Fun Retrospective Quotes

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September’s Baccalaureate A combination is Of Crickets — Crows — and Retrospects And a dissembling Breeze That hints without assuming — An Innuendo sear That makes the Heart put up its Fun And turn Philosopher.
Emily Dickinson
He hoped to be successful, to make his parents proud and to sleep with more than one woman at the same time, but how to make these all compatible? He wanted to feature in magazine articles, and hoped one day for a retrospective of his work, without having any clear notion of what that work might be. He wanted to live life to the extreme, but without any mess or complications. He wanted to live life in such a way that if a photograph were taken at random, it would be a cool photograph. Things should look right. Fun; there should be a lot of fun and no more sadness than absolutely necessary.
David Nicholls (One Day)
You can imagine anything to be fun in retrospect- look at all those people who long for high school.
Jennifer Close (The Hopefuls)
Our stories may not always be pleasant as they’re being lived. They can in fact be just the opposite, acquiring a warm hue only in retrospect. “I think this boils down to a philosophical question rather than a psychological one,” Tom Gilovich, a professor of psychology at Cornell, tells me. “Should you value moment-to-moment happiness more than retrospective evaluations of your life?” He says he has no answer for this, but the example he offers suggests a bias.
Jennifer Senior (All Joy and No Fun: The Paradox of Modern Parenthood)
I was a little scared of her. Even when she said she’d been harming herself there was still a little bit of Claire in her, some of the humor and charm, as though depression was something she could slip out of when she needed to engage with the world. When she needed to protect me from seeing it. But now she was clearly gone. I wondered if it really had to do with David or Trent or any of the men, or if the two just coincided. This seemed so much greater than men. “You’re going to be okay,” I said. But I wasn’t convincing. “I’m gutted. I really just don’t see the point of going on living,” she said. “It just seems so insane. Like, why would you?” “I don’t know,” I said, because truthfully I didn’t. “I’m probably not the best person to talk you out of suicide.” I was trying to make her laugh but she didn’t. Suicide was one of those things that, having been suicidal, in retrospect, I felt like I could talk about without being judgmental. But at the same time, there was no rational reason I could give her to live. Could I say that I was glad I lived? The thing was, I hadn’t really known I was suicidal until I woke up with the doughnuts. Also, even if things were better now, were they ever permanently better? Who was I to put that pressure on her to stay alive? But what kind of person didn’t try to talk their friend out of killing herself? I didn’t want to tell her that she had to live for her children. I knew she felt bad enough about them already. I could have told her what an amazing and fun and funny personality she was, but I knew that right now it all felt to her like just a performance. Her charming personality was only more heaviness—another mask she was going to have to pick up again to prove she hadn’t lost it in the depression. The only reason to put it on again was out of fear that she might never get it back. Otherwise, there was no real reason to have to put on a heavy costume every day. It was too tiring.
Melissa Broder (The Pisces)
Choose activities that support the goal of the retrospective. If there’s no way to discuss the activity that makes a connection between the activity and the work, omit it. We’re not against games and simulations—in fact we use them often—when they serve a purpose and move the retrospective forward. Icebreakers, energizers, and games that don’t relate to the work don’t fit in retrospectives. There’s only so much time, so don’t waste it with activities that are “just for fun.” Have fun, but have a purpose.
Esther Derby (Agile Retrospectives: Making Good Teams Great)
12. The disasters you didn't see coming Every person you should not have trusted. Every fun night out that went wrong. Every choice that in retrospect that should not have been made. Except we don't live our lives in retrospect. We live them forward.
Heidi Priebe (This Is Me Letting You Go)
How can it be so, this hovering sense of being both victim and perpetrator, both us and them, both me and him? Have we been expelled from an arcadia of fun where nature provided us with innocent automata, lowing and braying machines for our amusement? I doubt it. I doubt it very much. I tell you what I think, since you ask, since you dare to push your repulsive face at me, from out of the smooth paintwork of my heavily mortgaged heart. I think there was only so much fun to go round, only so much and no more available. We've used it all up country dancing in the gloaming, kissing by moonlight, eating shellfish while the sun shatters on our upturned fork and we make the bon point. And of course, the think about fun is that it exists solely in retrospect, in retroscendence; when you're having fun you are perforce abandoned, unthinking. Didn't we have fun, well, didn't we? You know we did. You're with me now, aren't you? We're leaving the party together. We pause on the stairs and although we left of our own accord, pulled our coat from under the couple entwined on the bed, we already sense that it was the wrong decision, that there was a hidden hand pushing us out, wanting to exclude us. We pause on the stairs and we hear the party going on without us, a shrill of laughter, a skirl of music. Is it too late to go back? Will we feel silly if we go back up and announce to no one in particular, 'Look, the cab hasn't arrived. We thought we'd just come back up and wait for it, have a little more fun.' Well, yes, yes, we will feel silly, bloody silly, because it isn't true. The cab has arrived, we can see it at the bottom of the stairs, grunting in anticipation, straining to be clutched and directed, to take us away. Away from fun and home, home to the suburbs of maturity. One last thing. You never thought that being grown up would mean having to be quite so - how can I put it? Quite so - grown up. Now did you? You didn't think that you'd have to work at it quite so hard. It's so relentless, this being grown up, this having to be considered, poised, at home with a shifting four-dimensional matrix of Entirely Valid Considerations. You'd like to get a little tiddly, wouldn't you? You'd like to fiddle with the buttons of reality as he does, feel it up without remorse, without the sense that you have betrayed some shadowy commitment. Don't bother. I've bothered. I've gone looking for the child inside myself. Ian, the Startrite kid. I've pursued him down the disappearing paths of my own psyche. I am he as he is me, as we are all . . . His back, broad as a standing stone . . . My footsteps, ringing eerily inside my own head. I'm turning in to face myself, and face myself, and face myself. I'm looking deep into my own eyes. Ian, is that you, my significant other? I can see you now for what you are, Ian Wharton. You're standing on a high cliff, chopped off and adumbrated by the heaving green of the sea. You're standing hunched up with the dull awareness of the hard graft. The heavy workload that is life, that is death, that is life again, everlasting, world without end. And now, Ian Wharton, now that you are no longer the subject of this cautionary tale, merely its object, now that you are just another unproductive atom staring out from the windows of a branded monad, now that I've got you where I want you, let the wild rumpus begin.
Will Self (My Idea of Fun)
Cooperation is the act of working with others and acting together to accomplish a job. A team is a partnership of unique people who bring out the very best in each other, and who know that even though they are wonderful as individuals, they are even better together. Coming together is a beginning; staying together is progress; working together is success.
Paulo Caroli (FunRetrospectives: activities and ideas for making agile retrospectives more engaging)
Life was very different with the sober Eric—he was very different. He had never been good at expressing himself verbally, but now he didn’t want to talk at all. He’d lost his sense of fun. The practical jokes, mad antics, and laughter had gone. It was as though he had lost his personality. Worse, I detected in him an underlying sense of injustice. I was still drinking and so was everyone around him—no one had told me I should stop, which, in retrospect, might have helped him.
Pattie Boyd (Wonderful Tonight)
A team is a group of people focused on a common goal, in which each individual adjusts their actions, habits, and work preferences in order to achieve the group’s common goal. The team’s effectiveness depends on the members’ capacity to work together. It is directly related to the group’s ability to make the best use of the individuals’ skills.
Paulo Caroli (FunRetrospectives: activities and ideas for making agile retrospectives more engaging)
The dramatic interplay was more in Lester’s wheelhouse, particularly the scene where Billy Bob contemplates suicide. Wracked with guilt over disappointing his coach (and, in retrospect, possibly suffering from post-concussion syndrome), Billy Bob sits on the back of his pickup with his football trophies, a bottle of tequila, and a Mossberg 12-gauge pump shotgun when he’s confronted by Mox. “Championship trophy. Steelers. We were 9. Remember this shit? Playing Pee Wee?” “Yeah,” Mox says. “It was fun.” “No, it wasn’t. I remember being yelled at.” Billy Bob throws the trophy. “Too fat, Billy Bob!” Bang! “Too slow and dumb!” He pulls the pump handle. Bang! “It was great,” Robbins, the director, says. “I remember that night shooting that scene, and you don’t do that once, you do it over and over again from different angles. And he was just able to deliver that performance over and over again, and those were real tears and real emotion coming out of him.” Lester drew on pain from his personal life, thinking of his late father and his sister Linda, who died at 35. He also pulled from his own struggles with suicide. Inconsolable after Linda passed, he had put a loaded gun to his head and pulled the trigger. Nothing happened. “God,” he says, is the only explanation. “I actually have the bullet, still. It’s not a dud; it’s live. It just didn’t go off,” Lester says. “I was kind of dreading [that scene] because I knew where I’d go. But I’m an actor and I’m making a commitment to the character. To do that, you have to go 100 percent and just hope you pull yourself out of it.
Billy Bob's Blues