium, into rambling, disjointed sentences that she drank in, held to her heart. He gave her dreams back to her, reshaped and refined. "Not French Imperial-good, sound, English oak. You can use whatever colors you like, but no gilt-I forbid it." Eventually he ventured further than she had. "And I want at least three children-not just an heir and a spare. At least three-if you're agreeable. We'll have to have two boys, of course-my evil ugly sisters will found us to make good on that. But thereafter...as many girls as you like...as long as they look like you. Or perhaps Cordelia-she's the handsomer of the two uglies." He loved his sisters, his evil ugly sisters. Heather listened with tears in her eyes as his mind drifted and his voice gradually faded, weakened. She'd finally got her declaration, not in anything like the words she'd expected, but in a stronger, impossible-to-doubt exposition. He'd been her protector, unswerving, unflinching, always there; from a man like him, focused on a lady like her, such actions were tantamount to a declaration from the rooftops. The love she'd wanted him to admit to had been there all along, demonstrated daily right before her eyes, but she hadn't seen. Hadn't seen because she'd been focusing elsewhere, and because, conditioned as she was to resisting the same style of possessive protectiveness from her brothers, from her cousins, she hadn't appreciated his, hadn't realized that that quality had to be an expression of his feelings for her. Until now. Until now that he'd all but given his life for hers. He loved her-he'd always loved her. She saw that now, looking back down the years. He'd loved her from the time she'd fallen in love with him-the instant they'd laid eyes on each other at Michael and Caro's wedding in Hampshire four years ago. He'd held aloof, held away-held her at bay, too-believing, wrongly, that he wasn't an appropriate husband for her. In that, he'd been wrong, too. She saw it all. And as the tears overflowed and tracked down her cheeks, she knew to her soul how right he was for her. Knew, embraced, and rejoiced.
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
You are a very interesting man," Rosamund stated. "And you have female friends. Actual friends. I don't think Lord Cosgrove can claim that." He smiled, sincerely complimented. "Why thank you, my lady. So, as long as I'm here, shall we kiss again, or do you wish to proceed along the garden path a bit further?" She backed up a step. "That's not very romantic." It took more control than he expected to remain where he was and not pursue her. "Neither is your prospective husband. Don't expect posies. If you do receive them, they're more than likely deadly nightshade.
Suzanne Enoch (Always a Scoundrel (Notorious Gentlemen, #3))
We have so much further to go, but looking back at how far we’ve come can be encouraging. Domestic violence was mostly invisible and unpunished until a heroic effort by feminists to out it and crack down on it a few decades ago. Though it now generates a significant percentage of the calls to police, enforcement has been crummy in most places—but the ideas that a husband has the right to beat his wife and that it’s a private matter are not returning anytime soon. The genies are not going back into their bottles. And this is, really, how revolution works. Revolutions are first of all of ideas.
Rebecca Solnit (Men Explain Things To Me Updated Edition)
My calling as a mother is the same as any other Christian’s: to fulfill God’s will for our lives and to glorify him. This means I am to follow the Lord’s design for my marriage—cleaving to my husband, supporting him, honoring him, loving him as my own flesh. I am to be a careful steward of the world in which I live. I am to seek opportunities to bring God’s message of redemption to others, to make full use of the gifts and talents he has placed in my life to bring him glory and further his kingdom. And I am to delight in him and worship him and praise him in whatever circumstance I find myself.
Sally Clarkson (The Mission Of Motherhood: Touching Your Child's Heart For Eternity)
And her looks? Is she pretty?” asked Strange. The question seemed to embarrass Henry. “Miss Watkins is not generally considered one of the first in beauty, no. But then upon further acquaintance, you know – that is worth a great deal. People of both sexes, whose looks are very indifferent at the beginning, may appear almost handsome on further acquaintance. A well-informed mind, nice manners and a gentle nature – all of these are much more likely to contribute to a husband’s happiness than mere transient beauty.” Strange and Arabella were a little surprized at this speech. There was a pause and then Strange asked, “Money?
Susanna Clarke (Jonathan Strange & Mr Norrell)
Entering the office, Evie found Sebastian and Cam on opposite sides of the desk. They both mulled over account ledgers, scratching out some entries with freshly inked pens, and making notations beside the long columns. Both men looked up as she crossed the threshold. Evie met Sebastian’s gaze only briefly; she found it hard to maintain her composure around him after the intimacy of the previous night. He paused in mid-sentence as he stared at her, seeming to forget what he had been saying to Cam. It seemed that neither of them was yet comfortable with feelings that were still too new and powerful. Murmuring good morning to them both, she bid them to remain seated, and she went to stand beside Sebastian’s chair. “Have you breakfasted yet, my lord?” she asked. Sebastian shook his head, a smile glinting in his eyes. “Not yet.” “I’ll go to the kitchen and see what is to be had.” “Stay a moment,” he urged. “We’re almost finished.” As the two men discussed a few last points of business, which pertained to a potential investment in a proposed shopping bazaar to be constructed on St. James Street, Sebastian picked up Evie’s hand, which was resting on the desk. Absently he drew the backs of her fingers against the edge of his jaw and his ear while contemplating the written proposal on the desk before him. Although Sebastian was not aware of what the casual familiarity of the gesture revealed, Evie felt her color rise as she met Cam’s gaze over her husband’s downbent head. The boy sent her a glance of mock reproof, like that of a nursemaid who had caught two children playing a kissing game, and he grinned as her blush heightened further. Oblivious to the byplay, Sebastian handed the proposal to Cam, who sobered instantly. “I don’t like the looks of this,” Sebastian commented. “It’s doubtful there will be enough business in the area to sustain an entire bazaar, especially at those rents. I suspect within a year it will turn into a white elephant.” “White elephant?” Evie asked. A new voice came from the doorway, belonging to Lord Westcliff. “A white elephant is a rare animal,” the earl replied, smiling, “that is not only expensive but difficult to maintain. Historically, when an ancient king wished to ruin someone he would gift him with a white elephant.” Stepping into the office, Westcliff bowed over Evie’s hand and spoke to Sebastian. “Your assessment of the proposed bazaar is correct, in my opinion. I was approached with the same investment opportunity not long ago, and I rejected it on the same grounds.” “No doubt we’ll both be proven wrong,” Sebastian said wryly. “One should never try to predict anything regarding women and their shopping.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
She merely wiped the floor with paper towels and said nothing, brushing her free hand against my shoulder blade—my shoulder blade!—as she carried the soaked paper to the trash can, never holding me fast, refraining not out of lack of humanity but out of fear of being drawn into a request for further tenderness, a request that could only bring her face-to-face with some central revulsion, a revulsion of her husband or herself or both, a revulsion that had come from nowhere, or from her, or perhaps from something I’d done or failed to do, who knew, she didn’t want to know, it was too great a disappointment, far better to get on with the chores, with the baby, with the work, far better to leave me to my own devices, as they say, to leave me to resign myself to certain motifs, to leave me to disappear guiltily into a hole of my own digging. When the time came to stop her from leaving, I did not know what to think or wish for, her husband who was now an abandoner, a hole-dweller, a leaver who had left her to fend for herself, as she said, who’d failed to provide her with the support and intimacy she needed, she complained, who was lacking some fundamental wherewithal, who no longer wanted her, who beneath his scrupulous marital motions was angry, whose sentiments had decayed into a mere sense of responsibility, a husband who, when she shouted, “I don’t need to be provided for! I’m a lawyer! I make two hundred and fifty thousand dollars a year! I need to be loved!” had silently picked up the baby and smelled the baby’s sweet hair, and had taken the baby for a crawl in the hotel corridor, and afterward washed the baby’s filthy hands and soft filthy knees, and thought about what his wife had said, and saw the truth in her words and an opening, and decided to make another attempt at kindness, and at nine o’clock, with the baby finally drowsy in his cot, came with a full heart back to his wife to find her asleep, as usual, and beyond waking. In short, I fought off the impulse to tell Rachel to go fuck herself.
Joseph O'Neill (Netherland)
About his madmen Mr. Lecky was no more certain. He knew less than the little to be learned of the causes or even of the results of madness. Yet for practical purposes one can imagine all that is necessary. As long as maniacs walk like men, you must come close to them to penetrate so excellent a disguise. Once close, you have joined the true werewolf. Pick for your companion a manic-depressive, afflicted by any of the various degrees of mania - chronic, acute, delirious. Usually more man than wolf, he will be instructive. His disorder lies in the very process of his thinking, rather than in the content of his thought. He cannot wait a minute for the satisfaction of his fleeting desires or the fulfillment of his innumerable schemes. Nor can he, for two minutes, be certain of his intention or constant in any plan or agreement. Presently you may hear his failing made manifest in the crazy concatenation of his thinking aloud, which psychiatrists call "flight of ideas." Exhausted suddenly by this riotous expense of speech and spirit, he may subside in an apathy dangerous and morose, which you will be well advised not to disturb. Let the man you meet be, instead, a paretic. He has taken a secret departure from your world. He dwells amidst choicest, most dispendious superlatives. In his arm he has the strength to lift ten elephants. He is already two hundred years old. He is more than nine feet high; his chest is of iron, his right leg is silver, his incomparable head is one whole ruby. Husband of a thousand wives, he has begotten on them ten thousand children. Nothing is mean about him; his urine is white wine; his faeces are always soft gold. However, despite his splendor and his extraordinary attainments, he cannot successfully pronounce the words: electricity, Methodist Episcopal, organization, third cavalry brigade. Avoid them. Infuriated by your demonstration of any accomplishment not his, he may suddenly kill you. Now choose for your friend a paranoiac, and beware of the wolf! His back is to the wall, his implacable enemies are crowding on him. He gets no rest. He finds no starting hole to hide him. Ten times oftener than the Apostle, he has been, through the violence of the unswerving malice which pursues him, in perils of waters, in perils of robbers, in perils of his own countrymen, in perils by the heathen, in perils in the city, in perils in the wilderness, in perils in the sea, in perils among false brethren, in weariness and painfulness, in watchings often, in hunger and thirst, in fastings often, in cold and nakedness. Now that, face to face with him, you simulate innocence and come within his reach, what pity can you expect? You showed him none; he will certainly not show you any. Lighten our darkness, we beseech thee, 0 Lord; and by thy great mercy defend us from all the perils and dangers of this night; for the love of thy only Son, our Saviour, Jesus Christ. Amen. Mr. Lecky's maniacs lay in wait to slash a man's head half off, to perform some erotic atrocity of disembowelment on a woman. Here, they fed thoughtlessly on human flesh; there, wishing to play with him, they plucked the mangled Tybalt from his shroud. The beastly cunning of their approach, the fantastic capriciousness of their intention could not be very well met or provided for. In his makeshift fort everywhere encircled by darkness, Mr. Lecky did not care to meditate further on the subject.
James Gould Cozzens (Castaway)
We’ve forgotten how important it is to be touched, yet we all need it in order to survive. So touch her, and tell her husband to do that too. We often make the mistake of not wanting to bother someone who is grieving. We think they need peace and quiet and to be left alone. Nothing could be further from the truth. Human beings are herd animals, and we need to feel the herd around us, we need the closeness, warmth, and touch of other people. So make sure that Anna is surrounded by her herd. Don’t let her stay in her room all alone. Don’t allow her to slip away to that place where there may not be any grief but there aren’t any other emotions either. Force her to come out of there.
Camilla Läckberg (The Lost Boy (Patrik Hedström, #7))
Obama occasionally pointed out that the post–Cold War moment was always going to be transitory. The rest of the world will accede to American leadership, but not dominance. I remember a snippet from a column around 9/11: America bestrides the world like a colossus. Did we? It was a story we told ourselves. Shock and awe. Regime change. Freedom on the march. A trillion dollars later, we couldn’t keep the electricity running in Baghdad. The Iraq War disturbed other countries—including U.S. allies—in its illogic and destruction, and accelerated a realignment of power and influence that was further advanced by the global financial crisis. By the time Obama took office, a global correction had already taken place. Russia was resisting American influence. China was throwing its weight around. Europeans were untangling a crisis in the Eurozone. Obama didn’t want to disengage from the world; he wanted to engage more. By limiting our military involvement in the Middle East, we’d be in a better position to husband our own resources and assert ourselves in more places, on more issues. To rebuild our economy at home. To help shape the future of the Asia Pacific and manage China’s rise. To open up places like Cuba and expand American influence in Africa and Latin America. To mobilize the world to deal with truly existential threats such as climate change, which is almost never discussed in debates about American national security.
Ben Rhodes (The World As It Is: Inside the Obama White House)
A late arrival had the impression of lots of loud people unnecessarily grouped within a smoke-blue space between two mirrors gorged with reflections. Because, I suppose, Cynthia wished to be the youngest in the room, the women she used to invite, married or single, were, at the best, in their precarious forties; some of them would bring from their homes, in dark taxis, intact vestiges of good looks, which, however, they lost as the party progressed. It has always amazed me - the capacity sociable weekend revelers have of finding almost at once, by a purely empiric but very precise method, a common denominator of drunkenness, to which everybody loyally sticks before descending, all together, to the next level. The rich friendliness of the matrons was marked by tomboyish overtones, while the fixed inward look of amiably tight men was like a sacrilegious parody of pregnancy. Although some of the guests were connected in one way or another with the arts, there was no inspired talk, no wreathed, elbow-propped heads, and of course no flute girls. From some vantage point where she had been sitting in a stranded mermaid pose on the pale carpet with one or two younger fellows, Cynthia, her face varnished with a film of beaming sweat, would creep up on her knees, a proffered plate of nuts in one hand, and crisply tap with the other the athletic leg of Cochran or Corcoran, an art dealer, ensconced, on a pearl-grey sofa, between two flushed, happily disintegrating ladies. At a further stage there would come spurts of more riotous gaiety. Corcoran or Coransky would grab Cynthia or some other wandering woman by the shoulder and lead her into a corner to confront her with a grinning imbroglio of private jokes and rumors, whereupon, with a laugh and a toss of her head, he would break away. And still later there would be flurries of intersexual chumminess, jocular reconciliations, a bare fleshy arm flung around another woman's husband (he standing very upright in the midst of a swaying room), or a sudden rush of flirtatious anger, of clumsy pursuit-and the quiet half smile of Bob Wheeler picking up glasses that grew like mushrooms in the shade of chairs. ("The Vane Sisters")
Vladimir Nabokov (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
Perhaps the smell of the balm had put me in a trance, for as I moved my hands back and forth, I thought I saw hanging in the night sky a great web, its glinting threads woven from our present nature and our past actions. Karna was caught in it, as was I. Others were enmeshed there, too: Kunti, my husbands, Bheeshma, even Duryodhan and Dussasan. If there was a way to escape the web, I couldn't see it. Our puny struggles only entangled us further. A strange compassion came upon me as I watched us twist and turn in the breeze. I tried to hold on to this compassion, sensing its preciousness, but even as I reached to grasp it, it dissipated into wisps. No revelation can endure unless it is bolstered by a calm, pure mind - and I'm afraid I didn't possess that.
Chitra Banerjee Divakaruni (The Palace of Illusions)
The modern urban-industrial society is based on a series of radical disconnections between body and soul, husband and wife, marriage and community, community and the earth. At each of these points of disconnection the collaboration of corporation, government, and expert sets up a profit-making enterprise that results in the further dismemberment and impoverishment of the Creation. Together, these disconnections add up to a condition of critical ill health, which we suffer in common—not just with each other, but with all other creatures. Our economy is based upon this disease. Its aim is to separate us as far as possible from the sources of life (material, social, and spiritual), to put these sources under the control of corporations and specialized professionals, and to sell them to us at the highest profit.
Wendell Berry (The Unsettling of America: Culture & Agriculture)
He uses me for sex when he needs to. He presses me against a table or over the back of the bed and fucks me, silent until the last few moments, those few quick grunts, and then he releases me, he puts a palm on the small of my back, his one gesture of intimacy, and he says something that is supposed to make it seem like a game: “You’re so sexy, sometimes I can’t control myself.” But he says it in a dead voice. Quiz: Your husband, with whom you once shared a wonderful sex life, has turned distant and cold—he only wants sex his way, on his time. You: a) Withhold sex further—he’s not going to win this game! b) Cry and whine and demand answers he’s not yet ready to give, further alienating him. c) Have faith that this is just a bump in a long marriage—he is in a dark place—so try to be understanding and wait it out. Answer: C. Right?
Gillian Flynn (Gone Girl)
He didn’t speak further, but relaxed a bit under my hands when he realized that it wasn’t going to hurt. I felt an odd sense of intimacy with this young Scottish stranger, due in part, I thought, to the dreadful story he had just told me, and in part to our long ride through the dark, pressed together in drowsy silence. I had not slept with many men other than my husband, but I had noticed before that to sleep, actually sleep with someone did give this sense of intimacy, as though your dreams had flowed out of you to mingle with his and fold you both in a blanket of unconscious knowing. A throwback of some kind, I thought. In older, more primitive times (like these? asked another part of my mind), it was an act of trust to sleep in the presence of another person. If the trust was mutual, simple sleep could bring you closer together than the joining of bodies.
Diana Gabaldon (Outlander (Outlander, #1))
Lady Thornton!” the prosecutor rapped out, and he began firing questions at her so rapidly that she could scarcely keep track of them. “Tell us the truth, Lady Thornton. Did that man”-his finger pointed accusingly to where Ian was sitting, out of Elizabeth’s vision-“fid you and bribe you to come back here and tell us this absurd tale? Or did he find you and threaten your life if you didn’t come here today? Isn’t it true that you have no idea where your brother is? Isn’t it true that by your own admission a few moments ago you fled in terror for your life from this cruel man? Isn’t it true that you are afraid of further cruelty from him-“ “No!” Elizabeth cried. Her gaze raced over the male faces around and above her, and she could see not one that looked anything but either dubious or contemptuous of the truths she had told. “No further questions!” “Wait!” In that infinitesimal moment of time Elizabeth realized that if she couldn’t convince them she was telling the truth, she might be able to convince them she was too stupid to make up such a lie. “Yes, my lord,” her voice rang out. “I cannot deny it-about his cruelty, I mean.” Sutherland swung around, his eyes lighting up, and renewed excitement throbbed in the great chamber. “You admit this is a cruel man?” “Yes, I do,” Elizabeth emphatically declared. “My dear, poor woman, could you tell us-all of us-some examples of his cruelty?” “Yes, and when I do, I know you will all understand how truly cruel my husband can be and why I ran off with Robert-my brother, that is.” Madly, she tried to think of half-truths that would not constitute perjury, and she remembered Ian’s words the night he came looking for her at Havenhurst. “Yes, go on.” Everyone in the galleries leaned forward in unison, and Elizabeth had the feeling the whole building was tipping toward her. “When was the last time your husband was cruel?” “Well, just before I left he threatened to cut off my allowance-I had overspent it, and I hated to admit it.” “You were afraid he would beat you for it?” “No, I was afraid he wouldn’t give me more until next quarter!” Someone in the gallery laughed, then the sound was instantly choked. Sutherland started to frown darkly, but Elizabeth plunged ahead. “My husband and I were discussing that very thing-my allowance, I mean-two nights before I ran away with Bobby.” “And did he become abusive during that discussion? Is that the night your maid testified that you were weeping?” “Yes, I believe it was!” “Why were you weeping, Lady Thornton?” The galleries tipped further toward her. “I was in a terrible taking,” Elizabeth said, stating a fact. “I wanted to go away with Bobby. In order to do it, I had to sell my lovely emeralds, which Lord Thornton gave me.” Seized with inspiration, she leaned confiding inches toward the Lord Chancellor upon the woolsack. “I knew he would buy me more, you know.” Startled laughter rang out from the galleries, and it was the encouragement Elizabeth desperately needed. Lord Sutherland, however, wasn’t laughing. He sensed that she was trying to dupe him, but with all the arrogance typical of most of his sex, he could not believe she was smart enough to actually attempt, let alone accomplish it. “I’m supposed to believe you sold your emeralds out of some freakish start-out of a frivolous desire to go off with a man you claim was your brother?” “Goodness, I don’t know what you are supposed to believe. I only know I did it.” “Madam!” he snapped. “You were on the verge of tears, according to the jeweler to whom you sold them. If you were in a frivolous mood, why were you on the verge of tears?” Elizabeth gave him a vacuous look. “I liked my emeralds.
Judith McNaught (Almost Heaven (Sequels, #3))
It was around this time that a routine medical screening warned that Chris might have tuberculosis. We talked about it on the phone. I remember the discussion vividly, not because of the disease--I thought further testing would say he was fine, which it did--but because of his attitude. Namely, that he was replaceable. “If I die, you could just get a new husband and Bubba can get a new dad,” he told me. It made me furious. Heartbroken. It was as if he didn’t understand how irreplaceable he was to me, to our son, and to the rest of the family. It was as if he didn’t know how much I loved him. I realized later that, in his mind, he was only being realistic. He wanted what was best for me. He had seen death up close and watched the mission go on, lives go on, whether people wanted it to or not. If he couldn’t be there, he still wanted me to be happy. Even so, it was a devastating statement at the time. In some ways, I never got over it.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
Without help or a supportive husband, Lenore was as alone as she had been after her first husband died, as she had been before marrying Salem. It was too late to curry friendship with neighboring women, who she had made sure knew their level and hers. Pleading with Jackie’s mother was humiliating as well as fruitless since the answer was “Sorry.” Now she had to be content with the company of the person she prized most of all—herself. Perhaps it was that partnership between Lenore and Lenore that caused the minor stroke she suffered on a sweltering night in July. Salem found her kneeling beside the bed and ran to Mr. Haywood’s house. He drove her to the hospital in Mount Haven. There, after a long, perilous wait in the corridor, she finally received treatment that curtailed further damage. Her speech was slurred but she was ambulatory—if carefully so. Salem saw to her basic needs, but was relieved to learn he could not understand a word she spoke. Or so he said.
Toni Morrison (Home)
Feminist theory sometimes portrays men as being united with all other men in their common purpose of oppressing women. But the evolution of human mating suggests that this scenario cannot be true, because men and women compete primarily against members of their own gender. Men strive to control resources mainly at the expense of other men. Men deprive other men of their resources, exclude other men from positions of status and power, and derogate other men in order to make them less desirable to women. Indeed, the fact that nearly 70 percent of all homicides are inflicted by men on other men reveals the tip of the iceberg of the cost of competition to men. The fact that men on average die years earlier than women in every culture is further testimony to the penalties men pay for this struggle with other men. Women do not escape damage inflicted by members of their own sex. Women compete with each other for access to high-status men, have sex with other women’s husbands, and lure men away from their wives. Mate poaching is a ubiquitous sexual strategy of our species. Women slander and denigrate their rivals and are especially harsh toward women who pursue short-term sexual strategies. Women and men are both victims of the sexual strategies of their own gender and so can hardly be said to be united with their own gender for some common goal. Moreover, both men and women benefit from the strategies of the opposite sex. Men lavish resources and protection on certain women, including their wives, their sisters, their daughters, and their mistresses. A woman’s father, brothers, and sons all benefit from her selection of a mate who is flush with abundance. Contrary to the view that men or women are united with all members of their own sex for the purpose of oppressing the other sex, each individual shares key interests with particular members of each sex and is in conflict with other members of each sex. Simple-minded views of a same-sex conspiracy have no foundation in reality.
David M. Buss (The Evolution Of Desire: Strategies of Human Mating)
It was as she remembered, a haven of comfort and serenity. With a glad sigh, she kicked off her shoes and sat down on the side of the bed.Smiling, she patted the mattress beside her. Her husband scowled. It seemed to have become his habit. "We aren't here to relax." "Wolscroft may not even be in the area. It could take days for this to be settled." "He's here," Dragon said with certainty. "He will know what happened at Winchester, and he will be looking for a way to stop us before we can threaten him further." Privately, Rycca believed the same but she saw no reason to stress it. Nothing would happen until dark. Of that she was confident. Which meant... "We have hours to fill.Any ideas?" When he realized her meaning,he looked startled. With a laugh,she scrambled off the bed and went to him. "Oh,Dragon,for heaven's sake, do you really want to mope around here all day? I certainly don't. I still haven't gotten over being afraid Magnus was going to kill you,and I simply don't want to think about death anymore. I want to celebrate life." "There are three hundred men out there-" "Which is why we're in here." She raised herself on tiptoe, bit the lobe of his ear, and whispered, "I promise not to yell too loudly." A shudder ran through him. Even as his big hands stroked her back,he said, "Warriors don't mope." "No,of course they don't.It was a poor choice of words.But you'll be pacing back and forth, looking out the windows, or you'll go get that whetstone I noticed in the stable and sharpen your sword endlessly, or you'll be staring off into space with that dangerous look you get when you're contemplating mayhem. You'll be totally oblivious to me and-" He laughed despite himself and drew her closer. "Enough! Heaven forbid I behave so churlishly." "Speaking of heaven..." With the covers kicked back,the bed was smooth and cool.They undressed each other slowly, relishing the wonder of discovery that still came to them fresh and pure as their very first time. "Remember?" Rycca murmured as she trailed her lips along his broad, powerfully muscled shoulder and down the solid wall of his chest. "I was so nervous..." "Really?" Fooled me....Ah..." "I'd never seen anything so beautiful as you." "Not...beautiful...you are..." "I can't believe how strong you are. Why am I never afraid with you?" "Know I'd die 'fore hurting you? Sweetheart..." "Ohhh! Dragon...please..." His hands and lips moved over her, sweetly tormenting. She clutched his shoulders, her hips rising, and welcomed him deep within her. Still he tantalized her, making her writhe and laughing when she squeezed him hard with her powerful inner muscles. But the laughter turned quickly to a moan of delight. She looked up into his perfectly formed face,more handsome than any man had a right to be, and into his tawny eyes that were the windows of a soul more beautiful than any physical form. A piercing sense of blessedness filled her that she should be so fortunate as to love and be loved by such a man. Her cresting cry was caught by him, hismouth hard against hers, the spur to his own completion that went on and on,seemingly without end.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
I do not at all have a sense of luring anyone into the poetic by catching hold of them through my subject matter. The idea appalls me in fact. Some events — whether a tree in a certain light, a Mexican family looking at the movie stills outside the cinema, a dream, my own condition of being in or out of love, of some epiphany relating to husband, child, friend, cat or dog, street or painting, cloud or stone, a book read, a story heard, a life thought about, a demonstration lived through, a situation, historical and/or topical, (that’s to say known in the moment of its passing into history) — it doesn’t matter, the list is endless, but some events (selected by some interior mysterious process out of all the other minutes and hours of my life) begin to form themselves in my understanding as phrases, images, rhythms of language, demand to be further formed, demand midwifery is one way to put it. Not all that one feels most strongly makes this verbal demand, even if one is a poet — by poet here I mean prose writer too — … but whatever experiences do demand it are always strongly felt ones. That is my testimony.
Denise Levertov
Around the glade this pair of woodland nymphs danced. He swept her in a waltz to a duet that was sometimes off tune, sometimes rent with giggling and laughter as they made their own music. A breathless Erienne fell to a sun-dappled hummock of deep, soft moss, and laughing for the pure thrill of the day, she spread her arms, creating a comely yellow-hued flower on the dark green sward while seeming every bit as fragile as a blossom to the man who watched her. With bliss-bedazzled eyes, she gazed through the treetops overhead where swaying branches, bedecked in the first bright green of spring, caressed the underbellies of the freshlet zephyrs, and the fleecy white clouds raced like frolicking sheep across an azure lea. Small birds played courting games, and the earlier ones tended nests with single-minded perseverance. A sprightly squirrel leapt across the spaces, and a larger one followed, bemused at the sudden coyness of his mate. Christopher came to Erienne and sank to his knees on the thick, soft carpet, then bracing his hands on either side of her, slowly lowered himself until his chest touched her bosom. For a long moment he kissed those blushing lips that opened to him and welcomed him with an eagerness that belied the once-cool maid. Then he lifted her arm and lay beside her, keeping her hand in his as he shared her viewpoint of the day. They whispered sweet inanities, talked of dreams, hopes, and other things, as lovers are wont to do. Erienne turned on her side and taking care to keep her hand in the warm nest, ran her other fingers through his tousled hair. “You need a shearing, milord,” she teased. He rolled his head until he could look up into those amethyst eyes. “And does my lady see me as an innocent lamb ready to be clipped?” At her doubtful gaze, he questioned further. “Or rather a lusting, long-maned beast? A zealous suitor come to seduce you?” Erienne’s eyes brightened, and she nodded quickly to his inquiry. “A love-smitten swain? A silver-armored knight upon a white horse charging down to rescue you?” “Aye, all of that,” she agreed through a giggle. She came to her knees and grasped his shirt front with both hands. “All of that and more.” She bent to place a honeyed kiss upon his lips, then sitting back, spoke huskily. “I see you as my husband, as the father of my child, as my succor against the storm, protector of my home, and lord of yonder manse. But most of all, I see you as the love of my life.” -Erienne & Christopher
Kathleen E. Woodiwiss (A Rose in Winter)
You’d have a better time without me.” It wasn’t a direct refusal. She folded her arms beneath the swell of her lovely bosom. “No, I won’t. And I don’t understand how you can expect me to face the gossips on my own.” “I don’t expect you to do anything. You seem to be the one with the expectations.” Oh, yes, this was good. Getting defensive was so manly of him. “Is it wrong of me to expect you to act like a husband?” “Plenty of husbands do not attend balls with their wives.” “Yes, but those wives generally find someone to keep them company later.” Heat rushed to Grey’s cheeks as the meaning of her words struck him. “Are you planning to take a lover, Rose?” “Of course not.” Rose regarded him as though he were a bothersome child. “I just want you to come with me. You are a duke, for heaven’s sake. You can tell them all to go to hell and get away with it. You have nothing to be afraid of.” She couldn’t seem to get further than that. She thought he was afraid. That he was a coward. That stung. No, that pissed him off. But how could he make her understand? “I’m not afraid of them, Rose.” Not really. “I just don’t want to be around those people. I don’t like them.” “You can’t dislike all of them.” All her disdain was missing was a good eye-rolling.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
Their attention was caught by the increasingly animated conversation between Beatrix and Annandale. “…I can climb a tree as well as any of the Ramsay estate woodsmen,” Beatrix was telling him. “I don’t believe you,” the earl declared, tremendously entertained. “Oh, yes. Off with the skirts, off with the corset, I put on a pair of breeches, and--” “Beatrix,” Audrey interrupted, before this scandalous discussion of intimate apparel progressed any further. “I just caught a glimpse of Poppy in the next room. It’s been ages since I’ve seen her. And I’ve never been introduced to her husband.” “Oh.” Reluctantly Beatrix turned her attention away from Annandale. “Shall I take you to them?” “Yes.” Audrey seized her arm. Annandale looked disgruntled, his black brows lowering as Audrey propelled Beatrix away. Christopher bit back a grin. “What do you think of her?” he asked. Annandale replied without hesitation. “I would marry her myself, were I five years younger.” “Five?” Christopher repeated skeptically. “Ten, damn you.” But a slight smile had appeared on the earl’s time-weathered face. “I commend you on your choice. She’s a spirited girl. Fearless. Lovely in her own way, and with her charm she has no need of true beauty. You’ll need to keep a firm hand on the reins, but the trouble will be worth it.” He paused, looking wistful. “Once you’ve had a woman like that, you can never be content with the ordinary kind.” Christopher had been about to argue over the question of Beatrix’s beauty, which in his opinion was unequaled.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
The problem that ought to concern us first is the fairly recent dismantling of our old understanding and acceptance of human limits. For a long time we knew that we were not, and could never be, “as gods.” We knew, or retained the capacity to learn, that our intelligence could get us into trouble that it could not get us out of. We were intelligent enough to know that our intelligence, like our world, is limited. We seem to have known and feared the possibility of irreparable damage. But beginning in science and engineering, and continuing, by imitation, into other disciplines, we have progressed to the belief that humans are intelligent enough, or soon will be, to transcend all limits and to forestall or correct all bad results of the misuse of intelligence. Upon this belief rests the further belief that we can have “economic growth” without limit. Economy in its original—and, I think, its proper—sense refers to household management. By extension, it refers to the husbanding of all the goods by which we live. An authentic economy, if we had one, would define and make, on the terms of thrift and affection, our connections to nature and to one another. Our present industrial system also makes those connections, but by pillage and indifference. Most economists think of this arrangement as “the economy.” Their columns and articles rarely if ever mention the land-communities and land-use economies. They never ask, in their professional oblivion, why we are willing to do permanent ecological and cultural damage “to strengthen the economy.
Wendell Berry (It All Turns on Affection: The Jefferson Lecture and Other Essays)
Again? Dom meant to leave her without a word again? Not if she had anything to say about it. Jane forced a smile. “Unfortunately, since the matter the men are pursuing involves me and my cousin, I really must consult with his lordship and Mr. Bonnaud before they head for London. And I do not mean to let them leave without giving me a report.” That seemed to startle the woman. “Forgive me, but I was given to understand by my husband that you and Lord Rathmoor haven’t been friendly since the two of you were engaged and you…well…” “Jilted him?” One day Jane was going to subject Dom to a long list of all the ways in which his subterfuge had created problems for her. But at the moment, she needed Lady Ravenswood on her side. “That is only partly true. Tell me, madam, have you ever been the victim of unfair or misinformed gossip?” Pain glimmered in the viscountess’s dark eyes. “I’m the American half-Senecan wife of a viscount with high-placed friends. So yes, you might say I have.” Jane gentled her tone. “Then you’ll understand how easy it is for society to misconstrue matters. Lord Rathmoor and I…have a rather complicated association, which he seems determined not to complicate further. I believe that is why he refuses to give me my report. And that’s why I could use your help.” “In what?” the woman said warily. “Nothing too awful, I assure you. As you will understand when I explain.” She would tell her ladyship however much was necessary to gain her aid. Because it began to appear that the only way to fight Dom’s sly ways was to take some devious measures of her own.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
But if her idiot suitors were staying at Halstead Hall with her, then by thunder, he'd be here, too. They wouldn't take advantage of her on his watch. "We're agreed that you won't do any of that foolish nonsense you mentioned, like spying on them, right?" "Of course not. That's what I have you for." Her private lackey to jump at her commands. He was already regretting this. "Surely the gentlemen will accept the invitation," she went on, blithely ignoring his disgruntlement. "It's hunting season, and the estate has some excellent coveys." "I wouldn't know." She cast him an easy smile. "Because you generally hunt men, not grouse. And apparently you do it very well." A compliment? From her "No need to flatter me, my lady," he said dryly. "I've already agreed to your scheme." Her smile vanished. "Really, Mr. Pinter, sometimes you can be so..." "Honest?" he prodded. "Irritating." She tipped up her chin. "It will be easier to work together if you're not always so prickly." He felt more than prickly, and for the most foolish reasons imaginable. Because he didn't like her trawling for suitors. Or using him to do it. And because he hated her "lady of the manor" role. It reminded him too forcibly of the difference in their stations. "I am who I am, madam," he bit out, as much a reminder for himself as for her. "You knew what you were purchasing when you set out to do this." She frowned. "Must you make it sound so sordid?" He stepped as close as he dared. "You want me to gather information you can use in playing a false role to catch s husband. I am not the one making it sordid." "Tell me, sir, will I have to endure your moralizing at every turn?" she said in a voice dripping with sugar. "Because I'd happily pay extra to have you keep your opinions to yourself." "There isn't enough money in all the world for that." Her eyes blazed up at him. Good. He much preferred her in a temper. At least then she was herself, not putting on some show. She seemed to catch herself, pasting an utterly false smile to her lips. "I see. Well then, can you manage to be civil for the house party? It does me no good to bring suitors here if you'll be skulking about, making them uncomfortable." He tamped down the urge to provoke her further. If he did she'd strike off on her own, and that would be disastrous. "I shall try to keep my 'skulking' to a minimum." "Thank you." She thrust out her hand. "Shall we shake on it?" The minute his fingers closed about hers, he wished he'd refused. Because having her soft hand in his roused everything he'd been trying to suppress during this interview. He couldn't seem to let go. For such a small-boned female, she had a surprisingly firm grip. Her hand was like her-fragility and strength all wrapped in beauty. He had a mad impulse to lift it to his lips and press a kiss to her creamy skin. But he was no Lancelot to her Guinevere. Only in legend did lowly knights dare to court queens. Releasing her hand before he could do something stupid, he sketched a bow. "Good day, my lady. I'll begin my investigation at once and report to you as soon as I learn something." He left her standing there, a goddess surrounded by the aging glories of an aristocrat's mansion. God save him-this had to be the worst mission he'd ever undertaken, one he was sure to regret.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Evie.” She glanced at Sebastian. Whatever she saw in his face caused her to walk around the bed to him. “Yes,” she said with a concerned frown. “Dearest, this is going to help you—” “No.” It would kill him. It was difficult enough already to fight the fever and the pain. If he was further weakened by a long bloodletting he wouldn’t be able to hold on any longer. Frantically Sebastian tugged at his tautly stretched arm, but the binding held fast and the chair didn’t even wobble. Bloody hell. He stared up at his wife wretchedly, battling a wave of light-headedness. “No,” he rasped. “Don’t…let him…” “Darling,” Evie whispered, bending over to kiss his shaking mouth. Her eyes were suddenly shiny with unshed tears. “This may be your best chance—your only chance—” “I’ll die. Evie…” Rising fear caused blackness to streak across his vision, but he forced his eyes to stay open. Her face became a blur. “I’ll die,” he whispered again. “Lady St. Vincent,” came Dr. Hammond’s steady, kind voice, “your husband’s anxiety is quite understandable. However, his judgment is impaired by illness. At this time, you are the one who is best able to make decisions for his benefit. I would not recommend this procedure if I did not believe in its efficacy. You must allow me to proceed. I doubt Lord St. Vincent will even remember this conversation.” Sebastian closed his eyes and let out a groan of despair. If only Hammond were some obvious lunatic with a maniacal laugh…someone Evie would instinctively mistrust. But Hammond was a respectable man, with all the conviction of someone who believed he was doing the right thing. The executioner, it seemed, could come in many guises. Evie was his only hope, his only champion. Sebastian would never have believed it would come to this…his life depending on the decision of an unworldly young woman who would probably allow herself to be persuaded by the Hammond’s authority. There was no one else for Sebastian to appeal to. He felt her gentle fingers at the side of his fevered face, and he stared up at her pleadingly, unable to form a word. Oh God, Evie, don’t let him— “All right,” Evie said softly, staring at him. Sebastian’s heart stopped as he thought she was speaking to the doctor…giving permission to bleed him. But she moved to the chair and deftly untied Sebastian’s wrist, and began to massage the reddened skin with her fingertips. She stammered a little as she spoke. “Dr. H-Hammond…Lord St. Vincent does not w-want the procedure. I must defer to his wishes.” To Sebastian’s eternal humiliation, his breath caught in a shallow sob of relief. “My lady,” Hammond countered with grave anxiety, “I beg you to reconsider. Your deference to the wishes of a man who is out of his head with fever may prove to be the death of him. Let me help him. You must trust my judgment, as I have infinitely more experience in such matters.” Evie sat carefully on the side of the bed and rested Sebastian’s hand in her lap. “I do respect your j-j—” She stopped and shook her head impatiently at the sound of her own stammer. “My husband has the right to make the decision for himself.” Sebastian curled his fingers into the folds of her skirts. The stammer was a clear sign of her inner anxiety, but she would not yield. She would stand by him. He sighed unsteadily and relaxed, feeling as if his tarnished soul had been delivered into her keeping.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
He had been a timid child in New York City, cut off from schoolboy society by illness, wealth, and private tutors. Inspired by a leonine father, he had labored with weights to build up his strength. Simultaneously, he had built up his courage “by sheer dint of practicing fearlessness.” With every ounce of new muscle, with every point scored over pugilistic, romantic, and political rivals, his personal impetus (likened by many observers to that of a steam train) had accelerated. Experiences had flashed by him in such number that he was obviously destined to travel a larger landscape of life than were his fellows. He had been a published author at eighteen, a husband at twenty-two, an acclaimed historian and New York State Assemblyman at twenty-three, a father and a widower at twenty-five, a ranchman at twenty-six, a candidate for Mayor of New York at twenty-seven, a husband again at twenty-eight, a Civil Service Commissioner of the United States at thirty. By then he was producing book after book, and child after child, and cultivating every scientist, politician, artist, and intellectual of repute in Washington. His career had gathered further speed: Police Commissioner of New York City at thirty-six, Assistant Secretary of the Navy at thirty-eight, Colonel of the First U.S. Volunteer Cavalry, the “Rough Riders,” at thirty-nine. At last, in Cuba, had come the consummating “crowded hour.” A rush, a roar, the sting of his own blood, a surge toward the sky, a smoking pistol in his hand, a soldier in light blue doubling up “neatly as a jackrabbit” … When the smoke cleared, he had found himself atop Kettle Hill on the Heights of San Juan, with a vanquished empire at his feet.
Edmund Morris (Theodore Rex)
Lady Thornton,” Sutherland said in an awful, silky voice that made Elizabeth shake inside, “does the word ‘perjury’ have any meaning to you?” “I believe,” Elizabeth said, “it means to tell a lie in a place like this.” “Do you know how the Crown punishes perjurers? They are sentenced to gaol, and they live their lives in a dark, dank cell. Would you want that to happen to you?” “It certainly doesn’t sound very agreeable,” Elizabeth said. “Would I be able to take my jewels and gowns?” Shouts of laughter shook the chandeliers that hung from the vaulted ceilings. “No, you would not!” “Then I’m certainly happy I haven’t lied.” Sutherland was no longer certain whether he’d been duped, but he sensed that he’d lost his effort to make Elizabeth sound like a clever, scheming adulteress or a terrified, intimidated wife. The bizarre story of her flight with her brother had now taken on a certain absurd credibility, and he realized it with a sinking heart and a furious glower. “Madam, would you perjure yourself to protect that man?” His arm swung toward Ian, and Elizabeth’s gaze followed helplessly. Her heart froze with terror when she saw that, if anything, Ian looked more bored, more coldly remote and unmoved than he had before. “I asked you,” Sutherland boomed, “if you would perjure yourself to save that man from going to the gallows next month.” Elizabeth would have died to save him. Tearing her gaze from Ian’s terrifying face, she pinned a blank smile on her face. “Next month? What a disagreeable thing to suggest! Why, next month is-is Lady Northam’s ball, and Kensington very specifically promised that we would go”-thunderous guffaws exploded, rocking the rafters, drowning out Elizabeth’s last words-“and that I could have a new fur!!” Elizabeth waited, sensing that she had succeeded, not because her performance had been so convincing, but because many of the lords and wives who never thought beyond the next gown or ball or fur, and so she seemed entirely believable to them. “No further questions!” Sutherland rapped out, casting a contemptuous glance over her. Peterson Delham slowly arose, and though his expression was carefully blank, even bemused, Elizabeth sensed rather than saw that he was silently applauding her. “Lady Thornton,” he said in formal tones, “is there anything else you have to say to this court?” She realized that he wanted her to say something else, and in her state of relieved exhaustion Elizabeth couldn’t think what it was. She said the only thing she could think of, and she knew soon after she began speaking that he was pleased. “Yes, my lord. I wish to say how very sorry I am for the bother Bobby and I have caused everyone. I was wrong to believe him and to dash off without a word to anyone. And it was wrong of him to remain so angry with my husband all this time over what was, after all, rather an act of kindness on his part.” She sensed that she was going too far, sounding too sensible, and she hastily added, “If Kensington had had Bobby tossed into gaol for trying to shoot him, I daresay Bobby would have found it nearly as disagreeable a place as I. He is,” she confided, “a very fastidious person!” “Lady Thornton!” the Lord Chancellor said when the fresh waves of laughter had diminished to ripples. “You may step down.” At the scathing tone in his voice, Elizabeth dared a look in his direction, and then she almost missed her step when she saw the furious scorn on his face. The other lords might think her an incorrigible henwit, but the Lord Chancellor looked as if he would personally have enjoyed throttling her.
Judith McNaught (Almost Heaven (Sequels, #3))
I have fallen in love within the last month with a Romagnuola Countess from Ravenna--the Spouse of a year of Count Guiccioli--who is sixty--the Girl twenty--he has eighty thousand ducats of rent--and has had two wives before--but he is Sixty--he is the first of Ravenna Nobles--but he is sixty--She is fair as Sunrise--and warm as Noon--we had but ten days--to manage all our little matters in beginning middle and end. & we managed them;--and I have done my duty--with the proper consummation.--But She is young--and was not content with what she had done--unless it was to be turned to the advantage of the public--and so She made an eclat which rather astonished even the Venetians--and electrified the Conversazioni of the Benzone--the Albrizzi--& the Michelli--and made her husband look embarrassed.--They have been gone back to Ravenna--some time--but they return in the Winter.--She is the queerest woman I ever met with--for in general they cost one something in one way or other--whereas by an odd combination of circumstances--I have proved an experience to HER--which is not my custom,--but an accident--however it don't mater.--She is a sort of an Italian Caroline Lamb, except that She is much prettier, and not so savage.--But She has the same red-hot head--the same noble disdain of public opinion--with the superstructure of all that Italy can add to such natural dispositions.--To by sure they may go much further here with impunity--as her husband's rank ensured their reception at all societies including the Court--and as it was her first outbreak since Marriage--the Sympathizing world was liberal.--She is also of the Ravenna noblesse--educated in a convent--sacrifice to Wealth--filial duty and all that.--I am damnably in love--but they are gone--gone--for many months--and nothing but Hope--keeps me alive seriously.
Lord Byron
I'm in sore straits, Jeeves.' 'I am sorry to hear that, sir.' 'You'll be sorrier when I explain further. Have you ever seen a garrison besieged by howling savages, with their ammunition down to the last box of cartridges, the water supply giving our and the United States Marines nowhere in sight?' 'Not to my recollection, sir.' 'Well, my position is roughly that of such a garrison, except that compared with me they're sitting pretty. Compared with me they haven't a thing to worry about.' 'You fill me with alarm, sir.' 'I bet I do, and I haven't even started yet. I will begin by saying that Miss Cook, to whom I'm engaged, is a lady for whom I have the utmost esteem and respect, but on certain matters we do not... what's the expression?' 'See eye to eye, sir?' 'That's right. And unfortunately those matters are the what-d'you-call-it of my whole policy. What is it that policies have?' 'I think the word for which you are groping, sir, may possibly be cornerstone.' 'Thank you, Jeeves. She disapproves of a variety of things which are the cornerstone of my policy. Marriage with her must inevitably mean that I shall have to cast them from my life, for she has a will of iron and will have no difficulty in making her husband jump through hoops and snap sugar off his nose. You get what I mean?' 'I do, sir. A very colourful image.' 'Cocktails, for instance, will be barred. She says they are bad for the liver. Have you noticed, by the way, how frightfully lax everything's getting now? In Queen Victoria's day a girl would never have dreamed of mentioning livers in mixed company.' 'Very true, sir. Tempora mutanter, nos et mutamur in illis.' 'That, however, is not the worst.' 'You horrify me, sir.' 'At a pinch I could do without cocktails. It would be agony, but we Woosters can rough it. But she says I must give up smoking.' 'This was indeed the most unkindest cut of all, sir.' 'Give up smoking, Jeeves!' 'Yes, sir. You will notice that I am shuddering.
P.G. Wodehouse (Aunts Aren't Gentlemen (Jeeves, #15))
SENSORY AVOIDERS – SENSORY DEFENSIVENESS “And have I not told you that what you mistake for madness is but over-acuteness of the senses?” -Edgar Allen Poe, The Tell-Tale Heart (1843) Imagine a day inside Jenny’s skin. The morning alarm goes off and she startles, her heart races, her body tightens, her breathing quickens.  Her husband turns to get out of bed, grazing her foot, and she cringes, her bodily rhythms speed up another notch and her body tightens further. He sees that she seems annoyed about something and affectionately strokes her cheek. She bristles and, when he turns around, rubs where he touched her. She slowly arises to get out of bed, as she feels a bit dizzy, and quickly puts on her soft cotton house slippers, as the feel of the carpet makes her recoil, and walks into the bathroom. The bright lights her husband has left turned on assault her. Her eyes squint painfully. She quickly turns off the lights and turns on a small lamp on the sink counter. Her already overloaded system gets further destabilized. She starts to brush her teeth but the toothbrush is new and the bristles tickle her uncomfortably. She leans over to spit out the toothpaste and feels a sudden loss of balance and a surge of panic engulfs her. She steadies herself and turns on the shower. The soft spray of water from the showerhead feels like pelts of hail hitting her body. Her already stressed system is accelerating fast into overload. And her morning has only just begun!  She still has to figure out what clothes to put on, as most textures annoy her and feel uncomfortable on her body. She has to figure out what to eat for breakfast, as anything soft, mushy, or creamy repulses her. Worst of all, she has to figure out how to face the world outside that, for her, is like maneuvering through a sensory minefield. Jenny is an avoider or what is commonly known as sensory defensive (SD), a common mimicker of anxiety and panic. The sensory defensive feel too much, too soon and for too long, and experience the world as too loud, too bright, too fast and too tight, becoming easily distressed by everyday sensation
Sharon Heller (Uptight & Off Center: How Sensory Processing Disorder Throws Adults off Balance & How to Create Stability)
Marlboro Man and I walked together to our vehicles--symbolically parked side by side in the hotel lot under a cluster of redbud trees. Sleepiness had definitely set in; my head fell on his shoulder as we walked. His ample arms gripped my waist reassuringly. And the second we reached my silver Camry, the temperature began to rise. “I can’t wait till tomorrow,” he said, backing me against the door of my car, his lips moving toward my neck. Every nerve receptor in my body simultaneously fired as his strong hands gripped the small of my back; my hands pulled him closer and closer. We kissed and kissed some more in the hotel parking lot, flirting dangerously with taking it a step--or five--further. Out-of-control prairie fires were breaking out inside my body; even my knees felt hot. I couldn’t believe this man, this Adonis who held me so completely and passionately in his arms, was actually mine. That in a mere twenty-four hours, I’d have him all to myself. It’s too good to be true, I thought as my right leg wrapped around his left and my fingers squeezed his chiseled bicep. It was as if I’d been locked inside a chocolate shop that also sold delicious chardonnay and french fries…and played Gone With the Wind and Joan Crawford movies all day long--and had been told “Have fun.” He was going to be my own private playground for the rest of my life. I almost felt guilty, like I was taking something away from the world. It was so dark outside, I forgot where I was. I had no sense of geography or time or space, not even when he took my face in his hands and touched his forehead to mine, closing his eyes, as if to savor the powerful moment. “I love you,” he whispered as I died right there on the spot. It wasn’t convenient, my dying the night before my wedding. I didn’t know how my mom was going to explain it to the florist. But she’d have to; I was totally done for. I’d had half a glass of wine all evening but felt completely inebriated. When I finally arrived home, I had no idea how I’d gotten there. I was intoxicated--drunk on a cowboy. A cowboy who, in less than twenty-four hours, would become my husband.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I have a trainer,” she confirmed while searching for an escape route. Standing closer to this man is like being stuck in an elevator, she decided. You’d bargain with God to get free. “But not just any trainer. Not only does this woman tackle a stallion no one else can seem to tame but she resurrects the dead, n’est-ce pas? You have done wonders to stir McCloud’s blood again, or so I have heard.” A.J.’s mouth dropped open at the insinuation. “What are you talking about?” “Surely you jest. The news is all around.” He gesticulated with a limp wrist. “Although I must say, you are faithless to leave your family in favor of a man who is not your husband. No matter how good you find his services.” Her vision narrowed on the man’s jugular. “Why, you little—” Devlin appeared at her side. “A.J.! Time to go pace off the course.” “Ah,” Philippe said grandly. “And here is your good teacher, the man you gave up so much for. Myself, I could not imagine leaving my family for someone else’s stable, but I am French and we are known for our loyalty. Then again, I also don’t need the particular kind of instruction this McCloud offers.” A.J. could sense her face tuning brick red and felt like a boxer winding up for a punch. “Come on,” Devlin said. “Yes, run along, you two. I imagine there is much you must do to each other.” That did it. She lost it. “Why, you tar-mouthed gossip hound—” She was itching to go further but Devlin put a firm hand on her arm and began to lead her away. “And speaking of gossip,” the Frenchman called out as they left, “you would do well to keep your ear to the floor. I myself am going to make an announcement soon.” “That’s ‘ear to the ground,’ you—” “Enough,” Devlin hissed, dragging her off. When they were out of range from the crowd, A.J. whirled on him, eyes flashing turquoise. “How could you let him go on like that? You didn’t give me the chance to defend us!” Devlin said nothing, which infuriated her further. He just stood there, staring at her calmly. Didn’t he have any pride? “I mean, come on! Marceau made insinuations that were insane and you hauled me off before I could respond.” When that didn’t get any reaction, she frowned. “Hello?” “You finished?” he asked. “Or do you want to give him more of what he’s after?” A.J. looked confused. He said, “Tell me what you’re thinking about right now.” “How I’d like to crown him with a bag of feed.
J.R. Ward (Leaping Hearts)
Pigs eat acorns, but neither consider the sun that gave them life, nor the influence of the heavens by which they were nourished, nor the very root of the tree from whence they came. Thomas Traherne Your enjoyment of the world is never right till every morning you awake in Heaven; see yourself in your Father’s palace; and look upon the skies, the earth and the air as celestial joys; having such a reverend esteem of all, as if you were among the Angels. The bride of a monarch, in her husband’s chamber, hath no such causes of delight as you. You never enjoy the world aright till the sea itself floweth in your veins, till you are clothed with the heavens and crowned with the stars; and perceive yourself to be the sole heir of the whole world, and more than so, because men are in it who are every one sole heirs as well as you. Till you can sing and rejoice and delight in God, as misers do in gold, and kings in sceptres, you can never enjoy the world. Till your spirit filleth the whole world, and the stars are your jewels; till you are as familiar with the ways of God in all ages as with your walk and table; till you are intimately acquainted with that shady nothing out of which the world was made; till you love men so as to desire their happiness with a thirst equal to the zeal of your own; till you delight in God for being good to all; you never enjoy the world. Till you more feel it than your private estate, and are more present in the hemisphere, considering the glories and the beauties there, than in your own house; till you remember how lately you were made, and how wonderful it was when you came into it; and more rejoice in the palace of your glory than if it had been made today morning. Yet further, you never enjoyed the world aright, till you so love the beauty of enjoying it, that you are covetous and earnest to persuade others to enjoy it. And so perfectly hate the abominable corruption of men in despising it that you had rather suffer the flames of hell than willingly be guilty of their error. The world is a mirror of Infinite Beauty, yet no man sees it. It is a Temple of Majesty, yet no man regards it. It is a region of Light and Peace, did not men disquiet it. It is the Paradise of God. It is more to man since he is fallen than it was before. It is the place of Angels and the Gate of Heaven. When Jacob waked out of his dream, he said, God is here, and I wist it not. How dreadful is this place! This is none other than the House of God and the Gate of Heaven. Thomas Traherne
Aldous Huxley (The Perennial Philosophy: An Interpretation of the Great Mystics, East and West)
Far more damaging to Calvin’s reputation was the case of Michael Servetus. An accomplished physician, skilled cartographer, and eclectic theologian from Spain, Servetus held maverick (and sometimes unbalanced) views on many points of Christian doctrine. In 1531, he published Seven Books on the Errors of the Trinity, enraging both Catholics and Protestants, Calvin among them. At one point, Servetus took up residence in Vienne, a suburb of Lyon about ninety miles from Geneva, where, under an assumed name, he began turning out heterodox books while also practicing medicine. His magnum opus, The Restitution of Christianity—a rebuttal of Calvin’s Institutes—rejected predestination, denied original sin, called infant baptism diabolical, and further deprecated the Trinity. Servetus imprudently sent Calvin a copy. Calvin sent back a copy of his Institutes. Servetus filled its margins with insulting comments, then returned it. A bitter exchange of letters followed, in which Servetus announced that the Archangel Michael was girding himself for Armageddon and that he, Servetus, would serve as his armor-bearer. Calvin sent Servetus’s letters to a contact in Vienne, who passed them on to Catholic inquisitors in Lyon. Servetus was promptly arrested and sent to prison, but after a few days he escaped by jumping over a prison wall. After spending three months wandering around France, he decided to seek refuge in Naples. En route, he inexplicably stopped in Geneva. Arriving on a Saturday, he attended Calvin’s lecture the next day. Though disguised, Servetus was recognized by some refugees from Lyon and immediately arrested. Calvin instructed one of his disciples to file capital charges against him with the magistrates for his various blasphemies. After a lengthy trial and multiple examinations, Servetus was condemned for writing against the Trinity and infant baptism and sentenced to death. He asked to be beheaded rather than burned, but the council refused, and on October 27, 1553, Servetus, with a copy of the Restitution tied to his arm, was sent to the stake. Shrieking in agony, he took half an hour to die. Calvin approved. “God makes clear that the false prophet is to be stoned without mercy,” he explained in Defense of the Orthodox Trinity Against the Errors of Michael Servetus. “We are to crush beneath our heel all affections of nature when his honor is involved. The father should not spare the child, nor the brother his brother, nor the husband his own wife or the friend who is dearer to him than life.
Michael Massing (Fatal Discord: Erasmus, Luther, and the Fight for the Western Mind)
One evening in April a thirty-two-year-old woman, unconscious and severely injured, was admitted to the hospital in a provincial town south of Copenhagen. She had a concussion and internal bleeding, her legs and arms were broken in several places, and she had deep lesions in her face. A gas station attendant in a neighboring village, beside the bridge over the highway to Copenhagen, had seen her go the wrong way up the exit and drive at high speed into the oncoming traffic. The first three approaching cars managed to maneuver around her, but about 200 meters after the junction she collided head-on with a truck. The Dutch driver was admitted for observation but released the next day. According to his statement he started to brake a good 100 meters before the crash, while the car seemed to actually increase its speed over the last stretch. The front of the vehicle was totally crushed, part of the radiator was stuck between the road and the truck's bumper, and the woman had to be cut free. The spokesman for emergency services said it was a miracle she had survived. On arrival at the hospital the woman was in very critical condition, and it was twenty-four hours before she was out of serious danger. Her eyes were so badly damaged that she lost her sight. Her name was Lucca. Lucca Montale. Despite the name there was nothing particularly Italian about her appearance. She had auburn hair and green eyes in a narrow face with high cheek-bones. She was slim and fairly tall. It turned out she was Danish, born in Copenhagen. Her husband, Andreas Bark, arrived with their small son while she was still on the operating table. The couple's home was an isolated old farmhouse in the woods seven kilometers from the site of the accident. Andreas Bark told the police he had tried to stop his wife from driving. He thought she had just gone out for a breath of air when he heard the car start. By the time he got outside he saw it disappearing along the road. She had been drinking a lot. They had had a marital disagreement. Those were the words he used; he was not questioned further on that point. Early in the morning, when Lucca Montale was moved from the operating room into intensive care, her husband was still in the waiting room with the sleeping boy's head on his lap. He was looking out at the sky and the dark trees when Robert sat down next to him. Andreas Bark went on staring into the gray morning light with an exhausted, absent gaze. He seemed slightly younger than Robert, in his late thirties. He had dark, wavy hair and a prominent chin, his eyes were narrow and deep-set, and he was wearing a shabby leather jacket. Robert rested his hands on his knees in the green cotton trousers and looked down at the perforations in the leather uppers of his white clogs. He realized he had forgotten to take off his plastic cap after the operation. The thin plastic crackled between his hands. Andreas looked at him and Robert straightened up to meet his gaze. The boy woke.
Jens Christian Grøndahl (Lucca)
Isn’t this the weekend of Xander Eckhart’s party?” “Yes.” Jordan held her breath in a silent plea. Don’t ask if I’m bringing anyone. Don’t ask if I’m bringing anyone. “So are you bringing anyone?” Melinda asked. Foiled. Having realized there was a distinct possibility the subject would come up, Jordan had spent some time running through potential answers to this very question. She had decided that being casual was the best approach. “Oh, there’s this guy I met a few days ago, and I was thinking about asking him.” She shrugged. “Or maybe I’ll just go by myself, who knows.” Melinda put down her forkful of gnocchi, zoning in on this like a heat-seeking missile to its target. “What guy you met a few days ago? And why is this the first we’re hearing of him?” “Because I just met him a few days ago.” Corinne rubbed her hands together, eager for the details. “So? Tell us. How’d you meet him?” “What does he do?” Melinda asked. “Nice, Melinda. You’re so shallow.” Corinne turned back to Jordan. “Is he hot?” Of course, Jordan had known there would be questions. The three of them had been friends since college and still saw each other regularly despite busy schedules, and this was what they did. Before Corinne had gotten married, they talked about her now-husband, Charles. The same was true of Melinda and her soon-to-be-fiancé, Pete. So Jordan knew that she, in turn, was expected to give up the goods in similar circumstances. But she also knew that she really didn’t want to lie to her friends. With that in mind, she’d come up with a backup plan in the event the conversation went this way. Having no choice, she resorted to the strategy she had used in sticky situations ever since she was five years old, when she’d set her Western Barbie’s hair on fire while trying to give her a suntan on the family-room lamp. Blame it on Kyle. I’d like to thank the Academy . . . “Sure, I’ll tell you all about this new guy. We met the other day and he’s . . . um . . .” She paused, then ran her hands through her hair and exhaled dramatically. “Sorry. Do you mind if we talk about this later? After seeing Kyle today with the bruise on his face, I feel guilty rattling on about Xander’s party. Like I’m not taking my brother’s incarceration seriously enough.” She bit her lip, feeling guilty about the lie. So sorry, girls. But this has to stay my secret for now. Her diversion worked like a charm. Perhaps one of the few benefits of having a convicted felon of a brother known as the Twitter Terrorist was that she would never lack for non sequiturs in extracting herself from unwanted conversation. Corinne reached out and squeezed her hand. “No one has stood by Kyle’s side more than you, Jordan. But we understand. We can talk about this some other time. And try not to worry—Kyle can handle himself. He’s a big boy.” “Oh, he definitely is that,” Melinda said with a gleam in her eye. Jordan smiled. “Thanks, Corinne.” She turned to Melinda, thoroughly skeeved out. “And, eww—Kyle?” Melinda shrugged matter-of-factly. “To you, he’s your brother. But to the rest of the female population, he has a certain appeal. I’ll leave it at that.” “He used to fart in our Mr. Turtle pool and call it a ‘Jacuzzi.’ How’s that for appeal?” “Ah . . . the lifestyles of the rich and famous,” Corinne said with a grin. “And on that note, my secret fantasies about Kyle Rhodes now thoroughly destroyed, I move that we put a temporary hold on any further discussions related to the less fair of the sexes,” Melinda said. “I second that,” Jordan said, and the three women clinked their glasses in agreement
Julie James (A Lot like Love (FBI/US Attorney, #2))
As the most perfect subject for painting I have already specified inwardly satisfied [reconciled and peaceful] love, the object of which is not a purely spiritual ‘beyond’ but is present, so that we can see love itself before us in what is loved. The supreme and unique form of this love is Mary’s love for the Christ-child, the love of the one mother who has borne the Saviour of the world and carries him in her arms. This is the most beautiful subject to which Christian art in general, and especially painting in its religious sphere, has risen. The love of God, and in particular the love of Christ who sits at’ the right hand of God, is of a purely spiritual kind. The object of this love is visible only to the eye of the soul, so that here there is strictly no question of that duality which love implies, nor is any natural bond established between the lovers or any linking them together from the start. On the other hand, any other love is accidental in the inclination of one lover for another, or,’ alternatively, the lovers, e.g. brothers and sisters or a father in his love for his children, have outside this relation other conceI1l8 with an essential claim on them. Fathers or brothers have to apply themselves to the world, to the state, business, war, or, in short, to general purposes, while sisters become wives, mothers, and so forth. But in the case of maternal love it is generally true that a mother’s love for her child is neither something accidental just a single feature in her life, but, on the contrary, it is her supreme vocation on earth, and her natural character and most sacred calling directly coincide. But while other loving mothers see and feel in their child their husband and their inmost union with him, in Mary’s relation to her child this aspect is always absent. For her feeling has nothing in common with a wife’s love for her husband; on the contrary, her relation to Joseph is more like a sister’s to a brother, while on Joseph’s side there is a secret awe of the child who is God’s and Mary’s. Thus religious love in its fullest and most intimate human form we contemplate not in the suffering and risen Christ or in his lingering amongst his friends but in the person of Mary with her womanly feeling. Her whole heart and being is human love for the child that she calls her own, and at the same time adoration, worship, and love of God with whom she feels herself at one. She is humble in God’s sight and yet has an infinite sense of being the one woman who is blessed above all other virgins. She is not self-subsistent on her own account, but is perfect only in her child, in God, but in him she is satisfied and blessed, whether. at the manger or as the Queen of Heaven, without passion or longing, without any further need, without any aim other than to have and to hold what she has. In its religious subject-matter the portrayal of this love has a wide series of events, including, for example, the Annunciation, the Visitation, the Birth, the Flight into Egypt, etc. And then there are, added to this, other subjects from the later life of Christ, i.e. the Disciples and the women who follow him and in whom the love of God becomes more or less a personal relation of love for a living and present Saviour who walks amongst them as an actual man; there is also the love of the angels who hover over the birth of Christ and many other scenes in his life, in serious worship or innocent joy. In all these subjects it is painting especially which presents the peace and full satisfaction of love. But nevertheless this peace is followed by the deepest suffering. Mary sees Christ carry his cross, she sees him suffer and die on the cross, taken down from the cross and buried, and no grief of others is so profound as hers. Mary’s grief is of a totally different kind. She is emotional, she feels the thrust of the dagger into the centre of her soul, her heart breaks, but she does not turn into stone.
Georg Wilhelm Friedrich Hegel
It isn't a good idea to force young girls to marry," Stabo lectured, looking from one man to the other. “Marriage, in general, isn't a particularly desirable institution. It causes all sorts of trouble, from what I have observed over the centuries. In any case, a Princess shouldn't marry this young, the issue of the advisability of marriage aside. She should be free to grow up and spend time with more interesting creatures than prospective husbands. Dragons, for instance. We're much more interesting than you, Laphroig. Or you, Craswell. So be warned. If I hear any further attempts at forcing this girl to marry either one of you or anyone you know or even anyone I think you know, I will not be so lenient.
Terry Brooks (A Princess of Landover (Magic Kingdom of Landover, #6))
Though she had been surprised to find that murder was so thoroughly enjoyable, Mrs Bennet did not believe that this reflected any fault or wickedness in her character. She knew she only committed these acts to secure the future well-being of her daughters. Naturally, she would be able to stop killing once her daughters had husbands and there was no further use for such bloodthirsty deeds. Indeed, she felt adamant that she only enjoyed the planning and execution of such matters because her daughters had not been so good as to provide her with wedding preparations to occupy her active mind.
Debbie Cowens (Murder & Matchmaking)
Though she had been surprised to find murder so thoroughly enjoyable, Mrs Bennet did not believe that this reflected any fault or wickedness in her character. She knew she only committed these acts to secure the future well-being of her daughters. Naturally, she would be able to stop killing once her daughters had husbands and there was no further use for such bloodthirsty deeds. Indeed, she felt adamant that she only enjoyed the planning and execution of such matters because her daughters had not been so good as to provide her with wedding preparations to occupy her active mind.
Debbie Cowens (Murder & Matchmaking)
Christ showed that God’s blueprint for marriage is not just about external actions – keeping your hands off others – most importantly, it’s about what lives in your heart.  Adultery inevitably begins with the heart.  When we open ourselves up to others, when we glance a bit too long, when we flirt with those we’re not married to, we’re sending subtle signals that we’re actually on the hunt for a fling.  We reveal what’s living in our hearts with our words and actions, subtle or not.  The best practical advice to avoid this is to always talk about your spouse with others in a positive way.  When others see that you’re satisfied and happy with your spouse, you’re protected from adulterous relationships.  For guys, when a woman starts getting a little bit too close for comfort, if you start praising your wife and kids, that’s the sure way to put the kibosh on any further developments.  The women can keep guys at bay by always making clear that their number one best friend is their husband.  Then we show to others that an affair is the furthest thing from our hearts – we want to live within the framework God has given, that framework which Christ taught us so clearly in his ministry on earth.  He taught a restored view of marriage.
Anonymous
Gifts Make the Tribe The biblical proscription against usury goes all the way back to Moses. The rule was simple: you couldn't charge interest on a loan to anyone in your tribe. Strangers, on the other hand, paid interest. This isn't a matter of ancient biblical archeology; the edict against interest stuck for thousands of years, until around the time of Columbus. It's worth taking a minute to understand the reasoning here. If money circulates freely within the tribe, the tribe will grow prosperous more quickly. I give you some money to buy seeds, your farm flourishes, and now we both have money to give to someone else to invest. The faster the money circulates, the better the tribe does. The alternative is a tribe of hoarders, with most people struggling to find enough resources to improve productivity. Obviously, there's another force at work here. When I make an interest-free loan to you, I'm trusting you and giving you a gift at the same time. This interaction increases the quality of our bond and strengthens the community. Just as you wouldn't charge your husband interest on a loan, you don't charge a tribe member. Strangers, on the other hand, are not to be trusted. Going further, strangers don't deserve the bond that the gift brings. It would turn the stranger into a tribe member, and the tribe is already too big. If I loan money to a stranger, I'm doing it for one reason: to make money. I risk my money, and if all goes well, we both profit. But there's no bond here, no connection. One reason that art has so much power is that it represents the most precious gift we can deliver. And delivering it to people we work with or connect with strengthens our bond with them. It strengthens the tribal connection. When you walk into your boss's office and ask for advice, she doesn't charge you an hourly fee, even if she's a corporate coach or a psychoanalyst, even if you want help with a personal problem. The gift of her time and attention and insight is just that--a gift. As a result, the bond between you strengthens.
Anonymous
Constant lack of support is a big issue in Asperger marriages, that’s why I’d like to extend this a bit further with another analogy. Imagine that you are going for a hike in the mountains with two other couples. You are planning to stay overnight in a hut and return the next day. The climb up to the summit is very hard and strenuous. Your girl friends, who are wearing sandals, soon feel exhausted and the husbands decide to give them a piggyback. You’re also tired but your partner doesn’t seem to care, instead he lets you drag him up the hill. You might be annoyed and resent the fact that you have to climb up by yourself, but don’t forget in the end it will make you stronger. If you climb a mountain knowing that your husband suffers from asthma, you wouldn’t expect him to carry you. Instead you would slow down and make sure that he doesn’t exhaust himself. You’d realize that in pushing him to accelerate or, even worse, carry you, he might suffer an asthma attack. Surely you wouldn’t want that. So don’t expect to be carried, instead wear good shoes, take food and drink along and be strong enough to reach the summit without your partner’s help.
Katrin Bentley (Alone Together: Making an Asperger Marriage Work)
I asked people for prayer, alluded to danger, and gave no further details other than to ask them to trust me. I knew it would be a tough pill to swallow for those few I was asking. But I felt strongly that people needed to pray—and at the same time that I had to adhere to my husband’s desires about what was to be shared. I know it wasn’t popular, but I felt the need for prayer overrode my need for popularity.
Chris Kyle (American Sniper: The Autobiography of the Most Lethal Sniper in U.S. Military History)
One unintended consequence of this change was that the boats arriving after October 1999 carried an increased number of women and children. Presumably these women and children would not have risked the hazardous journey in the past because their husbands and fathers once recognised as refugees would have been entitled to fly them safely to Australia in the foreseeable future. Whereas only 127 children came on boats in the two years before the October 1999 changes, there were 1,844 children on boats after those changes and prior to the Tampa affair. After the Tampa incident the firebreak was further consolidated by denying the holders of temporary protection visas any prospect of permanent visas with the right to sponsor family if the applicants could have availed themselves of protection in a transit port where they had stayed more than seven days. Of the 1,609 persons held offshore since the Tampa incident, 368 of them have been children. Sadly, these aspects of the firebreak set up an attraction rather than a deterrent for women and children to join their men on leaky boats headed for Australia.
Frank Brennan (Tampering with Asylum: A Universal Humanitarian Problem)
The motive for a Christian marriage is, 'I really want to meet my husband or wife’s needs. I want to be loving and kind to my spouse, and make sure that I am caring for, and meeting his or her needs.' However, kingdom marriage takes the definition of Christian marriage much further——it’s about 'how can the two of us stand side by side and discover why God has put us together and then actually fulfill His purposes.
Kevin Paterson (Straight Talk to Christian Singles: Moving from "Hi, how are you?" to "Yes, I do")
The motive for a Christian marriage is, 'I really want to meet my husband or wife’s needs. I want to be loving and kind to my spouse, and make sure that I am caring for, and meeting his or her needs.' However, kingdom marriage takes the definition of Christian marriage much further— it's about 'how can the two of us stand side by side and discover why God has put us together and then actually fulfill His purposes.
Kevin Paterson (Straight Talk to Christian Singles: Moving from "Hi, how are you?" to "Yes, I do")
In every society information is a means of making a living or wielding power, but Arabs husband information and hold it especially tightly. U.S. trainers have often been surprised over the years by the fact that information provided to key personnel does not get much further than them. Having learned to perform some complicated procedure, an Arab technician knows that he is invaluable so long as he is the only one in a unit to have that knowledge; once he dispenses it to others he no longer is the only font of knowledge and his power dissipates.
Norvell B. De Atkine
Queen Victoria had written to Spencer saying how “most painfully interested” she was in the Dublin examinations. They are quite thrilling. Will the not finding of the knives (which she fears is likely) cause any difficulty in condemning these monsters? She trusts not. What has struck & shocked her, she must say, is the evidence of that gentleman who described (in May) having seen people wrestling—but no more—proving now that he actually saw all & yet never gave the details before. Surely it is very wrong that he did not do so sooner. A few days later, she impatiently quizzed Harcourt, “Is there any further news? The Queen sees that Mrs. Byrne (who must be a worthy mate of such a Husband), was taken on Sunday.
Julie Kavanagh (The Irish Assassins: Conspiracy, Revenge, and the Phoenix Park Murders That Stunned Victorian England)
FIDELITY AND BETRAYAL He loved her from the time he was a child until the time he accompanied her to the cemetery; he loved her in his memories as well. That is what made him feel that fidelity deserved pride of place among the virtues: fidelity gave a unity to lives that would otherwise splinter into thousands of split-second impressions. Franz often spoke about his mother to Sabina, perhaps even with a certain unconscious ulterior motive: he assumed that Sabina would be charmed by his ability to be faithful, that it would win her over. What he did not know was that Sabina was charmed more by betrayal than by fidelity. The word fidelity reminded her of her father, a small-town puritan, who spent his Sundays painting away at canvases of woodland sunsets and roses in vases. Thanks to him, she started drawing as a child. When she was fourteen, she fell in love with a boy her age. Her father was so frightened that he would not let her out of the house by herself for a year. One day, he showed her some Picasso reproductions and made fun of them. If she couldn't love her fourteen-year-old schoolboy, she could at least love cubism. After completing school, she went off to Prague with the euphoric feeling that now at last she could betray her home. Betrayal. From tender youth, we are told by father and teacher that betrayal is the most heinous offense imaginable. But what is betrayal? Betrayal means breaking ranks. Betrayal means breaking ranks and going off into the unknown. Sabina knew of nothing more magnificent than going off into the unknown. Though a student at the Academy of Fine Arts, she was not allowed to paint like Picasso. It was the period when so-called socialist realism was prescribed and the school manufactured Portraits of Communist statesmen. Her longing to betray her father remained unsatisfied: Communism was merely another father, a father equally strict and limited, a father who forbade her love (the times were puritanical) and Picasso, too. And if she married a second-rate actor, it was only because he had a reputation for being eccentric and was unacceptable to both fathers. Then her mother died. The day following her return to Prague from the funeral, she received a telegram saying that her father had taken his life out of grief. Suddenly she felt pangs of conscience: Was it really so terrible that her father had painted vases filled with roses and hated Picasso? Was it really so reprehensible that he was afraid of his fourteen-year-old daughter's coming home pregnant? Was it really so laughable that he could not go on living without his wife? And again she felt a longing to betray: betray her own betrayal. She announced to her husband (whom she now considered a difficult drunk rather than an eccentric) that she was leaving him. But if we betray B., for whom we betrayed A., it does not necessarily follow that we have placated A. The life of a divorcee-painter did not in the least resemble the life of the parents she had betrayed. The first betrayal is irreparable. It calls forth a chain reaction of further betrayals, each of which takes us farther and farther away from the point of our original betrayal.
Milan Kundera (The Unbearable Lightness of Being)
Inside the white screen of the mosquito net, bathed in the sunlight streaming through the windows, she felt as if she were in her own little oasis. Isolated from the rest of the world and its hostility. Although she could barely see past the bright, sunlit cloth, a movement in the shadows behind the net caught her eye. She frowned, straining her eyes to see what it was when, slowly, the net parted to reveal a gigantic figure. The light shone on his body and face to reveal what turned out to be a dark-eyed, broad-shouldered man. A strange feeling was born in Bianca’s chest. A mixture of panic and embarrassment left her body in the shape of a scream. With no clear thoughts in mind, she yelled for someone to help her, until it dawned on her that she was in an unfamiliar apartment, in a town where no one knew about her, and where there was no one who could help her. She was alone, and the pervert in front of her undoubtedly wanted to take advantage of the situation. Stopping just enough to breathe and continue screaming, she got on her knees in the bed and kept on yelling at him, who then seemed to fall off whatever disgusting trance he was, and took a surprised step back. His fingers, still tangled in the mosquito net, ripped the fabric from the ceiling, exposing her further. Bianca knew she was on her own. She could not count on anyone else to save her. When that realization hit, an unknown instinct made its way inside her and all the accumulated frustration caused by the situation with the paparazzi, the betrayal of her husband and losing her company concentrated inside her like a laser to focus on a single aim: the man in front of her. Feeling powerful, she grabbed the sheet tight around her with one arm to cover the front of her body, set one foot on the ground, and grabbed the closest thing to her: the purse. Her screams, which initially were meant to ask for help, transformed into a sound of pure rage. Without taking her eyes off him, Bianca reached into her bag and threw everything she found inside it: a phone, an agenda, a bottle of water, a lipstick, a tissue, the box of condoms, a book. Even a small toiletry bag. When the bag was empty, she used it as a projectile too.
Sienna Mercier (The Woman In The Red Dress (Mediterranean Love #1))
Despite his conflicts a neurotic can be contented at times, can enjoy things to which he feels himself attuned. But his happiness is dependent upon too many conditions for it to be of frequent occurrence. He will not take pleasure in anything unless, for instance, he is alone—or unless he shares it with someone else; unless he is the dominating factor in the situation—or unless he is approved of on all sides. His chances are further narrowed by the fact that the conditions for happiness are so often contradictory. He may be glad to have another person take the lead but he may at the same time resent it. A woman may enjoy her husband's success but she may also envy him for it. She may enjoy giving a party but have to have everything so perfect that she is exhausted before it begins. And when the neurotic does find temporary happiness, it is all too easily disturbed by his manifold vulnerabilities and fears.
Karen Horney (Our Inner Conflicts: A Constructive Theory of Neurosis)
the asking of advice from any of the women about the place would only lead to gossip and further talk, and talk never did anyone any good; talk only made things worse. There was her husband, of course, but Nelly would never have dreamt of asking Arthur about anything like that, there was a disloyalty, albeit only dimly apprehended, about bringing men into a thing like that. Men made enough trouble as it was without bringing them into things.
Elizabeth Eliot (Mrs. Martell)
Not to mention the husbands and uncles and aunts in the twenties and thirties and forties, and the grandparents and childless great-uncles and -aunts who died at home then, in the same rooms and beds they were born in, instead of in cubicled euphemisms with names pertaining to sunset. But the funerals, the ritual ceremonial of interment, with tenuous yet steel-strong threads capable of extending even further and bearing even more weight than the distance between Jefferson and the Gulf of Mexico.
William Faulkner (The Reivers (Vintage International))
shouted. “Anyone with two eyes can see he’s so far gone because you can’t give him your milk! My sipping some cream has nothing to do with it!” She slammed the door behind her. In the end, eight-week-old Waldemar was too far gone. When Adeline gave him some of the remaining fresh cream, he did indeed throw it up and every spoonful after. Then he developed a cough that further weakened him. Two evenings later, Emil came home to find Adeline cradling the baby in her arms. He was swaddled and laboring for breath. “He’s dying now,” she said. “He won’t open his eyes anymore.” “No,” Emil rasped. “He’s not dying.” “He is,” she said. “I can feel it. Can we hold him together?” Sadness swallowed her husband whole before he came over beside her and they held their infant son between them, grieving for hours before he took his final breath and let it go in a slim, devastating wheeze that tore through the last bit of strength holding Adeline together. She began to choke, sob, to moan with a pain she’d never known, worse than giving birth to him, more primal, the agony of her heart cracking. Emil stayed strong for her, held her through the worst of it. He sat by her for more than an hour, and never
Mark T. Sullivan (The Last Green Valley)
Recently a wife whose husband struggled with masturbation and had an emotional affair said, “I want to move past this stuff, but it seems like everywhere I turn, I’m reminded of infidelity and how rampant it is!” This observation is so common. We can’t live in a cave to avoid life. And moving to a faraway country is not an option for most people. Further, we really don’t want to live in a faraway country or a cave. We want to be in our life but without these reminders, without all this pain. We don’t want to have to escape and get away; we want it to go away! I want to reframe your view of time as it pertains to this journey. Instead of looking at time as healing in itself, look at time as the context in which you find new opportunities to build trust. Lamentations 3:22–23 says that the Lord’s mercies are “new every morning.” If you are trying to rebuild trust, I encourage you to look at every morning as a new beginning, a new day to seize every opportunity to build trust. Time alone will not heal your wounds. But time filled with sincere attempts to build trust—paving the way toward the future while amending the past (which we’ll discuss later)—will heal your wounds. We must be active participants in the time we have, not just observers watching time go by.
Stephen Arterburn (Worthy of Her Trust: What You Need to Do to Rebuild Sexual Integrity and Win Her Back)
And I have thrown you out of the mood for further work?" Mason asked. "Not out of the mood for work. Out of sympathy with the script. Here are characters facing a dramatic moment in their lives. You can't put anything like that across on the screen unless the characters are real. You can't tell whether they are real unless you sympathize with them, unless you open a door and walk right into their lives. That is a subjective thought, intuition, telepathy, auto-hypnotism. Call it whatever you want to.
Erle Stanley Gardner (The Case of the Haunted Husband (Perry Mason #18))
could find him any time Jones wanted. I felt uncomfortable doing it, and I never went out on something like that again. But [Jones] had other people to send.” Juanell Smart, present at the Planning Commission meeting where Jones humiliated Laurie Efrein, was disgusted by the incident, and further offended when, at another meeting, someone alleged that her husband, David Wise, had tapped Jones’s phone with Smart’s full knowledge, if not cooperation. “I started crying, and I told Jim that I wanted out. He said to me, ‘Then you’ll have to move a hundred miles away.’ I told him I wouldn’t, that I’d lived in L.A. for most of my life. So then he comes up with these other conditions.” Jones told Smart that before she left, “I’d have to sign my four kids over to the church. Well, I realized that signing something like that wouldn’t mean anything in court. So I did it. Then he has somebody bring out this gun, and they make me put my hand on it, hold it, and after they had my fingerprints on it they put it in a bag and took it away. The threat was, if I went out and said or did something against Jones or the Temple, the gun could be used in some criminal way and I’d be [implicated].” For a while, Smart’s three youngest children lived with their father, and her nineteen-year-old daughter, Tanitra, lived with her grandmother Kay. All four remained active in the Temple. Smart believed that “at least there, they still were away from the streets and the drugs. Tanitra found a boyfriend in the Temple named Poncho, and of course she always wanted to be with him. So I stayed out and they stayed in.” Jones sometimes used emissaries to try talking defectors into returning, particularly former members who’d been of particular use to the Temple. Garry Lambrev was the first Californian to join the Temple and afterward ran a church antique shop and worked on the staff of The Peoples Forum. Lambrev had an ongoing disagreement with Jones about Lambrev’s desire for a long-term, loving gay relationship, and had left and rejoined the Temple several times. But in 1974, his latest defection seemed that it might last. Lambrev still kept in touch with Temple friends, and
Jeff Guinn (The Road to Jonestown: Jim Jones and Peoples Temple)
Her friend who treated her maid badly was not a wicked person. She behaved well towards her family … but when it came to her maid … she seemed to have little concern for her feelings … such behaviour was no more than ignorance; an inability to understand the hopes and aspirations of others. That understanding … was the beginning of all morality. If you knew how a person was feeling, if you could imagine yourself in her position, then surely it would be impossible to inflict further pain. Inflicting pain in such circumstances would be like hurting oneself. Most morality … was about doing the right thing because it had been identified as such by a long process of acceptance and observance. You simply could not create your own morality because your experience would never be enough to do so. What gives you the right to say that you know better than your ancestors? Morality is for everyone, and this means that the views of more than one person are needed to create it. That was what made modern morality, with its emphasis on individuals and the working out of an individual position, so weak. If you gave people the chance to work out their morality, then they would work out the version which was easiest for them and which allowed them to do what suited them for as much of the time as possible. That … was simple selfishness, whatever grand name one gave to it.
Alexander McCall Smith (More From the No. 1 Ladies' Detective Agency: Blue Shoes and Happiness / The Good Husband of Zebra Drive)
Odd how differently people look on home. To me it’s my real ‘core’ of life and living. I can always relax and read or sew happily if I’m on my own, and would like to have people in rather than go out looking for change. My husband has his mother’s deep horror of being in the house by himself, and only wanders around unhappily, looking out of windows, watching the clock and timing my return.
Nella Last (Nella Last in the 1950s: The Further Diaries of Housewife, 49)
I’ve asked if he wouldn’t feel happier if we slept together, Nella wrote of her husband on 10 June 1950, but he said he “liked to be free to toss and turn without disturbing you”, and I didn’t argue about it. To shut my bedroom door sometimes and begin to write or read quietly is a privilege when things haven’t gone smoothly in the day.
Nella Last (Nella Last in the 1950s: The Further Diaries of Housewife, 49)
Exercise, as it currently exists in most of our lives, sucks. Like most care tasks, when they function only to fulfill external standards of what we should be doing, it actually moves us further away from real care for self. But when I look back at my life and ask myself, “What memories of movement do I have that are joyful?” I well up with tears. I remember cheerleading in the eighth grade and feeling so happy as my body hit every beat on point and in sync with the rest of my team. I remember jumping higher than I think any human has as we won second place in a championship. I remember how strong I felt that I could throw a girl in the air. I remember youth soccer games and the absolute rush it gave me to feel my foot connect with power to the ball. I remember dancing stoned out of my mind at a Bob Marley festival, barefoot and uncaring that my body moved like a jellyfish, oblivious to the beat or how it should be moving. I remember, at ten years sober, when my wedding DJ dedicated “Rehab” by Amy Winehouse to all of us who had come through hell and survived and an entire dance floor of little sober assholes absolutely went nuts on the dance floor. I remember Josh splitting his pants. I remember my husband looking at me like no other woman existed. I remember being carried over the threshold of our hotel that night, not out of tradition, but because I had worn the bottoms of my feet raw dancing. When did movement lose its pleasure? When did my adult life stop including activities that made movement joyful? Can I get it back? Can you? Can we try together?
K.C. Davis (How to Keep House While Drowning)
The modern urban-industrial society is based on a series of radical disconnections between body and soul, husband and wife, marriage and community, community and the earth. At each of these points of disconnection the collaboration of corporation, government, and expert sets up a profit-making enterprise that results in the further dismemberment and impoverishment of the Creation. Together, these disconnections add up to a condition of critical ill health, which we suffer in common -- not just with each other, but with all other creatures. Our economy is based upon this disease. Its aim is to separate us as far as possible from the sources of life (material, social, and spiritual), to put these sources under the control of corporations and specialized professionals, and to see them to us at the highest profit. It fragments the Creation and sets the fragments into conflict with one another. For the relief of the suffering that comes of this fragmentation and conflict, our economy proposes, not health, but vast "cures" that further centralize power and increase profits... Only by restoring the broken connections can we be healed. Connection is health. And what our society does its best to disguise from us is how ordinary, how commonly attainable, health is. We lose our health -- and create profitable diseases and dependencies -- by failing to see the direction connections between living and eating, eating and working, working and loving. In gardening, for instance, one works with the body to feed the body. The work, if it is knowledgeable, makes for excellent food. And it makes one hungry. The work thus makes eating both nourishing and joyful, not consumptive, and keeps the eater from getting fat and weak. This is health, wholeness, a source of delight. And such a solution, unlike the typical industrial solution, does not cause new problems.
Wendell Berry (The Unsettling of America: Culture and Agriculture)
The beliefs in individual competition and reason we have been discussing are the ones which in actuality have guided modern western development, and are not necessarily the ideal values. To be sure, the values accepted as ideal by most people have been those of the Hebrew-Christian tradition allied with ethical humanism, consisting of such precepts as love thy neighbor, serve the community, and so on. On the whole, these ideal values have been taught in schools and churches hand in hand with the emphasis on competition and individual reason. (We can see the watered-down influence of the values of “service” and “love” coming out in roundabout fashion in the “service clubs” and the great emphasis on being “well liked.”) Indeed, the two sets of values—the one running back many centuries to the sources of our ethical and religious traditions in ancient Palestine and Greece and the other born in the Renaissance—were to a considerable extent wedded. For example, Protestantism, which was the religious side of the cultural revolution beginning in the Renaissance, expressed the new individualism by emphasizing each person’s right and ability to find religious truth for himself. The marriage had a good deal to be said for it, and for several centuries the squabbles between the marriage partners were ironed out fairly well. For the ideal of the brotherhood of man was to a considerable extent furthered by economic competition—the tremendous scientific gains, the new factories and the more rapid moving of the wheels of industry increased man’s material weal and physical health immensely, and for the first time in history our factories and our science can now produce so much that it is possible to wipe starvation and material want from the face of the earth. One could well have argued that science and competitive industry were bringing mankind ever closer to its ethical ideals of universal brotherhood. But in the last few decades it has become clear that this marriage is full of conflict, and is headed for drastic overhauling or for divorce. For now the great emphasis on one person getting ahead of the other, whether it be getting higher grades in school, or more stars after one’s name in Sunday school, or gaining proof of salvation by being economically successful, greatly blocks the possibilities of loving one’s neighbor. And, as we shall see later, it even blocks the love between brother and sister and husband and wife in the same family. Furthermore, since our world is now made literally “one world” by scientific and industrial advances, our inherited emphasis on individual competitiveness is as obsolete as though each man were to deliver his own letters by his own pony express. The final eruption which showed the underlying contradictions in our society was fascist totalitarianism, in which the humanist and Hebrew-Christian values, particularly the value of the person, were flouted in a mammoth upsurgence of barbarism.
Rollo May (Man's Search for Himself)
Ayesha, whose nineteen-year-old son had died after eighteen months in service, is one of many who attested to the policing of affect by men, in this case her husband. She explained that “they did not take me to the graveyard. Women normally don’t go, but when someone is a shaheed, women will go along to watch the parade. His [the dead son’s] father did not take me. He said to me, ‘A woman can bear less, for she is weak.’ He said to me, ‘You say namaz (funeral prayer), [but] the shaheed has a high status; you can’t cry for this death.’” She stopped and then added, perhaps to further explain to me why her husband didn’t think it was wise to take her, “I looked at the flag on the coffin, and I felt okha (uneasy). I still feel that way when I see the flag.” 175/378
Maria Rashid (Dying to Serve: Militarism, Affect, and the Politics of Sacrifice in the Pakistan Army)