Furious Famous Quotes

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There, there, baby!’ said Julian, patting his little sister on the back and laughing at her furious face.
Enid Blyton (Five Run Away Together (Famous Five, #3))
Phrases offered to the grief-stricken, such as “time heals all wounds” and “the day will come when you reach closure” irritated him, and there were times when he sat silent, seeming half-buried in some sediment of sorrow. “Closure? When someone beloved dies there is no ‘closure.’” He disliked television programs featuring tornado chasers squealing “Big one! Big one!” and despised the rat-infested warrens of the Internet, riddled with misinformation and chicanery. He did not like old foreign movies where, when people parted, one stood in the middle of the road and waved. He thought people with cell phones should be immolated along with those who overcooked pasta. Calendars, especially the scenic types with their glowing views of a world without telephone lines, rusting cars or burger stands, enraged him, but he despised the kittens, motorcycles, famous women and jazz musicians of the special-interest calendars as well. “Why not photographs of feral cats? Why not diseases?” he said furiously. Wal-Mart trucks on the highway received his curses and perfumed women in elevators invited his acid comment that they smelled of animal musk glands. For years he had been writing an essay entitled “This Land Is NOT Your Land.
Annie Proulx (That Old Ace in the Hole)
In his early twenties, a man started collecting paintings, many of which later became famous: Picasso, Van Gogh, and others. Over the decades he amassed a wonderful collection. Eventually, the man’s beloved son was drafted into the military and sent to Vietnam, where he died while trying to save his friend. About a month after the war ended, a young man knocked on the devastated father’s door. “Sir,” he said, “I know that you like great art, and I have brought you something not very great.” Inside the package, the father found a portrait of his son. With tears running down his cheeks, the father said, “I want to pay you for this.ℍ “No,” the young man replied, “he saved my life. You don’t owe me anything.ℍ The father cherished the painting and put it in the center of his collection. Whenever people came to visit, he made them look at it. When the man died, his art collection went up for sale. A large crowd of enthusiastic collectors gathered. First up for sale was the amateur portrait. A wave of displeasure rippled through the crowd. “Let’s forget about that painting!” one said. “We want to bid on the valuable ones,” said another. Despite many loud complaints, the auctioneer insisted on starting with the portrait. Finally, the deceased man’s gardener said, “I’ll bid ten dollars.ℍ Hearing no further bids, the auctioneer called out, “Sold for ten dollars!” Everyone breathed a sigh of relief. But then the auctioneer said, “And that concludes the auction.” Furious gasps shook the room. The auctioneer explained, “Let me read the stipulation in the will: “Sell the portrait of my son first, and whoever buys it gets the entire art collection. Whoever takes my son gets everything.ℍ It’s the same way with God Almighty. Whoever takes his Son gets everything.
Jimmy Carter (Through the Year with Jimmy Carter: 366 Daily Meditations from the 39th President)
For one who sets himself to look at all earnestly, at all in purpose toward truth, into the living eyes of a human life: what is it he there beholds that so freezes and abashes his ambitious heart? What is it, profound behind the outward windows of each one of you, beneath touch even of your own suspecting, drawn tightly back at bay against the backward wall and blackness of its prison cave, so that the eyes alone shine of their own angry glory, but the eyes of a trapped wild animal, or of a furious angel nailed to the ground by his wings, or however else one may faintly designate the human 'soul,' that which is angry, that which is wild, that which is untamable, that which is healthful and holy, that which is competent of all advantaging within hope of human dream, that which most marvelous and most precious to our knowledge and most extremely advanced upon futurity of all flowerings within the scope of creation is of all these the least destructible, the least corruptible, the most defenseless, the most easily and multitudinously wounded, frustrated, prisoned, and nailed into a cheating of itself: so situated in the universe that those three hours upon the cross are but a noble and too trivial an emblem how in each individual among most of the two billion now alive and in each successive instant of the existence of each existence not only human being but in him the tallest and most sanguine hope of godhead is in a billionate choiring and drone of pain of generations upon generations unceasingly crucified and is bringing forth crucifixions into their necessities and is each in the most casual of his life so measurelessly discredited, harmed, insulted, poisoned, cheated, as not all the wrath, compassion, intelligence, power of rectification in all the reach of the future shall in the least expiate or make one ounce more light: how, looking thus into your eyes and seeing thus, how each of you is a creature which has never in all time existed before and which shall never in all time exist again and which is not quite like any other and which has the grand stature and natural warmth of every other and whose existence is all measured upon a still mad and incurable time; how am I to speak of you as 'tenant' 'farmers,' as 'representatives' of your 'class,' as social integers in a criminal economy, or as individuals, fathers, wives, sons, daughters, and as my friends and as I 'know' you?
James Agee (Let Us Now Praise Famous Men)
Saturday evening, on a quiet lazy afternoon, I went to watch a bullfight in Las Ventas, one of Madrid's most famous bullrings. I went there out of curiosity. I had long been haunted by the image of the matador with its custom made torero suit, embroidered with golden threads, looking spectacular in his "suit of light" or traje de luces as they call it in Spain. I was curious to see the dance of death unfold in front of me, to test my humanity in the midst of blood and gold, and to see in which state my soul will come out of the arena, whether it will be shaken and stirred, furious and angry, or a little bit aware of the life embedded in every death. Being an avid fan of Hemingway, and a proponent of his famous sentence "About morals, I know only that what is moral is what you feel good after and what is immoral is what you feel bad after,” I went there willingly to test myself. I had heard atrocities about bullfighting yet I had this immense desire to be part of what I partially had an inclination to call a bloody piece of cultural experience. As I sat there, in front of the empty arena, I felt a grandiose feeling of belonging to something bigger than anything I experienced during my stay in Spain. Few minutes and I'll be witnessing a painting being carefully drawn in front of me, few minutes and I will be part of an art form deeply entrenched in the Spanish cultural heritage: the art of defying death. But to sit there, and to watch the bull enter the arena… To watch one bull surrounded by a matador and his six assistants. To watch the matador confronting the bull with the capote, performing a series of passes, just before the picador on a horse stabs the bull's neck, weakening the neck muscles and leading to the animal's first loss of blood... Starting a game with only one side having decided fully to engage in while making sure all the odds will be in the favor of him being a predetermined winner. It was this moment precisely that made me feel part of something immoral. The unfair rules of the game. The indifferent bull being begged to react, being pushed to the edge of fury. The bull, tired and peaceful. The bull, being teased relentlessly. The bull being pushed to a game he isn't interested in. And the matador getting credits for an unfair game he set. As I left the arena, people looked at me with mocking eyes. Yes, I went to watch a bull fight and yes the play of colors is marvelous. The matador’s costume is breathtaking and to be sitting in an arena fills your lungs with the sands of time. But to see the amount of claps the spill of blood is getting was beyond what I can endure. To hear the amount of claps injustice brings is astonishing. You understand a lot about human nature, about the wars taking place every day, about poverty and starvation. You understand a lot about racial discrimination and abuse (verbal and physical), sex trafficking, and everything that stirs the wounds of this world wide open. You understand a lot about humans’ thirst for injustice and violence as a way to empower hidden insecurities. Replace the bull and replace the matador. And the arena will still be there. And you'll hear the claps. You've been hearing them ever since you opened your eyes.
Malak El Halabi
Leonardo da Vinci, was brought to the Vatican in 1513 by the new pope, Leo X, and given a list of commissions to create for the greater glory of the pope and his family. After three years of living in the papal palace and exploring Rome, the great Leonardo had produced almost nothing. The furious Pope Leo decided to have a surprise showdown with the capricious artist and intimidate him into completing some of his commissions. In the middle of the night, surrounded by several imposing Swiss Guardsmen, the pope burst through the door to Leonardo’s private palace chambers, thinking to shake him out of a sound sleep. Instead, he was horrified to find Leonardo wide awake, with a pair of grave robbers, in the midst of dissecting a freshly stolen corpse—right under the pope’s own roof. Pope Leo let out a nonregal scream and had the Swiss soldiers immediately pack up Leonardo’s belongings and throw them and the divine Leonardo himself outside the fortress wall of the Vatican, never to return again. Shortly afterward, Leonardo decided it was probably healthier to get out of Italy and move to France, where he spent the rest of his days. This, by the way, is why the great Italian genius’s most famous oil paintings, including the Mona Lisa, are all in Paris, in the Louvre museum.
Benjamin Blech (The Sistine Secrets: Michelangelo's Forbidden Messages in the Heart of the Vatican)
Telephone calls began coming from private citizens reporting fresh outbreaks of fire and the looting of Jewish businesses all over Munich. Hitler angrily sent for SS General Friedrich Karl von Eberstein, the city's police chief, and told him to restore order at once. He telephoned Goebbels and furiously demanded: ‘What's the game?’ He sent out Schaub and other members of his staff to stop the looting and arson. He ordered special protection for the famous antique dealers, Bernheimer's. At 2:56 A.M. a telex was issued by Rudolf Hess's staff as deputy of the Führer – and was repeated to all gauleiters as Party Ordinance No. 174 – forbidding all such demonstrations: ‘On express orders issued at the highest level of all there is to be no arson or the like, whatever, under any circumstances, against Jewish businesses.’ The Gestapo followed suit – thus at 3:45 A.M. the Berlin Gestapo repeated this prohibition.
David Irving (The War Path)
It is no good getting furious if you get stuck. What I do is keep thinking about the problem but work on something else. Sometimes it is years before I see the way forward. In the case of information loss and black holes, it was 29 years.” The
Charles River Editors (Stephen Hawking: The Life of the World’s Most Famous Scientist)
Let’s get to your first assignment,” Lucky says. “Character. What I’d like you to do is venture out into the world somewhere, could be your local farmers’ market, your office building—Nancy, I see you work at the RMV, that’s a fertile environment—and choose two individuals to observe. Then I’d like you to dramatize a scene between the two with an eye toward developing this scene into a story. The late great novelist John Gardner famously said that there are only two plots: One, a person goes on a journey, and two, a stranger comes to town.” Lucky pauses and Sharon furiously scribbles on her legal pad. Sharon is hopelessly old-school; both Nancy and Willow type on their laptops. “Go forth and observe, then, my friends. We’ll meet again next week and you can share what you’ve written with the group.
Elin Hilderbrand (Swan Song (Nantucket, #4))
Luther had outfoxed his enemies; he had made the speech he was to have been prevented from making, and by his account at least von der Ecken was furious and shouted at him. He had not answered the question. The imperial officer attacked with a litany of names, heresies already condemned in the past that Luther was now resurrecting as if they were new discoveries. Heretics had always claimed the support of scripture against the church, he said. The worst heresies were those in which a little error was mixed with a lot of true doctrine-perhaps a slap against those in the room like Glapion who had said that Luther's books contained much good. Luther was a man who could stumble and err, and scripture could not be interpreted by one fallible man. We cannot draw things into doubt and dispute that the Catholic Church has judged already, things that have passed into usage, rite, and observance, things that our fathers held onto with firm faith, for which they suffered pain and torture, for which even thousands suffered death rather than reject one of them! And now you want to seduce us from the way to which our fathers were true! And what would the Jews and Turks and Saracens and the other enemies of our faith say when they heard about it? Why, they would burst into scornful laughter! Here are we Christians beginning to argue whether we have believed correctly until now! Do not deceive yourself, Martin. You are not the only one who knows the scripture, not the only one who has struggled to convey the true meaning of holy scripture-not after so many holy doctors have worked day and night to explain holy writ! Do not set your judgment over that of so many famous men. Do not imagine you know more than all of them. Do not throw the most sacred orthodox faith into doubt, the faith that Christ the most perfect lawgiver ordained, the faith that the apostles spread over the world, the faith confirmed by miracles, the faith that martyrs strengthened with their red blood ... You wait in vain, Martin, for a disputation over things that you are obligated to believe with certain and professing Von der Ecken's assumption was one of the great medieval myths, a myth taken for granted for so long that only when it was sternly questioned did those who accepted it see how fragile it was. The myth was that history was a positive and progressive force, shaped by divinity, and that revelation became more certain and more detailed with the passage of time. It seems clear from this speech that von der Ecken recognized the fragility of the assumptions that give faith plausibility and how Luther's attack threatened to bring them all down. In a room now filling with darkness, the voice of the imperial orator must have been a cry against a greater darkness that von der Ecken saw creeping over the world. If Luther was right, was anything certain? How could one man set himself against history?
Richard Marius (Martin Luther: The Christian between God and Death)
glory, at the Science Museum of London. Charles Babbage was a well-known scientist and inventor of the time. He had spent years working on his Difference Engine, a revolutionary mechanical calculator. Babbage was also known for his extravagant parties, which he called “gatherings of the mind” and hosted for the upper class, the well-known, and the very intelligent.4 Many of the most famous people from Victorian England would be there—from Charles Darwin to Florence Nightingale to Charles Dickens. It was at one of these parties in 1833 that Ada glimpsed Babbage’s half-built Difference Engine. The teenager’s mathematical mind buzzed with possibilities, and Babbage recognized her genius immediately. They became fast friends. The US Department of Defense uses a computer language named Ada in her honor. Babbage sent Ada home with thirty of his lab books filled with notes on his next invention: the Analytic Engine. It would be much faster and more accurate than the Difference Engine, and Ada was thrilled to learn of this more advanced calculating machine. She understood that it could solve even harder, more complex problems and could even make decisions by itself. It was a true “thinking machine.”5 It had memory, a processor, and hardware and software just like computers today—but it was made from cogs and levers, and powered by steam. For months, Ada worked furiously creating algorithms (math instructions) for Babbage’s not-yet-built machine. She wrote countless lines of computations that would instruct the machine in how to solve complex math problems. These algorithms were the world’s first computer program. In 1840, Babbage gave a lecture in Italy about the Analytic Engine, which was written up in French. Ada translated the lecture, adding a set of her own notes to explain how the machine worked and including her own computations for it. These notes took Ada nine months to write and were three times longer than the article itself! Ada had some awesome nicknames. She called herself “the Bride of Science” because of her desire to devote her life to science; Babbage called her “the Enchantress of Numbers” because of her seemingly magical math
Michelle R. McCann (More Girls Who Rocked the World: Heroines from Ada Lovelace to Misty Copeland)
If any locals had seen the dark-robed group as they moved through the darkness they might well have felt the stirrings of fear. Monks – anonymous, rootless, untraceable – were able to commit atrocities with near impunity. ‘Our angels’ some Christians called them. Rubbish, said non-Christians. They were not angels but ignorant, boorish thugs, men in appearance only who ‘led the lives of swine, and openly did and allowed countless unspeakable crimes’. As the author Eunapius wrote with sardonic distaste: ‘in those days every man who wore a black robe and consented to behave in unseemly fashion in public, possessed the power of a tyrant, to such a pitch of virtue had the human race advanced!’ Even a wholeheartedly Christian emperor mutedly observed that ‘the monks commit many crimes’. And on that night, these monks were about to commit another. Shenoute’s target was not, this time, one of his monks but one of the wicked, godless pagans. In sermon after furious sermon Shenoute had turned his famously fiery prose on these people. Their hearts were ‘the nests of the spirits of wickedness’. If disturbed then these evil people would spit out poison. The Bible, Shenoute told his congregants, said that those who set up pagan images should be killed. As he put it in one particularly vigorous sermon, God wished His people to ‘remove the abominations from His presence’. The emperors, Shenoute thundered, had declared that the entire earth must be cleansed of perversions. No stone was to be left on top of any other stone of any pagan temple. Not one. In the entire earth.
Catherine Nixey (The Darkening Age: The Christian Destruction of the Classical World)
At this time, Paris formed, for a man like Aristide Saccard, a most interesting spectacle. The Empire had just been proclaimed, after that famous journey during which the Prince President had succeeded in arousing the enthusiasm of some Bonapartist departments. Silence reigned both at the tribune and in the press. Society, saved once more, was congratulating itself and indolently resting, now that a strong government was protecting it and relieving it even of the trouble of thinking and of attending to its own business. The great preoccupation of society was to know in what way it should kill time. As Eugène Rougon so happily expressed it, Paris was dining and anticipating no end of pleasure at dessert. Politics produced an universal scare, like some dangerous drug. The wearied minds turned to pleasure and money-making. Those who had any of the latter brought it out, and those who had none sought in all the out-of-the-way places for forgotten treasures. A secret quiver seemed to run through the multitude, accompanied by a nascent jingling of five-franc pieces, by the rippling laughter of women, and the yet faint clatter of crockery and murmur of kisses. Amidst the great silence of the reign of order, the profound peacefulness brought by the change of government, there arose all sorts of pleasant rumours, gilded and voluptuous promises. It was as though one were passing in front of one of those little houses, the carefully drawn curtains of which reveal no more than the shadows of women, and where one can overhear the jingling of gold on the marble mantelpieces. The Empire was about to turn Paris into the bagnio of Europe. The handful of adventurers who had just stolen a throne needed a reign of adventure, of shadowy business transactions, of consciences sold, of women bought, of furious and universal intoxication. And, in the city where the blood of December was scarcely wiped away, there slowly uprose, timidly as yet, that mad desire for enjoyment which was destined to bring the country to the lowest dregs of corrupt and dishonoured nations.
Émile Zola (La Curée (Les Rougon-Macquart #2))
angry with her. He had been the owner of the best broom in the world for a few short hours, and now, because of her interference, he didn’t know whether he would ever see it again. He was positive that there was nothing wrong with the Firebolt now, but what sort of state would it be in once it had been subjected to all sorts of anti-jinx tests? Ron was furious with Hermione too. As far as he was concerned, the stripping-down of a brand-new Firebolt was nothing less than criminal damage. Hermione, who remained convinced that she had acted for the best, started avoiding the common room. Harry and Ron supposed she had taken refuge in the library and didn’t try to persuade her to come back. All in all, they were glad when the rest of the school returned shortly after New Year, and Gryffindor Tower became crowded and noisy again. Wood sought Harry out on the night before term started. “Had a good Christmas?” he said, and then, without waiting for an answer, he sat down, lowered his voice, and said, “I’ve been doing some thinking over Christmas, Harry. After the last match, you know. If the dementors come to the next one . . . I mean . . . we can’t afford you to — well —” Wood broke off, looking awkward. “I’m working on it,” said Harry quickly. “Professor Lupin said he’d train me to ward off the dementors. We should be starting this week. He said he’d have time after Christmas.” “Ah,” said Wood, his expression clearing. “Well, in that case — I really didn’t want to lose you as Seeker, Harry. And have you ordered a new broom yet?” “No,” said Harry. “What! You’d better get a move on, you know — you can’t ride that Shooting Star against Ravenclaw!” “He got a Firebolt for Christmas,” said Ron. “A Firebolt? No! Seriously? A — a real Firebolt?” “Don’t get excited, Oliver,” said Harry gloomily. “I haven’t got it anymore. It was confiscated.” And he explained all about how the Firebolt was now being checked for jinxes. “Jinxed? How could it be jinxed?” “Sirius Black,” Harry said wearily. “He’s supposed to be after me. So McGonagall reckons he might have sent it.” Waving aside the information that a famous murderer was after his Seeker, Wood said, “But Black couldn’t have bought a Firebolt! He’s on the run! The whole country’s on the lookout for him! How could he just walk into Quality Quidditch Supplies and buy a broomstick?” “I know,” said Harry, “but McGonagall still wants to strip it down —” Wood went pale.
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
blazingly furious philosophical resignation. In that atmosphere Cook and McWilliams—McWilliams having been one of the very few Irish economists to have predicted the crash—decided that since the only two things you could really do about the current predicament were laugh or cry, why not laugh? And why not, since Kilkenny was already the site of an internationally famous comedy festival, do it in Kilkenny? Hence, Kilkenomics: the world’s first-ever festival of comedy and economics, which is still running as an annual event. Every event at the festival mixes comedians together with economists. The idea behind that was brilliantly simple: what the comedians do is force the economists to stop talking entirely to each other and engage the audience instead. It was extraordinary to see how effective this was; you could see it in the body language of participants onstage.
John Lanchester (How to Speak Money: What the Money People Say-And What It Really Means: What the Money People Say―And What It Really Means)
Although Tata was a very liberal father in some ways, he could also be stubbornly conservative. These attitudes were obvious when I was in Mysore. I wanted to join the extracurricular student paramilitary organisation, the National Cadet Corps (NCC), which had just been introduced. All my college friends had volunteered to participate. However, Tata flatly refused me permission with the diktat: ‘No! I don’t like the idea of girls wearing pants.’ I was very envious of my friends wearing pants in the NCC. After completing my bachelor’s degree in psychology, Tata encouraged me to pursue my passion by enrolling in the master’s degree programme at the Manasa Gangothri campus of the University of Mysore. We were only two girls among eight students in that class. The famous Professor Kuppuswamy was my teacher. We had to conduct practical experiments on human subjects, forming smaller groups. Because we were only two girls, these groups were necessarily mixed. A couple of months later, a professor of philosophy who was a friend of my uncle, K.R. Karanth, wrote to Tata that I was overly friendly with the boys in my class. Tata, with his usual penchant for sending cryptic telegrams, sent one that just said, ‘Come home immediately.’ I took the overnight bus from Mysore and reached Balavana in the morning. Tata confronted me with the offending letter, saying, ‘A professor has complained that you are talking to the boys in your class!’ I was furious. I retorted, saying, ‘We are two girls. We must conduct experiments in teams that include boys. I can’t participate in experiments without talking to the boys. Either you let me go back and study or stop my education. You cannot tell me that I can go back and study psychology without talking to boys in my class.’ My strong ultimatum made him realise how foolish he had been. He sheepishly said, ‘Go back, go back. Do whatever you want to do.’ There was a very strong, caring, trusting relationship between us. I had fought back with facts, and Tata respected that. He never brought up the subject of boys again. In contrast, Amma had total faith in me. I could not do anything wrong. ‘Let Malu do what she wants,’ was her clear opinion. Tata’s judgement of people was much poorer than Amma’s. Even if a stranger wrote something nonsensical to him, he had this tendency to believe the worst first and ask questions later.
Malavika Kapur (Growing Up Karanth)