Fur Slides Quotes

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She stepped forward as if to pick up the fur she'd tossed over a chair. Smoothly, she turned to hand it to him. And with perfect timing, flung herself into his arms. The sable fell as he took her shoulders to shove her back. Eve stepped to the doorway to see Magdelana with her arms locked around Roarke's neck, his hands on her bare shoulders--one of the ivory straps sliding to her elbow. "Son of a bitch," she said. On cue, Magdelana spun around, her face full of passion and shock. "Oh, God. Oh...it's not what it looks like." "Bet." Eve strode in. Actually, Roarke thought, it was more of a swagger. He had a moment to admire it, before Eve rammed her fist in his face. "Fuck me." His head snapped back, and he tasted blood. Magdelana cried out, but even the deaf would have caught the suppressed laughter in the sound. "Roarke! Oh, my God, you're bleeding. Please, let me just--" "Don't look now," Eve said cheerfully. "But he's not the only one." She decked Magdelana with a straight-armed jab. "Bitch," Eve added as Magdelana's eyes rolled back and she fell, unconscious, to the floor. Roarke looked down. "Well, now, fuck us all.
J.D. Robb (Innocent in Death (In Death, #24))
It is not only streams and rivers that flow: a street, with a door set back from it, can slide over into the depth of an abyss. The street was her youth, was all the minutes, the seconds of her existence. The grass sprouting between the cobbles, the pinpricks, the needles while her stomach cried its hunger. The closed door, the step she sat on - quietly, for there was nothing she desired. A door set back from the street was enough for her. To grow old is to wrap ourselves up well so we can wander warmly through our private catacombs.
Violette Leduc (The Lady and the Little Fox Fur)
She told no one of the otter. Garrett would want to trap it; Faina would ask her to draw it. She refused to confine it by any means because, in some strange way, she knew it was her heart. Living, twisting muscle beneath bristly damp fur. Breaking through thin ice, splashing in cold creek water, sliding belly-down across snow. Joyful, though it should have known better.
Eowyn Ivey (The Snow Child)
It's okay to want something that's going to hurt, I remind myself. I move toward him, so we are close enough to touch. He takes my hand in his, fingers lacing together, and bends towards me. There is plenty of time for me to pull away from the kiss, but I don't. I want him to kiss me. My weariness evaporates as his lips press against mine. Over and over, one kiss sliding in to the next. 'You looked like a knight in a story tonight,' he says softly against my neck. 'Possibly a filthy story.' I kick him in the leg, and he kisses me again, harder. We stagger against the wall, and I pull his body to mine. My fingers glide up under his shirt, tracing up his spine to the wings of his shoulder blades. His tail lashes back and forth, the furred end stroking over the back of my calf.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
I walked around him, champagne in hand. Great feeling. -Give me a flash, he said – just a little quick… I flashed opened the coat as I strolled by. He exhaled with a sigh- O, he said, Please Again. This time I stood squarely in front of him. He was sitting on the beautiful new over stuffed chair, and swung the coat open, all the way open. And then slowly closed it, and walked away, hips and heels swaying away from him. I could hear the groan. God, this was powerful. He came up behind me and slid his hand down over the fur, the softness, silkiness of the lining flowed over my naked body, a caress on every inch of my flesh –umm indeed. Now he was sliding his hands up my legs and under the coat. -Aah,Aah not yet, I said and pulled away from him. He moaned again – Please, he said…
Germaine Gibson (Sensation & Magic 2 - the apprentice)
In my beginning is my end. In succession Houses rise and fall, crumble, are extended, Are removed, destroyed, restored, or in their place Is an open field, or a factory, or a by-pass. Old stone to new building, old timber to new fires, Old fires to ashes, and ashes to the earth Which is already flesh, fur and faeces, Bone of man and beast, cornstalk and leaf. Houses live and die: there is a time for building And a time for living and for generation And a time for the wind to break the loosened pane And to shake the wainscot where the field-mouse trots And to shake the tattered arras woven with a silent motto. In my beginning is my end. Now the light falls Across the open field, leaving the deep lane Shuttered with branches, dark in the afternoon, Where you lean against a bank while a van passes, And the deep lane insists on the direction Into the village, in the electric heat Hypnotised. In a warm haze the sultry light Is absorbed, not refracted, by grey stone. The dahlias sleep in the empty silence. Wait for the early owl. In that open field If you do not come too close, if you do not come too close, On a summer midnight, you can hear the music Of the weak pipe and the little drum And see them dancing around the bonfire The association of man and woman In daunsinge, signifying matrimonie— A dignified and commodiois sacrament. Two and two, necessarye coniunction, Holding eche other by the hand or the arm Whiche betokeneth concorde. Round and round the fire Leaping through the flames, or joined in circles, Rustically solemn or in rustic laughter Lifting heavy feet in clumsy shoes, Earth feet, loam feet, lifted in country mirth Mirth of those long since under earth Nourishing the corn. Keeping time, Keeping the rhythm in their dancing As in their living in the living seasons The time of the seasons and the constellations The time of milking and the time of harvest The time of the coupling of man and woman And that of beasts. Feet rising and falling. Eating and drinking. Dung and death. Dawn points, and another day Prepares for heat and silence. Out at sea the dawn wind Wrinkles and slides. I am here Or there, or elsewhere. In my beginning.
T.S. Eliot (Four Quartets)
I set my coffee beside me on the curb; I smell loam on the wind; I pat the puppy; I watch the mountain. My hand works automatically over the puppy’s fur, following the line of hair under his ears, down his neck, inside his forelegs, along his hot-skinned belly. Shadows lope along the mountain’s rumpled flanks; they elongate like root tips, like lobes of spilling water, faster and faster. A warm purple pigment pools in each ruck and tuck of the rock; it deepens and spreads, boring crevasses, canyons. As the purple vaults and slides, it tricks out the unleafed forest and rumpled rock in gilt, in shape-shifting patches of glow. These gold lights veer and retract, shatter and glide in a series of dazzling splashes, shrinking, leaking, exploding. The ridge’s bosses and hummocks sprout bulging from its side; the whole mountain looms miles closer; the light warms and reddens; the bare forest folds and pleats itself like living protoplasm before my eyes, like a running chart, a wildly scrawling oscillograph on the present moment. The air cools; the puppy’s skin is hot. I am more alive than all the world.
Annie Dillard (Pilgrim at Tinker Creek)
I was in a copse of pine trees, and the pine was overpowering my scent. The pheromones of the big cat mingled with the pine and I spun around. I was smelling and looking for the flash of white, but I couldn’t see it. I grew angry and I pawed at the earth. The aroma of the soil cleansed my nose as I leaned down and sniffed deeply. I slowly closed and opened my eyes. As I looked ahead I saw something. There, further on, I had another glimpse of the large white cat. She was stopped and her hindquarters were in the air. I stared, trying to figure out what she was doing. Her forepaws and head were on the ground, but her hind was wiggling. She was next to a tree, marking it, so I slowly paced in a zigzag pattern as I walked close to her. I was being cautious because poachers had been known to employ shifters to entice real animals in the wild. She turned her head and growled at me. I took it as an invite to come closer. I ran up to her and started circling. She was an albino panther as I thought. I paced closer, breathing deep. I was in the middle of Ohio, outside of a lost cougar and a few bobcats there were no big cats here, at least not counting lycanthropes, and this creature didn’t smell like one of those. Her rump almost wagged in anticipation, and I felt my tiger body respond. I circled her, taking a swipe in her direction to see if she was going to respond negatively to me. The pink eyes followed me and she growled. I walked up to her, sniffed her face and neckline. I didn’t smell any other male on her, and I walked to her raised rump. Burying my nose in her groin I smelled deeper, and she shifted her body. I felt it before I could see it. She was shifting, changing from albino panther to human. I sat on my hindquarters as I watched. Her white fur seemed to melt from her, sliding upwards, starting with her back legs. The flesh and fur on her feet slid forward, leaving human feet and calves. It was fully fleshed, unlike some lycanthrope changes when they’re younger. The calves of her legs appeared, and slowly slid up. The panther flesh was sliding forward, slowly and methodically. Across her ass and groin, now lower back and stomach. The pheromones I smelled earlier were coming from her, the human form. I stood and started pacing behind her, and her panther head shook in a very human gesture. I stopped, fighting the desire to lean forward and lick her wetness with my large tongue. The flesh was sliding forward and as her teats turned into breasts, I growled in need. Next were her shoulders and arms, then her head and hands. As the transformation ended, there was a pile of fur and flesh lying in front of her. Her human form was beautiful; a full figured woman with long white hair, that was perfectly natural. She looked to be in her early forties, but didn’t have a line on her face that she didn’t want. In the corners of her eyes were small, but beautiful, crow’s feet, laugh lines surrounded her mouth. She laid out with her former form under her, laying on it, propped up by her elbows. She smiled with the confidence of someone who was used to being in charge. Her long hair flowed around her shoulders, framing her body. She reminded me of someone, but I couldn’t figure out who.
Todd Misura (Divergence: Erotica from a Different Angle)
"It's okay," Rafe said again. "They've got you." The helicopter spun, whipping us around. Pain shot through me as Rafe's weight almost wrenched my shoulders out of their sockets, and my hold on his wrists broke. Corey lost his grip on my leg. I heard him shout and Daniel shout and the girls join in, and I kicked, trying to get my leg back up where someone could grab it. The helicopter tilted again. I started to slide, Daniel sliding with me. And I knew we were going to fall. Rafe, me, Daniel, we were all going to fall. "Hold On!" I shouted to Rafe. "It's okay," he said, and I wasn't even sure he spoke aloud, didn't see his lips moving. "It's okay." He let go. I clawed the air, screaming. I didn't even see him drop. The helicopter banked and I caught only a blur of treetops spinning past and when I looked around, there was no Rafe. No sign of him at all. Corey and Daniel dragged me back into the helicopter. Someone got the door closed. I don't know who. I was crying and shaking so hard I couldn't see, couldn't hear, couldn't think. As I huddled on the floor, I felt Daniel behind me, his arms around me. Kenji pushed onto my lap, and I buried my face in her fur, gripping handfuls and sobbing against her.
Kelley Armstrong (The Calling (Darkness Rising, #2))
It seemed so real it truly felt as if we were wrapped in rich furs, gliding over shiny white ice, with polar bears lumbering past, seals barking and waving their flippers, and penguins sliding comically on their tummies down the icy slopes into the black sea. My heart melted in this freezing fantasy land and in two minutes I loved Dad so much I was willing to forgive him anything.
Jacqueline Wilson (Clean Break)
I’ll hiss at you all I fucking want, Mom.” Bared teeth sharpened as amber spread through Sophie’s pupils. “I went to her because of you. Because I don’t want you to live like a troll for the rest of your life. And you can’t-,” A growl ran over Sophie’s words as her upper lip split, the septum of her nose sliding down towards it. “Baby no! Don’t!” Gloria pleaded. Bones cracked as Sophie tore off her clothing. “Why not? She waaants to meeeeet you anywaay aaahhh.” The words strained against the background of popping bones. She kicked her skirt from around her ankles as fur raced up her spine, spreading from the base of her tail. “Huuurts,” She ground out as she fell down to the floor. “Always does during the new moon,” I said, raising myself up on tiptoes to watch the transformation. Gloria watched her daughter change, with wide eyes and a shaking head, but Taya had gone so pale, I feared she’d faint. “She will not hurt you. Right, Sophie? You just wanted to show them.” Sophie made a gargle of sounds that might have been a yes as her hips narrowed in a series of violent snaps, seeming to squeeze muscle up into her neck. Torso reshaped, the transformation continued down through her limbs, muscles swelling with the stretching of bones. Fingers bent backwards as they thickened to the fleshy digits of paws. The sickle-like claws folded back into the tips before a wave of tawny golden fur hid them away. That fur lightened to white on her chest and chin. With the change finished, she sank down onto the floor with a relieved sound somewhere between a meow and a human sigh. I recognized the signs of a shift forced by spending too long in human form. I’d be running into my own limit soon. If Sophie had been human since we exited that cave then the pressure to change had probably been immense
Daniel Potter (Soul Shock (Full Moon Medic #3))
It didn’t matter that I swept up clouds of brindle fur in my apartment and scraped dried dog drool off my walls every night, or once went to work with slobber in my hair. It didn’t matter that her number twos were so large someone once told me they needed their own zip code, that my apartment turned into a Slip’n Slide every time she drank water, or that she wasn’t the neatest eater, so sometimes I’d step on half-chewed food and it felt like mashed potatoes in between my toes.
Lauren Fern Watt (Gizelle's Bucket List: My Life with a Very Large Dog)
It seemed so real it truly felt as if we were wrapped in rich furs, gliding over shiny white ice, with polar bears lumbering past, seals barking and waving their flippers, and penguins sliding comically on their tummies down the icy slopes into the black sea.
Jacqueline Wilson (Clean Break)
Darling, we could just slide back down this mountain right now.” “No.” “It’d be fun.” “No.” “I could make being back at Court in front of a fire on furs really fun.
Mera Akiana (Bond and Song)
I was not sure if it would be better than your mouth." I chuckle. "And is it?" "I have decided that I like both. One is fresh, bloody meat straight from the kill. The other is a warm soup by the fire. Both are good." He slides his cock out of my body and then collapses onto the furs next to me. "Very, very good." Most girls would probably hate for their vagina to be compared to soup, but I know Juth, and I know it's a compliment.
Ruby Dixon (Steph's Outcast (Icehome, #13))
There are halibut as big as doors in the ocean down below the town, flapskimming on the murky ocean floor with vast skates and rays and purple crabs and black cod large as logs, and sea lions slashing through the whip-forests of bull kelp and eelgrass and sugar wrack, and seals in the rockweed and giant perennial kelp and iridescent kelp and iridescent fish and luminous shrimp too small to see with the naked eye but billions of which feed the gray whales which slide hugely slowly by like rubbery zeppelins twice a year, north in spring and south in fall. Salmonberries, thimbleberries, black raspberries, gooseberries, bearberries, snowberries, salal berries, elderberries, blackberries along the road and by the seasonal salt marshes north and south. The ground squirrels burrow along the dirt banks of the back roads, their warren of mysterious holes, the thick scatter of fine brown soil before their doorsteps, the flash of silver-gray on their back fur as they rocket into the bushes; the bucks and does and fawns in the road in the morning, their springy step as they slip away from the gardens they have been eating; the bobcat seen once, at dusk, its haunches jacked up like a teenager's hot-rodding car; the rumor of cougar in the hills; the coyotes who use the old fire road in the hills; the tiny mice and bats one sometimes finds long dead and leathery like ancient brown paper; the little frenetic testy chittering skittering cheeky testy chickaree squirrels in the spruces and pines - Douglas squirrels, they are, their very name remembering that young gentleman botanist who wandered near these hills centuries ago. The herons in marshes and sinks and creeks and streams and on the beach sometimes at dusk; and the cormorants and pelicans and sea scoters and murres (poor things so often dead young on the beach after the late-spring fledging) and jays and crows and quorking haunted ravens (moaning Poe! Poe! at dusk) especially over the wooded hills, and the goldfinches mobbing thistles in the meadowed hills, and sometimes a falcon rocketing by like a gleeful murderous dream, and osprey of all sizes all along the Mink like an osprey police lineup, and the herring gulls and Caspian terns and arctic terns, and the varied thrushes in wet corners of thickets, and the ruffed grouse in the spruce by the road, and the quail sometimes, and red-tailed hawks floating floating floating; from below they look like kites soaring brownly against the piercing blue sky, which itself is a vast creature bluer by the month as summer deepens into crispy cold fall.
Brian Doyle (Mink River: A Novel)
Hi, there.  Need a hand?” the man said. I stopped near the trunk. “No, thanks.  I got it.” He didn’t leave. “My name’s Dale.  I own Dale’s Auto Body on South Mitchell.  You should bring your car by.  It looks like it might be due for an oil change.” Did I really look dumb enough to believe he could determine the car needed an oil change just by looking at the exterior?  It certainly wasn’t leaking oil as a giveaway. “That’s a nice offer, but my boyfriend does the oil changes.”  I unlocked the trunk and started to load groceries. Dale didn’t take the hint and go away. “He’s a handy guy, then?”  He grabbed the potatoes and set them in the trunk for me.  Unfortunately, it brought him closer. “Yes, very.”  A brief conversation sometimes worked to get rid of a pest. “I’m sorry, I didn’t catch your name,” he said. I could see Clay through the back window.  Crouched down, he watched the man though the small gap between the trunk lid and the trunk.  I bent forward and set a bag in the trunk so Dale wouldn’t see me as I rolled my eyes at Clay.  Clay’s gaze briefly flicked to me before returning to Dale with serious intent. “Gabby,” I said as I closed the trunk.  “Thanks for helping me with the groceries, but I need to get going.  My dog’s been in the car for a while already.” Not waiting for his reply, I moved the cart to the empty spot next to my car. “We have an opening at the shop.  If your boyfriend’s looking for work, send him by.  We’ll see how good he is,” Dale said, opening the driver-side door for me. Clay hopped from the back seat to the driver’s seat.  With bristling fur, he growled at Dale, who backed away a step. I nodded to Dale and nudged Clay over so I could slide in behind the wheel.  Braving Clay’s wrath, Dale closed the door for me.  I started the car and pulled through the empty spot in front of me. “Well, that was a challenge if I ever heard one.”  I reached over to pet Clay’s head.  “But no challenges until you fix the sink.”  He looked up at me, and I smiled. When
Melissa Haag (Hope(less) (Judgement of the Six #1))
Over the years I've done everything from small organization units in condo closets with sliding doors, to one massive one-thousand-square-foot duplex closet for a pamper socialite that included a wall of climate-controlled storage for her substantial fur collection, and no lie, a CIA-level fingerprint lock on the door. The only thing that was ever more fun was doing a panic room for a paranoid woman who had recently lost her husband. She wanted to be sure that if someone broke into her Gold Coast brownstone she could survive in comfort for at least a week. We referred to her as the Preppy Prepper, giving her a large panic room with en suite bathroom, which included a mini kitchen stocked with canned caviar and smoked oysters and splits of vintage champagne, completely upholstered in a huge-scale blowsy floral chintz.
Stacey Ballis (Recipe for Disaster)
OH FUCK, BABY," I groaned, my eyes sliding closed as my body pulsed with pleasure. Fur rippled along my skin as my wolf shuddered with need. He wanted to be dominating our mate, but it was my turn. "Suck it hard, Larissa. Oh, yeah. Fuck!" I forced my eyelids up so I could watch my mate take my cock to the back of her throat. Holding her hair in one fist, I helped guide her head up and down, fucking her mouth like I was gonna be doing to her pussy real soon. She raised her eyes to mine, and I almost lost it right then. She looked so damn gorgeous on her knees with her pretty lips wrapped around me, and her eyes filled with desire.
Fiona Davenport (Her Alpha (Shifted Love, #2))
Holding my gaze, he unbuttoned his jeans and let them slide to the floor. Mistake. Huge mistake, ordering him to take those off. God, his thighs. Could you call a man's thick ripped thighs beautiful? I pressed mine together, trying to suppress the desire to straddle one of those lightly furred, powerful thighs and ride it. Didn't work, though.
Kristen Callihan (Make It Sweet)
Retired missionaries taught us Arts & Crafts each July at Bible Camp: how to glue the kidney, navy, and pinto bean into mosaics, and how to tool the stenciled butterfly on copper sheets they'd cut for us. At night, after hymns, they'd cut the lights and show us slides: wide-spread trees, studded with corsage; saved women tucking T-shirts into wrap-around batiks; a thatched church whitewashed in the equator's light. Above the hum of the projector I could hear the insects flick their heads against the wind screens, aiming for the brightness of that Africa. If Jesus knocks on your heart, be ready to say, "Send me, O Lord, send me," a teacher told us confidentially, doling out her baggies of dried corn. I bent my head, concentrating hard on my tweezers as I glued each colored kernel into a rooster for Mother's kitchen wall. But Jesus noticed me and started to knock. Already saved, I looked for signs to show me what else He would require. At rest hour, I closed my eyes and flipped my Bible open, slid my finger, ouija-like, down the page, and there was His command: Go and do ye likewise— Let the earth and all it contains hear— Every tree that does not bear good fruit is cut down and thrown into the fire—. Thursday night, at revival service, I held out through Trust and Obey, Standing on the Promises, Nothing But the Blood, but crumpled on Softly and Tenderly Jesus is Calling, promising God, cross my heart, I'd witness to Rhodesia. Down the makeshift aisle I walked with the other weeping girls and stood before the little bit of congregation left singing in their metal chairs. The bathhouse that night was silent, young Baptists moving from shower to sink with the stricken look of nuns. Inside a stall, I stripped, slipped my clothes outside the curtain, and turned for the faucet— but there, splayed on the shower's wall, was a luna moth, the eye of its wings fixed on me. It shimmered against the cement block: sherbet-green, plumed, a flamboyant verse lodged in a page of drab ink. I waved my hands to scare it out, but, blinkless, it stayed latched on. It let me move so close my breath stroked the fur on its animal back. One by one the showers cranked dry. The bathhouse door slammed a final time. I pulled my clothes back over my sweat, drew the curtain shut, and walked into a dark pricked by the lightening bugs' inscrutable morse.
Lynn Powell (Old and New Testaments)
He’s a good sleeper,” Delilah says. I slide my hand under the blanket and stroke his soft fur. He licks my palm and nuzzles into me. “Dusty is such a good boy. I think he had a traumatic start to life. Now he’s finally able to relax.” Delilah taps her chin. “Maybe I should buy Zeke a dog for Christmas. We used to talk about getting one someday, but that was eons ago.” “You should. He or she can be the Jitters mascot. And we can go to the dog park together.” I almost bounce in my seat thinking about all the pup-fun. I swing my gaze to Raven. “Does Trey want a pup?” She tilts her head. “Um, maybe. We have a nice backyard for one. You’re quite the doggie-dealer, Addy.” I laugh. “Having Dusty is so great. I want you both to have that happy, too. Have you finished Christmas shopping?
Harloe Rae (Lass (#BitterSweetHeat, #3))