Furry Animal Quotes

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He was slumped over, blood trickling from the side of his mouth. I shook his furry hip, thinking, No! Even if you are half barnyard animal, you're my best friend and I don't want you to die!
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
Cats are the lap-dancers of the animal world. Soon as you stop shelling out, they move on, find another lap. They're furry little sociopaths. Pretty and slick -- in love with themselves. When's the last time you saw a seeing-eye cat?
Andrew Vachss (Safe House (Burke, #10))
If God had wanted us to be concerned for the plight of the toads, he would have made them cute and furry.
Dave Barry
The trouble with witches is that they’ll never run away from things they really hate. And the trouble with small furry animals in a corner is that, just occasionally, one of them’s a mongoose.
Terry Pratchett (Witches Abroad (Discworld, #12; Witches, #3))
Peanut was a hamster. He was furry, had four legs, a big tummy and his favourite food was, you guessed it, peanuts
Molly Arbuthnott (Peanut the Hamster)
There is probably no better or more reliable measure of whether a woman has spent time in ugly duckling status at some point or all throughout her life than her inability to digest a sincere compliment. Although it could be a matter of modesty, or could be attributed to shyness- although too many serious wounds are carelessly written off as "nothing but shyness"- more often a compliment is stuttered around about because it sets up an automatic and unpleasant dialogue in the woman's mind. If you say how lovely she is, or how beautiful her art is, or compliment anything else her soul took part in, inspired, or suffused, something in her mind says she is undeserving and you, the complimentor, are an idiot for thinking such a thing to begin with. Rather than understand that the beauty of her soul shines through when she is being herself, the woman changes the subject and effectively snatches nourishment away from the soul-self, which thrives on being acknowledged." "I must admit, I sometimes find it useful in my practice to delineate the various typologies of personality as cats and hens and ducks and swans and so forth. If warranted, I might ask my client to assume for a moment that she is a swan who does not realzie it. Assume also for a moment that she has been brought up by or is currently surrounded by ducks. There is nothing wrong with ducks, I assure them, or with swans. But ducks are ducks and swans are swans. Sometimes to make the point I have to move to other animal metaphors. I like to use mice. What if you were raised by the mice people? But what if you're, say, a swan. Swans and mice hate each other's food for the most part. They each think the other smells funny. They are not interested in spending time together, and if they did, one would be constantly harassing the other. But what if you, being a swan, had to pretend you were a mouse? What if you had to pretend to be gray and furry and tiny? What you had no long snaky tail to carry in the air on tail-carrying day? What if wherever you went you tried to walk like a mouse, but you waddled instead? What if you tried to talk like a mouse, but insteade out came a honk every time? Wouldn't you be the most miserable creature in the world? The answer is an inequivocal yes. So why, if this is all so and too true, do women keep trying to bend and fold themselves into shapes that are not theirs? I must say, from years of clinical observation of this problem, that most of the time it is not because of deep-seated masochism or a malignant dedication to self-destruction or anything of that nature. More often it is because the woman simply doesn't know any better. She is unmothered.
Clarissa Pinkola Estés (Women Who Run With the Wolves)
When people say that animal rescuers are crazy, what they really mean is that animal rescuers share a number of fundamental beliefs that makes them easy to marginalize. Among those is the belief that Rene Descartes was a jackass.
Steven Kotler (A Small Furry Prayer: Dog Rescue and the Meaning of Life)
Clowns, hoboes, gypsies, and furry animals of all kinds scattered madly and dived for cover. No doubt they thought I'd finally lost it and was planning to lob more grenades.
Donna Andrews (Murder with Peacocks (Meg Langslow, #1))
That's the trouble with the world we live in. It's full of people just doing their job and ignoring what's really going on. Care about the rainforest until they get a couple of kids and enough money for a gas guzzling car, or some hardwood dining furniture. Watch all those wildlife programmes and coo over the furry animals, but still eat meat and poultry that was raised in conditions of unbelievable cruelty.
Robert Muchamore
He was slumped over, blood trickling from the side of his mouth. I shook his furry hip, thinking, No! Even if you are half barnyard animal, you're my best friend and I don't want you to die! Then he groaned "Food," and I knew there was hope.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
Regan wasn't even sure what to say. They wanted to give her baby a demon animal that ate people. A furry land shark. it was enough to make her want to hyperventilate.
Larissa Ione
She's one of those who goes all gooey over small furry animals. Not that it stops her eating them
Simon Bestwick (The Best Horror of the Year: Volume Four)
As the native drum kept rhythm with the nighttime symphony of the African bush, the cry of a hyrax (a small, furry animal that sounded a lot scarier than it looked) pierced the night. A hyena howled. A warthog ran through our camp. What was he running from? Sitting in front of my tent, I tried to figure everything out. I wouldn’t have called what I did prayer but maybe wonder.    Night after night, I’d listened to the rush of a river or watched my own personal light show as lightning spider-webbed across the heavens, danced in the distance, and serenaded me with a muffled growl. Until a crash—so loud it seemed to break the sky—caused me to twitch as a shiver ran up my spine.    “You know how it is when you feel someone staring at you from across the room?” I said to Truth. “You turn to meet the gaze. It was like that, but I saw no one. I just felt a comforting presence as we sat together in silence.”    “You think it was God?” she asked.    “Yeah, but I called him Fred. Not so overwhelming, more personal.” 
Elizabeth Bristol (Mary Me: One Woman’s Incredible Adventure with God)
There is Normal Society and then there is the Abnormal Freaks Who Deserve Our Public Pity and Private Ridicule Society. The first is the world of good jobs and Christmas shopping and marriages and vacations and the scent of new cars. And then there is that other world, the world of the glazed eye, of people who chant at the moon and spout conspiracy theories and get sexually aroused by furry animal costumes. Some dress all in black to carry out vampire rituals and others col ect cats until they’re a furry shoulder-to-shoulder flood on every floor of the house. The Abnormal travel among the Normal and leave behind them a trail of sickeningly awkward conversations and stifled laughter, of hidden smirks and rolled eyes. And worst of all, pity.
David Wong (John Dies at the End (John Dies at the End, #1))
You are my baby boy, furry with four paws and such, tender and cuddly I love you so much! You are loving and sweet and oh such a joy! I'm so very happy that you are my baby boy!
Heather Wolf (Kipnuk Has a Birthday)
If you’ll just sit and pet your cat - or somebody’s cat - find a cat, for God’s sake! Find a cat! Or anything furry - and let it train you into a frequency that will cause you to allow enlightenment.
Abraham Hicks
A myriad of small red violet-colored animals, like rabbits, burst out of the trees, surrounding the guardian god. Their long bushy tails, with specks of black among the silver hairs, remind me of the squirrels of my home world, Uhna. Their two-inch-long dark brown pedicles remind me of the female reindeer from Arrov’s home world, A’ice. But I’ve never seen rabbits that have green flower stalks with tiny white flowers entwined around their furry bodies, while A’nima magic clings to them. A tiny critter hops to me and rises on its hind legs to sniff my hand, its large green eyes glinting with surprising intelligence. Long whiskers move as its nose sniffles, then sneezes.
S.G. Blaise (Proud Pada (The Last Lumenian, #3))
I saw a moving sight the other morning before breakfast in a little hotel where I slept in the dusty fields. The young man of the house shot a little wolf called coyote in the early morning. The little heroic animal lay on the ground, with his big furry ears, and his clean white teeth, and his little cheerful body, but his little brave life was gone. It made me think how brave all living things are. Here little coyote was, without any clothes or house or books or anything, with nothing to pay his way with, and risking his life so cheerfully — and losing it — just to see if he could pick up a meal near the hotel. He was doing his coyote-business like a hero, and you must do your boy-business, and I my man-business bravely, too, or else we won't be worth as much as a little coyote.
William James
Sienna's Pick for Best Pink Floyd Combined Song and Album Title Ever: "Several Species of Small Furry Animals Gathered Together in a Cave and Grooving with a Pict," Ummagumma
Sienna McQuillen
But one didn’t attach any more significance to these rumours than to the idea that a certain film star had a furry animal removed from his rectum
Louis Theroux (Gotta Get Theroux This: My Life and Strange Times in Television)
Humans are a force of nature—we are, in some senses, THE force of nature—and we influence animals whether we intend to or not. So the real question, going forward, is not WHETHER we should shape animals’ bodies and lives, but HOW we should do so—with what tools, under what circumstances, and to what end… Unless we plan to move all humanity to Mars and leave Earth to rewild itself, we may need to help our furry and feathered friends survive in a world that has us in it. As Kraemer puts it: ‘I’m of the persuasion that we are changing the habitat of wildlife so rapidly that we may have to help those species evolve.
Emily Anthes (Frankenstein's Cat: Cuddling Up to Biotech's Brave New Beasts)
Can I cuddle up with you when you sleep?” Sma stopped, detached the creature from her shoulder with one hand and stared it in the face. “What?” “Just for chumminess’ sake,” the little thing said, yawning wide and blinking. “I’m not being rude; it’s a good bonding procedure.” Sma was aware of Skaffen-Amtiskaw glowing red just behind her. She brought the yellow and brown device closer to her face. “Listen, Xenophobe—” “Xeny.” “Xeny. You are a million-ton starship. A Torturer class Rapid Offensive Unit. Even—” “But I’m demilitarized!” “Even without your principle armament, I bet you could waste planets if you wanted to—” “Aw, come on; any silly GCU can do that!” “So what’s all this shit for?” She shook the furry little remote drone, quite hard. Its teeth chattered. “It’s for a laugh!” it cried. “Sma, don’t you appreciate a joke?” “I don’t know. Do you appreciate being drop-kicked back to the accommodation area?” “Ooh! What’s your problem, lady? Have you got something against small furry animals, or what?” Look Ms. Sma, I know very well I’m a ship, and I do everything I’m asked to do—including taking you to this frankly rather fuzzily specified destination—and do it very efficiently, too. If there was the slightest sniff of any real action, and I had to start acting like a warship, this construct in your hands would go lifeless and limp immediately, and I’d battle as ferociously and decisively as I’ve been trained to. Meanwhile, like my human colleagues, I amuse myself harmlessly. If you really hate my current appearance, all right; I’ll change it; I’ll be an ordinary drone, or just a disembodied voice, or talk to you through Skaffen-Amtiskaw here, or through your personal terminal. The last thing I want is to offend a guest.” Sma pursed her lips. She patted the thing on its head and sighed. “Fair enough.” “I can keep this shape?” “By all means.” “Oh goody!” It squirmed with pleasure, then opened its big eyes wide and looked hopefully at her. “Cuddle?” “Cuddle.” Sma cuddled it, patted its back. She turned to see Skaffen-Amtiskaw lying dramatically on its back in midair, its aura field flashing the lurid orange that was used to signal Sick Drone in Extreme Distress.
Iain M. Banks (Use of Weapons (Culture, #3))
There was a fair mixture of animals in the long building. The dairy cows took up most of the length, then there were a few young heifers, some bullocks and finally, in an empty stall deeply bedded with straw, the other farm dogs. The cats were there too, so it had to be warm. No animal is a better judge of comfort than a cat and they were just visible as furry balls in the straw. They had the best place, up against the wooden partition where the warmth came through from the big animals.
James Herriot (All Creatures Great and Small (All Creatures Great and Small, #1))
As we get ready to leave, Georgina announces that she wants to keep the kitten. But of course she can't. We walk up and down looking for its mother, calling for its siblings. But the nearby kraals are deserted, of both people and animals. And eventually we have to leave it at the gate of an empty kraal, the closest one to where it found us, hoping that this might be its home. As we start to drive away, the kitten totters down the dirt road after us, a furry ball of khaki with irregular black spots, and Georgina bursts into tears. 'Over the kitten? Really?' I ask, gesturing around the ruins of the torture base and the mass graves. 'With all of this?' 'No,' she sniffs. 'It's not just the kitten. It's everyone here. They've all been abandoned. No one gives a **** about what happened to them. They're completely alone.
Peter Godwin (The Fear: Robert Mugabe and the Martyrdom of Zimbabwe)
Such a nice ring…Dead Furry Friends Animal Shelter…so warm and comforting.
Angela Cervantes (Gaby, Lost and Found)
I could neither laugh with nor at the solemn utterances of men I esteemed ponderous asses; nor could I laugh, nor engage in my old-time lightsome persiflage, with the silly superficial chatterings of women, who, underneath all their silliness and softness, were as primitive, direct, and deadly in their pursuit of biological destiny as the monkeys women were before they shed their furry coats and replaced them with the furs of other animals.
Jack London (John Barleycorn: Alcoholic Memoirs)
animals are often fed mechanically, so their only human contact comes, and this is only in the case of breeder dogs, in the form of artificial insemination and, nine weeks later, a pair of hands snatching babies away. If Dante
Steven Kotler (A Small Furry Prayer: Dog Rescue and the Meaning of Life)
When the cure for insecurity and meaningful conversation is to slap a cell phone against your ear, hide within your iPod, or tap out a cryptic instant message, is it any wonder that we find comfort and solace in hairy, furry, and scaly companions?
Nick Trout (Tell Me Where It Hurts: A Day of Humor, Healing, and Hope in My Life as an Animal Surgeon)
#96. Spend a Few Minutes Cuddling Your Significant Other/Child/Pet Physical touch is hugely important to our wellbeing. Cuddling releases oxytocin, the “happy hormone,” which can help reduce stress and even boost your immune system. Physical touch can also make the bonding process easier and improve communication between couples or parents and children. Cuddling doesn’t have to be limited to romantic partners—you’ll get the same effect from hugging a friend, a child or even your favorite furry animal.
S.J. Scott (Habit Stacking: 97 Small Life Changes That Take Five Minutes or Less)
Animal welfare - yes. Animal rights - don't make me laugh. I'm not an animals rights activist. I certainly do not love animals. In fact, I secretly mistrust all four-legged / furry / two-winged / feathered / shelled ar scaly brothers and sisters. If I were them, I would by now be plotting ultimate revenge on a scale previously unknown to man. ... I stick to a vegan diet only for reasons of self-preservertion. Call it insurance. When the time of the great animal uprising comes, I may have a small chance of escaping ...
Sharon Dodua Otoo (the things i am thinking while smiling politely …)
Gabe watched her move to the center of the green. In one gloved hand, she clutched a leash. The other end of the leash was attached to... something furry and brown that rolled. "What is that?" "That would be mongrel with two lamed hind legs. Apparently, Her Ladyship's friend devised a little chariot for his rear half, and the dog careens around the neighborhood like a yapping billiard ball. If you think that's strange, wait until you see the goat." "Hold a moment. There's a goat?" "Oh, yes. She grazes it on the square every afternoon. Doesn't precisely elevate the atmosphere of Bloom Square, now does it?" "I see the problem." "I'm only getting started. Her Ladyship has single-handedly set us back a month on the improvements." Hammond pulled a collection of letters from a folio. He held one aloft and read from it. "'Dear Mr. Hammond, I must request that you delay completion of the parquet flooring. The fumes from the lacquer are dizzying the hens. Sincerely yours, Lady Penelope Campion.'" He withdrew another. "'Dear Mr. Hammond, I'm afraid your improvements to the mews must be temporarily halted. I've located a litter of newborn kittens in the hayloft. Their mother is looking after them, but as their eyes are not yet open, they should not be displaced for another week. Thank you for your cooperation. Gratefully yours, Lady Penelope Campion.'" Gabe sensed a theme. "Oh, and here's my favorite." Hammond shook open a letter and cleared his throat for dramatic effect. "'Dear Mr. Hammond, if it is not too great an imposition, might I ask that your workers refrain from performing heavy labor between nine o'clock in the morning and half-three in the afternoon? Hedgehogs are nocturnal animals, and sensitive to loud noises. My dear Freya is losing quills. I feel certain this will concern you as much as it does me. Neighborly yours, Lady Penelope Campion.'" He tossed the folio of letters onto the table, where they landed with a smack. "Her hedgehog. Really.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
That's the trouble with the world we live in, Dana. It's full of people just doing their job and ignoring what's really going on. Care about the rainforest until they get a couple of kids and enough money for a gas guzzling car, or some fancy hardwood dining furniture. Watch all those wildlife programmes and coo over the furry animals, but still eat meat and poultry that was raised in conditions of unbelievable cruelty. I'm sorry, but we live in a relatively free society. The facts are available, but people choose to ignore them. As far as I'm concerned, any educated person who works for the government or a big oil company is guilty through their own selective ignorance.
Robert Muchamore (Divine Madness (Cherub, #5))
How much farther?” Derek asked. “Patience is a virtue,” Ghastek advised. “Lecturing a wolf about patience is unwise." That was the first time Derek condescended to addressing Ghastek directly, and his face plainly showed he felt quite soiled by having to stoop so low. “Should I find myself speaking to an animal for some bewildering reason, I'll take it under advisement.” The magic hit, so thick my heart skipped a beat. Derek clenched his teeth. His face strained, muscles on his forearms bulged, and his eyes flooded with yellow. The hair on the back of my arms rose. The intense cold fire of those eyes chilled me. He was on the verge of going furry. “You okay?” His lips quivered. The fire in his eyes died to its usual soft brown. “Yeah,” he said. “Took me by surprise.” The vampire kept galloping as if nothing had happened. “Ghastek, you okay?” He offered Derek a smile. “Never better. Unlike Pack members, the People don't tolerate losses of control.” Derek's eyes flashed gold. “If I lose control, you'll be the first to know.” “I'm quite perturbed by the idea.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
EVERYTHING SMELLED LIKE POISON. Two days after leaving Venice, Hazel still couldn’t get the noxious scent of eau de cow monster out of her nose. The seasickness didn’t help. The Argo II sailed down the Adriatic, a beautiful glittering expanse of blue; but Hazel couldn’t appreciate it, thanks to the constant rolling of the ship. Above deck, she tried to keep her eyes fixed on the horizon—the white cliffs that always seemed just a mile or so to the east. What country was that, Croatia? She wasn’t sure. She just wished she were on solid ground again. The thing that nauseated her most was the weasel. Last night, Hecate’s pet Gale had appeared in her cabin. Hazel woke from a nightmare, thinking, What is that smell? She found a furry rodent propped on her chest, staring at her with its beady black eyes. Nothing like waking up screaming, kicking off your covers, and dancing around your cabin while a weasel scampers between your feet, screeching and farting. Her friends rushed to her room to see if she was okay. The weasel was difficult to explain. Hazel could tell that Leo was trying hard not to make a joke. In the morning, once the excitement died down, Hazel decided to visit Coach Hedge, since he could talk to animals. She’d found his cabin door ajar and heard the coach inside, talking as if he were on the phone with someone—except they had no phones on board. Maybe he was sending a magical Iris-message? Hazel had heard that the Greeks used those a lot. “Sure, hon,” Hedge was saying. “Yeah, I know, baby. No, it’s great news, but—” His voice broke with emotion. Hazel suddenly felt horrible for eavesdropping. She would’ve backed away, but Gale squeaked at her heels. Hazel knocked on the coach’s door. Hedge poked his head out, scowling as usual, but his eyes were red. “What?” he growled. “Um…sorry,” Hazel said. “Are you okay?” The coach snorted and opened his door wide. “Kinda question is that?” There was no one else in the room. “I—” Hazel tried to remember why she was there. “I wondered if you could talk to my weasel.” The coach’s eyes narrowed. He lowered his voice. “Are we speaking in code? Is there an intruder aboard?” “Well, sort of.” Gale peeked out from behind Hazel’s feet and started chattering. The coach looked offended. He chattered back at the weasel. They had what sounded like a very intense argument. “What did she say?” Hazel asked. “A lot of rude things,” grumbled the satyr. “The gist of it: she’s here to see how it goes.” “How what goes?” Coach Hedge stomped his hoof. “How am I supposed to know? She’s a polecat! They never give a straight answer. Now, if you’ll excuse me, I’ve got, uh, stuff…” He closed the door in her face. After breakfast, Hazel stood at the port rail, trying to settle her stomach. Next to her, Gale ran up and down the railing, passing gas; but the strong wind off the Adriatic helped whisk it away. Hazel
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
As we sit allowing these thoughts and, more importantly, uncomfortable feelings to arise, it is important not to have any subtle agenda with them, not to ‘do this’ in order to ‘get rid of them’, That would be more of the same. Just allow the full panoply of thoughts and feelings to display themselves in your loving and indifferent presence. In time their ferocity will die down, revealing subtler and subtler layers of thinking and feeling on behalf of a separate entity, until we come to the little, almost innocuous background thinking about which we were speaking earlier. This is the sense of separation, the ‘ego’, in its apparently mildest and least easily detectable form. Be very sensitive to this. Be sensitive to the ‘avoidance of what is’ in its subtlest forms. It is the sweet, furry baby animal that later turns into a monster! As time goes on we become more and more sensitive and we see how much of our thinking and feeling, as well as our activities, are generated for the sole purpose of avoiding ‘what is’, of avoiding the ‘this’ and the ‘now’, It is this open, un-judging, un-avoiding allowing of all things which, in time, restores the ‘I’ to its proper place in the seat of awareness and which, as a natural corollary to the abiding in and as our true self, gently realigns our thoughts, feelings and activities with the peace and happiness that are inherent in it. Nobody Has, Owns or Chooses Anything Q: While allowing the body, mind and world to be as they are, different thoughts arise, some not so savoury and others that might be better left not acted upon. You have said that, once one begins to abide knowingly as presence, responses to situations will flow naturally from there. Some thoughts will engage the body, others
Rupert Spira (Presence: The Intimacy of All Experience)
as horripilation but more commonly as getting goose bumps. In furry mammals, it adds a useful layer of insulating air between the hair and the skin, but in humans it has absolutely no physiological benefit and merely reminds us how comparatively bald we are. Horripilation also makes mammalian hair stand up (to make animals look bigger and more ferocious), which is why we get goose bumps when we are frightened or on edge, but of course that doesn’t work very well for humans either.
Bill Bryson (The Body: A Guide for Occupants)
Cats were often familiars to workers of magic because to anyone used to wrestling with self-willed, wayward, devious magic—which was what all magic was—it was rather soothing to have all the same qualities wrapped up in a small, furry, generally attractive bundle that looked more or less the same from day to day and might, if it were in a good mood, sit on your knee and purr. Magic never sat on anybody’s knee and purred. Cats were the easiest of the beasts for humans to talk to, if you could call it talking, and most fairies could carry on some kind of colloquy with a cat. But conversations with cats were always more or less riddle games, and if you were getting the answer too quickly, the cat merely changed the ground on you. Katriona’s theory was that cats were one of the few members of the animal kingdom who had a strong artistic sense, and that aggravated chaos was the chief feline art form, but she had never coaxed a straight enough answer out of a cat to be sure. It was the sort of thing a cat would like a human to think, particularly if it weren’t true.
Robin McKinley (Spindle's End)
I’m all for choice in death. If you want to be buried with no animals, you should have that. If you want to be buried with animals, you should have that. More places than you’d expect have animals-getting-buried-with-people on the legislative agenda. So yes, it’s not out of the question that you and your furry friend could be buried together, running hand-in-paw on that great big hamster wheel in the sky. No matter what the local laws say, there may be a funeral director who’s willing to sneak your pet’s ashes into your casket. Not me, of course. Next question.
Caitlin Doughty (Will My Cat Eat My Eyeballs? And Other Questions About Dead Bodies)
The concept of furry characters (another term for anthropomorphic animals) is relatively new; it was popularized in the 1980s. But art and stories juxtaposing humans and animals can be traced back thousands of years. The ancient Egyptians, for example, had animalistic deities such as Anubis, who had the head of a jackal. Anthropomorphic kimono-clad foxes, raccoons, dogs, cats, and other animals were a recurring subject in classical Japanese uikyo-e artwork. Further historical examples of anthropomorphic animals can be found in Native American mythology and works of literature like Aesop's fables, wherein talking animals took the roles of humans.
Jared Hodges (Draw Furries: How to Create Anthropomorphic and Fantasy Animals)
Una and Kele pay him a visit. They bring with them something Lev was never expecting to see. In truth, he was never expecting to see anything in this world again, but this is something he really wasn’t expecting to see. It’s a small furry creature clinging to Kele’s shoulder. Its large, soulful eyes dart everywhere around the room, before making eye contact with Lev. They’ve brought him a kinkajou. “It was Kele’s idea,” says Una. “Well, it’s your spirit animal,” Kele says, “and people do keep them as pets sometimes.” Kele peels the kinkajou from his neck and puts it on the bed next to Lev, where it promptly climbs to his head, makes itself comfortable, and urinates.
Neal Shusterman (UnDivided (Unwind, #4))
Darwin’s Bestiary PROLOGUE Animals tame and animals feral prowled the Dark Ages in search of a moral: the canine was Loyal, the lion was Virile, rabbits were Potent and gryphons were Sterile. Sloth, Envy, Gluttony, Pride—every peril was fleshed into something phantasmic and rural, while Courage, Devotion, Thrift—every bright laurel crowned a creature in some mythological mural. Scientists think there is something immoral in singular brutes having meat that is plural: beasts are mere beasts, just as flowers are floral. Yet between the lines there’s an implicit demurral; the habit stays with us, albeit it’s puerile: when Darwin saw squirrels, he saw more than Squirrel. 1. THE ANT The ant, Darwin reminded us, defies all simple-mindedness: Take nothing (says the ant) on faith, and never trust a simple truth. The PR men of bestiaries eulogized for centuries this busy little paragon, nature’s proletarian— but look here, Darwin said: some ants make slaves of smaller ants, and end exploiting in their peonages the sweating brows of their tiny drudges. Thus the ant speaks out of both sides of its mealy little mouth: its example is extolled to the workers of the world, but its habits also preach the virtues of the idle rich. 2. THE WORM Eyeless in Gaza, earless in Britain, lower than a rattlesnake’s belly-button, deaf as a judge and dumb as an audit: nobody gave the worm much credit till Darwin looked a little closer at this spaghetti-torsoed loser. Look, he said, a worm can feel and taste and touch and learn and smell; and ounce for ounce, they’re tough as wrestlers, and love can turn them into hustlers, and as to work, their labors are mythic, small devotees of the Protestant Ethic: they’ll go anywhere, to mountains or grassland, south to the rain forests, north to Iceland, fifty thousand to every acre guzzling earth like a drunk on liquor, churning the soil and making it fertile, earning the thanks of every mortal: proud Homo sapiens, with legs and arms— his whole existence depends on worms. So, History, no longer let the worm’s be an ignoble lot unwept, unhonored, and unsung. Moral: even a worm can turn. 3. THE RABBIT a. Except in distress, the rabbit is silent, but social as teacups: no hare is an island. (Moral: silence is golden—or anyway harmless; rabbits may run, but never for Congress.) b. When a rabbit gets miffed, he bounds in an orbit, kicking and scratching like—well, like a rabbit. (Moral: to thine own self be true—or as true as you can; a wolf in sheep’s clothing fleeces his skin.) c. He populates prairies and mountains and moors, but in Sweden the rabbit can’t live out of doors. (Moral: to know your own strength, take a tug at your shackles; to understand purity, ponder your freckles.) d. Survival developed these small furry tutors; the morals of rabbits outnumber their litters. (Conclusion: you needn’t be brainy, benign, or bizarre to be thought a great prophet. Endure. Just endure.) 4. THE GOSSAMER Sixty miles from land the gentle trades that silk the Yankee clippers to Cathay sift a million gossamers, like tides of fluff above the menace of the sea. These tiny spiders spin their bits of webbing and ride the air as schooners ride the ocean; the Beagle trapped a thousand in its rigging, small aeronauts on some elusive mission. The Megatherium, done to extinction by its own bigness, makes a counterpoint to gossamers, who breathe us this small lesson: for survival, it’s the little things that count.
Philip Appleman
I told such a man the other day that I had got a Canada lynx here in Concord, and his instant question was, “Have you got the reward for him?” What reward? Why, the ten dollars which the State offers. As long as I saw him he neither said nor thought anything about the lynx, but only about this reward. “Yes,” said he, “this State offers ten dollars reward.” You might have inferred that ten dollars was something rarer in his neighborhood than a lynx even, and he was anxious to see it on that account. I have thought that a lynx was a bright-eyed, four-legged, furry beast of the cat kind, very current, indeed, though its natural gait is by leaps. But he knew it to be a draught drawn by the cashier of the wildcat bank on the State treasury, payable at sight. Then I reflected that the first money was of leather, or a whole creature (whence pecunia, from pecus, a herd), and, since leather was at first furry, I easily understood the connection between a lynx and ten dollars, and found that all money was traceable right back to the original wildcat bank.
Henry David Thoreau (The Journal, 1837-1861)
Unfortunately, the Hospital Fund Raising Committee, to which Elizabeth was assigned, spent most of its time mired down in petty trivialities and rarely made a decision on anything. In a fit of bored frustration, Elizabeth finally asked Ian to step into their drawing room one day, while the committee was meeting there, and to give them the benefit of his expertise. “And,” she laughingly warned him in the privacy of his study when he agreed to join them, “no matter how they prose on about every tiny, meaningless expenditure-which they will-promise me you won’t point out to them that you could build six hospitals with less effort and time.” “Could I do that?” he asked, grinning. “Absolutely!” She sighed. “Between them, they must have half the money in Europe, yet they debate about every shilling to be spent as if it were coming out of their own reticules and likely to send them to debtors’ gaol.” “If they offend your thrifty sensibilities, they must be a rare group,” Ian teased. Elizabeth gave him a distracted smile, but when they neared the drawing room, where the committee was drinking tea in Ian’s priceless Sevres china cups, she turned to him and added hastily, “Oh, and don’t comment on Lady Wiltshire’s blue hat.” “Why not?” “Because it’s her hair.” “I wouldn’t do such a thing,” he protested, grinning at her. “Yes, you would!” she whispered, trying to frown and chuckling instead. “The dowager duchess told me that, last night, you complimented the furry dog Lady Shirley had draped over her arm.” “Madam, I was following your specific instructions to be nice to the eccentric old harridan. Why shouldn’t I have complimented her dog?” “Because it was a new fur muff of a rare sort, of which she was extravagantly proud.” “There is no fur on earth that mangy, Elizabeth,” he replied with an impenitent grin. “She’s hoaxing the lot of you,” he added seriously. Elizabeth swallowed a startled laugh and said with an imploring look, “Promise me you’ll be very nice, and very patient with the committee.” “I promise,” he said gravely, but when she reached for the door handle and opened the door-when it was too late to step back and yank it closed-he leaned close to her ear and whispered, “Did you know a camel is the only animal invented by a committee, which is why it turned out the way it has?” If the committee was surprised to see the formerly curt and irascible Marquess of Kensington stroll into their midst wearing a beatific smile worth of a choir boy, they were doubtlessly shocked to see his wife’s hands clamped over her face and her eyes tearing with mirth.
Judith McNaught (Almost Heaven (Sequels, #3))
I want to state very clearly that in that period when human beings had not yet become ashamed of their cruelty, life on earth was happier than it is today, now that we have our pessimists. The darkening of heaven over men’s heads has always increased alarmingly in proportion to the growth of human beings’ shame before human beings. The tired, pessimistic look, the mistrust of the riddle of life, the icy denial stemming from disgust with life — these are not the signs of the wickedest eras of human beings. It’s much more the case that they first come to light as the swamp plants they are when the swamp to which they belong is there — I mean the sickly mollycoddling and moralizing, thanks to which the animal “man” finally learns to feel shame about all his instincts. On his way to becoming an “angel” (not to use a harsher word here), man cultivated for himself that upset stomach and that furry tongue which not only made the joy and innocence of the animal repulsive but also made life itself distasteful: — so that now and then he stands there before himself, holds his nose, and with Pope Innocent III disapproves and makes a catalogue of his nastiness (“conceived in filth, disgustingly nourished in his mother’s body, developed out of evil material stuff, stinking horribly, a secretion of spit, urine, and excrement”).
Friedrich Nietzsche (On the Genealogy of Morals)
If we combine the mass extinctions in Australia and America, and add the smaller-scale extinctions that took place as homo sapiens spread over Afro-Asia - such as the extinction of all other human species - and the extinctions that occurred when ancient foragers settled remote islands such as Cube, the inevitable conclusion is that the first wave of Sapiens colonisation was one of the biggest and swiftest ecological disasters to befall the animal kingdom. Hardest hit were the large furry creatures. At the time of the Cognitive Revolution, the planet was home to about 200 genera of large terrestrial mammals weighing over fifty kilograms. At the time of the Agricultural Revolution, only about a hundred remained. Homo sapiens drove to extinction about half of the planet's big beasts long before humans invented the wheel, writing or iron tools. This ecological tragedy was restaged in miniature countless times after the Agricultural Revolution. The archaeological record of island after island tells the same sad story. The tragedy opens with a scene showing a rich and varied population of large animals, without any trace of humans. In scene two, Sapiens appear, evidenced by a human bone, a spear point, or perhaps a potsherd. Scene three quickly follows, in which men and women occupy centre stage and most large animals, along with many smaller ones, are gone. (p. 80)
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
She found herself face-to-face with a goat. With a rude bleat, the goat snatched a sheet of paper from her grasp and crumpled it between its jaws. Sophia watched in confounded outrage as the goat casually masticated and swallowed her precious parchment. When the animal extended its long, narrow tongue in every indication of lunching on her second sheet, Sophia startled into action. She grabbed her drawing board with both hands and smacked the impertinent animal on the nose. “Easy there, sweetheart.” Mr. Grayson’s deep voice carried from somewhere above. “That’s my investment you’re bludgeoning.” Sophia started at the goat. She paused a half-second to imagine Mr. Grayson’s handsome features a superimposed on that furry, blunt-nosed visage. Then she whacked it over the head again. My, but that felt good. Evidently, the goat did not agree. It grasped the corner of Sophia’s board with its teeth and pulled. Sophia tugged back with all her strength. She lost her footing on the stair and tumbled backward into the cabin. The goat fell with her. Or rather, the goat fell on top of her. Drat. Bleating indignantly, the goat scrambled to its feet, its forelegs and hindlegs on either side of Sophia’s midsection. Sophie struggled to raise herself up on her elbows. Her serge skirt had flipped up, exposing her stockings. The powerful stench of farm animal smothered her like a goat-hide blanket. Two pendulous teats dangled before her eyes, swaying gently with every motion of the ship. “Well, well.” Mr. Grayson’s teasing tone carried down the staircase. The remaining sheet of paper fluttered to a rest near Sophia’s elbow. The goat ingested it with alacrity. “This is a very pretty picture. What a fetching dairymaid you make, Miss Turner.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Darwin concluded that language ability is “an instinctive tendency to acquire an art,” a design that is not peculiar to humans but seen in other species such as song-learning birds. A language instinct may seem jarring to those who think of language as the zenith of the human intellect and who think of instincts as brute impulses that compel furry or feathered zombies to build a dam or up and fly south. But one of Darwin’s followers, William James, noted that an instinct possessor need not act as a “fatal automaton.” He argued that we have all the instincts that animals do, and many more besides; our flexible intelligence comes from the interplay of many instincts competing. Indeed, the instinctive nature of human thought is just what makes it so hard for us to see that it is an instinct: It takes…a mind debauched by learning to carry the process of making the natural seem strange, so far as to ask for the why of any instinctive human act. To the metaphysician alone can such questions occur as: Why do we smile, when pleased, and not scowl? Why are we unable to talk to a crowd as we talk to a single friend? Why does a particular maiden turn our wits so upside-down? The common man can only say, “Of course we smile, of course our heart palpitates at the sight of the crowd, of course we love the maiden, that beautiful soul clad in that perfect form, so palpably and flagrantly made for all eternity to be loved!” And so, probably, does each animal feel about the particular things it tends to do in presence of particular objects…. To the lion it is the lioness which is made to be loved; to the bear, the she-bear. To the broody hen the notion would probably seem monstrous that there should be a creature in the world to whom a nestful of eggs was not the utterly fascinating and precious and never-to-be-too-much-sat-upon object which it is to her.
Steven Pinker (The Language Instinct: How the Mind Creates Language)
The other evening, in that cafe-cabaret in the Rue de la Fontaine, where I had run aground with Tramsel and Jocard, who had taken me there to see that supposedly-fashionable singer... how could they fail to see that she was nothing but a corpse? Yes, beneath the sumptuous and heavy ballgown, which swaddled her and held her upright like a sentry-box of pink velvet trimmed and embroidered with gold - a coffin befitting the queen of Spain - there was a corpse! But the others, amused by her wan voice and her emaciated frame, found her quaint - more than that, quite 'droll'... Droll! that drab, soft and inconsistent epithet that everyone uses nowadays! The woman had, to be sure, a tiny carven head, and a kind of macabre prettiness within the furry heap of her opera-cloak. They studied her minutely, interested by the romance of her story: a petite bourgeoise thrown into the high life following the fad which had caught her up - and neither of them, nor anyone else besides in the whole of that room, had perceived what was immediately evident to my eyes. Placed flat on the white satin of her dress, the two hands of that singer were the two hands of a skeleton: two sets of knuckle-bones gloved in white suede. They might have been drawn by Albrecht Durer: the ten fingers of an evil dead woman, fitted at the ends of the two overlong and excessively thin arms of a mannequin... And while that room convulsed with laughter and thrilled with pleasure, greeting her buffoonery and her animal cries with a dolorous ovation, I became convinced that her hands no more belonged to her body than her body, with its excessively high shoulders, belonged to her head... The conviction filled me with such fear and sickness that I did not hear the singing of a living woman, but of some automaton pieced together from disparate odds and ends - or perhaps even worse, some dead woman hastily reconstructed from hospital remains: the macabre fantasy of some medical student, dreamed up on the benches of the lecture-hall... and that evening began, like some tale of Hoffmann, to turn into a vision of the lunatic asylum. Oh, how that Olympia of the concert-hall has hastened the progress of my malady!
Jean Lorrain (Monsieur de Phocas)
Although he'd never seen an earth cat, wiped out along with most of the imported animals in the first generation, from descriptions in the colony records it sure sounded like they'd been something akin to small, furry dragons
Tygati (In the Hours of Darkness (No Man's Land, #1))
Immediately a large striped cat with no tail sauntered inside the office and surveyed the visitors with a speculative gaze. "Chopper," Cannon said in a warning tone that would have caused any other creature to slink into the nearest corner. Instead, Chopper flicked him a rebellious glance and jumped straight into Victoria's lap. Automatically Victoria handed her half-filled mug to Grant as the cat settled into a massive furry heap over her thighs. Muttering an apology, Cannon began to remove the creature, but Victoria shook her head with a smile. "It's all right," she said. "I like animals." Cannon's eyes glimmered with an answering smile. "Well, now you've met the real head of Bow Street," he remarked, indicating the smug feline, and returned to his chair.
Lisa Kleypas (Someone to Watch Over Me (Bow Street Runners, #1))
Comforted by the mountain of warm fur beneath her cheek, Sorcha stretched over the blankets. Then realized the warm pile of animal skins was moving. Breathing. Sorcha raised her head at the same time the wolf did, his muzzle leveled toward her face. Even with his humanity cloaked by the form of an animal, she saw his brows shoot up in his furry face. She jerked upright into a sitting position. “I am... so sorry,” she babbled. “I had no idea, and I would never use you like a pillow like that. Please accept my apologies.
Vivienne Savage (Red and the Wolf (Once Upon a Spell, #2))
Another student countered Andy’s argument. “But we can’t say he or she. That would be anthropomorphism.” They are well-schooled biologists who have been instructed, in no uncertain terms, never to ascribe human characteristics to a study object, to another species. It’s a cardinal sin that leads to a loss of objectivity. Carla pointed out that “it’s also disrespectful to the animals. We shouldn’t project our perceptions onto them. They have their own ways—they’re not just people in furry costumes.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
Healing Anger If you loathe and feel ashamed of your anger, try using imagery to change your relationship with it, transforming it from a dangerous, hateful monster to a gentle, helpless animal, a creature you can love and manage. For example, practice imagining that your anger is a furry dog with big, sweet eyes. (Sound silly? Try it anyway!) Whenever you hear your anger yowling, instead of raging at it, hating it, and stuffing it into a tiny cage, put him on a leash and take him outside for a walk. Speak to him soothingly and kindly in a voice you’d use with someone you love.
Rachel Zoffness (The Pain Management Workbook: Powerful CBT and Mindfulness Skills to Take Control of Pain and Reclaim Your Life)
His nostrils and ears were large and full of hair. They looked as though furry little animals were hiding in them.
John Steinbeck (The Pastures of Heaven)
Curious now, she glanced to its contents and this time did squeal with delight when she saw all the cages holding the furry friends she'd rescued, mended and adopted over the years. At least, the ones that hadn't been released back to the wild: Osborn the three-legged goat, Lowrans the blind wildcat, Grisell the baby cow who couldn't walk when she first saw her and now could but was still quite wobbly on her feet, and of course Brodie the bunny, and her earless little fox.
Lynsay Sands (Highland Wolf (Highland Brides, #10))
Idyllic is how Kundera describes human relationships with animals. Idyllic, because animals were not expelled with us from paradise. There they remain untroubled by such complications as the separation of body and soul. And it’s through our love and friendship with them that we are able to reconnect to paradise, albeit by just a thread. Others go further. Dogs are not just merely untouched by evil. They are celestial beings. Angels incarnate. Furry guardian spirits sent to watch over and help people live.
Sigrid Nunez (The Friend)
Just one moment, then.” She stopped in front of the inner door. “Something is going to happen now. Are you easily frightened?” He couldn’t puzzle out her expression. “Frightened?” Good God, what was this woman going to show him? Could all this secrecy and worry be justified after all? She opened the door and a tiny, furry thing rushed out, claws scrabbling on the polished floorboards. To his shame, Ramsey flinched. As though door and mouth were somehow connected, once released the tiny, furry thing began to bark. It had the voice of a much larger animal. “Misha is very fierce,” she said, and he realized that she had been fighting back a smile. “However, he is not as terrifying as he looks.” She slid through and the door closed behind her, leaving him alone with the small, bat-eared dog, who darted back and forth just out of Ramsey’s reach, emitting loud noises of loathing and distrust.
Tad Williams (River of Blue Fire (Otherland, #2))
If we combine the mass extinctions in Australia and America, and add the smaller-scale extinctions that took place as Homo sapiens spread over Afro-Asia – such as the extinction of all other human species – and the extinctions that occurred when ancient foragers settled remote islands such as Cuba, the inevitable conclusion is that the first wave of Sapiens colonisation was one of the biggest and swiftest ecological disasters to befall the animal kingdom. Hardest hit were the large furry creatures. At the time of the Cognitive Revolution, the planet was home to about 200 genera of large terrestrial mammals weighing over 100 pounds. At the time of the Agricultural Revolution, only about a hundred remained. Homo sapiens drove to extinction about half of the planet’s big beasts long before humans invented the wheel, writing, or iron tools.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Floyd hopped up on the loveseat next to me. "Hi, pal," I said, feeling a little drained. "Your mom should be back soon." His meow sounded like a whine. "I know the feeling. But maybe I can help you out?" When I went to the kitchen and cut up a scallop, he meowed again and went up on his hind legs, begging. "Did you just twirl?" I said, astonished. I sat back down on the sofa and put my hand out, and he became a little furry seafood vacuum. "I didn't know you could purr as you ate. That's kind of amazing." He headbutted my empty hand, and I took a hint and ran it through his silky fur. I dug my fingertips around his ears and chin, and he closed his eyes and purred even more loudly. "Such a good boy," I said, feeling a little better. "You like that? Is that, oof!" His big back feet drove the air out of me while he climbed onto my chest. "Jesus, cat, at least buy me a drink first." He ignored my smartass comment and stretched out from my thighs to my shoulders. "I guess this is me now. Your throne, forever." Green-gold eyes blinked slowly. "Are you smiling?" He rested his head under my chin and sighed. We hadn't had animals when I was a kid. Too messy, Mom said. Too needy, Dad said. But maybe this was the upside of being needed. Quiet, sweet moments like this one. "OK," I told him. "Just for a little bit." Ellie Was Kieran crooning? Maybe the wall of the cottage was distorting his voice? "That feels so good, doesn't it, bud? Such a big, nice cat. Yes, you are." Yes, he was. He rubbed Floyd's cheeks and my cat melted for him like fluffy butter.
Sarah Chamberlain (The Slowest Burn)
such as “comparing mind,” and “wanting mind.” They had a term, too, for that thing I did where something would bother me and I would immediately project forward to an unpleasant future (e.g., Balding → Unemployment → Flophouse). The Buddhists called this prapañca (pronounced pra-PUN-cha), which roughly translates to “proliferation,” or “the imperialistic tendency of mind.” That captured it beautifully, I thought: something happens, I worry, and that concern instantaneously colonizes my future. My favorite Buddhist catchphrase, however, was the one they used to describe the churning of the ego: “monkey mind.” I’ve always been a sucker for animal metaphors, and I thought this one was perfect. Our minds are like furry little gibbons: always agitated, never at rest.
Dan Harris (10% Happier)
A furry, for the uninitiated, is a person who identifies very deeply with, and dresses up as, an anthropomorphized animal. There have been quite a few evening news segments devoted to them, with lots of ominous music playing over shots of Care Bears walking down the street holding hands. YouTube it.
Isaac Oliver (Intimacy Idiot)
Cradling her in his arms, Arik enjoyed the moment. A moment that went on for a while until he felt compelled to ask, “Are you okay?” She stirred against him. Her head tilted far enough for him to see the lazy smile she shot him. “Better than okay.” She wiggled in his arms, and he let her down, hiding his smug satisfaction as she wavered on wobbly legs, a smugness that faded when she said, “That sure beats waking up to Frosted Flakes and milk.” Did she really compare him to— “Processed cereal?” He shuddered. “Don’t tell me you eat that stuff.” “All the time. I like it. It’s fast and easy. Who doesn’t like a bowl of sugar to perk them up in the morning?” “Not me. A lion needs real food.” “Lion? Someone’s got a messed-up opinion of himself,” she teased, not realizing his verbal gaffe. “Although I’ll admit you do kind of remind me of an animal with some of the noises you make.” If she only knew those noises were just the tip of his furry, perfectly tufted tail. “So sue me for being a man who expresses himself vocally when aroused. But I warn you, sue me at your own peril. I have the best lawyer in town on retainer.” “If you ask me, your money would be better spent with a psychiatrist for your ego problem.” “Admit it, my supreme confidence is sexy.” “No, it’s disturbing, but lucky for you, your butt is awesome.
Eve Langlais (When an Alpha Purrs (A Lion's Pride, #1))
In the past few years a critical mass of new observations of animal responses to death has bubbled to the surface, leading me to a startling conclusion: cetaceans, great apes, elephants, and a host of other species ranging from farm animals to domestic pets may, depending on circumstances and their own individual personalities, grieve when a relative or close friend dies. That such a broad range of species—including some quite distantly related to humans—lament the passing of loved ones hints that the roots of our own capacity for grief run very deep indeed.
Scientific American (Our Furry Friends: The Science of Pets)
Our uniquely human capacity for sorrow at the deaths of those who are strangers to us is built on an evolutionary substrate. Our own ways of mourning may be unique, but the human capacity to grieve deeply is something we share with other animals.
Scientific American (Our Furry Friends: The Science of Pets)
Then come get her furry ass. Your animal teleported directly beside Vane a minute ago. And now she won’t stop snuggling up to him. I guess you missed the part where the beast started crushing on my mate at the lake? He
Setta Jay (Storm of Ecstasy (The Guardians of the Realms, #9))
With practice, you began to recognize entire words by themselves. C-A-T became simply cat, thanks to a mental representation that encoded the pattern of the letters in that word and associated that pattern with both the sound of the word and the idea of a small, furry animal that meows and often doesn’t get along well with dogs. Along
K. Anders Ericsson (Peak: Unleashing Your Inner Champion Through Revolutionary Methods for Skill Acquisition and Performance Enhancement in Work, Sports, and Life)
of the benefits of spaying and neutering, it wasn’t until the 1990s that their catchy tag line, “Less born, less killed, less cruelty,” really caught on. In the 1980s, shelters were euthanizing twenty million animals each year. But then birth rates dropped and admission rates dropped, and today, while the three to four million animals they kill annually is a slaughter, it’s also a significant improvement over the massacre that came before.
Steven Kotler (A Small Furry Prayer: Dog Rescue and the Meaning of Life)
Charles, a footman who had once worked on his father's farm and who loved animals, appeared and came over to help her prepare dishes of boiled chicken and brown rice for the cats and dogs waiting eagerly at their feet. When guests were staying, Charles often assisted with the care of her furry brood. Without asking, he set to work, even taking a few moments to gather fresh meat scraps for Aeolus, her wounded hawk, and cut-up apple and beetroots for Poppy, a convalescing rabbit who had an injured leg. He gave her several more apple quarters for the horses, who got jealous if she didn't bring them treats as well. Once all her cats and dogs were fed, Esme set off for the stables, laden pail in hand, Burr trotting at her heels. She stopped along the way to chat with the gardener and his assistant, who gave her some timothy grass, comfrey and lavender to supplement the hay she regularly fed Poppy.
Tracy Anne Warren (Happily Bedded Bliss (The Rakes of Cavendish Square, #2))
As the prince had been speaking, several of the little animals who lived in the great tree had crept down the branches. Squirrels with long, fluffy tails hopped toward him, birds flitted from limb to limb, one even daring to light on his shoulder. The prince held up his finger and let the feathered creature step onto it, lifted it to his face and ruffled its downy belly with his nose. Laughing aloud, he sent it flying with a wave of his hand, and then offered a treat from his plate to one of the squirrels, who gingerly took it in its teeth and stored it in its fat cheeks. Again, he laughed, patting the furry clown on its back and shooing it away.
Ellen Gunderson Traylor (Gabriel - The War in Heaven, Book I (Gabriel - God's Hero 1))
He didn't move or discourage Archibald from kneading and clawing his right boot when the enormous Maine coon strolled in from the pantry. The animal was like black smoke with gold eyes. A furry mystic with large, tufted paws and ears. Legend and lore surrounded the cat. Some stories were amusing, some mere fantastic flights of fantasy, and others actually plausible.
Kate Angell (The Cottage on Pumpkin and Vine)
dead is what I’ll be if I can’t find that shoe. I’ll be pulverised like plasticine by Greasy Guillim if I have to go to school in my Reeboks again. Not that I can find my Reeboks either - I think they’ve decided to hide out and party with the rest of my footwear, but where? That is the question. My eyes are drawn to the shoebox in the corner, even as I struggle to avoid the elephant in the room. Well it’s not actually an elephant. Who’d have an elephant in their room? No, it’s a panda. But not just one panda – two! Two pandas I’ll be forced to wear on my feet, if I can’t come up with an alternative pretty quick. They’re still brand new, and that’s the way they’ll remain if I’ve anything to do with it. I know Granny Paddy’s old, but that’s no excuse for furry animal slippers at my age.
Jenny O'Brien (Boy Brainy (Dai Monday #1))
OM’S RELATIONSHIP-COACHING STYLE seemed reminiscent of getting hit on at a bar. Not by a yoga teacher, as his name would suggest, but by an unneutered therapy animal. He was short, furry, and attentive, with the most soulful brown eyes Greta had seen in years, eyes that put you instantly at ease, even as he was humping your leg. Greta had experienced this firsthand during their initial interview, which had taken place at an abandoned-church-turned-expensive-cocktail-bar on the edge of town.
Jen Beagin (Big Swiss)
What each of Goya’s monstrous animals really is, is a thought, a thought that can assail us when we are exhausted and depleted. Often, these night-time thoughts are an internalization of the most awful messages we’ve ever heard from other people (probably those we grew up around): you are no good, you disgust me, don’t you dare to outsmart me. The owl with outstretched wings might be shrieking: you will never achieve anything. The furry beaked bat might be hissing: your desires are revolting. The lynx-like thing at the bottom looks on with judgementalness: I’m so disappointed in what you’ve become. During the day, when we feel so-called monsters hovering as we talk to a colleague or have dinner with friends, we can fend the animals off with rational arguments: of course, we’ve done nothing wrong, there is no reason to keep apologizing, we have the right to exist. But at night, we can forget all our weapons of self-defense: why are we still alive, why haven’t we given up yet? We don’t know what to answer anymore.
The School of Life
Cannon Films […] already had a Vietnam script for its own kicking around. Impressed by Norris in a way they had not been by Van Damme, Golan and Globus signed him up to a five-film contract and greenlit both of the war pictures, to be released as Missing in Action and Missing in Action 2. The first was set during the conflict itself, with Norris’s character, American POW Jim Braddock, tormented by his Vietnamese captors. One torture scene called for Braddock to be hung upside down from a tree, a sack placed over his head, and a ravenous rat placed inside it. After a violent tussle, it would end with the reveal that Braddock has bitten the creature to death, rather than vice versa. “They were getting ready to do this scene, and I see all these mountain rats in cages,” remembers Norris. “I say, ‘Where’s the fake rat?’ No one says anything. So I say to the director, ‘How are you going to do this scene?’ And he says, ‘I haven´t really thought about it that much.’” Norris faced a choice: cancel the scene or have an actual rat killed and placed inside his mouth (the American Humane Association had clearly not been invited on set). But he didn’t see it as a choice at all. He ordered the animal killed, bit into its bulbous, furry corpse, and was hoisted up for the scene, shaking to simulate a struggle while fake blood poured down the rope. “The blood is coming down into my mouth, mixed with the saliva of the rat. I’m shaking all over, and finally I’m about to throw up,” Norris says, shuddering. “All I can taste is this rat in my mouth and I’m thinking I’ve got the bubonic plague from doing this with a mountain rat. But the scene was good.” Norris’s wife, Dianne, refused to kiss him for a week.
Nick de Semlyen (The Last Action Heroes: The Triumphs, Flops, and Feuds of Hollywood's Kings of Carnage)
Cannon Films […] already had a Vietnam script for its own kicking around. Impressed by Norris in a way they had not been by Van Damme, Golan and Globus signed him up to a five-film contract and greenlit both of the war pictures, to be released as Missing in Action and Missing in Action 2. The first was set during the conflict itself, with Norris’s character, American POW Jim Braddock, tormented by his Vietnamese captors. One torture scene called for Braddock to be hung upside down from a tree, a sack placed over his head, and a ravenous rat placed inside it. After a violent tussle, it would end with the reveal that Braddock has bitten the creature to death, rather than vice versa. “They were getting ready to do this scene, and I see all these mountain rats in cages,” remembers Norris. “I say, ‘Where’s the fake rat?’ No one says anything. So I say to the director, ‘How are you going to do this scene?’ And he says, ‘I haven´t really thought about it that much.’” Norris faced a choice: cancel the scene or have an actual rat killed and placed inside his mouth (the American Humane Association had clearly not been invited on set). But he didn’t see it as a choice at all. He ordered the animal killed, bit into its bulbous, furry corpse, and was hoisted up for the scene, shaking to simulate a struggle while fake blood poured down the rope. “The blood is coming down into my mouth, mixed with the saliva of the rat. I’m shaking all over, and finally I’m about to throw up,” Norris says, shuddering. “All I can taste is this rat in my mouth and I’m thinking I’ve got the bubonic plague from doing this with a mountain rat. But the scene was good.” Norris’s wife, Dianne, refused to kiss him for a week.
Nick de Semlyen (The Last Action Heroes: The Triumphs, Flops, and Feuds of Hollywood's Kings of Carnage)
Kevin chuckled and walked over to his bike. He put up the kickstand and grabbed the handles. It was time to head home. “Nya.” Blink. “Nya?” “Nya.” Blink. Blink. Kevin looked at the wall near the distribution building—and nearly squealed upon spotting the small, cute, adorably furry animal sitting on its haunches. A black cat with big yellow eyes stared at him. Its tail swayed behind it, moving left, then right. It opened its mouth, releasing another one of those utterly endearing, if unusual, “nya” sounds. This cat reminds me of the one that I took home with me when I was in elementary school. It even nyas. How cool is that? “Kitty!” Like a child who’d just seen a new toy on Christmas Day, Kevin dropped his bike and went over to the cat, whose large incandescent orbs had yet to leave his face. He reached the feline in record time, and his hand was quick to descend upon its head. The cat didn’t seem to mind. Indeed, it reveled in the attention, purring as he gently scratched behind its left ear, which twitched with minute movements.
Brandon Varnell (A Fox's Vacation (American Kitsune, #5))
Staying positive is difficult for humans because our DNA is hardwired to hold on to negative experiences over positive ones, for sheer survival. Way back when our species was in survival mode, it was far more important to know and remember that the big furry animal with claws and teeth would kill you than it was to know and remember that the butterfly was pretty. It was more important to remember which berries would kill you than which ones were tastiest. We developed a survival instinct that is ingrained in a negative mindset.
Ben Bergeron (Chasing Excellence: A Story About Building the World’s Fittest Athletes)
mind began dancing with pictures. Here she was stroking the animal’s fur. There she was riding on its back. Then she was being held by its long, furry trunk. Just as she was flying off into a land of make-believe, Elsie sensed someone standing right behind her.
David Walliams (The Ice Monster)
The name of the estate—Furry Park—brought to mind a forest full of stuffed animals reminiscent of Christopher Robin and Winnie the Pooh, and I’d wondered at its origins.
Amy Harmon (What the Wind Knows)
My eyes were already closing but to my surprise, the wolf came around the bed and hopped up, taking the other side. “Hey now,” I protested, trying to sit up and failing. “You can’t… can’t do that. Fur on… the sheets. Victor will be… pissed.” But the wolf wasn’t budging. And at this point, neither was I. I barely had strength to roll over, let alone try to push him off the bed. With a sigh, I gave up. Let him stay—there was nothing I could do about it now. My eyes closed but I was cold. Marshalling my flagging strength, I tried for a minute to get under the covers but I couldn’t… they were tucked in too tightly. Whoever had taught Victor to make a bed must have been into hospital corners. With a little moan, I curled in on myself, trying to tuck my arms and legs into the white t-shirt I still wore and gather a little warmth. Cold… so cold. It was the story of my undead life. Ever since I had been turned, I could never seem to get warm enough, no matter what I did. To my sleepy surprise, the wolf seemed to understand my problem. He scooted closer to me, pushing his long furry back against my front until I found my face buried in his ruff. And oh, he was so warm. With a little sigh of contentment, I wound my arms around his furry neck and pressed closer, letting the delicious animal heat penetrate to my bones. His fur tickled my nose but I didn’t care. He smelled wild and yet, somehow familiar. Like fur and leather and sunlight in the woods. Speaking of sunlight, I could feel the sun rising to full glory overhead and I couldn’t stay awake any longer. Between my terrible weariness and the delicious feeling of finally being warm, I couldn’t hold my eyes open anymore. I nestled closer to the wolf and let sleep claim me.
Evangeline Anderson (Scarlet Heat (Born to Darkness, #2; Scarlet Heat, #0))
monkey mind.” I’ve always been a sucker for animal metaphors, and I thought this one was perfect. Our minds are like furry little gibbons: always agitated, never at rest.
Dan Harris (10% Happier: How I Tamed the Voice in My Head, Reduced Stress Without Losing My Edge, and Found Self-Help That Actually Works - A True Story)
the inevitable conclusion is that the first wave of Sapiens colonisation was one of the biggest and swiftest ecological disasters to befall the animal kingdom. Hardest hit were the large furry creatures. At the time of the Cognitive Revolution, the planet was home to about 200 genera of large terrestrial mammals weighing over fifty kilograms. At the time of the Agricultural Revolution, only about a hundred remained. Homo sapiens drove to extinction about half of the planet’s big beasts long before humans invented the wheel, writing or iron tools. This ecological tragedy was restaged in miniature countless times after the Agricultural Revolution. The archaeological record of island after island tells the same sad story. The tragedy opens with a scene showing a rich and varied population of large animals, without any trace of humans. In scene two, Sapiens appear, evidenced by a human bone, a spear point, or perhaps a potsherd. Scene three quickly follows, in which men and women occupy centre stage and most large animals, along with many smaller ones, are gone.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Corinne La Mer’s heart beat like wild drums as she ran through the forest. Her bare feet stumbled over the dead leaves and protruding roots of the forest floor. She strained her eyes in the dappled sunlight to keep track of the small, furry agouti that scampered away from her. Occasionally, light glinted off the smooth rock tied to the animal’s hind leg. It called to Corinne like a beacon. When she got close enough, she pounced on the ’gouti and missed, grabbing only a handful of dirt. Corinne grunted and threw the dirt aside. The animal ran beneath a bush and Corinne squeezed down to the damp earth to crawl after it. Her skirt got caught on branches, but she ripped it away, determined to reach the animal. On the other side, the creature cowered against a rock and the roots of a large tree. In her eleven years of life, Corinne had learned that with nowhere to run, a wild animal might try to attack. She hung back. “I’m not going to hurt you,” she said in her calmest voice. She eased closer. “I just need that thing on your leg. You’ll be able to run much faster without it, and I won’t be chasing you . . . so . . .” She moved with care toward the ’gouti and gently untied the silk cord. The animal’s coarse fur shivered and its pulse beat as fast as her own. Corinne closed her fist firmly around the stone pendant and crawled back out of the bush. She rubbed the stone with her thumb. Over years of constant handling, she had worn a smooth groove that fit her finger perfectly. The pendant had been her mama’s, and when she put her thumb into the little hollow, she imagined her mama’s hand around her own. Corinne breathed a sigh of relief now that it was back in her possession, but her relief did not last long. She didn’t know this part of the forest. And it was darker here. The branches of the mahogany trees were so thick that barely any light came through. It even smelled different, of wood and wet earth, while Corinne was used to the smell of the sea. She had no idea which way was out. Somewhere between the leaves, Corinne thought she saw a pair of lights shining. They were close together, like eyes. Her skin prickled, but then the lights disappeared and Corinne tried to shake off her fear. The little bit of light must have been reflecting on something. Don’t be silly, she scolded herself.
Tracey Baptiste (The Jumbies (The Jumbies #1))
The rabbit’s high profile in pop culture represents not just the public’s love of furry and playful critters but also the appeal of rabbits as animals who are thoroughly present. They remind us to be our best selves, detached from the exterior world while remaining engaged with others. If all this sentiment sounds a little too philosophical to be attributed to the humble rabbit, think for a moment what lagomorphs have come to symbolize—rebirth, balance, rejuvenation, speed, awareness, resurrection, fertility, spring, purity, resourcefulness, abundance, creativity, magic, harmony—and then consider how many of these are life-affirming qualities or at least characteristics that bring deep meaning to our existence.
Mark Hawthorne (The Way of the Rabbit)
Women love guys who care for furry animals but mutilate yucky ones
Hog Wild (Baby, You're as Sweet as 3.14159265 (101 Funny Love Advice Answers, 20 Sexy Stories, & Lots​ of Jokes))
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